Just click the cool link below to view the exclusive premiere of Murderdolls – My Dark Place Alone:
Joey Jordison (Slipknot).
Wednesday 13.
MURDERDOLLS.
Releasing on RoadRunner Records, August 31, 2010!
Stone.
Archive for the hard rock albums Category
CLASSIC ROCK 101: ORION THE HUNTER “SO YOU RAN” – 1984 MUSIC VIDEO
Posted in classic rock, classic rock albums, classic rock bands, classic rock music, classic rock songs, hard rock albums, hard rock bands, hard rock music, metal odyssey, Music, rock 'n' roll, rock and roll, rock music, rock music history, rock music videos with tags 1980's rock albums, 1980's hard rock bands, 1980's music videos, 1980's rock bands, 1980's rock songs, aor, classic roc music, classic rock bands, classic rock songs, hard rock music, melodic rock music, metal odyssey, Music, orion the hunter album, orion the hunter rock band, out of print rock albums, rock music, so you ran music video on July 15, 2010 by Metal Odyssey
ORION THE HUNTER – Let’s go back to those good ol’ ’80’s… again. When Rock, Hard Rock and Heavy Metal seemed to mesh together for me, just like chocolate-caramel-fudge swirl ice cream. It was a decade when FM Radio really was the one-stop listening destination for great music. MTV proved to be the same for music videos. I can recall vividly hearing So You Ran on the FM dial… and I was hooked. Sure, it wasn’t a Heavy Metal song I was hearing, nonetheless, it was Rockin’ along with a melodic sound that made me feel alright… and still does.
This Orion The Hunter album is yet another great piece of vinyl that I let go many Metal moons ago. It was released back in 1984 on Columbia Records. Now, from what I have seen, the CD sells “new” from $50 to $125 (U.S.). It appears Orion The Hunter is… out of print.
Orion The Hunter was: former Boston guitarist Barry Goudreau, Boston vocalist Brad Delp on backing vocals, future Boston vocalist Fran Cosmo, Bruce Smith on bass and Michael DeRosier on drums.
Convict me of being sentimental sometimes… yet this song just brings back some good memories of being a young dude, with no bills and high taxes to pay.
Track listing for Orion The Hunter:
All Those Years
So You Ran
Dreamin’
Dark And Stormy
Stand Up
Fast Talk
Too Much In Love
Joanne
I Call It Love
REST IN PEACE, BRAD DELP – 1951 – 2007
Stone.
SERGEANT STEEL: A METAL ODYSSEY INTERVIEW
Posted in hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, interviews, metal odyssey, Music, rock music, rock music news with tags current hard rock bands, current heavy metal bands, hard rock bands from austria, hard rock music, hard rock music 2010, heavy metal bands 2010, heavy metal music, metal odyssey, Music, rock music, rock music interviews, sergean steel lovers & maniacs album, sergeant steel interview on July 14, 2010 by Metal Odyssey
SERGEANT STEEL – Calling all open minded record companies around the world… there is a Hard Rock Band that has released an album of melodic driven, heavy hittin’, memorable and fun songs. They call themselves Sergeant Steel and call home Austria. Sergeant Steel’s debut album – Lover’s & Maniacs, (released March 6, 2010), is a decisive upper-cut to the mid-section of the Hard Rock world. Sergeant Steel’s debut release reminds us all once again what Hard Rock songs sound like when a band puts skills and writing first and doesn’t try to “fit in” with any trendy “sound of the month” club.
So, RoadRunner Records, Century Media Records and a score of other record companies out there, who without question, have their ears on “the pulse” of what bands are hot… Sergeant Steel has arrived with Lovers & Maniacs and they are making no excuses and not looking back. This is a band that is looking to the future with hunger in their Hard Rock souls, something that many up and coming bands out there today are in dire need of.
I reviewed this Sergeant Steel debut album – Lovers & Maniacs on July 1, 2010. You can click on the link at the bottom of this interview, to read all about it.
The following interview is with Sergeant Steel’s charismatic lead vocalist, Phil Vanderkill. Recently, Phil took the time to answer some questions for Metal Odyssey and proved to be as candid and cool as they come. Phil’s answers are just as the songs you hear on Lovers & Maniacs… genuine. Here is what Phil had to say:
STONE: Hey Phil, How are you doing? It’s wicked HOT here in Pennsylvania. We have been under a “severe heat warning” for many days now. My lawn I no longer have to mow… it’s fried! Hope the air over in Austria is more tolerable.
PHIL: It’s about 35 degrees Celsius. That’s also pretty hot but the humidity is quite low at present. Austrians get out of their shell at this time of the year. If you know “Sound Of Music” you have an imagination about our wonderful Lakeland areas and vintage cities like Salzburg and Vienna.
STONE: Creating a studio album for world wide release is for certain hard work. Still, what and how much fun was it to create and record “Lovers & Maniacs”?
PHIL: It is still hard work to promote the record, too. We have been donating a lot of our leisure on this record. But it’s still fun. Now that the album is released, we enjoy it when people sing along at our live shows!
STONE: Who or what bands are an influence to Sergeant Steel?
PHIL: Our major influence are bands from the 70’s like pomp/classic rockers Queen, Rainbow and Aerosmith. We appreciate glamsters like Slade and The Sweet, too. Of course we also love 80’s hair bands like Ratt, Cinderella, Europe and Extreme. We also adore the guitar driven yet melodic heavy metal sound of Judas Priest.
STONE: Describe the reaction your getting from your fans when playing live in Austria.
PHIL: There are only a very few hard rock acts on the map. Most people in the crowd experience arena rock live for their first time at a SERGEANT STEEL show. We always play in front of a grateful public. It doesn’t seem to be difficult to carry the Austrian audience. Rather the challenge is to convince bookers and organizers. Classic hard rock tunes are everything else than common in the public awareness over here.
STONE: Are you setting sights on touring North America one day?
PHIL: Well, Jack and me, (guitarist & producer Jack Power), are going to travel overseas in the fall 2011. We are ready and willing to expand our contacts in the USA.
STONE: If you could choose a guest musician to be on the next Sergeant Steel album, who would it be?
