Archive for Death Metal

ANUBIS UNBOUND – “Heartless” From “Treachery” Album Is METAL You MUST Hear!

Posted in Death Metal, Extreme Metal, Heavy Metal, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , , on January 24, 2011 by Metal Odyssey

ANUBIS UNBOUND – Here is an unsigned Metal Band that SHOULD be signed to any Metal Record label that knows anything about… Metal. ANUBIS UNBOUND plays their Metal to the Extreme and will shake your Metal senses loose. Do yourself a Metal favor and click on that cool music video box below! WARNING: You will experience some real Metal that will serve you right!

* The song you will hear below, Heartless, is from the self-released (2010) sophomore album from ANUBIS UNBOUND which is titled: TREACHERY.

* ANUBIS UNBOUND are from the “Charm City”… Baltimore Maryland.

* ANUBIS UNBOUND have recently toured with: Soilwork, Mutiny Within and Threat Signal.

* ANUBIS UNBOUND is “looking for a full-time drummer who is dedicated, open-minded and ready for tour”.

* For more info on ANUBIS UNBOUND, click here: ANUBIS UNBOUND – myspace music

* You can purchase the following ANUBIS UNBOUND titles on iTunes: Treachery (2010 studio full-length), Through Cursed Eyes (2008 studio full-length) and Doors of Redemption (2009 EP)

ANUBIS UNBOUND:

Brian “Ziggy” Smith – Guitar

Ryan Plunkett – Bass

Jarred Sleeth – Guitar

LONG LIVE ANUBIS UNBOUND.

Stone.

HEMOPTYSIS “Misanthropic Slaughter” – Debut Album Is CAN’T MISS Thrash Metal For 2011 and Beyond!

Posted in Black Metal, Death Metal, Extreme Metal, Heavy Metal, metal music, metal odyssey, Music, rock music, rock music news, Thrash Metal with tags , , , , , , , , , , on January 22, 2011 by Metal Odyssey

HEMOPTYSIS Real Thrash Metal will never say die or succumb to the mainstream. Metal, albeit Death or Black, grows stronger each day, one band and fan at a time. Old School Thrash Metal combined with a fresh and real sound of Extreme Metal, encompassing both Death and Black Metal influences is being played now by a young generation of talented Metal musicians. Thank the Metal Gods they are out there.

One such real and talented Metal band that fits this Metal mold and has risen from the pack is Phoenix Arizona’s very own HEMOPTYSIS… and their brand of Thrash Metal is to be heard and reckoned with. This isn’t carbon copy Thrash Metal that HEMOPTYSIS is unleashing on their debut full-length album Misanthropic Slaughter, (which is being self-released on March 8, 2011). Instead, this is about a Thrashing Extreme Metal torch being being lit by this band… and HEMOPTYSIS knows how to keep it’s F’n sacred Thrash Metal fire burning.

The first time Misanthropic Slaughter entered my ears, a realization flooded through my Metal mind and veins that HEMOPTYSIS is a band that cannot be stopped nor contained… not when the Thrash I’m hearing is this staggering. How on Earth can HEMOPTYSIS be an unsigned band? Some may question my Metal enthusiasm here… I respond by stating: this is a band that has 0% tolerance for pretentious Metal and has administered to my ears an original sound, that is bad ass personified.

What HEMOPTYSIS has created here with Misanthropic Slaughter, is a Thrash Metal album that has brought back an excitement that I’ve been yearning for from an “up and coming” Thrash Band (or any young Metal Band) for quite a few years now. From beginning to end, this album is a non-stop Metal high for me. Masaki Murashita on vocals is as original as they come, sounding as if he has ascended from the fiery and evil depths of inner Earth to spread his Metal mandate upon us all. In all my years of being a Thrash Metal loyalist, I can bravely admit Masaki’s vocals are the driving force behind HEMOPTYSIS being an Extreme Thrash presence.

One explicit identity of Masaki’s vocals is there being a defined trait of Death Metal fusing with Black Metal. Shades of multiple Metal genres will inevitably appear within the music of a new Metal Band, our beloved Metal genres influence is due to their decades of survival and acute dominance. Thank you Mr. Murashita, may I please have more? Masaki’s guitar licks alongside lead guitarist Ryan Miller are stuff of Thrash legend in another two decades from now… or much sooner. And I’ll add, that Masaki can light it up with an insane guitar solo on The Cycle, making his double Metal threat as vocalist and guitarist extremely formidable.

The sound clarity and across the board production on Misanthropic Slaughter is top tier quality. With “Grammy Award” winning producer Ryan Greene at the helm (Megadeth, Authority Zero, NOFX) Misanthropic Slaughter comes alive with an enriched sonic potency, with each instrument being played never succumbing to any hinderances. After my first few thorough listens to this album, I’m astonished it is a debut offering from HEMOPTYSIS… the songwriting, vocals and playing is that mature.

To say all eleven songs on Misanthropic Slaughter burn with an intensity of unreal speed and driving Thrash Metal force sounds rather cliche’, only it is the DAMNED Metal truth! My God has a new Thrash Metal Band crossed my Metal path and set me F’n Metal straight! The grand thing about it all, is that I never expected this! The solo’s that Ryan Miller turns loose on this album are F’n mind blowing. Period. Impending Doom, And The World Dies… it doesn’t make a difference, every ruthless guitar lead and solo that Ryan Miller assaults my eardrums with has me asking: Thank you Mr. Miller, may I please have more?

Yes, the unyielding combination of Masaki Murashita and Ryan Miller I have exposed… and for admirable Metal reasons. However, there is the Thrashin’ and Metal groovin’ rhythm combo of Sunao Arai on bass and Travis Thune on drums. Sunao and Travis make this album’s Metal sound rise to a stunning level, thanks in part to both of them penetrating any hollow cavity of silence with their thunderous beats. Sunao’s bass and Travis’s drums are vital in making these songs rage along at such a precise and breathtaking Thrash pace! If there is any better way to describe Sunao and Travis as players, then I’ll anoint them as the Thunder Gods of HEMOPTYSIS right now and be Metal done with it. Thank you Mr. Arai and Mr. Thune, may I please have more?

Yes Virginia, there is a Metal Claus and he delivered the Thrash Metal package to my Metal door. That Thrashin’ and Extreme lined package is Misanthropic Slaughter. At times, there is Metal melody that seeps out of that guitar of Ryan Miller’s and that is a favorable attribute. Masaki Murashita has given the Thrash Metal genre a whole new voice to identify with and that too, is a favorable attribute.

Hearing HEMOPTYSIS is Metal believing. There is a strong crossover appeal with HEMOPTYSIS, Thrash Metal, Metal, Death Metal and Black Metal fans can all benefit from Misanthropic Slaughter. There are no gimmicks or commercial leanings to be found and dissected here, it’s all about the songs, the real and meteoric Thrash Metal which empower’s me to state: Misanthropic Slaughter is an album that has CAN’T POSSIBLY MISS radiating from it’s every Metal nook and evil cranny. Metal be thy name.

METAL ODYSSEY AWARDS MISANTHROPIC SLAUGHTER: 5 OUT OF 5 METAL FISTS!

THE METAL WORLD HAS A NEW PIT BULL IN IT’S BACKYARD… IT’S HEMOPTYSIS.

ANY METAL RECORD LABEL IN IT’S RIGHT MIND SHOULD HAVE HEMOPTYSIS: SIGNED, SEALED AND DELIVERED FOR THE VAST WORLD OF METAL HUNGRY FANS.

* Misanthropic Slaughter releases on March 8, 2011 and will be available through iTunes, CD Baby and Amazon.com.

* HEMOPTYSIS “have been dubbed” the 2009 and 2010 “Metal Artist Of The Year” by The Los Angeles/Phoenix Music Awards.

* HEMOPTYSIS has 13 endorsements, which include: Jackson Guitars, KRANK Amplification, PEAVEY, EMG Pickups, Coffin Case and In Tune Guitar Picks Inc. to name a many few.

* Misanthropic Slaughter is the follow-up to the this band’s critically acclaimed EP – Who Needs A Sheppard?

* For more info on HEMOPTYSIS, just click on the links below:

HEMOPTYSIS – Official Website

HEMOPTYSIS – REVERBNATION

HEMOPTYSIS – myspace music

HEMOPTYSIS – Facebook

HEMOPTYSIS:

Masaki Murashita – vocals & guitar

Ryan Miller – lead guitar

Sunao Arai – bass

Travis Thune – drums

Misanthropic Slaughter Track Listing:

Misanthropic Slaughter

Hopeless

M.O.D.

Impending Doom

And The World Dies

Interlude

The Cycle

Blood Storm

Shadow of Death

Hadephobia

End of Sorrow

LONG LIVE HEMOPTYSIS.

LONG LIVE METAL.

Stone.

AMON AMARTH: “Surtur Rising” Album Cover Art and Track Listing Revealed! Band To Appear On 70,000 Tons Of Metal Cruise Later This Month!

Posted in Death Metal, Extreme Metal, Hard Rock, Heavy Metal, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , on January 18, 2011 by Metal Odyssey

Sweden’s AMON AMARTH are currently gearing up to unleash, Surtur Rising, the eighth studio offering in their critically revered pantheon of Viking-inspired Death Metal. Named in tribute to Surtur, leader of the fire giants of Muspelheim (“flame land”) and the oldest being in the nine worlds of Norse mythology, the record, which was listed among Decibel Magazine’s most anticipated albums of 2011, features 10 tracks of sword-wielding, fist-pumping, hyper climactic battle anthems. The followup to 2008’s monolithic Twilight Of The Thunder God full-length, was recorded, mixed and mastered at Fascination Street Studios Örebro, Sweden with Jens Bogren and features strikingly brutal cover art by Tom Thiel.

Surtur Rising Track Listing:

01. War of the Gods”

02. Töck’s Taunt – Loke’s Treachery Part II

03. Destroyer of the Universe

04. Slaves of Fear

05. Live Without Regrets

06. The Last Stand of Frej

07. For Victory or Death

08. Wrath of the Norsemen

09. A Beast Am I

10. Doom Over Dead Man

As an unofficial kick off to its release, AMON AMARTH will make a live appearance on the long anticipated 70000 Tons Of Metal Cruise, scheduled to take place from January 24th – 28th. The voyage will begin in  Miami, Florida, make its way to Cozumel, Mexico and play host to 40 bands including Voivod, Sodom, Iced Earth, Fear Factory and Obituary. For more info, visit: http://www.70000tons.com

Surtur Rising will be released in North America on March 29, 2011 via Metal Blade Records. Surtur Rising will be released in Europe on March 25, 2011.

http://www.myspace.com/amonamarth

http://www.amonamarth.com

http://www.facebook.com/AmonAmarthBand

http://twitter.com/amonamarthband

LONG LIVE AMON AMARTH.

