Archive for the rock music news Category

SLAYER – 1991 “DECADE OF AGGRESSION”, MY DOUBLE CD IS THE METAL SLIPCASE VERSION!

Posted in Album Review, guitar legends, Heavy Metal, heavy metal bands, heavy metal drummers, heavy metal history, metal music, metal odyssey, Music, rock music, rock music news, Thrash Metal, thrash metal albums, thrash metal bands, thrash metal legends, thrash metal music, thrash metal music reviews with tags , , , , , , , , on January 11, 2010 by Metal Odyssey

Slayer. Just the name alone makes it known that this is serious, real serious… Metal. Slayer’s songs have and always will resonate the pissed off, evil and vendetta seeking side of the human spirit, the lyrics of their songs do not lie about that. The years pass by and Slayer is still the reigning dark side – Thrash Metal champions of the world, (in my Metal opinion). As a matter of Metal fact, I don’t recall a single moment in my Metal appreciating life, when Slayer has not been considered by me to be the baddest mother fu**ers to ever play Metal. Now, onward with the 1991 Slayer Thrash Metal, live slatanic classic… Decade Of Aggression:

Decade Of Aggression is a double CD, (double cassette or vinyl album too, if you want to get picky). The original release date for Decade Of Aggression was October 22, 1991, on Def American Recordings. Back around 1992, I was fortunate enough to discover this double CD in a very thick, black metal slipcase. (No kidding, it is real metal!). This metal slipcase encases both CD’s and the 24 page liner notes booklet. Man, is this metal slipcase heavy stuff… I have not actually weighed it, still, it feels like I am holding at least 5 or 6 pounds of metal! Sometime back in ’92, I saw this unique Slayer Decade Of Aggression package, behind the front counter at a Record Town store… in very expensive Connecticut. My eyes never lost sight of this Slayer prize that day, I made a Metal beeline to the cashier and stated I was buying this Slayer gem. I cannot recall for certain, the actual price I paid for this metal packaged version of Decade Of Aggression… it was in the neighborhood of around $50 U.S. and worth every cent. This limited edition package of Slayer Decade Of Aggression had a run of only 10,000 copies. My copy of Decade Of Aggression came with a certificate of authenticity, gold foil embossed, stating it is numbered: 005815 of 10,000.

* Note: Skeletons Of Society and At Dawn They Sleep are two songs found only on this metal slipcase version of Decade Of Aggression.

In the center front of this metal slipcase, is this classic Slayer logo – metal etched on a center block:

(This Slayer logo looks entirely silver on the front metal casing, due to it being metal etched.)

Here is what this incredible metal slipcase package of Decade Of Aggression, that I own, looks like:

The metal slipcase is unreal great stuff… whoever thought of marketing this back then is a Metal genius. The interior CD slipcases are of a heavy black paper stock. Note that the front cover of the liner notes depicts the original Decade Of Aggression album cover. I have seen the import version, some online merchants have it available for purchase today, it has the original album cover. (I own the original double cassette too, I have kept it in Metal mint condition all of these years. Here is another view of what the original album/cassette/CD cover looks like for Decade Of Aggression:

Now here is what the front album/CD cover of Decade Of Aggression looks like now, if you were to go to a retail record store today and buy it:

Now, as for the live Thrash Metal of Slayer heard within Decade Of Aggression… it’s F’n Slayer man. There is nothing more to break down other than it’s fast, brutal, aggressive and… live Slayer greatness. You’ll be blown away by Dave Lombardo and his double bass drumming assault, guitarists Kerry King and Jeff Hanneman dueling with leads and riffs that will sting your face like freezer burn and Tom Araya combining both the bass guitar and vocals into a frenzied slatanic blitz. Slayer is one of the very few bands I cannot get fancy about, when it comes to doing a review… what you should know is that Slayer sounds Thrash prolific on Decade Of Aggression. You will hear a band that executes and succeeds at maintaining the highest level of Thrash Metal energy, throughout this entire double CD of songs. These following two lines are actually printed, on the back cover of the liner notes:

Unlike most other live recordings, this is Slayer completely “live”. No overdubbing exists on this recording.

