Back in April of 1989, W.A.S.P. released The Headless Children, this proved to be THE album that really made me a lifetime fan of Blackie Lawless and his band. My best Metal buddy Scott, he is to blame for getting me into this album to begin with, I thank him for that. Sometime in 1989, (I can’t remember the exact month for Metal sakes), I bought the 12″ vinyl single of The Real Me from a back stabbing and obnoxious record dealer in very expensive Connecticut. The price back in ’89 for this W.A.S.P. record was $9.98. I could not resist the purchase, it was the only copy in that decrepit record store, it’s W.A.S.P. and the collectible side of my Metal brain always wins out in the end… especially when an item doesn’t cost a ton of dough. As a bonus, this 12″ single is enclosed inside a very, very, large W.A.S.P. poster, (see pics below). Back in ’89, I was still living at home, (with my parents), so my living space was a very small bedroom with walls already adorned with Metal posters… posters I just could not take down due to my loyalty and allegiance to so many bands. I am now glad I never hung this poster years ago, it’s basically in mint condition still.
The Real Me is a cover song from The Who, written by Pete Townshend… undisputed Rock legends. This song is found on The Headless Children album:
Here is what The Real Me 12″ single – record poster/jacket looks like when folded up flat:
The B – Side (or) Side Two Songs On The Real Me Single Are:
Lake Of Fools and War Cry
Lake Of Fools and War Cry are later found on the 1998 reissued CD version of The Headless Children.
The Real Me 12″ single was put out on Capitol Records. 1989 Sanctuary Productions Inc. is also printed on the back of this poster/cover.
Made In England is found on this same back poster/cover, (it appears to be rubber stamped). So, needless to say… this 12″ single of The Real Me is an import.
Please excuse the quality of my images below. Besides, being perfect is NOT Metal.
Here is the front side of this W.A.S.P. – The Real Me poster/record jacket:
The caricatures of Blackie Lawless, (guitar, vocals), Johnny Rod, (bass), Chris Holmes, (lead guitar) and Frankie Banali, (drums) are fun stuff. It’s Old School Heavy Metal. I probably won’t attempt to hang this poster up today… it’s just too vintage to ruin now. (Unless I find a poster frame large enough to hold it). Besides my picture disc of The Headless Children, this is the only other cool W.A.S.P. record I have, that is considered a limited vinyl collectible. I know I say this often, still, I’m just thankful for the stuff I did get ahold of and kept after all these years. Maybe I’ll find another W.A.S.P. vinyl collectible down the road, on one of my Metal hunts.
Here is the backside of this W.A.S.P. – The Real Me poster/record jacket:
The photo’s of W.A.S.P. on this poster are really cool and nostalgic to me. 1989 was a moment in Heavy Metal time that will never be forgotten by Metal Odyssey… I’m sure I speak for throngs of Metalheads worldwide.
W.A.S.P. has brought the Chuck Berry 1964 Rock and Roll Classic Promised Land to the Heavy Metal forefront. Promised Land is from the Chuck Berry album from 1964, St. Louis To Liverpool. Appearing on their new studio album Babylon, Promised Land is the last song, closing out a tremendously catchy and hook laden, Old School Heavy Metal album. W.A.S.P.’s Heavy Metal lays down the riffs, leads and solos that resonates power and electrifies this song. The rhythm section of W.A.S.P. sets and maintains the Metal pulse of Promised Land, balancing out a groovy ride. When an early 1960’s Rock and Roll Classic like Promised Land can be covered with the passion and intensity that W.A.S.P. brings, it is the Old School Heavy Metal balance and basics that makes this song come to life. W.A.S.P. makes this song crush with heaviness without sacrificing any early 1960’s Rock guitar sound and energy.
Thank you Blackie Lawless. Thank you for not going away, taking an extended leave of absence or selling out. There are too many 1980’s Heavy Metal Bands that did just those things, now they are scrambling to make their triumphant comeback or best album ever. Some are doing just that, only Blackie Lawless does not belong to that club. The Heavy Metal membership card that Blackie Lawless holds says two words… for life. Why shouldn’t it say just that? The true fans of Heavy Metal and/or W.A.S.P. are in it for life. While the 1990’s ushered in the Grunge genre and scores of pretentious bands (being mistakenly labeled) Heavy Metal, all the while lining up at Hollywood’s red carpet gala’s for accolades, W.A.S.P. was too busy making real Heavy Metal albums of integrity. The politically correct mainstream press was not a necessity for W.A.S.P.’s survival then, it certainly is not now. There is no return of or part ll theme happening with W.A.S.P., just a band that is a Heavy Metal mainstay, due to the perseverance and creativity of Blackie Lawless. To take a quote from Blackie Lawless, (as stated in the liner notes from Babylon)… If it is not the truth, it will not stand.
Crazy is the opening song on Babylon. The weight of the world always seems to be put on the opening track of any album. The first song sets the table for the remainder of the album, good or bad, this all important track can either be the demise or exclamation point for the songs that follow. With Crazy, this song kicks and extends it’s Heavy Metal tentacles like a giant sea squid on a caffeine rush. Crazy is the prelude to nine Heavy Metal songs of substance, this song alone foretells that W.A.S.P. connects in 2009. Blackie Lawless borrowed some of his Old School Heavy Metal and fused it with a more mature presentation, both with lyrics and tempo. Sure, Crazy is a fast moving song, only it’s the streamlined sound of it’s speed that makes it so appreciable. The consistency of Heavy Metal muscle is what I have come to expect from W.A.S.P., Crazy illuminates and flexes it from the opening note. My best Metal buddy Scott cued me into the comparison of Crazy to Wild Child, from the 1985 W.A.S.P. classic, The Last Command. (This was well before I owned a copy of Babylon, Scott was a lucky one who nailed Babylon on it’s import release date of October 13th). The opening guitar intro to both Crazy and Wild Child are very similar, still not a mirror image note for note.
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