THE AMONKLOK CONQUEST: North America 2026 co-headline tour featuring Amon Amarth and Dethklok with special guests Castle Rat.
Tickets on-sale Friday, December 12th.
04.15 – Phoenix, AZ | Arizona Federal Theatre 04.17 – San Antonio, TX | Tech Port Center + Arena 04.18 – Houston, TX | 713 Music Hall 04.20 – Oklahoma City, OK | The Criterion 04.21 – Kansas City, MO | The Midland Theatre 04.22 – Chesterfield, MO | The Factory 04.24 – Minneapolis, MN | The Armory 04.25 – Waukee, IA | Vibrant Music Hall 04.28 – New York, NY | Brooklyn Paramount 04.29 – Boston, MA | MGM Music Hall at Fenway 05.01 – Toronto, ON | The Great Canadian Casino 05.02 – Montreal, QC | Centre Bell 05.05 – National Harbor, MD | MGM National Harbor 05.09 – Atlanta, GA | Coca-Cola Roxy 05.10 – Nashville, TN | The Pinnacle 05.12 – Johnstown, PA | 1st Summit Arena 05.13 – Detroit, MI | Fox Theatre 05.14 – Bethlehem, PA | The Wind Creek Event Center 05.16 – Milwaukee, WI | Landmark Credit Union Live 05.19 – Denver, CO | The JunkYard 05.20 – Salt Lake City, UT | The Union Event Center 05.21 – Las Vegas, NV | Planet Hollywood
The seventh edition of FOREVER DEAF FEST will descend upon Chicago on April 10th and 11th, 2026!
What began as a showcase for local talent back in 2018 has become one of the premier festivals on Chicago’s annual metal calendar. Forever Deaf Productions aims to bring the heaviest riffs to venues across the city and hosts FOREVER DEAF FEST each Spring.
Sponsored by Still Austin, Five Star HVAC, Kuma’s Corner, and Emperor Cabinets, this year’s festivities will take place at Sleeping Village and Avondale Music Hall with a special after show party at Live Wire Lounge.
The monumental weekend will include sets by Atomic Rule (featuring members of Every Time I Die, Dry Kill Logic, The Acacia Strain, and Eternal Sleep), See You Next Tuesday, Motherless (featuring members of The Atlas Moth and Without Waves), Weekend Nachos performing their only Chicago area show of 2026, Scalp, Year Of The Knife, Plague Bringer (their first show in a decade), Hewhocorrupts, and Mellow Harsher.
Saturday headliners Pig Destroyer will be blazing through their monumental Prowler In The Yard full-length, in its ravaging entirety (a 25-year album anniversary celebration and their only Midwest show). A very special Friday headliner is to be announced still!
To commemorate the event, renowned heavy metal themed burger restaurant Kuma’s Corner will bring back the FOREVER DEAF FEST Burger as well as DJ sets and preview events a week prior to the fest’s kick off.
Additionally, Forever Deaf Productions will donate $1 per ticket towards Head Bang For Science, an annual scholarship award program for high school seniors, undergrads, and grad students who are pursuing a career in healthcare and/or the physical sciences. It’s the first scholarship foundation to directly provide financial aid to metalheads, and was founded by SiriusXM curator/host and former pharmacy grad student Jose “Metal Ambassador” Mangin in 2021.
The FOREVER DEAF FEST lineup and ticketing info is available below. Secure your tickets now! This will sell out!
Friday, April 10th, 2026: Sleeping Village – 21+ ($24 + fees) Headliner TBD Atomic Rule See You Next Tuesday Motherless
Saturday, April 11th, 2026: Avondale Music Hall – 17+ ($49 + fees) Pig Destroyer Weekend Nachos Scalp Year Of The Knife Plague Bringer Hewhocorrupts Mellow Harsher
East Nashville hard rock breakout KALAMITY KILLS has released its brand new single “HELP!” through Pero Recordings. Recorded live in the studio with choice overdubs for impact, the track delivers a fierce reinterpretation of THE BEATLES classic. The band has rebuilt the song with their trademark intensity, emotional depth, and modern heaviness.
