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WHITE ZOMBIE “Make Them Die Slowly” – Reflecting On A 1989 CD I Can’t Part With

Posted in alternative metal music, Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal music, metal odyssey, Music, rock and roll, rock music, rock music news with tags 1980's heavy metal music, 1990's heavy metal music, alternative metal music, hard rock music, heavy metal history, heavy metal music, horror metal music, make them die slowly 1989, make them die slowly album review, metal music, metal odyssey, Music, rob zombie, rock music, rock music news, white zombie on October 3, 2010 by Metal Odyssey

WHITE ZOMBIE – Released back in good ‘ol 1989, Make Them Die Slowly was the second full-length album from White Zombie, (the first full-length being Soul Crusher, released in 1987). The late ’80’s was an ultra-terrific time for Heavy Metal, only the “wave of glory” of commercial acceptance and attention was starting to drift swiftly towards the Grunge movement, by 1990. White Zombie came upon the scene in ’87 with their brand of Noise Rock, eventually indulging into various music styles, while still keeping the heaviness intact. Industrial, Groove, Funk and Heavy Metal were Metal styles that White Zombie incorporated together all so well. Many articles and Rock historians also refer White Zombie to the Post-Thrash genre as well.

I can openly admit, that this Make Them Die Slowly CD has been in my possession since it’s 1989 release and I cannot part with it. The first reason for this is I really, really, dig this White Zombie album and band. Even in it’s unpolished grandeur, this is White Zombie breaking down some serious status quo. This band was where it all began for Rob Zombie! The second reason is, it is out of print. My original 1989 CD version of Make Them Die Slowly is selling for $169.88 (U.S. funds) as a “used” copy on Amazon.com… and there is currently only “one” for sale there! Whoa, baby, whoa.

There is a 1993 reissue version of Make Them Die Slowly for sale on Amazon.com, selling for $99.99 as “new” and $16.99 as “used”, all in U.S. funds. That is a dramatic drop in the selling price, when comparing the “used” version from 1989 to that of the 1993 reissue. In all Metal honesty, I was not aware of the “actual” value of my CD discussed here, not until today. I always knew it was an original pressing from 1989 and the value would be a bit high… only this is far out amazing to me! In hindsight, I wish I had purchased a dozen copies or more of Make Them Die Slowly back in ’89!

My cousin Randy is to blame for my buying this White Zombie CD back in ’89. He used to manage a combination collectibles and record store that was very, very cool. I would go there just about every day for a number of years, from the mid ’80’s right up to the mid ’90’s. I would cash my paycheck at this store… leaving with enough money to buy beer and gas. The rest of my hard earned loot would go into buying CD’s, tapes, vinyl, sports cards and comics. Those were the days… I know. I no longer buy sports cards or comics, just in case you were wondering.

Randy would always have his finger on “the pulse” of Rock ‘N’ Roll and Heavy Metal. If there was a new and cool band to check out… Randy knew about ’em. There was that one visit to his store, where he had Make Them Die Slowly on display… and Randy wasn’t talking me out of buying it. Thanks Randy! Man, this cool cousin of mine had landed me some fine picture discs of Metallica, Iron Maiden and Motorhead too. Many bands he steered into the direction of my ears… Fight is one that stands out, back in ’93. When Rob Halford left Judas Priest, whoa… that was a big deal back then. Randy is still alive and doing just fine… just in case you are wondering.

When I first listened to Make Them Die Slowly, I realized rather quickly that White Zombie was not the stereotypical ’80’s Arena Rock or Heavy Metal Band. Rather, White Zombie was a band totally different from what I was used to hearing… this band wasn’t Thrash, Traditional Metal, NWOBHM or straight up Hard Rock. This White Zombie band caught me off guard and I initially liked what I was listening to. Sure, this band was “different”, only they were not lean on the heavy side of the Metal aisle and the vocals of Rob Zombie sounded too fiendishly bizarre for me to pass over.

Back in ’89, I felt like I stumbled on some “underground” band that not many people knew about. I never gave it a second thought, as to White Zombie becoming anything special anyhow. Listening to what I liked was the main priority then, as it is now. This White Zombie album was never going to be exalted as a masterpiece, no way. The production across the board is raw and steely on Make Them Die Slowly, arguably an album of demos… not anywhere near the overall sound and production that their 1992 studio album La Sexorcisto: Devil Music, Vol. 1 would radiate. (That album is a multi-million unit seller and still makes my prehistoric stereo speakers smoke).

In the midst of all the styles of Heavy Music that White Zombie seemed to tap into, there is always that “sliver” of Punk that I seem to catch onto with their music. Acid Flesh may have it’s non-stop groove and sparse funkiness about it, still it walks a fine line with the Punk flirtation. The same can be said for Power Hungry, only the guitar licks are crunchy enough to make any Punk comparison an extremely mild one. “Demonspeed” carries such a raw atmosphere of sound, it isn’t far fetched to think it’s a live recording during the first half minute it plays. If there is one constant to be heard on this album, it’s that this White Zombie band played with a fiery enthusiasm that my ears cannot dismiss away. “Demonspeed” is one Heavy mutha’ of a song and is my favorite on this album.

Revenge is fueled with enough kick ass, thunder-stomp Metal that it is dizzying. The repeated riff that gives Revenge it’s Metal bite, is extremely close to that of Tony Iommi’s signature riff from Zero The Hero, heard on the 1983 Black Sabbath album – Born Again. Godslayer plays at 7:14 long and is the “epic” on this album. Rob Zombie’s vocals on Godslayer gives way to the notion that maybe he was a fan of Glenn Danzig. I never picked up on the vocal similarities between Rob Zombie and Glenn Danzig, while listening to Godslayer so many years ago. This is the only song where I feel any vocal similarities between these two Metal heavyweights exists. I’m certain though, that it is all coincidental anyways. Maybe.

The overall Heavy Groove and styles that Make Them Die Slowly breathes was another solid building block towards the Metal that Rob Zombie was to eventually release as a solo superstar. Truthfully, listening to this White Zombie album is like listening to the Rob Zombie blueprint and dancing skeletons to his future. To usher in the ’90’s with a band as heavily diverse as White Zombie, probably means more to me now than it did then. I never cared to figure out really, the “fad” sound of any decade. White Zombie was no fad… this was as legit of a Heavy Band as any genre could grasp.

As I look back on the doorstep to the ’90’s, White Zombie was the band that snuck in through the front door and made themselves very comfortable in the hearts, minds and ears of more than just this Metalhead. This is “one of those” Metal albums that I appreciate more in 2010 than I probably did back in ’89. Maybe my growing appreciation lies in the fact, that White Zombie made me realize that it was cool to diversify the Metal menu, having me look upon them now, over two decades later, as Metal innovators.

WHITE ZOMBIE as they appeared on Make Them Die Slowly:

* Note: In doing my Metal research, I have read that John Ricci did not play guitar on Make Them Die Slowly. However, John Ricci is in the group photo found in the liner notes of this CD, with his name appearing below him. I have come across, through Metal research, that John Ricci left White Zombie the day Make Them Die Slowly was completed… due to having Carpal Tunnel Syndrome. I am going with that he played guitar on this album… unless a credible source “close” to the recording of this album can tell me otherwise.

Rob Zombie – vocals

John Ricci – guitar

Ivan DePrume – drums

Sean Yseult – bass guitar

Track Listing For Make Them Die Slowly:

DEMONSPEED

DISASTER BLASTER

MURDERWORLD

REVENGE

ACID FLESH

POWER HUNGRY

GODSLAYER

* More Metal research about Make Them Die Slowly, revealed the following: that “some” CD’s were released with the printing on the liner notes “spine” being incorrect. The “incorrect” spelling or error is: Let Them Die Slowly… appears on the spine. “Let” and not “Make” is the error. My CD version has this error on the liner notes spine… take a look at the pic below to see for yourself:

As you can also see from the above pic, Rob Zombie is one damn cool illustrator!

* Make Them Die Slowly was produced by Bill Laswell

* Make Them Die Slowly was originally released in 1989, on Caroline.

* As stated in the liner notes: All Lyrics – Rob Zombie, All Music – White Zombie and All Illustrations – Rob Zombie.

* The liner notes show “one” Special Thanks, it goes to… Rock & Punk Legend… Iggy Pop.

Here is the White Zombie band photo that is in the liner notes.

From left to right: Ivan DePrume, John Ricci, Sean Yseult and Rob Zombie.

Here is an illustration that is in the liner notes, drawn by Rob Zombie:

The above illustration has the words: “Bite Down Sucker” in top right corner. “Hell” is spelled out on the fist of the monster dude.

LONG LIVE THE ROCK ‘N’ ROLL OF WHITE ZOMBIE!

Stone.

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Hellfueled – Revisiting “Midnight Lady” EP From 2004!

Posted in Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal videos, metal music, metal odyssey, Music, rock music, rock music news with tags hard rock music, Heavy Metal, heavy metal bands, heavy metal from sweden, heavy metal history, heavy metal music, hellfueled, hellfueled midnight lady CD single, metal music, metal odyssey, midnight lady ep, midnight lady music video, Music, old school heavy metal, rock music, traditional heavy metal on October 2, 2010 by Metal Odyssey

HELLFUELED – In Metal Odyssey’s quest, this Halloween Season, to deliver reviews on Metal, Hard Rock and Punk Bands that bestow horror-theme tendencies of sound, style and persona, here is the very first installment for this gloriously wicked and frightful October of 2010… Hellfueled. This is one very cool Metal Band from Husqvarna, Sweden, not because I said so, it’s due to the clear fact they can write and play songs that are memorable. Anytime a band’s particular song or sound sticks in my Metal brain, it tells me that band is damn good. Midnight Lady is one hell of a memorable song from one hell of a memorable band that is Hellfueled.

Could it be a personal “gravitation” or “taste” in music happening here with Hellfueled? Probably. The only truth is, I would not go out of my way so often as I do, to just recommend pigeon crap on a platter. I try my hardest, to recommend the “coolest” bands and the creme’ de’ la creme’ of Metal, to my fellow Metalheads of the Metal Odyssey Battalion. Metal be thy name.

The song Midnight Lady opens up with a riff that was born to grab my attention and this song never let’s up on it’s ’80’s Heavy Metal outer-glow. Midnight Lady just lifts off from the onset and never seems to land to the ground, which is what good Heavy Metal is supposed to do in the first place. Despite the resonance of some Old School Heavy Metal from days long past, Hellfueled delivered a very relevant song in 2004 with Midnight Lady and it still is relevant in 2010, when compared to what’s being released at the moment.

Some may concur that Hellfueled isn’t playing anything that hasn’t been heard before. I counter by stating Hellfueled plays an European style of Traditional Heavy Metal and does so with a defiant level of confidence and talent. Just the three songs heard on this Midnight Lady EP, demonstrates the fire and hunger of a band, that trusts their style of sound and the path of heaviness they have chosen.

Reflecting for just a moment, to a band that just might be an influence to Hellfueled… Black Sabbath. Andy Alkman, the lead vocalist for Hellfueled, sounds remarkably close to that of the everlasting and legendary… OZZY. Vocals are supposed to be a unique characteristic, yet sometimes close similarities can occur between different singers, that is reality. I could not be more honest, in stating that Andy’s vocals are tailor-made for this style and sound of Heavy Metal. His vocals come across as natural and unforced, with any resemblance to Ozzy Osbourne being unintentional. If Andy’s intent was to vocally sound like Ozzy, well, then he obviously nailed it. Believe me, this is not the first place where Andy’s vocals have been compared to Ozzy.

The two previously unreleased demo songs, (Endless Work and Big Fat Eight), are very muscular in the Traditional Heavy Metal style, while not sounding as completely polished as Midnight Lady. Nonetheless, both of these demo songs can stand alone and take a pass on any further tweaking on the production side… the rawness brings out a more lean and mean aura to the vocals and overall sound of the band.

