Promo picture by Heidi Tuulia | Photography @portraitsbyheidituulia
Finnish stoner/punk rock band Alkemia released their debut Alkemia EP via Inverse Records.
Alkemia’s debut EP recordings began in 2023 with drums, bass, and rhythm guitars tracked at the professional studio of Ammattiopisto Live in Espoo. The remaining guitar overdubs, solos, and vocals were recorded at the band’s rehearsal space in Helsinki.
The goal was to capture a live, groovy sound in the songs. Initial mixing difficulties were resolved by switching mixers, with the final mix completed by Ville Siikamäki. The EP aimed for a sound blending Eyehategod and Bad Brains, keeping the overall vibe raw and rock-driven without overly polished details.
The EP’s creation took time, as all good alcoholic, er, alchemical processes do. There was no rush, and the band worked around other commitments, as they noted in their press release.
Alkemia – Alkemia EP (EP 2025) Cover by Zehra Fulya Köksoy
Track list:
Unida
1+1
Höyrypää
Piru Merrassa
Kääntöpuoli
The band has no concrete plans for the future. Only to keep playing and writing new songs. Some gigs are also lined up for the fall, including the EP release show at Playhouse Bar in Helsinki on November 1st 2025.
Promo picture by Heidi Tuulia | Photography @portraitsbyheidituulia
Indoor Enthusiast, the outstanding third record from TUESDAY THE SKY, the instrumental-driven project from guitarist Jim Matheos, arrives this Friday, October 24th via Metal Blade Records!
TUESDAY THE SKY has been described as a “beautifully weird solo project” by Sonic Perspectives, while Dead Rhetoric dubbed it a “kaleidoscope of atmospheric songs.” With eleven songs of pure Matheos-patented playing and passion, this year’s Indoor Enthusiast features Dutch drummer Dennis Leeflang on “The Nearest Exit May Be Behind You,” “Bend Toward Light,” and “Set Fire To The Stars.”
Matheos, famed for his work with progressive metal giants Fates Warning, alongside projects such as OSI and his collaboration with John Arch, Arch/Matheos, planted the seeds of TUESDAY THE SKY around 2016. The impetus came from a Fates Warning bonus track that Matheos felt didn’t fit for the band. He kept writing in that vein, and the result was TUESDAY THE SKY. The initial offering was 2017’s Drift, a record that drew influence from the likes of Brian Eno, Sigur Ros, Boards Of Canada, and Explosions In The Sky.
The second TUESDAY THE SKY album was 2021’s The Blurred Horizon, a mixture of ambient, electronica, post-rock, and more. The Blurred Horizon is perhaps best described as a beautiful record, having a natural grace to it. The closing track “Everything Is Free” is a cover of a Gillian Welch and David Rawlings song, and the only song with vocals, supplied by Tim Bowness.
Indoor Enthusiast is entirely instrumental, produced and mixed by Matheos, and mastered by Jacob Hansen.
Watch a visualizer for the track “The Nearest Exit May Be Behind You” HERE.
TUESDAY THE SKY’s Indoor Enthusiast will be available on CD and digital formats at: metalblade.comtuesdaythesky.
Toronto’s hardest-hitting rock ’n’ roll trio DANKO JONES are back with their explosive new single “Diamond In The Rough”, the latest cut from their upcoming album Leo Rising, releasing on November 21, 2025, via Perception, a Division of Reigning Phoenix Music and Sonic Unyon (Canada)!
The track is a high-voltage homage to classic KISS, supercharged by a blazing guest solo from guitar legend Marty Friedman (MEGADETH, CACOPHONY).
The band comments: “Channeling early Kiss, this is a favorite of mine, especially with the one and only Marty Friedman on lead guitar!”
“Diamond In The Rough” channels the raw, unfiltered energy of 1970s arena rock. Friedman’s fiery fretwork ignites the song, adding his unmistakable touch of guitar heroism that takes the band’s signature power-trio sound into overdrive.
Following the adrenaline-fueled singles “What You Need,” Everyday Is Saturday Night,” and today’s release of “Diamond In The Rough,” DANKO JONES’ forthcoming studio offering Leo Rising promises to be a masterclass in sweat-soaked, no-nonsense rock, produced to perfection by longtime collaborator Eric Ratz. Packed with razor-sharp riffs, thunderous rhythms, and infectious hooks, the album reaffirms that DANKO JONES are keeping rock alive by doing it better than anyone else.
John Calabrese laid down bass tracks from Finland, Rich Knox flew to Toronto to record drums, and Danko worked with producer Eric Ratz in the same city to capture vocals and guitars. Despite recording separately once again, the band’s chemistry is unmistakable. The result is pure DANKO JONES: tight, loud, and built for the stage.
Leo Rising may be their most electrifying and uplifting record yet, a jolt of high-octane rock made for packed clubs, open highways, and everything in between!
