Archive for the 1970’s Rock Category

I refuse to be a closet KISS fan

Posted in 1970's hard rock, 1970's heavy metal, 1970's Rock, 1980's hair metal music, 1980's hard rock, 1980's heavy metal music, 1980's metal music, 1990's heavy metal music, classic metal, classic rock, concerts, cool album covers, Gene Simmons, Hair Metal, hair metal music, Hard Rock, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal guitarists, heavy metal memorabilia, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal concerts, metal music, Music, old school heavy metal, Rock, rock and roll memorabilia, rock music, vintage heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on May 22, 2009 by Metal Odyssey

main-150KISS. The makeup, the attitude, the stage show, the costumes, the KISS trading cards from the 1970’s, the marketing machine which throws the KISS logo on just about anything. Wait a minute, there is of course… the music, uh, I mean the Heavy Metal. Since about 5th grade, (a long time ago, in a parochial school, far, far, away), I have been a KISS fan. You betcha. I am not a closet KISS fan either. No way will I disregard to anyone, a lifetime love I have for such a behemoth of a Heavy Metal icon, which is KISS. I will not part with my unopened wax box of KISS trading cards from 1978. No sir. What in the world is there to be ashamed of? KISS is the epitome of Heavy Metal success, both commercially and musically, in my Metal opinion.

I have had the opportunity to see KISS live, albeit without makeup. I unfortunately, never had an opportunity to see them live with makeup. Quite honestly, the only drawback about seeing KISS live was… the venue where the concert was. The New Haven Coliseum, (which no longer exists), was by far, the creepiest, most decrepit, armpit of an arena, ever to exist on planet Earth. I mean, this building was not even cool creepy, it was just a plain nightmare gone wrong. This arena was located in New Haven, Connecticut, of course. Alright, enough about that incompetent structure. The KISS concert was loud, bright, festive, loud again and darn right good. I have seen better live shows in my day, yet I am not complaining about anything that KISS did on that stage. It was a night to celebrate Heavy Metal, with a band that carried the flag for Heavy Music since their introduction to the world. This was the KISS “Asylum” Tour, back in good ol’ 1985. I will tell you this, it is a real Metal treat, to see my daughters revel in the KISS tunes, to know and see how much the music of KISS means to them, as it always has for me. My daughters were extremely excited when they saw KISS on television the other night, (I absolutely refuse to discuss this show on Metal Odyssey, let’s just say it is on the Fox Network and is a Pop music show). Hey, anytime KISS can get exposure to a new generation of fans is fine with me.

I remember being in High School, when all of a sudden, it was uncool to like KISS anymore. Well, that was what was happening in the penitentiary like High School I attended. Metalheads  were abundant, yet KISS became almost taboo to talk about. So, I took advantage of this situation. I asked all the super cool know-it-alls that no longer liked KISS, if they were willing to sell their KISS albums and anything KISS. I made out like a bandit. I had more KISS posters, albums and fanzines than I knew what to do with. Plus, I acquired it all dirt cheap. Then, one day, in 1982, KISS made a loud and triumphant return with their release “Creatures Of The Night”… all of a sudden, these fair weather KISS fans are asking me, if I would sell them any of my extra KISS memorabilia and/or albums. Go figure. Since the mid ’70’s up until present day, I have embraced the Heavy Metal that KISS has created. Even the ballads and Gene Simmons dating Cher I have accepted. Yes, the made for television movie “KISS Meets The Phantom In The Park” I have always accepted too. The changes in the KISS lineup never has made me flinch either, any KISS fan knows that the original four are the best. I am not ashamed to say this, for once a KISS fan, always a KISS fan. What other reason was there not to believe this, back in the day when I joined the “KISS Army”? I enlisted into the KISS Army decades ago, I have never gone awol since.

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Happy Birthday to ZZ Top legend Dusty Hill!

