I picked up my copy of Charm City Devils – Let’s Rock-N-Roll this past Summer, it was towards the end of July. On July 10, my mother passed away, she was as splendid, caring, giving and loving as a mother could possibly be for me. I received the news of her passing from my father… over the cell phone. We, (my wife and I with our twin daughters), were on our way to Connecticut by car with my courageous wife driving when this tragic news was conveyed to me by my father. We live in Pennsylvania, a solid three and a half hours away from our parents and relatives. The shock and sadness we all felt in the car at that moment can not be expressed in words here. Why I am telling this story is due to the Charm City Devils song Almost Home. You see, upon my first listen to Almost Home, I felt instant sadness, goose bumps formed all over my body and my thoughts instantly were directed to that awful moment in time – of receiving my fathers phone call about my own mothers passing away. It was only a couple of weeks after losing my mother that I first listened to this song.
I had not listened to Almost Home again until today, October 17, 2009. (I just could not bring myself to listening to this song again right away, I needed time to heal, so to speak). The emotional feeling of sadness still erupts within me when I listened to this song again, however, Almost Home actually has now helped me deal with my very own personal experience. It feels good to get this off of my chest… this is a perfect example of how Hard Rock Music or any music for that matter, can connect with you on such a deeply personal level. If this song is to be a true story, connected to any member of Charm City Devils, then I express my deepest sympathy to that person who experienced that phone call too. The lyrics of Almost Home are just too deep and emotional to be fiction.
Alright, now for the cool and Hard Rockin’ part of this album. I will start with stating that the first three songs come out of the Hard Rock gates with the sincerest of enthusiasm and energy. Very memorable are these songs, sing-a-longs if you will. Let’s Rock-N-Roll (Endless Road), House Fire and 10,000 Miles have all the sound and flavor of a hungry up and coming Hard Rock Band. The youthful energy I hear is a kick to my butt to stay in shape and think and act young! (Within reason of course). Best Of the Worst is a mid-paced ballad that sounds like the hit to me, a very commercial sounding song that won’t hurt this bands career. I am a ballad frowner my whole life, still this song has an almost uplifting sensory feel about it. Money has a Punk Rock vibe happening, especially with the rhythm section and arguably with the vocals as well… very cool song for me.
By me stating that Let’s Rock-N-Roll is a charming album, I am not trying to sound sappy, cute or funny here. I really mean it, this is a damn decent – Rock and Roll meets Hard Rock album here. A viable nod to Old School Hard Rock has been established, with Charm City Devils first album. Based on what I here from this album, Charm City Devils can use that old cliche and say the Hard Rock sky is the limit. There is heaping pounds of Hard Rock potential for Charm City Devils to get even better… and they already are quite the Hard Rock band on the rise. Heck, if Bon Jovi could become a household name writing and playing this kind of music, then why not Charm City Devils? I also like to compare this band to Airbourne, although I hear more diversity in song from Charm City Devils which is admirable. At the end of my Metal day, I concede that Let’s Rock-N-Roll is an album worth catching onto and Charm City Devils is a Hard Rock Band worth keeping an eye on.
* Let’s Rock-N-Roll was released on May 26, 2009, on Tenth Street Entertainment/Eleven Seven Music. * Eleven Seven Music has as it’s label president, the legendary Nikki Sixx.
* Charm City Devils hail from the Charm City itself – Baltimore, Maryland.
Charm City Devils as they appear on Let’s Rock-N-Roll:
John Allen – lead vocalist
Vic Karrera – guitar
Anthony Arambula – bass
Nick Kay – guitar
Jason Heiser – drums
Cheap Trick, “The Latest” may just very well be the album that proves this band has elevated themselves beyond the Rock Legends status. It is in my Metal opinion, Cheap Trick has become deserving of being called – Music Legends. Once again, Cheap Trick has not tried to reinvent themselves, instead they have created thirteen new songs that justifies their Rock and Roll existence and legendary status. What Cheap Trick has proven to me, with “The Latest”, is that I can marvel at this band and also learn a valuable lesson about life… the lesson of never giving into complacency. The last three Cheap Trick studio albums including “The Latest” is as strong a Rock Music achievement as I could ever hear. This band is just knocking out some of the greatest albums of their career, this decade alone.