The Complete Track Listing For Decade Of Aggression:

Disc One

(Recorded live at Lakeland Coliseum, Lakeland, Florida, 7/13/91):

Hell Awaits

The Antichrist

War Ensemble

South Of Heaven

Raining Blood

Altar Of Sacrifice

Jesus Saves

Dead Skin Mask

Seasons In The Abyss

Mandatory Suicide

Angel Of Death

Disc Two

(Recorded Live at Wembley Arena, London, England, 10/14/90):

Hallowed Point

Blood Red

(Recorded live at Orange Pavillion, San Bernadino, California, 3/8/91):

Die By The Sword

Black Magic

Captor Of Sin

Born Of Fire

Skeletons Of Society *(only on this metal slipcase version)

(Recorded live at Wembley Arena, London, England, 10/14/90):

At Dawn They Sleep *(only on this metal slipcase version)

Postmortem

(Recorded live at Orange Pavillion, San Bernadino, California, 3/8/91):

Spirit In Black

Expendable Youth

Chemical Warfare

____________________________________________

Stone - Motorhead Tee  pic:small

LONG LIVE SLAYER.

Stone.

STRYPER – “EXTENDED VERSIONS” IS A LIVE AND ROCKIN’ GOOD TIME CD

Posted in christian heavy metal bands, christian metal, christian rock, classic rock, hair metal music, Hard Rock, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, metal music, Music, rock music, rock music news with tags , , , , , on November 29, 2009 by Metal Odyssey

I could not resist the urge to buy this Stryper Extended Versions CD, (Sony/BMG). Two reasons I needed this Stryper Extended Versions: it being a live CD, coupled with the fact I was fortunate enough to see Stryper live, back in the ’80’s on their To Hell With The Devil Tour. Yup, I made up my Metal mind a long time ago, that Stryper is my favorite Christian Heavy Metal Band. Let’s face it, Stryper back in the 1980’s were easily part of the Hair Metal invasion as well. I like the accessibility of Stryper’s songs, they are inspiring and motivating for certain, combined with all of the dynamics and elements of 1980’s Heavy Metal. This Extended Versions CD was recorded back on November 11, 2003, at Earthlink Live in Atlanta, Georgia. The release year for this CD was 2006. The overall production of this live CD sits just fine with me. I will admit, after 12 years of Stryper not touring before this concert was recorded, they sound pretty darned good. (Michael Sweet actually remarks about their return after 12 years to the audience, during the opening song Makes Me Wanna Sing).

As with any live album, there are those – as they happen moments, such as Michael Sweet talking to the audience and an over excited crowd of fans shouting, screaming and singing along. Those aspects have always been what I find most refreshing about a live album… especially when the band plays as tight and good as Stryper does here. Free is and always has been a tremendously favorite Stryper song of mine, hearing Michael Sweet sing this song as the audience sings along sends chills up and down my arms. Oz Fox on guitar sounds unreal good in this 2003 concert recording, just as he did when I saw him for myself so many years ago. You Won’t Be Lonely is a great up tempo ballad for my Metal tastes… it makes for a nice fit into this live set list. Calling On You, being one of the more famous Stryper songs ever, has all of the melodic power and harmony as the original studio version, a fantastic song from this band.

Reach Out is a sure-fire crowd sing-along, yet, what Stryper song isn’t? The Way is arguably one of the fastest and heaviest Stryper song on this live Extended Versions, Oz Fox energizes this song with his stealth guitar leads and hot solo. Soldiers Under Command plays out in the same fast and heavy fashion as The Way, a Stryper song that is a necessity in any of their live gigs. Again, Oz Fox stimulates my Metal senses with his guitar brilliance on Soldiers Under Command – oh yeah. Timothy Gaines on bass and backing vocals along with Robert Sweet on drums are the Heavy Metal nuts and bolts that keeps this live album rhythmically astounding. Brent Jeffers is on keyboards and backing vocals, making for a nice addition to this Stryper concert.

Another favorite Stryper classic of mine is To Hell With The Devil, it is song #9 in the set list and it flat out rocks this Extended Versions into a Christian Heavy Metal winner. Stryper plays this song live quite powerfully, based on my remembrance of actually seeing them live and hearing it on this CD. Honestly closes out this Stryper Extended Versions CD. The live version of Honestly is not any heavier than the studio version, this ballad has its rightful place in any Stryper concert. Before this song even begins, Michael Sweet tells the audience, Honestly is the song that took them out of the clubs and put them into the arenas. I will not disagree with Michael Sweet on that evaluation whatsoever.