PHIL: We’d have some honorable gentlemen on the bill, e.g. Alice Cooper, Lemmy Kilmister, Stephen Pearcy (Ratt) and John Sykes (ex- Whitesnake). I think they are all unique performers and accomplished songwriters.
STONE: Having “Lovers & Maniacs” mastered by Beau Hill is impressive. How was this working relationship born between Beau Hill and Sergeant Steel?
PHIL: Beau can be characterized by a maximum of politeness and reliability. We came in contact with Beau via Myspace, then sent him some demo tunes by mail and he became a real fan of our music (To quote Beau: “This record really kicks ass!”). Of course, we are extremely proud about that. It is highly probable to work with him on further material this year.
STONE: Which famous phrase best describes Sergeant Steel: “Sex, drugs & Rock’N’ Roll” or “I wanna Rock ‘N’ Roll all night and party every day”?
PHIL: Definitely “Rock ‘N’ Roll all night, party every day”. We enjoy life, because we believe in the most important message of rock music: Fun!!! Yes, we are occasional drinkers and smokers. But we DO NOT believe in permanent self-destruction. Look at Gene Simmons and Ted Nugent. Both live straight but they are crazy motherfuckers on stage and deserved songwriters. That is what it depends on.
STONE: “Lovers & Maniacs” is a solid Hard Rockin’ album of 10 songs, an unreal great debut album. Were there any songs that just missed the cut that you wish were on the finished album?
PHIL: Thank you for showing us your appreciation! When we determined the tracklist for “Lovers & Maniacs” we had to choose out of 35 pre-produced tunes. Meanwhile we have over 90 demo songs to be at choice for a second record. You know, there will always be some songs that will be missed on a finished album by someone.
STONE: Which song or songs from “Lovers & Maniacs” gets the fans most fired up when you play live? Are there any “vintage” cover songs that you guys enjoy playing live?
PHIL: Our most renowned live smashers from “Lovers & Maniacs” are “Hammer Of Love”, “Still In Love” and “Nuts Of Steel”. People also get loco everytime we play a cover version of “Jailhouse Rock”!
STONE: How would you describe the “state of” Hard Rock and Heavy Metal in Austria?
PHIL: Well, being in a hard rock band in Austria is like being a human rights activist in fucking North Korea. As I told you before there are only a handful of bands playing that stuff. Anyway there’s no competitive thinking among these bands. We organize concerts together and exchange our experiences in the music business.
STONE: Are European Festival dates in the future for Sergeant Steel?
PHIL: We play at a local festival in 2011, which is going to be attended by about 4000 visitors. Beside that there’s nothing official yet.
STONE: From looking at the photos and “Hammer Of Love” video, along with listening to the Hard Rock glory of “Lovers & Maniacs”, I get the perception Sergeant Steel has a tight bond among themselves. How accurate is my perception?
PHIL: You are absolutely right! Being in SERGEANT STEEL is being among friends! It took a lot of patience and understanding to reach that level of fellowship, but now we are all geared up to take the world by storm.
STONE: Thanks again Phil!
PHIL: Thank you very much Stone. Best regards to the American rockers over there. We are proud about gaining fans in the home country of many of our favorite bands!!
* Here is some late-breaking Sergeant Steel news, as told by Phil Vanderkill: Ronny Roxx succeeds founding member Cosy Coxx on bass guitar. Cosy leaves the band in a friendly way due to personal reasons.
* For more info on Sergeant Steel, click on the links below:
SERGEANT STEEL – Official Website
Sergeant Steel – MySpace Music Page
To become more informed about this great new Sergeant Steel album debut – Lovers & Maniacs, just click on the link below:
SERGEANT STEEL “LOVERS & MANIACS” – GOOD TIMES & CONTAGIOUS HARD ROCK DEBUT FROM AUSTRIA!
Go Get ‘Em Sergeant Steel!
Stone.
MURDERDOLLS – “WOMEN AND CHILDREN LAST” RELEASES AUGUST 31, 2010!
Posted in hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, horror metal, horror punk, metal music, metal odyssey, Music, rock music, rock music news with tags current heavy metal music, glam metal music, hard rock music, heavy metal albums 2010, heavy metal legends, heavy metal music, heavy metal music 2010, heavy metal news, horror metal music, horror punk, metal music, metal odyssey, murderdolls women and children last album, Music, Punk rock, rock music, rock music news on July 13, 2010 by Metal Odyssey
MURDERDOLLS – And on the 13th day, God created the Murderdolls. O.k., so maybe God did. The real Metal fact is this: Murderdolls are BACK! On August 31, 2010, ROADRUNNER Records will be releasing the newest installment of heavy duty carnage, from this Supergroup. The legendary Joey Jordison (Slipknot) plays both guitar and drums on Women And Children Last. Wednesday 13, (Yes, that Wednesday 13!), is the lead vocalist and plays guitar and bass as well.
* Metal Odyssey Note: I did refer to Joey Jordison as “legendary”… and if anyone disagrees, well, you obviously have never listened to any Slipknot albums in your entire life… especially All Hope Is Gone. Metal be thy name.
On June 22, 2010, the RoadRunner Records website was serving up, (for just 48 hours), a free download of the Murderdolls single – My Dark Place Alone, from the forthcoming Women And Children Last. I took full advantage of this Metal freebie. Let me just describe this song as honestly as I can… An F’n intense and brutally supercharged Metal song, fueled with hellishly delectable speed and fury, that shall pummel thine senses into a state of maddening glee. ‘Nuff said. No? All right, here is a song review for the more intolerant and faint of heart out there: My Dark Place Alone shall invade your mind, space and soul by brute force… so grab your first aid kit, food rations, your ABBA albums, loved ones and seek shelter soon.
* Metal Odyssey Note: You can currently purchase My Dark Place Alone on itunes.
As read on the Murderdolls official website, (see link below), Joey Jordison states that Wednesday 13 came up with the new album title of Women And Children Last, being a funny joke on the Van Halen album “title” – Women And Children First, released back in 1980. (Just so the readers know… I revere that Van Halen album). Wednesday 13 reveals on the Murderdolls official website: “So the record is going to have ideas from all over the place. It’s heavy, it’s Glam Rock, it’s Hard Rock, it’s Metal, it’s… there’s not hip-hop though”. Sounds like a kickin’ ass album to Stone.
