Archive for progressive rock

COHEED AND CAMBRIA “NEVERENDER SSTB” U.S. and Toronto 2011 Tour Dates!

Posted in Hard Rock, Heavy Metal, metal music, metal odyssey, Music, progressive metal, progressive rock, rock music, rock music news with tags , , , , , , , , , , on January 14, 2011 by Metal Odyssey

COHEED AND CAMBRIA – Progressive Rock/Metal giants COHEED AND CAMBRIA are getting ready to tour the U.S. and Toronto, Ontario, Canada this April and May of 2011! Below is the band telling all about this upcoming NEVERENDER SSTB Tour, as quoted from the COHEED AND CAMBRIA newsletter, January 14, 2011:

“Hey All,

In case you haven’t heard, we are performing our debut album, The Second Stage Turbine Blade, in it’s entirety in 23 cities across the US and in Toronto, Canada.

The “Evening with” format means we’ll do the full set electric, along with a 30-40 minute acoustic set, and a bonus electric set. No support bands.

Most of the shows are on sale now, a few go on sale tomorrow (and Oakland on Sunday)”. Full dates and ticket links are posted here:www.coheedandcambria.com

We hope to see you at the shows!!

April & May 2011 Tour Dates:

4/08 Kansas City, MO – Midland Theater
4/09 Dallas, TX – Palladium
4/11 Austin, TX – Stubbs
4/12 Houston, TX – Warehouse Live
4/14 Atlanta, GA – Tabernacle
4/15 Tampa, FL – Jannus Live
4/18 Charlotte, NC – Fillmore
4/19 Baltimore, MD – Rams Head Live
4/20 Washington, DC – 9:30 Club
4/22 Sayreville, NJ – Starland Ballroom
4/25 Boston, MA – House of Blues
4/26 Philadelphia, PA – Electric Factory
4/27 Toronto, ON – Kool Haus
4/29 Detroit, MI – Royal Oak Music Theater
4/30 Chicago, IL – House of Blues5/02 Denver, CO – Ogden Theater
5/03 Salt Lake City, UT – In the Venue
5/05 Seattle, WA – Showbox Sodo
5/06 Portland, OR – Roseland Theater
5/07 Oakland, CA – Fox Theater
5/09 Tempe, AZ – Marquee Theater
5/10 San Diego, CA – House of Blues
5/11 Los Angeles, CA – Club Nokia

www.coheedandcambria.com
www.twitter.com/coheed
www.facebook.com/coheedandcambria

COHEED AND CAMBRIA – Year Of The Black Rainbow was released on April 13, 2010, via Sony.

LONG LIVE COHEED AND CAMBRIA.

Stone.

BRUCE LAMONT “Feral Songs For The Epic Decline” – Transcends Rock Music’s Complacency

Posted in ambient music, avant-garde music, Hard Rock, Heavy Metal, industrial rock, metal music, progressive rock, rock music, rock music news with tags , , , , , , , , , on December 28, 2010 by Metal Odyssey

BRUCE LAMONT – Upon my very first listen to Feral Songs For The Epic Decline,  I realized quickly that Bruce Lamont has created music that is a soundtrack to the inner Metal mind. What is the inner Metal mind you query? Why, it is all of the thoughts, sounds and sensory subtleties that just magically make their unexpected visit, (within my own inner Metal mind), during the course of a day… or two. You see, what Bruce Lamont has created here, is Experimental meets Industrial, coalescing with the progressive and tribal, while colliding with drifting atmospherics… the end result being Bruce’s honest and credible interpretation of what’s likely his real music ideal.

If there is a defining constant I hear throughout Feral Songs For The Epic Decline, it is Bruce’s interpretation of combining so many musical elements and styles together and making them come to a boil with an almost late 70’s progressive trip, while adhering to relevance. I do sense a keen sense of hard versus heavy balance, in regards to what Bruce Lamont has created here, due to my feeling and hearing some conscious restraint of venturing too far into the absolute heavy realm. Refraining from total heaviness comes across smoothly within his music, a more progressive approach provides the balance of musical sounds Bruce so convincingly conveys.

What Bruce Lamont seems to thrive on, is pulling music from across the spectrum, then he takes musical matters into his own imaginative hands and creates unique songs that tantalize with their modernistic genius. Throughout this eclectically put together album of avant-garde amassment, Bruce Lamont stays true to his varied style of putting a song together… the listener should expect the unexpected. Just when there are dreamy moments of Pink Floydian progressive space circulating in The Book Of The Law, don’t be surprised to hear next, a futuristic Wild West sound which connects to an extreme psychosis encounter on Deconstructing Self Destruction.

