Yesterday, November 23, 2009, was a very good day in the life of this Misfits fan, uh, fiend. You see, as I innocently walked to my mailbox, (which is on the front roadside), I stared up towards the front door to my house… what is that I see? It was a very large bubble mailer, flat and the size of a record album… extremely beautiful looking from afar. My heart began to race as I felt a tad of perspiration come upon my forehead, my legs took me as fast as they would go to this mysterious package. Holding my crap/junk mail in my left hand, I bent down to pick up this glorious bubble mailer with my right hand. The return address read: Cinder Block/FFP… from Rancho Cordova, California… what a wonderful return address indeed. You see, I pre-ordered Misfits Land Of The Dead, (the first pressing and red vinyl version), back on October 15, of this year and it is now in my hands! Yeeaaahhhh baaabbbbbyyyyy!!
The excitement that rippled throughout my body and mind, at this moment of knowing Land Of The Dead was in this bubble mailer I was holding, was a moment I will not forget for a very long time. There are only 1,000 copies of the red vinyl version! Hello, can we all say… rare? Being a Misfits fan/fiend for so long, the sheer exhilaration of finally nailing down one of their rare vinyl singles – is a Horror Punk dream come true for me. With over a month passing by since my initial order, I began to worry, that maybe I was not going to be one of the lucky ones to get a red vinyl copy of Land Of The Dead. Worry no more! Cinder Block is the distribution/mail order company that the Misfits web site uses for selling all things… Misfits. A huge Horror Punk kudos to Cinder Block for landing me a copy and making good on my order! Plus, a bonus Horror Punk kudos to Cinder Block for the protective packaging they used for shipping… my copy of Land Of The Dead is mint/spotless!
The backside of this 12 inch vinyl single has the complete lyrics for both songs: Land Of The Dead and Twilight Of The Dead. A brief write-up regarding the connection between George A. Romero, (the legendary film director for the Living Dead movie series) and Jerry Only, is also on the backside of this 12 inch single. I purchased both of these Misfits songs on itunes as well, needing digital copies is a must. It just feels damned great to order what is known to be a rarity and actually get it! I spent a total of $15.94 on this Misfits gem, (including shipping), this is not shabby when you consider what this same red vinyl version is going for on ebay currently. My best Metal buddy Scott, well, he informed me this red vinyl version is selling in the $60.00 to $75.00 range! (I wasn’t tracking this info myself, due to my waiting nervously for my own copy to arrive in the mail). Let me say this, it was worth every cent to get this Misfits single on vinyl. I am a psyched out dude today and it feels great.
Misfits as they appear on Land Of The Dead:
Jerry Only – bass & vocals
Dez Cadena – rhythm & lead guitars
Robo AKA Julio Roberto Valverde Valencia – drums
The album artwork by Arthur Suydam gets my vote for 2009 Album Cover of the Year, spanning all the Rock Music genres. As a fellow artist, it is hard for me not to stare at this cover with art appreciation.
I have found another Punk Rock Band to jump up and down about and raise my fist in the air to. The Heartaches and their Lunacy & devastation CD, (released in 2003). I needed some music on Sunday to get me out of the funk I was in, The Heartaches was the remedy… a Punk Rock remedy at that. While Rancid and The Casualties have landed on much larger record labels, The Heartaches are on one bona fide underground label at that, are you ready for this one? Here is the record label – “I Used To Fuck People Like You In Prison” Records. Now that is a Punk label if there ever was one. I take it, from the record label logo of the red devil that is on the liner notes of this CD, that the abbreviation for this record label is – People Like You. From what the liner notes state, this record label is out of Germany. People Like You Records has a really cool website, Punk Rock and Horror Punk are their forte. Their website is packed with their current signed bands and info. My whole life, I have always been intrigued and keenly interested in any underground band that I come across while shopping around for music. The Heartaches are an underground Punk Rock Band for sure, their style of Punk is a blend of Old School meets modern day social angst. Now, that does not sound so unique for a Punk Rock band, yet those are the two main characters in The Heartaches style of Punk. The Heartaches brand of Old School Rockabilly has been recharged with slick speed and extremely contagious riffs that meld within the frenetic stomp of their rhythm section.
The Heartaches deliver 13 genuine Punk Rock songs on Lunacy & devastation, each song carries it’s own Punk weight, no one song sounds like the other. My favorite song on this CD is Safe and Sound, it just has a cool groove happening from the opening note. If a Punk Rock song can be harmonious, Safe and Sound proves it. A continuous pissed off theme does not let up throughout these songs lyrics, a Punk Rock staple that can work as long as the music itself has legs to stand on. In my Metal opinion, the songs on Lunacy & devastation have legs… Punk strong at that. Lead vocalist Leroy has everything I look for from a Punk Rock front man. Leroy’s vocals exude extreme Punk credibility, as do each member of The Heartaches, from what my ears tell me. Sammy on vocals and guitar, does not impede with his backup duties with Leroy, this guy adds greatly to the total Punk essence of The Heartaches. After my third listen through with this CD, I shake my head and wonder why The Heartaches were never signed to a major label, (I’m not talking Atlantic Records here), a label like SideOneDummy? Yeah, I think The Heartaches sound that cool. Heartattack Radio is the last song on Lunacy & devastation, the Punk fervor of the vocals alongside the rhythmic enthusiasm of The Heartaches makes it a Punk exclamation point of an ending.
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