Archive for the extreme music Category

ANA KEFR – Featured In ATMOSFEAR Extreme Music Magazine Issue #8

Posted in Extreme Metal, extreme music, Heavy Metal, heavy metal news, magazines, metal music, Music, progressive metal, rock music, rock music news with tags , , , , , , , on January 2, 2012 by Metal Odyssey

ANA KEFR – The California based Extreme Metal band ANA KEFR have a featured interview in the latest issue (#8) of ATMOSFEAR Extreme Music Magazine. What sets ANA KEFR apart from their Extreme Metal peers, is their progressive leanings musically and philosophical lyrics. Make no Metal mistake, ANA KEFR is an Extreme Metal band, 100% from top to bottom and side to side. ANA KEFR is an Extreme Metal band that is on the rise and a must to check out and hear, if you haven’t already.

* ANA KEFR was voted #9 in Metal Odyssey’s Top Ten Metal Albums of 2011, with their critically applauded album: The Burial Tree (II). (Posted on Metal Odyssey December 17th, 2011).

(Source: Sundisc PR)

* For more info on ANA KEFR, click on the link below:

www.anakefr.com

* For more info on ATMOSFEAR, click on the link below:

www.atmosfearzine.com

LONG LIVE ANA KEFR.

Stone.

FUCK THE FACTS: New Track Streaming Via Decibel Magazine

Posted in Extreme Metal, extreme music, grindcore, hardcore music, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , on September 26, 2011 by Metal Odyssey

Ottawa’s bastardized grinders FUCK THE FACTS have posted the track “Alone” from the band’s upcoming album Die Miserable. Check it out at Decibel Magazine’s website here.

FUCK THE FACTS have previously posted several other tracks from Die Miserable, including “A Coward’s Existence” and “Drift,” as well as an in-studio video documenting the recording of the album.

Set for release in North America via Relapse Records this October 11th on CD, limited edition LP, and digital download, Die Miserable was recorded between tours at their own home studio, and bears artwork by vocalist Melanie Mongeon. Featuring almost 40 minutes of FUCK THE FACTS‘ scorching blend of socio-politically-charged Grind, Hardcore and Metal fans worldwide have embraced for the past decade, the album showcases some of the finest work the band has embodied to date.

FUCK THE FACTS Tour Dates:

9/24/2011 Salle Multi de Meduse – Quebec City, QC

10/9/2011 Maverick’s – Ottawa, ON w/ Napalm Death

Stay tuned for tons of tour dates and other FUCK THE FACTS news over the coming weeks.

(Source: Earsplit PR)

LONG LIVE FUCK THE FACTS.

Stone.

VREID: Issue 2011 Tour Update

Posted in Black Metal, Extreme Metal, extreme music, Heavy Metal, heavy metal news, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , on August 30, 2011 by Metal Odyssey

Norwegian Black Metallers, VREID, kicked off the Black Path Of America Tour 2011 last week in Toronto and though their arrival was met with a series of weather calamities and one canceled show in NYC due to the prospective threat of Hurricane Irene, the band soldiers on.

Commented bassist Hváll: “Our North America tour has been filled with action so far. An earthquake upon arrival, tornadoes as we entered Toronto and then Irene came and shut down our New York show. Mother earth has unleashed her wrath upon us this time around. We are extremely disappointed that our New York show got canceled, but be sure that VREID will return. We kicked ass in Toronto and had a great show; next up was Montreal which was massive. An absolutely fantastic show in all ways. The audience of Montreal has to be one of the most dedicated on this planet. Then we hit Kingston, New York. It was good to see people ignoring the rain and fear of Irene, to come to The Basement to rock like a hurricane. Now we are in Cleveland and ready to give  a massive dose of Norwegian Metal at Peabody’s. We hope the upcoming  shows will continue in the same good way as the first three. The audience in North America has once again shown their intense dedication, which makes these shows a blast for us. See you soon.”

Check out fan-filmed footage of the band in Toronto HERE.

The Black Path Of America Tour 2011 featuring VREID
w/ Kampfar, Necronomicon [remaining dates]:

8/29/2011 Peabody’s – Cleveland, OH

8/30/2011 Reggie’s – Chicago, IL

8/31/2011 Station 4 – St Paul, MN

9/01/2011 Park Theatre – Winnipeg, MN

9/02/2011 The Exchange – Regina, SK

9/03/2011 Pawn Shop – Edmonton, AB

9/04/2011 French Cultural Center – Kelowna, BC

9/05/2011 Rickshaw Theater – Vancouver, BC

9/06/2011 Studio Seven – Seattle, WA

9/07/2011 The Branx – Portland, OR

9/08/2011 Thee Parkside – San Francisco, CA

9/09/2011 The Whisky – Hollywood, CA

9/10/2011 Molly Malone’s – Ramona, CA

As previously reported, the band will be giving away a pair of tickets for each show via their official Facebook page. The day before each gig,  VREID will include a special post to their page. The first person to reply to that post, will get two guest list tickets for the show the following day. Please be sure to post your full name in your comment. The band will announce the winner within the same post. Remember, you must provide your own transportation to the show. VREID will only be providing tickets. For more info, point your browser HERE.

(Source: Earsplit PR)

* For more info on VREID, click on the links below:

http://www.vreid.no

http://shop.indierecordings.us

http://www.indierecordings.us

LONG LIVE VREID.

Stone.

GLORIOR BELLI: Band Issues The Great Southern Darkness Video Teaser

Posted in Black Metal, Extreme Metal, extreme music, Heavy Metal, heavy metal news, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , on August 22, 2011 by Metal Odyssey

French Black Metal goliaths, GLORIOR BELLI, recently issued a video teaser for upcoming new full-length, The Great Southern Darkness. Check it out now at Revolvermag.com.

The Great Southern Darkness offers up 11 tracks that magnify  GLORIOR BELLI‘s finest qualities: Debilitatingly fast, yet simultaneously dark and swampy with all the Americana/Stoner/Blues elements the band and their fans have come to embrace. Said Revolver in an advance review of the record: “The album combines vicious Black Metal riffery with deep New Orleans Stoner grooves to create a Metal monolith that is equal parts northern blaze and southern trendkill.”

Formed in the suburbs of Paris during the close of 2002, what began as a noxious duo soon became an untamable beast, acting as a beacon for everyone looking to free themselves of the influence of the Demiurge. Lyrics and themes explored throughout the years reveal a sincere inclination for rebel-ism and a sense of poetry. Today, the name GLORIOR BELLI has garnered a stellar reputation in the Extreme music community for mixing desert rock textures with the brutal, ominous, doom-laden vibe typical of Black Metal. But don’t bother trying to restrain that which cannot be confined, for this is merely the greatest curse of the cosmic scheme.

The Great Southern Darkness is scheduled for a North America release on September 27, 2011 via Metal Blade Records.

Check out “Secret Ride To Rebellion” at the band’s official landing page, where you will also find pre-order details, HERE.

(Source: Earsplit PR)

LONG LIVE GLORIOR BELLI.

Stone.

DESALMADO – Hereditas: This Is Grindcore, This Is Extreme Metal… That Decimates The Senses

Posted in extreme music, grindcore, Heavy Metal, heavy metal news, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , on August 7, 2011 by Metal Odyssey

DESALMADO – On August 16h, 2011, via Greyhaze Records, Brazilian Grindcore band DESALMADO will have their Hereditas EP released as a 10″ vinyl and digital download. DESALMADO are from São Paulo, Brazil, being well known around South America over recent years under the name El Fuego. This Hereditas EP is the precursor to their forthcoming debut full-length, being produced by Jean Dolabella of Sepultura and is set for release via Greyhaze Records later in 2011.