Posted in 1970's hard rock, 1970's Rock, 1980's hard rock, classic rock, Hard Rock, Music, Rock, rock & roll, rock & roll hall of fame inductees, rock and roll, rock and roll hall of fame inductees, rock celebrity birthdays, rock music, southern hard rock with tags , , , , , , , , , , , , on May 20, 2009 by Metal Odyssey

main-150Metal Odyssey would like to extend a tremendously LOUD – Happy Birthday! – to legendary bassist and Rock and Roll Hall of Famer, Dusty Hill of ZZ Top! Dusty Hill turns a real cool 60 today, May 19, 2009. I have been fortunate enough to see the legendary ZZ Top live in concert, (around 1995 – if I am correct), at the Hartford Civic Center. The opening act was none other than… the amazing George Thorogood! That was one incredible night of Rock N’ Roll! Yes, I did buy a souvenir from that concert, it was the infamous ZZ Top keychain. Man, I loved that ZZ Top keychain, it was made out of pure Metal too. I just lost that wonderful souvenir about two years ago… it is a darn shame. Anytime I held that keychain in view, someone (yes even total strangers) would always say: “Hey, isn’t that the ZZ Top keychain”? It was quite a popular conversation piece for me. 

My favorite ZZ Top album ever, is “One Foot In The Blues” – released on November 22, 1994. This album is all heavy Blues, baby! The ZZ Top brand of Rockin’ Blues.This album holds the honor and distinction of being the only CD that I listened to the very morning of my Wedding Day. You betcha. This just so happens to be the CD that I listened to on that entire special day, plus it was a gift from my gorgeous wife to be as well . Dusty Hill, thank you for the fabulous Rock N’ Roll and heavy Blues you have created with ZZ Top all these years! I definitely have cool and special memories associated with the tunes of ZZ Top. I certainly applaud and truly appreciate your musicianship.

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Rainbow “Long Live Rock ‘n’ Roll” long lives indeed!

Posted in 1970's hard rock, 1970's heavy metal, 1970's Rock, Album Review, classic rock, cool album covers, dio, essential hard rock albums, essential heavy metal albums, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, rainbow heavy metal band, Rock, rock music, rock music vocals, ronnie james dio, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , on May 19, 2009 by Metal Odyssey

There never seems to be a day that goes by, where I do not peruse my Heavy Metal collection of albums and/or CD’s. One album in my collection, that recently caught my attention and reminded me of genuine Heavy Metal greatness is Rainbow “Long Live Rock ‘n’ Roll”. When I first bought this album, I did so when Ronnie James Dio was the lead vocalist for Black Sabbath, sometime between 1980 and 1982. I needed to, at that time, catch up and become familiar with any or all of Ronnie James Dio’s music and bands. This album, without any doubt in my Metal mind, is a keeper for life.

Released in 1978, this album upon my first complete listen, had me in awe. It still has that same affect on me, more than 25 years later. It just seems that the true elite of Hard Rock and Heavy Metal will shine on forever, keeping the flame of Heavy Music burning for decades on end. That is exactly what “Long Live Rock ‘n’ Roll does for me, it keeps it’s Heavy Rock sheen glistening, no matter how many times I listen to it. It is my opinion that this album deserves to be in any all time great lists. The two songs “Long Live Rock ‘n’ Roll” and “L.A. Connection” alone are reason enough to add this album to your collection of Heavy Music. These two tunes pound away at a pace that is classic 1970’s Heavy Metal, yet the unmistakable sound is vintage Rainbow. Here is an album, that boasts strong and heavy music for it’s time, with intelligent lyrics and arguably one of the premiere lead guitarists and lead vocalists in all of Heavy Rock, back in 1978.

Fast forward to Ronnie James Dio joining forces with Black Sabbath, then decades later Heaven & Hell, we are all living in the present with the unstoppable Metal tandem of Tony Iommi and Dio. What is such a thrill to revisit, each time I listen to this album, is there was at one time, an incredible Heavy Metal duo of Ritchie Blackmore and Dio. Listening to Dio sing at this pertinent stage of his career, is hearing an emboldened vocalist, rich with sincere emotion and hunger that elevates the totality of this albums music. Ritchie Blackmore on guitar gives the songs on “Long Live Rock ‘n’ Roll” their creative and at times medieval signature sound. “Gates of Babylon” is a fine example on this album, of what I mean, in mentioning a medieval guitar sound. What words can I truly use to compliment the guitar playing and skill of the legendary Ritchie Blackmore on this album? Let’s leave it that Ritchie Blackmore is guitar elite. The pair of Dio and Blackmore together in Rainbow may have been short lived, however, just as the title of this album states “Long Live Rock ‘n’ Roll” – this album without question long lives.

