Archive for 1990's heavy metal albums

BLACK SABBATH “Cross Purposes” – 1994 Album Revisited, Some Metal Thoughts…

Posted in Metal with tags , , , , , , , , on January 14, 2011 by Metal Odyssey

BLACK SABBATH – On February 8, 1994, Black Sabbath released their seventeenth studio album – Cross Purposes via I.R.S. Records. Of course this is not the original lineup of Black Sabbath heard on this album, with the exceptions of Tony Iommi (guitar) and Geezer Butler (bass). Nor is the late and legendary Ronnie James Dio present here. Tony Martin (vocals), Bobby Rondinelli (drums) and Geoff Nicholls (keyboards) join up with Tony Iommi and Geezer Butler, to make what I consider a formidable Black Sabbath lineup, that created some intense and memorable Heavy Metal with Cross Purposes.

It never bothered me in the least, each time Black Sabbath changed it’s band lineup around. The constant Metal presence of Tony Iommi, with his signature tones and riffs roaring from his Gibson guitar, has given every Black Sabbath album one of it’s mighty trademark sounds regardless of lineup changes. Am I wrong to feel this way? Of course not, it’s my personal Metal opinion. I’m a lifetime Tony Iommi and Geezer Butler fan, so when this album was released I was thrilled to hear them and their new songs. For sake of Metal argument, I’m a fan of every musician and vocalist that Black Sabbath has ever had. I’m guilty of being a fan of the entire Black Sabbath musical tree… Metal be thy name.

Adopting the band name of Heaven & Hell back in 2007 never swayed me to love the music of Black Sabbath anymore than I already do. Legalities over a band’s trademark name like Black Sabbath certainly surrounded around money, more than it did anything else… that’s understandable and completely logical. So, if one can get past the fact that Black Sabbath was an interchangeable band from 1983 through 1995, (counting the classic Ronnie James Dio aka Heaven & Hell lineup with 1992’s Dehumanizer in the mix), then one can focus on the music and appreciate what Tony Iommi and his Black Sabbath band(s) have truly accomplished with Heavy Metal.

Check out below, the black & white promo music video for Black Sabbath – The Hand That Rocks The Cradle, which was released back in 1994:

Cross Purposes was released in 1994, a time when the Grunge explosion was beginning to lose some steam. It seems (at times) that the 90’s decade gets a bum rap on Heavy Metal releases, only I beg to differ. Heavy Metal was alive and well during the 90’s, only it was not covered by the mainstream or held the arena and stadium limelight compared to those colorful 80’s. Truth be told, it’s like that now, only Heavy Metal is considered “the comeback kid” by some, where I consider this genre’s perseverance to be the result of it’s loyal fan base, along with relentless and exceptionally talented bands that never say die. Cross Purposes was an album that surprised me then, with it’s completeness resulting in being a quality album and it still entertains me now with it’s Old School heaviness.

Cross Purposes has that Sabbath doom vibe sprinkled all over the top of the songs, with the main incubus to this dark sound being Tony Iommi himself. Yes, Geezer Butler is evident in his playing on this album. That Geezer Butler was on this album alongside Tony Iommi, makes a world of difference in capturing that Sabbath vibe. Tony Martin (along with Ray Gillen) may very well be the most unsung lead vocalists from any of the Black Sabbath lineups. I really admire Tony Martin’s vocals, they are of the Classic or Old School era that fits right into what Ian Gillan and Glenn Hughes have done with this same band. (Ozzy Osbourne and Ronnie James Dio are the two untouchables who’ve fronted Black Sabbath, in my Metal opinion). This is herculean company to be in, Tony Martin can look back and realize he was part of a family line of not just talented vocalists for Black Sabbath, they all are immeasurably historic to Rock Music itself.

Geoff Nicholls always has added that impending and dark atmosphere for Black Sabbath with his keyboards. It’s no different on Cross Purposes, with atmosphere playing a key role in making this album spill over with once again… that Sabbath vibe. Tony Iommi was and forever will be the “Riff King” to my ears, Cross Purposes is potently stocked with his patented riffs. Cross Of Thorns is the song I’ll point out as my favorite on this album, with all of it’s Sabbath glory exploding from it’s dark sound and slow to mid-paced tempo. I can confidently say there isn’t a song on Cross Purposes that is fast forward material. Cross Purposes is an album worth checking out and getting familiar with if you already haven’t. Sure, this album is not the greatest Black Sabbath album ever recorded, still it is a legitimate offering of Heavy Metal, played by an excellent group of musicians, from a decade that supposedly squashed our beloved genre.

