Archive for the norwegian black metal Category

BELPHEGOR Announce Praise The Beast North American Tour 2026

Posted in Black Metal, blackened death metal, Metal, metal bands, metal music, Music, music news, news, norwegian black metal with tags , , , , , , , on November 26, 2025 by Metal Odyssey

Photo by: Afra Catharina

Black death metal force, BELPHEGOR, will unleash their magickal procession across North America this February and March with the Praise the Beast Tour 2026.

These diabolical gatherings mark the band’s return to North America after recently inking a pact with one of the fastest-rising forces in metal – Reigning Phoenix Music.

The tour’s carnage will begin on February 19th in Brooklyn, NY, and proceed to devastate the United States and Canada before finally ending in Anaheim, CA, on March 10th.

Helmuth states: “Always a great experience and a pleasure to celebrate extreme Musick in North America. Which procession will you attend?”

Special guests on this trek are death metallers INCANTATION, plus HATE & NARCOTIC WASTELAND. 

Tickets are available for purchase HERE: https://www.bandsintown.com/a/4929-belphegor

Praise The Beast North American Tour 2026:

02/19 – Brooklyn, NY, Brooklyn Monarch  
02/20 – Lowell, MA, Taffeta Music Hall  
02/21 – Montreal, QC, Le Studio TD  
02/22 – Toronto, ON, Lee’s Palace  
02/23 – Lakewood, OH, Mercury Music Hall  
02/24 – Joliet, IL, The Forge  
02/26 – Denver, CO, HQ  
02/27 – Albuquerque, NM, Launchpad  
02/28 – Haltom City, TX, Haltom Theater  
03/01 – Houston, TX, Scout Bar  
03/02 – San Antonio, TX, Paper Tiger  
03/05 – Mesa, AZ, The Rosetta Room  
03/06 – San Diego, CA, Brick by Brick  
03/07 – San Francisco, CA, DNA Lounge  
03/08 – Roseville, CA, Goldfield Trading Post  
03/09 – Los Angeles, CA, 1720  
03/10 – Anaheim, CA, The Observatory

Listen to the band’s latest single “Sanctus Diaboli Confidimus” HERE: https://belphegor.rpm.link/sdcPR

Watch the video here: https://youtu.be/yCORFvKY6J0

About BELPHEGOR:

Since their formation in 1993 in Austria, BELPHEGOR have stood as one of the most brutal and transgressive forces in black death metal. Founded by vocalist and guitarist Helmuth Lehner, the band has spent over three decades refining a sound forged in fire and sacrilege, merging the violent precision of death metal with the ritualistic darkness of black metal. Their musick is an invocation of infernal power, a soundwall of relentless blasphemy.

More from BELPHEGOR: www.belphegor.at | Facebook | Instagram | Youtube

More on RPM:
reigningphoenixmusic.com | Facebook | Instagram | TikTok | YouTube

Source: C Squared Music

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PHOBOCOSM Unleash New Song, “Unbound” | Gateway out on November 28th

Posted in Death Metal, death metal bands, Metal, metal bands, metal music, Music, music news, news, norwegian black metal with tags , , , , , , , on November 24, 2025 by Metal Odyssey

Montréal’s PHOBOCOSM has released a new song off their forthcoming album, Gateway. “Unbound” marks the album’s second single. Stream it now at www.youtube.com/watch?v=TaA1nNAyQus

Dark Descent Records will release Gateway on CD, vinyl, cassette and digital formats on November 28.

Pre-order the album at:

www.darkdescentrecords.com/shop

www.ddmsuo.eu

darkdescentrecords.bandcamp.com

PHOBOCOSM previously released a stream of album track “Sempiternal Penance.” Listen at: www.youtube.com/watch?v=7wbH33wvvk0

Hear more PHOBOCOSM on Spotify and Apple Music.

Gateway stands as an unrelenting and eldritch death metal opus that seals one chapter while unveiling the next. The album includes material from every songwriting period of the band, some of it dating back to the Deprived and Bringer of Drought eras, as well as Foreordained, of course,” explains guitarist Samuel Dufour.

Gateway was recorded, mixed, and mastered by long-time collaborator Xavier Berthiaume (Gevurah, Sanctvs) during the same session as Foreordained, giving the two records a consistent sonic throughline while allowing Gateway to close established narratives.

“We view it as the closing of a chapter for the band,” Dufour continues. “Not that our future material will be completely different fr­om our existing material, far from it, but we have decided to do things a little differently next time around by adding new elements that haven’t appeared in our music before, exploring different dynamics and experimenting with a new tuning.”

Thematically, Gateway grows from ideas first explored on Foreordained: “The song ‘Revival’ from Foreordained inspired the album’s theme, which is the fact that humans have been trying to live forever – or to unnaturally prolong life – since the dawn of time, often for reasons even more absurd than the pursuit of eternal life itself,” elaborates Dufour.

“We used this as the main theme and pushed the concept further, exploring the most repulsive forms of cruelty humans are capable of, even when using science as a means to prolong barbarity against their enemies.”

Visually, the album continues PHOBOCOSM’s collaboration with Lauri Laaksonen (Desolate Shrine, Convocation, Pestilent Hex). “From looking at it, one can see that it is a gateway to something ominous, but what lies beyond is up to the listener.”

PHOBOCOSM:
J.S.G. – Drums
S.D. – Guitars
E.B. – Vocals (lead), Bass
R.M. – Guitars

PHOBOCOSM will support Gateway with select North American performances, followed by European dates in 2026.