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Cheap Trick – “Dream Police” an essential Hard Rock album

Posted in 1970's hard rock, 1970's Rock, 1980's hard rock, Album Review, classic rock, cool album covers, essential hard rock albums, essential rock albums, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, Music, Rock, rock & roll, rock and roll, rock music, rock music vocals, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , on May 16, 2009 by Metal Odyssey

I have been fascinated with the Hard Rock music of Cheap Trick since 1978. Yup, 1978. I owned with pride, the 8-track cassette copy of “Dream Police” and played it until only a hissssssss sound was heard, while a faint sound of tunes played in the background noise. It was not easy tossing away that 8-track copy of “Dream Police” – I eventually bought a CD copy of it down the road, somewhere around 1986 and I still have that CD. There is no hissssss sound on this Cheap Trick CD, no sir. All I hear is the sensational Hard Rockin’ music that is 100% vintage Cheap Trick. “Gonna Raise Hell” in my Metal opinion, is as bona fide a Heavy Metal song that Cheap Trick has ever created. This tune, for me, is what makes “Dream Police” such a classic album. Seriously, “Gonna Raise Hell” is a jaw dropping, head banging, anthem of a timeless tune. The bass play on this track alone is like a thunderous, stomping mad, evil, forest gremlin army marching toward battle. (There are times when my musical interpretations can become quite creative). Tom Petersson, in my opinion, takes a back seat to no one as a bassist in Hard Rock.

“Voices” is a smoothly written power ballad, only power ballads were not supposed to be around until Hair Metal came out of L.A. in the ’80’s. “Dream Police” is the fast paced, musically heavy driven, winner of a title track. To say that these mentioned songs, quite possibly the entire album, is relevant to what is created in todays Hard Rock or Heavy Metal circles is not far fetched. I feel that if a band today, created and released the song “Gonna Raise Hell”, it would do just that. This song is too darn good to be considered an old time classic. “Need Your Love” may be over seven minutes long, however, Cheap Trick makes this tune groove along at a pace that gives it an addicting Rock flavor. Cheap Trick melded together harmony, melody and Hard Rock in such a blissful heavy way, I cannot stop myself from labeling “Dream Police” as an essential Hard Rock album to own. Why else would I be reaching for this CD to rock out to, going on three decades now?

The vocals of Robin Zander were attitude laden with a slice of Punk, I can never mistake the overflow of confidence in his voice on “Dream Police”. Rick Nielsen on guitar is fluid and creatively distinctive on “Dream Police”. I find his signature sound to be legendary, Rick Nielsen was and still is one of a kind. What can be said for Bun E. Carlos on drums? This man carries out the identity of a true Rock and Roll drummer, he never over extends on “Dream Police” and only super enhances the rhythm section with skillful beats. In Summary, “Dream Police” is a work of Hard Rock musical art, from a legendary dream team of Rock musicians, forever known as Cheap Trick. 

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Happy Birthday Eric Burdon – legendary vocalist of The Animals

Posted in 1960's rock & roll, 1960's rock & roll british invasion, 1960's rock music, 1970's Rock, classic rock, Hard Rock, Rock, rock & roll, rock & roll hall of fame inductees, rock and roll, rock and roll hall of fame inductees, rock celebrity birthdays, rock music, rock music vocals, Vocals with tags , , , , , , , , , , , , , on May 11, 2009 by Metal Odyssey

365241Today is May 11, 2009 and is also – the birthday for Eric Burdon, the legendary lead vocalist for the (legendary) 1960’s Rock band – The Animals. Eric Burdon and The Animals are deservedly enshrined in The Rock and Roll Hall of Fame, (inducted in 1994). Eric Burdon has turned a rockin’ 68 today! Today is as good an excuse as any to slap on some tunes from The Animals and play them LOUD. The Animals were an integral part of the historical “British Invasion” of Rock & Roll, straight from England, back in the storied 1960’s. Man, the voice of Eric Burdon is just plain timeless, in my Metal opinion. I have always been captivated by the vocals of Eric Burdon, I always wonder how he would have sounded fronting a Metal band today, he has that voice that is deep, cool and ominous. The three tunes from The Animals that I always find stuck in my head are: “House of the Rising Sun”, “Sky Pilot” and “Don’t Let Me Be Misunderstood”. (Now I am gonna have these tunes stuck in my head today, that is cool with me though). The Animals career may have been short compared to many other bands of that time period, however, I always feel it is quality and not quantity that matters most in Rock & Roll. To me, The Animals and Eric Burdon exemplify Rock & Roll quality.