The music video for Midnight Lady that comes as a bonus to this EP is fun to watch. A teenage/college age couple are taking a late night cruise when all of a sudden, they drive by the Hellfueled band hitchhiking on the side of a dark and desolate country road. The girl in the car looks at the band as they drive by them and makes a goofy facial gesture at them. Game on.

Watch for yourself, as this couple finds out the hard way not to mess around with Hellfueled! Just click on the video box below!

Hellfueled takes the Traditional Heavy Metal style and plays it in a manner where I feel surrounded by their sound. Very strong, loud and enveloping are Hellfueled as they play on these songs, vocals included, with a guitar driven force. For new fans, this Midnight Lady EP makes for a solid introduction to Hellfueled.

I’ve seen the mp3 and CD/EP of Midnight Lady for sale on Amazon.com. It is worth picking up the entire CD/EP, as you are getting not only the two previously unreleased demo’s, your also getting the music video for Midnight Lady as well. This Midnight Lady EP is a terrific Metal listen and music video from Hellfueled that shouldn’t fly under your Metal radar. Plus… if you ever see Hellfueled hitching for a ride, don’t be foolish by not helping them out.

* For more info on Hellfueled, just click on the links below:

Hellfueled – Official Website

Hellfueled – myspace music

* Current Hellfueled lineup:

Andy Alkman – vocals

Jocke Lundgren – guitar

Henke Lonn – bass

Kent Svensson – drums

* Midnight Lady EP was released in Sweden in December of 2004, on Black Lodge.

* Midnight Lady EP had a worldwide release date in April of 2005, on Black Lodge.

Track Listing For Midnight Lady EP:

Midnight Lady – (Taken from the album Volume One)

Endless Work – (Previously unreleased demo)

Big Fat Eight – (Previously unreleased demo)

* Endless Work and Big Fat Eight are also listed as “Japanese Bonus Tracks” from Hellfueled’s debut album from 2004 – Volume One. (This info is listed on Hellfueled’s official website under “discography”.

* Produced by Fredrik Nordström and Patrik J. Sten

* The legendary producer/musician Fredrik Nordström founded Dream Evil, recruiting the incredible… Gus G. to join on with his band. The rest is Heavy Metal history…

* Extra Bonus Material:

Midnight Lady (Video) – (Directed by Charlie Granberg)

LONG LIVE HELLFUELED!

Stone.

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ARSON ANTHEM “INSECURITY NOTORIETY” – RELEASES OCTOBER 12, 2010!

Posted in hard rock music, hardcore bands, hardcore metal music, hardcore punk rock music, Heavy Metal, heavy metal bands, heavy metal music, heavy metal news, metal music, metal odyssey, Music, Punk rock, punk rock albums, punk rock bands, punk rock music, rock and roll, rock guitarists, rock music, rock music news with tags arson anthem, assjack band, down, extreme music, hank williams III, hardcore albums 2010, hardcore music, hardcore punk, hardcore punk bands 2010, heavy metal music, louisiana hardcore bands, metal music, metal odyssey, Music, phil anselmo, ponykiller band, Punk rock, rock music news, Thrash Metal on September 24, 2010 by Metal Odyssey

ARSON ANTHEM – The first “full length” studio album from ARSON ANTHEM – Insecurity Notoriety, will be released on October 12, 2010, on Phil Anselmo’s very own… Housecore Records. The triple threat combination of Hardcore, Thrash and Punk are what you can expect from ARSON ANTHEM… with the onslaught of Hardcore dominating their music. Sure, you can call ARSON ANTHEM a “supergroup” based on their incredible lineup, only this is a band that brings it Hard… Heavy… and F’n Hardcore! No bullshit found in the music of ARSON ANTHEM.

*As Phil Anselmo has stated about Insecurity Notoriety: “This is vicious Hardcore, so trip out on this record!” – (Hard Rock Hideout Interview, September 20, 2010)

ARSON ANTHEM:

Mike IX Williams – vocalist

Phil Anselmo – guitars

Hank Williams III – drums

Collin Yeo – bass guitar

* Brief Metal career background on the members of ARSON ANTHEM:

Phil Anselmo has forged in Metal, his legendary career as lead vocalist for the iconic Pantera. Phil is the vocalist for the kick-ass and Louisiana born Metal Band – Down. Superjoint Ritual and Christ Inversion are just two more past bands that Phil has been a driving force behind. Mike Williams is the lead vocalist for the Metal Band – Eyehategod. Hank Williams III played bass for Superjoint Ritual and is a vocalist/guitarist for his very own Metal/Punk Band – Assjack. Collin Yeo heads up his eerie and alternatively contagious band – PonyKiller.

* For more info on ARSON ANTHEM, just click the link below:

ARSON ANTHEM – myspace music

* For more info on Housecore Records, just click on link below:

HOUSECORE RECORDS

* For more info on DOWN, just click on the link below:

DOWN – myspace music

* For more info on Hank Williams III and Assjack, just click the link below:

Hank Williams III – Official Website

* For more info on EYEHATEGOD, just click the link below:

EYEHATEGOD – myspace music

* For more info on PonyKiller, just click on the cool link below:

PonyKiller – myspace music

* The debut and self-titled ARSON ANTHM EP, (8 songs), was released on February 19, 2008, on Housecore Records.

Track Listing For ARSON ANTHEM EP:

Year Of The Fork

Doomed Morale

Bunker Life

Hammer Them Out

Wrecked Like Clockwork

Cops Shoot Coke

The Avoider

Sri Lankan Medication

LONG LIVE THE HARDCORE OF ARSON ANTHEM!

Stone.

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HOLY MOTHER “TOXIC RAIN” – 1998 METAL ALBUM FOREVER UNLEASHES IT’S METAL POTENCY!

Posted in Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal music, metal odyssey, Music, rock music, rock music news with tags 1990's heavy metal bands, heavy metal albums, heavy metal bands, heavy metal music, holy mother heavy metal band, holy mother toxic rain 1998, metal music, metal odyssey, Music, old school heavy metal, Power Metal, power metal bands, rock music news, speed metal, toxic rain album review, traditional heavy metal music on September 22, 2010 by Metal Odyssey

HOLY MOTHER – This third studio album, Toxic Rain, released in 1998 by Holy Mother, is one hell of a solid chunk of Traditional Metal. Toxic Rain downpours with a sound and style of American Power Metal in the vein of DIO and Obsession, along with a thick influence from Judas Priest and the Old School/Traditional Metal essence that the NWOBHM is so remembered and revered for.

With Metal roots originating from Long Island, New York, Holy Mother is a Metal Band that should not be bypassed for any lack of commercial success, mainstream snubbing or mid-’90’s media ignorance towards Heavy Metal. Great and real Metal will always rise from the ashes or raise it’s victorious fist from any catacombs of dormancy.

Becoming aware of Holy Mother and Toxic Rain all started with my trip to Music Outlet in Enfield, Connecticut. Best Metal Buddy, Scott Coverdale took me to this very cool and independently owned record and CD store that he frequents consistently. That day, I observed Scott walking about Music Outlet with a sinister grin upon his face… “I got it”… is what he said to me. I looked down upon the CD he was holding and it was Toxic Rain. Man, Scott was psyched out of his mind to have landed this CD… and now I know why.

Now that I own my personal copy of Toxic Rain, I realize the reason why Scott was grinning from ear to ear at Music Outlet that day. This album = Metal. Damn, you could not find a better representation of Traditional Metal, built with speed, blazing guitar leads and victorious riffs, than this Holy Mother album. The drumming of Jim Harris is like a battle call to Metal arms, his ultra-potent fills and supercharged timing are the icing on the Metal cake for Toxic Rain.

Vocalist Mike Tirelli is not gonna be in the back of the line ever, not according to my Metal scorecard. Mike is also a former vocalist for Riot and Burning Starr, making for an impressive Metal resume. I can compare Mike’s vocals to that of Mark Boals (of Yngwie J. Malmsteen fame) and Michael Vescera (of Obsession and Loudness fame), only adding in a harder edge.

Rich Naso on guitar lays it down heavy and steady from start to finish on Toxic Rain, with shades of Speed Metal wizardry gelled together with many extremely relevant and Traditional Metal tones. Rich never runs out of ultra delectable guitar licks… he’s just a cool player to hear on this album. Randy Coven on bass, has played with Yngwie J. Malmsteen and Riot during his Metal career. Creating a Metal family tree is evident, with this Holy Mother lineup of 1998.

The decade of the 90’s is NOT the lost era of Metal. Many, many, Metal Bands were releasing albums and touring during the 90’s. (Thank you… Slayer, W.A.S.P., Pantera and Overkill, to name a few). Instead, it will always be remembered by me as the decade where the mainstream media did NOT cover Metal… or great Metal for that matter. If Holy Mother released Toxic Rain in the mid to late 1980’s, hell, it would have probably received a ton more promotion and circulation amongst the media. This is my Metal opinion… and I’m not budging from it.

If you want me to be “street” about summing up this Toxic Rain album in one sentence, well, here it goes: Holy shit is this Holy Mother band unreal great on Toxic Rain! For me to “refer” this album to fans of Metal is really absurd. I need to bellow: Buy this Toxic Rain album if you believe in your own damned Metal salvation! Seriously, if your looking to make that purchase of a classic Metal release… Toxic Rain can be as viable a choice as any. So let it be Metal written… so let it be Metal done.

Once you hear Wars kick in, this song’s speed and rugged crunch shall be the leading Metal indicators that Holy Mother is not screwing around on Toxic Rain. The title track – Toxic Rain is a deluge of Metal that forces it’s way upon my ears, all the while I’m taking it all in like a parched desert floor during a tropical downpour. Again, its the speed + power which = holy shit great Metal here. Again, that’s as “street” honest as I can get.

My favorite song on this now revered Metal album is – My Destination. I’ll tell you what my destination has always been… to discover and listen to great, quality laced Metal, just like Holy Mother. My Destination has a melodic power surge running wild and it’s riveting to say the Metal least. The River carries it’s melodic drive through the vocals of Mike Tirelli and the savory leads and solos of Rich Naso. This song is a heavyweight like all the others on Toxic Rain, it showcases no doubt’s that Mike Tirelli can hit the high notes. You’ve Got Another Thing Comin’ is the lone cover song on this album. This Judas Priest Metal classic is given it’s justified due from Holy Mother, it’s worth cranking it up on high, still there’s nothing like the original. A solid cover it is and very worthy of many obligatory headbanging moments.

Losing My Bet closes out Toxic Rain, a song that sustains the consistent quality, heaviness and unrelenting power of sound that Holy Mother plays from the very onset. No one song sounds alike on Toxic Rain and Losing My Bet is an exclamation point to this statement. The only similarities heard between all 11 songs are that of the astute allegiance to Metal that Holy Mother plays so damn well.

I must factor in that the vocals of Mike Tirelli and the guitar playing of Rich Naso are standout on each song, while Randy Coven on bass and Jim Harris on drums are fabulously tight together. Once Losing My Bet comes to a close, I have that Metal hunger to listen to this Holy Mother album again… and again. That is a benchmark of being a great Metal album for me, when I can state something like that.

I could say, without any hesitation, that Toxic Rain is one of the very best Metal albums from the 90’s decade. (Criminal Afterlife is another Holy Mother album I feel this same way about as well, only that is for another post). You are getting the entire Metal ball O’ wax with Holy Mother’s playing on Toxic Rain… no run of the mill, no “standard stuff” or copycat crap going on with this band. Hopefully Holy Mother can make a return down the Metal road and release some potent, new material. Holy Mother is yet another Metal reality check, as to there being great bands from the 90’s that flew under the Metal radar by me… and I’m thankful Scott Coverdale uttered those now infamous words toward my way, during one cool visit to Music Outlet… “I got it”.

