Archive for heavy metal album review

Saxon continues to Rock with Old School Heavy Metal

Posted in 1970's heavy metal, 1980's heavy metal music, 1980's metal music, 1990's heavy metal music, Album Review, classic metal, cool album covers, current heavy metal albums, current heavy metal music, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, metal music today, Metal Reviews, Music, new heavy metal album, old school heavy metal, Power Metal with tags , , , , , , , , , , , , , , , , , , , , , , , , , on May 30, 2009 by Metal Odyssey

7670060929Saxon – the words durable, old school, enduring and still excellent at their Metal craft, come to my mind. Let’s be honest, this is not the same Saxon from their “Denim and Leather” days, yet they are Saxon 2009 – that is Metal-good enough for me. Saxon was an essential part of “the new wave of British Heavy Metal”, going back to the late 1970’s into the early 1980’s. When I first heard Saxon back then, I felt like I found a band no one else knew about… I had a cool Metal secret. Well, the secret was already out, as I later found. Saxon was justifiable a favorite of legions of Metalheads, therefore I was not alone with my new found Heavy Metal band after all. 

568497a3ad“into the Labyrinth” is the newest album from Saxon, released on January 13, 2009. “Battalions Of Steel” and “Valley Of The Kings” have an almost majestic Power Metal sound, complete with keyboards and what sounds to me like an enlightened choir. For me, Saxon pulls it off extremely well when they go the Power Metal route. “Live To Rock” is the single being pushed off of this album, it is bona fide Old School Heavy Metal with a cool, vintage, anthemic delivery to it. This is the fist raising – head banging tune that will stir up plenty of 80’s Heavy Metal memories for many. “Slow Lane Blues” is another fine example of how Saxon holds onto the Classic Metal approach, a fun tune that tells the complete story of a dude being pulled over by a cop for speeding. “Crime Of Passion” is heavy, heavy, Metal. Nigel Glockler punishes the drum kit on this song, again, head banging can and may occur when listening to this song too. If there is to be a song on this album that is considered a ballad, well, “Voice” is it. However, this is a heavy ballad – staunch Metalheads need not worry – Saxon does not get sappy here at all. “Hellcat” is my favorite track on this album, it is fast, furious and heavy. The three key Metal music ingredients I always embrace! “Come Rock Of Ages (The Circle Is Complete)” is a Heavy Metal exclamation point for Saxon on this album, man this song is good. “Coming Home (Bottleneck Version)” is a back woods – lets stomp in the swamp – foot stomping tune. It is a cool way to come down after the previous 12 tracks of fired up Heavy Metal.

Biff Byford on lead vocals sounds fabulous throughout “into the Labyrinth”, he is what I consider truly underrated, as a Heavy Metal front man. Biff Byford is like the silent elder Metal statesman – compared to the press the other more popular lead vocalists of Old School Heavy Metal receive. Doug Scarratt and Paul Quinn are a cool and talented guitar duo to listen to, I have sincere Metal admiration for both. Nibbs Carter on bass hooks up with Nigel Glockler on drums to provide a top tier rhythm section of crushing Heavy Metal. Overall, long time Saxon fans should gobble up this new album, new fans should be easily recruited. When you have 13 songs this good, with tunes that Rock this heavy, I feel you have a Metal winner. 

fullsize

Heavy Metal 101: 10 (or more) most underrated Metal albums you need to know

Posted in 1980's heavy metal albums, 1980's heavy metal music, 1980's metal music, 1980's thrash metal, 1990's heavy metal music, Album Review, Black Metal, Black Sabbath, classic metal, cool album covers, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal music, Heavy Metal Reviews, horror metal, king diamond, Metal, metal music, Metal Reviews, Motorhead, Music, old school heavy metal, Over Kill, Power Metal, speed metal, Thrash Metal, thrash metal album review, thrash metal music, thrash metal music reviews, tony iommi heavy metal guitarist, vintage heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 28, 2009 by Metal Odyssey

 

 1096030

 

