Archive for July, 2010

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SERGEANT STEEL: A METAL ODYSSEY INTERVIEW

Posted in hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, interviews, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , , , on July 14, 2010 by Metal Odyssey

SERGEANT STEEL – Calling all open minded record companies around the world… there is a Hard Rock Band that has released an album of melodic driven, heavy hittin’, memorable and fun songs. They call themselves Sergeant Steel and call home Austria. Sergeant Steel’s debut album – Lover’s & Maniacs, (released March 6, 2010), is a decisive upper-cut to the mid-section of the Hard Rock world. Sergeant Steel’s debut release reminds us all once again what Hard Rock songs sound like when a band puts skills and writing first and doesn’t try to “fit in” with any trendy “sound of the month” club.

So, RoadRunner Records, Century Media Records and a score of other record companies out there, who without question, have their ears on “the pulse” of what bands are hot… Sergeant Steel has arrived with Lovers & Maniacs and they are making no excuses and not looking back. This is a band that is looking to the future with hunger in their Hard Rock souls, something that many up and coming bands out there today are in dire need of.

I reviewed this Sergeant Steel debut album – Lovers & Maniacs on July 1, 2010. You can click on the link at the bottom of this interview, to read all about it.

The following interview is with Sergeant Steel’s charismatic lead vocalist, Phil Vanderkill. Recently, Phil took the time to answer some questions for Metal Odyssey and proved to be as candid and cool as they come. Phil’s answers are just as the songs you hear on Lovers & Maniacs… genuine. Here is what Phil had to say:

STONE: Hey Phil, How are you doing? It’s wicked HOT here in Pennsylvania. We have been under a “severe heat warning” for many days now. My lawn I no longer have to mow… it’s fried! Hope the air over in Austria is more tolerable.

PHIL: It’s about 35 degrees Celsius. That’s also pretty hot but the humidity is quite low at present. Austrians get out of their shell at this time of the year. If you know “Sound Of Music” you have an imagination about our wonderful Lakeland areas and vintage cities like Salzburg and Vienna.

STONE: Creating a studio album for world wide release is for certain hard work. Still, what and how much fun was it to create and record “Lovers & Maniacs”?

PHIL: It is still hard work to promote the record, too. We have been donating a lot of our leisure on this record. But it’s still fun. Now that the album is released, we enjoy it when people sing along at our live shows!

STONE: Who or what bands are an influence to Sergeant Steel?

PHIL: Our major influence are bands from the 70’s like pomp/classic rockers Queen, Rainbow and Aerosmith. We appreciate glamsters like Slade and The Sweet, too. Of course we also love 80’s hair bands like Ratt, Cinderella, Europe and Extreme. We also adore the guitar driven yet melodic heavy metal sound of Judas Priest.

STONE: Describe the reaction your getting from your fans when playing live in Austria.

PHIL: There are only a very few hard rock acts on the map. Most people in the crowd experience arena rock live for their first time at a SERGEANT STEEL show. We always play in front of a grateful public. It doesn’t seem to be difficult to carry the Austrian audience. Rather the challenge is to convince bookers and organizers. Classic hard rock tunes are everything else than common in the public awareness over here.

STONE: Are you setting sights on touring North America one day?

PHIL: Well, Jack and me, (guitarist & producer Jack Power), are going to travel overseas in the fall 2011. We are ready and willing to expand our contacts in the USA.

STONE: If you could choose a guest musician to be on the next Sergeant Steel album, who would it be?

PHIL: We’d have some honorable gentlemen on the bill, e.g. Alice Cooper, Lemmy Kilmister, Stephen Pearcy (Ratt) and John Sykes (ex- Whitesnake). I think they are all unique performers and accomplished songwriters.

STONE:  Having “Lovers & Maniacs” mastered by Beau Hill is impressive. How was this working relationship born between Beau Hill and Sergeant Steel?

PHIL: Beau can be characterized by a maximum of politeness and reliability. We came in contact with Beau via Myspace, then sent him some demo tunes by mail and he became a real fan of our music (To quote Beau: “This record really kicks ass!”). Of course, we are extremely proud about that. It is highly probable to work with him on further material this year.

STONE:  Which famous phrase best describes Sergeant Steel: “Sex, drugs & Rock’N’ Roll” or “I wanna Rock ‘N’ Roll all night and party every day”?

PHIL: Definitely “Rock ‘N’ Roll all night, party every day”. We enjoy life, because we believe in the most important message of rock music: Fun!!! Yes, we are occasional drinkers and smokers. But we DO NOT believe in permanent self-destruction. Look at Gene Simmons and Ted Nugent. Both live straight but they are crazy motherfuckers on stage and deserved songwriters. That is what it depends on.

STONE: “Lovers & Maniacs” is a solid Hard Rockin’ album of 10 songs, an unreal great debut album. Were there any songs that just missed the cut that you wish were on the finished album?

PHIL: Thank you for showing us your appreciation! When we determined the tracklist for “Lovers & Maniacs” we had to choose out of 35 pre-produced tunes. Meanwhile we have over 90 demo songs to be at choice for a second record. You know, there will always be some songs that will be missed on a finished album by someone.

STONE: Which song or songs from “Lovers & Maniacs” gets the fans most fired up when you play live? Are there any “vintage” cover songs that you guys enjoy playing live?

PHIL: Our most renowned live smashers from “Lovers & Maniacs” are “Hammer Of Love”, “Still In Love” and “Nuts Of Steel”. People also get loco everytime we play a cover version of “Jailhouse Rock”!

STONE: How would you describe the “state of” Hard Rock and Heavy Metal in Austria?

PHIL: Well, being in a hard rock band in Austria is like being a human rights activist in fucking North Korea. As I told you before there are only a handful of bands playing that stuff. Anyway there’s no competitive thinking among these bands. We organize concerts together and exchange our experiences in the music business.

STONE: Are European Festival dates in the future for Sergeant Steel?

PHIL: We play at a local festival in 2011, which is going to be attended by about 4000 visitors. Beside that there’s nothing official yet.

STONE: From looking at the photos and “Hammer Of Love” video, along with listening to the Hard Rock glory of “Lovers & Maniacs”, I get the perception Sergeant Steel has a tight bond among themselves. How accurate is my perception?

PHIL: You are absolutely right! Being in SERGEANT STEEL is being among friends! It took a lot of patience and understanding to reach that level of fellowship, but now we are all geared up to take the world by storm.

STONE: Thanks again Phil!

PHIL: Thank you very much Stone. Best regards to the American rockers over there. We are proud about gaining fans in the home country of many of our favorite bands!!

* Here is some late-breaking Sergeant Steel news, as told by Phil Vanderkill: Ronny Roxx succeeds founding member Cosy Coxx on bass guitar. Cosy leaves the band in a friendly way due to personal reasons.

* For more info on Sergeant Steel, click on the links below:

SERGEANT STEEL – Official Website

Sergeant Steel – MySpace Music Page

To become more informed about this great new Sergeant Steel album debut – Lovers & Maniacs, just click on the link below:

SERGEANT STEEL “LOVERS & MANIACS” – GOOD TIMES & CONTAGIOUS HARD ROCK DEBUT FROM AUSTRIA!