The total running time for the six songs digested on Hereditas is fifteen minutes… and it’s fifteen minutes of 200% Grindcore savagery in all of it’s ruthless enormity. Metal be thy name, if you are looking to get your eardrums scoured by fifteen minutes of grinding extremity, Hereditas is the solution. DESALMADO puts a clamorous stamp on why Grindcore is a credible and growing, international Metal sub-genre.

The blast beats, riffs and excessively fast and unrestrained sound from Hereditas that penetrates my senses is without question, extremely intoxicating. Vocally monstrous, bordering on maniacal… and that’s exactly how it should sound and feel like. Listening to DESALMADO is accepting willingly, a grinding Metal assailment which decimates the senses and there is no clinical way to explain it any further than that. Forget power or psyche-out vibes, this is bombardment, a voluntary acceptance of an Extreme Metal invasion upon my ears and brain.

Lyrically speaking out against abuse of power and not conforming to idiotic idealism, DESALMADO have something to say. If you’re looking to get obliterated from fifteen minutes of Grindcore and Extreme Metal demolishment, then take my sound Metal advice and pick up Hereditas from DESALMADO… it will kick your ass and serve you right simultaneously.

Hereditas Track Listing:

Condenados Pelo Odio [Condemned By Hatred]

Em Sua Honra [In Your Honor]

Miseria Escravatura [Misery and Slavery]

Chagas Abertas [Open Wounds]

Manto De Sangue [Cloak of Blood]

Hereditas

* For more info on DESALMADO, click on the links below:

http://www.desalmado.com.br

http://pt-br.facebook.com/desalmadogrind

http://www.greyhazerecords.com

LONG LIVE DESALMADO.

Stone.

ACHREN – Confirm Long Awaited Album Release Details

Posted in Death Metal, Extreme Metal, extreme music, Heavy Metal, heavy metal news, metal music, metal odyssey, Music, rock music, rock music news, Thrash Metal with tags , , , , , , , , , on August 2, 2011 by Metal Odyssey

ACHREN – After a triumphant set at this years Metalcamp 2011 and their forthcoming invasion of Wacken Open Air, on Thursday 4th August at 2.15PM on the WET stage, rising Scottish Metallers Achren have announced that they plan to release their long-awaited debut album on Thursday the 11th AUgust at the UK’s Bloodstock-Open-Air 2011 Festival, on the night they open the festival.
Entitled The Forgotten King this first full-length release was recorded around their native Scotland, mixed at Drop Hammer Studios in Finland by Matias Helle and mastered at Fascination Street Studios, Sweden by Jens Bogren (Amon Amarth, Opeth, Bloodbath, Devin Townsend Project).
The Forgotten King can be pre-ordered online now at http://achren.bigcartel.com and is available as a download on Amazon from the 11th August 2011. * You can listen to a full streaming track from the album on Soundcloud at : http://snd.sc/qhDfNd
* Check out previews of every track at: ACHREN (The Forgotten King) – Amazon UK
ACHREN blend crushingly Hard and Heavy Metal riffs, Death Metal growls, Black Metal sentiments and a Thrash mentality, to create a unique and commandeering sound which is sharpened to a razor edge on this release.

The Forgotten King – Track Listing:

Impaled
The Way of the Twilight of the Aura of Flies
Bastards on the Gallows or Bastards on the Rack
Fuck it Hard
Fury of the Northmen
The Forgotten King
Darkest Day
Manuel’s Mile
Wings of War
Pestilence
* For more info on ACHREN, click on the links below:
ACHREN – Official Website
ACHREN – Reverbnation
LONG LIVE ACHREN.
Stone.

GLORIOR BELLI: French Black Metal Collective Premiere New Track From “The Great Southern Darkness”

Posted in Black Metal, black metal music, Extreme Metal, extreme music, Heavy Metal, heavy metal news, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , on August 2, 2011 by Metal Odyssey

French Black Metal collective, GLORIOR BELLI, are pleased to unveil the first single, “Secret Ride To Rebellion,” off their upcoming new full-length, The Great Southern Darkness. Scheduled for a North America release on September 27, 2011 via Metal Blade Records, the record finds the band at their most ravaging.

Comments vocalist/guitarist Julien of the tune: “‘Secret Ride To Rebellion’ begins furiously with the right mix of blackened tremolos, catchy melodies and wicked words. Then slowly, the track reaches a frenzy point over the last minutes of dark incantations. Sorry pal, you’ve just been exposed to the black light and there’s no return from there!”

Check out “Secret Ride To Rebellion,” at the band’s official landing page, where you will also find pre-order details, HERE.

The Great Southern Darkness features 11 tracks that magnify all the best elements of GLORIOR BELLI in a twisted, gritty, wholly unique way; dangerously violent and fast, yet simultaneously dark and swampy with all the Americana/Stoner/Blues elements the band has come to embrace. Formed in the suburbs of Paris during the close of 2002, what began as a noxious duo soon became an untamable beast, acting as a beacon for everyone looking to free themselves of the influence of the Demiurge.

Lyrics and themes explored throughout the years reveal a sincere inclination for rebel-ism and a developed sense of poetry. Today, GLORIOR BELLI has garnered a stellar reputation in the Extreme Music community for mixing desert rock textures with the brutal, ominous, Doom-laden vibe typical of Black Metal. But don’t bother trying to restrain that which cannot be confined, for this is merely the greatest curse of the cosmic scheme.

(Source: Earsplit PR)

* For more info on GLORIOR BELLI, click on the links below:

http://www.gloriorbelli.com

http://www.facebook.com/gloriorbelli

http://www.metalblade.com/gloriorbelli

LONG LIVE GLORIOR BELLI.

Stone.

BACKSLIDER / NIMBUS TERRIFIX – Split: An Ultra-Tumultuous Grindcore and Hardcore Collision!

Posted in Extreme Metal, extreme music, grindcore, hardcore music, Heavy Metal, Metal, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , on May 8, 2011 by Metal Odyssey

BACKSLIDER / NIMBUS TERRIFIX – Releasing on May 17th, 2011, is Backslider / Nimbus Terrifix (Split) via Give Praise. Backslider is a two-man Grindcore/Hardcore force originating from Philadelphia, Pennsylvania. Nimbus Terrifix is a Technical Hardcore outfit that calls Scranton, Pennsylvania: home base. In Metal preface, Backslider are representative of the future for Blastcore, while Nimbus Terrifix can set their sights on Hardcore notoriety, just as long as they remain so damn pissed off.

Both of these bands accentuate the raging noize and all things extreme about Metal. Listening to the split album from these two up and coming Hardcore bands is not something you want to do on the way to a “check-up” at the doctor’s office… both your blood pressure and heart rate will be increased while you are trying to feel if the skin has been ripped off your face. (I’m just kidding about the facial skin, then again, you never know).

No epics are in this genre of Metal. Nope. Just quick and obliterating Hardcore uppercuts to the chin that grind out frenzied drums, old school riffs and blunt force jabs of traumatizing vocals. You shall find no sanity in the punishing sounds that Backslider and Nimbus Terrifix dish out. In this world of Extreme Metal, song structures are obliterated into furious spasms of kick-to-the-teeth strikes and counter strikes that carry out one unified message: piss off mainstream.

Give yourself the gift of Hardcore this Spring and try out Backslider and Nimbus Terrifix… you might just find that the extreme punishment these two bands dish will have you asking for more. It’s just like putting your tongue on the terminals of a 9 volt battery, it shocks, it’s unpleasant and you still want more.

While I listen to both bands, I don’t know whether I want to break out or break in. Regardless, I realize that it was my own doing in opening up this can of extreme whoop-ass and I’ll open it again. In under twelve minutes, both bands combined to brutalize my senses and I’m alive to talk about it. It’s the unreal that I hear from both of these bands, that for all intents and purposes, makes it real to me. Metal be thy name.