If you are a veteran Metalhead, these ten (or more) Metal albums that I consider underrated may not surprise you. Heck, you may already have owned them for several years or even decades. In the Metal event you are a new recruit to the dynamic world of Heavy Metal, welcome aboard and go out and BUY THESE METAL ALBUMS for they will serve you right! Oh, what do I mean by underrated? Well, for starters, these are Classic/Vintage Metal albums that do not seem to get enough attention these days – as I surf around the world wide web, these are the albums that tend to go unnoticed for some oddball reason or another. It is my goal to surround the readers of Metal Odyssey with the knowledge necessary, to make prudent Metal album buying decisions too. These ten Metal albums, in my Metal opinion, have most definitively stood the test of Metal time. Enjoy and absorb this list, please note that these Metal albums are not in any specific order. (These Metal albums are my own personal choices for most underrated, I am sure many knowledgeable Metalheads out there will have differing opinions).

42959617239865

3283645

4296112

 

 

 

 

 

MERCYFUL FATE – “MELISSA” – King Diamond, plus, absolutely NO radio friendly tunes found here. This band laid down a whole bunch of Black Metal groundwork for others to learn from.

TWISTED SISTER – “YOU CAN’T STOP ROCK ‘N’ ROLL” – Just before Dee Snider & the boys became really famous. I find this album to be just as inspiring today as it was in 1983. My favorite Twisted Sister album.

BLACK SABBATH – “BORN AGAIN” – Ian Gillian on vocals, ’nuff said. O.K., this is one tough album or CD to find. “Trashed” is very heavy stuff, a very fast Black Sabbath tune. This version of Black Sabbath is incredibly good. Bev Bevan of Electric Light Orchestra fame actually was the drummer on the “Born Again” Tour during 1984/85. That is correct. You did read this right. Now that is cool, having an ELO and Black Sabbath connection. 

MOTORHEAD – “ANOTHER PERFECT DAY” –  Of all the Motorhead albums, this one deserves more respect. The tune “One Track Mind” is reason alone to own this vintage Motorhead release, plus the album cover artwork and liner notes are extremely diabolical and cool. 

GRIM REAPER – “See You In Hell” – The album title says it all… the title track “See You In Hell” is for me, a Heavy Metal anthem that brings back memories to my Metal heart. This was one heavy duty band for me… worth every Metal second of listening enjoyment. Overall, great band, great album, I wish they could have done twenty albums.

EXODUS – “FABULOUS DISASTER” – Gary Holt is such an important guitar player in Thrash Metal history. Exodus is always grouped in with the Thrash Metal originators. In my Metal opinion, each original Bay Area Thrash Band is just as important as the next… I am giving Exodus their just due here and “Fabulous Disaster” is just that, fabulous Thrash Metal.

VINNIE MOORE – “MINDS EYE” – Hey, this guy can play guitar. Heavy Metal guitar too. An all Metal instrumental album could never hurt no one, especially a Metalhead. Listening to Vinnie Moore in college helped me get unreal grades in fine arts, I am not kidding. I drew some of my best stuff listening to Vinnie Moore – thanks Vinnie.

MANOWAR – “HAIL TO ENGLAND” – Very loud and Old School Metal. This album has all the Metal attitude and heavy music you could ever ask for, plus, as a bonus, these guys are quality Metal musicians too! There are those times, when I need a cool Power Metal band that is Old School, that I can sing along to. They very well might be… “The Kings of Metal” as they advertise… heck, I would never think of telling them they are not.

OVER KILLEvery album they have ever made. Yeah, this sounds crazy, yet these guys are that great at playing Thrash Metal. Over Kill always seems to have been the hardest working Thrash band on the planet, with no star status or star treatment from the wide world of professionally paid critics. Different lineups throughout the years has not affected my loyalty… as long as there is Bobby “Blitz” Ellsworth and D.D. Verni leading this potent Thrash attack, I am Metal happy.

W.A.S.P. – “K.F.D.” – This is one heavy, monster of a W.A.S.P. album. Extremely heavy W.A.S.P. – Blackie Lawless was not fooling around with this album… I listen to “K.F.D.” when I have both good and bad days, the end affect is still just like opening up a can of Metal whoop ass and getting straightened out – Blackie Lawless style. Thanks Blackie Lawless.

KROKUS – “HEADHUNTER” – O.K., sure, there is some commercial appeal here with the tune “Screaming In The Night”, yet it is a far cry from any of the heavy ballads that blitzed us all in the 1980’s. Factor in the raging track “Headhunter” and the Metal grooviness of “Stayed Awake All Night” and you have served up yourself some decent party tunes.