Go Get ‘Em Sergeant Steel!

Stone.

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MURDERDOLLS – “WOMEN AND CHILDREN LAST” RELEASES AUGUST 31, 2010!

Posted in hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, horror metal, horror punk, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , , , , , , , on July 13, 2010 by Metal Odyssey

MURDERDOLLS – And on the 13th day, God created the Murderdolls. O.k., so maybe God did. The real Metal fact is this: Murderdolls are BACK! On August 31, 2010, ROADRUNNER Records will be releasing the newest installment of heavy duty carnage, from this Supergroup. The legendary Joey Jordison (Slipknot) plays both guitar and drums on Women And Children Last. Wednesday 13, (Yes, that Wednesday 13!), is the lead vocalist and plays guitar and bass as well.

* Metal Odyssey Note: I did refer to Joey Jordison as “legendary”… and if anyone disagrees, well, you obviously have never listened to any Slipknot albums in your entire life… especially All Hope Is Gone. Metal be thy name.

On June 22, 2010, the RoadRunner Records website was serving up, (for just 48 hours), a free download of the Murderdolls single – My Dark Place Alone, from the forthcoming Women And Children Last. I took full advantage of this Metal freebie. Let  me just describe this song as honestly as I can… An F’n intense and brutally supercharged Metal song, fueled with hellishly delectable speed and fury, that shall pummel thine senses into a state of maddening glee. ‘Nuff said. No? All right, here is a song review for the more intolerant and faint of heart out there: My Dark Place Alone shall invade your mind, space and soul by brute force… so grab your first aid kit, food rations, your ABBA albums, loved ones and seek shelter soon.

* Metal Odyssey Note: You can currently purchase My Dark Place Alone on itunes.

As read on the Murderdolls official website, (see link below), Joey Jordison states that Wednesday 13 came up with the new album title of Women And Children Last, being a funny joke on the Van Halen album “title” – Women And Children First, released back in 1980. (Just so the readers know… I revere that Van Halen album). Wednesday 13 reveals on the Murderdolls official website: “So the record is going to have ideas from all over the place. It’s heavy, it’s Glam Rock, it’s Hard Rock, it’s Metal, it’s… there’s not hip-hop though”. Sounds like a kickin’ ass album to Stone.

* From what I have been reading, Motely Crue’s legendary Mick Mars does appear on two songs, making Women And Children Last all the more Metal intriguing. Song titles have been revealed, with the two Mick Mars songs as well… only I don’t want to spell out these songs until it is “officially” stated on a credible site or from a credible source. Maybe this info is out there, already credibly established. Still, I just don’t want to wind up as a corn dog at the end of the day.

* Some of the new album’s song titles have been revealed on the RoadRunner Records website, (see link below), they are: Death Valley Superstars, Summertime Suicide, Drug Me To Hell and of course, My Dark Place Alone.

Murderdolls released their debut album in 2002 – Beyond The Valley Of The Murderdolls, on RoadRunner Records. Initially being a Horror Punk Band, Murderdolls are now promising a wide array of Heavy Music styles on Women And Children Last. From listening to their new single – My Dark Place Alone, Murderdolls have taken a few steps aside from their Horror Punk style of eight years ago. I really am looking forward to hearing this new Murderdolls album in it’s entirety. You can count on this album being reviewed right here on Metal Odyssey. I have a sinister suspicion I’m gonna really like it.

* For more info on Murderdolls, just click on the links below!

MURDERDOLLS – Official Website

www.myspace.com/murderdollsband

ROADRUNNER RECORDS

LONG LIVE MURDERDOLLS!

Stone.

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IRON MAIDEN – “BRAVE NEW WORLD” ALBUM FROM 2000

Posted in hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal videos, metal odyssey, Music, progressive metal bands, progressive metal music, rock music with tags , , , , , , , , , , , , , , , , on July 12, 2010 by Metal Odyssey

IRON MAIDEN – In May of 2000, the beyond legendary Iron Maiden released the twelfth studio album of their unparalleled Heavy Metal career. Brave New World is studio album #12 from Iron Maiden and marked the return of their most prolific lead vocalist – Bruce Dickinson. (After 1992’s Fear Of The Dark album, Bruce Dickinson left Iron Maiden to pursue what became a successful solo career). The two Iron Maiden albums before Brave New World, The X Factor from 1995 and Virtual XI from 1998, featured the strong and capable vocals of Blaze Bayley. There was and always shall be, however, only “one” Bruce Dickinson and Brave New World resonates with his unreal unique, Metal/operatic vocals.

Brave New World is the album that also glistens with the return of long-time Iron Maiden guitarist Adrian Smith. The 1981 album Killers was Adrian Smith’s coming out party for Iron Maiden. With two signature band members in Bruce Dickinson and Adrian Smith, returning to the Heavy Metal historic band known as Iron Maiden, Brave New World was a real return to the make-up of how this band is truly embraced and perceived by their countless fans across the continents.

IRON MAIDEN – Rock In Rio (2002), concert supporting the Brave New World album.

IRON MAIDEN RETURNS! WITH STUDIO ALBUM #15!

THE FINAL FRONTIER – RELEASES AUGUST 17, 2010!!!

LONG LIVE IRON MAIDEN!

Stone.

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My favorite DANZIG song is…

Posted in Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal songs, heavy metal videos, metal odyssey, Music, rock music with tags , , , , , , , , , , , , , , , on July 11, 2010 by Metal Odyssey

DANZIG – In 1992, Danzig III: How The Gods Kill was released. My favorite DANZIG song of all-time is on this album… Dirty Black Summer. Oh yeah. This is the one. There’s something about the wickedness of this song’s tone, atmosphere and grooves. Plus, this song’s edgy heaviness and lyrics are what puts that sinister smirk on my face and attitude in my step. Dirty Black Summer is not a “fun in the Summer sun” song by any stretch of the imagination. With that said, all the guitar parts seem to remind me of those hot and humid Summer nights, where I am taking a long cruise in the car, with the window down, as fog begins to formulate in the air. I guess it’s just me.

Some time ago, I wrote up a brief review on this great DANZIG album. You can read it if you so wish, I actually recommend that you do. Just click the link below:

DANZIG III: HOW THE GODS KILL

Oh, yeah, one more Metal thought. Glenn Danzig F’n RULES.

DANZIG as they appeared on DANZIG III: How The Gods Kill:

Glenn Danzig – vocals

Eerie Von – bass

John Christ – guitar

Chuck Biscuits – drums

Check out the DANZIG – Dirty Black Summer music video below. Hopefully you enjoy this song as much as I do. If not, well, you can always go back to your cross stitching and listen to the Fiddler On The Roof soundtrack. Metal be thy name.

CRANK IT LOUD MUTHA!

* For more info on DANZIG, just click the link below:

DANZIG – VEROTIK – Official Website

LONG LIVE DANZIG!

Stone.