Tracklisting:

BACKSLIDER:

Steady Diet of Vitriol

Sadistic Sack of Shit

Marrow Turns to Dust

Shallow Victory

Jerusalem Syndrome

NIMBUS TERRIFIX

Deadbeat

Roaches

Scranton Trinity

Broadcast Booth

* For more info on BACKSLIDER and NIMBUS TERRIFIX:

http://www.myspace.com/bsfastcore

http://www.myspace.com/nimbusterrifix

http://www.givepraiserecords.com

LONG LIVE BACKSLIDER and NIMBUS TERRIFIX.

Stone.

NAILS – Metal Injection Premieres Brand New Video “Conform/Scum Will Rise” Today!

Posted in Extreme Metal, extreme music, hardcore metal music, hardcore music, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , on March 25, 2011 by Metal Odyssey

Just moments ago, online Metal video juggernaut Metal Injection posted the brand new video from California-based hardcore warriors NAILS! Part of Scoin’s ongoing bi-annual underground artist series, the video is for the brutally pissed “Conform/Scum Will Rise” from their acclaimed 2010 Southern Lord release Unsilent Death, and was directed by Joel Perkins.

Check out the video right now at this location and get ready to smash something.

NAILS also just annihilated audiences at the Scion Rock Fest in Pomona, California, and are also about to embark on a three-date assault on the Northeast U.S. alongside labelmates All Pigs Must Die. They’re also confirmed to play the New England Metal & Hardcore Fest, Maryland Deathfest, Rain Fest and more in the months to follow.

NAILS Live Attacks:

3/31/2011 – Great Scott – Boston, MA – Great Scott w/ Burning Love, All Pigs Must Die, New Lows

4/01/2011 – Union Pool – Brooklyn, NY w/ Burning Love, All Pigs Must Die, New Lows

4/02/2011 – The Barbary – Philadelphia, PA w/ Burning Love, All Pigs Must Die, New Lows, Deathbeds

4/16/2011 – The Palladium – Worcester, MA @ New England Metal & Hardcore Fest

5/27/2011 – Sonar – Baltimore, MD @ Maryland Deathfest

5/29/2011 – Neumos – Seattle, WA @ Rain Fest

6/03/2011 – Cobalt Cafe – Canoga Park, CA w/ Cruel Hand, The Carrier, Former Thieves, The Greenery

Stay tuned for more details on the upcoming NAILS album, additional live dates and much more.

(Source: Earsplit PR)

http://www.myspace.com/unsilentdeath

http://www.southernlord.com

http://www.myspace.com/southernlordrecordings

http://twitter.com/twatterlord

LONG LIVE NAILS.

Stone.

ANA KEFR – “The Burial Tree (II)” Progressively Extreme and Resists Metal Boundaries

Posted in avant-garde music, Extreme Metal, extreme music, Heavy Metal, metal music, metal odyssey, Music, progressive metal, rock music, rock music news with tags , , , , , , , , , , , on February 9, 2011 by Metal Odyssey

ANA KEFRThe Burial Tree (II) is the follow up to Volume 1, Ana Kefr’s critically acclaimed full-length debut released back in 2009. Both of these albums have been handed off to the Metal world via their own imprint label: Muse Sick. With a May 3rd, 2011 release date solidified, Ana Kefr’s new album is already making more noise than a sold out Arena of Detroit Red Wings fans. Originating from Riverside, California, Ana Kefr combines Extreme Metal with with progressive elements aplenty.

With smart and philosophical lyrics, Ana Kefr may have very well created their own Metal genre, which I’ll call – Thinking Man’s Extreme Metal. Maybe an easier label to blanket Ana Kefr with is Progressive Extreme Metal, only that would be too academic. Making things easier for us all, I’ll take a line from Hard Rock warriors Tesla: Call it what you want. I’m calling Ana Kefr an open book Extreme Metal Band… Metal be thy name.

It’s very easy to get caught up in Metal genre labels, with that said, Ana Kefr is not going to punch out at the Extreme Metal time clock anytime soon. Time is on this band’s side. What Ana Kefr brings with their extremity is layers of sounds that are so intriguing, my captivation level had reached an all new high while listening to The Burial Tree (II)… and that was during my initial listen through. What Ana Kefr has convincingly conveyed to my ears, is musical influences do not have to stand out as a bulls-eye within the structures of their songs. Ana Kefr has a keen ability to make their musical mood evolve into a potpourri of tonal originality, regardless if they are not pioneers of Metal experimentalism. Musical influences I or anyone else hears within an album of songs, is undeniably subjective. Still, the fun begins once my perception of sound takes that daringly brave leap. I’ll continue onward…

Between the Metal linings of Ana Kefr’s music, I sense influences ranging from Queensryche to Savatage, with a possible yet legitimately subtle nod to Cradle Of Filth. Do I dare state that quite logically, a reference point may have once been The Electric Light Orchestra when it comes to the atmospheric elements to The Burial Tree (II)? Maybe and maybe not. The Trans Siberian Orchestra epic-like canvas of sound hurls itself straight upon my ears from the sensory presence of The Burial Tree (II). Only this band bestows a much darker, outwardly aggresivemainstream shattering and stormier presentation of music and this album’s non-conforming bark is as muscular as it’s Extreme laden bite. The Burial Tree (II) is a box of puzzle pieces that unloads in my brain, then gets put together fluidly as each song spills forth it’s uniqueness of musical character.

Rhiis D. Lopez creates the feelings and sounds that drive Ana Kefr’s music to such elegantly Extreme profoundness with his wizardry on the keys, not to mention his emotionally Extreme vocals, resulting in that open air journey of the mind I’ve signed on to, before I can even refuse. Around each bend, through the maniacal twists and turns, are those sounds and vibrations that may just go unnoticed after the first six or maybe seven listens of The Burial Tree (II), Ana Kefr is that enterprising of a band. Can Ana Kefr be too complex for their own good? In my Metal opinion, not in this post-Millennium decade.

A thinking man’s Metal will stop me in my tracks, making me realize that there is much more to know and explore about music and it’s infinite possibilities. With a clarinet and saxophone being introduced to the musical repertoire of The Burial Tree (II), Ana Kefr is careful enough to not overstep and become overly creative. Not to dissect apart a need for woodwinds in an already progressively driven atmosphere of Metal, the level of their use substantiates Ana Kefr’s belief in less is more when it comes to not over exploiting these ageless instruments. Devouring an album such as The Burial Tree (II) overnight or over the course of a two week period is absurd. This is an album and a band that just might become your Metal companion for your mind… the big and thick book you can’t push aside.

Expect Blackened Death vocals, searing guitar parts that boils over and gives way to melody, unexpected episodes of calm, with a bounty of synthetic fullness that engulfs the top and background of these 14 songs heard on The Burial Tree (II). All the while, the Extreme Metal direction that Ana Kefr travels never goes astray from it’s determined path of being the equalizer. To put it best, mainstream would walk on the other side of the street upon seeing Ana Kefr emerging from the darkened alley.

Ana Kefr does not present a cut and dry approach, nor do they administer a cut and dry sound to sum up in a tidy album review for Metal aficionado’s on the go. What I will say, is Ana Kefr remarkably joins the highs with the lows, impeccably balancing each song’s tempo and personality to eye popping approval. Those eyes popping are mine by the way. When a band can take me aboard their musical journey, regardless of how Extreme or mellow it may be and bring me to a place I’ve never been before, then that band deserves my Metal commendation. The Burial Tree (II) is a Metal album that encompasses musical elements of various Metal genres. These are intelligent musicians that have given thought to their music and lyric’s complexity and made a fearless album of songs along the way. Ana Kefr shook up my Metal soul with The Burial Tree (II), I’m quite certain they will try to eventually seize it altogether. Metal be thy name, I can’t let it go just yet.