Stone.

DevilDriver “Beast” – Releases on February 22, 2011!

Posted in Death Metal, Extreme Metal, Heavy Metal, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , on January 3, 2011 by Metal Odyssey

DevilDriver – On February 22, 2011, DevilDriver will be seeing their fifth studio album release, all on RoadRunner Records. Since their 2003 self-titled debut, DevilDriver has been recruiting fans by the masses, luring them into their Groove Metal meets Melodic Death Metal barrage.  Founding member and lead singer Dez Fafara has been quoted, in speaking about Beast: “It’s a sincere, pissed off street record… this album is about the daily fight that is life.”

DevilDriver is a Metal force to reckon with and I’m on-board with getting my head invaded by their new album – Beast. This band has never disappointed Stone with their full-on Metal aggressiveness and attitude, which comes smashing through their catalog of albums with a non-forgiving and blitzing momentum. Either get out of the way or raise the horns to the sky in Metal triumph… DevilDriver’s Beast is upon us!

* Mixing for Beast was done by Andy Sneap and produced by Mark Lewis.

DEVILDRIVER:

Dez Fafara – vocals

Jeff Kendrick – guitar

Mike Spreitzer – guitar

Jon Miller – bass

John Boecklin – drums

Track Listing For Beast:

Dead To Rights

Bring The Fight (To The Floor)

Hardened

Shitlist

Talons Out (Teeth Sharpened)

You Make Me Sick

Coldblooded

Blur

The Blame Game

Black Soul Choir

Crowns Of Creation

Lend Myself To The Night

The above cover is the CD/DVD edition of Beast, slated for a February 22, 2011 release. The three bonus tracks on this CD/DVD edition:

Lost

Fortune Favors The Brave

Grinfucked (live)

Bonus DVD Material:

“You May Know Us From The Stage” – full length film chronicling DevilDriver’s history from the very start.

Music Videos On DVD:

Not All Who Wander Are Lost

Clouds Over California

Pray For Villians

Fate Stepped In

Another Night In London

LONG LIVE DEVILDRIVER.

Stone.

Metal Odyssey’s Stone Picks His Top Ten Albums Of 2010!

Posted in Death Metal, Extreme Metal, Hard Rock, Heavy Metal, metal music, metal odyssey, Music, rock and roll, rock music, rock music news, Thrash Metal with tags , , , , , , , , , , , on January 3, 2011 by Metal Odyssey

Metal Odyssey’s Stone – Picking the “top ten list” of anything in life is not that easy. Choosing my Top Ten Albums Of 2010 proved to be more daunting than I had initially expected, with there being multiple dozens of excellent albums released this past year, spanning across each sub-genre of Metal, not to mention Hard Rock and Rock as well. I decided this year, to pick out only those ten albums that I can honestly say moved meas a complete album of songs. I have never limited my ears, mind and soul to just Metal, anyone who knows me or any regular visitor to Metal Odyssey understands this. Therefore, finding an album in my “top ten” that is not full-throttle, pedal to the Metal, shouldn’t come across as scandalous.

An album that makes my “top ten” list will move me emotionally, sending signals to my senses that either A: psyches-me-out of my Metal mind or B: makes me feel as though I’ve found a long lost friend, a friend I’ll now have for the rest of my Metal life. Of course quality musicianship, songwriting and overall production comes into play… only those three attributes will fall into place when an album is truly special to me.

Maybe you’ll enjoy, become slightly amused and or confused by my Top Ten Albums Of 2010. Either way, my intent is to showcase and appluad these albums and the bands that created them. Hopefully I peak your interest to buy an album or two from this list. These are the albums that will stand the test of my Metal time on Earth.

#10

KATAKLYSM – HEAVEN’S VENOM

KATAKLYSM epitomizes the marriage of melodic and heavy… and succeeds so brilliantly in a Death Metal genre, a genre that has profoundly matured into mandatory importance in my Metal history book, many full moons ago. I’ll say this time and again, when Maurizio Iacono sings, I listen. Jean-Francois Dagenais on guitar is not just impressive, his playing is beyond that. If Death Metal needed “that band” to bridge the gap between the meat & potatoes and the progressive, then KATAKLYSM is that band. “Heaven’s Venom” is more than just another excellent Melodic Death Metal album, it is a collective “sound” and “vibe” that makes me realize that maybe “extreme” should be replaced with “pristine” when describing these ten songs.

On December 2, 2010, I posted a review on Heaven’s Venom, giving more Metal details as to why KATAKLYSM is sitting atop my tier of Metal legendary bands. Clicking the big header below will take you there!

KATAKLYSM “Heaven’s Venom” – Death Metal Mastery To Devour

#9

KROKUS – HOODOO

The “Classic” Krokus lineup returned in 2010 to bring their Hard Rockin’ brand back… to kick our asses! Metal be thy name, Krokus DID kick my ass with “Hoodoo” and all I can say is: “thank you sirs, may I have more?” A (gasp) fun album is “Hoodoo”, that gives a wink and a smile to the gloriously loud and colorful 80’s decade of Arena Rock and good times thrills. If the songs “Too Hot” and “Hoodoo Woman” doesn’t get your Hard Rock adrenaline flowing, then maybe you should consider living as a hermit in the forests of Maine.

On April 27, 2010, I reviewed Hoodoo and did not hold back my Hard Rockin’ affection for this timeless Hard Rockin’ band. Click on the large header below to see!

KROKUS “HOODOO” – CASTS A HARD ROCKIN’ & HEAVY METAL CLASSIC SPELL!

#8

JON OLIVA’S PAIN – FESTIVAL

Jon Oliva is a man of music. He proves this on “Festival”, by connecting the Rock ‘N’ Roll dots, Jon Oliva has his Classic Rock influences of the Beatles and The Electric Light Orchestra coexisting with the Savatage blood that flows through his ultra-talented veins. Is “Festival” a Heavy Metal album? On the surface it is… only once you really listen to this album a few dozen times, you might very well agree with me that “Festival” is a celebration of Jon Oliva’s musical career. The dark themes and nightmarish lyrics behold a realism that I find stunning, making me hope and pray that Jon Oliva and his band will create a “Festival”… part 2.

On April 15, 2010, my review for “Festival” was posted on Hard Rock Hideout. Click on the large header below to read all about it!

Jon Oliva’s Pain – Festival (2010)

#7

THE NEW CZARS – DOOMSDAY REVOLUTION

What Greg Hampton (founding member, lead guitarist & vocalist) created with his band The New Czars, is one of the finest blends of Rock Music styles my ears have heard in years. “Doomsday Revolution” takes a Modern Hard Rock lead, with Industrial and Funk experimentation weaved within it’s lustrous interior. Greg Hampton might very well be the “missing link” within a generation of Rock vocal legends such as Glenn Hughes, Ian Gillan, David Coverdale and yes… Robert Plant. If that sounds too good to be true, then get yourself a copy of “Doomsday Revolution” and thank Stone for serving you right.

Back on September 8, 2010, I posted a detailed album review for Doomsday Revolution. You can click that big header below if you want to read all about it!

THE NEW CZARS “DOOMSDAY REVOLUTION” – AN INDUSTRIOUS & CREATIVE APPROACH TO ROCK MUSIC DIVERSITY

#6

AVENGED SEVENFOLD – NIGHTMARE

“Nightmare” is the fifth studio album from A7X and very well should be anointed as their very best. Powerful, angry and raging is “God Hates Us”, while the album opener “Nightmare” speeds on with it’s relentless up-tempo that makes me feel like I belong in the pit, carrying on like a psyched-out Metalhead from 1989. Seriously, what A7X has accomplished with “Nightmare” is nothing short of a Metal miracle, with having to cope with the loss of Jimmy “The Reverend” Sullivan. I won’t hold back calling this “Nightmare” album the “Back In Black” or “Black Album” of A7X’s catalog.

On November 9, 2010, my review for “Nightmare” was posted on Hard Rock Hideout. Check it out by clicking the header below!

Avenged Sevenfold – Nightmare (2010)

#5

KOPEK – WHITE COLLAR LIES

What’s this? A Hard Rock three piece? A Modern Hard Rock three piece? Can these guys play? Who invited them to the party? Stone will tell you right now… KOPEK is a three piece, they are a Hard Rock band and they bought the copyright for the word relevance. By the way, KOPEK will be invited to the party and they are bringing with them a case of Hard Rock whoop ass that will have you begging “them” for more. Guitarist and vocalist Daniel Jordan brings that “it” factor to the Hard Rock table, “it” being his charisma that resonates from each and every song I hear on “White Collar Lies”. Drummer Shane Cooney and bassist Brad Kinsella round out this Hard Rockin’ trio from Dublin, Ireland, making them a band I recommend to every breathing human being on Earth.

On June 28, 2010, I presented to the world, an album review for White Collar Lies. If you want to know more about this KOPEK album that you should really buy, then click that friendly header below… it will serve you right!

KOPEK “WHITE COLLAR LIES” – DEBUT ALBUM IS A PRESENT & FUTURE STANDOUT OF MODERN ROCK

#4

DANZIG – DETH RED SABAOTH

This new DANZIG album could have easily been titled: “How Glenn Danzig Got His Groove Back”. “Deth Red Sabaoth” is a return to dark form for Glenn, with each song carrying it’s worthy weight of thump and stump heaviness. Dare I say once again… Old School? These flashbacks to the Heavy Metal glory years never hurt any band and DANZIG churns out the songs that I want to hear on a long, lost, dark nights cruise through the remote countryside. “Black Candy”, Deth Red Moon” and “Ju Ju Bone” are the three songs that stand-out among, well, 11 stand-out songs. Each time I listen to “Deth Red Sabaoth” I realize wholly, that Glenn Danzig is back… and that makes Stone feel very Metal comfy.

On July 22, 2010, my review for “Deth Red Sabaoth” was posted on Hard Rock Hideout. Check it out for yourself by clicking the header below!

DANZIG – DETH RED SABAOTH (2010)

#3

ACCEPT – BLOOD OF THE NATIONS

An Udo-less Accept is hard to “accept”… unless you listen to “Blood Of The Nations”. Mark Tornillo made me a believer from the first note he bellows on “Beat The Bastards”, while not being an Udo clone, Mark just accomplished what always came natural to him… that’s to sing like an Old School Metal warrior! With a near perfect version of the original Accept lineup grinding out 14 songs, at the culmination of my first listen to this album I wanted MORE! This is an Accept album that solidifies this band’s Heavy Metal importance and existence of both past and present. “Blood Of The Nations” also reminds all of us aging Metalheads, that Old School Heavy Metal dreams really do come true.