Black Sabbath "Born Again"

main-150-1

main-150

 

 

 

 

 

main-150Over Kill "I Hear Black" big picmain-150-2

Danzig – debut album from 1988 is all Metal muscle

Posted in 1980's heavy metal albums, 1980's hard rock, 1980's heavy metal music, 1980's metal music, Album Review, classic metal, cool album covers, Danzig, essential hard rock albums, essential heavy metal albums, Hard Rock, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, horror metal, Metal, metal music, Metal Reviews, Misfits, Music, old school heavy metal, rock music, vintage heavy metal albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 27, 2009 by Metal Odyssey

logodanzig

 

 

 

Listening to the debut album from Danzig, (titled “Danzig”), is always a refresher course in what smash mouth Metal is about. Released in 1988, this album in my Metal opinion, has all the ingredients necessary to be looked upon as a muscular Metal Classic. I will admit, that this is one of my favorite Metal albums ever and Danzig does hold high rank in my Metal universe. Before Glenn Danzig went the all Metal route with his music, well, was there anyone else in Metal that sounded like him? My answer is nope. I liken Danzig’s vocals to be of profound Metal uniqueness, where he will clearly deliver the spoken word, then sing and/or belt out vocally with real conviction.  Sure, I even agree that Danzig’s vocals sound a tad like Jim Morrison at times… not a bad dude to be compared to for vocals. The ten tracks on “Danzig” are laced with the lyrical darkness that are open for interpretation. Musically, Glenn Danzig is a Metal mastermind at combining the straight up and anti-commercial approach to these songs, while not over complicating any of the songs structure. “Mother” is the closest you will get to ever seeing a Danzig tune dabble with mainstream popularity.

I can recall how the great Danzig song “Mother” gave me an unexpected surprise that actually made my day. My best buddy in the Galaxy, well, he is a steadfast and loyal Boston Red Sox fan, (I am not). He took me along to Fenway Park a couple of times, (paid for my tickets too) and we both took in two fine games. I will always appreciate his generosity. Well, at one of these Red Sox games, the relief pitcher – closer was called in to the game, his name was Keith Foulke. I did not realize that this pitchers theme song and/or warm-up song to get pumped up to – was none other than Danzig’s “Mother”. Here I am, innocently sitting in the historical Fenway Park, by the historical “Pesky Pole”, within a sea of Red Sox fans and I am taken by Metal surprise to the electrifying and heavy loudness of Danzig’s “Mother” coming over the stadium speakers! I felt so proud to be a Danzig fan at that moment. Let me tell you, that song lit up the thousands of Red Sox fans at Fenway Park that day. 

Now, back to this Danzig album, my favorite four tunes, (not in any specific order), are: “Twist Of Cain” – which has the sandpaper tough, do not mess with me attitude oozing from the lyrics and music, “She Rides” – a track that has that slowly driven, heavy beat that gives me an instant, devious, Metal grin, “End Of Time” – which is melancholy and spooky lyrically and rocks heavy with thick Metal grooves, leads & riffs, then of course, “Mother”. I will say that in my Metal opinion, all ten songs on “Danzig” are fully loaded for maximum heavy musical enjoyment. The Danzig lineup for this debut album was: Glenn Danzig on vocals, Eerie Von on bass, John Christ on lead guitar and Chuck Biscuits on drums. Not that Glenn Danzig needed any introduction to the Rock universe back in 1988, he did arrive with storied and musically historical careers with the Misfits and Samhain behind him. However, I firmly believe that this debut album was built to last, succeeding in launching the Metal legacy that Danzig has so brilliantly created.