The greatest Heavy Metal album of all time is…

Posted in 1970's hard rock, 1970's Rock, Album Review, Black Sabbath, classic rock, cool album covers, Hard Rock, hard rock album review, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, ozzy, Ozzy Osbourne, Rock, rock music, rock music vocals, tony iommi heavy metal guitarist with tags , , , , , , , , , , , , , , , , , , , , , , , , on May 9, 2009 by Metal Odyssey

527399Well, I have finally reached the pinnacle in my decision process for The Greatest Heavy Metal Album Of All Time. Please reference my past posts on this topic, you will find many great & legendary Metal albums that I personally nominated for this prestigious label. Without further delay, in my Metal opinion, and only mine alone, I have chosen: Black Sabbath – “Sabbath Bloody Sabbath”      

Please note that this is my opinion, anyone out there can have his/her own choice for this topic. It boils down to personal preference, especially when it happens to be Metal. Here are my reasons for why I feel this way about this incredible album:

1. It is my belief that Doom Metal, Stoner Metal and real Metal all began with Black Sabbath. “Sabbath Bloody Sabbath” just signifies musically, what Metal was and where Metal was heading, back in 1974. 

2. Without question, for me, the ‘riff master’ of the Metal world then and now is and forever will be the legendary Tony Iommi.

3. Ozzy Osbourneno Rock or Metal vocalist has ever sounded like him, or even come close. Ozzy’s vocals are so unique, it is uncanny. I am not saying Ozzy is the greatest vocalist ever, what I am stating is that his vocals are a signature, a trademark if you will, of “Sabbath Bloody Sabbath.” Ozzy’s vocals are so extraordinarily identifiable, just as Tony Iommi’s guitar riffs.

4. Not that this played any factor in my decision whatsoever – the album cover artwork is extremely cool, very much Metal. The artwork depicts a skull, demonic beings, a nightmarish snapshot of a piece of hell. Perhaps, I do not know officially for certain, this was the first album cover of any Rock genre which depicted 666 in it’s artwork. (Again, I would need to really research this).

My summary as to why I believe “Sabbath Bloody Sabbath” to be The Greatest Heavy Metal Album Of All Time is this:

Black Sabbath “Sabbath Bloody Sabbath” is a tried and true Heavy Metal classic. Every song is a definitive statement of just how talented and forward thinking Black Sabbath was in 1974. These 8 songs are a journey of surreal riffs, post psychedelic musical heaviness, that molded Heavy Metal into what it has become today. The opener “Sabbath Bloody Sabbath” has a lead riff that instantly prepares you for the remaining set of songs. The instrumental “Fluff” could only work for Black Sabbath on this album, it’s convenient yet prominent position within these songs makes complete sense. “Fluff” and it’s acoustic beauty embarks on the intelligence Black Sabbath held onto musically. Just look at how many Metal bands since, that have slipped in dreamy, mystical or macabre instrumentals for their respective albums. Ozzy Osbourne is so unmistakably eerie on vocals, he was and always shall be one of a kind. Tony Iommi delves into the world of heavy riffs, formulating one after another throughout, unknowingly becoming the Metal riff king for all time. Geezer Butler on bass and Bill Ward on drums provide a legendary rhythm section, that shapes the dark moodiness of this beyond fantastic Metal masterpiece. I look at 1974, then I realize exactly how prominent Heavy Meal was then. It really was not an embraced genre as yet, Metal was truly in it’s infant stage.