* From what I have been reading, Motely Crue’s legendary Mick Mars does appear on two songs, making Women And Children Last all the more Metal intriguing. Song titles have been revealed, with the two Mick Mars songs as well… only I don’t want to spell out these songs until it is “officially” stated on a credible site or from a credible source. Maybe this info is out there, already credibly established. Still, I just don’t want to wind up as a corn dog at the end of the day.
* Some of the new album’s song titles have been revealed on the RoadRunner Records website, (see link below), they are: Death Valley Superstars, Summertime Suicide, Drug Me To Hell and of course, My Dark Place Alone.
Murderdolls released their debut album in 2002 – Beyond The Valley Of The Murderdolls, on RoadRunner Records. Initially being a Horror Punk Band, Murderdolls are now promising a wide array of Heavy Music styles on Women And Children Last. From listening to their new single – My Dark Place Alone, Murderdolls have taken a few steps aside from their Horror Punk style of eight years ago. I really am looking forward to hearing this new Murderdolls album in it’s entirety. You can count on this album being reviewed right here on Metal Odyssey. I have a sinister suspicion I’m gonna really like it.
* For more info on Murderdolls, just click on the links below!
MURDERDOLLS – Official Website
www.myspace.com/murderdollsband
LONG LIVE MURDERDOLLS!
Stone.
My favorite DANZIG song is…
Posted in Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal songs, heavy metal videos, metal odyssey, Music, rock music with tags 1980's heavy metal bands, 1990's heavy metal bands, current heavy metal bands, danzig dirty black summer video, danzig heavy metal band, danzig III how the gods kill, glenn danzig, hard rock music, heavy metal history, heavy metal legends, heavy metal music, heavy metal music videos, metal music, metal odyssey, Music, rock music on July 11, 2010 by Metal Odyssey
DANZIG – In 1992, Danzig III: How The Gods Kill was released. My favorite DANZIG song of all-time is on this album… Dirty Black Summer. Oh yeah. This is the one. There’s something about the wickedness of this song’s tone, atmosphere and grooves. Plus, this song’s edgy heaviness and lyrics are what puts that sinister smirk on my face and attitude in my step. Dirty Black Summer is not a “fun in the Summer sun” song by any stretch of the imagination. With that said, all the guitar parts seem to remind me of those hot and humid Summer nights, where I am taking a long cruise in the car, with the window down, as fog begins to formulate in the air. I guess it’s just me.
Some time ago, I wrote up a brief review on this great DANZIG album. You can read it if you so wish, I actually recommend that you do. Just click the link below:
Oh, yeah, one more Metal thought. Glenn Danzig F’n RULES.
DANZIG as they appeared on DANZIG III: How The Gods Kill:
Glenn Danzig – vocals
Eerie Von – bass
John Christ – guitar
Chuck Biscuits – drums
Check out the DANZIG – Dirty Black Summer music video below. Hopefully you enjoy this song as much as I do. If not, well, you can always go back to your cross stitching and listen to the Fiddler On The Roof soundtrack. Metal be thy name.
CRANK IT LOUD MUTHA!
* For more info on DANZIG, just click the link below:
DANZIG – VEROTIK – Official Website
LONG LIVE DANZIG!
Stone.
SLAUGHTER – ROCKS HARD ON “EXTENDED VERSIONS” LIVE CD
Posted in Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal odyssey, Music, rock & roll, rock 'n' roll, rock and roll, rock music with tags 1990's heavy metal bands, 1990's hard rock bands, hair metal music, hard rock bands, hard rock music, heavy metal albums, heavy metal music, live hard rock albums, mark slaughter vocalist & guitarist, metal odyssey, Music, rock music, rock n' roll, slaughter extended versions album review, slaughter hard rock band, slaughter heavy metal band on July 9, 2010 by Metal Odyssey
SLAUGHTER – If your looking for a live CD of Slaughter, that is priced right, then this Extended Versions is choice. The liner notes do not reveal where or when these songs were recorded, just that they were recorded live. The compilation date on the back of this CD is 2002. Regardless, at the onset before the opening song, Mad About You, you can hear Mark Slaughter shouting out – “home sweet home, Las Vegas Nevada”! So, at least you know the city where Mad About You was recorded live.
There are those subtle breaks between the songs that obviously tells me this is not a complete/uninterrupted concert recording. Instead, this Extended Versions plays out as a compilation of live recordings. It really makes no difference to me if this is not a complete concert recording. Plus, it is noted on the back cover of this CD: this CD contains previously released recordings. The inside cover of the CD sleeve reads: all tracks 1998. (The 1998 live Slaughter album – Eternal Live, really comes to mind here and Las Vegas & Mexico were the live locations). The overall sound quality is excellent and the song selection is fantastic on this Slaughter – Extended Versions CD.
Having Mad About You as the opening song is a thrill to me, as it is one of my favorite songs from Slaughter. Mad About You just Rocks steady from beginning to end, making for a perfect pump-you-up song to get this live listen started. Up All Night is the fourth song, it’s always been just an amazing Hard Rocking anthem for me. Slaughter doesn’t disappoint with this live version of Up All Night, making it a true highlight of this Extended Versions CD.
An abbreviated and acoustic version of Spend My Life is included in the song selection. I have seen Slaughter perform an all live, acoustic set back in the early 90’s and it was extremely cool. To hear Spend My Life in it’s acoustic entirety would be even better. Despite the shortened version, it’s still a cool listen to hear Mark Slaughter prod the crowd into a sing along with this song’s chorus.
Wild Life is brought to live Hard Rock glory and is a standout listen. Don’t be surprised if you are to repeatedly play Wild Life… very loud, as it should be heard. An excellent, excellent, Slaughter song is Real Love and it is live and kickin’ on this CD. On this heavy ballad, Mark Slaughter sings his heart out. Rock The World has Slaughter Rockin’ on all heavy cylinders, with all the potency I like to hear in a live song such as this. If Rock The World can’t motivate your day, then take two healthy dumps and don’t call me in the morning because your probably constipated.