I bought this Stryper Extended Versions CD over this past Summer of 2009, I’m glad for it. I am also happy to know that Stryper is still around and making their brand of Heavy Metal Music, their new album Murder By Pride is an enormous album of songs. Sometime in the future I will blab about how much I enjoy the newest Stryper album. I am a fan of all Heavy Metal genres, Stryper is and always will be a mainstay band of mine.

DEEP PURPLE – “MACHINE HEAD” A Once In A Lifetime Hard Rock Album

Posted in Album Review, classic hard rock, classic rock, Hard Rock, Heavy Metal, Music, rock albums, rock and roll, rock guitarists, rock music, rock music news with tags , , , , , , , , on November 4, 2009 by Metal Odyssey

Deep Purple "Machine Head" small album picDeep Purple is the Hard Rock band, that deserves so much more respect and attention than what is normally given them. How often are the usual cast of characters brought up in Rock and Hard Rock conversations, articles and televised documentaries; you know the ones and these bands deserve their just due, praise and remembrance. Still, in the midst of Led Zeppelin, The Who, Black Sabbath, The Doors and of course, the Beatles… was Deep Purple. Deep Purple made some momentous and historical Rock Music of their own. Can I confidently say that Deep Purple was a band as commercially big as the other’s just mentioned? Of course no. I will state, that in my Metal opinion, Deep Purple was and always will be considered just as important of a contributor, to the history of Rock and Roll. Consistency in the form of personnel at the lead guitar and lead singer positions are two critical elements missing from the biography of Deep Purple. If this is what sets them apart from ever being inducted into the Rock and Roll Hall of Fame, then that is pathetic foolishness on the part of that Cleveland, Ohio country club. With a mid 1980’s reunion, (1984 Perfect Strangers album), Deep Purple has been intact to this very day, with lineup changes being a normal course of their history.

Onward with my saluting Machine Head, the 1972 album from Deep Purple that I consider to be a once in a lifetime Hard Rock achievement. I mean this in the most sincerest of complimentary form. It is not as if Deep Purple never made a great album before or after Machine Head, it is that this album truly dictated a resonating Hard Rock sound that was absent in the mainstream of the early 1970’s. It’s so cliché to point out this Machine Head album as laying down the foundation for Heavy Metal. Instead, I like to insist on this album’s importance in quality Hard Rock songs, all seven to be exact. How can anyone refute the significance of Smoke On The Water? The ultra classic opening riff in this song from Ritchie Blackmore, is a study in non-technical guitar genius. Compared to today’s competitive and dueling nature of Metal guitarists, a slow down and reflection to some old school Machine Head just might cause an epiphany.

Oh, Ritchie Blackmore has his technical guitar skills without a Metal doubt, only his bluesy Rock roots stood out often enough to fuel the Deep Purple sound that set them apart from their peers. On Highway Star, the bluesy Hard Rock guitar is evident in its gleaming repetition. Space Truckin’ is as thunderous of a Hard Rock song mastering the blues as you will ever hear, I have never heard anything else like it in all the years I’ve been alive. Let’s not forget to applaud the vocals of Ian Gillan, probably the single most underrated lead singer in Hard Rock and Rock history combined. The opening yell, if you will, from Ian Gillan on Highway Star introduced to the world what Bruce Dickinson, (of Iron Maiden) and Geoff Tate, (of Queensryche) would be emulating years later… whether they knew it or not.

While Yes was introducing to the world in the early 70’s a progressive and futuristic sound through the hammond organ and keyboards, Deep Purple gave the reigns to Jon Lord to basically pound out chord sequences that dictated the hardness of their songs. Jon Lord was not looking to amaze anybody, he was looking to Rock your head off. Roger Glover on bass and Ian Paice on drums likewise, their rhythm section steered clear of the doom and gloom sound being raised in its infancy by Black Sabbath and to an extent, Iron Butterfly. Providing the undertow of harmony while establishing the trademark beats that this Machine Head album beheld, Roger Glover and Ian Paice were the Hard Rock glue that held Deep Purple together here.