* For more info on HOLY MOTHER, just click on the link below:

HOLY MOTHER – myspace music

* HOLY MOTHER – Toxic Rain was released on A.B.S. Records

HOLY MOTHER as they appeared on Toxic Rain:

Mike Tirelli – vocals

Rich Naso – guitar

Randy Coven – bass

Jim Harris – drums

Track Listing For Toxic Rain:

Wars

Electric

Toxic Rain

The Rats Keep Runnin’

My Destination

Live To Die

The River

You’ve Got Another Thing Comin’ (Judas Priest cover)

Symptom Of Withdrawal

Melting Pot

Losing My Bet

LONG LIVE THE METAL OF HOLY MOTHER!

Stone.

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PANTERA – “THE WILL TO SURVIVE” DEMO IS A HIDDEN METAL TREASURE

Posted in hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal history, heavy metal music, heavy metal news, heavy metal songs, metal music, metal odyssey, Music, rock music, rock music news with tags 1990's heavy metal albums, 1990's heavy metal bands, cowboys from hell, cowboys from hell deluxe edition, dimebag darrell, guitar legends, hard rock music, heavy metal history, heavy metal legends, heavy metal music, metal music, metal odyssey, pantera, phil anselmo, rex brown, rock music news, the will to survive demo, vinnie paul abbott on September 20, 2010 by Metal Odyssey

PANTERA – On September 14, 2010, Rhino Records released the 3-CD Deluxe Edition of Cowboys From Hell. PANTERA rules. Originally released back on July 17, 1990, on Atco Records, this was the album that catapulted PANTERA as a relentless and blazingly bad-ass live band. Metal be thy name, that is the truth. 2010 ushered in the 20th Anniversay of Cowboys From Hell, whoa… seems like yesterday to me when this unreal great album came out. Cowboys From Hell marked the fifth studio album from PANTERA… the first four being on their own label called Metal Magic. PANTERA rules.

It’s an endless Metal debate, as to which PANTERA album is the very best. I like to go with Cowboys From Hell, Vulgar Display Of Power and Far Beyond Driven as my personal top three. Hell, it’s very difficult for me to pin one PANTERA album against another. PANTERA rules. As I see it, PANTERA was the pit bull in the backyard, that was set loose to protect and spread the cause of Metal in the decade of the ’90’s… and they did just that and then some. Metal be thy name.

There is one demo, that was never released before, on disc 3 (the demo disc) which is The Will To Survive. Whoa, do I like this song a Metal ton. Phil Anselmo sounds like Rob Halford… or can I say has some heavy duty Rob Halford influence in his vocals, on this demo. After listening to this song a couple dozen more times… I will even make a Metal stretch by saying, that I hear a bit of Geoff Tate in the vocals of Phil Anselmo too. The Will To Survive of course was written and had it’s parts recorded well before there was a Vulgar Display Of Power, even before Cowboys From Hell.

I’m calling The Will To Survive demo a hidden Metal treasure. Why? For one, it’s not a song I would have expected to hear on this deluxe edition of Cowboys From Hell. Sure, the thought crossed my mind of maybe hearing something from the Metal Magic era of PANTERA… only this song surpasses what I initially thought it would sound like, both in it’s Traditional Metal style and sound. Trust me… the late and ultra legendary Dimebag sounds fabulous on guitar too, giving The Will To Survive a Speed Metal/Power Metal vibe that really leaves me whining for more.

If there were more hidden Metal treasures like The Will To Survive still on tape somewhere… locked away… I pray that Vinnie Paul, Rex Brown and Phil Anselmo would turn ’em loose on us fans someday, with one entire CD of PANTERA songs that have NEVER been heard before in any form. PANTERA rules.

Why do I keep stating “PANTERA rules” throughout this post you may query? There really is nuthin’ to question here… PANTERA F’N RULES. Always did… always will. Call me a PANTERA fan boy? Hell, I’m not alone there and I’m in good company, thank you very much. Plus, I’m damn proud to be one. Yes, I strongly urge any and all fans of Metal and of course, PANTERA, to get a copy of this Cowboys From Hell – 20th Anniversary Deluxe Edition.

* Recently, I interviewed Phil Anselmo for my very good Metal Buddies over at HARD ROCK HIDEOUT. You can check out this HARD ROCK HIDEOUT exclusive by clicking the large link below or by clicking any HARD ROCK HIDEOUT link you see here.

PHIL ANSELMO – THE HARD ROCK HIDEOUT INTERVIEW!l

*An abbreviated breakdown of the 3 disc Cowboys From Hell – 2oth Anniversary Deluxe Edition:

* Disc 1 is the Cowboys From Hell studio album remastered. Disc 2 contains 12 live songs. Disc 3 has 11 demos from the Cowboys From Hell sessions, which includes The Will To Survive.

LONG LIVE THE METAL OF PANTERA!

REST IN PEACE, DIMEBAG.

Stone.

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CANNIBAL CORPSE – 1998’S “GALLERY OF SUICIDE” ON 180-GRAM VINYL – RELEASES SEPTEMBER 28, 2010!

Posted in Death Metal, death metal music, extreme metal music, extreme music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, metal music, metal odyssey, Music, rock music, rock music news with tags 180-gram vinyl gallery of suicide, 1990's death metal bands, 1990's death metal albums, cannibal corpse, death metal albums 2010, death metal bands, death metal legends, death metal music, extreme metal music, gallery of suicide album 2010, heavy metal music, heavy metal on vinyl, metal music, metal odyssey, Music, rock music news on September 19, 2010 by Metal Odyssey

CANNIBAL CORPSE – The sixth studio album from Cannibal Corpse, Gallery Of Suicide, will be re-released on 180-gram vinyl on September 28, 2010, on Plastic Head. Originally released on April 21, 1998, on Metal Blade Records, Gallery Of Suicide was the second album to have George “Corpsegrinder” Fisher on vocals. This was also the first Cannibal Corpse album to have Pat O’Brien on guitar.

This album it outrageously brutal, from the song titles and lyrics to the Death Metal barrage heard within. ‘Nuff said about this album… alright, it’s wicked F’n Heavy. With every Metal re-release on vinyl, it certifies the fact that there are Metalheads out there that want to hear their bands the Old School way. Just like the Metal I live for, vinyl will never go away.

* As with most vinyl and 180-gram vinyl releases, Gallery Of Suicide is being touted as a “limited release”. I have seen it available for pre-order on Amazon.com.

* For more info on CANNIBAL CORPSE, click on the link below:

CANNIBAL CORPSE – Official Website

CANNIBAL CORPSE, as they appeared on Gallery Of Suicide:

George “Corpsegrinder” Fisher – vocals

Jack Owen – guitar

Pat O’brien – guitar

Alex Webster – bass

Paul Mazurkiewicz – drums

Track Listing For Gallery Of Suicide:

I Will Kill You

Disposal Of The Body

Sentenced To Burn

Blood Drenched Execution

Gallery Of Suicide

Dismembered And Molested

From Skin To Liquid

Unite The Dead

Stabbed In The Throat

Chambers Of Blood

Headless

Every Bone Broken

Centuries Of Torment

Crushing The Despised

Stone.

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AS I LAY DYING – FALL NORTH AMERICAN 2010 TOUR SCHEDULE WITH ALL THAT REMAINS, UNEARTH & CARNIFEX!

Posted in death metal music, extreme metal music, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, metal music, metal odyssey, metalcore music, Music, rock music, rock music news with tags all that remains, as i lay dying, as i lay dying fall tour 2010, carnifex, death metal bands, death metal music 2010, extreme metal bands, heavy metal bands, heavy metal music, heavy metal news, heavy metal tours 2010, metal albums 2008, metal albums 2010, metal music, metal odyssey, metalcore bands, Music, rock music news, unearth on September 17, 2010 by Metal Odyssey

AS I LAY DYING – Whoa. Here is a Metal tour that has already gotten underway on September 14, 2010, in El Paso, Texas… As I lay Dying is headlining with support from: All That Remains, Unearth and Carnifex… whoa again. Check out the tour dates below to see if this great Metal tour is in your backyard or down the Metal highway from you:

As I Lay Dying with All That Remains, Unearth and Carnifex:

09/14 – El Paso, TX @ Club 101

09/15 – Odessa, TX @ Dos Amigos

09/16 – Abilene, TX @ Midnight Rodeo 3

09/17 – Little Rock, AR @ The Village

09/18 – Memphis, TN @ New Daisy Theatre

09/19 – Knoxville, TN @ Valarium

09/20 – Covington, KY @ The Madison Theater

09/21 – Grand Rapids, MI @ Orbit Room

09/22 – Cleveland, OH @ Peabody’s

09/23 – Buffalo, NY @ Town Ballroom

09/24 – Clifton Park, NY @ NY Northern Lights

09/25 – Hartford, CT @ Webster Theatre

09/26 – Quebec, QC @ Imperial De Quebec

09/27 – Montreal, QC @ Metropolis

09/28 – Ottawa, ON @ Capital Music Hall

09/29 – London, ON @ Cowboys

10/01 – Winnipeg, MB @ Garrick Center

10/03 – Saskatoon, SK @ Odeon

10/04 – Calgary, AB @ Macewan

10/05 – Edmonton, AB @ Edmonton Event Center

10/07 – Vancouver, BC @ Vogue Theatre

10/08 – Seattle, WA @ El Corazon

10/10 – Portland, OR @ Roseland Theater

10/11 – Chico, CA @ Senator Theatre

10/15 – Yuma, AZ @ Club Blackout – * With Carnifex, Beg For Life and Demise Of Hollywood

* (Source: Metal Blade News Update Newsletter, September 17, 2009)

* For more info on AS I LAY DYING, just click the link below:

AS I LAY DYING – myspace music

* For more info on ALL THAT REMAINS, just click the link below:

ALL THAT REMAINS – myspace music

* For more info on UNEARTH, just click the link below:

UNEARTH – myspace music

* For more info on CARNIFEX, just click the link below:

CARNIFEX – myspace music

AS I LAY DYING are touring in support of their album The Powerless Rise, released on May 11, 2010, on Metal Blade Records.

ALL THAT REMAINS are touring in support of their album … For We Are Many, released on October 12, 2010, on Razor & Tie.

UNEARTH are touring in support of their album The March, released on October 14, 2008, on Metal Blade Records.

CARNIFEX are touring in support of their album Hell Chose Me, released on February 16, 2010, on Victory Records.

These are some potent and seriously brutal Metal Bands!

LONG LIVE METAL!

Stone.

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ACCEPT “BLOOD OF THE NATIONS” – A METAL TRIUMPH AND RETURN TO METAL GLORY FOR ACCEPT!!

Posted in hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal history, heavy metal music, heavy metal news, heavy metal songs, metal music, metal odyssey, Music, music reviews, rock music, rock music news with tags 1980's heavy metal bands, 1990's heavy metal bands, accept blood of the nations, accept heavy metal band, accept reunion 2010, blood of the nations album review, frank herman, hard rock music, heavy metal albums 2010, heavy metal music, heavy metal news, heavy metal songs, mark tornillo, metal music, metal odyssey, Music, peter baltes, rock music, rock music news, stefan schwarzmann, wolf hoffmann on September 14, 2010 by Metal Odyssey

ACCEPT – I received in the U.S. mail on Monday… ACCEPT – Blood Of The Nations (deluxe digipak) from Best Metal Buddy – Scott Coverdale. There are many Metal albums that have kicked my ass over the years… and then then came Blood Of The Nations. This new ACCEPT album hasn’t just kicked my ass today… it’s as if I opened up a box of unlimited Metal whoop ass and now I don’t know how to contain it or fight it off. I guess I’ll have to take my Metal whoopin’ as a man each and every time I listen to any or all of Blood Of The Nations. Understand please, what I’m about to say in describing my first listen through of this unreal/new ACCEPT album, here it goes… F’n Metal be thy F’n name.