On September 14, 2010, I posted a very psyched-out review for this Blood Of The Nations album. Check it out if you like, by clicking the big ol’ header below!

ACCEPT “BLOOD OF THE NATIONS” – A METAL TRIUMPH AND RETURN TO METAL GLORY FOR ACCEPT!!

#2 (Tie)

EXODUS – EXHIBIT B: THE HUMAN CONDITION

Why have I made it a “tie” between EXODUS – Exhibit B: The Human Condition and OVERKILL – Ironbound? The answer is simple… Thrash Metal albums, from these two ultra-legends, sounding this damn outstanding, has fortunately collided with an uncanny equality. Choosing between these two albums as which is best, is liking choosing between two iced mugs of Blue Moon Ale. Pick ’em. Founding members Gary Holt (guitar) and Tom Hunting (drums) are the Metal backbone to Exodus being not just pioneers of Thrash Metal, Exodus is one of this genre’s true leaders in 2010. This album is as brutal as any that Exodus has released… and these guys sound tighter than ever!

#2 (Tie)

OVERKILL – IRONBOUND

As with Exodus, Overkill are pioneers of the Thrash Metal movement that has seen a resurgence of popularity that reminds me of the 80’s. “Ironbound” is full-blown and in-your-face Thrash Metal that glistens with Old School hunger and never relents with it’s crushing and force driven songs. Founding members Bobby “Blitz” Ellsworth (vocals) and D.D. Verni (bass) are living proof that they can create and play Thrash Metal for 30 years and counting, with different lineups, while never losing a touch of relevance. After three decades of albums, Overkill quite possibly made their verybest with “Ironbound.”

On March 8, 2010, I reviewed “Ironbound” on Hard Rock Hideout. Click the header below to read the complete details!

Overkill – Ironbound (2010)

#1

SCORPIONS – STING IN THE TAIL

“Sting In The Tail” radiates every quality that I yearn for in choosing a #1 album: heaviness, hardness, melodic, memorable, emotional and Old School… all wrapped up into one celebratory goodbye after spanning nearly five decades of existence. This album dominated my Metal soul like none other in 2010, even the ballads “The Good Die Young” and “The Best Is Yet To Come” made an instant impact on me… and I never wave the flag for ballads that often. Klaus Meine sounds as incredible as ever on vocals, while this entire band plays with the fire of twenty year olds. “Sting In The Tail” was not a return to the glory days of 80’s Heavy Metal, instead, this album showcases just how electrifying the Scorpions still are after so many decades. The Scorpions go out proving to me, they never lost their edge. There will never be another band like the Scorpions.

Back on April 3, 2010, I posted a detailed album review on Sting In The Tail. Click the large header below, to read about how much I really dig this Scorpions album!

SCORPIONS – “STING IN THE TAIL” DELIVERS THE ANTIDOTE OF HEAVY METAL EUPHORIA!

LONG LIVE METAL.

THANK YOU SCORPIONS.

LONG LIVE ROCK ‘N’ ROLL.

Stone.

* Below is a list of other great sites/bloggers that cover Rock, Hard Rock and Heavy Metal. They will be sharing their “Best Of 2010” lists and thoughts as well. It is well worth the trip to any and/or all of them!

Heavy Metal Addiction —  http://heavymetaladdiction.com

The Metal Minute — http://rayvanhornjr.blogspot.com/

Layla’s Classic Rock — http://laylasclassicrock.blogspot.com/

Hard Rock Nights — http://hardrocknights.wordpress.com/

The Ripple Effect — http://www.ripplemusic.blogspot.com/

Imagine Echoes — http://www.imagineechoes.com/

Hard Rock Hideout — http://hardrockhideout.com/

Heavy Metal Time Machine — http://metalmark.blogspot.com/

Metal Excess — http://metalexcess.com/

All Metal Resource — http://allmetalresource.com/

Bring Back Glam — http://bringbackglam.squarespace.com/

Hair Metal Mansion — http://hairbangersradio.ning.com/

Stone.

ACHREN – An Extreme Metal Band On The Metal Rise!

Posted in Black Metal, Death Metal, Extreme Metal, Heavy Metal, metal music, metal odyssey, Music, rock music, rock music news, Thrash Metal with tags , , , , , , , , , , on December 27, 2010 by Metal Odyssey

ACHREN – Formed back in 2003, from Glasgow, UK, comes the Extreme driven, Metal force of ACHREN. To take a passage from their bio, which best sums up their sound: “Crushingly heavy and uncompromising metal, filled with raw and razor sharp riffs, Death Metal growls, Black Metal screams and pounding drums, they create a unique sound forged as Blood Metal.” After listening to ACHREN’S streaming Metal on their myspace and Reverbnation sites, (see links below), I couldn’t agree more with this Metal description of their Extreme sound… this previous description took the Metal words right out of my mouth. How could Stone top that description? Eventually though, I will when describing ACHREN in the future.

Metal be thy name, it is always a glorious Metal moment when a band like ACHREN crosses my Metal path… this band embodies all the elements of Extreme Metal, that my ears and senses need to devour for Metal survival. After listening to ACHREN’S streaming songs, I didn’t hesitate and went straight to Itunes to purchase their EP and single from 2008, (see info & link below). Here is some very cool information about ACHREN that I’m sure any devout Metal lovin’ maniac will appreciate:

ACHREN is about to release a live DVD from Bloodstock Open Air 2010 and are the winners of the Bloodstock Open Air 2010 Metal 2 The Masses Initiative. ACHREN are now confirmed to play the Metal Battle Stage at Wacken 2011, plus they will be releasing their debut album in the Spring of 2011!

* ACHREN’S spell binding performance of brutal Death Metal proportions captivated the gathered masses in the New Blood Stage at this years festival!

Frontman Scott Anderson: “The Metal 2 The Masses Initiative has given us a great chance to take the band to a different level. The whole team at Bloodstock work so hard to make it the best Metal festival in the UK and we can’t thank everybody enough for providing us with this great opportunity.”

* ACHREN filmed their whole Bloodstock Open Air set, which is scheduled for release in January on DVD in January of 2011. Their yet untitled debut album is now complete and ready for a Spring release in time for further 2011 Summer festivals!

(Source: ACHREN press release, December 26, 2010)

* You can currently purchase the Extreme Metal of ACHREN, (released in 2008), on Itunes. Their 4 song EP Blood Metal and the single Blood Soaked Banner are there! I highly recommend both EP and single… amazingly Extreme and brutally saturated – Blood Metal! I bought these releases by ACHREN… and it served me right.

Just click this link:  http://www.itunes.com/achren

ACHREN:

Scott Anderson – vocals & guitars

Callum Kirk – guitars & bass

Gordon Johnston – drums

John Clark Paterson – bass

* For more info on ACHREN, just click on the links below:

ACHREN – myspace music

ACHREN – Reverbnation

ACHREN – Official Website

Wacken Open Air Festival

BLOODSTOCK OPEN AIR

LONG LIVE ACHREN.

LONG LIVE EXTREME METAL.

Stone.

KATAKLYSM “Heaven’s Venom” – Death Metal Mastery To Devour

Posted in Death Metal, Extreme Metal, Heavy Metal, heavy metal news, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , on December 2, 2010 by Metal Odyssey

KATAKLYSM – Released on August 24, 2010, on Nuclear Blast America, Heaven’s Venom marks the tenth studio album from Kataklysm, arguably the most brutally powerful Metal band ever exported from The Great White North. This new Kataklysm album is fully loaded with ten songs, which exceed the boundaries of what great Death Metal is supposed to accomplish… by mesmerizing your senses into a state of Extreme Death Metal delirium. It is a tried and true Death Metal band like Kataklysm that I cannot resist rooting for, their tireless effort to make their presence known as a Death Metal force, in the vast world of Metal, is an undisputed benchmark of their existence.

From the onset, Soulless God annihilates with it’s all encompassing and overpowering Death Metal fury. All ten songs for that matter, are an enormous listen into just how Kataklysm has evolved over the past two decades, with their obvious stamp of originality upon the genre of Death Metal, a genre which has become a behemoth in the annals of Metal Music. The melodic nature of Kataklysm’s sound is derived from guitar virtuoso Jean-Francois Dagenais, he can play the heavy while instilling an accessibility to this band from his diverse playing. Even casual Death Metal fans should easily adhere their ears to what Deganais plays here, with loyal fans knowing that he is one of the finest in all of Metal.

Without hesitation, Heaven’s Venom is one of the most engaging Death Metal albums I’ve ever listened to. Slivers of progressiveness will sparingly peer around Kataklysm’s corner, with the spoken word being utilized in the songs: A Soulless God and Hail The Renegade. Kataklysm has never been about fast food Death Metal, this band’s intricacies have always lied within their passion for creating songs that leap out at you with rage and then abruptly casting searing melodic turns without notice. Lyrically, Heaven’s Venom embarks on dark personal struggles and values, with revenge and triumph being touched upon in prolific style, which Maurizio Iacono conveys with undisputed domination. Maurizio is one of those vocalists… when Maurizio sings, Stone listens.

The themes of divide and conquer and good versus evil may seem cliche with their simplicity, only Kataklysm gives forth a larger story than that throughout Heaven’s Venom. The markedness of Heaven’s Venom is truly a carry over from the rest of Kataklysm’s catalog of albums, once again embarking on what I construe to be… thinking man’s Death Metal. Yes, contrary to any department of psychology misnomer, Death Metal can be smart, both lyrically and musically. Along with the forever legendary Death Metal pioneers the likes of Death, Kataklysm will unconditionally receive my Metal accolades for their artistic point style too.

My personal favorite song on Heaven’s Venom is As The Walls Collapse. I will survive all the demons you throw at me, I will deny all the weakness inside… these are lyrics that psyche-me-out beyond Metal belief. Combine intelligent and powerful lyrics with elevated Death Metal grooves and yes, this song is a masterful achievement that will not become obsolete for my ears. I could go as far by saying: As The Walls Collapse sounds superiorly delectable, when listened to ten times in a row, very loudly.

Without exception, is Heaven’s Venom relentless with the double bass and copious rhythmic blasts from Max Duhamel, holy mother of Metal does Max lock himself into a phrenetic groove on every song. Metal be thy name he is outstanding. The combination of Max Duhamel behind the kit and Stephane Barbe on bass makes for an earsplitting wall of Death Metal welcomeness. Heaven’s Venom is what I consider an undeniable right choice for any Death Metal, Metal or Extreme Metal fan alive today. An album such as Heaven’s Venom doesn’t just fall from the sky, this is as creatively heavy as it gets with Death Metal, while being fortified with the upmost intensity and Death Metal proficiency that I’ve come to expect from Kataklysm.

