In my Metal opinion, Bob Seger & The Silver Bullet Band are an American Rock N’ Roll treasure. Bob Seger was inducted into the Rock And Roll Hall Of Fame, in 2004. “Nine Tonight” is a live album that is also a greatest hits, based on the song selection. This album was recorded live in June 1980 in Detroit and October 1980 in Boston. Some of Bob Seger’s most successful hits are here with “Against The Wind”, “Hollywood Nights” and “We’ve Got Tonight”. The good time Rockers are here too, Bob Seger and The Silver Bullet Band do not disappoint with “The Fire Down Below”, “Old Time Rock And Roll” and “Her Strut”. Wow, does Bob Seger make these songs really come alive, coupled with Seger’s vocals and the excellent musicianship of The Silver Bullet Band. There is just a real, feel good vibe that is going on when you listen to “Nine Tonight”. I always say, be true to the roots of Hard Rock. For bands of yesteryear, like Bob Seger’s, without question, helped pave the way for the new Hard Rock bands of today.
I will go out on a Metal limb here and say, Metallica could never do a better job with the Bob Seger classic “Turn The Page”, (from the Back In ’72 album by Bob Seger – released in 1973), their cover version of this song is just that, a cover. (Keep in mind, I hold Metallica in the highest Metal regards). This was a classic example of nothing beats the original. It does go to show, that there are Metal bands out there that dig Bob Seger & The Silver Bullet Band, Metallica is proof of this. I could never resist any of Bob Seger’s brand of Rock through the years, the gravitation towards his voice and blue collar Rock & Roll has always made me a believer in his music. The combination of the songs with their memorable lyrics, plus the live atmosphere definitely provokes a positive Rockin’ good time on this CD/album.
I really enjoy the entire Anthrax catalog of albums, yet “Among The Living” is definitely my most favorite release from this veteran Thrash Metal band. Released in 1987, this album is loaded with all the power and explosiveness of pure Thrash, the Anthrax way. “Efilnikufesin (N.F.L.)” is one heavy tune that is rebellious and fun, to actually here the lyrics for yourself would explain what I mean. “Among The Living” earns it’s ferocity courtesy of the talented musicians of Anthrax. Scott Ian on guitar is, in my opinion, one of the best in Thrash Metal history. Joey Belladonna on vocals can carry a note extremely well, he is as valid to “Among The Living” as the music itself. I find Belladonna to be a Thrash Metal vocalist who is quite punctual, without compromising the heaviness whatsoever. I have the upmost respect for the vocals of Belladonna on this album. “Indians” is a great song for me, a Thrash Metal jewel of a tune with inspired lyrics. Every song here adds to the credibility of “Among The Living”. Fast music, fast vocals, fast background vocals, everything on this album is fast. That’s what makes Thrash Metal so profoundly heavy, the speed and it is all here waiting for you courtesy of Anthrax! I do not hesitate for a second, to recommend “Among The Living” to all Metal fans worldwide!
Well, I have finally reached the pinnacle in my decision process for The Greatest Heavy Metal Album Of All Time. Please reference my past posts on this topic, you will find many great & legendary Metal albums that I personally nominated for this prestigious label. Without further delay, in my Metal opinion, and only mine alone, I have chosen: Black Sabbath – “Sabbath Bloody Sabbath” 
Duff McKagan, you know, the very famous and former bass player for the legendary Guns N’ Roses and current bass wizard for Velvet Revolver? Yeah, that guy. Well, let me tell you, Duff McKagan has his brand new solo, (if you will), album out right now and it is in my Metal opinion, sensational. Really, these tunes that Duff McKagan provides with Loaded are just that – loaded. Loaded with quality Hard Rock driven tunes. These songs have catchy hooks and an almost unmistakable Punk Rock vibe happening throughout the entire album. Loaded is groove laden and if I am not mistaken, not over-produced! I can honestly say, that I hear a bit of overall polish missing and I love that!!
Every time I listen to Molly Hatchet “Greatest Hits” I get positively pumped and put into the best of moods. The Southern Hard Rock crunch of Molly Hatchet coupled with the back roads feel of all their music will never be matched by any band today. Molly Hatchet, in my opinion, was the heaviest Southern Rock band of their day. They treaded the fine line of Metal later in their career with “Satisfied Man” and “Shake The House Down”. Early in Molly Hatchet’s catalog of music, “The Creeper” made it known instantly that this band was playing heavy and for keeps! This song off of their debut album “Molly Hatchet” is bass heavy and the guitar work slams it down! The signature heaviness of Molly Hatchet is also linked to the unique lead vocals. The tough as nails vocals you will hear are from Jimmy Farrar and Danny Joe Brown. Both vocalists were so similar in their attitude and make no mistake Southern Hard Rock vocal delivery. The FM radio hits of the late ’70’s and early ’80’s are all here, with “Flirtin’ With Disaster”, “Beatin’ The Odds”, and the lengthy guitar driven masterpieces “Dreams I’ll Never See” and “Fall Of The Peacemakers”.