ACCEPT guitarist and founding member Wolf Hoffmann describes in the liner notes, meeting up with new lead vocalist Mark Tornillo and producer Andy Sneap as “miracles”. As a lifetime fan of ACCEPT, Stone calls holding onto this Blood Of The Nations digipak while these 13 new Metal songs from this legendary band is being absorbed into my ears, at maximum level… a miracle. As a fan, I’ve always embraced the Metal fact that ACCEPT was no more. For nearly fourteen years, the 1996 studio album Predator seemed like it was the last any of us Metalheads would hear from ACCEPT. Well… Metal miracles really do happen and ACCEPT is F’n BACK!

Now, I would not be coming across so damn excited here, if it wasn’t for the powerful surge of premium Metal that ACCEPT has created on Blood Of The Nations. Trust me, if this was average or even slightly good Metal from this new ACCEPT album, I would call it out as such or not bother to write about it at all. Instead, the world needs to know… ACCEPT has returned with a Metal double drop kick to the face, with an amazingly energized and psyche-out filled Metal album. Crap, it seems like all of the “Old School dudes” are kicking everyone’s Metal ass in 2010, doesn’t it?

The vintage ACCEPT sound is all heard here on Blood Of The Nations. The dueling guitars of Wolf Hoffman and long time member Frank Herman brings back to Metal glory the searing and scorching riffs, leads and solos that were such a dynamic trademark of this band. Metal… the ACCEPT way. The formidable chorus that bellows behind the lead vocals of Mark Tornillo on songs – Blood Of The Nations and Shades Of Death are a valiant reminder that ACCEPT has returned with their Metal legacy written on their chests. Metal… the ACCEPT way.

Speed is not a bashful guest on Blood Of The Nations. Locked And Loaded is as easily recognizable as a feisty nod to ’80’s Speed Metal as I could ever wish for. Whoa, this song is fast… and it never relents with it’s raging Metal tempo. Locked And Loaded will easily remind fans of the Metal glorious Restless And Wild album and just how the speed jumped out of those songs back in 1982. Time Machine is pumped-up with plenty of muscular Metal grooves and carries along a heavily melodic pace. The Balls To The Wall era background chanting gives Time Machine a retrospective Metal haze, that is yet another Metal signature of ACCEPT.

So, understand please, with what I’m about to say in regards to my listening to Blood Of The Nations for the fourth time today… F’n Metal be thy F’n name. Realistically, the more I listen to this new ACCEPT, the more I’m realizing that Scott Coverdale just might be right in his calling Blood Of The Nations: Metal Album Of The Year. Wolf Hoffmann and Frank Herman aren’t just on fire with their guitar riffs, leads and solos… they are like crazed human Metal torchs on guitar. One listen to Pandemic and my Metal point is made quite clearly here. Pandemic! Pandemic! Hell yes… Metal… the ACCEPT way.

New World Comin’ rises with an intensified Metal groove that is enriched by the bass thumpin’ of founding member Peter Baltes and the thunder stompin’ of Stefan Schwarzmann on drums. New World Comin’ is the ACCEPT Metal anthem of 2010, bringing the mid ’80’s Arena Metal vibe to a new generation of Metalheads worldwide. Is this my favorite song on Blood Of The Nations? F’N HELL YEAH!!

Look, the reason for my elevated Metal excitement every so often, while doing an album review is due to: A. The respective band is a core/lifetime favorite of mine and B. The Metal contained within is absolutely legitimate and reflects what I feel Metal is supposed to be about… loud, powerful and full of pump-you-up sound, style, energy and feel. Blood Of The Nations is all this for me and then some. Just the prolific way in which Blood Of The Nations opens up with Beat The Bastards is evidence alone as to my prior explanation. Beat The Bastards showcases the melodic yet still fast and heavy character of ACCEPT. Angst filled and still victorious laden, the lyrics of this song are stuff of ACCEPT legend.

The Abyss and Blood Of The Nations guide me into this Metal world of ACCEPT 2010 and I am all the better Metalhead for it. This is Metal that isn’t farting around the beer keg here. The song Blood Of The Nations hails freedom, dreams and ideals… all the important aspects of life that are worth “fighting for”. I, like Scott Coverdale, can’t resist the overall patriotic appeal that this song Blood Of The Nations stands for.

Kill The Pain is a strong Metal… ballad. You read that correctly, ACCEPT has created a killer of a ballad, with 0% plastic sappiness, just stark reality of missing someone that is dearly lost. The guitar solo which ends Kill The Pain resonates with the emotion of this songs lyrics. Kill The Pain brings that moment during this ACCEPT album where I can come down from my Metal psyche-out high. All the while I can still enjoy an incredibly arranged song that showcases Mark Tornillo’s vocal diversity.

The overall Metal sensory experience can truly be better described by listening to these songs on Blood Of The Nations for yourself. Just when I think the Metal exhilaration running through my veins will subside… another song begins on this album that maintains the psyche-out level to a maximum level. ACCEPT has been resurrected and their Metal is dominating on Blood Of The Nations. ACCEPT has returned and ACCEPT has fortified my Metal soul once again.

Teutonic Terror has Mark Tornillo singing his lungs out. Mark comes across on this song as if it’s his personal favorite. Is it? I don’t know for sure. This is the ACCEPT lead vocalist now and I’m digging every syllable Mark Tornillo belts out. Do I miss the ultra Metal legend Udo Dirkschneider? Of course I do, I would be sadly mistaken if I didn’t. With the way life constantly intertwines and develops new paths to navigate, people move on and take their own journey. UDO has taken his solo Metal journey and I have and forever shall support him. I can only admire and applaud the loyalty to the cause of Metal that Udo Dirkschneider has exhibited throughout his historically fantastic Metal career.

This isn’t an album that needs to “sit with me” in order to figure out it’s Metal domination factor.

As with so many bands that are still touring and/or recording today, ACCEPT is a Metal franchise. Their name is branded in the Metal hearts, souls and minds of countless Metalheads the world over. Regardless of having a new lead vocalist, if you are going to maintain consistency, having founding and long-time members of a band only adds to the credibility and legitimacy of the music. If a band is going to have a new lead vocalist, he/she better be good and symbolize the true identity and sound of that bands career. Mark Tornillo is damn good. Wolf Hoffmann, Peter Baltes and their band ACCEPT have returned in a most amazingly formidable way, maintaining the Metal sound and style that solidifies this band as… legendary.

ACCEPT:

Mark Tornillo – vocals

Wolf Hoffmann – guitar

Peter Baltes – bass

Frank Herman – guitar

Stefan Schwarzmann – drums

All music & lyrics by: Baltes, Hoffmann and Tornillo*

* Rolling Thunder – music & lyrics by Frank & Tornillo

Track Listing For Blood Of The Nations:

Beat The Bastards

Teutonic Terror

The Abyss

Blood Of The Nations

Shades Of Death

Locked And Loaded

Time Machine – (bonus track)

Kill The Pain

Rolling Thunder

Pandemic

New World Comin’

No Shelter

Bucket Full Of Hate

LONG LIVE ACCEPT!

Stone.

7 Comments »

ACCEPT “BLOOD OF THE NATIONS” – 2 DAYS TO GO UNTIL IT’S U.S. RELEASE! SOME METAL THOUGHTS…

Posted in Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, metal music, metal odyssey, Music, rock music, rock music news with tags 1970's heavy metal bands, 1980's heavy metal bands, 1990's heavy metal bands, accept, accept blood of the nations, accept heavy metal band, blood of the nations album, hard rock music, heavy metal albums 2010, heavy metal music, heavy metal news, metal music, metal odyssey, rock music, rock music news, the abyss song, wolf hoffman guitarist on September 12, 2010 by Metal Odyssey

ACCEPT – Their back. With a new lead vocalist in Mark Tornillo. Wolf Hoffman and Herman Frank are the guitar duo with Peter Baltes on bass and Stefan Schwarzmann on drums. This is ACCEPT 2010… and I can’t wait to get my ears melted by the scorching Metal that Blood Of The Nations is about.

I’m feeling quite confident that Blood Of The Nations will be a great listen. Why? Well, I entrust in the words from Metal Odyssey’s correspondent Scott Coverdale… who has stated today: “Blood Of The Nations is a strong contender for Metal Album Of The Year“. Scott Coverdale goes on to say: “Regardless of where you purchase your CD’s, be it f.y.e., Best Buy, Target, Walmart or an independent mom/pop record store, if they aren’t carrying Blood Of The Nations… demand it!

Scott Coverdale continues to say: “This album is definately the heaviest album that Accept has ever recorded. I would even say it is a bit faster and heavier than Restless & Wild. For all those who are skeptical of Mark Tornillo being able to fill an UDO-less Accept, you will definately be pleasantly surprised, almost to the point you’ll like his vocals better… in my opinion. Producer Andy Sneap is a genuis”.

Stone’s thoughts: Wow. Now, for the Metal record, I am an UDO advocate, one who feels strongly that his vocals are the signature of this legendary band we have known and embraced as ACCEPT over the decades. Scott Coverdale has his Metal opinion and he is very much entitled to it, just like anyone else. Indeed, with an “UDO-less” ACCEPT, there will be a huge void to fill in the vocals department, certainly. I have listened to just one song from this new ACCEPT album – The Abyss. I have been Metal impressed by this song since I first heard it, dating back to May 3rd, 2010. The band sounds 100% Metal potent, with Mark Tornillo’s vocals sounding just super to my ears. If anything, while listening to The Abyss, I hear a “touch” of UDO in Mark’s vocals. Is it just me? I don’t know. Still, Mark Tornillo is a unique vocalist, a veteran front-man and comes with plenty of Metal credibility.

Coverdale has already listened to this new ACCEPT album quite a few times now… and he is Metal thrilled to say the least. I look forward to giving my Metal insight/review on this new ACCEPT album in the very near future.

* Producer for Blood Of Nations, Andy Sneap, has woven his legendary Metal career working with the likes of: Megadeth, Exodus, Testament, Blaze Bayley, Arch Enemy and Onslaught… just to name more than a few.

* Legendary ACCEPT guitarist Wolf Hoffman is credited as being the photographer for the front cover image on Blood Of The Nations.

ACCEPT – Blood Of The Nations releases on September 14, 2010 in the U.S. on Nuclear Blast.

* For more info on ACCEPT, just click on the really cool links below:

ACCEPT – Official Website

ACCEPT – myspace music page

* Century Media Records online (aka) CM Distro is a site where you can buy ACCEPT – Blood Of The Nations. Just click right here to get it: Century Media Records/CM Distro

ACCEPT vocalist Mark Tornillo has made his mark in Metal History with New York/New Jersey’s Heavy Metal/Power Metal ambassadors – TT Quick.

* For more info on TT QUICK, click here: TT QUICK – myspace music

* In case you missed it on Metal Odyssey back on May 3rd, 2010, check out the post which featured the still video/song for The Abyss, from Blood Of The Nations. Just click on the big and luring link below and you can listen to The Abyss:

ACCEPT – “THE ABYSS” FROM “BLOOD OF THE NATIONS” ALBUM – HERE IT NOW! PLUS MORE ACCEPT INFO!

Blood Of The Nations – Track Listing:

Beat The Bastards

Teutonic Terror

The Abyss

Blood Of The Nations

Shades Of Death

Locked And Loaded

Time Machine (North American Bonus Track)

Kill The Pain

Rollin’ Thunder

Pandemic

New World Comin’

No Shelter

Bucketful Of Hate

LONG LIVE ACCEPT!

Stone.

7 Comments »

JUDAS PRIEST “METAL GODS” & PRIMAL FEAR COVER OF “METAL GODS” = UNREAL METAL GREATNESS!