* For more info on KATAKLYSM, just click on the link below:

KATAKLYSM – MySpace Music Page

KATAKLYSM:

Maurizio  Iacono – vocals

J-F Dagenais – guitars

Stephane Barbe – bass

Max Duhamel – drums

Track Listing For Heaven’s Venom:

A Soulless God

Determined (Vows Of Vengeance)

Faith Made Of Shrapnel

Push The Venom

Hail The Renegade

As The Walls Collapse

Numb And Intoxicated

At The Edge Of The World

Suicide River

Blind Saviour

LONG LIVE KATAKLYSM.

Stone.

AMON AMARTH – Announce Title Of New Album Set For 2011 Spring Release!

Posted in Death Metal, Extreme Metal, Heavy Metal, heavy metal news, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , on November 30, 2010 by Metal Odyssey

Kings of Swedish death metal AMON AMARTH have just announced the title of the their forthcoming album as Surtur Rising. Due out in the spring of 2011, Surtur Rising marks the group’s eighth full-length studio release and undoubtedly one of 2011’s most anticipated albums by fans and critics alike. Surtur Rising is the follow-up to the highly acclaimed 2008 release, Twilight Of The Thunder God, which landed the #7 spot in Revolver Magazine’s Top 20 Albums of 2008 and what MetalSucks called “[a] bottomless gauntlet of riffs that the band endlessly takes gargantuan swigs from, sounding both lush and emotive as well as skull crushingly heavy… every goddamn one is a chest-beating anthem.” Outburn declared how Twilight Of The Thunder God “will render you nothing short of ecstatic” and Time Out New York noted that “AMON AMARTH plays some of the most unabashedly epic metal you’re likely to find these days.” Be sure to stay tuned to MetalBlade.com for more details on Surtur Rising.

AMON AMARTH:

Johan Hegg – vocals

Olavi Mikkonen – guitar

Johan Söderberg – guitar

Ted Lundström – bass

Fredrik Andersson – drums

(Source: Earsplit press release, November 30, 2011)

* For more info on AMON AMARTH, just click on the link below:

AMON AMARTH – Official Website

* For more info on Metal Blade Records, click here: METAL BLADE RECORDS

LONG LIVE AMON AMARTH.

Stone.

THE WRETCHED END: New Track Streaming Via Decibel Magazine!

Posted in Death Metal, Extreme Metal, Heavy Metal, metal music, metal odyssey, Music, rock music, rock music news, Thrash Metal with tags , , , , , , , , , , on November 25, 2010 by Metal Odyssey

THE WRETCHED END the blackthrash trio featuring ex-Emperor/ex-Zyklon guitarist Samoth, Mindgrinder/ex-Scum guitarist Cosmo and ex-Dark Funeral/ex-Aeon drummer Nils Fjellström — recently unleashed their debut full-length, Ominous, via Candlelight Records.

In honor of its release, you can check out “The Armageddonist,” the third track off the debilitating outing, courtesy of Decibel Magazine HERE.

THE WRETCHED END formed in 2008 as a creative collaboration between Samoth and Cosmo, who previously worked together in deathpunk project Scum. In addition, Cosmo played bass with Zyklon when the band toured Europe 2001 with Morbid Angel. The two have long spoken about an extreme metal project and thus, THE WRETCHED END was born.
(Source: Earsplit press release)
LONG LIVE THE WRETCHED END.
Stone.

EASTERN FRONT “Blood On Snow” – Outwardly Wicked And Saturated With Melodic, Blackened Intensity

Posted in Black Metal, Death Metal, Extreme Metal, extreme music, Heavy Metal, heavy metal music, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , on November 22, 2010 by Metal Odyssey

EASTERN FRONT Caution: Eastern Front will tear your eardrums inside out and use them for slingshots, while your eyeballs widen and thine jaw drops in utter amazement from their Extreme Speed, Heaviness and fiery Blackened intensity. That is just the beginning… and I was well convinced after listening to the opening track – Stalinorgel, that Eastern Front has taken an enormously serious approach to their Extreme Music. One must listen to all eight songs that Eastern Front has created here, then absorb them all into thine senses and realize this band is not of the cookie cutter variety. Metal be thy name, has Eastern Front made quite the Black Metal statement with Blood On Snow.

The title track, Blood On Snow, clocks in at 8:31 and it is over eight minutes of 100% Black Metal majesty. From the mind invading and senses pummeling blast beats to the vicious guitar leads… and everything else in between, this title track is a Blackened Metal ride of ferocious euphoria. Can this Eastern Front album get any better? It sure can. The very next song, Unleash The Panzer Division, is an introduction to just how melodic guitar leads can coexist with dark, Black Metal ferocity of sound. These two songs, back-to-back are like a double dose of Eastern Front whoop ass… straight to my skin rippling forehead.

At The Gates Of Moscow is a mini Black epic in it’s own right, with seven minutes of unrelenting and Extreme song writing precision. Nagant’s warrior strong vocals are overwhelming with excessive power on At The Gates Of MoscowWhere Warriors Once Fell, this album’s closer, is the answer to what Iron Maiden would sound like if they were to try their Metal hand at Black Metal. Then again, this is Eastern Front, a Black Metal band that has put forth their very own style with more than subtle confidence. This is a Black Metal band that is overflowing with convincing Metal skill sets. If Eastern Front intended to save their Blackest best for last, they surely have succeeded with Where Warriors Once Fell.

If there is to be one consistent adjective to describe Blood On Snow, it has to be… powerful. From Nagant’s vocals to Holocaust’s unreal guitar leads and every nuance in between, the muscularity of Metal explodes with this bands Blackened style and character. Krieg on rhythm guitar, Destroyer on bass and Destruction on drums all enrich this album to it’s dark and Extreme fullest. Eastern Front sounds razor sharp and very tight on this album, they sound ready to take on the world, with a skull splitting deliverance of their Black Metal power surge.

Listening to this album is like getting hit by that continuous storm wind, that malicious wind that comes out of the northern sky with an unnatural vengeance… and all you can do is respect it’s overall strength. Blood On Snow is swirling with melodic speed throughout each song, with tempo changes, string arrangements and sound effects that are not incorporated for listening convenience or sell out, rather they exist due to the real emotions that Eastern Front has built into this beyond entertaining Black album.

Blood On Snow was produced by Anders Backelin at Andy LaRocque’s Sonic Train Studios in Sweden. The quality that Andy’s Sonic Train Studio brings to the cascading Black Metal sound on this album is blatantly obvious and arguably, one day in the future… legendary. From the onset to the last note of Blood On Snow, I can hear the painstaking attention to detail, amongst the layers of sound, that great producers like Anders Backelin and Andy are conscientious about. Andy LaRocque is an original member alongside the ultra legendary King Diamond. Andy plays guitar, keyboards and is a songwriter for King Diamond. Andy was also a guitarist for DEATH, appearing on their 1993 studio album – Individual Thought Patterns.

* EASTERN FRONT lists Ipswich, United Kingdom, as their land of origin, on their myspace music page. (See myspace link below).

* EASTERN FRONT – Blood On Snow was released in Europe, on Candlelight Records, on September 13, 2010. Blood On Snow was released in the U.S. on Candlelight Records, on September 21, 2010.

* For more info on EASTERN FRONT, just click on the link below:

EASTERN FRONT – myspace music

EASTERN FRONT:

Nagant – vocals

Holocaust – lead guitar

Krieg – rhythm guitar

Destroyer – bass

Destruction – drums

Blood On Snow – (Back Cover of CD above)

Track Listing For Blood On Snow:

Stalinorgel

Battle Of Smolensk

Blood On Snow

Unleash The Panzer Division

Motherland

Dvenadtzat Kilometrov Ot Moskvy

At The Gates Of Moscow

Where Warriors Once Fell

EASTERN FRONT HAS ARRIVED… BEST TO LET THEM IN.

Stone.

SAMOTH of The Wretched End – A Metal Odyssey Interview!

Posted in Black Metal, extreme metal music, extreme music, Heavy Metal, heavy metal bands, metal music, metal odyssey, Music, rock music, rock music interviews, rock music news with tags , , , , , , , , , , , , , on November 16, 2010 by Metal Odyssey

The Wretched End, above, from left to right: Nils Fjellström (drums), Cosmo (guitar, bass, vocals) and Samoth (guitar).

SAMOTH – When Metal legends come to mind, they are usually of the household variety. The mainstream variety. There are those Metal legends that don’t come pre-packaged and red carpet ready… they are of the underground variety. SAMOTH is a Metal legend of the underground Metal community. As a Black Metal influence, Samoth carved out his very own piece of Rock Music history, with his pioneering Extreme Black Metal band he founded with Ihsahn and Mortis back in 1991 which the world will forever know as – Emperor.

Being a founding member of an internationally acclaimed Extreme Black Metal Band the likes of Emperor, all those years ago as a teenager, was a building block towards Metal immortality. Samoth later co-founded the Blackened Death Metal band – Zyklon, which after thirteen years of Metal existence they disbanded in 2010. His musical affiliation and membership with many other Black and Extreme Metal bands are many, including SCUM and Satyricon.

Samoth reflects on his days with Emperor, touches on balancing a career and family, speaks about his influences, horror movies, his very own Nocturnal Art Productions and of course his newest Metal project, The Wretched End and their new Death/Thrash studio album of Extreme Metal intensity – “Ominous”. While I spoke to Samoth, I realized very quickly there are many sides to this legend of Metal. Samoth is all about Metal, through a do it yourself attitude, coupled with a business savvy awareness that has made him a success for twenty years and counting. Samoth is a multi-instrumentalist, a songwriter and a self-made record label owner, who speaks more fluent than most college professors that stood before me lecturing.

Every answer from this enormous figure of Metal History made legitimate sense to me… there was never a dry tone nor a sense of arrogance or self righteousness about Samoth. A man such as Samoth, has been to the top of the mountain (and actually lives on a mountain too) and considers The Wretched End a new beginning for him. I walked away from my interview with Samoth with reaffirming Metal respect. Here is what Samoth had to say:

Stone: What’s the story behind The Wretched End coming together?

SAMOTH: After the decision to split up Zyklon, I decided on forming a new band with Cosmo. We both worked together with Scum (Deathpunk Band). Cosmo also did live bass for Zyklon on tour as well. We live close by to each other, so we talked about doing this project together. In 2008 and 2009 we wrote all the material for the “Ominous” album and recorded in the Summer of 2009. Nils Fjellström (drums) joined on with us in the Summer of 2009.