Leo Rising – Track List: 1 – What You Need 2 – Diamond In The Rough 3 – Everyday Is Saturday Night 4 – I Love It Louder 5 – I’m Going Blind 6 – Hot Fox 7 – It’s A Celebration 8 – Pretty Stuff 9 – Gotta Let It go 10 – I Can’t Stop 11 – Too Slick For Love
To celebrate the release, the band will hit the road this winter for the “Danko Jones Is What You Need” European Tour 2025, with TUK SMITH & THE RESTLESS HEARTS supporting on most dates:
19.11.2025 FI Helsinki – Tavastia 21.11.2025 SE Stockholm – Münchenbryggeriet 22.11.2025 NO Oslo – Vulkan Arena 25.11.2025 DE Hamburg – Markthalle 26.11.2025 DE Osnabrück – Rosenhof 27.11.2025 LU Luxembourg – Den Atelier 28.11.2025 NL Amsterdam – Melkweg 29.11.2025 UK London – The Underworld Camden 30.11.2025 UK Porthcawl – Planet Rockstock * 03.12.2025 BE Antwerp – Trix (Main Hall) 04.12.2025 FR Paris – Le Trabendo 06.12.2025 IT Milan – Legend Club 08.12.2025 DE Mannheim – Alte Feuerwache 09.12.2025 AT Salzburg – Rockhouse 10.12.2025 DE Munich – Backstage (Werk) 11.12.2025 DE Cologne – Carlswerk Victoria 12.12.2025 DE Berlin – Astra 13.12.2025 DE Hamburg – Docks * DANKO JONES only
Oct. 9, 2025 – Death Cult laid the groundwork for the band we now know as The Cult, and in 2023, to mark the band’s 40th anniversary, Ian Astbury and Billy Duffy, along with John Tempesta on bass and Charlie Jones on drums, revived Death Cult for a special run of shows.
Out on Jan. 16, Paradise Live is a 16-track live album that documents this rebirth of Death Cult. Recorded at the iconic Albert Hall in Duffy’s hometown of Manchester on Nov. 18, 2023, the release, which features no overdubs, will be available on 2LP, CD, and digitally. Two editions of the vinyl will be available: a black splatter edition available exclusively from the band’s webstore, and a white splatter edition will be available everywhere else: https://deathcult.ffm.to/paradiselive.
At the center of the night’s set was the hypnotic 1982 Cult single “Resurrection Joe.” One of many high points of the evening, it is available to listen to now: https://deathcult.ffm.to/resurrectionjoe-live.
The Cult’s first incarnation was Southern Death Cult, formed in 1981, releasing their sole, self-titled album posthumously in 1983. That same year, Death Cult formed, with Ian Astbury joining forces with Billy Duffy for a musical partnership that has endured for 40+ years. Death Cult became The Cult in 1984 releasing Dreamtime that same year.
Ian and Billy initially weren’t sure how many shows they would do as Death Cult, but the post-punk gothic futurists decided to listen to the requests to keep the fervor going. The next leg of shows begins tonight in Niagara Falls and continues to Oct. 30 in Los Angeles. These truly special evenings will have Death Cult opening for The Cult.
The Cult has enjoyed numerous international and U.S. gold and platinum certifications. Ian Astbury and Billy Duffy have released 11 studio albums over The Cult’s 40-year career. The band found international renown with the 1985 album, Love, which featured the enduring rock anthem “She Sells Sanctuary,” as well as the oft-heard follow-up single “Rain.”
Paradise Live – track-listing:
1/A1 83rd Dream
2/A2 Christians
3/A3 Gods Zoo
4/A4 Brothers Grimm
5/B1 Ghost Dance
6/B2 Butterflies
7/B3 A Flower in the Desert
8/B4 Resurrection Joe
9/C1 Horse Nation
10/C2 Go West
11/C3 Hollow Man
12/C4 Dreamtime
13/D1 Spiritwalker
14/D2 Rain
15/D3 Moya
16/D4 She Sells Sanctuary
DEATH CULT/THE CULT – TOUR DATES:
Oct 9 – Niagara Falls, ONT – OLG Stage At Fallsview Casino Oct 11 – Boston, MA – Orpheum Theater Oct 12 – New York, NY – Gramercy Theatre Oct 14 – New York, NY – Beacon Theater Oct 15 – Washington, DC – Warner Theater Oct 17 – Charlotte, NC – Ovens Auditorium Oct 18 – Atlanta, GA – Cobb Energy Center Oct 20 – Fort Worth, TX – Will Rogers Auditorium Oct 21 – San Antonio, TX – Majestic Theater Oct 24 – Las Vegas, NV – The Pearl Oct 25 – Phoenix, AZ – Arizona Veterans Memorial Coliseum Oct 27 – San Francisco, CA – The Warfield Oct 29 – San Diego, CA – The Sound Oct 30 – Los Angeles, CA – Shrine Auditorium
I listen to music across a wide array of mediums, both physical and streaming. With that said, I’ve found myself listening on Spotify more this year than any other before it. With the ease of use and plethora of Metal choices, Spotify has been keeping me in the know. I’ve discovered more new bands, albums and songs like never before, due to the daily recommendations I receive from Spotify.
I actually feel spoiled with such easy access to my favorite music and yet I also feel gratitude. Technology can be more than a Pandora’s box as all the digital music platforms have proven. We’ve come a long way since those Napster days. Music is to be heard, enjoyed and not hidden from being celebrated. Spotify gives music to the masses, whether a user pays a monthly subscription (free from ads) or not.
My growing up during the late 70’s and into the early 80’s as a teenager in America had limited access to music on television; with MTV eventually changing the game. Beforehand there was American Bandstand, Soul Train and USA Networks’ Night Flight. I was a fan of all three! Had to be. It’s all we had for music on TV along with tidbits of related news.
The physical media was the mainstay back then, along with radio, of course. I never in a billion years could’ve foreseen such a remarkable future of music accessibility, via a hand-held phone, back in the day. That was Science Fiction back then. Star Trek stuff.
When it comes to how much artists are compensated from Spotify for listens, I have no clue. I’ve read about the negative blowback that many artists have toward the pay scale Spotify uses. All I can say, in my opinion, is you either use it as a means to get your music heard or you don’t. Admittedly, I will at times purchase physical music media based on what I discover from Spotify. This platform affords artists to sell merch from there as well.