Posted in Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal history, heavy metal music, heavy metal news, heavy metal songs, metal odyssey, Music, power metal music, rock music, rock music news with tags 1980's heavy metal albums, british steel album 1980, greatest metal songs, hard rock music, heavy metal bands, heavy metal history, heavy metal legends, heavy metal music, heavy metal news, Judas Priest, metal gods song, metal is forever primal fear album, metal music, metal odyssey, Music, nwobhm, power metal bands, primal fear, ralf scheepers, Rob Halford, rock music, rock music news, the metal god on September 11, 2010 by Metal Odyssey

JUDAS PRIEST & PRIMAL FEAR – What do Judas Priest and Primal Fear have in Metal common, besides both being Metal Bands? METAL GODS. As I and so many countless others will attest, “nothing beats an original”… only Primal Fear covers the Judas Priest original – Metal Gods like they were put on this Earth to do so. Originally heard on the 1980 studio album from Judas Priest – British Steel, Metal Gods has been a lifetime favorite Metal song for me.

Hell, this British Steel album is downright Metal sacred and easily one of the greatest Metal albums ever created. I remember the first time I heard Metal Gods off of this British Steel album… whoa… whoa again. The British Steel album in and of itself is a thoroughbred classic Metal album for the ages… and Metal Gods catapults this reasoning of mine fifty fold.

I can recall, with Metal ease, listening to this one track on British Steel, that is Metal Gods, continuously. I would pick up the turntable needle and drop it back down at the beginning of this incredible song, each time it ended. Metal be thy name. It is the obvious and sheer muscularity of Metal, that this Judas Priest original of Metal Gods bestowed upon thine ears, which made me stand at attention in Metal awe so many years ago. This Judas Priest original still has that same Metal affect on me… and I don’t see it waning anytime soon.

The repeated opening riff throughout Metal Gods is like my very own psyche-out Metal stimulant that makes me feel really, really, good. I vividly remember looking up at my Judas Priest poster, which hung on my bedroom wall when I was a teen, while any Judas Priest album was being cranked up by me. When Metal Gods was played at maximum volume, I would then proceed to play air guitar and bang thine head like an out of control Metal lovin’ maniac. Um, I guess I still do that when I listen to this song… so let it be Metal written, so let it be Metal done. (Only I don’t have a Judas Priest poster on my bedroom wall today… my Metal supporting wife won’t allow it and I do understand).

Being a futuristic look into the unravelling of mankind’s involvement into the “dabbling” and experimenting with the science of robotics, Metal Gods is a song about robotic creatures/machines known as… Metal Gods. These Metal Gods taking control of their surroundings and the very same people who created them, while mankind falls victim to their evil control, is the theme that this song gets across quite clearly. Not too far fetched in my Metal opinion. Who knows how advanced our technology will take us all eventually? Herculean robotic machines may very well be the norm some day in our future… and they could eventually get pissed off at us.

Yes, Rob Halford is the Metal God and I will never dispute that title he carries with Metal honor and pride. However, Ralf Scheepers is no cheap imitation of Rob Halford. Ralf can flat-out sing Metal. Ralf Scheepers… maybe a strong candidate for being the Power Metal God? Listening to the Primal Fear cover version of Metal Gods for the first time was like the second coming of when I first heard this prolifically immense song, so many years ago. Primal Fear could have “covered” Metal Gods or they could have covered it with F’n Metal Might. My Metal senses tell me… Primal Fear covered this Judas Priest classic with F’n Metal Might.

No one has to take my Metal word for it, that both the Metal Gods original and the Primal Fear cover verson are unreal Metal greatness. All you have to do is seek out these Metal songs for yourself and give ’em a Metal try. You can give me a Metal thank you later… after you realize Metal Gods is probably one of the greatest Metal songs ever written. For lifetime/veteran Metalheads out there… hopefully you understand my Metal reasoning and agree with my Metal thoughts on… Metal Gods. I have a funny feeling that many of you fellow Metalheads do understand.

Primal Fear – Metal Is Forever/The Very Best Of Primal Fear was released back on April 3, 2007, on Nuclear Blast. This is a double CD, with CD 1 containing 16 greatest hits and CD 2 containing 9 Metal Classics. The cover of Metal Gods is heard on Metal Classics. This double CD showcases just how fabulous this German Power Metal Band known as… Primal Fear was, is and forever shall be.

* For more info on Judas Priest, click here: JUDAS PRIEST

* For more info on Primal Fear, click here: PRIMAL FEAR – Official Website

LONG LIVE JUDAS PRIEST AND PRIMAL FEAR!

Stone.

5 Comments »

VALIENT THORR “STRANGER” – A FUNTASTIC, ROCKIN’, THRASHIN’, METAL MASHIN’ OLD SCHOOL METAL BASH!

Posted in Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, metal odyssey, Music, rock & roll, rock and roll, rock music, rock music news with tags hard rock music, heavy metal 2010, heavy metal albums 2010, heavy metal music, heavy metal news, metal music, metal odyssey, Music, nwobhm, old school heavy metal, rock music, rock music news, stranger album review, thrash metal music, valient himself, valient thorr, valient thorr stranger album on September 10, 2010 by Metal Odyssey

VALIENT THORR – One look at the above headline for this Valient Thorr – Stranger album pretty much says it all. Or does it? Well, the headline probably could suffice with most Old School Metalheads who don’t give a crap about details… an album is supposed to just deliver the Heavy Music goods and be done with it. Have no fear fellow Metalheads, party freaks, moshers, space travelers, Punks, Thrashers and Old Schoolers… Valient Thorr does deliver something for all of you with Stranger. This is Valient Thorr’s fifth album in seven years, releasing September 14th on Volcom Entertainment. With nearly 250 shows a year for most of this run, touring with everyone from Motorhead to Joan Jett, Valient Thorr has certainly proven they are a knuckles pounding the pavement, no bullshit band with those numbers.

Years ago, I mean decades ago, when the cool word floating around was “crossover”, with bands such as D.R.I. and M.O.D. and to an extent Anthrax, they were taking a little bit of every Hard & Heavy genre out there and incorporating it into their very own sound. Valient Thorr doesn’t just have shades and influences of just about every cool music genre in the history of modern day Rock ‘N’ Roll. This Universe exploring band is potently stocked with all of the hell raising, fist pumping, shot-gun beer swilling and garbage can kicking qualities one could only wish for… and then some. Valient Thorr knows how to play some kick ass music.

Is it appropriate for me to state that Valient Thorr has created a “funtastic” album with Stranger? You bet it is. You see, as I listen to the music, (lyrics aside), of Valient Thorr, it makes me feel like jumping right into this album and being a part of the whole damn scene that is going on within these songs. Lyrically, these songs are not just about chugging down a beer and playing darts. Valient Thorr has something to say and they are more than psyched-out to get their point across.

Escapism is a necessity for me and I seek it out through music, through Rock ‘N’ Roll, um, Metal. Hitching a ride on the escapism Space Shuttle that Valient Thorr is navigating is one hell of a trip. I’m the kind of guy that doesn’t need his steak “cooked to perfection”, in other words, I sometimes like ’em raw. Valient Thorr is spreading their raw talent and raw sound across this globe for good reason… to one day hopefully make all those Kidz Bop CD’s disintegrate into millions of pieces, from the sheer presence of this band’s musical existence.

Plus, Valient Thorr is no slouch band either, fans of Heavy Music will either connect with their sound or run for cover. If running for cover is the option one chooses, then they should make sure to bring along a case of laxatives with them… cause they are obviously chronically constipated. Gillionaire is a wake up call to the materialistic morons of Planet Earth and I can only second Valient Thorr’s strong and resounding message they convey here. Oh, yeah… Gillionaire Rocks with plenty of pent-up attitude and blue collar angst that makes the vibe thrive, through every note.

Sleeper Awakes is even more attitude laced with gang vocals aplenty and scorching guitar leads, with a searing guitar solo that fortifies my hunger for… Metal. Disappearer mixes some speed, speed and more speed with it’s overall… speed. Metal be thy name does Disappearer grab my damn attention and smacks it senseless. Double Crossed has some wholesome Old School rhythm and does not shy away from being guitar friendly. Riffs and solos abound on Double Crossed that semi-convinced me it was 1984 all over again. “You will pay, I’ve just been double crossed” might very well be my #1 Metal chorus of 2010… and beyond.

The more I listen to Stranger, the more I wonder if the members of Valient Thorr were born on Planet Lemmy Kilmister. Why I think that you query? It’s the I don’t give a shit – take our Rock ‘N’ Roll or bust attitude that Valient Thorr radiates so, um, eloquently. Sudden Death Is Nothing is kinda easy for me to point at and declare as my favorite song on Stranger. Whoa… it’s the blitz of Thrash that races unapologetically straight into my ears, that makes Sudden Death Is Nothing so damn memorable.

Woman In The Woods is for all Metal intents and purposes… eerie… and I like that. The guitar tones and even the tempo shifts are haunting. Is there really anything that Valient Thorr doesn’t experiment with musically? Maybe Kidz Bop. “Vision Quest” is relevant Metal, while also being a reminder that Old School Metal never dies. I catch onto some late 80’s Anthrax vibration while listening to “Vision Quest” and “Habituary”, both with the Metal, gang vocals and vocals of Valient Himself.

It would be a dream come true to have Valient Thorr play at one or both of my daughters weddings someday. Hell, it would be the best damn music to ever invade my ears at a wedding for Metal sakes. Throw in the Metal fact this band is just down right contagious, with their free spirited attitude towards Heavy Music and yes Virginia… there is a Thorrior Claus. Valient Thorr would tear the roof off of a wedding hall and I would want to be there to witness it. Um, I wouldn’t want to pay for the damage though.

One final song to mention, “Future Humans” might be a spine-chilling look into the future of mankind, regardless, this song freakin’ Rocks like there is no weekend, um, I mean tomorrow. It’s the thunder stomping beat and guitar driven nature of “Future Humans”, that makes me want to jump up and down on the hood of a pristine limousine, parked outside of a five-star restaurant. Metal be thy name.

Valient Thorr is a band that is difficult not to admire and gravitate to. They are a gritty working man’s Heavy Music band that should really gain some major Metal momentum with the release of Stranger on September 14th. Fans of NWOBHM, Old School/Traditional Metal, Hard Rock and well… any Metal, should hopefully dig Valient Thorr like I do. This band already has some fiery momentum happening already, it’s just the thought of them gaining legions more Thorriors worldwide and galaxy wide that makes me sleep better at night. I’m now a Thorrior… and it serves me right.

VALIENT THORR:

Valient Himself – vocals

Eidan Thorr – guitars

Nitewolf – bass

Sadat Thorr – guitars

Lucian Thorr – drums & percussion

* Stranger is set to release on September 14, 2010, on Volcom Entertainment.

* Stranger is produced, recorded and mixed by Jack Endino.

* For more info on Valient Thorr, just click on the links below:

VALIENT THORR – myspace music

VALIENT THORR – Official Website

Track Listing For Valient Thorr – Stranger:

Gillionaire

Sleeper Awakes

Disappearer

Double Crossed

Night Terrors

Sudden Death Is Nothing

Woman In The Woods

Vision Quest

Habituary

The Recognition

Without Hope, Without Fear

Future Humans

Thorriors Of The Galaxy Assemble!

Stone.

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THE NEW CZARS “DOOMSDAY REVOLUTION” – AN INDUSTRIOUS & CREATIVE APPROACH TO ROCK MUSIC DIVERSITY

Posted in Hard Rock, hard rock albums, hard rock bands, hard rock music, hard rock songs, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, metal odyssey, Music, rock music, rock music news with tags Alice cooper, alternative metal music, doomsday revolution album, doomsday revolution album review, greg hampton musician, hard rock bands 2010, hard rock music, heavy metal albums 2010, heavy metal bands 2010, heavy metal music, industrial metal music, metal music, metal odyssey, modern metal music, Music, rock music, rock music news, the new czars on September 8, 2010 by Metal Odyssey

THE NEW CZARS – Releasing on September 14, 2010, on Samson Records, is Doomsday Revolution, the debut album from The New Czars, which electrifies with an approach to making diverse and Heavy Music coexist together. To say that Doomsday Revolution is a storm cloud of Modern Rock/Hard Rock can be another way to describe this album. When a new Hard Rock or Heavy Metal band dares to be original, it’s like an anomaly these days. Doomsday Revolution does mix it up well with moments of Hard, Heavy and Industrial Rock. The New Czars take their mixed bag of music experience and do deliver a debut album that steers away from any same old mentality.