Produced and mixed by guitarist Jamey Perrenot, this new version of “HELP!” captures the urgency and vulnerability of the original while pushing it into a darker and more electrified space. Soaring vocals, heavy guitars, tight harmonies, and driving rhythms create a sound that feels both familiar and completely refreshed.
A new performance video has also debuted. The visual showcases the full band performing the track with raw energy and conviction, giving fans a direct look at the chemistry and spirit behind the release.
KALAMITY KILLS is a hard rock band forged in the heart of East Nashville, Tennessee. Formed in 2022 by vocalist Jamie Rowe and guitarist/producer Jamey Perrenot, the band emerged from the ashes of a solo project into a fully realized sonic assault, fueled by raw emotion, modern aggression, and a deep respect for rock’s roots.
With a sound that fuses the swagger of classic hard rock with the intensity and polish of modern metal, KALAMITY KILLS strikes a rare balance between power and vulnerability.
Best known for their debut self-titled album Kalamity Kills, the band quickly turned heads thanks to high-profile collaborations with members of KORN, 3 DOORS DOWN, LA GUNS, CONQUER DIVIDE, and UNDEROATH. Their music has earned national airplay on SIRIUSXM’s Octane, landed on the Billboard Active Rock charts, and crossed over into viral success without ever chasing trends.
For longtime fans of UDO DIRKSCHNEIDER, “Blindfold” feels like an old acquaintance: previously heard in an orchestral version on the 2020 We Are One album, the song now returns in a gripping new rock version. With its successful blend of emotion and classic heavy rock atmosphere, “Blindfold” is one of the most emotional moments on the current DATOG album Babylon, released on October 3rd, 2025 via Reigning Phoenix Music (RPM).
Filmed entirely in stylish black and white, the music video captures the raw emotion and powerful interplay of the band perfectly, showing DATOG more intimate, direct, and sensitive than ever before.
Manuela’s heartfelt vocals and Mathias’ classical concert guitar turn “Blindfold” into a stirring rock ballad that reaches its ultimate climax in the final chorus with Udo’s unmistakable voice. With “Blindfold”, DATOG not only offer longtime Udo Dirkschneider fans a welcome reunion with this very special track, but will also win over many new fans through this video.
Peter Goalby was the lead singer of Uriah Heep, Trapeze and Fable and has now retired from the music industry after an illustrious career.
Peter had been living with the knowledge he’d recorded a solo album just after leaving Uriah Heep yet it was only when a poorly labelled DAT was spotted, at a storage facility over 30 years later, that the lost album was found.
The album was finished when his Uriah Heep bandmates Mick Box (guitar) and John Sinclair (keys) added the final overdubs to the tracks in 2025. The 9-track album was personally overseen (from tape transfer, mastering and artwork) by Peter Goalby.
Peter Goalby explained the background to the release: “In 1987 I was offered a recording and publishing contract with RAK Records just after I’d left Uriah Heep. I thought these songs would be very commercial in the 1980s and Smokie recorded Fallin’ Apart. I later found out the master tapes had been lost and I silently carried the disappointment that music I’d put my heart and soul into was gone forever. Never say never!”
The lost album’s release follows the successful release of Easy With The Heartaches and then I Will Come Runnin’. Don’t Think This Is Over is OUT NOW from all good retailers:
Helsinki-based progressive melodic death metal band NUMENTO unleashes their new single “Wrath” from their upcoming EP, a relentless, hard-hitting track exploring the dark side of human nature. Inspired by people forming abusive “relationships” with AI chatbots, the lyrics take the abuser’s perspective to question empathy, control, and violence in the digital age.
Listen to the single on music services: (Spotify, Apple Music, Deezer, Tidal, Amazon Music etc.) – https://push.fm/fl/numento-wrath
The band’s guitarists, Atte Asikainen and Aleksi Vehmassalo, tell a bit more about the new single. Aleksi states the following about composing and producing the song: “We started writing the song with the idea of making Numento’s heaviest song to date, one that would showcase our death metal influences. That’s what the song turned out to be, but we also added a few clean vocal phrases, albeit doubled with growls. Still, the song is our most aggressive song to date.”
