Archive for the old school heavy metal Category

Danzig – debut album from 1988 is all Metal muscle

Posted in 1980's heavy metal albums, 1980's hard rock, 1980's heavy metal music, 1980's metal music, Album Review, classic metal, cool album covers, Danzig, essential hard rock albums, essential heavy metal albums, Hard Rock, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, horror metal, Metal, metal music, Metal Reviews, Misfits, Music, old school heavy metal, rock music, vintage heavy metal albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 27, 2009 by Metal Odyssey

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Listening to the debut album from Danzig, (titled “Danzig”), is always a refresher course in what smash mouth Metal is about. Released in 1988, this album in my Metal opinion, has all the ingredients necessary to be looked upon as a muscular Metal Classic. I will admit, that this is one of my favorite Metal albums ever and Danzig does hold high rank in my Metal universe. Before Glenn Danzig went the all Metal route with his music, well, was there anyone else in Metal that sounded like him? My answer is nope. I liken Danzig’s vocals to be of profound Metal uniqueness, where he will clearly deliver the spoken word, then sing and/or belt out vocally with real conviction.  Sure, I even agree that Danzig’s vocals sound a tad like Jim Morrison at times… not a bad dude to be compared to for vocals. The ten tracks on “Danzig” are laced with the lyrical darkness that are open for interpretation. Musically, Glenn Danzig is a Metal mastermind at combining the straight up and anti-commercial approach to these songs, while not over complicating any of the songs structure. “Mother” is the closest you will get to ever seeing a Danzig tune dabble with mainstream popularity.

I can recall how the great Danzig song “Mother” gave me an unexpected surprise that actually made my day. My best buddy in the Galaxy, well, he is a steadfast and loyal Boston Red Sox fan, (I am not). He took me along to Fenway Park a couple of times, (paid for my tickets too) and we both took in two fine games. I will always appreciate his generosity. Well, at one of these Red Sox games, the relief pitcher – closer was called in to the game, his name was Keith Foulke. I did not realize that this pitchers theme song and/or warm-up song to get pumped up to – was none other than Danzig’s “Mother”. Here I am, innocently sitting in the historical Fenway Park, by the historical “Pesky Pole”, within a sea of Red Sox fans and I am taken by Metal surprise to the electrifying and heavy loudness of Danzig’s “Mother” coming over the stadium speakers! I felt so proud to be a Danzig fan at that moment. Let me tell you, that song lit up the thousands of Red Sox fans at Fenway Park that day. 

Now, back to this Danzig album, my favorite four tunes, (not in any specific order), are: “Twist Of Cain” – which has the sandpaper tough, do not mess with me attitude oozing from the lyrics and music, “She Rides” – a track that has that slowly driven, heavy beat that gives me an instant, devious, Metal grin, “End Of Time” – which is melancholy and spooky lyrically and rocks heavy with thick Metal grooves, leads & riffs, then of course, “Mother”. I will say that in my Metal opinion, all ten songs on “Danzig” are fully loaded for maximum heavy musical enjoyment. The Danzig lineup for this debut album was: Glenn Danzig on vocals, Eerie Von on bass, John Christ on lead guitar and Chuck Biscuits on drums. Not that Glenn Danzig needed any introduction to the Rock universe back in 1988, he did arrive with storied and musically historical careers with the Misfits and Samhain behind him. However, I firmly believe that this debut album was built to last, succeeding in launching the Metal legacy that Danzig has so brilliantly created.

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Fastway – revisiting one cool, Heavy Metal debut album

Posted in 1980's heavy metal albums, 1980's rock music, 1980's hard rock, 1980's heavy metal music, 1980's metal music, Album Review, classic metal, classic rock, cool album covers, essential hard rock albums, essential heavy metal albums, essential rock albums, Hard Rock, hard rock album review, hard rock guitarists, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Motorhead, Music, old school heavy metal, Rock, rock music, vintage hard rock albums, vintage heavy metal albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 26, 2009 by Metal Odyssey

main-150In 1983, Fastway was the apple of my Metal eye. Today, well, Fastway is an old school Heavy Metal favorite of mine still, with their debut album aptly titled “Fastway”, being what I consider their best material. Man, when I heard the news that “Fast” Eddie Clarke was leaving Motorhead, I was floored like any loyal fan, back in the day. Then, the word broke, that “Fast” Eddie Clarke was forming a new Heavy Metal band called Fastway… my Metal anticipation was climbing by the second. Knowing that Pete Way (formerly of UFO) was to play bass alongside “Fast” Eddie Clarke only made this lineup more potent by the second. (I later found out that Pete Way never did get to actually play bass on the Fastway debut album).