Track Listing For Cross Purposes:

I Witness

Cross Of Thorns

Psychophobia

Virtual Death

Immaculate Deception

Dying For Love

Back To Eden

The Hand That Rocks The Cradle

Cardinal Sin

Evil Eye

LONG LIVE THE METAL OF BLACK SABBATH.

Stone.

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PANTERA – “THE WILL TO SURVIVE” DEMO IS A HIDDEN METAL TREASURE

Posted in hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal history, heavy metal music, heavy metal news, heavy metal songs, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , , , , , , , , on September 20, 2010 by Metal Odyssey

PANTERA – On September 14, 2010, Rhino Records released the 3-CD Deluxe Edition of Cowboys From Hell. PANTERA rules. Originally released back on July 17, 1990, on Atco Records, this was the album that catapulted PANTERA as a relentless and blazingly bad-ass live band. Metal be thy name, that is the truth. 2010 ushered in the 20th Anniversay of Cowboys From Hell, whoa… seems like yesterday to me when this unreal great album came out. Cowboys From Hell marked the fifth studio album from PANTERA… the first four being on their own label called Metal Magic. PANTERA rules.

It’s an endless Metal debate, as to which PANTERA album is the very best. I like to go with Cowboys From Hell, Vulgar Display Of Power and Far Beyond Driven as my personal top three. Hell, it’s very difficult for me to pin one PANTERA album against another. PANTERA rules. As I see it, PANTERA was the pit bull in the backyard, that was set loose to protect and spread the cause of Metal in the decade of the ’90’s… and they did just that and then some. Metal be thy name.

There is one demo, that was never released before, on disc 3 (the demo disc) which is The Will To Survive. Whoa, do I like this song a Metal ton. Phil Anselmo sounds like Rob Halford… or can I say has some heavy duty Rob Halford influence in his vocals, on this demo. After listening to this song a couple dozen more times… I will even make a Metal stretch by saying, that I hear a bit of Geoff Tate in the vocals of Phil Anselmo too. The Will To Survive of course was written and had it’s parts recorded well before there was a Vulgar Display Of Power, even before Cowboys From Hell.

I’m calling The Will To Survive demo a hidden Metal treasure. Why? For one, it’s not a song I would have expected to hear on this deluxe edition of Cowboys From Hell. Sure, the thought crossed my mind of maybe hearing something from the Metal Magic era of PANTERA… only this song surpasses what I initially thought it would sound like, both in it’s Traditional Metal style and sound. Trust me… the late and ultra legendary Dimebag sounds fabulous on guitar too, giving The Will To Survive a Speed Metal/Power Metal vibe that really leaves me whining for more.

If there were more hidden Metal treasures like The Will To Survive still on tape somewhere… locked away… I pray that Vinnie Paul, Rex Brown and Phil Anselmo would turn ’em loose on us fans someday, with one entire CD of PANTERA songs that have NEVER been heard before in any form. PANTERA rules.

Why do I keep stating “PANTERA rules” throughout this post you may query? There really is nuthin’ to question here… PANTERA F’N RULES. Always did… always will. Call me a PANTERA fan boy? Hell, I’m not alone there and I’m in good company, thank you very much. Plus, I’m damn proud to be one. Yes, I strongly urge any and all fans of Metal and of course, PANTERA, to get a copy of this Cowboys From Hell – 20th Anniversary Deluxe Edition.

* Recently, I interviewed Phil Anselmo for my very good Metal Buddies over at HARD ROCK HIDEOUT. You can check out this HARD ROCK HIDEOUT exclusive by clicking the large link below or by clicking any HARD ROCK HIDEOUT link you see here.

PHIL ANSELMO – THE HARD ROCK HIDEOUT INTERVIEW!l

*An abbreviated breakdown of the 3 disc Cowboys From Hell – 2oth Anniversary Deluxe Edition:

* Disc 1 is the Cowboys From Hell studio album remastered. Disc 2 contains 12 live songs. Disc 3 has 11 demos from the Cowboys From Hell sessions, which includes The Will To Survive.

LONG LIVE THE METAL OF PANTERA!

REST IN PEACE, DIMEBAG.

Stone.


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STEELHEART – “TANGLED IN REINS” ALBUM FROM 1992 IS A HEAVY METAL GEM!