Atte Asikainen continues about the production: “We continued the production together with German producer Chris Herrle to ensure that the world-class quality and impact familiar from our third album would also be present in the new music. However, this time we used less synths and focused more on the core sound of the band.”
01. Wrath
Composers: Atte Asikainen, Katri Hiovain-Asikainen, Simo Mattila, Aleksi Vehmassalo, Mikko Virtanen
Monolord return to the U.S. next June for their first North American tour since 2022, traversing the western United States with performances that include stops at The Regent Theater in Los Angeles and the Great American Music Hall in San Francisco.
The news arrives as the trio of Thomas Jäger (guitar/vocals), Esben Willems (drums), and Mika Häkki (bass), wraps up work on their highly anticipated fifth album.
“The new album is a wrap! Recording with Sylvia Massy has been a fantastic experience and we can’t wait to bring these new songs on the road,” the band shares, collectively.
Tickets are on sale now, via Monolord.com. Mizmor supports on all dates.
Monolord U.S. tour dates:
June 11 San Diego, CA Casbah June 12 Santa Cruz, CA The Catalyst June 13 San Francisco, CA Great American Music Hall June 14 Sacramento, CA Harlow’s June 16 Eugene, OR John Henry’s June 17 Portland, OR Nova PDX June 18 Seattle, WA Substation June 19 Bellingham, WA Structures Brewing June 20 Tacoma, WA Airport Tavern Music Hall June 23 Denver, CO Marquis Theater June 24 Salt Lake City, UT Urban Lounge June 25 Las Vegas, NV Swan Dive June 26 Pioneertown, CA Pappy & Harriet’s June 27 Los Angeles, CA The Regent Theater
Photo credit: James Rexroad
Since forming in Gothenburg in 2013, Monolord have become one of doom’s most revered acts. Their music has earned praise from a wide range of publications including Bandcamp who described the band’s music as a “propulsive, tense balance between boogie and brutality,” Pitchfork noted the band’s ability to “render supernatural dread and cosmic nothingness into cavernous, hypnotic grooves,” and Decibelcelebrated their “heavy-as-mountains” sound.
Monolord have released four critically acclaimed albums: Empress Rising (2014), Vænir (2015), Rust (2017), and Your Time to Shine (2021). Their sound combines monolithic heaviness, psychedelic expansiveness, and meticulous production.
Belarusian Death Metal Pack, Eximperitus, are set to release the follow-up to 2021’s widely praised sophomore album, Šahrartu! Willowtip Records will unleash Meritoriousnessof Equanimity January 30th, on vinyl, cassette, CD, and digital formats.
The album’s first single, “The Untimely Fruit of the Unsaid,” is available now on all digital platforms, including: YouTube, Bandcamp, Spotify, Deezer, and Apple Music.
“In times when despair overflows human hearts… when the chasm of strife between civilizations widens… when loyalty to ideologies tears blood ties apart… when the world stands still, poised for the final leap of prolonged self-destruction… We can draw strength solely from internal sources, which are filled only by the multifaceted power of Death Metal…“
– Eximperitus
Eximperitus‘ forthcoming third album, Meritoriousness of Equanimity, contains nine independent compositions united by the idea of searching for inner support in an era of turbulence. Exposure and scourging of social dogmas and morbid tendencies on the ruins of the old world…
I. One Step Long Infinity. II. Contemplation of the Plastic Fibers of Perfection at the Second Level of Reality. III. Twelve Centuries of Triumph of the Third Kingdom… IV. Finding Consistency in the Fourth Quadrant of Eternity. V. The Untimely Fruit of the Unsaid. VI. Golden Chains for the Construction of Individual Greatness. VII. Molecular Disintegration of an Unattainable Solitary Will in a Vessel of Wisdom… VIII. Chalkionic Wandering Among the Wreckage of the Future. IX. Standing at the Skirt of the Ruins of Human Nature (…on the Other Side of Man and Time).