On a side note, I have zero clue about how YouTube compensates musicians and bands. YouTube is easily the one digital platform I use the least for music. After I watch a newly released music video, I’m done, unless the video is worth my time to revisit. That’s just me.
I do know Bandcamp is honestly a tremendous platform for artists to make money; especially with the monthly Bandcamp Friday. I do love Bandcamp! I have purchased a nice collection of digital music, physical media and other merch over the years from Bandcamp. I so highly recommend checking out this platform if you haven’t already.
Thank you for visiting and reading about my thoughts on music streaming. I greatly appreciate all of you visitors! Please feel free to comment! Metal be thy name. – Stone
Alternative rock collective KING ULTRAMEGA, featuring members of ALICE IN CHAINS, ANTHRAX, MASTODON, and SOUNDGARDEN, have returned with a haunting instrumental rendition of the AUDIOSLAVE classic, “Be Yourself“. This new single release once again aims to celebrate Chris Cornell’s musical genius while raising funds and awareness for MusiCares. MusiCares is the Recording Academy’s nonprofit that provides mental health, addiction recovery, and emergency services to those in the music community.
“Be Yourself”features legendary guitarist Joe Satriani on lead guitar, echoing vocalist Chris Cornell’s melodic motifs and building on the song’s phrasings. Though following in Cornell’s footsteps on a different instrument sounds like a tall order, Satriani rose to the challenge, proud to show his love for a fallen hero.
Expertly replicating the essence of the song with crystal-clear lead tones, tasteful vibrato, and subtle pedal effects, Satriani lets his guitar sing with all the passion and tenderness that the song’s lyrics originally conveyed. This loving instrumental homage proves that the message and power behind AUDIOSLAVE’s composition transcends words.
Satriani comments, “[Chris Cornell] was a brilliant vocalist and communicator. He often used his voice like an instrument, shaping the tone of his voice like a guitarist would finesse riffs and phrases. I took a deep dive into his magical sensibilities and came up with a multi-tracked guitar production approach that I felt would pay proper homage to his brilliance.”
The concept for an instrumental rendition of “Be Yourself” originated with the bassist, producer, and mastermind of KING ULTRAMEGA, Mark Menghi. As a producer, he envisioned a version of the song that deftly balanced the art of paying respect to the original, while also reimagining the song with a unique musical voice from Satriani. As a bassist, Menghi strove to keep the bass parts nearly identical to the original song, allowing Satriani the freedom to lend his own voice to the music.
Renowned drummer Kenny Aronoff, who has been named one of the greatest drummers of all time by Rolling Stone magazine, and has toured and recorded with a who’s who of legendary artists such as THE ROLLING STONES, THE SMASHING PUMPKINS, PAUL MCCARTNEY, JOHN FOGERTY and many more, provides the laid-back, but emotionally-resonant groove of “Be Yourself”, laying the foundation with Menghi for Satriani’s melodies to shine.
Menghi comments, “I remember like it was yesterday, I was on a run through some crazy trail, just zoning out and the original song came on through my headphones… as I was running, I remember hearing Chris sing ‘to be yourself is all that you can do’ it was like he was talking to me… then thought to myself ‘I can totally hear this as an instrumental a-la Satch style’… My hope is that whomever is listening to this song hears Chris over Joe’s guitar and understands that we are paying homage to Chris with our take on this tune.”
Aronoff comments, “I listened to ‘Be Yourself’ over and over again, absorbing the lyrics and the feel and vibe of this song, then I recorded my drums. Their recording had an emotional impact on me and that had a big effect on my performance.”
Vancouver (BC) – Canadian/U.S. progressive rock/metal band, SYRINX, have released sophomore album, Time out of Place, on Ocula Records!
SYRINX‘s sophomore LP Time Out of Place is a modern-day rock opera that pushes the boundaries of heavy metal and classic prog rock. Glistening ethereal soundscapes collide with crushing riffs, heavy moods, and unforgettable hooks. Music with true cerebral depth, recorded entirely on analog gear with no computers or A.I. trickery.
The album carries forward the signature guitar riffs of Graham McGee (ex-Spell, Opulent Decay, For None and All) alongside the soaring vocals of JP Abboud (ex-Traveler, Termination Shock, Prequel to Madness). The result is a bold, uncompromising vision.
Lead single “Down to Hell (Black Cat Bar)” features banjos, distorted guitars, percussion, chains and “lots of alcohol.”
Guests on album to include Okoi Thierry Jones (Bölzer), Perikis Tikof (Opened Paradise) and Ioanna Noir Zacharopoulou (Glitter Grotesque).
The Harvest – a Southern Gothic-inspired record about dead lovers, serial killers and lost souls, will be released on 17 October and is available for pre-order.
The Dark Americana outfit :Skull & dawn: will release their second full-length album, The Harvest, on 17 October 2025, through The Circle Music. The first single, “Down to Hell (Black Cat Bar)“, is now out with a new video.
An introductory track to the album’s sound, “Down to Hell (Black Cat Bar)” tells a story of late-night revelry and a dark descent. The band describes it as an “urban ceremony” filled with banjos, distorted guitars, percussion, chains and “lots of alcohol”, culminating in a fall into a “dark well” that leads straight to hell.