Stone: Ominous has become for me, one of the high points in Metal for 2010. Are you pleased with all of the initial positive response?

SAMOTH: Yeah we are! I’ve just been doing a lot of press as of late for it. The people and fans really seem to like it. I’m pretty pleased with the album. We knew we made a great album.

Stone: How did the lyrics to Human Corporation evolve?

SAMOTH: The lyrics are about how everything is very monetary in our society, especially in the Western World. It’s about how free we are, yet in reality we are influenced in our everyday life… we’re told how to act, what to eat, what to look like, what to buy and what to wear. It’s all the horror of human corporation. Human Corporation is about how man is being removed from nature.

Stone: Will The Wretched End be touring North America in the near future? Any tour plans?

SAMOTH: Unfortunately, no. The Wretched End is a studio project. Still, we’ll see what happens for the future. I want to go ahead with another album. I’m already in pre-production for the next album. I’m happy with the working relationship of this band. I’m more active with the song writing process now. There are those long periods on the road, where I miss making music. I’d do writing on the road and try to motivate myself on the road, still, it started to feel too long, these periods between making music. I started to think about making a new band and The Wretched End came together. The Wretched End is a new beginning for me, even though the band name says otherwise.

Stone: You mention urban decay and factories as influences on your myspace. Can you elaborate further?

SAMOTH: It’s more like a nature influence. I live up on a mountain, in a beautiful setting. Urban decay is atmosphere of the world crumbling, being ruined by man’s hand. It’s all the self destruction of mankind.

Stone: Is the combination of Death, Thrash and Black Metal the ultimate Metal sound for you to capture?

SAMOTH: I guess it is. For the past twenty years it’s what I’ve been doing. Death, Thrash and Black Metal, compared to Zyklon, these are obvious similarities with the music. This is the music I’m most comfortable with. This is the music I’m influenced with and the foundation of my being a musician. It’s more interesting to me. I do draw more influences into my music, I like to become experimental at times. If it fits, I use it.

Stone: I see you list Tangerine Dream under your music influences, right in the midst of Slayer and Iron Maiden!

SAMOTH: Yeah, I listen to them. I do like ambient and electronic music. I find it to be inspiring. I prefer to listen to this music on a personally inspiring level.

Stone: Did you ever have a mentor?

SAMOTH: Not completely, no. I’ve always like to walk my own way and push myself to succeed. An artist inspiring me as I was growing up, that all took place.

Stone: Who inspired you?

SAMOTH: The classics are what inspired me. I liked KISS, W.A.S.P. and Judas Priest. My mom hated Blackie Lawless and that made me love him all the more!

Stone: Did you ever share the stage with W.A.S.P.?

SAMOTH: We played with W.A.S.P. in Finland, back in 2007. W.A.S.P. was larger than life when I was young, only when I got older, it’s not like that anymore. I like keeping my art dark, with death. It doesn’t mean my everyday life isn’t as dark.

Metal Odyssey Note: Emperor and W.A.S.P. shared the stage at the Tuska Open Air Metal Festival in Finland, on June 30, 2007. This Metal festival took place in Kaisaniemi Park, in the middle of Helsinki, Finland. Tuska Open Air Metal Festival has been an annual event, since 1998.

Stone: How was your Nocturnal Art Productions conceived?

SAMOTH: I started Nocturnal Art Productions back in ’93. I decided to start an underground record label, with no experience. A seven inch (vinyl) Emperor was the initial start. There was a lot of limited edition stuff. As I became more serious about it, I put more money into it, began to sign bands and created distribution. I did mail order for a period of time, still I needed a proper network. It takes up a lot of time and it took balance with being in a band. My main priority then was always the bands and Emperor. Through my relationship with Candlelight Records, Nocturnal became an imprint label with them, run by me through their network. This equals freedom for me. I always like to keep the Nocturnal name going, it makes a lot of sense for me as an artist.

Stone: It sounds so easy, the way you tell the story, only it must have been a great deal of work.

SAMOTH: I started from scratch, with a do it yourself attitude. I’ve always had a business sense and liked both sides of the music spectrum. This has helped me as an artist, to create contacts.

Stone: Who is the one musician Samoth wants to create music with still?

SAMOTH: That’s a tough one. You know who intrigues me is Devin Townsend. He has done some interesting stuff. He is a guy I would use for a producer. That’s the one for me to choose, Devin Townsend.

Metal Odyssey Note: Devin Townsend is both a musician and record producer, widely respected amongst Extreme Metal and Metal fans, musicians and the industry. Devin is the founder, vocalist and guitarist for Strapping Young Lad, which disbanded in 2007. Devin is carrying on his incredible career as a successful solo artist and producer.

Stone: What is your favorite Horror movie?

SAMOTH : I hardly watch them anymore, I hardly have anytime to watch them. When I used to watch Horror movies, it was the Omen trilogy. These movies inspired me. The soundtrack, the music itself is what really inspired me. I did enjoy Hellraiser, it was very dark. The first Evil Dead is a classic. On Blu-ray, these movies are not the same though. Watching the first Evil Dead on a beat up VHS, with the screen flickering, you can’t beat that.

Stone: You’re old school Samoth!

SAMOTH: I’m caught up in the digital chaos at my office though! Atmosphere is key to Horror movies. If there is no atmosphere, there is nothing. Today’s Horror movies are all caught up in special effects, there’s no atmosphere.

Stone: You have been a key member and a huge part of many bands over your career. Which band would you say was your proudest experience?

SAMOTH: Most definitely Emperor. We formed Emperor as teens. We had such an energy and were dedicated to the lifestyle of Black Metal. We all put everything into that band and built it into an international Extreme Metal influence. Emperor emotionally is my proudest experience right into my older life, it has led me to the musician I am today. It’s been twenty years already, since Emperor formed, holy crap! Before you know it, your an old geezer! I’m only thirty six years old and I’m talking like I’m ancient.

Stone: Well, the life of a Rock musician will probably have that affect on you, it must be grueling, with the lifestyle of touring and meeting your own recording deadlines.

SAMOTH: It’s because I started in my mid teens and had success in an early part of my life. Emperor did a fair share of touring and Zyklon toured much more. I like my home life, I’m a man at home. I strive for balance, between being a musician and my family.

Stone: If Metal took over the world, would you want to be it’s leader?

SAMOTH: If Metal took over the world, I like that. Sounds really stressful! It would be way too much stress. I have way too much stress on my plate already!

The Wretched EndOminous, was released on October 25, 2010, on Candlelight Records.

* For more info on The Wretched End and SAMOTH, click below:

The Wretched End – myspace music

SAMOTH – Official Myspace Music

LONG LIVE SAMOTH AND HIS METAL.

Thank you, Samoth.

Stone.

METAL MASSACRE XIII – 2006 Compilation Of Metal Is All About Extreme!

Posted in extreme music, Heavy Metal, heavy metal music, metal music, metal odyssey, Music, rock album reviews, rock music with tags , , , , , , , , , on October 29, 2010 by Metal Odyssey

METAL MASSACRE – Released on June 13, 2006, Metal Blade Records continued their excellent Metal tradition of delivering a heavy dose of their best signed bands that their label has to offer, with another ear blistering installment to their historic Metal Massacre series – Metal Massacre XII. There are 19 songs on Metal Massacre XIII and that = Metal value. From Bolt Thrower to The Absence, this compilation of Extreme Metal bands never subsides with unmistakable intensity.

Here is a brief and summarized history of the Metal Massacre album series: In 1982, Brian Slagel, the founder and owner of Metal Blade Records, put together and released a compilation of unsigned and underground Metal bands… that first compilation album being aptly titled – Metal Massacre. Onward through the ’80’s and ’90’s, another eleven Metal Massacre compilation albums were released through Metal Blade Records. Back in 1995, Metal Massacre XII was released on Metal Blade Records and was tentatively the last in this incredible series of Metal compilation albums… until eleven years later, in 2006, when Metal Massacre XIII was released!

Admittedly, over the decades and throughout this entire series of Metal Massacre albums, I have been exposed to Metal bands that I was not too familiar with. This still held true with Metal Massacre XIII, with The Absence, The Ocean, Cellador, The Black Dahlia Murder, Gaza and Demiricous being bands that I have pursued with my ears, due to their being featured here. Metal exposure is a good thing… Metal be thy name.

The first band heard on this compilation is Cellador, with Leaving All Behind. Cellador is a Power Metal band from Nebraska… and they are as potently heavy as they are melodic. Leaving All Behind is built around guitar speed that is reminiscent of ’80’s Speed Metal. I’m hoping Cellador carry’s on their Power Metal ways… just an above decent band they are. The Black Dahlia Murder brings on the Extreme with Miasma and it is as punishing as any song they have ever made. Brutal stuff is Miasma… I dig it tremendously.

Six Feet Under is unleashed with Shadow Of The Reaper and it is a Death Metal delight. It’s all about the grooves man… the Death Metal grooves of Six Feet Under! Chris Barnes on vocals ferociously delivers, per usual. The Absence has become a big favorite of mine and From Your Grave is Melodic Death Metal at it’s very finest. A real fine listen on this Metal Massacre album is God Dethroned smashing it down with Sigma Enigma. This song I found to be instantly memorable for it’s hell bent consistency.

Amon Amarth and their song The Pursuit Of Vikings is my favorite song on MMIII. Melodic as all hell, Amon Amarth is a giant of a band. Melodic Death Metal can put me into one super great mood and Amon Amarth never disappoints me. The riffs kick some serious ass on this song, while everything just seems to come together perfectly. Amon Amarth can play my backyard barbecue next Summer… if they liked to. And The Hero Fails definitely provides one meaty dose of Metal Extremity with His Imperial Victory, the same can be said for Gaza with Cult… holy crap I’m telling you all, these two bands are Heeeaaavvvy and Exxxttrreeeeme. ‘Nuff said about that.

You can find Metal Massacre XIII just about anywhere CD’s are sold (online that is). I was able to get my “new” copy a few years back pretty cheap… (around $5 U.S.). Since the inception of Metal Blade Records Metal Massacre I, this is a Metal series well worth diving into with thine ears. Metal Massacre XIII is again, a tremendous value for the money. Plus, you are getting introduced to a bevy of very cool and dynamite Metal bands that your maybe unfamiliar with. I highly recommend, with Metal might, this Metal Massacre XIII to any fan of Metal worldwide… and to all alien Metalheads in outer space too.

* The ultra legendary Metallica were featured on 1982’s Metal Massacre… with their Thrash Classic – Hit The Lights.