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OVERKILL – TO TOUR AUSTRALIA, SEPTEMBER 2010, FOR FIRST TIME!

Posted in Heavy Metal, heavy metal bands, heavy metal music, heavy metal news, metal music, metal odyssey, Music, rock music, rock music news, Thrash Metal, thrash metal bands, thrash metal music with tags , , , , , , , , , , , , , , , on July 10, 2010 by Metal Odyssey

OVERKILL – Thrash Metal Legends, OVERKILL will be taking their 25th Anniversary Tour down under, to the great country of Australia, this September of 2010! The cool poster pic below tells all. From what this tour poster pic reads, this is the first time ever OVERKILL will be unleashing their Thrash Metal in Australia! OVERKILL will be supported on all the Australian dates, by Australia’s very own Thrash Metal attack known as – MORTAL SIN.

*Metal Odyssey has no other information on this tour, just the tour image with info as you see it.

* OVERKILL is out supporting their amazing 2010 studio album release – IRONBOUND, released on E1 Music, on February 9, 2010.

* For more info on OVERKILL, just click the cool link below:

OVERKILL

* The link address for more info on OVERKILL touring Australia in September, 2010 is: http://www.overkillband.com.au/

LONG LIVE OVERKILL!

Stone.

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SLAUGHTER – ROCKS HARD ON “EXTENDED VERSIONS” LIVE CD

Posted in Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal odyssey, Music, rock & roll, rock 'n' roll, rock and roll, rock music with tags , , , , , , , , , , , , , , , on July 9, 2010 by Metal Odyssey

SLAUGHTER – If your looking for a live CD of Slaughter, that is priced right, then this Extended Versions is choice. The liner notes do not reveal where or when these songs were recorded, just that they were recorded live. The compilation date on the back of this CD is 2002. Regardless, at the onset before the opening song, Mad About You, you can hear Mark Slaughter shouting out – “home sweet home, Las Vegas Nevada”! So, at least you know the city where Mad About You was recorded live.

There are those subtle breaks between the songs that obviously tells me this is not a complete/uninterrupted concert recording. Instead, this Extended Versions plays out as a compilation of live recordings. It really makes no difference to me if this is not a complete concert recording. Plus, it is noted on the back cover of this CD: this CD contains previously released recordings. The inside cover of the CD sleeve reads: all tracks 1998. (The 1998 live Slaughter album – Eternal Live, really comes to mind here and Las Vegas & Mexico were the live locations). The overall sound quality is excellent and the song selection is fantastic on this Slaughter – Extended Versions CD.

Having Mad About You as the opening song is a thrill to me, as it is one of my favorite songs from Slaughter. Mad About You just Rocks steady from beginning to end, making for a perfect pump-you-up song to get this live listen started. Up All Night is the fourth song, it’s always been just an amazing Hard Rocking anthem for me. Slaughter doesn’t disappoint with this live version of Up All Night, making it a true highlight of this Extended Versions CD.

An abbreviated and acoustic version of Spend My Life is included in the song selection. I have seen Slaughter perform an all live, acoustic set back in the early 90’s and it was extremely cool. To hear Spend My Life in it’s acoustic entirety would be even better. Despite the shortened version, it’s still a cool listen to hear Mark Slaughter prod the crowd into a sing along with this song’s chorus.

Wild Life is brought to live Hard Rock glory and is a standout listen. Don’t be surprised if you are to repeatedly play Wild Life… very loud, as it should be heard. An excellent, excellent, Slaughter song is Real Love and it is live and kickin’ on this CD. On this heavy ballad, Mark Slaughter sings his heart out. Rock The World has Slaughter Rockin’ on all heavy cylinders, with all the potency I like to hear in a live song such as this. If Rock The World can’t motivate your day, then take two healthy dumps and don’t call me in the morning because your probably constipated.

Throughout each song heard on this live Slaughter CD, I will readily admit that Mark Slaughter’s vocals sound very, very, good. Vintage good. I can’t imagine any Slaughter fan walking away disappointed, after listening to this live CD. Slaughter – Extended Versions I strongly recommend to all Slaughter and Hard Rock fans the world over. Fans of 1980’s and early 1990’s Hair Metal should be pleased by this Slaughter CD too. Slaughter – Extended Versions is readily available wherever CD’s are sold, in both used and new condition. I’ve seen this CD out there and a new copy should set you back no more than $5 or $6 (U.S.), at the most.

* Slaughter – Extended Versions was released on BMG Special Products.

Track Listing For Slaughter – Extended Versions:

Mad About You

Fly To The Angels

Move To The Music

Up All Night

Spend My Life

Wildlife

Real Love

Rock The World

Shout It Out

Dance For Me

SLAUGHTER – (Original Lineup) – From left to right: Dana Strum, bass guitarist * Mark Slaughter, vocalist & guitarist * the late Tim Kelly, guitarist * Blas Elias, drummer

Long Live Slaughter Rock ‘N’ Roll!

Stone.

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BRET MICHAELS “CUSTOM BUILT” – MAKES FOR A DIVERSE ROCKIN’ LISTEN

Posted in country music, country rock music, Hard Rock, hard rock albums, hard rock music, metal odyssey, Music, rock & roll, rock 'n' roll, rock album reviews, rock and roll, rock music with tags , , , , , , , , , , , , , on July 8, 2010 by Metal Odyssey

BRET MICHAELS – Bret Michaels did not leave us… thank you God and all the Rock ‘N’ Roll angels for that. Now, Bret Michaels has his brand new solo album Custom Built out, released on July 6, 2010, on Poor Boy Records Inc. and it is built on Rock ‘N’ Roll diversity. Anyone expecting a full-throttle Hard Rock album should prepare for a little bit o’ Country, a little bit o’ Club Mix and some acoustic music from Bret Michaels on Custom Built. Not to worry though… there are a couple of decent Hard Rock moments on this new Bret Michaels album too. Just because Bret Michaels wants to exhibit his fondness for some other music genres shouldn’t make this Custom Built album any less desirable for fans of Bret, Poison and good ol’ Rock ‘N’ Roll.

Am I thrilled by the Club Mix of “Go That Far”? (Club Mix by Jason Miller of Godhead). Nope. Not a chance. It’s not my cup o’ Rockin’ tea. With that said, it grooves enough for someone to dance to, wiggle to, or whatever to. At this point in Bret Michaels life, I feel he can basically do whatever he damn well feels like with his music anyways. You only live once. Plus, there are probably gonna be hordes of fans that will dig “Go That Far”. Just because I don’t dig it, doesn’t mean it’s the end of the world.

Open Road is a Country Rock song to relish however. Bret Michaels can really sing Country. He sings Country like it’s his second nature and I’m buying into it. “Open Road” has some classic Country lyrics to go along with it too… it’s upbeat in both it’s music and lyrics. “Rock’n My Country” is… you guessed it. Country! Hey, if I am to see Bret Michaels live someday and he sings this song, I’m gonna be doin’ my sneaker kickin’ (or is that boot kickin’?) stomp with one hand held high. My other hand shall have a cold one in it. Maybe two cold ones. A fun Country Rock song is “Rock’n My Country”.