One Who Stands On The Earth is this album’s epic, at 11:44 long. Bruce’s baritone voice along with his acoustic guitar and background Industrial fuzz combines for a continuum of building this song from it’s foundation. Bruce lends some mysterious chanting, which lends way to his saxophone building a melancholic passage with the assistance of tribal background chants. These background tribal chants give way to and combine with rhythmic tribal drum beats, bringing One Who Stands On The Earth to it’s finish, with a synthetic whirling sound being the final exclamation point. The presence of these sounds, brings about an open atmosphere of near exhilaration.

It is the all encompassing manner of disorder by intention, that makes Bruce Lamont’s songs enthrall me to such a high level of admiration. Where else can one hear or who else can make a saxophone coexist so brilliantly, amidst a flurry of Industrial sounds and an extra-terrestrial musical climate as Bruce accomplishes on Disgruntled Employer? Extraordinary is this song with the inclusion of foggy tribal chants, generating a feeling of what an out of body experience might just feel like.

If you have an open-mindedness of listening to a broad based musical puzzle being put together, with a legion of nuances on steroids, then Feral Songs For The Epic Decline is unquestionably an album for you to absorb. Bruce Lamont created each song, sings and plays all the instruments heard on this album, being his first full length. What more could I appreciate from a solo artist, with such intense vision, than Bruce Lamont?

I’m heralding Bruce Lamont and his album Feral Songs For The Epic Decline, especially during an era when the Rock Music Industry is stagnating from complacency. Bruce Lamont’s musical style is inconsistent with the mainstream norm, obliterating a false mindset that artistic music ingenuity is no longer in vogue. This is my reasoning for admiring what Bruce Lamont has achieved here, which invigorates me to recommend Feral Songs For The Epic Decline to any and all open minded fans of Rock, Progressive and Ambient Music.

* Bruce Lamont’s associated bands are: Yakuza, Circle of Animals and Led Zeppelin 2.

* Feral Songs For The Epic Decline will be released on January 25, 2011, on At A Loss Recordings.

* For more info on Bruce Lamont, click on the link below:

BRUCE LAMONT – myspace music

Track Listing For Feral Songs For The Epic Decline:

One Who Stands On The Earth

The Epic Decline

Year Without Summer

The Book Of The Law

Disgruntled Employer

Deconstructing Self Destruction

2 Then The 3

LONG LIVE BRUCE LAMONT.

Stone.

FAIR TO MIDLAND – Sign World Wide Deal With eOne Music!

Posted in alternative rock music, Hard Rock, hard rock bands, Heavy Metal, metal odyssey, Music, progressive rock, rock and roll, rock music, rock music news with tags , , , , , , , , , on November 8, 2010 by Metal Odyssey

(New York, NY) – Texas natives FAIR TO MIDLAND have signed a worldwide deal with eOne Music. A new album is schedule for the spring of 2011 along with a tour to support it.

The band has enlisted producer Joe Barresi (TOOL, QUEENS OF THE STONEAGE, COHEED AND CAMBRIA) to man the board for this next offering. “I’ve been looking forward to working with these guys for quite sometime. They’re a great band whose music is intricate and yet very melodic,” says Barresi.

The new album will be the band’s follow-up to “Fables from a Mayfly: What I Tell You Three Times Is True” which included the popular singles “Dance of the Manatee” and “Tall Tales Taste Like Sour Grapes.”

We’re all huge fans of what Barresi did with Queens of the Stone Age.  We wanted a stellar rock producer and were lucky enough to find one who has managed to find the happy medium between polish and performance,” says front man Darroh Sudderth.

Founded in 1998 in the quiet farm town of Sulphur Springs, Texas, Fair To Midland quickly became one of the Lone Star State’s fastest-rising bands, earning critical acclaim for their first two independent releases, 2001’s “The Carbon Copy Silver Lining” and the 2004 “inter.funda.stifle.”

Since the release of “Fables From a Mayfly,” they have shared the stage with bands such as the Smashing Pumpkins, Flyleaf, Chevelle, Dir en Grey, Alice In Chains, and Serj Tankian throughout the U.S. & Europe. The band has made appearances at festivals such as Coachella, Bamboozle, Download Festival, Rock AM Ring and Rock IM Park.

Fair To Midland is Darroh Sudderth (vocals), Cliff Campbell (guitar), Brett Stowers (drums), Matt Langley (keyboards) and Jon Dicken (Bass).