Track Listing For Metal Massacre XIII:

CelladorLeaving All Behind

The Black Dahlia MurderMiasma

Six Feet UnderShadow Of The Reaper

Torture Killer Swarm!

DemiricousVagrant Idol

3Alien Angel

Bolt ThrowerThe Killchain

Into The MoatDead Before I Stray

The Red Chord Fixation On Plastics

Fragments Of Unbecoming Sterling Black Icon

Paths Of PossessionBleed The Meek

The Absence From Your Grave

God DethronedSigma Enigma

Amon AmarthThe Pursuit Of Vikings

Machinemade GodKiss Me Now Kill Me Later

The OceanOne With The Ocean

And The Hero FallsHis Imperial Victory

GazaCult

End It All Echo Of Cries

HAPPY HALLOWEEN WEEKEND, METALHEADS!

LONG LIVE METAL.

LONG LIVE METAL BLADE RECORDS.

Stone.

DENIAL FIEND “They Rise” – Horror Metal With Bludgeoning Grooves From 2007

Posted in Death Metal, death metal music, extreme metal music, extreme music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, horror metal, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , , , , , , , , , on October 21, 2010 by Metal Odyssey

DENIAL FIENDThey Rise, released back on October 16, 2007, on Ibex Moon Records, is as perfect a recommendation for your Horror Metal listening pleasure this Halloween season as any. The Death Metal growls, groans, gurgles and screaming are intertwined so fantastically with the sounds of spurting blood and vomiting, on this exceptionally horrific album. Listening to They Rise actually spooks me out more than watching any Exorcist sequel. (The original Exorcist movie was and always will be scary-bad-ass for me).

Denial Fiend, (calling Valrico, Florida their home base), takes the Horror Metal/Death Metal combination to the maximum and they don’t allow a millisecond for you to catch your breath or check your pulse. Maybe you can try to do this between songs, only I don’t recommend it, just kick back and enjoy the bludgeoning drumming, chugging and riffing while the Death Metal grooves pummel you senseless. This veteran “supergroup” of Extreme Horror and Death Metal, should hopefully realize they have made an album that is sure to be a cult favorite for dark ages to come. Metal be thy name, They Rise kicks some serious Horror Metal ass.

Which song on They Rise is my Metal favorite you query? It’s a no brainer… Return To The Tombs Of The Cursed Blind Dead, of course. Just the song title alone is a winner in my Metal book. I actually find myself singing along to this Extreme and groove saturated, Horror Metal gem.  The chorus that belts out this song title leaves me in Metal awe, in that it just sounds so damn good to thine ears. Flesheater is no slouch song either. Heavy, fast and brutally Heavy again is Flesheater, what more can I say?

There is a hint of Horror Punk within the framework of Denial Fiend’s Death Metal assault. Gang vocal chanting with a nod to vintage Misfits is common amongst this album, with Flesheater, The Day Of The Undead and They Rise as examples. Blazing guitar leads are abundant, with Cover Me In Blood having plenty of them. The guitar solo that is heard in Cover Me In Blood is the stuff of Old School Death Metal-take it or leave it carnage. Ripped Inside Out is just freaking scary. Metal be thy name. “I Ripped You Inside Out”! Whoa. Plus, as an Extreme bonus, the sounds of gore does rear it’s heinous head within this song too. Whoa again.

The same appalling and nightmarish subject matter that box office Slasher films boast are on They Rise… the only difference being the lack of any macabre and grotesque “visual” effects. Who cares about visual effects anyways, when you can listen to Denial Fiend. In all Metal honesty, I’d rather listen to They Rise than watch a bunch of actors in a Slasher film… (I do get squeamish at gross visual effects sometimes). Listening to Horror Metal and Death Metal is an acquired taste I have developed over many years, I just don’t understand why I still have to watch a Friday The 13th sequel with one eye closed… go figure.

Frankenstein Conquers The World is a whirlwind of Horror Metal… fun. (Gasp), did I just use the word “fun” in reviewing They Rise? I sure did and the lyrics to Frankenstein Conquers The World are to blame. It’s a great song that’s built on a full-scale blitz of Death Metal grooves, resulting in an instantly memorable listen for me. Let The Blood Flow starts off with a chain saw revving up… then the nightmare from hell begins and that’s a Horror/Death Metal compliment. Whoa, this song is F’n heavy, I really don’t know any other way to describe it. I can’t get all academic on reviewing Denial Fiend’s They Rise album… I don’t think this band would want it that way either.

The Day Of The Undead puts the bloody lid on They Rise, with plenty of saluting to the living dead happening. Good stuff. “It’s the day of the undead, it’s the end of everything”… good stuff again. As this song comes to a close, an eerie warning of “the dead coming back to life” and the precautionary measures that should be taken is heard, from a news broadcasters concerned voice… a creepy vibe spills all over the place as I listen to it. An undisputed creepy vibe at that. This song could and should be included on a major motion picture soundtrack for a Living Dead sequel. There, I’ve made my Horror Metal appeal to Hollywood.

In the end, Denial Fiend does accomplish two things: 1. their songs lyrics do send shivers up and down my Metal spine and 2. they play some very damn good Horror/Death Metal with unrelenting and Extreme Heaviness. Extreme, Horror and Death Metal fans should be able to wrap their ears around Denial Fiend and their 2007 album They Rise without a wince. Old School Hardcore and Thrash Metal fans are invited to check out Denial Fiend’s They Rise as well… there’s plenty of speed and heaviness to go around. Happy Halloween… all you ghoulish Metalheads!

DENIAL FIEND as they appeared on They Rise:

Kam Lee – vocals

Terry Butler – bass

Sam Williams – guitar

Curtis Beeson – drums

* For more info on Denial Fiend, just click the link below:

DENIAL FIEND – myspace music

Track Listing For They Rise:

They Rise

Return To The Tombs Of The Cursed Blind Dead

Flesheater

Cover Me In Blood

Ripped Inside Out

L.O.D.

Son Of The Creature From The Black Lagoon

Frankenstein Conquers The World

Let The Blood Flow

Children Shouldn’t Play With Deadthings

The Day Of The Undead

Long Live Denial Fiend and Horror Metal.

Stone.


THE BLACK DAHLIA MURDER – THE DEFLORATE TOUR 2010… NORTH AMERICAN DATES LISTING!

Posted in death metal music, extreme metal music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , , , , , , on August 28, 2010 by Metal Odyssey

THE BLACK DAHLIA MURDERDeflorate, the fourth studio album from The Black Dahlia Murder, was released on September 15, 2009, on Metal Blade Records. Deflorate reached #43 on the Billboard Top 200 Chart and went to #5 on the Billboard Top Independent Albums Chart. With subsequent worldwide touring since, The Black Dahlia Murder are now setting their Extreme Metal sights on a North American tour… The Deflorate Tour. This blazingly Metal fierce band will be headlining, with opening bands – Goatwhore and ARKAIK.

The Black Dahlia Murder:

Trevor Strnad – vocals

Brian Eschbach – guitar

Ryan Knight – guitar

Ryan “Bart” Williams – bass

Shannon Lucas – drums

Check out the tour dates below… The Deflorate Tour just might be in your backyard.

* For more info on The Black Dahlia Murder, just click the link below:

The Black Dahlia Murder – myspace page

* For more info on Goatwhore, just click on the link below:

GOATWHORE – myspace page

Goatwhore are touring in support of their 2009 studio album release – Carving Out The Eyes Of God, released on Metal Blade Records, on June 23, 2009.

* For more info on ARKAIK, just click on the link below:

ARKAIK – myspace page

ARKAIK are touring in support of their new studio album – Reflections Within Dissonance, which was released on Unique Leader, on January 26, 2010.

THE BLACK DAHLIA MURDER – THE DEFLORATE TOUR WITH GOATWHORE AND ARKAIK/U.S. AND CANADIAN DATES:

09/28 – Columbus, OH @ Skully’s

09/29 – Buffalo, NY @ Mohawk Place

09/30 – Brooklyn, NY @ Europa

10/01 –  Hartford, CT @ Webster Underground

10/02 –  Bucksport, ME @ The Kave

10/03 – Quebec, QC @ Imperial de Quebec

10/04 – Montreal, QC @ Petit Cafe

10/05 – Ottawa, ON @ Ritual

10/06 – Toronto, ON @ The Wreck Room

10/07 – Lemoyne, PA @ Championship

10/08 – Richmond, VA @ Canal Club

10/09 – Wilmington, NC @ The Soapbox Laundrolounge

10/10 – Charlotte, NC @ The Casbah

10/12 – East St. Louis, MO @ Pop’s

10/13 – Des Moines, IA @ The Vaudeville Mews

10/14 – DeKalb, IL @ House Cafe

10/15 – Grand Rapids, MI @ Mixtape Cafe

10/16 – Toledo, OH @ Headliners

(Source: Metal Blade News Update Newsletter, August 27, 2010)

EXTREME METAL RULES.

Stone.

WHITECHAPEL – “THE CORRUPTOUR” FALL 2010 SCHEDULE!

Posted in death metal music, extreme metal music, extreme music, Heavy Metal, heavy metal bands, heavy metal music, heavy metal news, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , , , on August 23, 2010 by Metal Odyssey

WHITECHAPEL – Now that Whitechapel are finished with being a potent part of the Vans Warped Tour Twenty Ten, they are set to headline their very own tourThe Corruptour. Whitechapel will be supported by Impending Doom, Miss May I, Oceano and I Declare War, beginning on October 1st, 2010, in Macon, Georgia and culminating on October 23rd, 2010, in Nashville, Tennessee.

Out supporting their third studio album – A New Era Of Corruption, released June 8th, 2010 on Metal Blade Records, Whitechapel is an all-out Extreme Metal Force of Deathcore Fury… and The Corruptour shall showcase this Metal fact.