Let’s go back in time now, to a wonderful department store named Caldor. You see, where I grew up, back in the 1980’s, Caldor was the biggest Hard Rock and Heavy Metal album supplier in my town. (It was the greatest place for a Metalhead teenager to go to for tunes, living in expensive nowhere Connecticut). I used to fantasize about Caldor while I was serving time in Parochial School and later High School. My thoughts strayed right into that glorious Caldor, envisioning the very long record aisles, lined with Yes, Iron Maiden, Bad Company, Ted Nugent, Black Sabbath… and then one day, in 1983, I remembered that the new Fastway album was to be released. Oh, the surefire Metal joy I would experience if that Fastway album was to be at Caldor! Minutes after I was released from being imprisoned in that High School, I was there… at Caldor. Fastway was also there. You betcha. With my Metal heart beating quickly, I reached for this precious new vinyl pressing, had it in my hands…  what is this? Located on the back of this Fastway debut album was a strange looking little mini record, it was not a 45 rpm, (it was the size of a 45 rpm and had a tiny album hole in the center), nor was it anything that I really saw before. It was supposed to be with this album, for it was the single for the song “Far Far From Home” – this song never made it on the actual album itself, therefore, the record company added it on as a separate single bonus! Man, at this moment, this teenage Metalhead was on Metal cloud nine.

Alright, as for the actual Metal found on this Fastway debut album, it rocked me straight into Heavy Metal bliss for an entire Summer – and Fall and Winter too. The tunes were so catchy, guitar driven and groove laden (courtesy of “Fast” Eddie Clarke), that it was one difficult album for me to put down for a lengthy period of time. “Say What You Will” was the most notoriously recognizable track off of this album. The opening guitar lead by “Fast” Eddie Clarke repeats throughout the entire song, instead of being repetitious, it was (and still is) Metal delicious. The vocals of the underrated Dave King were reminiscent of Robert Plant upon my initial listen to this album. However, back in the ’80’s it seemed to be the trend to point the finger at too many Hard Rock and Metal vocalists – accusing them of ripping off the legendary Robert Plant. “Easy Livin'” is definitely my favorite track on this debut, it is fast, slick and the guitar play of “Fast” Eddie Clarke shines. “You Got Me Runnin'” and “Give It All You Got” are heavy, fast paced – melody makers, providing the maximum Heavy Metal grooves you can possibly get out of three minute songs. 

In a Metal nutshell, the overall enjoyment that this Fastway debut album has provided me, sincerely has lasted a lifetime. This is one of those albums that I bought on CD as quickly as it was available. The efficiency of this album is what makes it a winner, for me. The efficiency of the songs structures, both musically and time wise, coupled with “Fast” Eddie Clarke on guitar, Dave King on vocals, Jerry Shirley on drums and Mickey Feat on bass, makes the debut Fastway album a Heavy Metal treat for me – to reach for to this very day.

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Black Sabbath – “Mob Rules” still rules the Metal world

Posted in 1980's heavy metal music, 1980's metal music, Album Review, Black Sabbath, classic metal, classic rock, cool album covers, dio, essential heavy metal albums, heaven and hell heavy metal band, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, old school heavy metal, ronnie james dio with tags , , , , , , , , , , , , , , , , , , , , , , on May 23, 2009 by Metal Odyssey

In my Metal opinion, this is such a tremendous album, a true Metal mainstay for so many years. Released in 1981, this is Old School, Black Sabbath that time cannot age. I highly endorse “Mob Rules” to be in every Metal fans music collection. Every song is enormous, with the prolific riffs and leads from Tony Iommi on guitar, I so admire this musician. Geezer Butler on bass and Vinny Appice on drums make for what I consider one of the greatest rhythm sections in Metal history. Ronnie James Dio is pure Metal perfection on vocals. Between the music and Dio’s voice, this Black Sabbath lineup takes a back seat to no one. “Voodoo”, “Turn Up The Night”, “Slipping Away” and “Mob Rules” are songs that have that unrelenting Metal energy that does not subside. Unbelievable Metal Classics, in my Metal opinion. “E5150” is an instrumental that has the eerie Black Sabbath ambiance flowing over, a perfect fit for this album. The real sleeper tune on this album, for me, is “Country Girl” – this song has a really cool groove going on, a real Heavy Metal song that doesn’t get the same attention as the previous tracks I mentioned.