danzig1

Fastway – revisiting one cool, Heavy Metal debut album

Posted in 1980's heavy metal albums, 1980's rock music, 1980's hard rock, 1980's heavy metal music, 1980's metal music, Album Review, classic metal, classic rock, cool album covers, essential hard rock albums, essential heavy metal albums, essential rock albums, Hard Rock, hard rock album review, hard rock guitarists, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Motorhead, Music, old school heavy metal, Rock, rock music, vintage hard rock albums, vintage heavy metal albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 26, 2009 by Metal Odyssey

main-150In 1983, Fastway was the apple of my Metal eye. Today, well, Fastway is an old school Heavy Metal favorite of mine still, with their debut album aptly titled “Fastway”, being what I consider their best material. Man, when I heard the news that “Fast” Eddie Clarke was leaving Motorhead, I was floored like any loyal fan, back in the day. Then, the word broke, that “Fast” Eddie Clarke was forming a new Heavy Metal band called Fastway… my Metal anticipation was climbing by the second. Knowing that Pete Way (formerly of UFO) was to play bass alongside “Fast” Eddie Clarke only made this lineup more potent by the second. (I later found out that Pete Way never did get to actually play bass on the Fastway debut album).

Let’s go back in time now, to a wonderful department store named Caldor. You see, where I grew up, back in the 1980’s, Caldor was the biggest Hard Rock and Heavy Metal album supplier in my town. (It was the greatest place for a Metalhead teenager to go to for tunes, living in expensive nowhere Connecticut). I used to fantasize about Caldor while I was serving time in Parochial School and later High School. My thoughts strayed right into that glorious Caldor, envisioning the very long record aisles, lined with Yes, Iron Maiden, Bad Company, Ted Nugent, Black Sabbath… and then one day, in 1983, I remembered that the new Fastway album was to be released. Oh, the surefire Metal joy I would experience if that Fastway album was to be at Caldor! Minutes after I was released from being imprisoned in that High School, I was there… at Caldor. Fastway was also there. You betcha. With my Metal heart beating quickly, I reached for this precious new vinyl pressing, had it in my hands…  what is this? Located on the back of this Fastway debut album was a strange looking little mini record, it was not a 45 rpm, (it was the size of a 45 rpm and had a tiny album hole in the center), nor was it anything that I really saw before. It was supposed to be with this album, for it was the single for the song “Far Far From Home” – this song never made it on the actual album itself, therefore, the record company added it on as a separate single bonus! Man, at this moment, this teenage Metalhead was on Metal cloud nine.

Alright, as for the actual Metal found on this Fastway debut album, it rocked me straight into Heavy Metal bliss for an entire Summer – and Fall and Winter too. The tunes were so catchy, guitar driven and groove laden (courtesy of “Fast” Eddie Clarke), that it was one difficult album for me to put down for a lengthy period of time. “Say What You Will” was the most notoriously recognizable track off of this album. The opening guitar lead by “Fast” Eddie Clarke repeats throughout the entire song, instead of being repetitious, it was (and still is) Metal delicious. The vocals of the underrated Dave King were reminiscent of Robert Plant upon my initial listen to this album. However, back in the ’80’s it seemed to be the trend to point the finger at too many Hard Rock and Metal vocalists – accusing them of ripping off the legendary Robert Plant. “Easy Livin'” is definitely my favorite track on this debut, it is fast, slick and the guitar play of “Fast” Eddie Clarke shines. “You Got Me Runnin'” and “Give It All You Got” are heavy, fast paced – melody makers, providing the maximum Heavy Metal grooves you can possibly get out of three minute songs. 

In a Metal nutshell, the overall enjoyment that this Fastway debut album has provided me, sincerely has lasted a lifetime. This is one of those albums that I bought on CD as quickly as it was available. The efficiency of this album is what makes it a winner, for me. The efficiency of the songs structures, both musically and time wise, coupled with “Fast” Eddie Clarke on guitar, Dave King on vocals, Jerry Shirley on drums and Mickey Feat on bass, makes the debut Fastway album a Heavy Metal treat for me – to reach for to this very day.

fullsize

Happy Metal Birthday, Klaus Meine – Scorpions vocalist

Posted in 1970's hard rock, 1970's heavy metal, 1970's Rock, 1980's heavy metal music, 1980's metal music, Album Review, classic metal, classic rock, cool album covers, essential hard rock albums, essential heavy metal albums, essential rock albums, Hard Rock, hard rock album review, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal from germany, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, Rock, Scorpions, vintage hard rock albums, vintage heavy metal albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 25, 2009 by Metal Odyssey