Posted in 1990's heavy metal albums, 1990's heavy metal bands, 1990's heavy metal guitarists, 1990's heavy metal songs, 1990's hair metal bands, 1990's heavy metal music, album covers, Album Review, hard rock music, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal bands, heavy metal history, heavy metal music, heavy metal vocalists, melodic heavy metal music, metal odyssey, Music with tags , , , , , , , , , , , , , on February 27, 2010 by Metal Odyssey

STEELHEART – released Tangled In Reins on July 10, 1992 on MCA Records. Cutting to the Metal chase here, holy crap, is this a profoundly great Heavy Metal album of 10 songs! In makes absolutely no sense to beat around the Metal bush, when describing my true feelings towards this Steelheart album. Yes, Steelheart back in ’92 can very well be labeled as a Hair Metal band, with Tangled In Reins being called a Hair Metal album. The inner and outer cores of this album cries out just one universal sound and feel for me… Heavy Metal and it is a gem. The all-encompassing power and memorable songs I hear on Tangled In Reins is pretty darn close to Metal sanctity.

A Metal truth is that I never owned or listened to this Steelheart album until recently. (The early ’90’s were very lean years for my wallet). My best Metal buddy Scott Coverdale landed me this CD… along with his enthusiastic Metal accolades of it as well. Thanks Scott, this CD is quite an indulgence. It just seems like the first half of the ’90’s had some real deal Heavy Metal albums released back then, coming across the ones I missed out on years later is better late than Metal never. Metal buddy Scott and I both conclude… Steelheart’s first two albums are just victims to their time period of release. From 1990 onward through that entire decade, Heavy Metal had an upward battle to fight for any mainstream or positive critical attention. As I always say, Heavy Metal never went away back in the ’90’s, it only silently grew stronger.

In my most humble Metal opinion, Steelheart knew how power ballads were to be written and played for Heavy Metal. Not to come across as redundant, yet I am the ever fickle – ballad critic. Two ballads exist on Tangled In Reins: All Your Love and Mama Don’t You Cry. I don’t hesitate a micro second to put down Heavy Metal power ballads, from any band… ever. These two Steelheart ballads are creme’ de la creme’ of how I want them to sound and come across. Both ballads burst at the emotional seams, still they are loaded with hard-edged and melodic grooves. Miljenko Matijevic has an uncanny, God-given ability to hit the high notes and does not whine away in stereotypical ballad fashion.

Tangled In Reins kicks off with Loaded Mutha and this mutha Rocks with all the delectable, good times heaviness I could ask for. Chris Risola on lead guitar, serves up the licks that makes this song just jump out and come to life. Love ‘Em And I’m Gone lends itself to that carefree, single and party time lifestyle, which has been so well documented in Heavy Metal songs over the decades. This song may not be relevant to me lyrically at my point in life now… still I don’t care, it Rocks! Long live fun Heavy Metal songs! Electric Love Child has a catchy Heavy Metal title and the song itself is even more so. Listening to Electric Love Child makes me appreciate Steelheart as one of the finest and most underrated Heavy Metal bands from the early ’90’s. Steelheart has all their Metal cylinders in sync on not just this song… on the entire album as well.

In Metal summation, Steelheart exercises their potent and muscular Metal abilities and skills at a very high level on Tangled In Reins. This Steelheart lineup played like an extremely tight and content unit on this album, giving every indication from the song lyrics to the lively and free spirit feel of the musicianship. Tangled In Reins is just a must listen from the early ’90’s, an album to revisit on a continuous basis. A powerful Heavy Metal album, to simply state: Heavy Metal never sounded so damn good… Tangled In Reins has reined me in for keeps!

I believe Miljenko Matijevic is an extremely gifted vocalist, knowing he still has his Steelheart band out and running around the globe is a testament to the quality and integrity of the music he represents. Plus, one of these days I’m gonna get my hands on some of that Steelheart coffee! Check out for yourself, the latest news on all things Steelheart, (and the coffee too), by clicking on the link below:

STEELHEART – Official Website

STEELHEART, as they appeared on Tangled In Reins from 1992:

Miljenko Matijevic – lead vocals & piano

Chris Risola – lead guitar

Frank Di Costanzo – rhythm guitar

James Ward – bass guitar

John Fowler – drums

* Jeff Scott Soto – appears on backing vocals

LONG LIVE MILJENKO MATIJEVIC AND STEELHEART!

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ARCADE – REVISITING STEPHEN PEARCY’S “OTHER BAND” AND 1993 DEBUT ALBUM

Posted in 1990's hard rock music, 1990's heavy metal albums, 1990's heavy metal bands, 1990's heavy metal guitarists, 1990's hair metal bands, 1990's hard rock albums, Album Review, collecting metal music, cool album covers, glam metal, glam metal music, Hair Metal, hair metal albums, hair metal bands, hair metal music, hard rock music, hard to find heavy metal albums, hard to find rock cd's, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1993, heavy metal bands, heavy metal history, heavy metal music 1993, metal odyssey, Music, old school heavy metal, rock music with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 18, 2010 by Metal Odyssey