I could not find it in myself, to proclaim Machine Head as the greatest Heavy Metal album of all time. I anoint Machine Head to be my greatest Hard Rock album of all time, to some it may sound like a consolation prize, instead I see this album as bigger than most music scholars may tend to ponder. I have searched high and low, for many, many, years to find another Hard Rock album filled with as much originality and straight forward Rock musicianship that sounds as dynamic as Machine Head. I am still searching… in the meantime, I declare that Machine Head is a once in a lifetime Hard Rock album.

Track Listing For Machine Head, (original 1972 release/not reissue):

Highway Star

Maybe I’m a Leo

Pictures of Home

Never Before

Smoke on the Water

Lazy

Space Truckin’

Deep Purple "Machine Head" large album pic

Where Have You Gone, UGLY KID JOE? Come Back!

Posted in classic rock, Hard Rock, hard rock bands, Heavy Metal, heavy metal news, metal music, metal odyssey, rock music, rock music news with tags , , , , , , on September 22, 2009 by Metal Odyssey

Ugly Kid Joe "America's Least Wanted" small album picBack in October of 1991, Ugly Kid Joe released their debut EP – As Ugly As They Wanna Be. 1991 was a year smack in the middle of the Grunge Music invasion… Ugly Kid Joe didn’t seem to care in the least. The mix of Hard Rock, Funk Metal and Heavy Metal had me more than interested in Ugly Kid Joe, I bought As Ugly As They Wanna Be and it served me right – back in 1991. Parodies aside, I could care less about what the titles of Ugly Kid Joe’s albums were making fun of… it was the funky heavy grooves of their songs that mattered most to me. Everything About You was a song that sounded unlike anything I was into back then, (Thrash, Death, Speed and mainstream Heavy Metal was what I was used to). When I first heard Everything About You, the first bands that came to mind that I was familiar with, in the Funk Metal genre, was Living Colour and Anthrax when they did I‘m The Man. White Zombie for certain had some Funk happening in their Metal back then too, yet this Ugly Kid Joe was not the dark side of heavy Funk either. This band was not as flamboyant as Faith No More, there seemed to be more of a street level accessibility to Ugly Kid Joe back in 1991-92.

Ugly Kid Joe made the funk in their heavy come out and smack me offside the head. Metal Music be my saving grace, I became hooked by Ugly Kid Joe, both by their music and persona. 1991 and 1992 were turning points with Metal Music, so many great Metal Bands were still around and largely ignored by the mainstream media… Ugly Kid Joe busted onto the scene and was very hard to ignore, in my Metal opinion.

Ugly Kid Joe - group photo promoObviously the freshness of Ugly Kid Joe caught on with MTV and FM radio, it had to. Ugly As They Wanna Be and America’s Least Wanted (from 1992), both sold over 2 million copies each, this Ugly Kid Joe sound really caught on, an undisputed Metal fact indeed. Ugly Kid Joe was not just about putting the funk into Heavy Metal, no sir. Their cover version of the legendary Black Sabbath’s classic Sweet Leaf exemplified their fondness for the heavier side, all the while paying tribute to their Heavy Metal influences. Ugly Kid Joe was not the refined and glamorous Hair Metal Band nor were they an extremely pissed off Extreme Metal Band. This was a band that was not even in the middle for they were so unique.

What Ugly Kid Joe brought to the masses was a mixture of Heavy Metal genres, almost as if they grabbed ahold of the very best of what these genres possessed and intertwined them all into their very own sound. To the best of my Metal memory, Ugly Kid Joe was not a copy cat band and no other Heavy Metal Band followed after, that sounded like Ugly Kid Joe either. (Maybe there was, I just never heard of them and they never lasted very long).

In 1992, I bought America’s Least Wanted and could not have been happier about it. Listening to Ugly Kid Joe cover the late Harry Chapin classic Cat’s In The Cradle only solidified the diverse musical nature of this band. I was astonished as a Metalhead back in 1992… here is Ugly Kid Joe, covering songs from Black Sabbath to Harry Chapin. Cool. I had bought a Harry Chapin greatest hits album in the late ’80’s, (keeping it a secret amongst my Metalhead buddies), yet Ugly Kid Joe made it known to the Metal world they dug Harry Chapin – I realized then that music is one big connected family.

I really look back on the first two Ugly Kid Joe albums with the utmost Metal fondness, this band was different, a Heavy Metal band that was fun without ever displaying any artificial pose to their music or appearance. Menace To Sobriety was released in 1995, followed by Motel California… I gave both albums their justified listens and due, yet I still uphold the first two Ugly Kid Joe albums as their finest moments.