Let’s face it, the album artwork on Molly Hatchet album covers are extremely cool. I still find myself, to this day, staring at the artwork like it is my first time ever seeing it. I am from the generation of Metal/Hard Rock fans that would (and still do), sit down with a vinyl album jacket and inspect every speck of art, from front to back, while listening to that respective band’s tunes. I strongly recommend any fan of heavy music to buy this “Greatest Hits” of Molly Hatchet, still, I also recommend any album that this band has ever released, past or present. It is my opinion, that Molly Hatchet truly crossed over many Rock genres during their reign – Rock, Hard Rock, Southern Rock, Southern Hard Rock and eventually a stab at trying to sound like ’80’s Heavy Metal, (with the album “The Deed Is Done” – released in 1984). Call them any genre you wish, I just call Molly Hatchet legends. Long live Molly Hatchet. Keeping in mind, the core of the original Molly Hatchet lineup has changed over the years, this band has still released some current and impressive Southern Hard Rock albums over the last decade.
I have never, ever, heard such incredible, good-old fashioned guitar jamming in my life like I hear with Molly Hatchet on their “Greatest Hits” – intensity is the best adjective. This band legitimized guitar jamming and put it on the map! This is the ultimate “Greatest Hits” you will find from Molly Hatchet. Give the Hatchet a try and you will be hooked for life! The liner notes that come with the re-mastered CD are eight pages. Two pages are devoted to a summary history of Molly Hatchet, along with four cool band photos and song/album credits.
I have been reading “professionally paid” music critic reviews about the newest release from Mastodon – “Crack The Skye” – the majority of them are not even worth discussing or repeating. I dig the new Mastodon album, simply put it rocks. For Metal sakes, anyone who knows Metal, should know and/or understand that Mastodon is and always has been a Progressive Metal band. With the Progressive Metal bands, you never know exactly what you are going to get with the next album. (To solidify my point, just look at Rush, Dream Theater and Queensryche, these bands have always experimented musically). So what, big deal, so the new Mastodon album is not as heavy as their last release “Blood Mountain” – give me a Metal break.
The Metal musical “escape” I feel and hear while listening to “Crack The Skye” is cool for me. The vocals are still heavy, the guitar leads are still heavy, and the rhythm section is the farthest thing musically from 1970’s Hard Rock as you can possibly get. This album was not created in 1977, this Metal is happening now. Sure, there are plenty of synthetic sounds applied to “Crack The Skye,” that is what makes this album progressive. The synthetic interludes and backdrops along with the lyrics are why I call “Crack The Skye” a Metal journey. Mastodon did not provide here, a “rip and tear – let it all loose, heavy frenzy” – if I or any other true Metal fan wants that, heck, I will listen to a Metal band that is supposed to play that way. Suffice to say, in my Metal opinion, Mastodon has created a Progressive Metal gem. Paid and uninformed music critics can call this new album from Mastodon anything they want. The sole reason why I live for Metal music in the first place, is due to it’s diversity with all of the Metal genres. At the end of the day, when you break it all down, musically, Metal will always be… Metal. 
I really give praise to the vocals, musicianship, song writing and lyrics on “Crack The Skye” – do I find any flaws? Nope. I could never write or play Metal music this darn good. I recommend to all Mastodon and Metal fans across the globe to chase this album down, play it, enjoy it. Rock out to it. Jump onto “Crack The Skye” and experience the Progressive Metal journey that Mastodon created. Now, just because I want to, here is a roll call of the fine Metal musicians that are Mastodon: Brann Dailor (drums, vocals & percussion), Brent Hinds (lead guitar, vocals & banjo), Bill Kelliher (guitar) and Troy Sanders (bass, vocals & bass synth).
The late Kevin DuBrow of Quiet Riot has certainly left his mark on the world of Heavy Metal. In my opinion, just the album “Metal Health” alone is quite the Metal accomplishment. “Metal Health” (released in 1983), will forever have the distinction of being the very first Heavy Metal album to hit #1 on the album charts. Fast forward to October 31, 2006, Quiet Riot “Rehab” was released under the radar, so to speak. “Rehab” is a darn good hard rockin’ album, in my Metal opinion. You no longer hear the Hair Metal thumping of the 1980’s on this album, what I do hear, are quality written songs with quality musicianship. In summary, the music on “Rehab” is Hard Rock meets Heavy Metal.
“If it is old school Thrash Metal you are looking for, you have definitely found it! Over Kill does not disappoint, each song is as heavy as the next, TRUE Thrash Metal. This is as great a start as you can get if you are beginning an Over Kill music collection. Over Kill throughout the years have been steadfast and loyal to the Thrash Metal sound and genre, comparing “The Years Of Decay” to their other albums is non sensical, for I admire the entire catalog of albums from this band. “The Years Of Decay” in my opinion, stands out from the vast Thrash Metal album crowd, since it’s release in 1989. For an album that is now twenty plus years old, this brand of Thrash Metal from Over Kill is still Earth shattering, in my Metal opinion. Bobby “Blitz” Ellsworth on vocals and D.D. Verni on bass deserve all the accolades. Bobby Gustafson on guitar and “Sid” Falck on drums are both tremendous players on this album as well. I really recommend “The Years Of Decay” to all Metal and Thrash Metal fans alike. New Over Kill fans cannot pass over this heavy hitter.
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