Throughout each song heard on this live Slaughter CD, I will readily admit that Mark Slaughter’s vocals sound very, very, good. Vintage good. I can’t imagine any Slaughter fan walking away disappointed, after listening to this live CD. Slaughter – Extended Versions I strongly recommend to all Slaughter and Hard Rock fans the world over. Fans of 1980’s and early 1990’s Hair Metal should be pleased by this Slaughter CD too. Slaughter – Extended Versions is readily available wherever CD’s are sold, in both used and new condition. I’ve seen this CD out there and a new copy should set you back no more than $5 or $6 (U.S.), at the most.
* Slaughter – Extended Versions was released on BMG Special Products.
Track Listing For Slaughter – Extended Versions:
Mad About You
Fly To The Angels
Move To The Music
Up All Night
Spend My Life
Wildlife
Real Love
Rock The World
Shout It Out
Dance For Me
SLAUGHTER – (Original Lineup) – From left to right: Dana Strum, bass guitarist * Mark Slaughter, vocalist & guitarist * the late Tim Kelly, guitarist * Blas Elias, drummer
Long Live Slaughter Rock ‘N’ Roll!
Stone.
BRET MICHAELS “CUSTOM BUILT” – MAKES FOR A DIVERSE ROCKIN’ LISTEN
Posted in country music, country rock music, Hard Rock, hard rock albums, hard rock music, metal odyssey, Music, rock & roll, rock 'n' roll, rock album reviews, rock and roll, rock music with tags 2010 rock album reviews, bret michaels custom built album review, bret michaels vocalist, country music, country rock music, hard rock music, metal odyssey, Music, new album releases 2010, rock & roll, rock albums 2010, rock music, rock music celebrities, rock n' roll on July 8, 2010 by Metal Odyssey
BRET MICHAELS – Bret Michaels did not leave us… thank you God and all the Rock ‘N’ Roll angels for that. Now, Bret Michaels has his brand new solo album Custom Built out, released on July 6, 2010, on Poor Boy Records Inc. and it is built on Rock ‘N’ Roll diversity. Anyone expecting a full-throttle Hard Rock album should prepare for a little bit o’ Country, a little bit o’ Club Mix and some acoustic music from Bret Michaels on Custom Built. Not to worry though… there are a couple of decent Hard Rock moments on this new Bret Michaels album too. Just because Bret Michaels wants to exhibit his fondness for some other music genres shouldn’t make this Custom Built album any less desirable for fans of Bret, Poison and good ol’ Rock ‘N’ Roll.
Am I thrilled by the Club Mix of “Go That Far”? (Club Mix by Jason Miller of Godhead). Nope. Not a chance. It’s not my cup o’ Rockin’ tea. With that said, it grooves enough for someone to dance to, wiggle to, or whatever to. At this point in Bret Michaels life, I feel he can basically do whatever he damn well feels like with his music anyways. You only live once. Plus, there are probably gonna be hordes of fans that will dig “Go That Far”. Just because I don’t dig it, doesn’t mean it’s the end of the world.
Open Road is a Country Rock song to relish however. Bret Michaels can really sing Country. He sings Country like it’s his second nature and I’m buying into it. “Open Road” has some classic Country lyrics to go along with it too… it’s upbeat in both it’s music and lyrics. “Rock’n My Country” is… you guessed it. Country! Hey, if I am to see Bret Michaels live someday and he sings this song, I’m gonna be doin’ my sneaker kickin’ (or is that boot kickin’?) stomp with one hand held high. My other hand shall have a cold one in it. Maybe two cold ones. A fun Country Rock song is “Rock’n My Country”.
“Nothing To Lose (Bret Only Demo)” is an acoustic gem. What a cool and mellow listen this song is. Lyrically moving and yes, inspirational. Is it a kleenex song? Maybe… only I’m too damn tough for that. Excuse me please… while I blow my nose and wipe my eyes now. Yes, yes, yes… the duet version of “Nothing To Lose” with Miley Cyrus is on this album too. Hey, it’s a good song and that’s what writing and playing good music is all about. Plus, Miley Cyrus has come of age in doing this song with Brett Michaels… in my Metal opinion. No, no, no… my eyes are not welling up. Stop it… and leave me alone. Gee whiz. Someone pass me a damn beer. Um, please.
I’d Die For You is a raw and downright non-commercial song that Rocks. It’s the last song on Custom Built and ends this album on a pretty Hard Rockin’ note. Plus, Bret Michaels sounds pretty bad ass singing this song too. Riding Against The Wind is the album opener and it falls somewhere between Hard Rock and Hard Rock Country. It’s a song that lyrically flirts with some patriotism and flourishes with undeniable emotion and reflection. Yes, this song I would raise the horns in the air to with Rockin’ glee.
Lie To Me is the bona fide Hard Rock song on “Custom Built”. Hell yeah… this song is a heavy hitter. Bret Michaels made the right move in adding this song to the mix… plus a psyche-you-out mini guitar solo doesn’t hurt “Lie To Me” either. “Wasted Time” is a Hard Rock song that wastes no time in grabbing my attention. This Rocker leans more towards being a tough Power Ballad, as it sounds semi-raw with Bret Michaels adding a sandpapered tone to his vocals, to enhance it’s overall heavy appeal.
My recommendation is buy “Custom Built”, listen to the songs on it and celebrate a musician who loves music. This is an album of songs, regardless if I don’t happen to like any Club Mix or not, it’s a song too… a song for someone else. Bret Michaels isn’t going anywhere anytime soon… there is just too much Rock ‘N’ Roll, Hard Rock and Country in his veins and “Custom Built” proves it.
Track Listing For Bret Michaels – Custom Built:
Riding Against The Wind
Lie To Me
Nothing To Lose (Featuring Miley Cyrus)
Wasted Time
What I Got
Every Rose (Country version featuring Brad Arnold of 3 Doors Down, Chris Cagle, Mark Wills)
Go That Far (Club Mix by Jason Miller of Godhead)
Driven (Rock Mix)
Open Road
Rock’n My Country
Nothing To Lose (Bret only demo)
I’d Die For You
Long Live Bret Michaels! Only… the Club Mix has to go.
Stone.