fullsizeIt is May 25th, 2009, Memorial Day in the United States. Today is also… the 61st birthday for Klaus Meine, lead vocalist for the incredible, dynamic and legendary Scorpions. Metal Odyssey gives out a loud, Metal filled, Happy Birthday to Klaus Meine! I can go on for days as to how much Metal joy that Klaus Meine and the Scorpions have given me, with their Heavy Metal, throughout my life. My favorite Scorpions album ever, is “In Trance” – this album showcased an up and coming Heavy Metal band that was filled with the Metal hunger and talent needed to sustain such a long standing, unbelievable career. Released in 1975, the third album, this is a Scorpions release unlike their “Animal Magnetism”, “Blackout” or “Love At First Sting” albums. This is Scorpions Metal that was raw, rough and edgy, in other Metal words – great tunes without the Arena Rock flamboyancy. Do not get me wrong, I support and revere every album ever released by the Scorpions. Only this is a Scorpions band in their Metal infancy, the dynamics are clearly heard on this album, which makes me choose “In Trance” as my favorite Scorpions release. This vinyl Metal Classic still exists in my collection today, after so many plays on the turntable. I am still amazed that I was able to keep this album, in such incredible condition, for this long!

“Top of the Bill” is my favorite track on “In Trance”, this song exemplifies what true old school Heavy Metal sounds like. The Scorpions musicians over the decades are stand alone – top of their Metal game players. Klaus Meine is realistically, for me, a top ten, all-time Heavy Metal vocalist. You can argue that Klaus Meine is a top ten, all-time Hard Rock vocalist as well. (Take your pick or pick both). “In Trance” does not lack in quality of musicianship or song writing, in my Metal opinion. This was an album that really represented this time period well, representing what Heavy Metal from Germany sounded like. (Thank you Germany). I am confident in saying that the world of Metal has embraced and revered the Scorpions to this very day. Thank you Klaus Meine for sharing your unique and unbelievable vocals with us, you and the Scorpions are in a Metal class all your own!

Scorpions as they appeared on “In Trance” in 1975: Klaus Meine on lead vocals, Ulrich Roth on lead guitar & backing vocals and lead vocals on “Dark Lady” & “Sun In My Hand”, Rudolf Schenker on rhythm guitar & backing vocals, Francis Buchholz on bass guitar & backing vocals and Rudy Lenners on drums & percussion.

fth

Nazareth “Hair Of The Dog” still has the heavy bite

Posted in 1970's hard rock, 1970's heavy metal, 1970's Rock, Album Review, classic metal, classic rock, cool album covers, cover songs, essential hard rock albums, essential heavy metal albums, essential rock albums, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, Rock, rock & roll, rock music, vintage hard rock albums, vintage heavy metal albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on May 25, 2009 by Metal Odyssey

Nazareth “Hair Of The Dog” has always been a monumental standout Hard Rock album for me. This is what I consider a real album with no pretensions, no fancy gimmicks. What you hear on “Hair Of The Dog” is true Classic Hard Rock, no tunes found here are subdued or watered down. Nazareth came up the Hard Rock ladder during the 1970’s, surrounded by Hard Rock icons such as: Bad Company, Queen, Boston, Foreigner, SweetStyx and Cheap Trick. What a fabulous time it was for Hard Rock music! For the Metal record, I always considered Nazareth to be a Hard Rock band, albeit they do have their Heavy Metal musical tendencies. “Hair Of The Dog”, lyrically, is for me, a true stick it to the man – heavy song. “Now your messin’ with a son of a bitch” – these lyrics say it all, my fellow citizens. I can remember so many moments, in my life, where this song has benefited me. Sure, I have been slighted and backstabbed, so have trillions of other people on this planet have as well. “Hair Of The Dog”, when played LOUD, especially after you know you have been jerked around by someone, well, it is the sure fire remedy for feeling vindication.

I remember, uh, reflect, on my High School days… early ’80’s… it was homeroom at 7:45 in the morning, for my first four years of serving time there, “Love Hurts” was played on the school’s radio station, every single day. Yup, every single day. Did I ever grow tired of this song? Nope. It is Nazareth for Metal sakes. I only used to wonder why “Hair Of The Dog” was not played… probably due to it’s lyrical content, the sacred & self righteous school administrators did not want to stir up the masses. I will delve more into the “Love Hurts” tune in the upcoming paragraph, uh, review.