I have been riding on a rather enjoyable, Progressive Metal & Progressive Hard Rock wave of music as of late. Am I complaining? Not when bands like The Mars Volta release the Progressive elasticity of songs that they have titled – “Octahedron”. It is Hard Rock music like this, that challenges the outer reaches of my very own musical senses. I suppose that is what Progressive Music is meant to do? I am not going to fib here, it took me well into my third listen of “Octahedron” to have “it” finally hit me. The “it” is the focused energy and streamlined patience and musical precision, that are consistent, musical nuances I hear in these songs from The Mars Volta. Let’s be real, these artistic lined, Hard Rock songs, with all of their progressiveness, were not written over night. Is it considered to be uncool these days, to have a thought process and spacial intellect towards music? Not in my realm of listening to Hard Rock – or Metal for that matter. The Mars Volta has thrown “Octahedron” to the progressive wind, it has blown my way and this is what I have to say.
“Since We’ve Been Wrong” has my inner psyche floating somewhere out there in 1979, the retrospective, ambient rays of melody I hear in this song, has me laying on a freshly mowed lawn, staring up at a clear blue sky. “Teflon” does not stray too far away from this dreamy type of feeling either, it only Rocks a little harder. “Halo Of Nembutals” has me agreeing with the assertion that lead vocalist Cedric Bixler Zavala really does sound like the living legend – Geddy Lee of Rush. (This comparison has been thrown around quite a bit, it should be construed as a compliment, much better than being compared to the vocals of Jim Nabors, aka Gomer Pyle). With this song, carrying it’s way into “With Twilight As My Guide”, I tend to realize that I have fallen victim to a cascade of Progressive Hard Rock sanctity. I refuse to just stand pat and not let my feelings be known, about a band that is able to grasp the flexibility and open mindedness of song writing, both lyrically and musically. The Mars Volta apparently were either born as collaborative musicians or they visited some type of mystical being, in a tropical rain forest, who granted them the ability to eradicate themselves of any staleness and ego – thus anointing them with Progressive Musical powers.
“Cotopaxi”, “Desperate Graves” and “Copernicus” are three songs in a row, that I swear are a path that lead me to believing that the words status quo are not in The Mars Volta vocabulary. Omar Rodriguez Lopez has given new meaning to the phrase – lead, not follow – for if this musician were to follow, I would probably be listening to a band that wants to fit in and play it safe, like so many bands who don’t follow their hearts and instincts do. The same goes for Cedric Bixler Zavala, as both a vocalist and lyricist. If anything, I am completely guilty of being passionate about the music that moves me. The Mars Volta are just as guilty for being passionate in creating the music that stands up and above, so much so, the “Octahedron” CD cover does not even bear their name. It is the music that really matters, the music that stands alone, it is not a name of a band, the physicality or gender of it’s members, nor the image. “It” is really all about the finished product, the music and what it says. “Octahedron” speaks more if you give “it” the space and respect is so justifiably deserves.
Bun E. Carlos, drummer of Hard Rock legends, Cheap Trick, turned 58 Rockin’ years young today, (June 12, 2009). Metal Odyssey extends a huge Happy Birthday to Bun E. Carlos! I am not holding back when I say, I have been a fan of Cheap Trick since I was in 6th grade… (back in the late 1970’s)… when owning 8-track tapes of Cheap Trick was the norm and collecting Kiss trading cards was cool. I still get a cool kick from listening to Bun E. Carlos’s classic drum intro, to the live track of “Ain’t That A Shame” off of the “at Budokan” album. Listening to Bun. E. Carlos over the years, I have never lost sight of the fact, that this drummer is as capable and talented as any other in Hard Rock history. Just give the album “Dream Police” a listen, especially the title track, you will hear Bun E. Carlos solidifying the song with precision. Bun E. Carlos has proven to me, it is not the glitz and glam that make a real Hard Rock drummer, it is the playing, the integrity in the musicianship that really matters. Many Hard Rock drummers have the look, yet they do not have half the talent with the drumsticks, like Mr. Carlos bestows. Bun E. Carlos is not an overnight sensation, this is a drummer that along with the entire Cheap Trick band… have paid their Hard Rock dues spanning three decades. 
Duff McKagan, you know, the very famous and former bass player for the legendary Guns N’ Roses and current bass wizard for Velvet Revolver? Yeah, that guy. Well, let me tell you, Duff McKagan has his brand new solo, (if you will), album out right now and it is in my Metal opinion, sensational. Really, these tunes that Duff McKagan provides with Loaded are just that – loaded. Loaded with quality Hard Rock driven tunes. These songs have catchy hooks and an almost unmistakable Punk Rock vibe happening throughout the entire album. Loaded is groove laden and if I am not mistaken, not over-produced! I can honestly say, that I hear a bit of overall polish missing and I love that!!
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