Archive for rock album reviews

The Black Keys ‘El Camino’ – An El Boring Listen Into What’s Already Been Done In Rock ‘N Roll

Posted in alternative rock, Hard Rock, rock album reviews, rock albums, rock bands, rock music, rock music news with tags , , , , , , on January 6, 2012 by Metal Odyssey

The Black Keys – Yes, I blindly purchased the new CD from The Black Keys (nonesuch) and it’s for some reason titled El Camino. I pay dearly sometimes for making a “blind purchase” when it comes to music. To sum it up, this El Camino CD is boring. It sounds as if Dan Auerbach and Patrick Carney are not just huge fans of 70’s Rock… they obviously are both stuck in the “it’s been done already” school of Rock ‘N Roll and are a long way from graduating.

A fuzzy guitar sound with raw and unnecessary fuzzy production is pure nonsense when it comes to this genre of Rock in 2012. The Psychedelic, Stoner, Doom and Black Metal genres can utilize the “fuzz” in their respective sound brilliantly, only a Rock group like The Black Keys should stick to some clarity in their presentation of sound and maybe they won’t come across like a 1977 garage band playing to just their cousins.

Too numerous are the moments on El Camino where I recognize that IT HAS BEEN DONE BEFORE! The Black Keys are not pushing the Rock ‘N Roll envelope here folks and that’s what makes this CD such a waste of time. Where’s the relevance? Listening to this band is like listening to a severely slow-paced Wolfmother with a hangover. The worst song on El Camino is hands down: Little Black Submarines. This song is so annoying, that upon my first listen I wanted to break down and cry, fearing that it made me constipated.

The one and only “bright spot” on El Camino is Sister. This song rocks like there is no tomorrow. Mind Eraser ends this CD on a cool note, still it’s too late. If only The Black Keys stuck to this Rockin’ blueprint of Sister and Mind Eraser throughout all 11 songs… and they didn’t. The digipak and liner notes are equally repetitive and humdrum as the music. Do we really need to waste paper like this? The liner notes are 16 pages which dedicate 15 of these pages to photos of what else? El Caminos. The digipak is a four-fold that features… 8 more photos of… El Caminos! Laugh out loud and Metal be thy name!

By now you realize I’m not a fan of what The Black Keys are trying to accomplish with their Rock sound. If you’re looking for a memorable and original sounding Rock CD you are better off picking up the newest CD from The Trews. Trust me, a thorough listen into Hope & Ruin from The Trews is a quantum leap forward compared to El Camino. The Black Keys surely won’t care about anyone who doesn’t dig their music. Why? They made the cover of Rolling Stone! Life goes on…

El Camino – Track Listing:

Lonely Boy

Dead And Gone

Gold On The Ceiling

Little Black Submarines

Money Maker

Run Right Back

Sister

Hell Of A Season

Stop Stop

Nova Baby

Mind Eraser

Stone.

ALL THAT REMAINS “… For We Are Many” – A Formidable Album From One Of Metalcore’s Finest

Posted in hard rock albums, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, heavy metal songs, metal music, metal odyssey, metalcore bands, metalcore music, Music, rock music, rock music news, rock music reviews with tags , , , , , , , , , , , , , , , , , , on October 14, 2010 by Metal Odyssey

ALL THAT REMAINS – From the very onset, with the intro Now Let Them Tremble… All That Remains establishes the Metal fact they are not going to sugarcoat a damned note on their fifth studio album – … For We Are Many, released on October 12, 2010 on Prosthetic Records/Razon & Tie. I would never expect anything less than a fast, furious and angrier than a yellow jacket wasp sound from All That Remains, on their new album. That intro really did lead me down the path to an excellent Metalcore storm that … For We Are Many is all about. The Metal pride of Western Massachusetts has fabulously delivered on their new album, making it very difficult for me not to write a 5,000 word review on it.

For We Are Many has Philip Labonte belting out vocals that more than border on Death Metal, he exhibits some ear popping vocal noise that is a welcomed part of All That Remains brand of Metal, to my ecstatic ears. Philip can diversify vocally, like a Metal chameleon he resonates with gritty harmony on The Last Time, a straight edged Metalcore song that exemplifies why this genre can claim it’s Metal legitimacy in my Metal History book. If there could ever be an accessibly Extreme Metal song, then The Last Time is it.