If you are looking for a great, Classic Hard Rock album to buy and cherish, “Hair Of The Dog” should be an easy choice. This album is saturated with Hard Rock. Oozing with bluesy, Hard Rock music and attitude, “Hair Of The Dog” has so much more to offer, with the title track “Hair Of The Dog” being as close of an example to 1970’s Heavy Metal as you can possibly hear. This song revs it up into high gear, kicking off this album on a real high note. “Miss Misery” is a melancholy song that thumps along with a denim and leather flavor, highlighting the raspy vocals of Dan McCafferty. “Love Hurts” is the ballad, the big radio hit for Nazareth then and now. This song is a cover from the Everly Brothers, only this version is hardened around the edges and overflows with pure Rock emotion. “Whiskey Drinkin’ Woman” is a song with a grooving coolness happening, it has that American Southern Rock sound and atmosphere. “Hair Of The Dog” is in my opinion, quite diversified musically. The opening track being very Metal, another track having Southern Rock flavor and a classic 1950’s ballad cover song. “Please Don’t Judas Me” is a lengthy rocker at nearly ten minutes long. I appreciate this song for it’s jamming, it also exemplifies how albums years ago were geared more to the music than to releasing instant commercial hits. Nazareth released a memorable album back in 1975, it should be enjoyed and passed along for all Rock and Hard Rock fans. Heavy Metal fans should embrace this album for its quality musical content and ground floor sound. “Hair Of The Dog” helped shape Heavy Metal in the 1970’s and beyond. This is an album that can never, ever, be forgotten.

Nazareth on “Hair Of The Dog”: Dan McCafferty on vocals, Manny Charlton on guitars & synthesizer, Pete Agnew on bass guitar & backing vocals and Darrell Sweet on drums, percussion & backing vocals. The liner notes do not contain lyrics, it is a fold out with an enlarged scale of the album cover artwork.

Nazareth "Hair Of The Dog"

Having a lousy day? Then listen to W.A.S.P. “Live… In The Raw”

Posted in 1980's live heavy metal albums, 1980's heavy metal music, 1980's metal music, Album Review, classic metal, cool album covers, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, horror metal, live rock albums, Metal, metal concerts, metal music, Metal Reviews, Music, vintage heavy metal albums, vintage live heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , on May 25, 2009 by Metal Odyssey

W.A.S.P. released “Live… In The Raw” on November 27, 1987. I always thank the Metal Gods for W.A.S.P. existing. Blackie Lawless is one of my Metal heroes. This live album/CD is one heck of a Metal ride, an outstanding set of vintage W.A.S.P. tunes that are monstrously power driven. My best buddy in the entire Metal galaxy introduced me to W.A.S.P. back in the mid 1980’s, it was the greatest gift I have ever received from him. I know this line has been used millions of times before, however, being introduced to W.A.S.P. back then is the Metal gift that keeps on giving. Look, if you are in need of some legitimate Metal music that will pick you up, power you up and make you flip off your enemies and/or antagonists, well, “Live… In The Raw” is all the Metal fuel you need. There has always been something about the in your face and straight up brand of Heavy Metal that W.A.S.P. provides, it has been a Metal elixir for me going on three decades now. The legendary W.A.S.P. lineup on this live album was: Blackie Lawless on lead vocals & rhythm guitar, Chris Holmes on lead & rhythm guitar, Johnny Rod on bass & backing vocals and Steve Riley on drums & backing vocals.

I always dig the live concert albums that make me feel like I am/was there to experience it. “Live… In The Raw” is one of those albums for me. From the opening track of “Inside The Electric Circus” to “The Manimal” in the middle of the set, to “Blind In Texas” – this is full throttle, old school Heavy Metal, that makes me forget about all the morons that try to make my life miserable. I recommend with full Metal pride, this album/CD to anyone just getting interested in discovering what W.A.S.P. is all about. “Harder Faster” and “9.5 – N.A.S.T.Y.” are two incredible live tracks, I envision Blackie Lawless actually singing these songs with his trademark crazed look about his face as I listen. (Hey, what else would anyone be envisioning while listening to live W.A.S.P.? Huh? Daisy and floral gardens? Cute little chipmunks? I do not think so). This live album is an all Metal feel-good experience, courtesy of one of the most commercially unacceptable bands in the world… the PMRC’s worst nightmare, the undeniable W.A.S.P.. 