Watch the video for “Down to Hell (Black Cat Bar)”:
:Skull & dawn: are: Manos Six – Vocals, Acoustic Guitar, Banjo, Electric Guitar, Percussion Stamos A. – Electric Bass Chris Abatis – Electric Guitar Alex Tabakakis – Drums + Percussion Vassilis Kemanidis – Violin
The upcoming album The Harvest dives deep into a mysterious world of Southern Gothic horror, featuring songs about dead lovers, serial killers, lone cowboys, and lost souls. The album blends the band’s neofolk past with a true Americana sound and a Southern Gothic atmosphere.
The Circle Music said: “Although at first glance the style of :Skull & dawn: might seem out of step with The Circle’s previous releases, for some inexplicable yet undeniable reason, The Harvest felt destined (from the moment of its creation) to be released by us.
“It’s not just the fact that :Skull & dawn: have shared the stage with several of The Circle’s artists during live performances; it’s the very atmosphere of the album itself. From the very first listen, we all had the same instinctive reaction: The Harvest had to be released by us. There was simply no other way.”
The Harvest will be released in digital and CD formats, with the CD version including two bonus tracks: “Kingdom of the Corn (Live)” and “St. James Infirmary (Live)”. A limited edition black LP (250 copies) and a limited edition gold LP (250 copies) with a printed insert will also be available.
Guests on the album include: Okoi Thierry Jones (Bölzer), Perikis Tikof (Opened Paradise), Ioanna Noir Zacharopoulou(Glitter Grotesque) and Vasso Jism.
Founded in 1999 under a different name as a trio in Athens, Greece, the band started by creating industrial noise music using hammers and electric screwdrivers. From 2002 to 2009, they embraced the heritage of Old Europe and folk instruments under the name Défilé des Âmes. They released the full-length LP Lust & Stone, a split EP, and several DIY EPs. They also collaborated with notable artists like Sieben.
The band reformed in 2009 as :Skull & dawn:, shifting their sound to be influenced by the American South. Their debut album, Zombie Horses (2016), fused their industrial roots with American folklore, creating a sound inspired by artists like The Bad Seeds and Hank 3. They have maintained a strong live presence over the years, performing with a wide range of artists, including Jarboe, Chelsea Wolfe and Psychic TV.
The Harvest – track-listing: 1. Down to hell (Black Cat Bar) 2. Knoxville Girl 3. Kingdom of the Corn 4. Born Dead 5. GG Allin 6. Gold is the Metal 7. Trouble was her Name 8. Old Testament 9. Hail to the King 10. Kingdom of the Corn (Live) (CD Bonus Track) 11. St. James Infirmary (Live) (CD Bonus Track)
NORTH AMERICAN TOUR FEATURING TWO SETS (DEATH CULT/THE CULT) BEGINS OCTOBER 9
Sept. 4, 2025 – The Cult reissue two of their acclaimed albums, Choice of Weapon and Hidden City, on vinyl on Oct. 17 via Cooking Vinyl.
Originally released in 2012 and 2016 respectively, the albums form part of a trilogy that witnessed the rebirth of the band with Record Collector dubbing Choice of Weapon “their best album in years,” and The Guardian noting Hidden City features “the strongest Cult songs in years” in a four-star review.
Available now for pre-order, Choice of Weapon arrives as a 2LP limited-edition color-in-color effect vinyl (LP1: red/black vinyl, LP2: purple.black vinyl). Hidden City has been newly remastered for vinyl by Justin Shturtz at Sterling Sound and is presented as a 2LP set (LP1: red vinyl and LP2: white vinyl).
Choice of Weapon was recorded in the California desert with Chris Goss (Queens of the Stone Age, Masters of Reality) at the helm and finished by long-time collaborator Bob Rock who first worked with the band on Sonic Temple. Driven by the lead single “For the Animals,” Choice of Weapon earned iTunes’ Rock Album of the Year in 2012 and debuted at #1 on the UK Rock Chart. Out of print since the original pressing, it has become one of The Cult’s most sought-after modern releases.
Hidden City, The Cult’s tenth studio album was also produced by Rock. Introduced by the sonic assault of “Dark Energy,” the 12-track collection is a master class in space and time, showcasing a band in its absolute prime.
The band embarks on a North American tour next month, with the special performances featuring two sets each night: one from the band’s post-punk origins as Death Cult, and another spanning The Cult’s stories discography. Tickets are on-sale now via TheCult.us. Patriarchy opens as special guests.
October 9 Niagara Falls, ON OLG Stage at Fallsview Casino October 11 Boston, MA Orpheum Theatre October 14 New York, NY Beacon Theatre October 15 Washington, DC Warner Theatre October 17 Charlotte, NC Ovens Auditorium October 18 Atlanta, GA Cobb Energy Center October 20 Fort Worth, TX Will Rogers Auditorium October 21 San Antonio, TX Majestic Theatre October 24 Las Vegas, NV The Pearl October 25 Phoenix, AZ Arizona Veterans Memorial Coliseum October 27 San Francisco, CA The Warfield October 29 San Diego, CA The Sound October 30 Los Angeles, CA The Shrine Auditorium
Swedish Hard Rock giants Eclipse are finally back on the road with the announcement of their brand-new Megalomanium Tour 2025. A journey that will take them through Germany, Austria, the Czech Republic, Belgium, Switzerland, and Italy, this tour is more than just a series of shows, it’s a celebration of everything that makes Eclipse one of the most thrilling Rock bands of our time.
For over two decades, Eclipse have built their reputation on a sound that perfectly balances melody and power. Led by an unmistakable sound and a creative vision, the band has grown into a global force, capable of filling festival fields at Wacken, Download and Sweden Rock, sharing the stage with legendary acts like Aerosmith, Def Leppard and playing all over the World. This tour is the perfect opportunity for fans to experience that power up close, in the heat and intensity of Europe’s most iconic clubs.