The New Czars do dare and succeed to set themselves away from the rest of the pack and that alone deserves a hell raising horns to the air. Regardless if The New Czars are a new band unto the world of Heavy Music, these are seasoned and talented musicians all the same. Greg Hampton, is no stranger to the Rock Music industry. Greg is the lead vocalist, guitarist, songwriter, lyricist and producer for Doomsday Revolution and he comes packing with impressive Rock ‘N’ Roll credentials. With wearing so many “hats” in getting this album to it’s final pressing, I can only marvel at the true spirit of Rock ‘N’ Roll Greg Hampton possesses.

Greg Hampton was a lead guitarist and songwriter for Alice Cooper’s concept album Along Came A Spider, as well as playing bass and keyboards amongst a variety of other things, on this macabre masterpiece from 2008. Greg also co-produced, mixed and played various instruments on Lita Ford’s 2009 comeback album – Wicked Wonderland. Greg, as with his band mates Paul Ill (bass) and David “Chilli” Moreno (drums), sound as if they have been doing this gig together for quite some time… only this is their debut album and three is not a crowd.

Let’s throw in the fact that a Rock Music legend, the likes of Adrian Belew of King Crimson fame, lends contributions to Doomsday Revolution on guitar and the credibility factor and peer respect for The New Czars only becomes more admirably real. It’s the blue collar and do-it-yourself Rock musicians that give rise to and/or expand on a non-trendy sound and vision, in which they want to share with the rest of the Rock community. Greg and his band The New Czars are doing just that with Doomsday Revolution, without any flirtation with the flavor of the month society.

Doomsday Revolution unwraps it’s heavy side with the Industrial edginess from Keep On Goin’. The hardened vocals and guitar licks of Greg Hampton simultaneously keeps this song moving at an addicting tempo. If this opening track is any indication of the music prowess that The New Czars are intending on releasing unto thine ears… then one best get ready. There are so many more muscular riffs, leads and solos to follow from Greg’s guitar throughout this album. No song style on Doomsday Revolution is immune from the imagination of his guitar playing. Confessions takes right over where keep on goin’ left off, with an almost maddeningly loud vibe that rises from this song. I envision a full scale implosion of my decades old stereo speakers, at any moment, while this song is being cranked to high.

The New Czars are not all about full-throttle and face to the pavement heaviness on Doomsday Revolution. Why Do U Have 2 Lie exhibits Greg Hampton vocally toning things down, amidst a mid-tempo Hard Rock swirl of sound. The old adage of “less is more” holds true with the lyrics of Why Do U Have 2 Lie, showing lyrics can be emotional and smart by not saying too much. Time Stops is an unexpected surprise on this album. Another mid-tempo ballad, Greg Hampton proves he can croon with a David Coverdale like accessibility. Melodic and hooky, Time Stops also incorporates a sitar for some Eastern World ambiance. The guitar solo more than helps Time Stops to stray away from feeling like a ballad, which is just another amazing musical element to an already amazing song.

Don’t Watch Me showcases some exemplary drumming from David “Chilli” Moreno, with spastic drum fills that coincide perfectly to this song’s anxiety filled lyrics. Greg Hampton let’s it all loose vocally, making Don’t Watch Me sound as an angst filled memoir from a paranoid soul. What separates Greg Hampton from being just another Heavy Music vocalist is his ability to adapt to a song’s theme, turning on and off degrees of emotion in his voice, in such a fantastic way it’s borderline uncanny.

The title track, Doomsday Revolution takes no prisoners with it’s Hard and Heavy Industrial mayhem, which comes across as The New Czars answer to their version of an anthem. Trust me, the chorus on Doomsday Revolution alone is enough to get the adrenaline pumping up the psyche-out meter. Only Dreaming is another ballad stopover, this time around the tempo is slow and unsuspectingly alluring. Greg Hampton could very well shun off the Hard Rock & Metal Gods and make his fortune as an unplugged crooner… only this is a musician who seems to revel in his Rock ‘N’ Roll diversity more than anything else and revel he should.

With 16 songs to digest on Doomsday Revolution, there are no dull moments. How could there be with such a fortified stack of diverse songs such as this? Be it Industrial, Rock, Hard Rock or slivers of Traditional Metal, you will hear it on this album. Just don’t stray too far away… for the Alternative and Electronica bug will be poking you on the back from the likes of Funky Detour. Yes… there is a “Funky” vibe happening within this song that sneaks and swirls it’s way through with subtle ease.

Obviously, I walk away with the impression that Greg Hampton strategically sandwiched himself between two skillful and time tested players in bass guitarist Paul Ill and drummer David “Chilli” Moreno. As it is in the world of professional sports teams… your only as good as your players and The New Czars have come to play.

I can’t resist to mention, that to my Metal ears, I can hear somewhat of an Ian Gillian poise and swagger in the vocals of Greg Hampton. A personal interpretation to the fullest extent of course, so convict me for being a lifelong fan of quality Rock vocalists and hearing what I do. I conclude, that after several thorough listens to Doomsday Revolution, I feel compelled to put Greg Hampton on the list of today’s current quality vocalists. To overlook Greg’s guitar play would be a travesty… really, he is that good.

If ever there was a surefire flag bearer for Music Appreciation 101, then it is Greg Hampton and his band The New Czars. Don’t be afraid to take chances, is what we are all taught from an early age. Greg Hampton has taken many very cool chances with Doomsday Revolution and from the sounds of it, he has come away unscathed. The totality of musicianship from The New Czars Greg Hampton, David “Chilli” Moreno and Paul Ill have left an undeniable impression on my ears, an impression that won’t evaporate for me anytime soon.

Fans of Industrial Rock/Hard Rock, Progressive Rock genres and Modern Hard Rock/Metal should strongly consider picking up Doomsday Revolution. Guitar enthusiasts are urged to take an earful of what Greg Hampton is playing on this album. Old School Metalheads who are looking for an alternative to single-based genres should be forewarned: you might just get hooked on what this album is all about.

* For more info on The New Czars, just click on the link below:

THE NEW CZARS – myspace music

From left to right: Paul Ill, Greg Hampton and David “Chilli” Moreno.

The New Czars:

Greg Hampton – vocals & guitar

Paul Ill – bass

David “Chilli” Moreno – drums

* Adrian Belew (King Crimson) – contributing guitarist & Rock legend

Track Listing For Doomsday Revolution:

keep on goin’

confessions

desperate

why do u have 2 lie

don’t watch Me

Time stops

brush with the devil

so sure

abstract prague

crashed

doomsday revolution

only dreaming

Tell Me

had 2 do it

funky detour

crotch critters

THE NEW CZARS… A WHOLE NEW BREED OF ROCK.

Stone.

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BLACKIE LAWLESS OF W.A.S.P. – HAPPY METAL BIRTHDAY!!

Posted in celebrity birthdays, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, metal music, metal odyssey, Music, rock & roll, rock and roll, rock music, rock music history, rock music news with tags 1980's heavy metal bands, 1990's heavy metal bands, Blackie Lawless, celebrity birthdays, hard rock music, heavy metal birthdays, heavy metal history, heavy metal legends, heavy metal music, heavy metal news, metal music, metal odyssey, Music, rock music, rock music news, W.A.S.P. on September 4, 2010 by Metal Odyssey

BLACKIE LAWLESS – On September 4, 1956, Blackie Lawless was born. On that day, the history of Heavy Metal was solidified and secured. Blackie Lawless turns a Metal cool 54 today! Happy Metal Birthday Blackie Lawless! You are a Metal Odyssey – Lifetime Metal Warrior. With 14 studio albums and 4 live albums as the founding Metal leader of W.A.S.P., I and Scott Coverdale give you a Metal salute and a rousing THANK YOU!

THANK YOU Blackie Lawless for also standing up against the PMRC back in 1985… our freedom to listen to the music that we love in America was on the brink due to this PMRC “group” and WE WON due to our Metal and Music community banding together as one. Scott Coverdale and I don’t forget what you stood up for back in those late 80’s. Stone and Scott Coverdale shall never forget their Metal roots, therefore, we shall never forget the history of Blackie Lawless and W.A.S.P.!

THANK YOU for creating Babylon. This 2009 studio album of unreal & supercharged Metal was heralded as the #1 Heavy Metal album of 2009, right here, on Metal Odyssey! On December 28, 2009, Metal Odyssey posted their “Top 25 Heavy Metal Albums Of 2009”. Anyone who missed it can read all about it and check out W.A.S.P. Babylon being #1, just by clicking on the big and cool link below:

METAL ODYSSEY’S TOP 25 HEAVY METAL ALBUMS OF 2009

* After the release of Babylon, I was so psyched out of my Metal mind about this album, that praising one song at a time from it seemed like a logical Metal choice. Here is the post, from November 14, 2009, that gives Metal praise to the Chuck Berry classic Promised Land, that W.A.S.P. so admirably covered on Babylon:

W.A.S.P. COVERS CHUCK BERRY CLASSIC – “PROMISED LAND” ON “BABYLON” ALBUM

* On November 11, 2009, I gave a Metal thumbs up to the song Crazy from Babylon:

W.A.S.P. “CRAZY” FROM “BABYLON” ALBUM IS WOVEN WITH HEAVY METAL MATURITY

* And on November 10, 2009, I ranted and Metal raved about W.A.S.P. covering the Deep Purple classic Burn that is heard on Babylon:

W.A.S.P. COVERS THE DEEP PURPLE CLASSIC “BURN” WITH HEAVY METAL PRIDE ON BABYLON ALBUM!

* On March 10, 2010, Metal Odyssey posted about just how incredible W.A.S.P. Live… In The Raw truly is. You can check it out by clicking on the magic link below:

W.A.S.P. – “LIVE… IN THE RAW” RESONATES THE LIVE POWER AND SOUL OF HEAVY ROCK ‘N ROLL!!

* On January 14, 2010, Metal Odyssey featured a post about the collector side of Stone when it comes to W.A.S.P., the 12″ single of The Real Me is shown in all of it’s Metal glory! Click that jim dandy link below to check it out:

W.A.S.P. – “THE REAL ME” 12″ SINGLE FROM 1989 REVISITED!

* On December 30, 2009, Metal Odyssey got all Metal giddy about the 1989 picture disc of The Headless Children. Yes… that fine link below will take you right to this post:

W.A.S.P. “THE HEADLESS CHILDREN” 1989 PICTURE DISC IS FOR KEEPS!

* Going back to April April 24, 2009, Metal Odyssey wasn’t bashful about being Metal psyched about the 1985 studio album – The Last Command. Metal be thy name, this is a fabulous W.A.S.P. album! Read for yourself, if you so choose, by clicking the link below:

W.A.S.P. “The Last Command” is a Heavy Metal classic!

* Back on March 21, 2009, Metal Odyssey celebrated 26 years of W.A.S.P. Heavy Metal! A terrific post was written to celebrate this amazing and historic Heavy Metal event. The link below shall guide you to this Metal read:

Celebrating 26 years of W.A.S.P. Heavy Metal!

* For those who want to learn about more incredible W.A.S.P. albums from the past, all you need to do is click on the links below. These are all album reviews written by Stone!

* From March 15, 2009:

W.A.S.P. – DYING FOR THE WORLD

* From March 15, 2009:

W.A.S.P. – STILL NOT BLACK ENOUGH

* From March 15, 2009:

W.A.S.P. – HELLDORADO

* From March 14, 2009:

W.A.S.P. – THE CRIMSON IDOL

So, as anyone can see, Blackie Lawless and his amazingly important and Metal historic band W.A.S.P. are and forever will be embraced here on Metal Odyssey.

LONG LIVE BLACKIE LAWLESS!

BLACKIE LAWLESS = HEAVY METAL & ROCK ‘N’ ROLL LEGEND

Stone.