W.A.S.P. "Live... In The Raw"

 

 

 

 

 

 

 

 

 

 

 

 

Black Sabbath – “Mob Rules” still rules the Metal world

Posted in 1980's heavy metal music, 1980's metal music, Album Review, Black Sabbath, classic metal, classic rock, cool album covers, dio, essential heavy metal albums, heaven and hell heavy metal band, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, old school heavy metal, ronnie james dio with tags , , , , , , , , , , , , , , , , , , , , , , on May 23, 2009 by Metal Odyssey

In my Metal opinion, this is such a tremendous album, a true Metal mainstay for so many years. Released in 1981, this is Old School, Black Sabbath that time cannot age. I highly endorse “Mob Rules” to be in every Metal fans music collection. Every song is enormous, with the prolific riffs and leads from Tony Iommi on guitar, I so admire this musician. Geezer Butler on bass and Vinny Appice on drums make for what I consider one of the greatest rhythm sections in Metal history. Ronnie James Dio is pure Metal perfection on vocals. Between the music and Dio’s voice, this Black Sabbath lineup takes a back seat to no one. “Voodoo”, “Turn Up The Night”, “Slipping Away” and “Mob Rules” are songs that have that unrelenting Metal energy that does not subside. Unbelievable Metal Classics, in my Metal opinion. “E5150” is an instrumental that has the eerie Black Sabbath ambiance flowing over, a perfect fit for this album. The real sleeper tune on this album, for me, is “Country Girl” – this song has a really cool groove going on, a real Heavy Metal song that doesn’t get the same attention as the previous tracks I mentioned.

“Mob Rules” is, as I see it, one of the most complete Metal albums ever made, it has the songs, vocals, Metal and lyrics. The album artwork definitely gets a Metal thumbs up! This macabre artwork definitely fits in with the song “Mob Rules”. I remember the very first time I heard the opening riff to “Voodoo”, I still get the same Metal rush from it now as I did back in 1981. I distinctly remember when this Metalhead buddy of mine, back then, held this album jacket in his hands, put the vinyl on the turntable, turned to me and said: “Dude, wait ’till you here this song “Voodoo” “. I knew at that moment, it was some special Metal awaiting me. It is an amazing Metal accomplishment, for these four musicians to still be creating new music together in 2009, as Heaven & Hell. Do not skip over this Metal gem for too long, you could be enjoying it right now!

fullsize

Black Stone Cherry – a Hard Rock band on a path to greatness

Posted in Album Review, current hard rock albums, current hard rock songs, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, recent heavy metal albums, Rock, rock & roll, rock and roll, rock music, southern hard rock, southern hard rock albums with tags , , , , , , , , , , , , , , , , , , , , on May 16, 2009 by Metal Odyssey

Black Stone Cherry, you better believe I like this band! I always feel reassured when a young Hard Rock or Metal band appears on the scene and shows reverence for old school Classic Rock, Hard Rock and Heavy Metal. With Black Stone Cherry, the reverence is in their music. I can hear it and feel it, the reverence in their first two albums and I am sold. Pick up or find just about any interview from this band, you will find these guys mentioning bands from years/decades gone by with the upmost respect. I personally feel it is the coolest and most admirable quality of any heavy Rock band to recognize the roots of their respective genre. Since the first moment I heard of Black Stone Cherry and with my continuance to follow them through numerous media sources, I have never heard a microscopic ounce of arrogance or self entitlement from them. This attitude will carry Black Stone Cherry to greater heights, for they have the musical talent to achieve their highest goals, in my Metal opinion.

I give Road Runner Records a huge applause for signing Black Stone Cherry in the first place, this record company has a winner here and believe me, they know it. One professionally paid music critic out there recently wrote, that “Black Stone Cherry should stop trying to sound like Nickelback” – this statement proves that there are paid music critics out there that never listen to the bands they write about. Black Stone Cherry sounds nothing like Nickelback, the only two things these two bands have in common are that they are extremely talented musically and they play Hard Rock. (I could never, ever, find it ethical to write about a band or their music without first listening to their stuff, yet unethical music reviews is what we all get handed to us, from mainstream Rock publications these days).