CAVO “BRIGHT NIGHTS DARK DAYS” – ROCKS HARD WITH A MODERN EDGE
Posted in hard rock albums, hard rock bands, hard rock music, hard rock songs, heavy metal music, metal odyssey, Music, Rock, rock 'n' roll, rock and roll, rock music, rock music news with tags bright nights dark days album review, cavo hard rock band, cavo my little secret song, cavo rock band, current hard rock music, hard rock albums, hard rock bands, hard rock bands 2010, hard rock music, hard rock songs, melodic rock bands, melodic rock music, metal odyssey, modern rock music, Music, rock album reviews, rock music on July 7, 2010 by Metal Odyssey
CAVO – Upon listening to the opening track, Champagne, one would be lent to believe CAVO is going to blast through Bright Nights Dark Days with reckless Hard Rock abandon. Um, wrong. CAVO does electrify with Champagne, this song is one to play at maximum potential and has all the ingredients to “pump-up” the party. This is the chart topping single that has catapulted CAVO into the Rock stratosphere of popular music, which also appeared on their 2008 EP aptly titled – Champagne. Only this is a band that delves deeper into an all around Modern Rock sound, allowing some thick maturity to seep forth from their music and lyrics. Bright Nights Dark Days is a thorough listen into what a Rock band can accomplish, when song writing and lyrics are looked upon conscientiously.
It’s always a grand achievement when a Rock band can show their different levels of Hard and Heavy sound, while not coming across as being too darn diversified for their own liking. CAVO has assembled 11 songs on their major label debut album that sincerely gives them a true Rock identity. I like to steer away from the Post-Grunge label that has been given to CAVO here and there… I’d rather label CAVO as a Rock/Hard Rock Band that mingles with a flare for Modern sound. In a sophisticated way. To simplify things, CAVO Rocks.
CAVO is not the second coming of CREED, nor are they a commercial/bubble gum ready band for the Nickelodeon Network. CAVO is already carving out their very own Rock legacy only one year in since their major record label debut. This band has grasped that fine balance between Rock’s mainstream accessibility and Hard Rock hallelujah, while making their songs sound and feel like the now. CAVO has obviously tasted and experienced quite a bit of success since this album has been released, with another huge hit – Let It Go being included on the soundtrack for – Transformers: Revenge Of The Fallen. Let It Go is a powerful song, with it’s total Rock vibe and memorable chorus, I can understand why this song was picked for a blockbuster movie soundtrack.
I hear a genuine emotion that resonates from the vocals of Casey Walker. Casey Walker never comes across as pre-fabricated when he sings on this album, he comes across as really feeling the song’s respective musical and lyrical message. Cry Wolf and Ghost are two excellent examples of what I mean. Ghost is as personal a song can be lyrically and Casey Walker has a natural born talent to convey some moving emotion through his vocals. One listen to My Little Secret and it is quite clear as to how inspiring this lead vocalist sounds, taking a ballad that could have been turned into sappy city and instead Casey Walker makes this song a riveting listen.
Musically, CAVO comes across loud and clear as being one Rock solid unit. This is not a band that was born overnight, almost a decade in the making is CAVO. With numerous new Rock and Hard Rock Bands evolving within the last several years, it’s the bands that make quality songs and albums that stand out to my ears. CAVO should appeal to fans of Creed, of course, yet fans of Nickelback, Papa Roach, Pop Evil, Daughtry and even Saliva, (to name a few), should easily embrace their Rock & Hard Rock sound and songs. CAVO seems to be off to an incredible start with Bright Nights Dark Days, I honestly look forward to what this band delivers in the future.
* For more info on CAVO, you can freely click on the links below!
* Bright Nights Dark Days was released on August 11, 2009, on Reprise Records.
CAVO Are:
Casey Walker – vocals
Chris Hobbs – guitars
Brian Smith – bass
Chad LaRoy – drums
Track Listing For CAVO – Bright Nights Dark Days:
Champagne
Crash
Let It Go
Cry Wolf
Ghost
Blame
My Little Secret
Beautiful
We All Fall Down
Over Again
Useless
* Transformers Revenge Of The Fallen soundtrack was released on June 23, 2009 on Reprise Records. Let It Go by CAVO is track #3 on this soundtrack.
Stone.
CHEAP TRICK “WOKE UP WITH A MONSTER” – SPOTLIGHTING A STANDOUT 1990’S HARD ROCK ALBUM
Posted in classic rock, classic rock bands, classic rock music, Hard Rock, hard rock albums, hard rock bands, hard rock music, heavy metal music, metal odyssey, Music, rock & roll, rock 'n' roll, rock and roll, rock music with tags 1970's rock bands, 1980's rock bands, 1990's hard rock albums, 1990's rock albums, 1994 rock albums, aor, cheap trick rock band, classic rock music, hard rock bands, hard rock music, melodic rock music, metal odyssey, Music, rock music, rock music legends, woke up with a monster album review on July 6, 2010 by Metal Odyssey
CHEAP TRICK – Don’t be fooled by those “elitist” Rock magazine reviews on this prize of a Cheap Trick album called – Woke Up With A Monster. Past reviews from pathetic Rock Music publications, that can’t grasp great Rock ‘N’ Roll bands and their music, just make for incredible comedy. Why drop names here now… we fans know the politically biased Rock magazine I’m referring to. Woke Up With A Monster is a Hard Rock album from 1994 that glows bright amongst the glut of mid 1990’s Rock and Hard Rock album releases, which many seemed to stray away from having any semblance of Classic Rock influence all together.
Amidst competing with the popular Grunge movement of it’s time, Woke Up With A Monster pulsated then and radiates still, in 2010. With eleven songs that beat down the door of stagnant Rock Music and kicks it’s weak ass from sunrise to sundown, this is a Cheap Trick album that sets an example of just how to ROCK STEADY in the face of pop-cultural ignorance of the day.
Phew. That felt kinda gooood. Now, onto this outrageously infectious delight, that is Woke Up With A Monster. The very last song on this album grooves along with a Rockin’ melodic aura that makes me feel like… the album is over? Can’t be! This song is just too cool and it flows through my veins like Rock ‘N’ Roll oxygen! This last song I’m referring to is Love Me For A Minute. Rick Nielsen on guitar plays some crafty licks throughout Love Me For A Minute, giving this song it’s melodic driving appeal. Robin Zander sings this song like it’s the biggest Cheap Trick hit from their career too. A “wow” song that ends this album on a very, very, high note.