The Metal bottom line is this, with all of the revivals going on in the Heavy Metal genres, especially with reunions and reunion tours, it would be cool to once again see and hear Ugly Kid Joe. It is not my intent to say that Ugly Kid Joe was the best thing since light beer, rather they were a cool band to choose from the Heavy Metal buffet… and still are. So many bands from the 1980’s and 1990’s are huge again, making albums and touring… Ugly Kid Joe would most likely be quite the hit with this new generation of kids that are just getting into Hard Rock and/or Heavy Metal. The Ugly Kid Joe look and sound is all around, as I meander around in public, (especially the Malls) in 2009. This now vintage band would fit right in today…  what once was old is new again – yet this is only my Metal opinion… and I am sticking to it.

Ugly Kid Joe:

WHITFIELD CRANE — vocals 

KLAUS EICHSTADT — guitar

DAVE FORTMAN — guitar 

CORDELL CROCKETT — bass 

SHANNON LARKIN — drums 

Ugly Kid Joe "As Ugly As They Wanna Be" large EP pic

My Favorite STRYPER Album Of All Time – “To Hell With The Devil”

Posted in Album Review, christian heavy metal, christian rock, classic rock, Hard Rock, Heavy Metal, heavy metal albums, Metal, metal music, Music, rock music, rock music news with tags , , , , , , on August 9, 2009 by Metal Odyssey

main-150Stryper – “To Hell With The Devil” was released on October 24, 1986. I already was an avid listener to Stryper and their brand of Christian Heavy Metal Music when this album came out. I had purchased their album “Soldiers Under Command”, (released on May 15, 1985), within months after it’s release, therefore I already took a liking to Stryper. I always have been and forever will be, diversified with my adoration for Metal music. I hate sounding like a broken record by saying… if I have said it once, I shall say it again… I listen to all Hard Rock and Metal Music genres. The songs on this album are exquisitely inspirational, they are enormously melodic and yes… commercial 1980’s Heavy Metal. It is the power that comes across to me, from these songs, that makes this Stryper album my all time favorite. Anytime any religion plays a role within the framework of a Heavy Metal band and their lyrics, it is better left up to the individual listener, to make the choice if this is what they want to embrace. In my Metal opinion, it is all about personal preference and interpretation, when it comes to any specific form of music. I will still play this album and benefit from the Heavy Metal and lyrical contents that are found within.

I remember buying this album at Strawberries Records & Tapes, in a very expensive town in very expensive Connecticut, back in 1986, of course. I snagged this album up within the first month of its release. I wound up with the limited front cover version of “To Hell With The Devil”, (see album cover image below as to what I mean). The image of the album cover, at the beginning of this post, shows the current front cover being used for “To Hell With The Devil”. I am not trying to sound cliche by stating, “To Hell With The Devil” is one darn cool, feel good Heavy Metal album. For me, this album really is a mood changer… an album that sends me directly into a good mood vacuum. One thing is for certain, I never felt I had to be a saint to in order to listen and get into the Heavy Metal thunder of Stryper.

This album I originally bought back in 1986, fell victim to being sold by me years later. Crazy as this sounds, I ventured into a local thrift store last Autumn of 2008, on one of my Metal prowls… and I found “To Hell With The Devil” with the limited front album cover as well. I stood inside this thrift store and felt as if I was imagining things… here was an album I most regretted ever letting go and it was the limited version staring right at me. This album beckoned me to bring it home and give it a turntable spin once again. I state quite often my Metal finds, they do happen more frequently than not, I will not complain. Believe me when I say, this copy I found at the thrift store is in mint condition – it came with the semi-hefty price tag of fifty cents. As I drove away from this thrift store, with this Stryper album placed on the passenger front seat… I looked down upon it, thinking some funny thoughts.

My mind was drifting away, astray with thoughts as to why was I fortunate in finding this particular Stryper album? My single favorite Stryper album of all time just so happened to be at this thrift store on this day. The more rare of the two album covers as well, has been returned to my collection of Metal Music on this particular day, for literally pennies. I started to think that maybe I was being rewarded by a higher power, for perhaps some good deeds that I bestowed in the past. Maybe it was just pure luck too. Whichever it may be, luck or divine intervention, the original album cover version of “To Hell With The Devil” will not be for sale by me again. I really am not concerned with its secondary market value anyhow, for me the true value is found within the songs of this album, the enjoyment I derive from the Christian Heavy Metal Band of Stryper.