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MURDERDOLLS “WOMEN AND CHILDREN LAST” – MY FIRST METAL IMPRESSION

Posted in Album Review, extreme metal music, Hard Rock, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, horror metal, horror punk, metal odyssey, Music, punk rock music, rock & roll, rock and roll, rock music, rock music news with tags Extreme Metal, hard rock music, heavy metal albums 2010, heavy metal music, heavy metal reviews, horror metal, horror punk, joey jordison, metal music, metal odyssey, murderdolls, Music, rock music 2010, wednesday 13, women and children last album on August 31, 2010 by Metal Odyssey

MURDERDOLLS – Yes, I made my Murderdolls CD purchase today, on it’s release date. The deluxe edition looked too fantastic to pass up, therefore I snagged this version of Women And Children Last and so far… it has served me right. The three bonus tracks on the deluxe edition are: Mother F**ker See, Mother F**ker Do, The Funeral Ball and A Moment Of Violence. The bonus DVD includes live songs recorded at The Key Club in W. Hollywood, CA on June 17, 2010.

So, what would my favorite track be thus far? Well, I have listened to Women And Children Last about five times today… and I am not remotely close to growing tired of one song yet. Actually, this new Murderdolls has been quite the escapism for me. The raucous, pissed off and nightmarish lyrics are a sheer delight to listen to… especially after I watched the news at noon today.

The lead single from Women And Children Last, My Dark Place Alone, still blasts out at me like a stick of Metal dynamite, leaving me thinking… this crazy shit is F’n fun! Blood Stained Valentine is one hell of groove infested number… it Rocks so hellishly fine this… Blood Stained Valentine! Summertime Suicide has some deep and depressing lyrics… only the melodic hardness of this song has taken me by surprise and makes it a damn cool song, worthy of hitting the repeat play button multiple times. Pieces Of You is another infectiously heavy and vibe ridden song that has me in Metal stitches.

Wednesday 13 has the vocals of a modern day Horror Punk meets Horror Metal superstar. Joey Jordison is Metal sound and Metal solid on guitar. If there is any question about Joey delivering the licks with a six string, then just one listen to Rock N Roll Is All I Got is the sure fire-slap to the forehead reminder that he is the real deal. Whoa… Rock ‘N’ Roll is (gasp) fun sometimes! Whatever You Got, I’m Against It electrifies with fun vibes throughout, with strong hints and deep shades of Punk Rock flavor… Old School style too.

Well, my first Metal impression of Women And Children Last, after nearly six thorough listens, is that this Murderdolls album is spontaneously contagious! I don’t predict that my Metal impression shall change anytime soon, unless… maybe I’ll like this new Murderdolls album even more with each listen. Murderdolls don’t disappoint on delivering the Heavy, nor do they disappoint on bringing some Horrific Fun back into the world of Rock ‘N’ Roll either. That’s my first Metal impression of Women And Children Last, so let it be Metal written, so let it be Metal done.

LONG LIVE MURDERDOLLS & THEIR ROCK ‘N’ ROLL!

Stone.

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HIGH ON FIRE “FROST HAMMER” – A METAL SONG FOR THE METAL AGES

Posted in Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal songs, metal music, metal odyssey, Music, rock music, rock music news, stoner metal music with tags frost hammer song, hard rock music, Heavy Metal, heavy metal albums 2010, heavy metal bands, heavy metal songs 2010, high on fire, matt pike, metal music, metal odyssey, metal song of the day, Music, rock music, rock music news, snakes for the divine album, stoner metal on August 29, 2010 by Metal Odyssey

HIGH ON FIRE – Good health. Family. Cool Metal buddies. Sunny skies. Free stuff. Cold beer. Finding an independent record and CD store. Finding a quarter in the grocery store parking lot. Taking a relieving dump. Sure, these are all the big and some little things that can perk up the human spirit. However… it’s Metal that never fails to perk me up time and again, year after year, day after day.

Hearing that one Metal song that lifts me up is always a reminder as to why I am hooked on the greatest music in the history of mankind. What’s the greatest music in the history of mankind you query? Uh, it’s Metal. This is Metal Odyssey after all, that you are visiting. Sure, there are other Rock genres covered on Metal Odyssey… only Metal is the end all and be all. Metal be thy F’n name.

I’ll get to the Metal point here: Frost Hammer from the High On Fire album Snakes For The Divine – kicks some serious Metal ass. Frost Hammer is an instant adrenaline surge for me. Whoa… I’ve been Metal supercharged by High On Fire. A charging pissed off beast, out of the dark northern woods of no man’s land is Frost Hammer. Des Kensel on drums plays with enough fierce enthusiasm, with so many cool fills, that it’s mind numbing. Lead vocalist and guitarist Matt Pike leads the way with his nailed to the Metal riffs, leads and a solo so fast and tenaciously addicting that it smacks me senseless.

The triple Metal threat of Matt Pike, Des Kensel and Jeff Matz are as potent as any power trio I’ve ever listened to. For me to state otherwise, would be untruthful. On Frost Hammer these guys play tight, no, super tight, defining what “in-your-face” Metal is supposed to sound like. Frost Hammer is one of those great Metal songs, where I wish it would continue on for another five or ten minutes. Nonetheless, this song will always sound like an epic to me. High On Fire didn’t rewrite any sacred Metal rules with Frost Hammer… they just stayed true to ’em.

With speed and heavy coexisting so deliriously well on Frost Hammer, there is no moment to really catch your breath. This is not even a Thrash Metal song, yet it rivals the fierce and bombastic tempo of such. Just hearing Matt Pike bellow out – “Frost Hammer”! is enough to make me feel secure in my own little Metal world, which I love to get lost in continuously.

High On Fire doesn’t make Metal that’s fashionable, they make Metal that kicks ass… period.

* For more info on High On Fire, just click the link below:

HIGH ON FIRE – myspace music page

* High On Fire – Snakes For The Divine was released on February 23, 2010, on E1 Music.

LONG LIVE HIGH ON FIRE!

Stone.

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THE BLACK DAHLIA MURDER – THE DEFLORATE TOUR 2010… NORTH AMERICAN DATES LISTING!

Posted in death metal music, extreme metal music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, metal music, metal odyssey, Music, rock music, rock music news with tags arkaik, Death Metal, deathcore, extreme metal music, goatwhore, heavy metal music, heavy metal news, heavy metal tours 2010, melodic death metal music, metal music, metal odyssey, Music, north america metal tours, rock music news, the black dahlia murder, the deflorate tour on August 28, 2010 by Metal Odyssey

THE BLACK DAHLIA MURDER – Deflorate, the fourth studio album from The Black Dahlia Murder, was released on September 15, 2009, on Metal Blade Records. Deflorate reached #43 on the Billboard Top 200 Chart and went to #5 on the Billboard Top Independent Albums Chart. With subsequent worldwide touring since, The Black Dahlia Murder are now setting their Extreme Metal sights on a North American tour… The Deflorate Tour. This blazingly Metal fierce band will be headlining, with opening bands – Goatwhore and ARKAIK.

The Black Dahlia Murder:

Trevor Strnad – vocals

Brian Eschbach – guitar

Ryan Knight – guitar

Ryan “Bart” Williams – bass

Shannon Lucas – drums

Check out the tour dates below… The Deflorate Tour just might be in your backyard.

* For more info on The Black Dahlia Murder, just click the link below:

The Black Dahlia Murder – myspace page

* For more info on Goatwhore, just click on the link below:

GOATWHORE – myspace page

Goatwhore are touring in support of their 2009 studio album release – Carving Out The Eyes Of God, released on Metal Blade Records, on June 23, 2009.

* For more info on ARKAIK, just click on the link below:

ARKAIK – myspace page

ARKAIK are touring in support of their new studio album – Reflections Within Dissonance, which was released on Unique Leader, on January 26, 2010.

THE BLACK DAHLIA MURDER – THE DEFLORATE TOUR WITH GOATWHORE AND ARKAIK/U.S. AND CANADIAN DATES:

09/28 – Columbus, OH @ Skully’s

09/29 – Buffalo, NY @ Mohawk Place

09/30 – Brooklyn, NY @ Europa

10/01 – Hartford, CT @ Webster Underground

10/02 – Bucksport, ME @ The Kave

10/03 – Quebec, QC @ Imperial de Quebec

10/04 – Montreal, QC @ Petit Cafe

10/05 – Ottawa, ON @ Ritual

10/06 – Toronto, ON @ The Wreck Room

10/07 – Lemoyne, PA @ Championship

10/08 – Richmond, VA @ Canal Club

10/09 – Wilmington, NC @ The Soapbox Laundrolounge

10/10 – Charlotte, NC @ The Casbah

10/12 – East St. Louis, MO @ Pop’s

10/13 – Des Moines, IA @ The Vaudeville Mews

10/14 – DeKalb, IL @ House Cafe

10/15 – Grand Rapids, MI @ Mixtape Cafe

10/16 – Toledo, OH @ Headliners

(Source: Metal Blade News Update Newsletter, August 27, 2010)

EXTREME METAL RULES.

Stone.

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MURDERDOLLS – ONE WEEK UNTIL “WOMEN AND CHILDREN LAST” RELEASES!

Posted in Hard Rock, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, horror punk, metal odyssey, Music, punk rock music, rock and roll, rock music, rock music news with tags hard rock music, heavy metal music, heavy metal news, horror metal, horror punk rock, joey jordison, metal music, metal odyssey, murderdolls, Music, Punk rock, rock music, rock music news, wednesday 13, women and children last album on August 24, 2010 by Metal Odyssey

MURDERDOLLS – It’s Tuesday, August 24th, 2010. Next Tuesday, August 31st, the second studio album from MURDERDOLLS is released upon the world via RoadRunner Records. The buzz and excitement is building like an F’n tsunami with Women And Children Last due out one week from today. As I have been chatting with fans and several Metal buddies the past two weeks, the new MURDERDOLLS album seems to get brought up as if it was the beginning of a new chapter in Rock ‘N’ Roll history. Maybe this album will be just that, who knows?

So, what could all the excitement be about, when it comes to the new MURDERDOLLS album? For one, we are living in crappy economic times right now in America, so anything that can put our minds at ease about paying bills and making next month’s rent or mortgage payment is embraced by our sub-conscious and devoured like marble cake soaked in beer. I know for fact, that music is a driving force that steers my emotions and empowers me to live and love my life, regardless of how messed up the world news may be. (Yes, for the record, my wife and daughters are the #1 driving force that motivates me, only music helps to turn up my psyche-out dial until it smokes).

Wednesday 13 and Joey Jordison are no strangers to the Metal and Extreme world of music. Hell, neither one of them are strangers to the Rock world period. Their talent as songwriters and musicians has been laid out before us fans and spread across albums that most of us consider damn right sacred. Slipknot is a band, whose lyrics and Metal reaches out and beats the piss out of my privately held emotions. Joey Jordison and Slipknot gave new meaning to captured aggressiveness through song. Wednesday 13 is a vocalist and musician who dared to be different a long time ago, hell, he obliterated the status quo while making stagnant Rock Music run for cover.

Wednesday 13 and Joey Jordison are not your grab the money supergroup. They are the Saturday matinee, nightmare-double-feature that I crave to see and listen to. MURDERDOLLS are not a softened up act from the late ’70’s or ’80’s that is now preaching that their Metal has matured or progressed. No F’n way. These are two musicians that are NOT telling fans through interviews, that they should not be telling MURDERDOLLS what songs to play live. (Not from anything I’ve read or heard anyways).

The persona and image that MURDERDOLLS glistens with may not be brand new to Rock ‘N’ Roll, still it’s the uniqueness of these musicians themselves that adds to their overall mystique. Image aside, it’s the music of MURDERDOLLS that matters. I don’t envision anytime soon, MURDERDOLLS appearing onstage at the CMT Awards doing a country version of Dead In Hollywood. Sincerity and credibility sure does go a very long way with me… especially when it comes to music that’s fortified with 100% bad ass. The album title – Women And Children Last, advertises the sense of humor that MURDERDOLLS has, while sticking up a middle finger to the uptight world of political correctness. (Phew)… bad ass Rock ‘N’ Roll isn’t dead and buried after all!