UK death metal band UNBURIER has returned with a vengeance on their latest single, “Survive the Vermin“. The new song introduces the band’s upcoming EP, As Time Awaits, with the appropriate blend of ferocity and spellbinding technicality. Vocalist and guitarist Ben Champion shows off a viscerally emotive vocal range, skillfully punctuating his mid-range snarls with screeching highs for maximum impact.
Bassist Stan Mitchell and drummer Kim Hughes lay the foundation for the song’s intensity with a punchy, driving rhythm section. Finally, guitarist Blake Hibberd propels the momentum forward with a relentless barrage of twisting, turning, shredding leads. The lyrics of “Survive The Vermin” develop themes of purpose and identity on the EP, through a first-person account of a cosmic, immortal warrior.
Surrendering flesh for steel, the narrator struggles to detach themselves from the sensations they thought to have discarded. The lyrics ask if, when we give ourselves wholly to one purpose, it is worth sacrificing the simplicity of everyday life. Paying homage to sci-fi author Nate Crowley and absurdist philosophy, “Survive The Vermin” provides the most direct declaration of the themes behind the EP.
About UNBURIER: Hailing from the south of England, UNBURIER stormed onto the death metal scene in the summer of 2022 with their debut EP Twisted Existence. The EP showcased the band’s undeniable technical abilities, in addition to their raw and harrowing sound. In 2024, UNBURIER returned with their follow-up EP, Nebulous, on which the band refined their songwriting and technical prowess. On this release, the band ventured even deeper into the realms of their death metal influences, among which they count DEATH, NECROPHAGIST, and REVOCATION.
Having conquered stages alongside the likes of SANGUISUGABOGG, CRYPTA, and PARTY CANNON, as well as making notable appearances at Bloodstock Open Air and Incineration Festival, UNBURIER continues to carve a path alongside giants of the death metal genre. Their upcoming third EP, As Time Awaits, sees UNBURIER blending old and new-school death metal styles with technicality, hooks, and razor-sharp songwriting. Carrying the torch of the classic death metal sound into a new age, As Time Awaits is certain to enthrall longtime fans of the genre.
Metal fans, prepare for a sonic excavation. Destiny’s End, the influential US Power Metal supergroup featuring vocalist James Rivera (Helstar), has officially announced the upcoming release of Breathe Deep the Road’ (Live & Unreleased), a definitive collection capturing the band’s peak era. The album will be released on January 23, 2026.
Documenting the band’s legendary 1999 tour alongside Nevermore and Iced Earth, the album features six explosive live tracks, including the iconic “Breathe Deep in the Dark,” and a crushing medley of Judas Priest classics. In addition, the collection includes three never-before-heard studio tracks: a lost bonus track from the original 1998 sessions, a menacing King Diamond cover, and a powerful tribute to Dio. All tracks have been recently remastered for maximum impact by Andrew Lee.
To kick off the pre-order campaign, Destiny’s End will immediately release the first digital single, “Breathe Deep the Road.” Check it out here!
Destiny’s End was comprised of some of the most respected names in US Metal:
• James Rivera (Helstar, Vicious Rumors) – Vocals • Dan DeLucie (Crescent Shield, New Eden) – Guitar • Perry Grayson (Falcon, Isen Torr) – Guitar • Nardo Andi (New Eden) – Bass • Brian Craig (New Eden, Seven Witches) – Drums
Extreme metal duo Gravewitch have released their brand-new music video “Mistress Hate,” a blistering visual companion to their self-titled album, which dropped this past June via Rock Sun Records. The release marks a defining moment for the band, showcasing their evolution from raw beginnings to a fully realised professional sound.
Formed in 2013 by childhood friends Chris Fleming (guitar/vocals) and Andrew Ingraham (drums), Gravewitchwas born out of a shared passion for heavy music and a desire to carve their own path in the underground scene.