Alongside them on the road, Eclipse are bringing two names that represent the vibrant wave of Swedish Hard Rock.
Reach, with a mix of contemporary and classic Rock sounds, have carved their own path on the European scene, standing out as one of the most creative and ambitious acts of their generation. Their latest album, Prophecy, showcases their adventurous spirit, a genre-fluid blend of theatrical arrangements, introspective lyrics, and spellbinding melodies.
Andy and the Rockets, on the other hand, embody the raw spirit of Hard Rock with a modern twist. Their songs are direct and loud, fueled by an energy that has quickly made them one of the most talked-about bands in Scandinavia. With their new album Casino set for release this October 2025, Andy and the Rockets are stepping onto this tour ready to ignite the stage with their explosive energy.
The Megalomanium Tour 2025 is Eclipse at their very best, powerful, unstoppable, and ready to turn every night into the Music triumph.
FIRST SONG “ELECTRIC DREAMS” OUT TODAY LISTEN HERE
FULL COMPILATON LP RELEASES OCTOBER 24
Aug. 22, 2025, LOS ANGELES — Visionary musician, poet, and activist Serj Tankian returns with a stunning new project, Covers, Collaborations & Collages; a genre-spanning collection that celebrates artistic unity, reinvention, and storytelling.
The first single, “Electric Dreams,” (listen: https://createmusic.fm/electricdreams) is available today, via Serjical Strike Records/Create Music Group, launching a ten-week release schedule where a new track will drop each week, culminating in the full compilation album, releasing on Oct. 24, 2025.
“Electric Dreams” single cover by D.S. Bradford
This deeply personal and eclectic body of work features Tankian’s powerful reinterpretations and remarkable collaborations. Among the highlights is a beautifully haunting cover of Chris de Burgh’s “I’m Counting On You,” reimagined with Tankian’s unmistakable emotional intensity.
Covers, Collaborations & Collages showcases striking creative partnerships with some of today’s most innovative artists. Tankian joins with lauded producer Deadmau5 on the hypnotic “A Seed,” New Zealand singer/songwriter Bic Runga’s ethereal voice weaves with Tankian’s in the duet “Things Unspoken,” and acclaimed composer Lucas Vidal creates a sonic canvas upon which Tankian vocally illustrates a scene of the devolution of civilization and the end times, bellowing “There are no more empires / Just burning campfires” on the powerful and cinematic “Apocalyptic Dance.”
Rounding out the collection, Tankian’s cover of Armenian songwriter Ruben Hakhverdyan’s “When Death Arrives,” is a poignant reminder of the reality of our mortality, musing through the eyes of the departed and reminding listeners of the undeniable importance love and truth hold in this world.
Adding a visual dimension to the music, each single’s artwork, and the album’s evocative main cover, has been created by artist D.S. Bradford, who also contributes lead guitar work on the soaring track “Kneeling Away From The Sun.”
With each weekly release, Tankian will share the inspirations, stories and artistic intentions behind the songs, inviting listeners into the creative process like never before.
“Similar to Foundations, these are pre-existing archival recordings, some of them from way back,” says Tankian. “I wanted to put out a record of collaborations I haven’t released before, along with covers, which I haven’t done. The rest, the collages, are parts that fit the puzzle in the same tone, the same vibe.”
Covers, Collaborations & Collages album cover by D.S. Bradford (original photo by Travis Shinn)
XTASY, one of Spain’s most exciting melodic hard rock bands, are proud to announce the digital re-release of their EP Fuerza Interior, now available on all major streaming platforms.
The EP consists of 5 songs from their previous album Eye of the storm, re-recorded in Spanish, with brand new guitar solos and the bonus track of the song “Crashing Down” (acoustic version).
Fuerza Interior was released as CD format too as a limited edition in 500 copies. Some copies are still available following this link: https://www.xtasyband.com/copy-of-shop
The EP was produced by Jorge Olloqui, founding guitarist and key songwriter of the band, and recorded at Studio Rock 81 in Noain-Pamplona and Sureau Studio in Matadepera. In January 2022, the original tracks were remixed and remastered by Erik Mårtensson (Eclipse) at Mass Destruction Production in Sweden, giving Fuerza Interior a contemporary edge without losing the heart of the original.
Rediscover XTASYFuerzaInterior, hit play and turn it up!
Tokyo Alt-Rock Artist To Follow Up Single With Fierce Music Video and New EP Announcement
Tokyo, Japan – Sarina, an upcoming alt-rock artist from Tokyo, dropped her new single “If you need me to be the villain (Then maybe I am),” a song that outlines the remorseful, contrite feelings an abundance of women undergo, particularly in relationships. Between passionately compelling lyrics and prominent outlooks, Sarina displays wicked, encapsulating themes of surrendering as well as rallying cries. “If you need me to be the villain (Then maybe I am)” is now available for streaming, and a music video for the song will be released on August 20th.
Sarina is also announcing her long-awaited EP, The Fool, out on September 12th. “If you need me to be the villain (Then maybe I am)” marks the first single from the upcoming EP.
Produced by Kevin Thrasher(Panic! At The Disco, Blink-182, Avril Lavigne), the tune promotes confidence and tenacity, setting the scene for a ferocious and unapologetic vindication. Sarina explores relationship conflicts alongside internal dilemmas and adversities, highlighting emotional health. “‘If you need me to be the villain (Then maybe I am)’ is about an experience so many women have, especially in relationships, where we are made to feel like everything is ours to take responsibility for,” she explains. “No matter the issue, we feel like we have to apologize regardless of who was in the wrong. We reassure and apologize despite being the ones hurt.”