* For more info on WHITECHAPEL, just click on the link below:

http://www.thediseased.com/

Whitechapel Are:

Phil Bozeman – vocals

Ben Savage – lead guitar

Alex Wade – guitar

Zach Householder – guitar

Gabe Crisp – bass

Kevin Lane – drums

Whitechapel – The Corruptour

With:Impending Doom, Miss May I, Oceano, I Declare War:

10/01 – Macon, GA @ The 567

10/02 – Ft. Lauderdale, FL @ Culture Room

10/03 – St. Petersburg, FL @ State Theatre

10/04 – Jacksonville, FL @ Rain (Plush Complex)

10/05 – Spartanburg, SC @ Ground Zero

10/06 – Charlotte, NC @ Tremont Music Hall

10/07 – Raleigh, NC @ Volume 11 Tavern

10/08 – Norfolk, VA @ Norva

10/09 – Jermyn, PA @ Eleanor Rigby’s

10/10 – Hartford, CT @ Webster Theatre

10/12 – Boston, MA @ Harper’s Ferry

10/13 – Poughkeepsie, NY @ The Chance Theatre

10/14 – Syracuse, NY @ Lost Horizon

10/15 – Toledo, OH @ Headliner’s

10/16 – Grand Rapids, MI @ Intersection

10/17 – Elgin, IL @ Mad Maggies

10/19 – Milwaukee, WI @ The Rave

10/20 – Sauget, IL @ Pop’s

10/21 – Louisville, KY @ Headliners Music Hall

10/22 – Birmingham, AL @ Zydeco

10/23 – Nashville, TN @ Rocketown

MONSTER MOSH II

With: The Devil Wears Prada, Enter Shikari, Black Veil Brides:

10/31 – Frisco, TX @ Dr. Pepper Arena

(Source: Metal Blade News Update, August 20th, 2010)

KICK SOME EXTREME DEATH METAL & DEATHCORE ASS WHITECHAPEL!

Stone.

BORIS RANDALL OF SPLATTERPUNKS, HALLOWMAS & NOW… NECROPHAGIA: IN HIS OWN WORDS!

Posted in death metal music, extreme metal bands, extreme metal music, extreme music, heavy metal bands, heavy metal music, horror metal, horror punk, horror punk albums, metal odyssey, Music, rock & roll, rock 'n' roll, rock music, rock music news with tags , , , , , , , , , , , , , , , , , , , , , on July 21, 2010 by Metal Odyssey

BORIS RANDALL

STONE: Recently, Boris Randall contacted Metal Odyssey and it is appreciated. Boris is a veteran of Punk and Extreme Metal Music, being a pioneer, in his own right, in the Horror Metal genre. A song writer, vocalist and lead/rhythm guitarist who really adheres to Rock ‘N’ Roll’s true roots, (Boris lists Elvis Presley, Screamin’ Jay Hawkins and Ramones as influences), he is a musician that is self-made and moving forward. Albeit underground or on Coffin Records, the music of Boris Randall has made some noise in the Heavy Music world over the last twenty + years. Boris has given Metal Odyssey, to share with fans, his career breakdown of bands he has founded and what he is up to at the moment. Here is what Boris Randall had to say and share:

BORIS: First off, I’d like to thank you for supporting Hallowmas and my music. Let me give you some history on myself and how Hallowmas came to be and where it stands now.

In 1989 I formed my first hardcore/punk band called THE SPLATTEPUNKS. We released several albums locally and underground. Complete do-it-yourself. We were relatively popular for what we were doing, and the fact that we were the ONLY punk/hardcore band with a horror image and horror lyrics within an 80 mile radius! (remember, in 1989 there was NO “horror punk” genre either) THE SPLATTERPUNKS kicked unholy ass until 1999 when I felt like it was time to move on. Our final release was an anthology that spanned our 10 years. Two cds, 76 songs, and a 28 page booklet that included lyrics and artwork.

HALLOWMAS – THE ROAD TO HALLOW’S EVE album cover:

In 2001 I formed HALLOWMAS. The idea was to take up where I left off with THE SPLATTERPUNKS, but to bring even more elements into it. And I did. I even brought a few of The Splatterpunks’ songs into Hallowmas. Hallowmas was a VERY busy band between releases, shows, interviews, videos, etc. The first Hallowmas release (on a real label) was in 2004 on Coffin Records. The album was called “October Burning.” It sold very well and continues to. It also received great reviews. The follow up was the ep you have called “The Road To Hallows Eve.” We went into the studio in 2006 and recorded our next full-length release, but the band broke up. That album, which I called “Autumn’s Soft Decay,” was never released even though it was finished and is in my possession. It also got leaked on the internet, so search the title and see if you can find it. The complete album is 18 tracks.

HALLOWMAS – OCTOBER BURNING album cover:

HALLOWMAS – classic promo group photo:

In 2006 I also released a solo disc called “Season Of Death: The Last Halloween.” I limited it to 50 copies, which lasted about 4 weeks. I filled the time from 2007 to now by working with various bands, writing background music for the Rue Morgue Radio show, did the music for a Rue Morgue Radio video promo, and wrote the score for the Bill Hanzman’s Night Of The Living Dead stage play.

Currently, I’m playing lead guitar in the extreme metal band NECROPHAGIA. If you’re well versed in metal I’m sure you know who they are. We’re in the studio right now working on our new album.

I’ve also got my own band that will have a debut release very soon, but I’m keeping the whole thing under wraps for right now.

That’s pretty much the light detail version of my history. Here’s a more detailed “time line” from my bands and their releases:

THE SPLATTERPUNKS:
1989 “Rat Boy”
1990 “It’s Only Murder”
1993 “The Ghoul Rock Session”
1994 “Live In Wellsville”
1996 “The Devil’s Empyrean”
1997 “1997 B.C.”
1999 “The Demonology” (anthology)

HALLOWMAS:
2002 “Zodiac” (single)
2002 “From Beyond” (single)
2003 “Unholy Autumn” (ep)
2004 “Dead And Buried” (ep)
2004 “October Burning” (Coffin Records)
2005 “Death Comes In Threes” (split full length)
2005 “The Road To Hallows Eve (Coffin Records)
2006 “Autumn’s Soft Decay” (STILL UNRELEASED)

THE AUTUMN DEAD:
This was a side project with Hallowmas bassist, Johnny Coffin. We made one release:
2003 “Demos”

BORIS RANDALL (solo):
2006 “Season Of Death: The Last Halloween”

I’ve also made guest appearances on:
Nokturne “Kruelty Kampaign”
Necrophagia “Goblins Be Thine”
Morgue Wagon “Morgue Wagon”
Garbage Pail Kids “Lover’s Lane”

I think that about covers it…….so far. I’ve got tons more music on the way. If you like Hallowmas I can’t wait for you to hear what I’ve got cooking. Plus, I hope you’ll enjoy my work in Necrophagia.

Thanks for your interest and support,
stay evil,
Boris

Metal Odyssey Note: Thank you Boris. It is always a thrill to get the “story straight” directly from the source. You and all of your bands are always welcomed at Metal Odyssey! Plus… I have a sinister suspicion I’m gonna like your work with Necrophagia’s new album… Deathtrip 69.

NECROPHAGIA – 2010:

From left to right: Boris Randall (guitar), Killjoy (vocals), Undead Torment (guitar), Shawn Slusarek (drums), Damien Matthews (bass).

* For even more info on Boris Randall and Necrophagia, just click the links below:

www.myspace.com/borisrandall

Boris Randall (solo) – myspace music page

NECROPHAGIA – myspace music page

* In case any visitor missed it, check out the album review I did on Hallowmas – The Road To Hallow’s Eve, back on September 25, 2009, by clicking on the link below:

HALLOWMAS – “The Road To Hallow’s Eve” Is Horror Punk To Scream For

Stone.

DEATH “LIVE IN L.A.” – A MUST LISTEN INTO DEATH METAL AND METAL HISTORY

Posted in death metal history, death metal legends, death metal music, heavy metal albums, heavy metal bands, heavy metal history, heavy metal music, metal music, metal odyssey, Music, rock music with tags , , , , , , , , , , , , , , , , on May 4, 2010 by Metal Odyssey

DEATH – I’d have to say, without any hesitation, that Death – Live In L.A. (Death & Raw) is a scorcher of a live Death Metal album. If one wants to know where it all began with the Death Metal genre… one needs to get their ears glazed over with the power and force of Death’s original brand of Metal. A gigantic band in the history of Metal music is Death, with the late Chuck Schuldiner bringing to the forefront a Metal sound of extreme muscularity, embodied with his vocals, guitar and song writing. An unreal and unparalleled legacy of music… Death Metal Music, has Chuck Schuldiner left for us Metal fans to enjoy for generations to come.

Live In L.A. is rich with the heavy sound of Death, a top quality recording. This is not just some live album slapped and pieced together here… listening to Live In L.A. actually takes me there in my mind, to that actual Death concert back in 1998. I wish I really was at this concert, unfortunately I never did see Death live. The reality is in the listening to this excellent album of live Death songs, I can only marvel at how Chuck Schuldiner can pull me into the music he and Death are playing. This Live In L.A. album needs to be brought up for it’s credibility as a live album and for it’s powerful listen into Old School Death Metal.

When the topic of “most important” Metal bands comes my way, I most certainly consider Death to be in the equation. To incorporate lyrical themes of gore as well as social reality, in the way Chuck Schuldiner had accomplished, was only magnified to a profound level, by the extremely heavy sound of Death’s music. Chuck Schuldiner and Death figured most prominently in the formation of the Death Metal genre, still, putting genres aside, the legacy of Chuck Schuldiner and Death have also figured equally prominent in the history of Metal Music too… in my Metal opinion.

If I can recruit just a few readers to check out this live Death album, then I have done my Metal deed for the day. The heavy grooves are there, just waiting to be savored and heard on Live In L.A. (Death & Raw). Veteran Death fans know. New fans and younger generations should at least know, that Chuck Schuldiner and his band Death defined a genre. You won’t read that in any mainstream Pop Rock magazine.

* Live In L.A. was recorded on December 5, 1998, in of course, L.A., at Whiskey A Go-Go. This was one of 24 tour dates on The Sound Of Perseverance 1998 America Tour.

* Death – Live In L.A. (Death & Raw) was released on October 16, 2001 on Nuclear Blast Records.

* For those new to this legendary band known as DEATH, Chuck Schuldiner passed away on December 13, 2001, at age 34.

DEATH as they appeared on Live In L.A. (Death & Raw):

Chuck Schuldiner – vocals & guitar

Richard Christy – drums

Scott Clendenin – bass

Shannon Hamm – guitar

Track Listing For DEATH- LIVE IN L.A. (Death & Raw):

Intro / The Philosopher

Spirit Crusher

Trapped In A Corner

Scavenger Of Human Sorrow

Crystal Mountain

Flesh And The Power It Holds

Zero Tolerance

Zombie Ritual

Suicide Machine

Together As One

Empty Words

Symbolic

Pull The Plug

Rest In Peace, Chuck Schuldiner, your music lives on.

Stone.

SIX FEET UNDER – “GRAVEYARD CLASSICS III” A DEATH METAL ALBUM OF COVER SONGS!