“Mob Rules” is, as I see it, one of the most complete Metal albums ever made, it has the songs, vocals, Metal and lyrics. The album artwork definitely gets a Metal thumbs up! This macabre artwork definitely fits in with the song “Mob Rules”. I remember the very first time I heard the opening riff to “Voodoo”, I still get the same Metal rush from it now as I did back in 1981. I distinctly remember when this Metalhead buddy of mine, back then, held this album jacket in his hands, put the vinyl on the turntable, turned to me and said: “Dude, wait ’till you here this song “Voodoo” “. I knew at that moment, it was some special Metal awaiting me. It is an amazing Metal accomplishment, for these four musicians to still be creating new music together in 2009, as Heaven & Hell. Do not skip over this Metal gem for too long, you could be enjoying it right now!

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I refuse to be a closet KISS fan

Posted in 1970's hard rock, 1970's heavy metal, 1970's Rock, 1980's hair metal music, 1980's hard rock, 1980's heavy metal music, 1980's metal music, 1990's heavy metal music, classic metal, classic rock, concerts, cool album covers, Gene Simmons, Hair Metal, hair metal music, Hard Rock, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal guitarists, heavy metal memorabilia, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal concerts, metal music, Music, old school heavy metal, Rock, rock and roll memorabilia, rock music, vintage heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on May 22, 2009 by Metal Odyssey

main-150KISS. The makeup, the attitude, the stage show, the costumes, the KISS trading cards from the 1970’s, the marketing machine which throws the KISS logo on just about anything. Wait a minute, there is of course… the music, uh, I mean the Heavy Metal. Since about 5th grade, (a long time ago, in a parochial school, far, far, away), I have been a KISS fan. You betcha. I am not a closet KISS fan either. No way will I disregard to anyone, a lifetime love I have for such a behemoth of a Heavy Metal icon, which is KISS. I will not part with my unopened wax box of KISS trading cards from 1978. No sir. What in the world is there to be ashamed of? KISS is the epitome of Heavy Metal success, both commercially and musically, in my Metal opinion.

I have had the opportunity to see KISS live, albeit without makeup. I unfortunately, never had an opportunity to see them live with makeup. Quite honestly, the only drawback about seeing KISS live was… the venue where the concert was. The New Haven Coliseum, (which no longer exists), was by far, the creepiest, most decrepit, armpit of an arena, ever to exist on planet Earth. I mean, this building was not even cool creepy, it was just a plain nightmare gone wrong. This arena was located in New Haven, Connecticut, of course. Alright, enough about that incompetent structure. The KISS concert was loud, bright, festive, loud again and darn right good. I have seen better live shows in my day, yet I am not complaining about anything that KISS did on that stage. It was a night to celebrate Heavy Metal, with a band that carried the flag for Heavy Music since their introduction to the world. This was the KISS “Asylum” Tour, back in good ol’ 1985. I will tell you this, it is a real Metal treat, to see my daughters revel in the KISS tunes, to know and see how much the music of KISS means to them, as it always has for me. My daughters were extremely excited when they saw KISS on television the other night, (I absolutely refuse to discuss this show on Metal Odyssey, let’s just say it is on the Fox Network and is a Pop music show). Hey, anytime KISS can get exposure to a new generation of fans is fine with me.

I remember being in High School, when all of a sudden, it was uncool to like KISS anymore. Well, that was what was happening in the penitentiary like High School I attended. Metalheads  were abundant, yet KISS became almost taboo to talk about. So, I took advantage of this situation. I asked all the super cool know-it-alls that no longer liked KISS, if they were willing to sell their KISS albums and anything KISS. I made out like a bandit. I had more KISS posters, albums and fanzines than I knew what to do with. Plus, I acquired it all dirt cheap. Then, one day, in 1982, KISS made a loud and triumphant return with their release “Creatures Of The Night”… all of a sudden, these fair weather KISS fans are asking me, if I would sell them any of my extra KISS memorabilia and/or albums. Go figure. Since the mid ’70’s up until present day, I have embraced the Heavy Metal that KISS has created. Even the ballads and Gene Simmons dating Cher I have accepted. Yes, the made for television movie “KISS Meets The Phantom In The Park” I have always accepted too. The changes in the KISS lineup never has made me flinch either, any KISS fan knows that the original four are the best. I am not ashamed to say this, for once a KISS fan, always a KISS fan. What other reason was there not to believe this, back in the day when I joined the “KISS Army”? I enlisted into the KISS Army decades ago, I have never gone awol since.

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