
Life is good. Life is cool. Especially when Megadeth releases four albums in the last three years, (2 studio, 1 live and 1 greatest hits). The newest album Endgame, (released September 15, 2009 on RoadRunner Records), has made this Metalhead very, very happy. I have been a Megadeth and Dave Mustaine fan since Killing Is My Business… and Business is Good was released back in 1985 and I have seen Megadeth live. Needless to say, Megadeth is without question, one of my core Metal Bands that I am thankful for still being around in 2009 making new music. Dave Mustaine deserves any and all the Metal accolades that may come his way, as I see it, he is as important a figure in the history of Metal Music as anyone… ever. The Metal appreciation that I have for Endgame goes beyond the expectations I had leading up to this albums release… the more I listen to Endgame the more powerful the music feels to me. I am not being bias when I state there is not one average song on Endgame, all eleven songs are tremendous creations of the Megadeth Thrash Metal brand.
The song Endgame is Dave Mustaine’s political statement, he has never been bashful about his political feelings in the past and still gets his point across in 2009. Endgame is one cool song with double cool lyrics too. Dialectic Chaos is the opener to Endgame, a Thrash Metal instrumental that forges itself upon me like a can of Megadeth whoop ass… unreal good is the bottom line here. Dave Mustaine and Chris Broderick trade back and forth solo’s on Dialectic Chaos with complete Thrash Metal shock and awe… the same goes for their guitar playing throughout this entire Endgame album. Due to the Thrash Metal brilliance and total music quality, you would think this Megadeth lineup had been playing together for twenty five years. This Day We Fight! is simply put, a song about kicking some serious butt. This Day We Fight! can be interpreted quite well as a Thrash Metal war song – leading a charge to victory. The big hubbub leading up to the release of Endgame was reading about Dave Mustaine writing a ballad – The Hardest Part Of Letting Go. Honestly, maybe the first and last thirty seconds or so of this song would remotely be considered a ballad by my standards… if this is a ballad then I adore Thrash Metal ballads forever. A very cool song indeed, a diverse and rewarding listening moment on Endgame.

Before Endgame was released, Megadeth had (and still has) this Endgame album streaming in it’s entirety on their MySpace Music page. I chose Head Crusher, How The Story Ends and The Right To Go Insane as my three favorite songs, after listening to Endgame streaming on Megadeth’s MySpace Music page. These songs are still my choice picks, however, the more I listen to Endgame, the more I like every song, especially the brutally intense instrumental Dialectic Chaos. Megadeth is no longer just a great Thrash Metal band with decades of Metal history behind them, Dave Mustaine and Megadeth lead by example with releasing albums of quality material on a very frequent basis and asserting themselves as one of the top dog’s of the Thrash Metal genre. (I cannot bypass Slayer ever). Dave Mustaine has thought enough of the fans to continuously release albums and DVD’s the last few years that are Thrash Metal quality, not quantity. Endgame has to be considered as one of the best albums that Dave Mustaine has ever created with Megadeth. Seek out Megadeth and Endgame, it will serve you right. This has been my Metal opinion.
Megadeth as they appear on Endgame: Dave Mustaine on guitar and lead vocals, Chris Broderick on lead guitar, James Lomenzo on bass guitar and Shawn Drover on drums.

I always thoroughly enjoy the Metal musical intricacies that quality Power Metal embellishes. Yngwie J. Malmsteen “Trilogy”, (released in 1986), has the rich and textured heavy musical elements, that make this album an all time favorite of mine. If you embark on a listen of “Trilogy” and are unaware of Yngwie Malmsteen’s guitar virtuosity, then your ears and senses are in for a Metal treat. (If you hold total disdain for the Speed Metal genre that meets Power Metal, well this album is not for you). “Trilogy” is a Metal album for me, containing some of the most melodic Power Metal songs I have ever encountered. Certainly, the classical trained Yngwie Malmsteen takes Metal center stage, with his glistening guitar skills on this album, however, lead vocalist Mark Boals captivates my Metal attention just as well. Both the musicianship and vocals compliment each other in the highest of Metal fashion on “Trilogy”. In my Metal opinion, Mark Boals vocals adds a dimension of harmony that magnifies the song writing, lyrics and melodious brilliance on this album. Metal truth be spoken… this is my favorite Yngwie Malmsteen album ever. Each time I listen to these songs, I am sincerely amazed at how gifted a lyricist and song writer Yngwie Malmsteen is. I am not fibbing when I declare, that this is not one of the – run of the mill, 1980’s Heavy Metal albums out there. In fact, if I was to compile a list of must have 1980’s Heavy Metal albums, “Trilogy” would have to be on that list.
First of all, I am a fan of Ronny Munroe, the current lead vocalist for Metal Church. I just happen to gravitate towards the Old School Metal sound, both vocally and musically. Ronny Munroe in my Metal opinion, has the unmistakable Old School Heavy Metal vocals… and in no way do I subscribe to the opinion that this sound is dated. This brand of Old School Heavy Metal has been proven successful for decades now. For me, it is another Metal genre that lives on. With that said, I have obtained a copy of the new Ronny Munroe debut CD… “The Fire Within“, (released 2009), I am impressed by the total package of music here. This is Heavy Metal made the old school way, no frills, bells or whistles get in the way of the straight ahead approach that Ronny Munroe has taken on with “The Fire Within”. Honestly, Ronny Munroe comes with his Metal Church – front man credentials… he delivers a mightily solid twelve tunes alongside some talented friends. Rick Van Zandt of Metal Church, plays lead and rhythm guitars superbly throughout, with Michael Wilton of Queensryche delivering a solo on two tracks I will mention.


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