Now, if the last song on Woke Up With A Monster is this chewy delicious, just how good are the other songs? For all intents and Rock ‘N’ Roll purposes, the remaining ten songs are a listen and quick study in what Rock greatness is all about, when you don’t try to reinvent the F’n wheel. The song writing, the lyrics, the vocals, the all too irresistible Rock sound of Cheap Trick. Just like comfort food. Sounds so simplistic doesn’t it? If Rock ‘N’ Roll “focus” was a pre-requisite for Cheap Trick to carry on as a band for all these years, they certainly bestowed a monumental ton of it, while creating their 12th studio album, regardless if there was “outside” assistance in song writing.
Despite what may be “read” from “other” reviews on this album over the years… I just don’t buy into the notion that there is a Grunge sound on Woke Up With A Monster. Hell, my ears don’t even hear a hint of it. Even if the band members themselves were to tell me they veered towards a Grunge “feel”, I’m not listening. This is Cheap Trick and it’s as underrated an album as there can possibly ever exist. Metal be thy name.
As fickle and wavering the “general Rock listening public” was back in the mid ’90’s, Woke Up With A Monster did get released. It was during an era where the “flavor of the month club” was buying up whatever the “experts” on MTV and VH1 were hawking. Great Rock Music will always, (here comes the cliche’), stand the test of time. The songs on this Cheap Trick album should easily speak for themselves in 2010, with an almost bone chilling relevancy. Woke Up With A Monster, perhaps, is an album that was sixteen years ahead of it’s time. If you think that sounds far fetched… just listen to The Beatles – Sgt. Pepper’s Lonely Hearts Club Band album and try to convince yourself it really was released in 1967.
From the onset, My Gang sets off the Rockin’ tone of this album with all the Cheap Trick familiarities that are so unique to this bands sound. From the tight as cousins rhythm section of Tom Petersson on bass and Bun E. Carlos on drums, to Robin Zanders’s Rock profound vocals, with Rick Nielsen’s song altering guitar play, Cheap Trick certainly walloped my senses with Woke Up With A Monster. The title track being my favorite song doesn’t distract me from the other ten. However, this title song gets more tasty to my ears each time I listen to it… even if I have lost count after all these years.
True and great Rock Music was never meant to be disposable… we’ll leave that disposable stuff to the Pop Bubble Gum Music world. My intent, in getting the word back out on Woke Up With A Monster is to rekindle past fans of this album and shake loose new fans that this Cheap Trick release exists. Regardless of any “out-of-print” or “unavailable” status for Woke Up With A Monster, the digital download world like itunes does exist for albums such as this.
* For more info on Cheap Trick, just click that fantastic link below:
Cheap Trick – Official Website
Cheap Trick Are:
Robin Zander – lead vocals
Rick Nielsen – guitars
Tom Petersson – 12 string bass
Bun E. Carlos – drums
Track Listing For Cheap Trick – Woke Up With A Monster:
My Gang
Woke Up With A Monster
You’re All I Wanna Do
Never Run Out Of Love
Didn’t Know I Had It
Ride The Pony
Girlfriends
Let Her Go
Tell Me Everything
Cry Baby
Love Me For A Minute
* Woke Up With A Monster was produced by Ted Templeman.
* Woke Up With A Monster was released in 1994, on Warner Bros. Records.
LONG LIVE CHEAP TRICK!
Stone.
URIAH HEEP “HEAD FIRST” – 1983 HARD ROCKIN’ ALBUM FLASHBACK
Posted in classic rock, classic rock bands, classic rock music, Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal odyssey, Music, rock & roll, rock 'n' roll, rock guitarists, rock music with tags 1970's hard rock bands, 1980's hard rock albums, 1980's hard rock bands, 1980's heavy metal music, 1980's heavy metal videos, 1980's melodic rock music, aor, classic rock bands, classic rock music, hard rock music, heavy metal history, heavy metal music, metal odyssey, Music, old school heavy metal, progressive rock music, rock music, rock n' roll, uriah heep hard rock band, uriah heep head first album 1983 on July 5, 2010 by Metal Odyssey
URIAH HEEP – Back in 1983, Uriah Heep released their 15th studio album – Head First. Granted, this was not the original Classic Rock lineup of Uriah Heep. The sound and style of Uriah Heep had changed considerably as the ’70’s came to a close and the colorful ’80’s came reeling in. With the 1982 Uriah Heep album – Abominog ushering in a new lead vocalist in Peter Goalby, Head First would be the second of three albums that this vocalist would be fronting. (Equator from 1985 would be the third and last Uriah Heep album featuring Peter Goalby as lead vocalist). For comparison purposes, the class of Rock/Hard Rock vocalists that best fits alongside Peter Goalby are: Lou Gramm, (Foreigner), Kelly Hansen, (Foreigner/Hurricane) and Brian Howe, (Bad Company/Ted Nugent), to name just a few.
I consider Head First, to be a Hard Rock swirling with early ’80’s commercial Heavy Metal album. Head First is AOR for certain and is not lacking with melodic Rockin’ songs. This is not a blockbuster of a heavy album by any means. Instead, Head First is an album of songs that gives off some cool vibes… vibes that I still find appealing after all these years. My favorite song on this album is hands-down: The Other Side Of Midnight. When I first heard this song played on FM back in ’83, I was hooked. This song is very much a psyche-you-out listen, with it’s up-tempo and melodic Hard Rock sound.
In 1983, I was a junior trying to survive in High School and working part-time as a grocery store bagger and shopping cart gopher. The supermarket I worked at was named Finest… only there was nothing very fine about it. One cool aspect about working for this dingy and depressing supermarket was it’s next door neighbor store… Bradlees. This department store had a semi-impressive records & tapes department, so I used to spend most of my $20 – $30 paycheck there on music. I bought this Head First album there… only I don’t have it on vinyl anymore. (itunes cured my hankering for this album though).
Stay On Top and Sweet Talk are two other extremely melodic and accessible songs that probably made it to the FM airwaves way back then. I just can’t say for certain. Stay On Top is “kinda like” an anthem represented on Head First. This song has a bit of toughness about it… early ’80’s Heavy Rock toughness that is. Sweet Talk is dominated by the keyboards played by John Sinclair. It’s the keys that really makes Sweet Talk elevate with it’s pumped-up tempo and mood. During his musical career, John Sinclair was also the keyboardist for The Babys and Ozzy Osbourne.