In recent days, the 1993 debut and self titled album from Arcade found it’s way into my ears. (Thank you Best Metal Buddy Scott). Epic Records released this Arcade debut. You all should be quite familiar with Arcade’s front man Stephen Pearcy… lead singer for RATT and very much a prominent, memorable and flamboyant Hair Metal figure from the 1980’s. Fred Coury, the drummer for still another iconic 1980’s Hair Metal juggernaut – Cinderella, found that one of his Heavy Metal path’s led to Arcade as well. Hair Metal and Glam Metal aside, Arcade was just damn good Heavy Metal – period. In my Metal opinion, if Arcade was to have been assembled around 1985, (instead of the gray lined early ’90’s), they would have had their likenesses adorning highway billboards – all over North America. O.k., that might be of a Metal stretch, nonetheless, Arcade would easily have been bigger and more widely received during an earlier era. Revisiting Heavy Metal Bands from the past that are no longer together, makes for the credibility of just where Heavy Metal is today… these are the bands and musicians that kept the Metal flame burning during a ’90’s decade of Heavy Metal uncertainty. I was never uncertain about my beloved Heavy Metal during the ’90’s… and by the sounds of it, neither was Stephen Pearcy and Arcade.

What this debut album from Arcade shows me, is that Stephen Pearcy acknowledged within himself, that he had all the Metal ingredients and creativity to be a star outside of RATT. And certainly, I would hope the majority of us Metalheads know that RATT was no fluke, their heavy legacy still reigns to this very day. For Stephen Pearcy to be the lead vocalist for two bands of this quality and caliber is not an everyday accomplishment. Essentially, the same can be Metal said for Fred Coury respecively, on drums. Guitarists Donny Syracuse and Frankie Wilsex add credence to Arcade’s own Heavy Metal identity. The only reminder of RATT within the sound of Arcade is Stephen Pearcy’s vocals and he CANNOT be faulted for that.

It sounds very clear to me, that Stephen Pearcy and his Heavy Metal posse called Arcade, knew all along, just how to create and write a ballad. Cry No More, Mother Blues and So Good… So Bad… are extremely tolerable ballads to listen to. I can actually listen to these three ballads repeatedly! (Now, listening to any ballad repeatedly is a rarity in my Metal world). Arcade actually found that semi sappy to sappy lyrics don’t need to be coupled with excessively sappy music, that brings you to the brink of an emotional meltdown. I will admit, Cry No More has an acoustic guitar intro that carries on a very reminiscent tone and mood from Cinderella’s classic Power Ballad – Nobody’s Fool. Mother Blues is an unplugged/acoustic listen in Rock goodness, it really is. Sons And Daughters is the lone instrumental on Arcade. An acoustic instrumental that lends itself as the perfect segue to Mother Blues.

Arcade is one of those albums where it is obviously nonsensical to breakdown each song as a review. Those who have listened and liked this album may understand my point. Outside of the three ballads and one instrumental previously mentioned, the other eight songs are undisputed Rockers. If you are looking to revisit these songs or give them a first time listen, understand that the hard and heavy from Arcade doesn’t give me a moments break… and I like that! I try to steer away from pinpointing what exact genre Arcade belongs to… at the end of the Metal day does it really matter? Arcade is Hard Rock colliding with Heavy Metal, whatever one’s interpretation that differs from mine is a matter of personal Metal labeling.

From the onset, Dancin’ With The Angels is fair warning that Stephen Pearcy and Arcade are NOT about re-treading RATT. Messed Up World is my favorite song from Arcade. The lyrics of Messed Up World could not resonate any more loud and true for me. Relevance? This song is exploding at the Metal seams with it. Messed Up World could have easily been written for today’s nightly news features.

Arcade… they came, they saw, they Metal conquered.

ARCADE, as they appeared on their 1993 debut album:

Stephen Pearcy – lead vocalist

Donny Syracuse – guitarist

Frankie Wilsex – guitarist

Michael Andrews – bass guitarist

Fred Coury – drummer

The Track Listing For Arcade:

Dancin’ With The Angels

Nothin’ To Lose

Calm Before The Storm

Cry No More

Screamin’ S.O.S.

Never Goin’ Home

Messed Up World – *(Metal Odyssey Note: My favorite song, man, it’s a good one)

All Shook Up

So Good… So Bad…

Livin’ Dangerously

Sons And Daughters

Mother Blues

* Metal Odyssey’s Metal research has found there is an additional song on the Japanese version of Arcade – Reckless. No, I have never heard this song… yet.

* To the best of Metal Odyssey’s Metal knowledge, Arcade’s debut album – Arcade is out of print. Used copies are circulating for sale all around the world wide web. (I’ve seen used copies on Amazon Music).