* For more info on Fair To Midland, click on the very cool link below:

Fair To Midland – myspace music

(Source: Entertainment One press release, November 8, 2010)

GO GET ‘EM, FAIR TO MIDLAND!

Stone.

 

The Mars Volta “Octahedron” – A Progressive Hard Rock mind pill

Posted in Album Review, cool album covers, current hard rock albums, current hard rock music, current hard rock songs, essential hard rock albums, Hard Rock, hard rock album review, hard rock albums 2009, hard rock music this decade, hard rock songs, hard rock vocalists, Music, new hard rock album, progressive hard rock album reviews, progressive hard rock albums, progressive hard rock albums 2009, progressive hard rock music, progressive hard rock music 2009, progressive rock, progressive rock music, Rock, rock music, rock music vocals, rock vocalists, Vocals with tags , , , , , , , , , , , , , , , , , on July 7, 2009 by Metal Odyssey

main-150I have been riding on a rather enjoyable, Progressive Metal & Progressive Hard Rock wave of music as of late. Am I complaining? Not when bands like The Mars Volta release the Progressive elasticity of songs that they have titled – “Octahedron”. It is Hard Rock music like this, that challenges the outer reaches of my very own musical senses. I suppose that is what Progressive Music is meant to do?  I am not going to fib here, it took me well into my third listen of “Octahedron” to have “it” finally hit me. The “it” is the focused energy and streamlined patience and musical precision, that are consistent, musical nuances I hear in these songs from The Mars Volta. Let’s be real, these artistic lined, Hard Rock songs, with all of their progressiveness, were not written over night. Is it considered to be uncool these days, to have a thought process and spacial intellect towards music? Not in my realm of listening to Hard Rock – or Metal for that matter. The Mars Volta has thrown “Octahedron” to the progressive wind, it has blown my way and this is what I have to say.

IMG_1512 copy“Since We’ve Been Wrong” has my inner psyche floating somewhere out there in 1979, the retrospective, ambient rays of melody I hear in this song, has me laying on a freshly mowed lawn, staring up at a clear blue sky. “Teflon” does not stray too far away from this dreamy type of feeling either, it only Rocks a little harder. “Halo Of Nembutals” has me agreeing with the assertion that lead vocalist Cedric Bixler Zavala really does sound like the living legend – Geddy Lee of Rush. (This comparison has been thrown around quite a bit, it should be construed as a compliment, much better than being compared to the vocals of Jim Nabors, aka Gomer Pyle). With this song, carrying it’s way into “With Twilight As My Guide”, I tend to realize that I have fallen victim to a cascade of Progressive Hard Rock sanctity. I refuse to just stand pat and not let my feelings be known, about a band that is able to grasp the flexibility and open mindedness of song writing, both lyrically and musically. The Mars Volta apparently were either born as collaborative musicians or they visited some type of mystical being, in a tropical rain forest, who granted them the ability to eradicate themselves of any staleness and ego – thus anointing them with Progressive Musical powers.

IMG_1495“Cotopaxi”, “Desperate Graves” and “Copernicus” are three songs in a row, that I swear are a path that lead me to believing that the words status quo are not in The Mars Volta vocabulary.  Omar Rodriguez Lopez has given new meaning to the phrase – lead, not follow – for if this musician were to follow, I would probably be listening to a band that wants to fit in and play it safe, like so many bands who don’t follow their hearts and instincts do. The same goes for Cedric Bixler Zavala, as both a vocalist and lyricist. If anything, I am completely guilty of being passionate about the music that moves me. The Mars Volta are just as guilty for being passionate in creating the music that stands up and above, so much so, the “Octahedron” CD cover does not even bear their name. It is the music that really matters, the music that stands alone, it is not a name of a band, the physicality or gender of it’s members, nor the image. “It” is really all about the finished product, the music and what it says. “Octahedron” speaks more if you give “it” the space and respect is so justifiably deserves.