“Sabbath Bloody Sabbath” was the Metal comet that stormed into the musical universe in 1974, making a collision onto a world of Rock & Roll that did not know what hit it. Legions of bands and musicians have been influenced by this album, if not, these bands/musicians are not into Metal and/or do not live on this planet. I strongly urge any and all Heavy Metal or Hard Rock fans to add “Sabbath Bloody Sabbath” to their music collection, it is an essential and important work of Heavy Metal. The Greatest Heavy Metal Album Of All Time. 

Just as a sidebar, I struggled with this decision. I was steadfast in deciding on Slipknot “All Hope Is Gone” as the greatest ever. Then, I followed my Metal heart and realized, if it wasn’t for Black Sabbath and “Sabbath Bloody Sabbath,” would there even be Metal music as we know it today?

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Molly Hatchet debut album from 1978 – Rocks heavy to this day

Posted in 1970's hard rock, 1970's Rock, 1980's hard rock, 1980's southern hard rock, 1980's southern rock, Album Review, classic rock, classic southern rock, cool album covers, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, Music, rock music, rock music vocals, southern hard rock, southern hard rock albums, southern rock, southern rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , on May 8, 2009 by Metal Odyssey

In 1978, Molly Hatchet, the Southern Rock legends to be, released their debut album “Molly Hatchet” – this album still rocks today. I was just embarking on my teen years back in 1978, Kiss, Foreigner, The Electric Light Orchestra and Cheap Trick were my four main bands that I listened to constantly. (I was not into the real heavy music until I entered high school, heck, I was still green and learning fast about the huge world of Rock music). One band, however, that turned my head and gave me instant goose bumps as soon as I heard their tunes was Molly Hatchet. Man, I was amazed at the sound of this band. I was going on fourteen when I first heard the guitar jamming, the muscular feel and Southern Rock energy coming from Molly Hatchet. The vocals of Danny Joe Brown sounded so bad ass to me, (they still do), I thought I was bad ass when I spoke of Molly Hatchet to my grammar school buddies. The rebellious sound, vocals, lyrics and super cool album cover won me over in 1978 and has never waned for three decades. I never forget or stop listening to those bands that got me into music as a kid, these bands including Molly Hatchet I am forever grateful for.

“The Creeper” in and of itself is good enough reason to chase this album/CD down. The seven minute and brilliant “Dreams I’ll Never See” for me, makes for one of the greatest cruisin’ tunes I have ever heard. “Bounty Hunter” and “Gator Country” just kick start this album into a Hard Southern Rockin’ rebellious ride that I enjoy taking. I realize a couple of  posts ago was about Molly Hatchet as well, I am stoked recently over this band forgive me please. This debut album from Molly Hatchet blows away thousands of other debut albums that are out there – how often I find myself not buying a bands first album due to it’s blandness. Hey, this is my Metal opinion. Sure, the debut from Molly Hatchet is “old school” – only remember that this is an album that helped pave the way for Southern Hard Rock to flourish and receive it’s due respect and credibility. I hope my posts on Molly Hatchet can lure new fans to this legendary band and to the genre of Southern Rock. Veteran fans of Molly Hatchet and Southern Hard Rock already know what I am talking about.

Here is the original lineup of Molly Hatchet, as they appeared on their debut album “Molly Hatchet” – Danny Joe Brown – lead vocalist, Duane Roland – lead guitar, Dave Hlubek – lead guitar, Steve Holland – lead guitar, Banner Thomas – bass guitar and Bruce Crump – drums.

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Happy Birthday Peter Frampton!

Posted in 1970's hard rock, 1970's Rock, Album Review, classic rock, Hard Rock, Metal, Music, rock celebrity birthdays, rock music, rock music vocals with tags , , , , , , , , , , on April 25, 2009 by Metal Odyssey