At the heart of the track is Sarina’s acceptance of the villain role being cast upon her. This is exhibited throughout the bridge and chorus, coming to the revelation that it’s alright to claim your authority and own your strength. “The song is a surrender just as much as it is a battle cry. In the same breath, I embrace my role as villain in your story, I question whether or not I’m the villain in my own story,” Sarina confesses.
Photo Credit: Andrea Hunter
The eloquent and high-powered energy fills up every melody, leaving audiences wanting more. With thunderous instrumentation and roaring vocals, Sarina creates the ultimate feminist anthem, grabbing the attention of those who have been equally cast as the bad guy in their own lives. The single was mastered by Grammy-nominated engineer Maor Appelbaum, known for his work with metal icons like Faith No More, Dream Theater, Sepultura, Rob Halford, and more.
Growing up in Tokyo with artistically gifted parents, Sarina developed an interest in music from a very young age, leading her to chase a career in the industry. The bilingual artist, who was born in Hawaii with a Japanese father and Lebanese mother, became immersed in different cultures, which guided the orchestration of her music. Diving into personal challenges and mental health, her music leads listeners into profound reflection and relatability.
Under the Sony RED label, Sarina released multiple singles, music videos, and an EP titled Foreward. After working with Sony, she teamed up with her mother, a flourishing music business entrepreneur in Japan, to launch a new label, SyrenSong, and earlier this year, she signed a distribution deal with Warner/ADA. With infectious, tuneful melodies and provocative lyrics, she has gained coveted playlist spots on Spotify’s “New Music Friday,” Ones To Watch’s “Now Watching,” Apple Music’s “New In Rock” and “New in Alternative” and features in New Noise Magazine, Music Connection Magazine, Tokyo Noise, antiMusic, V13, Lock Magazine, and more. Sarina has also been involved in a video game company, Square Enix’s JRPG Triangle Strategy, in collaboration with eminent composer Senju Akira.
Blending feral alt-rock with a dash of pop-punk, the track serves as a call to arms and tells listeners to embrace being the villain to feel powerful, even when they’re not the one in the wrong. “If you need me to be the villain (Then maybe I am)” is now available to stream and download. Subscribe to her YouTube channel and stay tuned for the accompanying music video on August 20th and the release of The Fool EP on September 12th. Follow along with Sarina’s career on: Instagram @SarinasMusic and TikTok @sarinamusicofficial.
CAN’T GET ENOUGH: A TRIBUTE TO BAD COMPANY – The first-ever tribute to Bad Company arrives October 24.
Pre-order & Pre-save the album on limited-edition silver colored vinyl, CD, all digital formats, special merch bundles, and listen to The Struts cover of “Rock ‘n’ Roll Fantasy” here: https://found.ee/badcompanytribute
Track-list: “Ready For Love” – HARDY “Shooting Star” – Halestorm (feat. Paul Rodgers) “Feel Like Makin’ Love” – Slash Featuring Myles Kennedy and The Conspirators “Run with the Pack” – Blackberry Smoke (feat. Paul Rodgers & Brann Dailor) “Rock ‘n’ Roll Fantasy”– The Struts “Bad Company” – Charley Crockett “Rock Steady” – Dirty Honey “Burnin’ Sky” – Black Stone Cherry “Seagull” – Joe Elliott and Phil Collen of Def Leppard (feat. Paul Rodgers & Simon Kirke) “All Right Now” – The Pretty Reckless
Founding members Paul Rodgers and Simon Kirke also appear on the album, bringing this tribute full circle.
In a landmark collaboration to support the mental health and well-being of music creators, Reigning Phoenix Music and MusiCares have teamed up to spotlight KING ULTRAMEGA, a bold new tribute project honoring the legacy of Chris Cornell. KING ULTRAMEGA debuts today with a powerful reimagining of Soundgarden’s “Rusty Cage,” released via Reigning Phoenix Music.
KING ULTRAMEGA is an all-star collective featuring original members of ALICE IN CHAINS, ANTHRAX, MASTODON and SOUNDGARDEN, alongside legendary artists from the hard rock and metal worlds. With each single release KING ULTRAMEGA will feature different musicians that aim to celebrate Cornell’s musical genius while raising critical funds and awareness for MusiCares, the Recording Academy’s nonprofit providing mental health, addiction recovery, and emergency services to those in the music community.
“Chris Cornell’s voice and presence meant so much to so many, including all of us at MusiCares. He and his loved ones have long championed the importance of our work, and it’s deeply meaningful to see his legacy continue through a project that brings connection, awareness, and hope to the music community.” — Theresa Wolters, Interim Executive Director and VP of Health & Human Services, MusiCares
The lineup for “Rusty Cage” includes:
William DuVall (ALICE IN CHAINS) – Vocals
Bill Kelliher (MASTODON) – Guitars
Mark Menghi (METAL ALLEGIANCE) – Bass
Charlie Benante (ANTHRAX, PANTERA) – Drums
DuVall approaches Cornell’s towering vocal legacy with reverence and restraint: “I just leaned into my love for the song and my immense respect for Chris,” he says. “Since the instrumental track Bill, Charlie, and Mark sent hewed so closely to the original, I thought it best for me to stay in that ballpark as well. Again, my reason for participating was simply taking on an interesting challenge when so much of the world was shut down. I had no thoughts or ambitions for this beyond our posting it on social media five years ago. But if this release can help further the good work done by MusiCares, then I’m all for it.”