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Paranormal reality television and scary Metal music mirror one another

Posted in Alice cooper, Black Metal, Danzig, Death Metal, Extreme Metal, Gene Simmons, ghost hunters, gothic metal, Hair Metal, Hard Rock, Heavy Metal, heavy metal vocalists, horror metal, Iced Earth, king diamond, Metal, Misfits, Motorhead, Music, paranormal television shows, Power Metal, Punk rock, rob zombie, Rock, rock music, Slipknot, speed metal, Thrash Metal, Vocals, W.A.S.P. with tags , , , , , , , , , , , , , , , , , , , , , , , , , on April 17, 2009 by Metal Odyssey

3283538It is an obvious Metal music marriage, the paranormal being put to lyrics in Metal songs. Any King Diamond album supports this statement, that is for certain. Horror and the paranormal rules the Metal world’s lyrics with it’s mystery, shock, and imagery. This to me, is one of the great attributes to Metal music, the paranormal and horror has given personality and life to throngs of Metal bands as: Alice Cooper, Misfits, Kiss (with makeup), Lordi, Rob ZombieSlipknot, Danzig, W.A.S.P., Cannibal Corpse and of course, King Diamond again. The list could go on and on, regarding which Metal bands represent the horror and paranormal subjects best.

I highly recommend taking a listen to Iced Earth – “The Horror Show”, this is an album dedicated to just the legendary horror movie monsters: Dracula, The Wolfman, Frankenstein and The Phantom of the Opera are covered just fine by Matt Barlow’s vocals and the writing and musical genius of Jon Schaffer. I also highly recommend the horror concept album, that for me is now a true Metal classic – “Abigail” from King Diamond, released in 1987. In my opinion, “Abigail” was/is a triumphant representation of Black Metal, even though the music includes heavy duty Speed Metal throughout. This King Diamond lineup on “Abigail” also bestows the talented Mikkey Dee on drums, who has been a mainstay with Motorhead, since 1992.

When I listen to my favorite Metal bands playing tunes about the macabre, horror and the paranormal, I cannot help reflecting on my favorite paranormal television shows. The material that King Diamond covers, for example, mirrors what many of the paranormal shows offer. My favorite scary & spooky television shows are: “Ghost Hunters”, “Penn State Paranormal”, “Most Haunted”, “UFO Hunters” and “Monster Quest”, all delving into the mysteriously unknown, paranormal, the dark side and real life monsters. Any Metal band can get hordes of information and subject matter for their music, just by watching this scary paranormal reality television.

Now, do I believe in all of this paranormal subject matter that these shows discuss/cover? Do I believe in real life monsters like Bigfoot, Moth Man and UFO aliens? Let’s just say, I get entertained and spooked out like anyone else, I really like the unknown aspect of these topics. I am also never going to be one of those, who back when Christopher Columbus sailed the seven seas, thought our planet Earth was square. It is an absolute fact, that new species of any of our known living organisms, (plants, fish, animals, insects), are being discovered on a daily basis. There are many, many, mysteries and dark questions out there that still have to be answered, for me it is great fun delving into these scary topics through Metal music and paranormal reality television. My feeling is that, paranormal reality television and Metal music just seem to go together, both never cease to thrill and entertain me.

Electric Light Orchestra – Progressive Rock icon

Posted in 1970's Rock, Album Review, Amon Amarth, electric light orchestra, Hard Rock, Music, progressive rock, Rock with tags , , , , , , , , , , , on April 11, 2009 by Metal Odyssey

8236759If I could pin point the exact age I was, when I first listened to the Electric Light Orchestra, I would be somewhere around 10 years old – the vintage 1970’s. I have been inhaling the music of ELO for my entire life, safe to say. It does not matter what Metal genre I am currently obsessed with, ELO always gets playing time on my turntable and/or CD players. The Electric Light Orchestra, in my opinion, is one of the original leaders of Progressive Rock. What exactly is it about ELO that gravitates me to their music? Since I can remember, even as a young kid, I always got the biggest kick out of any music that was louder, faster and heavier than what was being played on AM radio. (that is correct, I wrote – AM radio).

Is/was ELO faster, louder and heavier than AM radio music of the ’70’s? Some of ELO’s greatest songs are legendary AM radio hits. However, as with any Rock band out there, it always comes down to the deeper album cuts that separates the legendary bands from the plain average bands. There are dozens and probably more, of ELO songs that for me, are far better than the hits you would/currently here on FM radio. What I heard from ELO, all those years ago and still here today, is the bold and rich clarity of combining Traditional and Classical music with up tempo Rock and Roll. I cannot say enough in regards to the intellectual approach to musicianship ELO has stood for. Jeff Lynne, well, he is a musical genius, a musician, vocalist and song writer who has influenced quite a few prominent names in Rock. It is obvious and factual the influence Jeff Lynne has had on the career of Tom Petty. The Traveling Wilburys only solidifies my opinion of just how creative and influential Jeff Lynne was/is. Could any influential credit be given to ELO, for the evolution of the fabulous Finnish cello Metal band – Apocalyptica? This past year of 2008 has had Apocalyptica appear on the new Amon Amarth album – “Twighlight of the Thundergod,” so I am not alone in the world of Metal with my affection towards the cool sounds of cello’s or string arrangements! I do not know for fact, yet every time I listen to the great Dream Theater, I cannot help but here musical arrangements that are reflective of ELO. At times it is a choral arrangement, other times a guitar lead that blends in with tones from a keyboard or organ. I feel pretty confident in comparing Dream Theater to ELO, both bands are musically progressive and are not bashful about experimentation to create sounds and effects. For me, the true musical difference between Dream Theater and ELO is that Dream Theater packs the Metal muscle and overall Metal power brilliance.