“We’ve been best friends since childhood and decided to create Gravewitch when we were sophomores in high school. This band has always been about pushing ourselves creatively and staying true to our vision,” says Fleming.
Fusing elements of Black Metal, Thrash, Death Metal, Melodic Death Metal, and Cascadian Black Metal into a sound that is both punishing and atmospheric, Gravewitch is relentless, melodic, heavy, intriguing, and old-school.
Gravewitch’s self-titled album takes listeners on a dark and diverse journey through ten tracks, each with its own distinct theme and musical identity. From the haunting portrayal of early 1900s insane asylums in Damnable Evil to the personal nightmare of sleep paralysis in Phantasm, the band blends thrash, black, and melodic elements with precision.
Track Listing: 1. Damnable Evil (4:24) 2. Phantasm (4:21) 3. Mistress of Hate (4:13) 4. Ritual Reanimation (4:35) 5. Atmospheric Alterations (4:31) 6. White City Devil (4:00) 7. Woodland Trance (5:09) 8. Systematic Fallout (4:21) 9. Operation Overlord (5:27) 10. The Once Sacred Gift of Life (3:32) Album Length: 44:38
Mistress of Hate revisits the brutality of witch trials, while Ritual Reanimation summons undead armies through thrash-driven intensity. Nature and atmosphere dominate Atmospheric Alterations, contrasting with the chilling true-crime narrative of White City Devilabout serial killer H.H. Holmes.
Woodland Trance evokes haunted forests with cascadian black metal textures, and Systematic Falloutdelivers pure thrash chaos alongside the band’s first-ever guitar solo. War themes emerge in Operation Overlord, immersing listeners in the chaos of D-Day, while The Once Sacred Gift of Lifecloses the album with grief, mortality, and the origins of Gravewitch’s sound. Together, the record showcases the duo’s ability to fuse extreme metal subgenres into a cohesive yet varied listening experience.
“Written during the chaos of 2020, our self-titled album reflects the uncertainty of the times. We had no idea if these songs were ever going to see the light of day. The chaotic energy of the world matched the diversity of the music, so we embraced different lyrical topics that had nothing to do with each other,” adds Fleming.
The new video “Mistress Hate”captures the raw energy and occult-inspired aesthetic that defines Gravewitch. Filmed in South Wales, United Kingdom by Ritual Video, the clip features the same actress who played “The Witch” in the band’s debut video “Circle of Power” from their first album The Summoning.
Recommended for fans of Gravewitch‘s self-titled album, released on June 18, 2025, via Rock Sun Records, is available on all digital platforms and CD.
Album Credits: All songs performed by: Chris Fleming & Andrew Ingraham All songs written by: Chris Fleming & Andrew Ingraham Produced by: Johnny Davis Mixed by: Johnny Davis Mastered by: Jay Maas Artwork by: Agustinsane Iryanto
Massacre Records Classix Shape Edition is a series of 10 die-cut CD’s. This ANVIL five song compilation is #10 in the series, released back in 1999.
I bought this CD in used condition, about 10 years ago, at an independent record store that’s no longer in business. If I remember correctly, the price I paid for this ANVIL gem was below 10 dollars. You can find this CD online for 15 dollars or lower, right now. It doesn’t have a front cover in the jewel case, with liner notes only on the back cover. I’m unsure if a front cover existed and still researching if one did.
I never played this oddity either in my car CD player or my home stereo system; for fear of a mishap due to its unique die-cut shape. Written on the back cover, it states: “Not suitable for disc changers and car CD players.”
Its existence as a collectible is good enough for me!
Blood On The Ice
Doctor Kevorkian
Old School
Speed Of Sound
Metal On Metal (Live at Wacken Open Air – previously unreleased)
The CD itself is in fabulous condition, with no scratches or signs of wear. Looks like any prior owner didn’t take a chance playing it either.