398580613773543Anyone who follows Metal Odyssey knows that I like to keep up on the birthdays of legendary Rock Stars. Why? Well, it is a great excuse to write about these dudes and give my opinion on their music. So, without further delay – Metal Odyssey gives out a LOUD Happy Birthday to Peter Frampton!! Frampton turned a cool rockin’ 59 on April 22, 2009. My favorite Peter Frampton album is definitely “Frampton Comes Alive.” Released in 1976, this live album for me, captures the Rock & Roll spirit, talent and energy that Peter Frampton has been exhibiting, going on four decades. “Do You Feel Like I Do” and “Baby I Love Your Way” are true Frampton classics, the live recordings only bring them more to life, in my opinion. I always liked his album “Where I Should Be” – the single “I Can’t Stand It No More” I still find very catchy. Is Peter Frampton Hard Rock? To me, no, if you are going by todays Rock music standards. It was probably easier to categorize Peter Frampton as Hard Rock in the 1970s, maybe. As I see it, Peter Frampton is a Rock legend in his own right, I have always been keen on his brand of Rock & Roll. Plus, for me, the music of Peter Frampton always reminds me of the Summer, being at an outdoor party or just hanging out at the beach. I really cannot figure out why this is, I do recall many outdoor parties in the past, where Frampton was being cranked up loud though. (Maybe that is the reason). All in all, Peter Frampton and his music has been cool for me over the years, I wish Peter Frampton all the best as he continues to tour and write music. Thank you for all the great tunes over the years Peter Frampton!3447595

Happy Birthday Craig Frost – keyboardist, Grand Funk Railroad

Posted in 1970's hard rock, 1970's Rock, american rock band, grand funk railroad rock band, Hard Rock, Music, Rock, rock celebrity birthdays, rock keyboard musicians, rock music with tags , , , , , , , , , , on April 22, 2009 by Metal Odyssey

16694454I really enjoy paying homage to the greats of Rock & Roll music. Especially when the musician is a member of a band that I can never, ever, tire from. Happy Birthday Craig Frost! Craig is the keyboard extraordinaire for Grand Funk Railroad, a true – blue collar, American Rock Band. Craig turned a super cool 61 on April 20th. 

Man, whoever is into Classic Rock and/or Classic Hard Rock, simply cannot deny that “We’re An American Band” is seriously one heck of a kick tune, that has stood the test of time. For me, this song characterizes Grand Funk Railroad, for me it is their signature song. “The Loco – Motion” is another favorite Grand Funk Railroad tune of mine, the louder I play this bands music – the better it is. I always fall victim to the feel good mode when I crank up Grand Funk Railroad’s Rock & Roll. In my Metal opinion, Craig Frost exemplifies what quality musicianship on the keyboard is supposed to sound like, throughout his successful career. Thank you Craig Frost for the great music over the years!

Happy Birthday Alan Price! – The Animals keyboardist

Posted in 1960's rock music, 1970's Rock, brand new sin, classic rock, Hard Rock, Music, psychedelic rock music, Rock, rock keyboard musicians, rock music, rock music vocals, Vocals with tags , , , , , , , , , , on April 21, 2009 by Metal Odyssey

Metal Odyssey sends out a very LOUD Happy Birthday to Alan Price, the original keyboard and organ player for The Animals! Alan turned a real cool 67 on April 19th. I cannot ever grow tired of listening to the keyboard majesty that Alan Price bestowed through the music of The Animals. To me, the keyboards are borderline haunting on “The House of The Rising Sun” – quite honestly, besides Eric Burdon on vocals, the keyboard playing of Alan Price made this song a timeless, early Classic Rock masterpiece. This song always seems to be a favorite for many bands to cover – Brand New Sin does what I consider the coolest cover of this tune, which is found on their album “Tequila”, released in 2006.

14393836“We Gotta Get Out of this Place” is yet another totally incredible song that The Animals gave to Rock music. Again, Alan Price is unmistakably brilliant on this song playing keyboard. I find it so amazing that these tunes were created in the mid 1960’s and still have a contagious Rock groove illuminating from them! The 1960’s and 1970’s Rock-Hard Rock eras were profound with establishing the importance of the keyboard and organ, as solid and true Rock music instruments. The Animals were an authentic British Rock band that stakes a mighty claim in the well established roots of Hard Rock and arguably Heavy Metal as well. Alan Price with his keyboard playing, gave The Animals an important element to their overall signature sound. Thank you Alan Price for the ever lasting music you created!