Kelliher faithfully channels the song’s jagged, shifting riffs, while Menghi injects a dose of low-end swagger, including a bold bass-wah section in the song’s doom-laden second half. Benante captures Matt Cameron’s explosive style with precision and feel, staying true to the song’s “tight but loose” groove.
KING ULTRAMEGA is more than a tribute, it’s a movement. The collective will continue releasing new interpretations of Cornell’s work across SOUNDGARDEN, AUDIOSLAVE, TEMPLE OF THE DOG, and his solo career, each track featuring rotating guest musicians and collaborators. Proceeds from every release will benefit MusiCares.
The SoapGirls – My buddy Troy and I went to see The SoapGirls at Melody Inn, back on July 3rd, in Indianapolis, Indiana. This was the second time we’ve seen this fabulous sister duo at Melody Inn. The first time we saw The SoapGirls was back on November 3rd, 2023.
Mie plays guitar and does vocals/backing vocals and Mille plays bass and does vocals/backing vocals. Both are so fun to watch perform!! Plus, they are both amazing towards their fans and the kindest of human beings you ever want to meet!
The SoapGirls are from South Africa and to see them twice at the same venue is truly a blessing! I thank The SoapGirls for coming to the USA and believing in their fans here!
The SoapGirls are difficult to pigeonhole musically. They mix punk, alternative and hard rock together seamlessly; while Mille adds both clean and guttural vocals to the mix. Mille also loves to play her bass behind her back! Their songs are all bangers and to not move your body to their grooves is impossible! Trust me, both times I’ve seen the SoapGirls, the crowd at Melody Inn was electric!!
Their entire road crew are the best; they all are such friendly and kind human beings. The owner and staff at Melody Inn are just as friendly and kind. To say that Melody Inn is a jewel of the Midwest is an understatement! The great vibes you feel just entering Melody Inn is unforgettable!
I hope to see The SoapGirls again and will forever sing their praise; as well as endorse Melody Inn! Just click on any photo below to view The SoapGirls! Thank you for visiting! – Stone
Left: Mie, Right: MilleMilleMieMieMilleThe decor at Melody InnOliver Hardy of the classic comedy duo of Laurel and Hardy. Atop shelf at bar in Melody Inn. Creepy clown lit up at Melody Inn.
Some pics from seeing The SoapGirls back on November 3rd, 2023:
Italian hard rock powerhouse Chris Catena’s Rock City Tribe are back with a brand-new EP titled No Gods, No Masters, Just Riffs, available now across all digital platforms.
This explosive new release includes four tracks:
The EP includes: “Radio”, the successfully powerful and emotionally charged rock ballad written by the late Ryan Whyte Maloney and mixed by Grammy-winning engineer Brian Vibberts. “Welcome to Intencity”, the official anthem of Intencity Festival 2025 (Romania), where the band will perform live on June 28.
The festival will take place from June 26 to 29 in Craiova. “Bang Bang”, a daring and energetic cover of the pop hit by Jessie J and Ariana Grande, featuring guest appearances from US rapper Toni Marino and singer Shari. “Bang Bang (Funky Horns Take)”, a groovy, funk-infused reimagining of the same track, adding a whole new flavor to the original reinterpretation.
CHRIS CATENA’S ROCK CITY TRIBE are: Chris Catena – Vocals Massimo Canfora – Guitar Valerio Axl Amoroso – Guitar, resonator and vocals Giorgio Gallo – Drums Marco Fiormonti – Bass and vocals
The single “Welcome to Intencity” is mixed by Glen Robinson, already known for his work on the band’s acclaimed track “Freight Train”. The two versions of “Bang Bang” were mixed by Daniel Salcido (Sevendust, Disturbed, Airbourne, Pop Evil) together with Glen Robinson, delivering a powerful blend of contemporary rock edge and studio excellence.
The EP marks a new chapter for the band, expanding their musical boundaries while remaining deeply rooted in the spirit of hard rock, funk, and powerful melodies.
To support the release, Chris Catena’s Rock City Tribe will perform at the Intencity Festival 2025 in Romania on June 26 and will embark on a Japan tour in October 2025 with the following confirmed dates:
October 21 – Kobe
October 23 – Kyoto
October 24 – Osaka
Chris Catena’s Rock City Tribe will perform at the Intencity Festival 2025 on June 28, sharing the stage with major international acts in front of over 60,000 people at the city’s main stadium in Craiova, Romania. Intencity is one of Eastern Europe’s largest open-air music festivals, known for its spectacular staging, diverse lineup, and powerful atmosphere.
The Circle Music have signed the electrifying Swedish horrorpunk band Left Hand Black. Hailing from Gothenburg, this quartet, consisting of veterans of the local music scene, will release their third full-length album, Left Hand Black 3: Death Can’t Keep Us Apart, in September.
Formed in the spring of 2019 on an island just outside Gothenburg, Left Hand Black brings together the formidable talents of Hans Hagström and Jonathan Jansson (formerly of The Dead Next Door) with Johan Hansson and Anton Zachrisson (from Overdrive Solution). Their sound is a potent brew of old-school melodic horror punk and rock, drawing inspiration from iconic bands such as Misfits, Ramones and Bad Religion.
Johan Hansson of Left Hand Black said: “I have followed Maria and The Circle Music since the first release, and with her passion for the music and what she does for the bands, this is a dream come true. We are super excited to be part of the TCM family.”