If I have said it once before, I shall say it once again… Oli Herbert is a Metal asset to All That Remains. It’s just a matter of time before Oli becomes a household name amongst the Metal masses, if he hasn’t become one already. Oli can shred, just listening to the leads he comes out with is reason enough to become a fan of All That Remains. Plus, when I listen to Oli on any song, it’s listening to a guitarist who obviously reveres Old School Metal and Hard Rock, by incorporating the vibe of yesterday into the Metal of today.

Not to ignore Mike Martin on guitar, he has more devastating licks in his Metal bag of guitar tricks than I can count. Anytime I listen to All That Remains, especially now with their latest album, I want to scream out to the Metal community that Oli and Mike are a Metal guitar duo that can’t be contained… they have been unleashed unto the here and now and listening to these guys is a Metal reality check. From The Outside is a song that exemplifies exactly what I’m trying to convey here, Metal be thy name this song explodes with guitar driving force.

Now, try to name off five bass guitarists in all of Metal that are female. Nice try. Jeanne Sagan has been the Metal thunder glue for All That Remains since the 2006 diamond in the rough… The Fall Of Ideals. Jeanne isn’t gonna shy away from letting her Metal presence known… she plays stompingly tight alongside drummer Jason Costa, making this All That Remains band a formidable force. I really liked this band lineup on 2008’s Overcome, now I really, really, like this All That Remains lineup.

If Keepers Of Fellow Man doesn’t get your adrenaline fired up, then your probably in a frozen state of consciousness. Melodic driven, with the heaviness of duo guitars, a rhythm section spiraling out bombastic beats and Philip’s barbed wire vocals, carries this song in unison, to stadium crowd heights. Uh, yeah, Keepers Of Fellow Man is more than likely my favorite song on this album. This song is just one of twelve, that truly are all Metal encompassing, like an impermeable net dropping down on my brain and making me succumb to it’s Metal stranglehold.

The Waiting One is such a fantastic song that having it be the album closer is genius. This song is Heavy, even with it’s breakdowns and intervals of acoustic guitar. The layering affect of The Waiting One is what gives it it’s Metal brilliance. Plus, Philip Labonte exhibits a vocal soft side that quite frankly should be exposed more often. Philip gives off the same Metal cool when he croons as he does when he growls and shouts… in my Metal opinion.

All That Remains makes their Metal flow with plenty of melodic moments married with their trademark Metalcore sound throughout … For We Are Many. The heaviness is apparent, like a supercharged continuum, therefore, loyal All That Remains fans can’t possibly be disappointed with their new album. As each All That Remains album gets released, I hear more strength and confidence in the songwriting and music across the Metal board from this excellent band.

Adam Dutkiewicz returns as producer for this new All That Remains album. (Jason Suecof produced 2008’s Overcome). Adam is like a New England “National Metal Treasure”… he has that “knack” for bringing this Metalcore sound and vibe into a state of exceptionality. Anyone familiar knows Adam is a multi-instrumentalist and music producer that has helped catapult his band, Killswitch Engage, into mega-Metal notoriety.

The Metal accolades I have bestowed upon this new All That Remains album, is due to the sheer fact that this album finishes what it started, a heightened sound and feel to what these twelve great songs give off. With acute care into the songwriting and lyrics, while succeeding in the balancing act of melodic and Heavy Metalcore on … For We Are Many, Philip Labonte, Oli Herbert, Jeanne Sagan, Mike Martin and Jason Costa should by now, have some Metal swagger in their steps.

* For more info on ALL THAT REMAINS, just click the link below:

ALL THAT REMAINS – myspace music

ALL THAT REMAINS:

Philip Labonte – vocals

Oli Herbert – lead guitar

Mike Martin – guitar

Jeanne Sagan – bass

Jason Costa – drums

… For We Are Many – Track Listing:

Now Let Them Tremble

For We Are Many

The Last Time

Some Of The People, All Of The Time

Won’t Go Quietly

Aggressive Opposition

From The Outside

Dead Wrong

Faithless

Hold On

Keepers Of Fellow Man

The Waiting One

LONG LIVE ALL THAT REMAINS.