Posted in 1990's death metal bands, 1990's death metal music, 2010 heavy metal albums, cool album covers, cover songs, creepy album covers, current death meal bands, current death metal albums, current death metal music, Death Metal, death metal albums 2010, death metal cover songs, death metal guitarists, death metal history, death metal legends, death metal music, death metal music 2010, death metal vocalists, extreme metal music, extreme music, heavy metal albums, heavy metal history, heavy metal music, Metal, metal music, metal odyssey, Music, old school death metal music, scary album covers with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 12, 2010 by Metal Odyssey

I really get into Death Metal and have my core favorite, Death Metal bands. Six Feet Under is one of my core Death Metal bands of mine. When I listen to Death Metal, it’s like I’m getting back to my Metal basics… there’s no fooling around with this genre, just extreme vocals and groove infested, thunder splitting – Metal. Chris Barnes, with his ultra legendary, Death Metal growling vocals, is at his finest on Graveyard Classics III. This album marks the third installment of the Graveyard Classics series of cover song albums from Six Feet Under. Six Feet Under not only groove along at an impressively addicting pace, this album is damn F’n fun too. Yes, it is fun to hear Chris Barnes belt out his original and extreme vocals to ten amazingly historical Heavy Metal, Hard Rock, Black Metal and Punk Rock songs.

One of the many reasons to admire Six Feet Under and their Graveyard Classics series, is their allegiance and recognition to so many historical and great bands from Rock Music’s past. It’s all about roots with these cover songs… and Six Feet Under covers them with Death Metal brilliance. My two favorite cover songs on Graveyard Classics III are: Destroyer by Twisted Sister and Not Fragile by Bachman Turner Overdrive. Six Feet Under plays Destroyer like they are going to take over the world… and implement a Death Metal master plan. Not Fragile showcases the guitar mastery of Steve Swanson, he really steals the Death Metal show on this song.

As I listen to Chris Barnes sing these two songs, I cannot help but not recognize that he is a fan of these bands he covers so well. Influence is a powerful word and bands like Slayer literally explode with it for so many musicians… Six Feet Under attests to this by covering At Dawn They Sleep. Six Feet Under may never be able to capture the Thrash Metal fire and intensity that only Slayer can deliver with At Dawn They Sleep, still, hearing such a fantastic Death Metal version of this classic is a thrill for me. The Frayed Ends Of Sanity is such a monumental choice for Six Feet Under to undertake as well, Metallica being the iconic Thrash Metal Band they are only drives home the reverence Chris Barnes upholds for Metal history. Oh, yeah, Six Feet Under plays this Metallica classic quite deadly well too.

What would a 2010 Death Metal cover song album, from Six Feet Under, be without an Anvil song? Metal On Metal only solidifies the fact that Anvil is as important a band to the history of Metal as any. Chris Barnes may not ever take over the vocal helm for Anvil’s Lips, regardless, he employs his very own grunt and growl trademark to a fabulous cover version. Just when you think Graveyard Classics III has all the historic Metal firepower to cover, A Dangerous Meeting by the unreal legendary Mercyful Fate is on this album too. A tough song to sing no matter who you are… Chris Barnes takes this song on and laces it with Death Metal vocal glorification. Psychotherapy by the Ramones and Snap Your Fingers Snap Your Neck by Prong are the fun moments for me on this album… two songs that probably no one ever would consider Death Metal material years ago. On Fire by Van Halen and Pounding Metal by (the blue collar) Thrash Metal vets Exciter, round out the ten Death Metal cover songs on Graveyard Classics III.

To say that Terry Butler on bass and Greg Gall on drums are very good is a Death Metal understatement… they are both excellent… the proof is in the songs. Six Feet Under has established their Death Metal legacy years ago, they are now just compounding this legacy, with an album of deliriously deadly cover songs called Graveyard Classics III. This is one damn fine listen – in Death Groove.

* Graveyard Classics III was released on January 19, 2010, on Metal Blade Records.

* Album Cover Art By: Dusty Peterson – Unreal great stuff… now thats Metal. Death Metal.


SKYFIRE – “Under A Pitch Black Sky” Progressive Death Metal Song That Cured My Funk

Posted in black metal music, cool album covers, creepy album covers, current death meal bands, current death metal albums, current death metal music, current extreme metal albums, current extreme metal music, Death Metal, death metal 2009, death metal albums 2009, death metal music, death metal vocalists, death metal vocals, extreme metal bands, extreme metal music, extreme metal music albums, heavy metal albums, heavy metal bands, heavy metal history, heavy metal music, heavy metal videos, melodic death metal albums, melodic death metal bands, melodic death metal music, Metal, metal music, metal odyssey, Music, progressive death metal bands, progressive death metal music with tags , , , , , , , , , , , , , , , , , , , , , , , , , on February 4, 2010 by Metal Odyssey

Based on the type of funky day I’ve been having, coming across the song Under A Pitch Black Sky by SKYFIRE was all the Metal elixir I needed, to get that funk out of my day. This song is from Skyfire’s 2009 release – Esoteric. Skyfire is a Progressive Death Metal Band, originating from Sweden. I first heard Under A Pitch Black Sky from a compilation CD of Metal songs, courtesy from an issue of Metal Hammer that I picked up, sometime back in 2009. (Getting free Metal compilation CD’s from an issue of Metal Hammer… or from any source, is a very cool Metal deal). I really enjoy the Death Metal genre, throw in melodic and it suits me just the same. There is the atmospheric element of Symphonic Metal heard throughout this great song. Lead vocalist Joakim Karlsson sounds brilliant on Under A Pitch Black Sky, some may equate his vocals to having a touch of Black Metal fire as well. The blistering guitars are a focal point of this song… just one listen and you shall understand my Metal glee. At the end of the Metal day, SKYFIRE is an excellent Progressive Death Metal Band for me. I hope you enjoy Under A Pitch Black Sky as much as I do… crank this Metal up and it might get the funk out of your day too!

LONG LIVE SKYFIRE!

SKYFIRE:

Joakim Karlsson – (Vocals)

Martin Hanner – (Bass & Keyboards)

Andreas Edlund – (guitars & keyboards)

Johan Reinholdz – (Guitars)

Joakim Jonsson – (Drums)

To find out more about SKYFIRE, just click on this link that takes you to their MySpace Music page: SKYFIRE

It is METAL Music and bands like SKYFIRE, that never let me down…

SKELETONWITCH – “Breathing the Fire” Set My Metal World Ablaze

Posted in Album Review, Black Metal, black metal 2009, black metal albums 2009, collecting heavy metal albums, cool album covers, creepy album covers, current black metal albums, current black metal music, current death metal albums, current death metal music, current extreme metal albums, current extreme metal music, current heavy metal albums, current heavy metal music, current metal albums, current thrash metal, current thrash metal albums, current thrash metal music, Death Metal, death metal 2009, death metal guitarists, death metal music, death metal vocalists, essential death metal albums, essential heavy metal albums, essential metal music albums, essential thrash metal albums, Extreme Metal, extreme metal bands, extreme metal music, extreme metal music albums, extreme music, Heavy Metal, heavy metal album covers, heavy metal albums 2009, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, melodic death metal albums, melodic death metal music, Metal, metal music, metal music today, metal odyssey, Metal Reviews, Music, new thrash metal albums, scary album covers, scary rock music songs, spooky album covers, spooky metal album covers, thrash metal 2009, thrash metal music, thrash metal today with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 14, 2009 by Metal Odyssey

Skeletonwitch "Breathing The Fire" small album picSKELETONWITCH released their second full studio album with Prosthetic Records, Breathing the Fire, on October 13, 2009. I could not resist the Metal temptation and need of picking up this new CD on my visit to f.y.e. today. As I stood there staring at the hellish and downright evil artwork on the front cover of Breathing the Fire, it dawned on me… the Metal wait is over for this new Skeletonwitch. Yeah, very often enough I want my Metal pretty damned fast and extreme in every musical facet. All twelve songs on this album are extremely worthy, I can’t point out any skip overs whatsoever. Skeletonwitch does not fall short of Extreme Metal – every song on Breathing the Fire is blended with the very best of several Metal genres.

Skeletonwitch brings forth the Thrash Metal attack combined with Old School Speed Metal, adding Death Metal and Black Metal influences just for great Metal measure. With all of these incredible Metal genres explored here, Skeletonwitch is a Metal band that I cannot pigeonhole into one genre. That is fine with me, I am sure Skeletonwitch could care in the least as well… Metal is… Metal. Breathing the Fire is one incredible Metal album to look back upon for 2009, it is like the late season, supercharged and extreme power blast of Metal Music that has set my Metal world ablaze. I always say, that with Metal bands like this, it makes me feel confident knowing that the flag for Metal will be waving high for years to come. Chance Garnette on lead vocals is as mean and talented as I could hope for – his dual Death Metal growls and Black Metal screams are what this music is about. Anyone familiar with Extreme Metal should agree, that this style of Metal was not meant for crooning out the ballads. Chance Garnette gets my Metal horns with thunderous praise. In my Metal opinion, Skeletonwitch can play, it’s not the easiest task to make an album of this Metal genre sound like a standout.

The guitar leads, dual leads and solos have a melodic, Old School – Speed Metal appeal, while never taking away from the overall dark mood of any of the songs. The rhythm section holds everything together like a vice and these songs grip my Metal psyche with pure Metal domination. I once read a professionally paid Rock critic write – melodic and heavy do not coexist… uh, they do. The Metal proof is in actually listening to Skeletonwitch and Breathing the Fire… the rest is Extreme and at times, melodic Metal candy for your ears. To extract each song and dissect it here would be nonsense, the overall themes to know are that these songs are about death and submitting to evil. ‘Nuff said. Ah, Metal. I will state, Blinding Black Rage is as horrific, evil and nightmarish of a song lyrically that I have ever heard. Ah, Metal… Extreme Metal, I love this stuff. This is the new generation of Extreme Metal, take it or leave it… I’m taking it. If you are looking for the current Metal that is happening now, take my advice and give Skeletonwitch – Breathing the Fire a thorough listen… it served me right.

Skeletonwitch as they appear on Breathing the Fire:

Nate “N8 Feet Under” Garnette – guitars

Chance Garnette – lead vocals

Derrick “Mullet Chad” Nau – drums

Scott “Scunty D.” Hedrick – guitars

Evan “Loosh” Linger – bass

Track Listing For Breathing the Fire:

Submit to the Suffering

Longing for Domination

Where the Light has Failed

Released from the Catacombs

Stand Fight and Die

The Despoiler of Human Life

Crushed Beyond Dust

Blinding Black Rage

Gorge Upon My Soul

Repulsive Salvation

Strangled by Unseen Hands

… And into the Flame

Skeletonwitch "Breathing The Fire" large album pic