There are just two albums/CD’s out there currently by Black Stone Cherry – give them time, their first release was on July 18, 2006, aptly titled “Black Stone Cherry” with their second release on August 19, 2008 titled “Folklore and Superstition”. Black Stone Cherry blends together almost magically, the genres of Hard Rock, Heavy Metal and Southern Hard Rock. In my Metal opinion, there are no filler tunes on either album. The debut album for me, is the heaviest of the two, with “Folklore and Superstition” reaching out to a more melodic and commercial friendly sound. Having radio friendly tunes on a Hard Rock album does not bother me one bit, especially when the songs are not all sappy ballads. Don’t get me wrong though, “Soul Creek”, “Blind Man” and “Please Come In” off of “Folklore and Superstition” are catchy and melodic, yet these songs still Rock like there is no tomorrow. Great party tune is “Soul Creek” – I find myself bellowing out the lyrics to this song while I play it, almost as if it is uncontrollable.

Uh, yeah, I definitely recommend Black Stone Cherry and both of their albums/CD’s to any fan out there who wants to Rock out to some excellent music from excellent musicians. Here is the lineup for Black Stone Cherry, ‘cuz you just might want to know these dudes names: Chris Robertson on lead vocals, lead/rhythm/slide guitar, Ben Wells on rhythm & lead guitar, electric sitar & backing vocals, Jon Lawhon on lead, rhythm bass & backing vocals and John Fred Young on drums, percussion & backing vocals.

fullsize-1 fullsize

Quiet Riot “Rehab” – a Heavy Metal diamond in the rough

Posted in 1980's heavy metal music, Album Review, classic rock, Hair Metal, Hard Rock, hard rock album review, hard rock songs, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, Rock, rock music, Vocals with tags , , , , , , , , , , , , , , , , , , on May 4, 2009 by Metal Odyssey

8141414The late Kevin DuBrow of Quiet Riot has certainly left his mark on the world of Heavy Metal. In my opinion, just the album “Metal Health” alone is quite the Metal accomplishment. “Metal Health” (released in 1983), will forever have the distinction of being the very first Heavy Metal album to hit #1 on the album charts. Fast forward to October 31, 2006, Quiet Riot “Rehab” was released under the radar, so to speak. “Rehab” is a darn good hard rockin’ album, in my Metal opinion. You no longer hear the Hair Metal thumping of the 1980’s on this album, what I do hear, are quality written songs with quality musicianship. In summary, the music on “Rehab” is Hard Rock meets Heavy Metal.

I am not saying that “Rehab” is the greatest Metal album I have ever listened to, it is just a real decent album of songs that really rock, a well rounded album of songs. This is not what I expected, actually, for I thought that “Rehab” was going to be a Hair Metal trip down memory lane. I did get more than I anticipated, for all the tunes here are relatively longer than your usual straight-up Heavy Metal album. The shortest tune is “Blind Faith”, at 3 minutes and 23 seconds. The longest tune is “Evil Woman” at 8 minutes and 49 seconds. The musicians on “Rehab” are (of course) Kevin DuBrow on vocals and Frankie Banali on drums – with Glenn Hughes on bass and lead vocal duet on the tune “Evil Woman.” (No, this is not a cover song of The Electric Light Orchestra’s Classic Rock hit). Glenn Hughes also provides background vocals throughout “Rehab”, with Neil Citron on guitar and Tony Franklin on bass as well. “It Sucks To Be You”, (written by Kevin DuBrow), is the closest you are probably going to get in hearing the old school Hair Metal swagger vocals coming from Kevin DuBrow. Musically, the song is also the most reminiscent of 1980’s Heavy Metal from Quiet Riot too.

Overall, I find “Rehab” to be a sincere and serious approach in creating and delivering on some very cool Hard Rock/Heavy Metal from Quiet Riot. After each listen to “Rehab”, I cannot help but find myself wishing Kevin DuBrow did not pass away so young. Then again, Kevin DuBrow will live on forever in the music he helped to create, leaving Metal fans like myself enjoying what I consider to be one of the more unique vocals in Heavy Metal’s storied history. In my Metal opinion, “Rehab” is one heavy, mature, quality driven, class act effort for Quiet Riot to end their Metal legacy with.