“Nothing To Lose (Bret Only Demo)” is an acoustic gem. What a cool and mellow listen this song is. Lyrically moving and yes, inspirational. Is it a kleenex song? Maybe… only I’m too damn tough for that. Excuse me please… while I blow my nose and wipe my eyes now. Yes, yes, yes… the duet version of “Nothing To Lose” with Miley Cyrus is on this album too. Hey, it’s a good song and that’s what writing and playing good music is all about. Plus, Miley Cyrus has come of age in doing this song with Brett Michaels… in my Metal opinion. No, no, no… my eyes are not welling up. Stop it… and leave me alone. Gee whiz. Someone pass me a damn beer. Um, please.

I’d Die For You is a raw and downright non-commercial song that Rocks. It’s the last song on Custom Built and ends this album on a pretty Hard Rockin’ note. Plus, Bret Michaels sounds pretty bad ass singing this song too. Riding Against The Wind is the album opener and it falls somewhere between Hard Rock and Hard Rock Country. It’s a song that lyrically flirts with some patriotism and flourishes with undeniable emotion and reflection. Yes, this song I would raise the horns in the air to with Rockin’ glee.

Lie To Me is the bona fide Hard Rock song on “Custom Built”. Hell yeah… this song is a heavy hitter. Bret Michaels made the right move in adding this song to the mix… plus a psyche-you-out mini guitar solo doesn’t hurt “Lie To Me” either. “Wasted Time” is a Hard Rock song that wastes no time in grabbing my attention. This Rocker leans more towards being a tough Power Ballad, as it sounds semi-raw with Bret Michaels adding a sandpapered tone to his vocals, to enhance it’s overall heavy appeal.

My recommendation is buy “Custom Built”, listen to the songs on it and celebrate a musician who loves music. This is an album of songs, regardless if I don’t happen to like any Club Mix or not, it’s a song too… a song for someone else. Bret Michaels isn’t going anywhere anytime soon… there is just too much Rock ‘N’ Roll, Hard Rock and Country in his veins and “Custom Built” proves it.

Track Listing For Bret Michaels – Custom Built:

Riding Against The Wind

Lie To Me

Nothing To Lose (Featuring Miley Cyrus)

Wasted Time

What I Got

Every Rose (Country version featuring Brad Arnold of 3 Doors Down, Chris Cagle, Mark Wills)

Go That Far (Club Mix by Jason Miller of Godhead)

Driven (Rock Mix)

Open Road

Rock’n My Country

Nothing To Lose (Bret only demo)

I’d Die For You

Long Live Bret Michaels! Only… the Club Mix has to go.

Stone.

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CAVO “BRIGHT NIGHTS DARK DAYS” – ROCKS HARD WITH A MODERN EDGE

Posted in hard rock albums, hard rock bands, hard rock music, hard rock songs, heavy metal music, metal odyssey, Music, Rock, rock 'n' roll, rock and roll, rock music, rock music news with tags , , , , , , , , , , , , , , , , on July 7, 2010 by Metal Odyssey

CAVO – Upon listening to the opening track, Champagne, one would be lent to believe CAVO is going to blast through Bright Nights Dark Days with reckless Hard Rock abandon. Um, wrong. CAVO does electrify with Champagne, this song is one to play at maximum potential and has all the ingredients to “pump-up” the party. This is the chart topping single that has catapulted CAVO into the Rock stratosphere of popular music, which also appeared on their 2008 EP aptly titled – Champagne. Only this is a band that delves deeper into an all around Modern Rock sound, allowing some thick maturity to seep forth from their music and lyrics. Bright Nights Dark Days is a thorough listen into what a Rock band can accomplish, when song writing and lyrics are looked upon conscientiously.

It’s always a grand achievement when a Rock band can show their different levels of Hard and Heavy sound, while not coming across as being too darn diversified for their own liking. CAVO has assembled 11 songs on their major label debut album that sincerely gives them a true Rock identity. I like to steer away from the Post-Grunge label that has been given to CAVO here and there… I’d rather label CAVO as a Rock/Hard Rock Band that mingles with a flare for Modern sound. In a sophisticated way. To simplify things, CAVO Rocks.

CAVO is not the second coming of CREED, nor are they a commercial/bubble gum ready band for the Nickelodeon Network. CAVO is already carving out their very own Rock legacy only one year in since their major record label debut. This band has grasped that fine balance between Rock’s mainstream accessibility and Hard Rock hallelujah, while making their songs sound and feel like the now. CAVO has obviously tasted and experienced quite a bit of success since this album has been released, with another huge hit – Let It Go being included on the soundtrack for – Transformers: Revenge Of The Fallen. Let It Go is a powerful song, with it’s total Rock vibe and memorable chorus, I can understand why this song was picked for a blockbuster movie soundtrack.

I hear a genuine emotion that resonates from the vocals of Casey Walker. Casey Walker never comes across as pre-fabricated when he sings on this album, he comes across as really feeling the song’s respective musical and lyrical message. Cry Wolf and Ghost are two excellent examples of what I mean. Ghost is as personal a song can be lyrically and Casey Walker has a natural born talent to convey some moving emotion through his vocals. One listen to My Little Secret and it is quite clear as to how inspiring this lead vocalist sounds, taking a ballad that could have been turned into sappy city and instead Casey Walker makes this song a riveting listen.

Musically, CAVO comes across loud and clear as being one Rock solid unit. This is not a band that was born overnight, almost a decade in the making is CAVO. With numerous new Rock and Hard Rock Bands evolving within the last several years, it’s the bands that make quality songs and albums that stand out to my ears. CAVO should appeal to fans of Creed, of course, yet fans of Nickelback, Papa Roach, Pop Evil, Daughtry and even Saliva, (to name a few), should easily embrace their Rock & Hard Rock sound and songs. CAVO seems to be off to an incredible start with Bright Nights Dark Days, I honestly look forward to what this band delivers in the future.

* For more info on CAVO, you can freely click on the links below!

CAVO – MySpace Music Page

CAVO – Official Website

* Bright Nights Dark Days was released on August 11, 2009, on Reprise Records.

CAVO Are:

Casey Walker – vocals

Chris Hobbs – guitars

Brian Smith – bass

Chad LaRoy – drums

Track Listing For CAVO – Bright Nights Dark Days:

Champagne

Crash

Let It Go

Cry Wolf

Ghost

Blame

My Little Secret

Beautiful

We All Fall Down

Over Again

Useless

* Transformers Revenge Of The Fallen soundtrack was released on June 23, 2009 on Reprise Records. Let It Go by CAVO is track #3 on this soundtrack.

Stone.