Bob Daisley plays bass on Head First and is most famous for his Rock ‘N’ Roll stints with Rainbow and Ozzy Osbourne. Longtime Uriah Heep drummer Lee Kerslake was on board for Head First. Lee Kerslake was also the drummer for Ozzy Osbourne’s 1980 debut album – Blizzard Of Ozz and 1981’s Diary Of A Madman.
Lonely Nights is the Bryan Adams cover song that Uriah Heep plays a bit heavier than the original. Not by much though. Lonely Nights is from the Bryan Adams 1981 sophomore release titled – You Want It You Got It. Both the Bryan Adams and Uriah Heep version of this song just screams with that early ’80’s Rock sound, feel and… may I add vibe? No, no, no… I HATE the word “dated”. It makes ME feel… um, uh… old. Regardless of my rhetorical nonsense here, Lonely Nights is undisputedly a very emotional and inspirational song, in my Metal opinion.
If there has ever been that #1 constant with Uriah Heep, since day one, it is lead guitarist Mick Box. A founding/original member of Uriah Heep, Mick Box seems to have quietly become a Rock legend in his own much deserving right. Ever since the 1970 Uriah Heep debut album – Very ‘eavy… Very ‘umble, Mick Box has been on lead guitar. Fast forward to 2008 and Uriah Heep have released their 21st studio album – Wake The Sleeper. Uriah Heep is still Rockin’ the lights out live in 2010 from what I have read and been told… a Rock historic band that I would love to see live sometime soon. Then, I could boast that I have seen Mick Box play guitar… in real time.
Classic Rock, 1980’s mainstream Heavy Metal & Hard Rock, Melodic Rock, Progressive Rock and AOR fans should take a keen liking to Head First from Uriah Heep. This is a band that stretches across quite a few Rock genres, both past and present.
* For more info on Uriah Heep, just click on the link below:
URIAH HEEP – THE OFFICIAL WEBSITE
URIAH HEEP – MySpace Music Page
Uriah Heep, as they appeared on the Head First studio album:
Peter Goalby – lead vocals
Mick Box – guitar
John Sinclair – keyboards & backing vocals
Bob Daisley – bass
Lee Kerslake – drums, percussion
Original Track Listing For Uriah Heep – Head First:
The Other Side Of Midnight
Stay On Top
Lonely Nights
Sweet Talk
Love Is Blind
Roll-Overture
Red Lights
Rollin’ The Rock
Straight Through The Heart
Weekend Warriors
LONG LIVE URIAH HEEP!
40 years of Uriah Heep Rock ‘N’ Roll is something to celebrate.
Stone.
SERGEANT STEEL “LOVERS & MANIACS” – GOOD TIMES & CONTAGIOUS HARD ROCK DEBUT FROM AUSTRIA!
Posted in Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal odyssey, Music, rock & roll, rock 'n' roll, rock music, rock music news with tags classic rock, current hard rock bands, hair metal music, hammer of love music video, hard rock albums 2010, hard rock bands, hard rock from austria, hard rock music, heavy metal music, heavy metal news, international hard rock bands, metal odyssey, Music, old school hard rock, old school heavy metal, rock music, rock music news, sergeant steel hard rock band, sergeant steel lovers & maniacs album review on July 1, 2010 by Metal Odyssey
SERGEANT STEEL – Yes Virginia, there is some kick ass Hard Rock being imported out of Austria and they are known as… Sergeant Steel. Sergeant Steel has released their debut album of Hard Rock blood, sweat and tears titled – Lovers & Maniacs, back on March 6, 2010. A young and talented band, invigorated to take on the world by Hard Rockin’ storm, while obviously having fun along the way is Sergeant Steel. Just one of their song titles – Taking The World By Storm, gives this fact away quite clearly. This song is a speed driven example of just how Heavy Sergeant Steel can play their Rock, plus showcasing that lead vocalist Phil Vanderkill can hit the high notes, with an influential nod to perhaps the Metal God himself, the legendary Rob Halford.
While Taking The World By Storm may be Lovers & Maniacs fastest, grittiest and Heaviest song, the remaining album is loaded with Hard Rock glory. My favorite song on this album is Hammer Of Love, (see and listen to the music video below!). Hammer Of Love embodies all things great about psyche-you-out Hard Rock, it’s melodic drive is noteworthy and was instantly memorable to my ears. I can hear and feel the contagious enthusiasm that Sergeant Steel has for their music throughout Lovers & Maniacs, especially on Hammer Of Love. If this song alone does not put Sergeant Steel on the Hard Rock map, then Metal be thy name.
Guitarists Jack Power and Chuck Boom give Sergeant Steel a double dose of Old School licks, the leads and solo’s are aplenty and gives this debut album a head turning appeal. On the unforgettable anthem Chasing Love, the dual axe attack stands out and screams Arena style Hard Rock, big and bold, a sound and energy that is what Sergeant Steel is truly all about. Looking For An Angel is a feel-good song that Rocks so damn good, it very well could be bottled up, marketed and sold as an elixir to cure the F’n blues. On Looking For An Angel, the upbeat and spirited lyrics combined with it’s music makes it a Hard Rock hit, complete with a saxophone and backing vocals that really compliments this song’s style and mood.
Lovers & Maniacs shouldn’t become a Hard Rock album catalogued within the “best kept secrets” file of 2010. Instead, Sergeant Steel should be considered a Hard Rock newcomer that has released a can’t miss debut album of catchy songs, that remind me why Rock ‘N’ Roll was meant to be fun and illicit cool vibes. This is not a sound-alike band, your not going to be listening to a copy cat album with Lovers & Maniacs. You will hear, however, influences of Hard Rock’s glorious and time proven sound… which is down right dynamite to me. Sergeant Steel is yet another young band that gives me all the more confidence in our Hard Rock and Heavy Metal future. Let Heavy Music freedom ring!