Stone.

CAVO “BRIGHT NIGHTS DARK DAYS” – ROCKS HARD WITH A MODERN EDGE

Posted in hard rock albums, hard rock bands, hard rock music, hard rock songs, heavy metal music, metal odyssey, Music, Rock, rock 'n' roll, rock and roll, rock music, rock music news with tags , , , , , , , , , , , , , , , , on July 7, 2010 by Metal Odyssey

CAVO – Upon listening to the opening track, Champagne, one would be lent to believe CAVO is going to blast through Bright Nights Dark Days with reckless Hard Rock abandon. Um, wrong. CAVO does electrify with Champagne, this song is one to play at maximum potential and has all the ingredients to “pump-up” the party. This is the chart topping single that has catapulted CAVO into the Rock stratosphere of popular music, which also appeared on their 2008 EP aptly titled – Champagne. Only this is a band that delves deeper into an all around Modern Rock sound, allowing some thick maturity to seep forth from their music and lyrics. Bright Nights Dark Days is a thorough listen into what a Rock band can accomplish, when song writing and lyrics are looked upon conscientiously.

It’s always a grand achievement when a Rock band can show their different levels of Hard and Heavy sound, while not coming across as being too darn diversified for their own liking. CAVO has assembled 11 songs on their major label debut album that sincerely gives them a true Rock identity. I like to steer away from the Post-Grunge label that has been given to CAVO here and there… I’d rather label CAVO as a Rock/Hard Rock Band that mingles with a flare for Modern sound. In a sophisticated way. To simplify things, CAVO Rocks.

CAVO is not the second coming of CREED, nor are they a commercial/bubble gum ready band for the Nickelodeon Network. CAVO is already carving out their very own Rock legacy only one year in since their major record label debut. This band has grasped that fine balance between Rock’s mainstream accessibility and Hard Rock hallelujah, while making their songs sound and feel like the now. CAVO has obviously tasted and experienced quite a bit of success since this album has been released, with another huge hit – Let It Go being included on the soundtrack for – Transformers: Revenge Of The Fallen. Let It Go is a powerful song, with it’s total Rock vibe and memorable chorus, I can understand why this song was picked for a blockbuster movie soundtrack.

I hear a genuine emotion that resonates from the vocals of Casey Walker. Casey Walker never comes across as pre-fabricated when he sings on this album, he comes across as really feeling the song’s respective musical and lyrical message. Cry Wolf and Ghost are two excellent examples of what I mean. Ghost is as personal a song can be lyrically and Casey Walker has a natural born talent to convey some moving emotion through his vocals. One listen to My Little Secret and it is quite clear as to how inspiring this lead vocalist sounds, taking a ballad that could have been turned into sappy city and instead Casey Walker makes this song a riveting listen.

Musically, CAVO comes across loud and clear as being one Rock solid unit. This is not a band that was born overnight, almost a decade in the making is CAVO. With numerous new Rock and Hard Rock Bands evolving within the last several years, it’s the bands that make quality songs and albums that stand out to my ears. CAVO should appeal to fans of Creed, of course, yet fans of Nickelback, Papa Roach, Pop EvilDaughtry and even Saliva, (to name a few), should easily embrace their Rock & Hard Rock sound and songs. CAVO seems to be off to an incredible start with Bright Nights Dark Days, I honestly look forward to what this band delivers in the future.

* For more info on CAVO, you can freely click on the links below!

CAVO – MySpace Music Page

CAVO – Official Website

* Bright Nights Dark Days was released on August 11, 2009, on Reprise Records.

CAVO Are:

Casey Walker – vocals

Chris Hobbs – guitars

Brian Smith – bass

Chad LaRoy – drums

Track Listing For CAVO – Bright Nights Dark Days:

Champagne

Crash

Let It Go

Cry Wolf

Ghost

Blame

My Little Secret

Beautiful

We All Fall Down

Over Again

Useless

* Transformers Revenge Of The Fallen soundtrack was released on June 23, 2009 on Reprise Records. Let It Go by CAVO is track #3 on this soundtrack.

Stone.

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