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CHEAP TRICK “WOKE UP WITH A MONSTER” – SPOTLIGHTING A STANDOUT 1990’S HARD ROCK ALBUM

Posted in classic rock, classic rock bands, classic rock music, Hard Rock, hard rock albums, hard rock bands, hard rock music, heavy metal music, metal odyssey, Music, rock & roll, rock 'n' roll, rock and roll, rock music with tags , , , , , , , , , , , , , , , on July 6, 2010 by Metal Odyssey

CHEAP TRICK – Don’t be fooled by those “elitist” Rock magazine reviews on this prize of a Cheap Trick album called – Woke Up With A Monster. Past reviews from pathetic Rock Music publications, that can’t grasp great Rock ‘N’ Roll bands and their music, just make for incredible comedy. Why drop names here now… we fans know the politically biased Rock magazine I’m referring to. Woke Up With A Monster is a Hard Rock album from 1994 that glows bright amongst the glut of mid 1990’s Rock and Hard Rock album releases, which many seemed to stray away from having any semblance of Classic Rock influence all together.

Amidst competing with the popular Grunge movement of it’s time, Woke Up With A Monster pulsated then and radiates still, in 2010. With eleven songs that beat down the door of stagnant Rock Music and kicks it’s weak ass from sunrise to sundown, this is a Cheap Trick album that sets an example of just how to ROCK STEADY in the face of pop-cultural ignorance of the day.

Phew. That felt kinda gooood. Now, onto this outrageously infectious delight, that is Woke Up With A Monster. The very last song on this album grooves along with a Rockin’ melodic aura that makes me feel like… the album is over? Can’t be! This song is just too cool and it flows through my veins like Rock ‘N’ Roll oxygen! This last song I’m referring to is Love Me For A Minute. Rick Nielsen on guitar plays some crafty licks throughout Love Me For A Minute, giving this song it’s melodic driving appeal. Robin Zander sings this song like it’s the biggest Cheap Trick hit from their career too. A “wow” song that ends this album on a very, very, high note.

Now, if the last song on Woke Up With A Monster is this chewy delicious, just how good are the other songs? For all intents and Rock ‘N’ Roll purposes, the remaining ten songs are a listen and quick study in what Rock greatness is all about, when you don’t try to reinvent the F’n wheel. The song writing, the lyrics, the vocals, the all too irresistible Rock sound of Cheap Trick. Just like comfort food. Sounds so simplistic doesn’t it? If Rock ‘N’ Roll “focus” was a pre-requisite for Cheap Trick to carry on as a band for all these years, they certainly bestowed a monumental ton of it, while creating their 12th studio album, regardless if there was “outside” assistance in song writing.

Despite what may be “read” from “other” reviews on this album over the years… I just don’t buy into the notion that there is a Grunge sound on Woke Up With A Monster. Hell, my ears don’t even hear a hint of it. Even if the band members themselves were to tell me they veered towards a Grunge “feel”, I’m not listening. This is Cheap Trick and it’s as underrated an album as there can possibly ever exist. Metal be thy name.

As fickle and wavering the “general Rock listening public” was back in the mid ’90’s, Woke Up With A Monster did get released. It was during an era where the “flavor of the month club” was buying up whatever the “experts” on MTV and VH1 were hawking. Great Rock Music will always, (here comes the cliche’), stand the test of time. The songs on this Cheap Trick album should easily speak for themselves in 2010, with an almost bone chilling relevancy. Woke Up With A Monster, perhaps, is an album that was sixteen years ahead of it’s time. If you think that sounds far fetched… just listen to The Beatles – Sgt. Pepper’s Lonely Hearts Club Band album and try to convince yourself it really was released in 1967.

From the onset, My Gang sets off the Rockin’ tone of this album with all the Cheap Trick familiarities that are so unique to this bands sound. From the tight as cousins rhythm section of Tom Petersson on bass and Bun E. Carlos on drums, to Robin Zanders’s Rock profound vocals, with Rick Nielsen’s song altering guitar play, Cheap Trick certainly walloped my senses with Woke Up With A Monster. The title track being my favorite song doesn’t distract me from the other ten. However, this title song gets more tasty to my ears each time I listen to it… even if I have lost count after all these years.

True and great Rock Music was never meant to be disposable… we’ll leave that disposable stuff to the Pop Bubble Gum Music world. My intent, in getting the word back out on Woke Up With A Monster is to rekindle past fans of this album and shake loose new fans that this Cheap Trick release exists. Regardless of any “out-of-print” or “unavailable” status for Woke Up With A Monster, the digital download world like itunes does exist for albums such as this.

* For more info on Cheap Trick, just click that fantastic link below:

Cheap Trick – Official Website

Cheap Trick Are:

Robin Zander – lead vocals

Rick Nielsen – guitars

Tom Petersson – 12 string bass

Bun E. Carlos – drums

Track Listing For Cheap Trick – Woke Up With A Monster:

My Gang

Woke Up With A Monster

You’re All I Wanna Do

Never Run Out Of Love

Didn’t Know I Had It

Ride The Pony

Girlfriends

Let Her Go

Tell Me Everything

Cry Baby

Love Me For A Minute

* Woke Up With A Monster was produced by Ted Templeman.

* Woke Up With A Monster was released in 1994, on Warner Bros. Records.

LONG LIVE CHEAP TRICK!

Stone.

22 Comments »

URIAH HEEP “HEAD FIRST” – 1983 HARD ROCKIN’ ALBUM FLASHBACK

Posted in classic rock, classic rock bands, classic rock music, Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal odyssey, Music, rock & roll, rock 'n' roll, rock guitarists, rock music with tags , , , , , , , , , , , , , , , , , , , on July 5, 2010 by Metal Odyssey

URIAH HEEP – Back in 1983, Uriah Heep released their 15th studio album – Head First. Granted, this was not the original Classic Rock lineup of Uriah Heep. The sound and style of Uriah Heep had changed considerably as the ’70’s came to a close and the colorful ’80’s came reeling in. With the 1982 Uriah Heep album – Abominog ushering in a new lead vocalist in Peter Goalby, Head First would be the second of three albums that this vocalist would be fronting. (Equator from 1985 would be the third and last Uriah Heep album featuring Peter Goalby as lead vocalist). For comparison purposes, the class of Rock/Hard Rock vocalists that best fits alongside Peter Goalby are: Lou Gramm, (Foreigner), Kelly Hansen, (Foreigner/Hurricane) and Brian Howe, (Bad Company/Ted Nugent), to name just a few.

I consider Head First, to be a Hard Rock swirling with early ’80’s commercial Heavy Metal album. Head First is AOR for certain and is not lacking with melodic Rockin’ songs. This is not a blockbuster of a heavy album by any means. Instead, Head First is an album of songs that gives off some cool vibes… vibes that I still find appealing after all these years. My favorite song on this album is hands-down: The Other Side Of Midnight. When I first heard this song played on FM back in ’83, I was hooked. This song is very much a psyche-you-out listen, with it’s up-tempo and melodic Hard Rock sound.

In 1983, I was a junior trying to survive in High School and working part-time as a grocery store bagger and shopping cart gopher. The supermarket I worked at was named Finest… only there was nothing very fine about it. One cool aspect about working for this dingy and depressing supermarket was it’s next door neighbor store… Bradlees. This department store had a semi-impressive records & tapes department, so I used to spend most of my $20 – $30 paycheck there on music. I bought this Head First album there… only I don’t have it on vinyl anymore. (itunes cured my hankering for this album though).