* Album cover art for The Burial Tree (II) was created by the Dutch artist Bianca Van Der Werf and is aptly titled: The Watcher.

ANA KEFR:

Rhiis D. Lopez – lead vocals, keyboards & clarinet

Kyle Coughran – rhythm guitar & vocals

Brendan Moore – lead guitar, saxophone & vocals

Alphonso Jimenez – bass

Shane Dawson – drums & percussion

Track Listing For The Burial Tree (II):

Ash-Shahid

Emago

Monody

In The House Of Distorted Mirrors

Thaumatrope

Bathos And The Iconoclast

The Zephirus Circus

Jeremiad

Apoptosis

Parasites

Paedophilanthrope

Fragment

The Blackening

The Collector

LONG LIVE ANA KEFR.

Stone.

Blue Aside “The Orange Tree” – EP Rooted With Doom And Sci-Fi Psychedelia, Leaves A Lasting Metal Impression

Posted in doom metal, extreme music, Heavy Metal, metal music, metal odyssey, Music, progressive metal, psychedelic metal, rock music, rock music news, stoner metal with tags , , , , , , , , , on January 4, 2011 by Metal Odyssey

BLUE ASIDE – This Underground Doom Metal power trio from Boston, Massachusetts, that call themselves Blue Aside are not bashful on laying down some potent, Earth rattling psychedelia. Blue Aside is one heavy band, as heavy and thick as an unopened can of Castrol motor oil from 1966. (Man, that sounded hoochie, yet my point has been made). This five song debut EP, The Orange Tree, was released on Hydro-Phonic Records in the Fall of 2010. If a band of any heavy genre wants to make an instant impression on me with a debut EP, then Blue Aside has without a doubt succeeded.

The Traveler of Time and Space begins with a synthetic intro that makes me feel like I’m helplessly floating in outer space without a cell phone or I’m being chased by Zombies that can’t run… take your pick. The riff is king here and it leads me down the path to all things spectacular about Psychedelic Doom Metal, bringing me to the realization that Iron Butterfly is indeed an influential band in 2010. The retrospective nature of Blue Aside is not a dominant force, however. They integrate such imagination into their sound, that it makes for a simultaneous vibe that is both now and futuristic.

The vocals change off from being dark and downright evil to semi-harmonious with echos. One well schooled Rockaholic can easily point the progressive finger, with certainty, at Blue Aside. Stoner Metal fans that are looking for songs that are not 15 minutes long can easily fall victim to what Blue Aside is banging out on The Orange Tree. Picture The Mars Volta deciding they want to get down on some Doom Metal and make their music more eye popping heavy, while maintaining a non-mainstream grip on avant-garde, minus any stretching vocals and this is Blue Aside. Adam Abrams (guitar), Matt Neto (drums) and Joe Twomey (bass) can play, making me feel as if this is their third or fourth album after ten years of touring. As anti-commercial as a five song EP can ever be, The Orange Tree never slips into passages of mainstream cow-towing.

Comparisons aside, this trio is hitting the bulls-eye on being unique. Each song has it’s own flavor, with Orange Eyes being a more guitar oriented song, with it’s melodic leads and slow motion Punk like vocals. Otis’ Sun is much more Doom laden with it’s riffs and vocals and marches on with a more apocalyptic feel, never compromising on it’s melancholic mood. Black Rays has a strong emphasis on drums, with a guitar driven attack that keeps the tempo on high, being the one song on The Orange Tree that can be described as groove laden. Black Rays is my favorite song on this EP, I always fall over for the grooves… man, I dig that stuff.

The Inevitable Journey is a journey into one damn cool, hard and heavy tunnel of sound. The Tony Iommi inspired riffs are infectious, with the Doom infested tempo making this song worthy of repeated listens. Alright, this is my second favorite song on The Orange Tree and it proved to be extremely memorable for me after the very first listen. I could carry on more about this song, adding, that it’s muscular Old School-Stoner vibe meets present day Doom sound, is very close to Metal exhilaration.

Doom. Psychedelic. Stoner. Progressive. At the end of my Metal day, this is one very good, up and coming Metal band period. Smart musicianship coupled with smart lyrics that I hear on The Orange Tree, will take Blue Aside a long way down the Metal road. Fans of the heavy genres mentioned in this review should be able to wrap their ears around the sound that Blue Aside has created on The Orange Tree. Blue Aside has made a lasting Metal impression on me. I’ll be looking forward to Blue Aside releasing a full-length in the future… a band with this much talent, is going to be around for quite some Metal time.

* For more info on Blue Aside, click here: Blue Aside – myspace music

* For more info on Hydro-Phonic Records, click here: Hydro-Phonic Records

BLUE ASIDE:

Adam Abrams – guitar & vocals

Matt Neto – drums & vocals

Joe Twomey – bass & vocals

Track Listing For The Orange Tree:

The Traveler of Time & Space

Otis’ Sun

Orange Eyes

Black Rays

The Inevitable Journey

LONG LIVE BLUE ASIDE.

Stone.

Children Of Bodom “Relentless Reckless Forever” – Releases March 8th, 2011! Album Artwork and Track Listing!

Posted in death metal music, extreme music, Heavy Metal, metal music, metal odyssey, Music, Power Metal, rock music, rock music news with tags , , , , , , , , , on December 27, 2010 by Metal Odyssey

CHILDREN OF BODOM – On March 8, 2011, Children Of Bodom will be releasing their seventh studio album titled: Relentless Reckless Forever, on Spinefarm Records. This new and highly anticipated COB studio album was recorded at Petrax Studios in Finland, under the famed guidance of producer Matt Hyde (Slayer, Monster Magnet).

This Finnish Melodic Death Metal meets Power Metal band is led by lead guitarist & vocalist Alexi Laiho. With his patented Death Metal growls and bellowing, along with a unique guitar tone, blistering leads and awe-inspiring solo’s, Alexi has solidified his own right to be labeled legendary among the Metal landscape.

CHILDREN OF BODOM:

Alexi Laiho – lead guitar & vocals

Roope Latvala – guitar

Henkka Seppälä aka Henkka T. Blacksmith – bass

Janne Warman – keyboards

Jaska Raatikainen – drums

Relentless Reckless Forever Track Listing:

Not My Funeral

Shovel Knockout

Roundtrip To Hell And Back

Pussyfoot Miss Suicide

Relentless Reckless Forever

Ugly

Cry Of The Nihilist

Was It Worth It?

Northpole Throwdown

* Bonus Track: Party All The Time

Party All The Time (cover song) – This is a cover song of the 1985 Pop “Hit” from… famed comedian and actor… Eddie Murphy. Hey, this is not as shocking as the cover song Children Of Bodom had on their 2009 covers album – Skeletons In The Closet. Which cover song is this you query? Why, none other than Oops!… I Did It Again originally sung by Britney Spears back in 2000.

* For more info on CHILDREN OF BODOM, just click on the link below:

Children Of Bodom – Official Website

LONG LIVE CHILDREN OF BODOM.

Stone.

NIDINGR “Wolf Father” – One Of Black Metal’s Blackest Unleash Their Strike

Posted in Black Metal, Extreme Metal, extreme music, Heavy Metal, heavy metal news, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , on December 13, 2010 by Metal Odyssey

NIDINGR – The bells of inner Earth are tolling and the lava in hell is boiling, while NIDINGR is uncoiling their Blackest of Metal unto the suspecting and unsuspecting of humanity. Metal be thy name, is this band the keeper of the Darkest Black Metal core… they very well hold the key and secrets to the depths of infinite Metal Blackness. This is Black Metal, unleashed by NIDINGR at it’s most profound underworld greatest. Make no mistake, Wolf Father is an album where you sit down the Black Metal pupils and tell them to listen and learn. After a five year absence in making a new album, (the last being Sorrow, Infinite And Darkness from 2005), this Norwegian Black Metal band has created six new songs based on Norse Mythology themes.