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JUDAS PRIEST – “PAINKILLER” ALBUM FROM 1990 STILL EXPLODES METAL FEROCITY

Posted in 1970's heavy metal bands, 1980's heavy metal bands, 1980's metal bands, 1990's heavy metal albums, 1990's heavy metal bands, 1990's heavy metal songs, 1990's metal bands, Album Review, cool album covers, current heavy metal bands, guitar legends, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1990, heavy metal bands, heavy metal guitarists, heavy metal history, Heavy Metal Reviews, heavy metal vocalists, metal music, metal odyssey, Music, old school heavy metal, old school heavy metal bands, rock music, thrash metal music with tags , , , , , , , , , , , , , , , , , , , , , , , on January 13, 2010 by Metal Odyssey

Ferocity: the quality or state of being ferocious. That is what I hear each time I crank up Painkiller from Metal legends – Judas Priest. Painkiller was released on September 3, 1990, on Columbia Records. Yes, the 1990’s was ushered in with quite a Metal explosion with this album. Consider that it was 1990, twenty years ago when this amazing Metal album was first released. My Metal point is this: if Painkiller was to have been released today, there is more relevance in it’s Metal in 2010 than ever before, encapsulating everything that is fast, heavy and hard about Metal Music. Honestly, if Painkiller was released in 2010, it would be an enormous candidate for my #1 Heavy Metal album of the year. However, the reality is that Painkiller is an album from the Metal past, only it seems to still have more of an impact on me than I could ever imagine. This was the 12th studio album from Judas Priest, (if you are to consider the 1978 U.K. release of Killing Machine, basically the same album as Hell Bent For Leather, only it is minus The Green Manalishi (With The Two-Pronged Crown). I am not reluctant to state, that this Judas Priest album is arguably the heaviest and fastest album in their catalog. Despite my abhorring the Grammy’s, Judas Priest was nominated for best Metal Performance in 1991 due to Painkiller.

The two songs on Painkiller that standout for me, which are easily two songs I can listen to every day of my life, repeatedly, are: Painkiller and A Touch Of Evil. My inner Metal struggle as of late, is knowing that A Touch Of Evil is my single most favorite, Heavy Metal song of my entire Metalhead life. Why is that an inner Metal struggle for me, you ponder? Well, due to the fact that I simply cannot believe I actually know this is the song! Plus, it did not dawn on me until recently… maybe sometime before the holidays of 2009. I will tell you this though… it is a really cool Metal feeling when it hits you and the realization kicks in, that you finally know that this is THE song. Could A Touch Of Evil ever be replaced by another Metal song as my lifetime favorite? Maybe. I’ll know when it hits me. One thing is guaranteed though… it would NEVER be a Daughtry song.

The song Painkiller is for all Metal intents and purposes… Thrash Metal. I applaud the fact that Judas Priest showed the world that yes… Thrash Metal is in their forte. All ten songs on Painkiller are immense, there is no weak link to be found. The re-release of Painkiller has two bonus tracks: Living Bad Dreams and Leather Rebel (Live). Both of these songs are great for me, still, I don’t see how a “live” bonus track ever fits into a studio album to begin with.

With Painkiller being the last studio album with Rob Halford at the vocal helm, (until the 2005 Judas Priest release – Angel Of Retribution), it showed us die-hard Metalhead followers of Judas Priest that we shall never take anything for Metal granted. Tim “Ripper” Owens is a fine lead vocalist, (taking over lead vocals on 1997’s Jugulator and Demolition from 2001), still there is only one Metal God, one original lead vocalist for Judas Priest… Rob Halford. During Rob Halford’s departure from Judas Priest, Fight became his very own Metal creation… a band that I uphold highly and find extremely thrilling. I did blab and brag about Fight one time… you can check it out by clicking the header below:

Fight was one incredible Metal band!!

Recently, the 2009 release – The End Of Tomorrow from Ravage, paid tribute to this Painkiller album and Judas Priest by having in it’s track listing… the cover of Night Crawler. Ravage did a fabulous Metal job at covering Night Crawler too. In 1990’s retrospect, yes, I would without hesitation, point right at Painkiller as being a top ten Heavy Metal album of that decade. Those of you who do own Painkiller hopefully understand my excitement over it… those of you who do not own Painkiller just yet, well, you are missing out on one damn incredible Judas Priest album for sure, in my Metal opinion.

Judas Priest:

Rob Halford – vocals

Glenn Tipton – guitar

K.K. Downing – guitar

Ian Hill – bass guitar

Scott Travis – drums

Painkiller was produced by Judas Priest and Chris Tsangarides.