Bad Company – revisiting the debut album from 1974

Posted in 1970's hard rock, 1970's Rock, Album Review, Bad Company, Guitar, Hard Rock, Music, paul rodgers rock vocalist, Rock, rock music, Vocals with tags , , , , , , , , , , , , , , , on April 14, 2009 by Metal Odyssey

411959Over this past weekend, I stumbled upon the opportunity to purchase (real cheap) the debut release from Bad Company, aptly titled – “Bad Company.” This first Bad Company album I had many years ago, (on cassette tape) and I actually still have it. (I always treated my cassettes like gold, for they used to cost just as much as actual vinyl). Well, this copy of Bad Company I purchased is the CD, a used copy for a meager 4 dollars and 1 penny, total. (That is less money I spend on an average trip to Dunkin’ Donuts).

The jewel case, liner notes and actual CD itself is nothing more than a mint copy of this Bad Company album. Upon exiting the establishment where I found this CD, I felt I made my weekend find and I did! I do not know if it is just me but the Hard Rock tunes on the freshman release from Bad Company are unreal good and sound as though they could have been recorded and released this very year. I mean, let’s face it, there are way too many Hard Rock and Metal bands out there today that are releasing unmoving blah. To revisit an infamous debut album from a legendary band like Bad Company, today, is a solid breath of Hard Rock air! Sure, this was once a #1 chart topping Hard Rock album back in 1974, yet who cares? Who cares if these songs were at one time FM radio hits! The tunes on this Bad Company album are incredible! 

My favorite tune off of “Bad Company” is “Rock Steady.” (Hey, everybody has to have a favorite track off of an album they like, you know?) “Can’t Get Enough”, “Ready For Love”, “Movin On” and of course, the fabulous track notoriously titled “Bad Company” are tunes that are extremely hard to measure up against today, if you are a brand new Hard Rock band putting out your first album. Let’s not forget, though, that Bad Company was/is a supergroup from the early 1970’s too. These guys did have the talent and musical genius already bred inside them. Paul Rodgers and Simon Kirke were from the incredible Free, Mick Ralphs was from the hard working and fantastic Mott the Hoople and Boz Burrell was from the outstanding King Crimson. (enough said there when it comes to the tried and true Rock roots, of the original Bad Company lineup!) This album should be required listening, at least weekly, by talent agents from today’s current record companies! This is how Hard Rock is supposed to sound like!  Oh, yes, I almost forgot to mention: In my most humble of Hard Rock and Metal opinion, the debut album from Bad Company – is not dated!  Due to this album’s greatness, I am now going to dig up and/or find Paul Rodgers and his later bands – The Firm and The Law! Yeah! You simply cannot refuse or deny, a good ol’ journey down Hard Rock memory lane, and all the lanes are open! I am quite pleased that I reintroduced myself to one of the greatest Hard Rock albums ever released, by one of the finest Hard Rock bands that ever existed – Bad Company!

Women of Hard Rock & Metal – Janis Joplin

Posted in 1970's Rock, Guitar, Hard Rock, janis joplin, psychedelic rock music, Rock, rock music, Vocals with tags , , , , , , , , , , , on April 12, 2009 by Metal Odyssey

2367085The voice of Janis Joplin, in my opinion, has never, ever, bean duplicated, nor has any female Rock vocalist even come light years close. The raspy, sand papered and bluesy vocals of Janis Joplin has always sounded magical to me. The raw emotion that Janis Joplin exhibited vocally will always come through to me as honest and true. Janis Joplin was an all encompassing Rock legend – singer, songwriter and guitarist. 

I never like to look back at any Rock music legend and wonder what could have been, if tragedy did not strike. Like so many Rock stars and in some cases, icons, that have passed before their time,  I accept the gift of music that these musicians left behind, for the world to enjoy forever. Janis Joplin has left us with her songs and her gifted voice. How wonderful it is, to be able to reach for Janis Joplin at any time and listen away to one of the most powerful voices in all of Rock music history! I cannot tell you how many times I will listen to Janis Joplin, smack dab in the middle of listening to Metal bands like Helloween and Kiss! In doing this, it reminds me that there still is an unparalleled female Rock voice that I can turn to and enjoy. Janis Joplin’s voice and music will set me straight, reminding me of real Rock roots, where Hard Rock was born from.