If you find yourself straying about, wondering which bands new album can produce the heaviest and darkest blows of pure Metal, your answer lies within the songs on Wolf Father. Are there heavier and more Extreme albums that exist? Of course. Only don’t try to stay up all night searching for anything heavier. The constant on this album, is that all six songs carry out their sole purpose to devour whatever sounds of calm that may be in their atmospheric path. I do say with Metal certainty though, that NIDINGR wasn’t going to disappoint themselves or any dedicated Black Metal fan out there by creating this piece of Blackened work.

Fafnismol introduces the listener into the world of NIDINGR, with flamingly furious rhythms and breakdown riffs that are as haunting as they are original. Hellhammer on drums crushes down the beats with mind blowing speed. Cpt. Estrella Grasa belts out his torment laden vocals with viciousness that Black Metal loyalists come to expect, from one of the best this genre has to offer. Amidst the blackness there are many guitar parts that flirt on the melodic razor’s edge, all the while the all encompassing blanket of Black Metal stylings override this album as undisputed, darkened and pure underground.

If you are searching for that Black Metal curtain to lift up and reveal the extremity of sound that beckons you, Wolf Father will envelope your senses with it’s fortified blackness. Once you listen to Wolf Father you will undoubtedly listen again and again,  trying to come to grips that a Black Metal band such as NIDINGR can be this unimaginably extreme. I recommend highly all Black Metal fans to catch onto this blackened offering from NIDINGR, new fans to this genre should, no, need to grasp what Wolf Father is all about.

* Below is a roll call of associated Black Metal bands attached to each band member:

Teloch – guitar/bass (1349, Gorgoroth, Ov Hell, Orcustus, Umoral, Konsortium), Blargh – guitar/bass (Gravferd, Dødheimsgard), Cpt. Estrella Grasa – vocals (Kort Prosess), Hellhammer – drums (Emperor, Immortal, Shining, Thorns, Umoral, Mayhem)

* For more info on NIDINGR, click here: NIDINGR – myspace music

NIDINGR:

Teloch – guitar & bass

Blargh – guitar & bass

Cpt. Estrella Grasa – vocals

Hellhammer – drums

* Garm – from Ulver guest appears

Track Listing For Wolf Father:

Fafnismol

Baldrs Draumar

Reginsmol

Voluspo

Hymiskvitha

Lokasenna

LONG LIVE NIDINGR AND THEIR BLACK METAL.

Stone.

ARSON ANTHEM “Insecurity Notoriety” – A Hardcore Album That Trounces Anything In It’s Path

Posted in extreme music, hardcore bands, hardcore music, hardcore punk, metal music, metal odyssey, Music, Punk rock, punk rock bands, rock music, rock music news with tags , , , , , , , , , on December 4, 2010 by Metal Odyssey

ARSON ANTHEM – Released on October 12, 2010, on Housecore Records, Insecurity Notoriety is the first full-length album from Arson Anthem. A Hardcore band of enormous Punk aptitude, Arson Anthem is, no matter how you slice or dice it… a Hardcore supergroup. With Phil Anselmo on guitar and needing little to no introduction, his years fronting the iconic Pantera is unequivocally legendary, not to mention his years vocalizing with Sludge Metallers known as Down.

Mike IX Williams on vocals is also the front man for the Sludge Metal warriors – Eyehategod. Hank Williams III has brandished his very own successful solo career and played alongside Phil Anselmo with Superjoint Ritual. Hank also has molded and brought to underground fame his Metal meets Punk band called… Assjack. Collin Yeo rounds out Arson Anthem on bass, coming from his alt-heavy band… PonyKiller.

So, it is fair to think, that Arson Anthem won’t be making their Grammy Awards performance debut anytime soon. This is why Hardcore exists, this is why Arson Anthem exists, to shove it in the face of the mainstream lovin’ and tuxedo wearin’ Grammy crowd. That same crowd who would probably cry and break out in puffy-red hives if Arson Anthem strolled down their red carpet. Blue collar, street and pissed off about somethin’, this is why I dig Hardcore and Arson Anthem. Accept it or go hide behind your stacks of Wall Street Journals. Once you put this new Arson Anthem CD into whatever “machine” your using, just know that the “stick it to the man” warning light just went on.

There are 17 songs on Insecurity Notoriety and 12 of them are under two minutes long. This is Hardcore and in your face, brutal and unforgiving of any insult to injury. Listening to this album is a lesson in quick release rage therapy. Arson Anthem has accomplished a remarkable task in keeping themselves sounding original. Arson Anthem’s reverence for Old School, with thick slivers of Punk fueled outbursts and playing for keeps, dramatically elevates the totality of their barbed wire hardness. This is a band that obviously knows where their Black Flag vinyl is kept.

Hank Williams III doesn’t just play the drums on these songs, he decimates them. Mike IX Williams doesn’t sing, are you kidding? Mike rants and screams his vocal chords inside-out. Collin Yeo doesn’t try to keep timed rhythm while playing bass, instead, he pummels his strings into frantic rhythmic chaos that might just open up the center of the Earth. Then there is Phil Anselmo on guitar, exhibiting some mighty riffs that cover the Extreme Metal spectrum. Phil leads by Hardcore example, with his axe attack teetering on the insane, he will even throw in some micro solos, making a song like Crippled Life seem as if it is going to explode it’s pissed off attitude straight from hell.

When Extreme combines with Hardcore, Punk and Metal, the only thing that can come out of it is a profoundly brutal piece of work. Arson Anthem has taken their Extreme Music roots and latched them upon their instruments, to create their first full-length that makes a pummeling statement. This is a crushing work of Extreme art that is Arson Anthem’s Insecurity Notoriety.

* For more info on ARSON ANTHEM, just click on the link below:

ARSON ANTHEM – myspace music

* For more info on HOUSECORE RECORDS, just click on the link below:

HOUSECORE RECORDS

ARSON ANTHEM:

Mike IX Williams – vocals

Philip H. Anselmo – guitar

Collin Yeo – bass

Hank Williams III – drums

Track Listing For Insecurity Notoriety:

Naught

Foul Pride

Isolation Militia

More Than One War

Insecurity Notoriety

Pretty Like That

Initial Prick

Crippled Life

Polite Society Blacklist

If You Heard This (You Would Hit Me)

Hands Off Approach

Has Been/Had Been

Primate Envy

Death Of An Idiot

Codependent And Busted

Kleptomania

Teach The Gun (To Love The Bullet)

LONG LIVE ARSON ANTHEM.

Stone.

The Devil Wears Prada “Zombie EP” – Get Scared, Get Very Scared…

Posted in extreme music, hardcore bands, hardcore metal music, Heavy Metal, heavy metal bands, metal music, metal odyssey, metalcore music, Music, rock music, rock music news with tags , , , , , , , , on December 1, 2010 by Metal Odyssey

THE DEVIL WEARS PRADA – From the initial sounds of an angry thunderstorm hovering upon you on the opening track Escape, The Devil Wears Prada proves there is no room for watering down a concept EP that revolves around… Zombies. Zombie EP, released on August 24, 2010, on Ferret Records, is for all Metal intents and purposes Extremely Heavy.

All five songs are about Zombies and the nightmare of having them take over humanity. Zombies… that’s Metal. The Devil Wears Prada makes it very apparent that they are Metal as well, based on their extremities of speed and heaviness, combined with vocals that quite possibly could bring Mount St. Helens down to its fiery knees. Metal be thy name, can Mike Hranica belt out the lyrics with the upmost Hardcore potency, while making me feel like I really should be scared about these damned Zombies.