The musical totality of ELO far reaches beyond the AM and later FM radio hits that made them so recognizable. ELO took string arrangements and horns to an entirely different level, not just combining these musical instruments with Rock and Roll, but doing so in a a manner in which was powerful, emotional and more often than not, just plain cool. The ELO album “Eldorado” distinguishes the pure emotional feel and sound that only became enhanced two fold from the use of Classical musical arrangements. The ELO album “A New World Record” eclipses any straight forward Rock album of the 1970’s, again through unconventional musical arrangements and structure, in turn creating the cool songs from ELO. I am not ashamed to admit that ELO is an all time favorite Rock band for me. Certainly, Metal and all of it’s genres are my true music love, still it is an exhilarating Rock music, listening experience for me any and every time I tune into ELO. After all of these years of enjoying music, ELO never fails to keep me grounded, while amazing my ears along the way.

Yes! Happy Birthday to Steve Howe!

Posted in Guitar, Hard Rock, Music, Rock with tags , , , , , , , on April 8, 2009 by Metal Odyssey

5225259Metal Odyssey sends out a very loud Happy Birthday to Steve Howe of the incredible Progressive Rock band – Yes. (62 years young on April 8, 2009). Steve Howe has defined Progressive Rock guitar through the legendary music of Yes. Steve Howe created his own signature sound, blending his guitar playing through a myriad of Rock sounds and instruments that helped define the Progressive Rock genre. The two other famous Rock bands Steve Howe played in are Asia and GTR. At last count, there have been 19 solo albums released by Steve Howe. In my opinion, Steve Howe is as important of a guitar player to the history of modern day Rock music as any other. Thank you for all the memorable music you have given the world Steve Howe!

Dream Theater is Progressive perfection.

Posted in Album Review, Guitar, Hard Rock, Heavy Metal, Metal, Metal Reviews, Music, Rock, Vocals with tags , , , , , , , , , on April 3, 2009 by Metal Odyssey

17102877Alas, I found a moment to just kick back, chill out and listen to a Metal CD that caught my eye. This Metal CD was filed in my collection, just waiting for it’s turn to be enjoyed by my hungry ears. Oh, the CD I am talking about? Dream Theater – “Systematic Chaos”. Try hard as I may, it is impossible for me to hear any chaos on this Dream Theater release, none. Instead, what I do hear, is what I will call Progressive perfection. Seriously, for me, the Progressive Metal music of Dream Theater is so accurate, structured, and created on the premise of musical integrity and musical knowledge. Honestly, I am schooled each and every time I give Dream Theater a listen. The musical dynamics that are occurring throughout “Systematic Chaos” makes me realize it may take quite a few more listens before I feel I have heard every key, lyric and note that mystically saturates this incredible album.

In true Progressive Metal form, the songs are long, gloriously long. What better way to be taken away on a Metal mind journey, than to tune into Dream Theater? When I listen to this band, of course I hear influences of legend. In my opinion, I hear greats such as Yes, Rush and early Yngwie Malmsteen’s Rising Force. The Progressive Metal trip with Dream Theater is so musically expansive, I actually hear Megadeth influences, yes, Megadeth. There are times when the vocals of James LaBrie and guitar leads of John Petrucci spark together with shades of  Dave Mustaine’s Megadeth. This is an honest compliment from me to both of these Metal bands. If you are already into Dream Theater and can agree entirely with me or just partially, I give you a huge Metal bravo! If you are totally unfamiliar with Dream Theater, well, do yourself one of the biggest Metal favors of your life – buy anything from this Progressive Metal giant! The new Dream Theater album will be released on June 23rd, 2009. Yes, I think I will definitely be looking to buy it. I will listen carefully to the new material on “Black Clouds & Silver Linings” and jump onto the outstanding Progressive Metal ship called Dream Theater!