Letters of each volume (10 in all) of this series, on the CD spines, together in order spell: METAL&MORE. Thank you for checking out my ANVIL CD and visiting Metal Odyssey. I appreciate every visitor! Metal be thy name. – Stone
After bringing early recordings from Twilight Moon and Degenerate back to life, Finnish metal icon Mathias Lillmåns, known by most as the vocalist of Finntroll and …And Oceans, now unveils the central monument of his archive project: the most expansive collection of recovered material to date. Together with the release of the album, also out now is the video of the song “Sanguine Sadism“.
With Remains, released Friday 28.11.2025 via Stormbound Records, Mathias Lillmåns presents the first full-length retrospective of his early, unreleased and long-forgotten recordings: a 17-track anthology spanning material from the bands Twilight Moon, Remains, Degenerate, Chthonian, Vere and Observant.
Where the earlier archival EPs gave glimpses into Lillmåns’ formative years, Remains is the complete excavation – a three-decade timeline of raw beginnings, stylistic pivots and the gradual emergence of the voice that would later become a defining part of modern Finnish metal.
“Most listeners see me as a singer”, says Lillmåns, “but with this compilation I wanted to show the transformation I went through, from being an instrumentalist that wanted to stay in the shadows to becoming the front man I’m known as today.”
Drawing from sessions some of which were presumed lost to time – rescued from basements, rediscovered on MiniDiscs, pulled from unlabeled tapes and forgotten hard drives, Remains is an inspiring musical story of trial, instinct and evolution. Across these recordings, listeners will hear Lillmåns finding his voice, from early bass-only roles, to reluctant vocalist, to a fully realized frontman.
For listeners who want deeper context, the CD edition includes personal liner notes by Lillmåns himself. He recounts the improvised reel-to-reel beginnings of Twilight Moon, the garage-recorded rawness of Remains, and the early studio ambitions of Degenerate. He reflects on the intentionally abrasive spirit of Chthonian, the one-night whirlwind that became Vere, and the sharpened, self-produced approach of Observant. Together, these notes sketch a concise but revealing portrait of the creative evolution that shaped his earliest years.
TRACK-LIST: 01 Twilight Moon – Wanderlust 02 Twilight Moon – Spirit Lord 03 Twilight Moon – Shattered Reflections 04 Twilight Moon – Stuck in Eternity (Live 1999) 05 Remains – Forced into Lies 06 Remains – Leaving the Path of the Blind 07 Remains – The Life That Passed (Slowly Fading) 08 Degenerate – Blinded 09 Degenerate – Displacement 10 Degenerate – Lost in Glass and Stone 11 Chthonian – Ill 12 Chthonian – Larvae, Nymph, Decay 13 Chthonian – Sanguine Sadism 14 Vere – The Silver Lining 15 Vere – Ignite, Enflame 16 Observant – As Corroded as You 17 Observant – Still Nameless
Remastered by Owe Inborr at Wolfthrone Studios, Remainsis available now on all major streaming platforms and on CD via Stormbound Records.
We’re heading back to Australia in March 2026 for four shows — Brisbane, Adelaide, Melbourne, and Sydney. we can’t wait to bring the noise down under 🇦🇺
The tour will commence on Monday March 23 at Brisbane’s at Fortitude Music Hall, followed by Wednesday March 25 at Hindley Street Music Hall, Adelaide, continuing on to Melbourne’s Festival Hall on Thursday 26 March, before concluding at Enmore Theatre, Sydney, on Saturday 28 March.
The JAZZ From HELL Festival will take over Le Poisson Rouge on Friday, December 12, 2025, presenting an electrifying evening of experimental sound and forward-thinking performance. Leading the lineup is the acclaimed New York avant-metal trio IMPERIAL TRIUMPHANT, who will deliver a special collaboration with the GOLDSTAR METROPOLE ORCHESTRA. This unique performance will unite the band’s signature fusion of technical metal, jazz complexity, and cinematic atmospheres with a full big-band ensemble, creating a rare large-scale presentation of their music.
The festival will also feature performances by JERSEYBAND and KILTER, both known for their adventurous approaches to genre, rhythm, and improvisation. Each act contributes to a program designed to celebrate artists who push musical boundaries and explore new sonic architectures. Hosted at Le Poisson Rouge, one of New York’s most respected spaces for innovative art and live performance, JAZZ From HELL offers an opportunity to witness a night of music that embraces intensity, experimentation, and creative risk.