If there ever was any doubt that a Metalcore band could pull off an amazingly Extreme Metal EP of the harshest degree, then the The Devil Wears Prada makes me a believer. This young band has given me every reason to believe they will be around for another ten or twenty years from now… while never lending themselves to being just another number on the long list of Metalcore star gazers. What makes Zombie EP so real for me, is it’s sheer intensity that never caves into a dull moment. Metal be damned, just try to fast forward through any one song on Zombie EP and you are short-changing yourself from the total relentlessly Extreme package.

The Devil Wears Prada "Zombie EP" large album promo pic #5

I can completely embrace what The Devil Wears Prada has accomplished with this Zombie EP. Yes, their fusion of Extreme Music genres is worthy of raucous applause, only the haunting Zombie concept just seems to fit so perfectly with their ferocity of sound, that in turn envelopes the mind and senses so seemlessly well. All the key elements of Extreme Metal and Hardcore are ever apparent with The Devil Wears Prada. To lump this band into a Metalcore only bucket is a result of not listening to what they play. From the blast beats to a guitar tandem spilling out memorable heavy riffs while mixing up Death Metal caliber grooves, the melodic shades of this band do spill out onto their songs by some amazing miracle.

My recommending The Devil Wears Prada to Metal, Hardcore and Extreme Metal fans is an easy thing to do. Giving this band a listen and experiencing their fired up energy and Extreme sound on this EP might just serve many a Metalhead right… both young and old. Just the front cover photo of this Zombie EP gives off enough scary vibes to last an hour. There is something about those sinister power lines, amid the backdrop of a fog filled landscape and greying sky… that’s Zombieville if I ever saw it. The liner notes contain excellent creepy and macabre photography as well, along with the back cover to this Zombie EP, (see pic below).

THE DEVIL WEARS PRADA:

Mike Hranica – vocals & lyrics

Chris Rubey – guitars

Jeremy DePoyster – guitars & vocals

Daniel Williams – drums

James Baney – keys & synth

Andy Trick – bass

Track Listing For Zombie EP:

Escape

Anatomy

Outnumbered

Revive

Survivor

* For more info on The Devil Wears Prada, just click on the link below:

The Devil Wears Prada – Official Website

LONG LIVE THE DEVIL WEARS PRADA.

Stone.

EASTERN FRONT “Blood On Snow” – Outwardly Wicked And Saturated With Melodic, Blackened Intensity

Posted in Black Metal, Death Metal, Extreme Metal, extreme music, Heavy Metal, heavy metal music, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , on November 22, 2010 by Metal Odyssey

EASTERN FRONT Caution: Eastern Front will tear your eardrums inside out and use them for slingshots, while your eyeballs widen and thine jaw drops in utter amazement from their Extreme Speed, Heaviness and fiery Blackened intensity. That is just the beginning… and I was well convinced after listening to the opening track – Stalinorgel, that Eastern Front has taken an enormously serious approach to their Extreme Music. One must listen to all eight songs that Eastern Front has created here, then absorb them all into thine senses and realize this band is not of the cookie cutter variety. Metal be thy name, has Eastern Front made quite the Black Metal statement with Blood On Snow.

The title track, Blood On Snow, clocks in at 8:31 and it is over eight minutes of 100% Black Metal majesty. From the mind invading and senses pummeling blast beats to the vicious guitar leads… and everything else in between, this title track is a Blackened Metal ride of ferocious euphoria. Can this Eastern Front album get any better? It sure can. The very next song, Unleash The Panzer Division, is an introduction to just how melodic guitar leads can coexist with dark, Black Metal ferocity of sound. These two songs, back-to-back are like a double dose of Eastern Front whoop ass… straight to my skin rippling forehead.

At The Gates Of Moscow is a mini Black epic in it’s own right, with seven minutes of unrelenting and Extreme song writing precision. Nagant’s warrior strong vocals are overwhelming with excessive power on At The Gates Of MoscowWhere Warriors Once Fell, this album’s closer, is the answer to what Iron Maiden would sound like if they were to try their Metal hand at Black Metal. Then again, this is Eastern Front, a Black Metal band that has put forth their very own style with more than subtle confidence. This is a Black Metal band that is overflowing with convincing Metal skill sets. If Eastern Front intended to save their Blackest best for last, they surely have succeeded with Where Warriors Once Fell.

If there is to be one consistent adjective to describe Blood On Snow, it has to be… powerful. From Nagant’s vocals to Holocaust’s unreal guitar leads and every nuance in between, the muscularity of Metal explodes with this bands Blackened style and character. Krieg on rhythm guitar, Destroyer on bass and Destruction on drums all enrich this album to it’s dark and Extreme fullest. Eastern Front sounds razor sharp and very tight on this album, they sound ready to take on the world, with a skull splitting deliverance of their Black Metal power surge.

Listening to this album is like getting hit by that continuous storm wind, that malicious wind that comes out of the northern sky with an unnatural vengeance… and all you can do is respect it’s overall strength. Blood On Snow is swirling with melodic speed throughout each song, with tempo changes, string arrangements and sound effects that are not incorporated for listening convenience or sell out, rather they exist due to the real emotions that Eastern Front has built into this beyond entertaining Black album.

Blood On Snow was produced by Anders Backelin at Andy LaRocque’s Sonic Train Studios in Sweden. The quality that Andy’s Sonic Train Studio brings to the cascading Black Metal sound on this album is blatantly obvious and arguably, one day in the future… legendary. From the onset to the last note of Blood On Snow, I can hear the painstaking attention to detail, amongst the layers of sound, that great producers like Anders Backelin and Andy are conscientious about. Andy LaRocque is an original member alongside the ultra legendary King Diamond. Andy plays guitar, keyboards and is a songwriter for King Diamond. Andy was also a guitarist for DEATH, appearing on their 1993 studio album – Individual Thought Patterns.

* EASTERN FRONT lists Ipswich, United Kingdom, as their land of origin, on their myspace music page. (See myspace link below).

* EASTERN FRONT – Blood On Snow was released in Europe, on Candlelight Records, on September 13, 2010. Blood On Snow was released in the U.S. on Candlelight Records, on September 21, 2010.

* For more info on EASTERN FRONT, just click on the link below:

EASTERN FRONT – myspace music

EASTERN FRONT:

Nagant – vocals

Holocaust – lead guitar

Krieg – rhythm guitar

Destroyer – bass

Destruction – drums

Blood On Snow – (Back Cover of CD above)

Track Listing For Blood On Snow:

Stalinorgel

Battle Of Smolensk

Blood On Snow

Unleash The Panzer Division

Motherland

Dvenadtzat Kilometrov Ot Moskvy

At The Gates Of Moscow

Where Warriors Once Fell

EASTERN FRONT HAS ARRIVED… BEST TO LET THEM IN.

Stone.

CROWBAR – KICK OFF FIRST HEADLINING TOUR IN OVER FIVE YEARS!