Left Hand Black have carved a reputation with their previous releases: their self-titled debut in 2020 via Wolverine Records and their 2022 follow-up, Lower Than Satan through Sunny Bastard Records/Sick Taste Records. Now, with Left Hand Black 3: Death Can’t Keep Us Apart they aim to solidify their position as purveyors of infectious horror-infused punk anthems.
As the band have declared: “We prove that we can write hits and are an insanely good live band that takes no prisoners and celebrates a hellish party with you in the graveyard.”
L- R – Aidan Desmarais – Lead vocals, Guitars – Chris LoNigro – Guitars – Hunter Raymond – Drums, Vocals – Jacob Chase – Bass | Photo Credit: Hunter Raymond (self-timer)
+ Limited Edition Cassette For EP “Fatal Attraction” Out June 2025
High intensity, no filler rockers, Calgary’s LOVER announces they will be performing at this year’s Armstrong Metal Fest (July 11/12), one of Canada’s loudest mountain moshpits nestled in the beautiful backdrop of British Columbia’s Okanagan Valley.
The band is playing in support of their latest EPFatal Attraction, which the thrashback metallers will be releasing on limited edition cassette on June 20th, 2025. “Fatal Attraction” is fast, it’s real, and it’s meant to kick you in the face! Even though the EP is only two tracks, this is a sampler of more to come.
The opening title track is an energetic rush of sound that captures the ups and downs of being overwhelmed by desire. The lyrics feed this feeling by talking about lust and substance abuse. Track 2. “Bad Love” lyrically is a tough and mean reality check. It’s based on a true story of love gone wrong. It has aggressive riffs, mean solos, and is meant to capture the strain of a mind in love and turmoil.
“For real though, we used our real-life experiences of love, hardship, and lust to tell a story, and it just happens to be set to the tune of high-energy rock n roll,” adds the band.
Recommended for fans of Scorpions, Riot City, Wasp, Judas Priest, Van Halen, and Thin Lizzy, listen to “Fatal Attraction” at the following links:
On the heels of re-visiting Latin American stages and announcing a new album and tour for autumn 2025, Canadian high-octane rock three-piece DANKO JONES have released their anticipated single “What You Need“. The song represents the band’s first auditory glimpse from their new album and also marks their debut at their new label, PERCEPTION, while their partnership with Sonic Unyon Records in their home country remains unchanged.
While fans still have to be a little bit more patient until learning more about the forthcoming record, the new track comes straight to the point: “If you want it, you got it, we’re gonna give you WHAT YOU NEED!” Who would even dare to refuse such a teasing offer and say ‘no’ to this powerful new DANKO JONES tune?! Concise guitar riffing introduces the single before the rest of the band jumpstart “What You Need“ leading into its immersive chorus, making it an undeniable future live classic on top.
Danko adds: “‘What You Need’ is not only the first single off our new album, it’s also the opening cut to it. It’s loud, fast, and infectious. Turn this up until the volume knob breaks or your ceiling caves in!”
Photo credit: Jon Usual L-R: Rich Knox (drums), Danko Jones (vocals, guitars), John Calabrese (bass)
“What You Need” was crafted with long-time partners — Grammy and Juno award-winning producer/mixing engineer Eric Ratz (BILLY TALENT, BIG SUGAR, CANCER BATS etc.) and Grammy winning mastering expert Harry Hess (Hbomb Mastering) — and arrives in time for the trio’s first 2025 European show, which will see them take the Paaspop stage in Schijndel, Netherlands in two weeks. Adam Mallett, another well-known face in the DANKO JONES universe, contributed contemporary single artwork which is additionally displayed on the “Danko Jones Is What You Need” tour admat.
As previously mentioned, Danko Jones will promote their upcoming studio album in the traditional way, by embarking on a 15-date tour across Europe, visiting 10 different countries. Further stops might be added over the course of the year. Stay tuned & secure your tickets fromhttps://www.dankojones.com/tour.
DANKO JONES live:
18.04.2025 NL Schijndel – Paaspop 31.05.2025 BE Herenthout – Clamotte Rock 05.06.2025 NO Trondheim – Trondheim Rocks 06.06.2025 SE Sölvesborg – Sweden Rock Festival 14.06.2025 AT Nickelsdorf – Nova Rock 27./28.06.2025 EE Tallinn – Rock Festival 05.07.2025 DE Mainburg – Festival Holledau 17.07.2025 FI Seinäjoki – Vauhtiajot 25.07.2025 NO Fredrikstad – Månefestivalen 26.07.2025 DE Mönchengladbach – Bob! Fest 06. – 10.08.2025 DE Eschwege – Open Flair 15.08.2025 NO Alta – Alta Live 16.08.2025 NO Hardstad – Bakgården 17.08.2025 CH Cudrefin (VD) – Rock The Lakes 21. – 23.08.2025 DE Haddeby – Baltic Open Air
19.11.2025 FI Helsinki – Tavastia 22.11.2025 NO Oslo – Vulkan Arena 26.11.2025 DE Osnabrück – Rosenhof 27.11.2025 LU Luxembourg – Den Atelier 28.11.2025 NL Amsterdam – Melkweg 29.11.2025 UK London – The Underworld Camden 03.12.2025 BE Antwerp – Trix (Main Hall) 04.12.2025 FR Paris – Le Trabendo 06.12.2025 IT Milan – Legend Club 08.12.2025 DE Mannheim – Alte Feuerwache 09.12.2025 AT Salzburg – Rockhouse 10.12.2025 DE Munich – Backstage (Werk) 11.12.2025 DE Cologne – Carlswerk Victoria 12.12.2025 DE Berlin – Astra 13.12.2025 DE Hamburg – Docks
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