Track Listing For Judas Priest – Painkiller:

Painkiller

Hell Patrol

All Guns Blazing

Leather Rebel

Metal Meltdown

Night Crawler

Between The Hammer & The Anvil

A Touch Of Evil

Battle Hymn

One Shot At Glory

Re-release Bonus Tracks:

Living Bad Dreams

Leather Rebel (Live)

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IRON MAIDEN – 1993 FLASHBACK: “A REAL LIVE ONE” AND “A REAL DEAD ONE”

Posted in 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal bands, 1980's metal music, 1990's heavy metal albums, 1990's heavy metal bands, 1990's heavy metal music, Album Review, collecting metal music, cool album covers, creepy album covers, current heavy metal bands, essential heavy metal albums, heavy metal album covers, heavy metal albums, heavy metal albums 1993, heavy metal bands, heavy metal history, heavy metal music, heavy metal music 1993, live heavy metal albums, metal music, metal odyssey, Music, old school heavy metal, old school heavy metal bands, rock music, scary album covers, vintage heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , on December 14, 2009 by Metal Odyssey

Iron Maiden was alive and well back in the decade that supposedly ignored Heavy Metal… the 1990’s. The year was 1993 and Iron Maiden released not one but TWO live albums. You read that correctly, two. What a splendid feeling it was, back in 1993, to have Iron Maiden release these two live albums. Oh, yeah, here are the two live album titles: A Real Live One and A Real Dead One. (Yes, I did use the word splendid on Metal Odyssey… two lines ago). You see, Heavy Metal did exist in the 1990’s, it never went away, nor did it hide for cover due to any Grunge Bands coming out of Seattle, Washington either. In my Metal opinion, Grunge only enhanced the diversity of Metal Music… Alice In Chains epitomizes that school of thought. Heavy Metal and Iron Maiden never went astray during the 1990’s, all one has to do is just uncover this decade for it’s bounty of Metal worth… it’s out there. Well, not to get off track here, Iron Maiden quietly released these two live albums during what was supposedly “the heart” of the Grunge Music invasion… and they both are really good too.

I totally disregard any lame reviews that these two live Iron Maiden albums have received over the years, (from of course, professionally paid Rock critics), instead I embrace these two albums as being legit as anything Iron Maiden has ever done. No, I am not ever going to say A Real Live One and A Real Dead One are equal to or better than the Iron Maiden classic from 1985 – Live After Death. What these two 1993 live Iron Maiden albums have accomplished is capturing this band at what they do best, playing fast and non-mainstream Heavy Metal in which proves to be an incredible listen as well as Metal historical. How often are fans trying to find live bootleg CD’s and/or DVD’s of their favorite bands? So many times the notion of bootlegs surfacing is considered cool and “must have”… well here are two live Iron Maiden albums that were legitimately released, (originally on Capitol Records) and are light years better in quality than any bootleg available.

In 1993, Iron Maiden stuck to their Metal guns and released two live albums for their fans to embrace. Regardless of what was the mainstream/Rolling Stone Magazine flavor of the month back then, Iron Maiden provided what they always were known for up to that point in time… real Metal. Real live Metal as well. Lately, I have been on an Iron Maiden kick, Metal be damned I’m proud of it. I bought A Real Live One and A Real Dead One on cassette back in 1993. I still have both cassettes too… in super mint condition. I took really great care of the music I bought, regardless if it was an album, cassette or CD… for the Metal Music I bought throughout the decades has taken great care of me.

A Metal Note: The Iron Maiden Band Lineup For Both A REAL LIVE ONE and A REAL DEAD ONE:

Bruce Dickinson – vocalist

Steve Harris – bass guitarist

Dave Murray – guitarist

Janick Gers – guitarist

Nicko McBrain – drummer

A REAL LIVE ONE – was released on March 22, 1993

The Track Listing for A REAL LIVE ONE:

Side One:

Be Quick Or Be Dead

From Here To Eternity

Can I Play With Madness

Wasting Love

Tailgunner

The Evil That Men Do

Side Two:

Afraid To Shoot Strangers

Bring Your Daughter… To The Slaughter

Heaven Can Wait

The Clairvoyant

Fear Of The Dark

* A REAL LIVE ONE was recorded on the Iron Maiden – Fear Of The Dark Tour 1992. The liner notes of A REAL LIVE ONE, (my cassette version from 1993), contains fabulous full color photos of each band member, (the liner notes fold out into 6 panels, double sided). A detailed equipment list for each band member is shown, as well as the usual credits and a cool thank you from Steve Harris/bass guitarist. These liner notes are done right and are very cool indeed. (I said indeed again, wow).