The musicians of Stryper, as they appeared on “To Hell With The Devil”: Michael Sweet on lead vocals and guitar, Robert Sweet on drums, Tim Gaines on bass guitar and Oz Fox on drums.

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Judas Priest “Screaming for Vengeance” Still Screams Metal Today

Posted in Album Review, essential heavy metal albums, essential metal music albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal music 1982, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, rock music, rock music news with tags , , , , , , , on July 28, 2009 by Metal Odyssey

main-150Judas Priest and the New Wave of British Heavy Metal or (NWOBHM) took me by storm back in the Summer of 1982. Honestly, I was aware of the “British Steel” album from Judas Priest then, yet nowhere near Metal schooled about this band as I should have been. It was in 1982 when I was beginning to delve deeper into the world of Heavy Metal… Judas Priest basically opened the gates of Metal for me to enter… and enter I did. I have never looked back. Of course, after my very first listen to my buddies “Screaming for Vengeance” album, I rushed over to my nearest Caldor department store and bought my own copy. This album then had me salivating for more of “The Priest”. In short time I owned every available album from this mighty band, choosing “Stained Class” to be my favorite all time Judas Priest album – this opinion stands Metal tall to this very day. This “Screaming for Vengeance” album initiated me to own the entire catalog of Judas Priest, it initiated me to seek out and enjoy more Metal bands and their powerful music. Judas Priest was the Metal band, this was the Metal album that had me realize that Metal was to be my life long favorite music genre. Metal case closed.

NewPriestLogoWhite_150Without question, as I look back now, “You’ve Got Another Thing Comin'” was the break out, commercial success song, that was instrumental in carving Judas Priest into the Metal giant and Rob Halford into the Metal God of today. That is cool with me, this song was necessary for Judas Priest to break into the hum drum FM radio environment, that was existing back in 1982. When I first heard “You’ve Got Another Thing Comin'”, it was as if my entire body went on an adrenaline trip that was truly foreign to me. All I can remember is – I never felt such intensity envelope my body and mind like this song did. And to think, if this song riveted me in such a manner, what did listening to the rest of this album do to my senses? It was Heavy Metal euphoria, back in 1982. To be perfectly clear, this album was Heavy Metal 101 for me. Before “Screaming for Vengeance” was discovered by me, Kiss, Cheap Trick, AC/DC and Foreigner were the heaviest bands I ever listened to.

There absolutely is no other one-two Metal punch in existence, like “The Hellion” and “Electric Eye”. This is my Metal opinion, of course. Still, the intro of “The Hellion”, which drives its forceful Metal path straight into “Electric Eye”, is the ultimate Metal high for me. The song “Screaming for Vengeance” is by far, the heaviest Judas Priest song ever, in my Metal opinion. “(Take These) Chains” is equivalent to having a breather on this ferocious album, the pace of the song with its accessible melody, is a notable Metal pit stop.

Not to sound bland here, there really is not a single song on this album that should not be praised. “Screaming for Vengeance” was my gateway to all of the vintage Black Sabbath, Deep Purple, Iron Maiden and countless other 1970’s to early 1980’s Heavy Metal and Hard Rock bands, all of whom wrote the map for us Heavy Music fans to follow. I bought the ticket to Metal back in 1982, it was “Screaming for Vengeance”. This album still screams Metal for me in 2009.

*”Screaming for Vengeance” was released on July 17, 1982. Judas Priest, as they appeared on “Screaming for Vengeance”: Rob Halford on vocals, K.K. Downing on guitar, Glenn Tipton on guitar, Ian Hill on bass guitar and Dave Holland on drums. I never would have realized, twenty-seven years ago, that I would be regarding this album as having the Metal impact on me that it did and still does. Long live “The Priest”.