After listening to My Dark Place Alone from the forthcoming Women And Children Last album for over a month now, I certainly hope that the entire album will be just as scorchingly powerful. The Punk subtleties that are aggressively fused with Metal, explode from My Dark Place Alone. Speed, Thrash and a sprinkle of Rob Zombie-ism in the vocals of Wednesday 13 seems to escalate with each passing second, as I listen to My Dark Place Alone. In the end, it’s the originality that means the most to my Metal ears. MURDERDOLLS do not have to make excuses to me if I hear any semblance of past Metal, Punk or Rock influences in their music.

Wednesday 13 and Joey Jordison are going to throw hints around, through their songs, of their past musical background… it’s inevitable. The overall aggressive and horror based embellishment of their sound is what lures me the most, all the while knowing these two musicians are not just throwing a record together just because they can. I’m not expecting a carbon copy of their first album – Beyond The Valley Of The Murderdolls, the single My Dark Place Alone has changed all that thinking.

Horror Punk has always been the “evil kid on the block” within the Rock Music world that factually gets ignored by the mainstream, maybe that is why I fell head over Metal heels for Horror Punk so many full moons ago. Music evolves, so therefore bands evolve too. MURDERDOLLS are taking their music to the next level of Hard & Heavy and I am one fan who cannot wait to get my ears pummeled by Women And Children Last.

I can understand the excitement and the anticipation of this new MURDERDOLLS album, it’s an excitement that is flowing around my Rock ‘N’ Roll arteries and Metal veins as I am drafting this actual post. Bring it on MURDERDOLLS and stomp down upon the generic music vacuum!

MURDERDOLLS:

Wednesday 13 – vocals

Joey Jordison – guitar

Roman Surman – guitar

Racci Shay Hart – drums

Jack Tankersley – bass

* For more info on MURDERDOLLS, just click the links below:

MURDERDOLLS – Official Website

MURDERDOLLS – myspace page

LONG LIVE MURDERDOLLS!

Stone.

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MUSIC OUTLET – ENFIELD CONNECTICUT STORE HAS HEAVY METAL APLENTY!

Posted in classic rock, Hard Rock, hard rock music, Heavy Metal, heavy metal albums, heavy metal music, heavy metal news, metal odyssey, Music, rock & roll, rock 'n' roll, rock and roll, rock music, rock music news, travel with tags death metal music, enfield connecticut, extreme metal music, hard rock music, heavy metal music, mail order record stores, metal music, metal music stores, metal odyssey, Music, music outlet, Power Metal, record and CD stores, rock music, rock music news, thrash metal music, travel destinations on August 22, 2010 by Metal Odyssey

MUSIC OUTLET – I journeyed back to Connecticut last week, the state where I was born and lived forty years of my life. Usually, the words: very expensive are always used to describe Connecticut on Metal Odyssey. Connecticut is very expensive, I should know. However, there is one store up in very expensive Connecticut that isn’t expensive at all. IT’S AN INDEPENDENT RECORD AND CD STORE! Located in the very friendly and cool city of Enfield, this store is called – Music Outlet. (See store contact info at bottom of post).

Scott Coverdale, our Metal Odyssey correspondent and Heavy Metal think tank, took me to Music Outlet on Friday, August 13th. Always bragging about just how incredible the selection of Metal is at this Music Outlet, Scott couldn’t wait to get me there. It felt like 1988 all over again… two Metal buddies, taking a long cruise to buy some Metal. Scott is a loyal customer at Music Outlet and has longed for the day, when I could finally browse through the vast selection that this store carries for Hard and Heavy Music.

Gary, the owner of Music Outlet, is very knowledgeable about Heavy Metal, Hard Rock and Rock ‘N’ Roll. That is exactly how a record and CD store owner should be… knowledgeable about the product, the bands, the musicians and their music. I have to admit, it is always an unreal thrill to find an independent record and CD store, especially when we live during a transitional period of how Rock ‘N’ Roll is being listened to, bought and sold. This is the age of the mp3 and itunes. We can buy mp3’s on Amazon, Best Buy and countless other websites 24/7. Despite this unbeatable technology of digital downloading… I’m steadfast Old School and damn proud of it.

After one visit to Music Outlet, I have come to the realization that Gary is Old School too. There is a market out there that wants their Rock ‘N’ Roll on vinyl and/or CD still. I’m a part of that Old School market. Gary’s store has the goods… and there is Heavy Metal, Hard Rock, Punk Rock and Rock ‘N’ Roll aplenty to be found at this Music Outlet. From vinyl to CD’s, from the obscure to posters, with band t’s and music DVD’s in-between, Gary’s store is bolstered with every sub-genre of Metal Music that is known! As an added bonus… Gary has all upcoming Metal and Hard Rock album release dates posted up for all customers to see.

There are the “little things” that an Old School Metalhead may need to buy at Music Outlet as well… blank cassettes, vinyl album sleeves and CD jewel cases are also available to purchase. You read that correctly… blank cassette tapes! Now… that’s Old School! Plenty of promo posters from various record companies are hung about Music Outlet and the Metal is played loud throughout the store.

The prices are very competitive to any online record/CD store, with both used and new albums & CD’s being sold at Music Outlet. There are many great CD titles being sold new for around $10, with used CD’s being around $6. I found the selection of new CD’s to be the best I’ve come across in years, at an actual physical location and not online! Whoa. Easily, I could have spent well over my budgeted limit… it took some very strong Metal will power to not go overboard! Admittedly, I was semi-shaking at the overall selection of Metal CD’s that Music Outlet had for sale.

Gary told me I can call him anytime to order by phone, he said he has no problem in shipping out the Metal! Mail order Metal! I’m more than happy to pay for shipping, especially when a hard to find or highly sought after Metal CD can be found at Music Outlet. Meeting Gary, perusing his abundant supply of Metal CD’s and taking in the Old School, independent Record & CD store experience at Music Outlet, was a fabulous way to spend some of my time while back in Connecticut.

* Here are the 3 CD’s I bought at Music Outlet:

Iron Maiden – The Final Frontier (Mission Edition)

Primal Fear – Metal Is Forever

Bonded By Blood – Exiled To Earth

Scott Coverdale’s 3 CD’s purchased at Music Outlet:

Iron Maiden – The Final Frontier

Holy Mother – Toxic Rain

Michael Schenker Group – Built To Destroy

* I without hesitation, recommend any Metalhead or fan of any Rock genre to stop by Music Outlet in Enfield, CT… or give Gary and his Metal crew a call and order your Metal fix by phone! Patronize Music Outlet… it will serve you right. Tell ’em Stone and Scott Coverdale sent you.

Music Outlet Contact Info:

Owner: Gary

Store Location/Address: 151 Hazard Avenue, Enfield, CT, 06082

Phone: 1-860-749-2050

ROCK STEADY MUSIC OUTLET!

Thanks Scott Coverdale for hooking me up with Music Outlet!

Stone.

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HEAVY METAL FACTS TO NOURISH THE METAL MIND!

Posted in hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, metal odyssey, Music, rock & roll, rock and roll, rock music, rock music news with tags Alice cooper, hard rock music, heavy metal bands, heavy metal facts, heavy metal music, iron maiden live after death, metal music, metal odyssey, Music, progressive metal music, rock and roll, rock music, rock music news, vinnie moore on August 15, 2010 by Metal Odyssey

HEAVY METAL FACTS – Here are some cool and thought provoking Heavy Metal facts that you may find enlightening and/or life changing. Enjoy this list… enriching the Metal mind might just serve you right!

* Paul Mario Day was the original lead vocalist for Iron Maiden. Of course, Paul did not record an album with Iron Maiden, he was their lead vocalist from 1975-1976. Paul Mario Day later formed a NWOBHM band named More, which recorded two studio albums: Warhead (1981) and Blood & Thunder (1982).

* Lemmy Kilmister, vocalist, bass guitarist and founding member of the unreal legendary – Motorhead, celebrates his birthday on Christmas Eve… December 24th. Lemmy was born in 1945.

* The tombstone on the front cover of the live Iron Maiden double album – Live After Death, reads: “That is not dead which can eternal lie, yet with strange aeons even death may die”. This quote is taken from the iconic H.P. Lovecraft’s book – The Nameless City.

* Ralf Scheepers, lead vocalist for the German Power Metal Band – Primal Fear, was a finalist to replace Rob Halford as the new lead vocalist for Judas Priest. As the Metal story goes… Tim “Ripper” Owens became the “new” lead vocalist for Judas Priest, being hired by The Priest back in 1996. Rob Halford returned to Judas Priest in 2004… with Angel Of Retribution (released in 2005) being the “reunion” album for these Heavy Metal legends of all legends.

* Vinnie Moore – this guitar legend appeared on the Alice Cooper album Hey Stoopid, released back in 1991. Vinnie played guitar on two songs: Hurricane Years and Dirty Dreams. Vinnie Moore is the lead guitarist for the incredible… UFO, has been since 2004.

* Rob Zombie’s birthname is: Robert Bartleh Cummings. Rob Zombie was born in Haverhill, Massachusetts, on January 12, 1965.

LONG LIVE HEAVY METAL!

Stone.

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AVENGED SEVENFOLD “NIGHTMARE” – SOME METAL THOUGHTS…

Posted in hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal odyssey, Music, rock music, rock music news with tags #1 heavy metal albums, a7x, avenged sevenfold, avenged sevenfold nightmare album, eski of morphine killer, hard rock music, heavy metal albums 2010, heavy metal bands, heavy metal music, metal music, metal odyssey, rock music, rock music news on August 8, 2010 by Metal Odyssey

AVENGED SEVENFOLD – If a band is going to move forward, stay close, remain musically focused and courageously continue on after the tragic loss of a cherished family member, Avenged Sevenfold sure is trying and obviously succeeding. A7X drummer Jimmy “The Reverend” Sullivan passed away on December 28th, 2009. As defined, inventive and polished of a talented drummer as there could ever have been, “The Reverend” without question will forever be missed. Nightmare proves that life really does go on for Avenged Sevenfold in it’s sheer fantastical way… I’m certain “The Reverend” is beyond proud, as he looks down upon his band of brothers. – Stone

Recently, Eski (Metal extraordinaire and founding member of Morphine Killer and Igloo Warfare), gave Metal Odyssey his thoughts on Avenged Sevenfold – Nightmare.

Eski’s take on the new A7X CD:

“I’ve been a huge fan of A7X since their very first CD, ‘Sounding The Seventh Trumpet’ – back then, they were a local band that was very impressive. It has been nothing short of amazing to see what kind of release that ‘Nightmare’ has received, whether people like them or not. The one thing that always gets me about their music, unlike so many other bands I’ve listened to, is the fact that I look forward to listening to every single song on the CD, not just the one or two “good ones”.

When the band goes all out on songs, like “God Hates Us” or the first single “Nightmare”, it really makes my skin tingle. But honestly, there’s two AMAZING stand out tracks, which are the Rev’s final contribution to the CD, the haunting piano driven track “Fiction” (especially the ending), and the incredibly epic “Save Me”, which by the end of the track will have you thinking of nothing but the love that they wanted to give a fallen brother.” – Eski

Eski & Belle/Morphine Killer

* You can find out more about Avenged Sevenfold and their new Nightmare album, by clicking this link: AVENGED SEVENFOLD – myspace music page

* Find out more about Eski, Morphine Killer and Igloo Warfare by clicking the links below:

MORPHINE KILLER – Official Website

MORPHINE KILLER – Myspace music

IGLOO WARFARE – myspace music

LONG LIVE AVENGED SEVENFOLD.

REST IN PEACE, JIMMY “THE REV” SULLIVAN.

Stone.

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