Stay On Top and Sweet Talk are two other extremely melodic and accessible songs that probably made it to the FM airwaves way back then. I just can’t say for certain. Stay On Top is “kinda like” an anthem represented on Head First. This song has a bit of toughness about it… early ’80’s Heavy Rock toughness that is. Sweet Talk is dominated by the keyboards played by John Sinclair. It’s the keys that really makes Sweet Talk elevate with it’s pumped-up tempo and mood. During his musical career, John Sinclair was also the keyboardist for The Babys and Ozzy Osbourne.

Bob Daisley plays bass on Head First and is most famous for his Rock ‘N’ Roll stints with Rainbow and Ozzy Osbourne. Longtime Uriah Heep drummer Lee Kerslake was on board for Head First. Lee Kerslake was also the drummer for Ozzy Osbourne’s 1980 debut album – Blizzard Of Ozz and  1981’s Diary Of A Madman.

Lonely Nights is the Bryan Adams cover song that Uriah Heep plays a bit heavier than the original. Not by much though. Lonely Nights is from the Bryan Adams 1981 sophomore release titled – You Want It You Got It. Both the Bryan Adams and Uriah Heep version of this song just screams with that early ’80’s Rock sound, feel and… may I add vibe? No, no, no… I HATE the word “dated”. It makes ME feel… um, uh… old. Regardless of my rhetorical nonsense here, Lonely Nights is undisputedly a very emotional and  inspirational song, in my Metal opinion.

If there has ever been that #1 constant with Uriah Heep, since day one, it is lead guitarist Mick Box. A founding/original member of Uriah Heep, Mick Box seems to have quietly become a Rock legend in his own much deserving right. Ever since the 1970 Uriah Heep debut album – Very ‘eavy… Very ‘umble, Mick Box has been on lead guitar. Fast forward to 2008 and Uriah Heep have released their 21st studio album – Wake The Sleeper. Uriah Heep is still Rockin’ the lights out live in 2010 from what I have read and been told… a Rock historic band that I would love to see live sometime soon. Then, I could boast that I have seen Mick Box play guitar… in real time.

Classic Rock, 1980’s mainstream Heavy Metal & Hard Rock, Melodic Rock, Progressive Rock and AOR fans should take a keen liking to Head First from Uriah Heep. This is a band that stretches across quite a few Rock genres, both past and present.

* For more info on Uriah Heep, just click on the link below:

URIAH HEEP – THE OFFICIAL WEBSITE

URIAH HEEP – MySpace Music Page

Uriah Heep, as they appeared on the Head First studio album:

Peter Goalby – lead vocals

Mick Box – guitar

John Sinclair – keyboards & backing vocals

Bob Daisley – bass

Lee Kerslake – drums, percussion

Original Track Listing For Uriah Heep – Head First:

The Other Side Of Midnight

Stay On Top

Lonely Nights

Sweet Talk

Love Is Blind

Roll-Overture

Red Lights

Rollin’ The Rock

Straight Through The Heart

Weekend Warriors

LONG LIVE URIAH HEEP!

40 years of Uriah Heep Rock ‘N’ Roll is something to celebrate.

Stone.

3 Comments »

4th Of July 2010 – Some Rock ‘N’ Roll Songs To Celebrate Independence Day!

Posted in american holidays, classic rock, classic rock music, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal songs, holidays, metal odyssey, Music, patriotic music, rock & roll, rock 'n' roll, rock and roll, rock music with tags , , , , , , , , , , , , , , , , on July 4, 2010 by Metal Odyssey

MANOWAR – Warriors Of  The World (2002)

July 4th, 2010 – Independence Day: Happy Birthday U.S.A.! On July 4th, 1776, The United States of America declared independence from the Kingdom of Great Britain, adopting the Declaration of Independence. What better way to celebrate July 4th, by listening to some patriotic Rock ‘N’ Roll songs that embody the spirit of America? Plus, I make no apologies to all of the Hollywood deadpans and political deadbeats that will be most offended by celebrating America, through song, on the 4th of July. For the rest of us Patriotic Americans out there… enjoy this list of songs that you might just crank up LOUD on this July 4th holiday!

Bruce Springsteen – Born In The U.S.A. (1984)

Grand Funk Railroad – We’re An American Band (1973)

The Charlie Daniels Band – In America (1980)

James Brown – Living In America (1985)

Helix – The Kids Are All Shakin’ (1985)

Kansas – Song For America (1975)

Billy Joel – Allentown (1982)

Ace Frehley – New York Groove (1978)

W.A.S.P. – Blind In Texas (1985)

GOD BLESS AMERICA!

Stone.

5 Comments »

METALLICA – “MASTER OF PUPPETS” VS. “THE BLACK ALBUM”

Posted in hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal history, heavy metal music, metal odyssey, Music, rock music, Thrash Metal, thrash metal music with tags , , , , , , , , , , , , , , , , on July 3, 2010 by Metal Odyssey

METALLICA – Just the band name alone explodes with pure Metal. Metallica is synonymous with Metal excellence, regardless of any Load or ReLoad moments in their bands storied history. Back on March 3, 1986, my Metal lovin’ life was transformed into a state of Metallidelirium… Master Of Puppets, the third studio album from Metallica, was released. I was already a proud and boisterous fan of Metallica in 1986, looking upon and listening to their debut Kill ‘Em All and sophomore Ride The Lightning albums as if they were Metal gospels.

Before I carry on any further… Master Of Puppets is my favorite Metallica album that this beyond legendary Metal band ever created.

Metallica was on quite a roll with their first three album releases, a generation of loyal Metallica fans was certainly bred from listening to them. I am one of those fans. The Black Album released in 1991 garnered a gazillion more fans, a whole new generation of them too. I can’t and never will dismiss The Black Album as a Metal goliath in the history of Heavy Metal. Often times, when “The Greatest Metal Albums Of All Time” lists are put together, I will see The Black Album in the top five. Truthfully, it doesn’t quite jive with me for Master Of Puppets is a more true measuring stick of the incredible career/catalog of albums that Metallica has created. Regardless, this is just my Metal opinion.

It just seems to appear this way, that Metallica fans that grew up in the “early” 80’s will lean towards Master Of Puppets, (or even Ride The Lightning), as their ultimate Metallica album. Metallica fans that I speak to, that are at least ten years my junior, will more often than not tell me The Black Album is Metallica’s finest. Am I “off base” here? I don’t think so, especially since I have the gift to gab about Metal with just about every person I bump into at fye, concerts, blogs and everywhere else I venture to in life. The topic of Master Of Puppets vs. The Black Album will “pop-up” more frequently than you can ever imagine.

The Black Album is undisputedly the biggest selling Metallica album of all-time. With that fact stated, The Black Album also spent four consecutive weeks as the #1 album on the Billboard 200 chart. I bought this album on or about it’s release date back in 1991, no mistaken. Enter Sandman was a melodically heavy, side-step of a song for Metallica and extremely addicting to my ears upon the very first listen. The same goes for Sad But True. Overall, the entire album was a sigh of relief for me, just knowing that Metallica did not have a song like One on it. Sorry, but any semblance of a ballad coming from Metallica, never mixed well for this lifetime Metalhead.