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STRYPER – “The Roxx Regime Demos” Is Classic Christian Heavy Metal

Posted in classic rock, Hard Rock, Heavy Metal, metal music, Music, rock albums, rock music, rock music news with tags , , , , , , on July 2, 2009 by Metal Odyssey

8389326This is the original demo of Roxx Regime, from 1983, (“The Roxx Regime Demos”), before they became Stryper. (This CD was released on July 10, 2007). The songs are all excellent, with an unpolished, raw, under produced feel and spirited energy. (This is what really makes the Heavy Metal sound even better, in my Metal opinion). There are seven songs in all on this disc, including one drum solo. These tunes really thump, they have the early 80’s Heavy Metal/Hair Metal sound. “Honestly” is a ballad that really touches off tremendous emotion, the most mellow tune on this disc and a future hit for Stryper. “From Wrong to Right” and “Loud N Clear” are catchy tracks, with a definite early ’80’s Heavy Metal/Hair Metal vibe. “Tank” is a drum solo from Robert Sweet, nothing really fancy – cool to have in the mix of songs just the same. If you are already familiar with Stryper, you will hear and recognize the talented musicianship, a band in their Metal infancy, that would become a premier Christian Heavy Metal band of the 1980’s and beyond.

Listening to “The Roxx Regime Demos”, for me, is listening to a Heavy Metal band that obviously paid their dues and made some excellent, high-spirited music. Consistently melodic, with a great heavy groove, I cannot resist recommending this music to Hair Metal, 1980’s Heavy Metal and Christian Metal fans. This disc definitely puts me in a cheery mood, the lyrics and Heavy Metal gel together perfectly.

“The Roxx Regime Demos” has proved to be a quality purchase for me, plus it is quite the obscure Heavy Metal find as well. This is a definite must for all Stryper fans, fans of ’80’s Heavy Metal should find this to be quite a neat surprise. I did get an opportunity to see Stryper, live, back in the good ol’ ’80’s. It was at the West Hartford Ballroom, in West Hartford, Connecticut. Hurricane, a relatively low-key Heavy Metal band back then, opened up for Stryper that night. The show was cool, what you would come to expect from a Heavy Metal-Hair Metal-Christian Band that played loud. Stryper was in essence, doing the same thing musically that many of the Heavy Metal-Hair Metal bands of the ’80’s were doing… the only key difference was they were using inspirational/Christian lyrics and themes for their songs. I never was turned off by their religious glow, if anything, I was and still am into their brand of Heavy Metal music.

If I have said it once, I will say it a thousand times more – I am into bands that represent all of the Heavy Metal and Metal genres. Quite honestly, the only other Christian Metal Band that I ever saw live was a band called Bloodgood. (They were pretty good too, no pun intended). Bloodgood was an up and coming Christian Metal Band back in – you guessed it – the fired up ’80’s. I actually had an album from Bloodgood, to this day I do not know what happened to it. (I wish I still had it, then I could really blog about their music with some integrity). I do remember Bloodgood being quite cool live, with one song standing out called “The Messiah”.

In Metal summary, sure, Stryper has always been in the Metal Odyssey alliance – bands that I listen to and respect. In my Metal opinion, Stryper has carved out their place in Heavy Metal history, especially Christian Heavy Metal history. Here is an overview of what you will be looking at and/or holding if you get a copy of “The Roxx Regime Demos”: the liner notes in the CD are cool, with 4 pages of credits, a 1 page written background on “The Roxx Regime Demos”, 2 photos of Roxx Regime/Stryper, plus 1 page depicting Roxx Regime/Stryper concert posters & magazine covers from the 1980’s. Roxx Regime/Stryper is: Michael Sweet on lead vocals & guitar, Robert Sweet on drums, Oz Fox on vocals & guitar and Timothy Gaines on vocals & bass.

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DIO “Holy Diver” – Long Live This Metal Masterpiece!

Posted in Album Review, classic rock, classic rock music, Heavy Metal, heavy metal albums, Metal, metal music, Music, rock music, rock music news with tags , , , , , , , , on June 17, 2009 by Metal Odyssey

DIO - "Holy Diver" x-large album pic!!!!

If I was to start a Heavy Metal collection of albums/CD’s from scratch, DIO “Holy Diver” is at the top of my Metal list. Not to smear or take anything away from the legendary Ronnie James Dio of today, however, the prolific and powerful vocals of Dio are evident and found on “Holy Diver”. A younger Ronnie James Dio, of course, with a penchant for delivering the most remarkable Heavy Metal vocals I have ever heard, all here on this Metal masterpiece.