Tickets are available now at 40 dollars in advance or 50 dollars on the day of the show. Doors open at 6:00 PM and performances begin at 7:00 PM. For audiences drawn to bold and unconventional music, JAZZ From HELL promises a standout event in the winter concert season.
In celebration of the one-year anniversary of The Last Will and Testament, OPETH is proud to unveil a brand-new animated video crafted to bring the album’s intricate story to life. Created by Absynthe Moon Media, the film offers a visual interpretation of the narrative that has intrigued fans since the record’s release in November 2024.
The animated music video for“§3“returns to the central family story at the heart of the album. Set during the reading of a 1920s patriarch’s will, the video captures the shifting relationships and subtle tensions that shape the storyline, while allowing viewers to interpret the finer details for themselves.
Guided by Mikael Åkerfeldt’s story and concept, the visual narrative enhances the album’s core themes: identity fractured by lies, legacies built on instability, and the slow unraveling of those who once believed they understood their place within the family. The result is a stirring and immersive complement to one of OPETH’s most ambitious works.
Revisit the world of The Last Will and Testament and watch the new ‘§3’ animated video here:
5 Feb. US Montclair, The Wellmont Theater 6 Feb. US Boston, Orpheum Theater 7 Feb. US Philadelphia, The Filmore Philadelphia 10 Feb. US Detroit, Masonic Temple Theater 11 Feb. US Chicago, Riviera Theater 12 Feb. US St. Louis, The Pageant 14 Feb. US Dallas, The Bomb Factory 15 Feb. US Houston, Bayou Music Center 16 Feb. US San Antonio, Majestic Theater 18 Feb. US Colorado Springs, Pikes Peak Center 20 Feb. US Las Vegas, Pearl Concert Theater At Palms 21 Feb. US Riverside, Riverside Municipal Auditorium 22 Feb. US Sacramento, Channel 24 24 Feb. US Seattle, Paramount Theater 25 Feb. CA Vancouver, Doug Mitchell Thunderbird Sports Centre 11 Jun. ES Zamora, Z Live Rock Fest 19 Jun. FR Clisson, Hellfest 10 Jul. IT Pompei, Amphitheatre Of Pompeii 11 Jul. IT Bologna, Sequoie Music Park 1 Aug. UK Halifax, The Piece Hall 2 Aug. IR Dublin, Bord Gáis Energy Theater 7 Aug. DE Gelsenkirchen, Amphitheater Gelsenkirchen 8 Aug. FI Helsinki, Hellsinki Metal Festival 29 Aug.SE Rättvik, Dalhalla
In League With Satan – Europe 2026 BEHEMOTH/DIMMU BORGIR Support: Dark Funeral
Tickets on sale December 3 – 10:00 AM (CET)
09.10.26 Zurich – Halle 622, CH 10.10.26 Zwickau – Sparkassen-Arena Zwickau, DE 11.10.26 Esch sur Alzette – Rockhal, LU 13.10.26 Milan – Alcatraz, IT 14.10.26 Munich – Zenith, DE 16.10.26 Paris – Zenith, FR 18.10.26 Den Bosch – Mainstage, NL 20.10.26 Cologne – Palladium, DE 22.10.26 Hamburg – Inselpark Arena, DE 23.10.26 Berlin – Columbiahalle, DE 24.10.26 Brno – Hala Vodova, CZ 27.10.26 Helsinki – Ice Hall, FI 29.10.26 Stockholm – B-K, SE 30.10.26 Copenhagen – K.B. Hallen, DK
If you’re a band or musician and would like your music reviewed or be interviewed by Stone, please click the link under the “ALBUM REVIEWS ARCHIVES” section below!
Metal Odyssey's Rock, Hard Rock and Heavy Metal Hall of Fame! These Are The Rock And METAL Legends Wrongfully Ignored By "The Rock And Roll Hall Of Fame"
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