Back to Master Of Puppets. Battery. The opening track. Whoa. Whoa again. A scary fast Thrash Metal song. An angry sound with angry vocals. I fell in Metal love. Upon my very first listen to Battery, I felt as if the rest of the Heavy Metal world was now in the “catch-up mode”. Master Of Puppets was to the Thrash and Heavy Metal world back in 1986 what the iphone is to our world of communication today. Very, very, important. A cultural impact. Could not picture the world without this Master Of Puppets album… these were my Metal school of thoughts back in 1986. These same Metal school of thoughts I stand by still, in 2010.

The song Master Of Puppets, one word: excellence. My Metal memories of the Summer of 1986 is overridden with this song being blasted to it’s maximum potential at every single keg party, get-together, function or hang-out that my fellow Metalhead buddies and I engaged in back then. The entire Master Of Puppets album was played this way by me and my Metal peers, for arguments sake. The Master Of Puppets album felt like a victory back in 1986, a righteous fist being raised in the air, all in the name of Thrash Metal and all of it’s Metal genre cousins. A feeling that we Metalheads had finally, indeed, conquered all. In 1986, with the release of Master Of Puppets, we Metalheads along with the strength of Metallica behind us… really did conquer an era of Rock ‘N’ Roll.

Wearing the Master Of Puppets concert t-shirt constantly, was like wearing a badge of Metal honor. As I wore this t-shirt, from 1986 until it finally met it’s final demise from over wear… wherever I may have roamed… people looked at it with either horror and disgust or they wanted to talk about it, as if Metallica were the Metal equivalent to the Beatles. My seeing Metallica twice on their Master Of Puppets tour wasn’t just bragging rights back then… it was as if I had been to see The Holy Grail itself and I had been anointed as a Metal prophet.

Now, it is July 3, 2010. I look upon both the Master Of Puppets and The Black Album with undeniable respect and reverence. It’s no secret that Master Of Puppets is the heaviest and fastest album out of the two, being a full-throttle Thrash Metal album. Yet, that is not why Master Of Puppets is my favorite Metallica album, the real reasoning for me is that Master Of Puppets was and still is the real heart and soul sound and energy of what Metallica was really about in the 1980’s. The other non-secret is that The Black Album is Metallica’s biggest seller. I only hope this is not the sole reason as to why so many professionally paid Rock critics put this album in their “top 5” lists. A biggest selling album does not necessarily equate it to being the best offering musically, from that respective bands catalog of albums.

Any fan can choose any Metallica album to be their favorite, it’s a personal choice and there is no right or wrong answer for fans. However, once major mainstream magazines begin to idolize The Black Album in “Top 5 All – Time” lists without even comparing it to Master Of Puppets, well, that just comes across as journalistic bias and purely following the status quo leader. The professionally paid mainstream Rock media ignoring Master Of Puppets and not including it on any “Top 5 All-Time” lists won’t make it go away.

It’s my thought that The Black Album became much more popular due to it’s semi-commercial accessibility. In reflection, could it have been the strength in popularity of Metallica as “THE” Metal band to beat and/or be measured against be the REAL reason for the strong record sales of The Black Album after all? The Metallica momentum was in full swing way before The Black Album was released and Master Of Puppets was a Metal historic building block and reason for this momentum in the first place.

What are your thoughts? Am I all alone in thinking Master Of Puppets is better than The Black Album?

* If you care to read about my seeing Metallica live, a long time ago, in a Metal world far, far, away, then click on the cool link below:

My greatest Metal memory/experience of my life.

LONG LIVE METALLICA!

Stone.

22 Comments »

KINGDOM OF SORROW – RETURNS WITH THE METAL LETHAL “BEHIND THE BLACKEST TEARS”

Posted in Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, Heavy Metal Reviews, metal music, metal odyssey, Music, music reviews, rock music with tags , , , , , , , , , , , , , , , , , , , on July 2, 2010 by Metal Odyssey

KINGDOM OF SORROW – The triumphant Metal return of Kingdom Of Sorrow commenced on June 8, 2010, with the sophomore release of behind the blackest tears, released on Relapse Records. Better get your Metal game face on and strap yourself in, before you let this new Kingdom Of Sorrow album beat down your eardrums into submission. This album is a listen in the most cement shattering, steel bending and Earth stirring form. Crunching and thunderous invading guitar riffs courtesy of Kirk Windstein, (of Crowbar & Down fame), are an ultimate Metal statement from this Metal legend. Kirk sharing vocals with Jamey Jasta, (of Hatebreed fame) makes for one hell of a bone shattering Metal dynamic duo.

A vast audience of fans and critics call Kingdom Of Sorrow a supergroup and that is justified. I rather look upon Kingdom Of Sorrow as a real Metal group, no jet setting or bragging rants about their red carpet waltz’s… these are two blue collar Metal veterans that aren’t polishing off any plastic Grammy’s that sit atop a grand piano. Jamey Jasta and Kirk Windstein execute their brand of Metal like a crashing meteor, obliterating all the stillness and serene landscape that gets in their way. They serve it up and smack you down with their extreme vocals, combined with heavy as molasses riffs, that explodes Doom meets Stoner and mixed with some good ol’ Sludge in it’s most ferocious form. Listening to behind the blackest tears isn’t comparable to opening up a can of Metal whoop ass, instead it’s like opening up a 5o gallon drum of Metal whoop ass. Metal be thy name.

Enlightened To Extinction greets you with an apocalyptic riff that leads into some melodic heaviness courtesy of a nod to some Metalcore, with Jamey Jasta exhibiting his Metal vocal diversity. God’s Law In The Devil’s Land pulsates with Kingdom Of Sorrow’s Metal fury, giving every reason as to why Jasta and Windstein are so great at sharing lead vocals. This song should be played extremely loud, atop a creepy mountain peek, during a full moon for some unsuspecting innocent village below to get panicked by. As Hardcore as Monuments Of Ash sounds, it’s Metal leanings and fillings are what makes the hair stand up straight on my arms. Whoa, does Monuments Of Ash kick my Metal lovin’ ass.

Behind The Blackest Tears can easily be targeted as my favorite song, it grooves along so incredibly heavy and just gives off some invitingly creepy vibes from every musical angle. From Heroes To Dust is another opportunity where Jamey Jasta lets his vocal diversity be heard. A more somber and turned down vocal delivery only gives From Heroes To Dust it’s proper due. This song is probably the closest thing Kingdom Of Sorrow will ever get to creating a ballad. Salvation Denied is without deliberation, the most Extreme and vocally Hardcore laced song on behind the blackest tears… and a damn good song at that.

No Class, the Motorhead cover song, is done quite impressively by Kingdom Of Sorrow. It’s an intimidating hurdle to cover a true classic like No Class, only Jasta comes impressively close to the legendary Lemmy Kilmister’s unique vocal style. As far as the music and song structure goes, Kingdom Of Sorrow left well enough alone… and that’s a great thing, if it aint broke don’t fix it. Still, hearing this version of No Class on the limited deluxe version of behind the blackest tears is a welcomed Metal treat to my Old School ears.