Follow PHOBOCOSM on Facebook and Instagram

www.darkdescentrecords.com

darkdescentrecords.bandcamp.com

Source: ClawHammer PR

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OVERTOUN – Chilean Death-Thrash Powerhouse Signs With Time To Kill Records

Posted in death thrash, Metal, metal bands, metal music, Music, music news, news, norwegian black metal with tags , , , , , , on November 4, 2025 by Metal Odyssey

Chile’s OVERTOUN has signed with Time To Kill Records for the release of their third album, Death Drive Anthropology. The record is firmly rooted in the ’90s death-thrash tradition but features a modern edge that keeps it agile and current, bridging the gap from Carcass and Atheist to contemporary acts like Revocation. The music also incorporates a compelling Latin influence, adding a unique flavor to the band’s sound.

Further details on the album will be announced soon.

OVERTOUN is a death-thrash metal band based between Santiago, Chile, and Boston, MA, fusing the rich musical heritage of Latin America with the complexity and aggression of technical death metal. Founded by Agustín Lobo and Matías Bahamondes, the band solidified its lineup with Yoav Ruiz-Feingold (Atheist, Graviton) on vocals and Matías Salas on bass.

Their discography includes two full-length albums: Centuries of Lies (2018) and This Darkness Feels Alive (2021). The latter was mastered by Flemming Rasmussen (Metallica) and won Best Metal Artist at the 2022 Chilean Pulsar Awards (Chilean Grammys), earning strong praise from the specialized media.

OVERTOUN has performed extensively throughout Latin America, with five national tours in Chile, a tour in Brazil, and shows in Argentina, sharing the stage with Death To All, Sinister, Cryptopsy, and Atheist. In 2025, the band completed its first tour of Japan, including performances in Yokohama and Tokyo, with an appearance at the Tokyo Brutal Fest.

Produced by Martín Furia (Destruction, Bark), OVERTOUN’s third album marks a bold new chapter, introducing darker, genre-defining material that aims to amplify Chilean metal’s global presence.

Line-up:

Yoav Ruiz-Feingold – Vocals
Matias Bahamondes – Guitar
Matias Salas – Bass
Agustin Lobo – Drums

OVERTOUN:

https://www.overtoun.com/

https://www.facebook.com/OvertounOfficial

https://www.instagram.com/overtounofficial

https://overtoun.bandcamp.com/

Time To Kill Records:

https://timetokillrecords.bandcamp.com/

https://www.facebook.com/timetokillrecords/

https://timetokillrecords.com/

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Enslaved “Vertebrae” – Progressive, Black Metal raises the bar

Posted in Album Review, Black Metal, black metal 2008, black metal 2009, black metal from norway, cool album covers, current heavy metal albums, current heavy metal music, current progressive metal albums, essential heavy metal albums, Extreme Metal, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, metal music today, Metal Reviews, Music, new heavy metal album, norwegian black metal, progressive metal, progressive metal albums, progressive metal music, recent heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 3, 2009 by Metal Odyssey

main-150Enslaved, from Norway, has created quite the exquisite Black Metal album with “Vertebrae”. Why do I use the adjective exquisite to describe this album? Well, I revere the Progressive Metal of Mastodon and Dream Theater, the legendary Progressive Rock of Pink Floyd and the groove infested Black Metal of Satyricon. Enslaved encompasses the most Metal and progressively delicious elements from these favorite bands of mine, while incorporating them into their very own startlingly, mind popping sound. What Enslaved has done here, is taken Rock and Metal influences to a new level, creating an album that embraces everything that is brilliant about Heavy and Progressive music. (I am not saying Enslaved actually looked to these bands for inspiration, this is just my musical and Metal interpretation and/or opinion). Enslaved has their roots in Black Metal, a musical track record that overflows with Metal bragging rights… “Vertebrae” by no means exemplifies this band as not being original. This album is as original as it gets… I cannot truly count how many Metal bands there are, that dare to experiment with music so valiantly.

Black Metal has gone through a bit of a metamorphosis over the years… so have the other Metal genres. There will always be the blue collar – true to the roots style of Black Metal, it deserves it’s rightful place in the Metal universe. Enslaved, like their counterparts Satyricon, have taken the Black Metal stylings and tweaked them, in this case, Enslaved progressively tweaked. As with anything in life, change is a natural necessity that either is accepted or rejected. Change in the musical circles of Metal can often times be equated to selling out or mellowing down, every fan of Metal has their own right to personally object or accept what they want from their music. My point I am trying to make here is, Enslaved has not deceived me or let me down with their brand of Progressive, Black Metal on “Vertebrae”. Vintage Venom and Mercyful Fate will forever and always be at my Metal reach, Enslaved “Vertebrae” is an extension of what happens when musical and Metal barriers are broken down. 

In an all encompassing summary of the seven songs on “Vertebrae”, I hear the nod to the forefathers of Black Metal, with especially the lead vocals and the dark, macabre and searingly moody ambiance, coming from the musical background elements. The keyboards and organ can create Black Metal which pays homage to the original sound of this band and genre, it can also create the progressive path in which “Vertebrae” aims for as well. Herbrand Larsen is simply unreal on the keys, organ and vocals. The same can be said for each member of Enslaved… as a cohesive unit they have connected not only with each other with their Metal skills and prowess, they have also raised the bar musically, in a Metal world that is rapidly interconnecting with each others genres. I cannot resist myself by recommending highly “Vertebrae”, Enslaved has created an album that will be at the top of my Metal list for decades to come.

The members of Enslaved are: Ivar Bjornson on guitars, Grutle Kjellson on vocals & bass, Herbrand Larsen on keyboards, organ & vocals, Cato Bekkevold on drums and Ice Dale on guitars. Enslaved has given the Metal world seven brilliant new songs with “Vertebrae”, thus inspiring me to delve and journey even further into the vast genres and sub-genres of Metal music.

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