“Me and Bobby McGee” is a song I kick back to while enjoying the story telling approach of Hard Rock, as only Janis Joplin can deliver. “Mercedes Benz” is easily as relevant a song today as it was in the early 1970’s. “Piece of My Heart”, for me, is as groundbreaking of a Hard Rock song as there ever could be. Musically, the formula for the foundation of Hard Rock was in place – it was Janis Joplin that took this song to another Rock stratosphere with her thrilling and bluesy vocals. From her musical beginnings with Big Brother & the Holding Company to her solo career, Janis Joplin was all along – carving out a path for future female Rock vocalists and female Rock musicians. Janis Joplin was a star of Psychedelic Rock, yet she forever is a star in the Rock and Hard Rock genres as well. Janis Joplin’s accomplishments and place in Rock music history can never be measured, her legacy can only be revered.

Janis Lyn Joplin – January 19, 1943 – October 4, 1970

Electric Light Orchestra – Progressive Rock icon

Posted in 1970's Rock, Album Review, Amon Amarth, electric light orchestra, Hard Rock, Music, progressive rock, Rock with tags , , , , , , , , , , , on April 11, 2009 by Metal Odyssey

8236759If I could pin point the exact age I was, when I first listened to the Electric Light Orchestra, I would be somewhere around 10 years old – the vintage 1970’s. I have been inhaling the music of ELO for my entire life, safe to say. It does not matter what Metal genre I am currently obsessed with, ELO always gets playing time on my turntable and/or CD players. The Electric Light Orchestra, in my opinion, is one of the original leaders of Progressive Rock. What exactly is it about ELO that gravitates me to their music? Since I can remember, even as a young kid, I always got the biggest kick out of any music that was louder, faster and heavier than what was being played on AM radio. (that is correct, I wrote – AM radio).

Is/was ELO faster, louder and heavier than AM radio music of the ’70’s? Some of ELO’s greatest songs are legendary AM radio hits. However, as with any Rock band out there, it always comes down to the deeper album cuts that separates the legendary bands from the plain average bands. There are dozens and probably more, of ELO songs that for me, are far better than the hits you would/currently here on FM radio. What I heard from ELO, all those years ago and still here today, is the bold and rich clarity of combining Traditional and Classical music with up tempo Rock and Roll. I cannot say enough in regards to the intellectual approach to musicianship ELO has stood for. Jeff Lynne, well, he is a musical genius, a musician, vocalist and song writer who has influenced quite a few prominent names in Rock. It is obvious and factual the influence Jeff Lynne has had on the career of Tom Petty. The Traveling Wilburys only solidifies my opinion of just how creative and influential Jeff Lynne was/is. Could any influential credit be given to ELO, for the evolution of the fabulous Finnish cello Metal band – Apocalyptica? This past year of 2008 has had Apocalyptica appear on the new Amon Amarth album – “Twighlight of the Thundergod,” so I am not alone in the world of Metal with my affection towards the cool sounds of cello’s or string arrangements! I do not know for fact, yet every time I listen to the great Dream Theater, I cannot help but here musical arrangements that are reflective of ELO. At times it is a choral arrangement, other times a guitar lead that blends in with tones from a keyboard or organ. I feel pretty confident in comparing Dream Theater to ELO, both bands are musically progressive and are not bashful about experimentation to create sounds and effects. For me, the true musical difference between Dream Theater and ELO is that Dream Theater packs the Metal muscle and overall Metal power brilliance.

The musical totality of ELO far reaches beyond the AM and later FM radio hits that made them so recognizable. ELO took string arrangements and horns to an entirely different level, not just combining these musical instruments with Rock and Roll, but doing so in a a manner in which was powerful, emotional and more often than not, just plain cool. The ELO album “Eldorado” distinguishes the pure emotional feel and sound that only became enhanced two fold from the use of Classical musical arrangements. The ELO album “A New World Record” eclipses any straight forward Rock album of the 1970’s, again through unconventional musical arrangements and structure, in turn creating the cool songs from ELO. I am not ashamed to admit that ELO is an all time favorite Rock band for me. Certainly, Metal and all of it’s genres are my true music love, still it is an exhilarating Rock music, listening experience for me any and every time I tune into ELO. After all of these years of enjoying music, ELO never fails to keep me grounded, while amazing my ears along the way.