A REAL DEAD ONE – was released on October 18, 1993

The Track Listing for A REAL DEAD ONE:

Side One:

The Number Of The Beast

The Trooper

Prowler

Transylvania

Remember Tomorrow

Where Eagles Dare

Side Two:

Sanctuary

Running Free

Run To The Hills

2 Minutes To Midnight

Iron Maiden

Hallowed Be Thy Name

* The liner notes for A REAL DEAD ONE, (my cassette version from 1993), do not contain any photo’s or fold out panels like A REAL LIVE ONE does. A REAL DEAD ONE does contain a fold-out mini poster though!! Yeah man!! It came inside of this cassette back in 1993! My copy is in mint shape, with the crispest of edges too! (Save for the original creases from it having to be folded, to fit inside the cassette box). On the front side of this great little Iron Maiden poster are dozens of mini concert photos of all the Iron Maiden members of 1993! At the top/across of this mini poster is the classic Iron Maiden logo in all of it’s vintage Metal glory! The backside of this mini poster has – get this – an Iron Maiden Family Tree!! Yeah Man! It details all of the Iron Maiden members, (up to 1993, of course), with their respective bands they were a part of, both pre-Iron Maiden and post-Iron Maiden! Iron Maiden history, all detailed here on this mini poster gem!

* This mini poster is an oddball piece of Iron Maiden memorabilia… at an oddball size too, it measures approximately 7″ x 11.5″. I really wonder, just how many of these mini posters survived from A REAL DEAD ONE cassettes over the years? How many Metalheads threw them away? How many became ruined from spilled beer? How many were tacked up onto walls and were subsequently faded and torn? I will go out on a Metal limb right here, stating this mini poster just might be… semi rare… to… rare?

For the first time today, I decided to take this mini poster of Iron Maiden from the safe storage of it’s A REAL DEAD ONE cassette box… and finally put it into a thick and sturdy poster sleeve. Now I can better enjoy it, display it and read the Iron Maiden Family Tree whenever I want to! Yeah! From Steve Harris’s first band – Gypsy’s Kiss to Adrian Smith’s band in 1992 – Untouchables, with Bruce Dickinson’s bands – Shots and  Samson in between! Trust me, there is quite a bit involved with this Iron Maiden Family Tree, (and it is only up to 1993), thus making for quite a detailed – future post on Metal Odyssey… that would be a tremendous amount of keystroking!

In Metal summary, I rediscovered A REAL LIVE ONE and A REAL DEAD ONE from 1993, Iron Maiden does not disappoint me. Plus, the rediscovery of the Iron Maiden mini poster and Iron Maiden Family Tree makes this Metal flashback all the more sweeter indeed. (Wow, I said indeed for a third time, as well as the word sweeter… on Metal Odyssey).

LONG LIVE IRON MAIDEN

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KING DIAMOND – METAL BLADE TO REISSUE “THE GRAVEYARD” and “THE SPIDER’S LULLABYE” on OCTOBER 13, 2009!

Posted in 1980's heavy metal bands, 1980's heavy metal music, 1980's metal music, 1990's heavy metal albums, 1990's heavy metal bands, 1990's heavy metal songs, classic heavy metal, classic heavy metal albums, classic metal, collecting music, cool album covers, creepy album covers, current heavy metal albums, current heavy metal music, current metal albums, essential heavy metal albums, essential metal music albums, extreme metal music, Heavy Metal, heavy metal album covers, heavy metal album reissued, heavy metal albums, heavy metal albums 2009, heavy metal bands this decade, heavy metal guitarists, heavy metal music, heavy metal music 2009, heavy metal solo artists, heavy metal this decade, heavy metal vocalists, horror metal, king diamond, Metal, metal blade, metal blade records, metal music, metal music today, metal odyssey, Music, new heavy metal album, old school heavy metal, scary album covers, spooky album covers, spooky metal album covers, vintage heavy metal albums, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , on September 22, 2009 by Metal Odyssey

King Diamond - The Spiders Lullabye large imageKing Diamond, the legendary Metal front man for Mercyful Fate and Horror Metal/Heavy Metal icon. King Diamond and his band have left more than a mark on Heavy Metal history, a chunk of Heavy Metal history is King Diamond. On October 13, 2009, the infamous Metal Blade Records will reissue two King Diamond Classics… The Graveyard and The Spider’s Lullabye. Very cool. Just in time for Halloween… very cool again. Both albums have been re-mastered by King Diamond guitarist Andy LaRocque. The Spider’s Lullabye was originally released in 1995, with The Graveyard originally released in 1996. Bonus live bootleg footage will be available for download, for those who purchase either of these two reissues. The bonus footage for download will be these three King Diamond songs: The Spider’s Lullabye, Trick Or Treat and Up From The Grave. Reissue’s are always great, especially when they include new songs and/or videos – downloading the bonus content for these albums is fine with me, especially when King Diamond is looking at giving the fans the highest quality in sound and video. Man, I better start saving up some spare change or my Christmas want list is going to be very long with all of the new Metal CD’s that are coming out next month! Metal rules. King Diamond is a big reason why. King Diamond is delivering a Happy Halloween to his fans and all fans of Metal on October 13, 2009.