Posted in extreme music, Heavy Metal, heavy metal bands, heavy metal news, metal music, metal odyssey, Music, rock music, rock music news, sludge metal music with tags , , , , , , , , , , on November 19, 2010 by Metal Odyssey

(New York, NY) — CROWBAR will be hitting the road hard next week along side BLACK TUSK. Dates will span most of the eastern seaboard through the middle of December. All tour dates are below. For more info on CROWBAR, click the links below:

CROWBAR – myspace music

CROWBAR – Official Website

w/ BLACK TUSK:

Nov. 27 – Savannah, GA @ The Jinx

Nov. 28 – Jacksonville, FL @ The Pit

Nov. 29 – Atlanta, GA @ Drunken Unicorn

Nov. 30 – Raleigh, NC @ Volume 11

Dec. 01 – Charleston, SC @ Jimbo’s Rock Lounge

Dec. 02 – Charlotte, NC @ Tremont Music Hall w/ EYEHATEGOD

Dec. 03 – VA Beach @ Hangar 09

Dec. 04 – Trenton, NJ @ Championship Bar & Grill

Dec. 05 – New York, NY @ Santo’s Party House

Dec. 06 – Philadelphia, PA @ The Barbary Coast

Dec. 07 – Providence, RI @ Club Hell

Dec. 08 – Cambridge, MA @ Middle East

Dec. 09 – Niagara Falls, NY @ Evening Star Music Hall

Dec. 10 – Columbus, OH @ Alrosa Vista

Dec. 11 – Chicago, IL @ Reggie’s Rock Club

Dec. 12 – St Louis, MO @ Fubar

Dec. 13 – Memphis, TN @ Hi Tone

Dec. 14 – Little Rock @ Downtown Music

Dec. 15 – Tulsa, OK @ The Marquee

Dec. 16 – Amarillo, TX @ El Cien

Dec. 17 – Dallas, TX @ Trees

Dec. 18 – Shreveport, LA @ Riverside Warehouse (No Black Tusk)

Newly signed to eOne Music, sludge metal legends CROWBAR recently re-released three influential records, CROWBAR, LIVE +1 and TIME HEALS NOTHING on October 5th, 2010. These three records are the band’s core titles and have influenced many of today’s major metal acts including LAMB OF GOD and HATEBREED. With each title originally being released in the early nineties, this will be the first time all three records will be widely available in stores and online. A new CROWBAR record is planned for early 2011.

KIRK WINDSTEIN – Founding member, guitarist and vocalist of Crowbar.

Kirk Windstein formed CROWBAR in 1991. Since that time, the band’s sound has profoundly influenced a new generation of Metal acts the world over. Kirk Windstein is also a key member of KINGDOM OF SORROW (with HATEBREED frontman Jamey Jasta) and DOWN.

(Source: eOne Music press release, November 19, 2010).

LONG LIVE KIRK WINDSTEIN & CROWBAR.

Stone.

VALDUR “Raven God Amongst Us” – A Raw And Apocalyptic Black Metal Storm

Posted in Black Metal, black metal albums, Extreme Metal, extreme music, Heavy Metal, heavy metal albums, metal music, metal odyssey, Music, rock music with tags , , , , , , , on November 18, 2010 by Metal Odyssey

VALDUR – From Mammoth Lakes, California, VALDUR unleashes upon the world… Raven God Amongst Us. A self financed, full length album of Blackened might, Raven God Amongst Us has been released on drummer Sxuperion’s very own Bloody Mountain Records. All nine songs on this formidable album, create a steady flow of darkened melodies that lay within the layers of cataclysmic guitar leads, phrenetic drums, earth trembling bass and vocals that gather electrifying steam, with each passing second. It’s the overall apocalyptic vibe of no turning back, that engages the senses on Raven God Amongst Us.

Taking into account, the back to back songs of Past Of Wolves and Vicious Existence, it is the plummeting and spiraling Blackened atmosphere of falling into the unknown abyss of something uncannily dark. VALDUR presents their Black Metal in a raw state of serrated lined appeal… one could not expect Black Metal to suddenly open up and reveal harmonious chorus over syrupy keyboards. VALDUR is making a statement by realizing a Black Metal foundation is built on key Black Metal fundamentals, a vastly dark atmosphere that tantalizes on the embraceable bizarre, rawness and everything else… Blackened.

Traditional lyrical content, coupled with a luring and engaging sound of Black Metal in it’s most anti-mainstream existence, is amassed within and outside the walls of dark sound as each song plays through on this album. This album mirrors the storm clouds that are about to swallow up a sun-lit sky, it’s the impending winter storm that science could not fathom. Commercialized darkness and Blackness can take a back seat to what VALDUR is creating here… this is underground, this is Black Metal… this is VALDUR and their creation they have named: Raven God Amongst Us.

* For more info on VALDUR, just click on the link below:

VALDUR – myspace music

Track Listing For Raven God Amongst Us:

Intro

Wound Fires In The Afterlife

Great Abyss Unfold

Gravlagt I Morkets Natt!

Med Fjell I Horisonten

Berserrker

Past Of Wolves

Vicious Existence

Creation

VALDUR IS HERE.

Stone.

SAMOTH of The Wretched End – A Metal Odyssey Interview!

Posted in Black Metal, extreme metal music, extreme music, Heavy Metal, heavy metal bands, metal music, metal odyssey, Music, rock music, rock music interviews, rock music news with tags , , , , , , , , , , , , , on November 16, 2010 by Metal Odyssey

The Wretched End, above, from left to right: Nils Fjellström (drums), Cosmo (guitar, bass, vocals) and Samoth (guitar).

SAMOTH – When Metal legends come to mind, they are usually of the household variety. The mainstream variety. There are those Metal legends that don’t come pre-packaged and red carpet ready… they are of the underground variety. SAMOTH is a Metal legend of the underground Metal community. As a Black Metal influence, Samoth carved out his very own piece of Rock Music history, with his pioneering Extreme Black Metal band he founded with Ihsahn and Mortis back in 1991 which the world will forever know as – Emperor.

Being a founding member of an internationally acclaimed Extreme Black Metal Band the likes of Emperor, all those years ago as a teenager, was a building block towards Metal immortality. Samoth later co-founded the Blackened Death Metal band – Zyklon, which after thirteen years of Metal existence they disbanded in 2010. His musical affiliation and membership with many other Black and Extreme Metal bands are many, including SCUM and Satyricon.

Samoth reflects on his days with Emperor, touches on balancing a career and family, speaks about his influences, horror movies, his very own Nocturnal Art Productions and of course his newest Metal project, The Wretched End and their new Death/Thrash studio album of Extreme Metal intensity – “Ominous”. While I spoke to Samoth, I realized very quickly there are many sides to this legend of Metal. Samoth is all about Metal, through a do it yourself attitude, coupled with a business savvy awareness that has made him a success for twenty years and counting. Samoth is a multi-instrumentalist, a songwriter and a self-made record label owner, who speaks more fluent than most college professors that stood before me lecturing.

Every answer from this enormous figure of Metal History made legitimate sense to me… there was never a dry tone nor a sense of arrogance or self righteousness about Samoth. A man such as Samoth, has been to the top of the mountain (and actually lives on a mountain too) and considers The Wretched End a new beginning for him. I walked away from my interview with Samoth with reaffirming Metal respect. Here is what Samoth had to say:

Stone: What’s the story behind The Wretched End coming together?

SAMOTH: After the decision to split up Zyklon, I decided on forming a new band with Cosmo. We both worked together with Scum (Deathpunk Band). Cosmo also did live bass for Zyklon on tour as well. We live close by to each other, so we talked about doing this project together. In 2008 and 2009 we wrote all the material for the “Ominous” album and recorded in the Summer of 2009. Nils Fjellström (drums) joined on with us in the Summer of 2009.

Stone: Ominous has become for me, one of the high points in Metal for 2010. Are you pleased with all of the initial positive response?

SAMOTH: Yeah we are! I’ve just been doing a lot of press as of late for it. The people and fans really seem to like it. I’m pretty pleased with the album. We knew we made a great album.

Stone: How did the lyrics to Human Corporation evolve?

SAMOTH: The lyrics are about how everything is very monetary in our society, especially in the Western World. It’s about how free we are, yet in reality we are influenced in our everyday life… we’re told how to act, what to eat, what to look like, what to buy and what to wear. It’s all the horror of human corporation. Human Corporation is about how man is being removed from nature.

Stone: Will The Wretched End be touring North America in the near future? Any tour plans?