I revere Ronnie James Dio and all the vocals, on all the albums he has done. Outside of the Dio fronted Black Sabbath albums – “Heaven And Hell” and “Mob Rules”, along with all the Dio fronted Rainbow albums, “Holy Diver” still ranks right up there as what I consider Ronnie James Dio’s greatest vocal achievement to date. (This is my Metal opinion). After all these years, going on three decades… I have never, ever, grown tired of this remarkable album. There will forever, only be one Ronnie James Dio, there will never again be another Metal album like “Holy Diver”.

When this album was released in May of 1983, I was lingering in High School. What Ronnie James Dio with his vocals became for me, was a friend. Dio was a lead singer for two of the biggest bands out there, and eventually the namesake for his very own Metal band. “Holy Diver” gave me the inspiration to charge ahead – during those younger years when I needed it the most. (Little does Dio or any of my favorite bands or musicians realize the impact they had on me as a young dude… I thank them all to this very moment).

Throughout my life, sure, I root for my New York Yankee baseball heroes, yet I root for my Metal Music heroes stronger and longer. To make an analogy, sports legends are limited to the number of years they can play… Ronnie James Dio can still sing, make albums and tour, going on four decades. Music lives on, never goes away. “Holy Diver” lives on too – only the songs are just as big as life for me now as they were in 1983.

“Stand Up And Shout” is the Heavy Metal battle cry that opens up this album, leading right into “Holy Diver”, which to this day, I’m still mesmerized by its eerie keyboard intro. “Rainbow In The Dark” is the more melodic – but still heavy – popular tune that seems to get the most notoriety. “Gypsy” and “Caught In The Middle” are indicative of the Metal spirit that was dictated, both vocally and musically by Dio on this album. There are those select Metal albums that are to be celebrated and looked upon as true templates of musical greatness… “Holy Diver”, in my Metal opinion, is one.

DIO – as they appeared on “Holy Diver”: Ronnie James Dio on vocals & keyboards, Vinny Appice on drums, Vivian Campbell on guitar and Jimmy Bain on bass & keyboards.

DIO "Holy Diver"

THIN LIZZY – THUNDER AND LIGHTNING

Posted in classic rock, classic rock albums, Hard Rock, Heavy Metal, Metal, metal odyssey, Music, Rock, rock music, rock music news with tags , , , , , , , , , , , on March 17, 2009 by Metal Odyssey

12046797Thunder and Lightning is a Thin Lizzy Hard Rockin’ and Heavy Hittin’ prize. Released in 1983, this is Old School Heavy Metal that is stupendous with every aspect of it’s music. John Sykes and Scott Gorham on guitars are both a sensational listen. The three songs of Cold Sweat, Someday She Is Going To Hit Back and Baby Please Don’t are abundantly impressive to my Rockin’ hungry ears. In my Metal opinion, the purchase of this album is worth it for these three songs alone. With that said, this entire album is vintage Heavy Metal that should be revisited and celebrated.

Thunder and Lightning for me, is one of those exemplary albums that is worthy of being labeled: a Heavy Metal hidden treasure. The Holy War is a standout song for my Metal senses, it’s not that it just Rocks, the lyrics are intelligent, the guitar solo is breathtaking and the rhythm section comes at you with a continuous cool groove.

The late Phil Lynott is simply excellent on vocals and bass, a bona-fide Rock Legend is he. Phil’s vocals I’ve always found to be contagiously memorable and unique. Bad Habits and Heart Attack are two very catchy, melodious and hooky songs that end this great album, with the guitar riffs and leads on these two songs leaving a lasting impression. Overall, in my Metal opinion, this is as sound, talent fused and classic of a Heavy Metal album as you can ask for. Thunder and Lightning truly delivers on it’s title.

Any Hard Rock, Classic Rock or Heavy Metal fan should appreciate what Thin Lizzy created here with Thunder and Lightning, I without question do. Don’t let your Hard Rock or Heavy Metal collection of music be without this classic from Thin Lizzy. Thunder and Lightning is an album that should surprise new fans who’ve never been exposed to Thin Lizzy before. Lifelong fans of Thin Lizzy that read this are most likely (and hopefully) nodding in approving agreement with me. Old School RocksMetal be thy name.

LONG LIVE THE ROCKIN’ LEGACY OF THIN LIZZY.

Rest In Peace, Phil Lynott.

Stone.