You can find out more about these reissues and King Diamond by visiting the official King Diamond/Mercyful Fate site and King Diamond’s MySpace page:

http://www.covenworldwide.org/
http://www.myspace.com/kingdiamond

King Diamond - The Graveyard large album image

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Jackyl – 1992 debut, Heavy Metal album revisited

Posted in 1990's heavy metal albums, 1990's heavy metal bands, 1990's heavy metal songs, 1990's heavy metal music, Album Review, chainsaw heavy metal music, classic heavy metal albums, cool album covers, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1992, heavy metal guitarists, heavy metal music, heavy metal music 1992, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, old school heavy metal, rock music, vintage heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , on August 2, 2009 by Metal Odyssey

main-150Hey, I have always been eager to get into new Heavy Metal bands, it’s been this way for decades now. 1992 was no different than any other year, as far as searching out the latest and/or newest Heavy Metal Bands and albums. When I first heard Jackyl back in 1992, well, it was the song “The Lumberjack”… with a chainsaw being used for a solo. A chainsaw used as a dominant musical instrument… in a Heavy Metal song, now that is cool, that is Metal. Aw heck, I am going to be blunt and admit… this chainsaw ripping through “The Lumberjack” song gave me goose bumps back in 1992. Now, does this chainsaw and “The Lumberjack” song have the same goose bump affect on me today? Honestly, not as many goose bumps generate when I listen to this song in 2009, still I like the song just as much as ever. Maybe it is due to the fact, that I know the chainsaw is coming, after listening to this song so many times over the years. Make no mistake, “The Lumberjack” song still pumps me up and makes me wish I had an old, decrepit, decaying barn to tear down while I listen to this song. 

This debut album from Jackyl, which is self titled, was a refreshing reminder back in 1992 that Heavy Metal did not curl up into a ball and wither away. Jackyl’s brand of Heavy Metal arrived right when this Metalhead needed it most, when rumors abounded within the mainstream media that Metal Music was done. Well, Heavy Metal never went away, if anything, the mainstream media just did not cover the Metal Music that was out there in the 1990’s, no publicity, therefore… no existence. Right? Wrong! Jackyl was a perfect example of Heavy Metal existing in the decade of the ’90’s. Other than the chainsaw, Jackyl did not reinvent the Metal wheel back in 1992, rather they delivered upon the Metal community an album that kicked some serious tail. “Jackyl” was an album that presented some heavy hitting, kick the dirt and throw the garbage can down the driveway – attitude and songs.

Back in 1995, I worked for a very large, mail order, perennial farm in expensive Connecticut. I can remember working the perennial fields during the Summer, driving a tractor, during a very, very, long dry spell. I recall this one cool, fellow Metalhead who drove a tractor on this farm as well… he and I both so wished it would rain. I introduced him to this Jackyl debut album, (I had it on cassette then), “When Will It Rain” became a theme song for us working the fields at this perennial farm. My Metalhead buddy borrowed my Jackyl cassette to listen to, while he worked the fields with his tractor. (There is definitely something about Jackyl’s Heavy Metal and working outdoors… one seems to compliment the other). “Down On Me” is another very memorable song from “Jackyl”, nothing fancy here, just a steady, Heavy Metal track, that is carried by the rhythm section with authority. “Dirty Little Mind” is like a speeding, Metal ball of wire, uncoiling with spastic Heavy Metal abandon.

In other words, “Jackyl” was never going to indulge in therapeutic topics, nor delve into intricate musical musings. Instead, “Jackyl” was – and still is, a down home, blue collar, back roads, type of Heavy Metal album and band. “Jackyl” was never meant to impress the judges, mainstream media, or uptight people in general. Jackyl the band and “Jackyl” the album, no doubt impressed me in 1992… still does. I think that is why I appreciate this debut album from Jackyl so much, this band wrote songs to have a good time to and maybe heave that rotted log into the woods to.

Jackyl, as they appeared on their debut album “Jackyl”: Jesse James Dupree on vocals & chainsaw, Jimmy Stiff on guitar, Jeff Worley on guitar, Tom Bettini on  bass guitar and Chris Worley on drums.

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