SAMOTH: Unfortunately, no. The Wretched End is a studio project. Still, we’ll see what happens for the future. I want to go ahead with another album. I’m already in pre-production for the next album. I’m happy with the working relationship of this band. I’m more active with the song writing process now. There are those long periods on the road, where I miss making music. I’d do writing on the road and try to motivate myself on the road, still, it started to feel too long, these periods between making music. I started to think about making a new band and The Wretched End came together. The Wretched End is a new beginning for me, even though the band name says otherwise.

Stone: You mention urban decay and factories as influences on your myspace. Can you elaborate further?

SAMOTH: It’s more like a nature influence. I live up on a mountain, in a beautiful setting. Urban decay is atmosphere of the world crumbling, being ruined by man’s hand. It’s all the self destruction of mankind.

Stone: Is the combination of Death, Thrash and Black Metal the ultimate Metal sound for you to capture?

SAMOTH: I guess it is. For the past twenty years it’s what I’ve been doing. Death, Thrash and Black Metal, compared to Zyklon, these are obvious similarities with the music. This is the music I’m most comfortable with. This is the music I’m influenced with and the foundation of my being a musician. It’s more interesting to me. I do draw more influences into my music, I like to become experimental at times. If it fits, I use it.

Stone: I see you list Tangerine Dream under your music influences, right in the midst of Slayer and Iron Maiden!

SAMOTH: Yeah, I listen to them. I do like ambient and electronic music. I find it to be inspiring. I prefer to listen to this music on a personally inspiring level.

Stone: Did you ever have a mentor?

SAMOTH: Not completely, no. I’ve always like to walk my own way and push myself to succeed. An artist inspiring me as I was growing up, that all took place.

Stone: Who inspired you?

SAMOTH: The classics are what inspired me. I liked KISS, W.A.S.P. and Judas Priest. My mom hated Blackie Lawless and that made me love him all the more!

Stone: Did you ever share the stage with W.A.S.P.?

SAMOTH: We played with W.A.S.P. in Finland, back in 2007. W.A.S.P. was larger than life when I was young, only when I got older, it’s not like that anymore. I like keeping my art dark, with death. It doesn’t mean my everyday life isn’t as dark.

Metal Odyssey Note: Emperor and W.A.S.P. shared the stage at the Tuska Open Air Metal Festival in Finland, on June 30, 2007. This Metal festival took place in Kaisaniemi Park, in the middle of Helsinki, Finland. Tuska Open Air Metal Festival has been an annual event, since 1998.

Stone: How was your Nocturnal Art Productions conceived?

SAMOTH: I started Nocturnal Art Productions back in ’93. I decided to start an underground record label, with no experience. A seven inch (vinyl) Emperor was the initial start. There was a lot of limited edition stuff. As I became more serious about it, I put more money into it, began to sign bands and created distribution. I did mail order for a period of time, still I needed a proper network. It takes up a lot of time and it took balance with being in a band. My main priority then was always the bands and Emperor. Through my relationship with Candlelight Records, Nocturnal became an imprint label with them, run by me through their network. This equals freedom for me. I always like to keep the Nocturnal name going, it makes a lot of sense for me as an artist.

Stone: It sounds so easy, the way you tell the story, only it must have been a great deal of work.

SAMOTH: I started from scratch, with a do it yourself attitude. I’ve always had a business sense and liked both sides of the music spectrum. This has helped me as an artist, to create contacts.

Stone: Who is the one musician Samoth wants to create music with still?

SAMOTH: That’s a tough one. You know who intrigues me is Devin Townsend. He has done some interesting stuff. He is a guy I would use for a producer. That’s the one for me to choose, Devin Townsend.

Metal Odyssey Note: Devin Townsend is both a musician and record producer, widely respected amongst Extreme Metal and Metal fans, musicians and the industry. Devin is the founder, vocalist and guitarist for Strapping Young Lad, which disbanded in 2007. Devin is carrying on his incredible career as a successful solo artist and producer.

Stone: What is your favorite Horror movie?

SAMOTH : I hardly watch them anymore, I hardly have anytime to watch them. When I used to watch Horror movies, it was the Omen trilogy. These movies inspired me. The soundtrack, the music itself is what really inspired me. I did enjoy Hellraiser, it was very dark. The first Evil Dead is a classic. On Blu-ray, these movies are not the same though. Watching the first Evil Dead on a beat up VHS, with the screen flickering, you can’t beat that.

Stone: You’re old school Samoth!

SAMOTH: I’m caught up in the digital chaos at my office though! Atmosphere is key to Horror movies. If there is no atmosphere, there is nothing. Today’s Horror movies are all caught up in special effects, there’s no atmosphere.

Stone: You have been a key member and a huge part of many bands over your career. Which band would you say was your proudest experience?

SAMOTH: Most definitely Emperor. We formed Emperor as teens. We had such an energy and were dedicated to the lifestyle of Black Metal. We all put everything into that band and built it into an international Extreme Metal influence. Emperor emotionally is my proudest experience right into my older life, it has led me to the musician I am today. It’s been twenty years already, since Emperor formed, holy crap! Before you know it, your an old geezer! I’m only thirty six years old and I’m talking like I’m ancient.

Stone: Well, the life of a Rock musician will probably have that affect on you, it must be grueling, with the lifestyle of touring and meeting your own recording deadlines.

SAMOTH: It’s because I started in my mid teens and had success in an early part of my life. Emperor did a fair share of touring and Zyklon toured much more. I like my home life, I’m a man at home. I strive for balance, between being a musician and my family.

Stone: If Metal took over the world, would you want to be it’s leader?

SAMOTH: If Metal took over the world, I like that. Sounds really stressful! It would be way too much stress. I have way too much stress on my plate already!

The Wretched EndOminous, was released on October 25, 2010, on Candlelight Records.

* For more info on The Wretched End and SAMOTH, click below:

The Wretched End – myspace music

SAMOTH – Official Myspace Music

LONG LIVE SAMOTH AND HIS METAL.

Thank you, Samoth.

Stone.

FULL BLOWN CHAOS – Self Titled Album Releases February 1, 2011 In North America! Album Cover Art and Track Listing!

Posted in extreme music, hardcore metal music, Heavy Metal, metal music, metal odyssey, metalcore music, Music, rock music, rock music news with tags , , , , , , , , , , on November 15, 2010 by Metal Odyssey

FULL BLOWN CHAOS – When Metal collides with Hardcore, the end result is FULL BLOWN CHAOS. Straight from New York and unto the rest of this planet… FULL BLOWN CHAOS is releasing a brand new, self titled studio album of 13 highly potent and ear crushing songs. You can check out for yourself, one new track – The Walking Dead, that is currently streaming from their forthcoming album by clicking here: FULL BLOWN CHAOS – myspace music

I’m Metal impressed by this new song, The Walking Dead, from FULL BLOWN CHAOS… Metal be thy name.

FULL BLOWN CHAOS will be released on February 1, 2011, in North America, on Ironclad Recordings/Metal Blade Records. FULL BLOWN CHAOS will be released in Europe on Plastic Head and in Japan on Howling Bull.

FULL BLOWN CHAOS:

Ray Mazzola – vocals

Mike Facci – rhythm guitar

Jeff Facci – drums

Mark Gumbrecht – lead guitar

Dustin Jennings – bass

Track Listing For FULL BLOWN CHAOS:

Doomageddon

Villains

Rise And Conquer

The Walking Dead

Silence Is Golden

Die Like You Live

Gravedigger

Guttermouth

War Machine

Battle Hymns And Broken Bones

C.O.B.R.A.

Cain Marko

The Path I Walk

(Source: Metal Blade Records News Update, November 15, 2010)

LONG LIVE FULL BLOWN CHAOS.

Stone.