Soldiers Of Hell, the Running Wild cover song, plays out with an ultra contagious Heavy Metal vibe that is non-stop. The guitar play are an intense high to listen to on Soldiers Of Hell, proving to be a fabulous song choice for Kingdom Of Sorrow to cover. Saluting a real-deal, Old School and pioneering German Heavy Metal Band as Running Wild, along with covering the immortal and ultra important Motorhead, gets a Metal kudos from Metal Odyssey!

I purchased the deluxe edition of behind the blackest tears at my neighborhood fye, at a very decent price of $8.99, (U.S.). The cover pic, at the top of this post, is that of the slipcase cover of this deluxe edition. (The regular cover pic for behind the blackest tears is seen below the band names).

* Metal Odyssey gives behind the blackest tears – 5 out of 5 Metal Fists!

Who am I to find something wrong with this great album? When the Metal is this great, I stand up straight, bang my F’n head, raise the horns to the air and tell it like it F’n is.

* For more info on KINGDOM OF SORROW, just click the links below:

KINGDOM OF SORROW – MySpace Music Page

KINGDOM OF SORROW ARE:

Jamey Jasta – vocals

Kirk Windstein – guitars & vocals

Additional Studio Musicians:

Charlie Bellmore – guitars & bass

Nick Bellmore – drums

Track Listing For behind the blackest tears:

Enlightened To Extinction

God’s Law In The Devil’s Land

Monuments Of Ash

Behind The Blackest Tears

Envision The Divide

From Heroes To Dust

Along The Path To Ruin

With Barely A Breath

The Death We Owe

Sleeping Beast

Torchlight Procession

Salvation Denied

Bonus Tracks On Limited Edition:

No Class (Motorhead Cover Song)

Soldiers Of Hell (Running Wild Cover Song)

* KINGDOM OF SORROW is currently touring with OZZFEST 2010!

* For more OZZFEST 2010 info, just click the cool link below:

OZZFEST 2010

LONG LIVE KINGDOM OF SORROW!

Stone.

7 Comments »

SERGEANT STEEL “LOVERS & MANIACS” – GOOD TIMES & CONTAGIOUS HARD ROCK DEBUT FROM AUSTRIA!

Posted in Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal odyssey, Music, rock & roll, rock 'n' roll, rock music, rock music news with tags , , , , , , , , , , , , , , , , , , on July 1, 2010 by Metal Odyssey

SERGEANT STEEL – Yes Virginia, there is some kick ass Hard Rock being imported out of Austria and they are known as… Sergeant Steel. Sergeant Steel has released their debut album of Hard Rock blood, sweat and tears titled – Lovers & Maniacs, back on March 6, 2010. A young and talented band, invigorated to take on the world by Hard Rockin’ storm, while obviously having fun along the way is Sergeant Steel. Just one of their song titles – Taking The World By Storm, gives this fact away quite clearly. This song is a speed driven example of just how Heavy Sergeant Steel can play their Rock, plus showcasing that lead vocalist Phil Vanderkill can hit the high notes, with an influential nod to perhaps the Metal God himself, the legendary Rob Halford.

While Taking The World By Storm may be Lovers & Maniacs fastest, grittiest and Heaviest song, the remaining album is loaded with Hard Rock glory. My favorite song on this album is Hammer Of Love, (see and listen to the music video below!). Hammer Of Love embodies all things great about psyche-you-out Hard Rock, it’s melodic drive is noteworthy and was instantly memorable to my ears. I can hear and feel the contagious enthusiasm that Sergeant Steel has for their music throughout Lovers & Maniacs, especially on Hammer Of Love. If this song alone does not put Sergeant Steel on the Hard Rock map, then Metal be thy name.

Guitarists Jack Power and Chuck Boom give Sergeant Steel a double dose of Old School licks, the leads and solo’s are aplenty and gives this debut album a head turning appeal. On the unforgettable anthem Chasing Love, the dual axe attack stands out and screams Arena style Hard Rock, big and bold, a sound and energy that is what Sergeant Steel is truly all about. Looking For An Angel is a feel-good song that Rocks so damn good, it very well could be bottled up, marketed and sold as an elixir to cure the F’n blues. On Looking For An Angel, the upbeat and spirited lyrics combined with it’s music makes it a Hard Rock hit, complete with a saxophone and backing vocals that really compliments this song’s style and mood.

Lovers & Maniacs shouldn’t become a Hard Rock album catalogued within the “best kept secrets” file of 2010. Instead, Sergeant Steel should be considered a Hard Rock newcomer that has released a can’t miss debut album of catchy songs, that remind me why Rock ‘N’ Roll was meant to be fun and illicit cool vibes. This is not a sound-alike band, your not going to be listening to a copy cat album with Lovers & Maniacs. You will hear, however, influences of Hard Rock’s glorious and time proven sound… which is down right dynamite to me. Sergeant Steel is yet another young band that gives me all the more confidence in our Hard Rock and Heavy Metal future. Let Heavy Music freedom ring!

Sergeant Steel makes it proudly known, (in the CD liner notes), that this is a band that shunned trigger drums and auto-tune programmes. Sergeant Steel, (within the liner notes), reveal their sincerity for the music they created, thus making for an honest album. I can appreciate Sergeant Steel’s Old School approach to recording, their Old School Hard Rock sound is a proven result of this.

Any fan of 1980’s Hard Rock and/or mainstream Heavy Metal should take a liking to Sergeant Steel. Old School isn’t checking out anytime soon and Sergeant Steel have submitted their registration to Rock with Lovers & Maniacs. This is a band that can only get better… and that is an incredible thought for they are a damn decent Hard Rock group now.

* Metal Odyssey gives Sergeant Steel – Lovers & Maniacs 4 out of 5 Metal Fists!

* Check out the music video for Hammer Of Love by clicking on the very cool box below! Just be well advised… one must crank up Hammer Of Love… LOUD!

* For more info on Sergeant Steel, just click on the links below:

SERGEANT STEEL – Official Website

Sergeant Steel – MySpace Music Page

SERGEANT STEEL ARE:

Phil Vanderkill – lead vocals

Jack Power – guitars, backing vocals

Chuck Boom – guitars, backing vocals

Cosy Cox – bass

Kevin King – drums, percussion

Ben Bateman – keyboards, piano

* Lovers & Maniacs produced by Jack Power

* Mastered by the legendary Beau Hill (Alice Cooper, Eric Clapton, Bob Dylan, Europe, Warrant, Ratt, Winger & more!)

Track Listing For Lovers & Maniacs:

Hammer Of Love

Chasing Love

Looking For An Angel

Still In Love

Taking The World By Storm

Seizin’ The Crown

Love Hurtz

High On Life

Miss U Tonite

Nuts Of Steel

Go Get ‘Em Sergeant Steel!

Stone.

6 Comments »

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