Sergeant Steel makes it proudly known, (in the CD liner notes), that this is a band that shunned trigger drums and auto-tune programmes. Sergeant Steel, (within the liner notes), reveal their sincerity for the music they created, thus making for an honest album. I can appreciate Sergeant Steel’s Old School approach to recording, their Old School Hard Rock sound is a proven result of this.
Any fan of 1980’s Hard Rock and/or mainstream Heavy Metal should take a liking to Sergeant Steel. Old School isn’t checking out anytime soon and Sergeant Steel have submitted their registration to Rock with Lovers & Maniacs. This is a band that can only get better… and that is an incredible thought for they are a damn decent Hard Rock group now.
* Metal Odyssey gives Sergeant Steel – Lovers & Maniacs 4 out of 5 Metal Fists!
* Check out the music video for Hammer Of Love by clicking on the very cool box below! Just be well advised… one must crank up Hammer Of Love… LOUD!
* For more info on Sergeant Steel, just click on the links below:
SERGEANT STEEL – Official Website
Sergeant Steel – MySpace Music Page
SERGEANT STEEL ARE:
Phil Vanderkill – lead vocals
Jack Power – guitars, backing vocals
Chuck Boom – guitars, backing vocals
Cosy Cox – bass
Kevin King – drums, percussion
Ben Bateman – keyboards, piano
* Lovers & Maniacs produced by Jack Power
* Mastered by the legendary Beau Hill (Alice Cooper, Eric Clapton, Bob Dylan, Europe, Warrant, Ratt, Winger & more!)
Track Listing For Lovers & Maniacs:
Hammer Of Love
Chasing Love
Looking For An Angel
Still In Love
Taking The World By Storm
Seizin’ The Crown
Love Hurtz
High On Life
Miss U Tonite
Nuts Of Steel
Go Get ‘Em Sergeant Steel!
Stone.
KOPEK “WHITE COLLAR LIES” – DEBUT ALBUM IS A PRESENT & FUTURE STANDOUT OF MODERN ROCK
Posted in alternative rock music, Hard Rock, hard rock albums, hard rock bands, hard rock music, heavy metal music, metal odyssey, modern rock music, Music, rock & roll, rock 'n' roll, rock music with tags album reviews, alternative rock albums 2010, alternative rock music, hard rock albums 2010, hard rock music, heavy metal music, kopek modern rock band, kopek white collar lies album review, love is dead music video, metal odyssey, modern rock bands 2010, modern rock music, modern rock songs 2010, Music, new modern rock albums, rock music, rock n' roll on June 28, 2010 by Metal Odyssey
KOPEK – Each era seems to have one, two or maybe three “new” Rock bands that illuminate with an unexpected specialness. Dublin Ireland’s Rockin’ trio named Kopek is special to my ears. It is 2010, and a whole new era of Rock ‘N’ Roll has just begun. Sure, my ears may have some Rock ‘N’ Roll mileage on them, only what I hear in the music from Kopek is Modern Rock that isn’t just shunning that dreadful and uninvited guest named the “status quo”… Kopek has obliterated it with their debut album – White Collar Lies.
The lyrics, song writing, musicianship and Modern Rock angst I hear on White Collar Lies, all points to the direction of Kopek one day becoming bigger than they could ever dream of being. As long as Kopek does not lose sight of keeping their music’s intentional and unintentional sound, feel and message within the parameters of soul and passion, all the while saturating it with pulsating modernism, they may very well be an iconic example of Rock influence in 2020. A momentary sigh of relief came upon me, after my very first listen through of White Collar Lies… there just isn’t any Pop accessibility happening in the music of Kopek. Thank God.
Certainly, the first single from White Collar Lies, Love Is Dead, most credibly will garner enough mainstream attention without a doubt. Once anyone unfamiliar with Kopek listens to Love Is Dead, they shall forever and always know who Kopek is. A personal and emotional Mod Rock march to psyche-out madness, may very well erupt in the streets, if Love Is Dead was played loud upon a giant metropolis. That would probably be a sight to see and doesn’t sound too far fetched, especially once Love Is Dead begins it’s Rockin’ and groovy Modern takeover of your soul.
If I was in charge of handing down the “first single” from White Collar Lies, it would be Cocaine Chest Pains. This opening track on Kopek’s debut not just establishes them as a refreshing and viable Mod Rock Band, this song let’s it be known that Kopek can Rock quite Hard. The song – White Collar Lies is a show stopper in and of itself. The lyrics are applaudable, with Kopek putting a spotlight of despicable shame on corporate greed and selfishness. Kopek plays music that makes me feel like I’m supposed to stand up and be counted, with a seasoned attitude of musicianship radiating from every note, from every song.
It is not difficult to find myself doing a semi-headbang to the Mod Rock of Kopek. Fever is a song that makes my Metalhead soul peek out the cracks and wonder what the hell is going on. Fever should, with it’s melodic foot stomping and Hard Rock influenced edginess, be another single embraced by the whole darn world too. Floridian is the up-tempo ballad that is highlighted by it’s ability to be melodic beyond belief. Inspiring melodies and just brazenly memorable is Floridian, making for guess what? Another potential single from this ultra-dynamic debut album called White Collar Lies.
The trio of Kopek play their instruments so well, it is almost too easy to succumb to, while letting my mind wander off to the lyrics, energy, spirit and mood that Kopek has created throughout White Collar Lies. In the end, the music on White Collar Lies… albeit Modern Rock dominate, still has flashes of Alternative, Rock and at times Hard Rock influences, dictating from beginning to end, that Kopek really can play like their lives depend on it. Lead vocalist Daniel Jordan may very well carry you off, into an excitingly edgy and engagingly powerful world of listening delight. There is a confident streak in Daniel’s vocals, that exhibits the strength in Kopek’s songs.
Kopek laid out their path of music for my ears to journey on, little did I know of the unexpected Rock ‘N’ Roll finds I would encounter along the way while listening to White Collar Lies. Let the uniqueness of Kopek’s Mod Rock blended with Hard edged crunchiness take your ears for a much overdue surprise of Rock newness. Believe me, once you’ve listened to White Collar Lies for yourself, you might very well be thinking this band is special as well.
* Just click on that groovy video box below, to watch and hear just how insanely cool the Kopek song – Love Is Dead from White Collar Lies is. Plus, this Kopek music video comes with Stone’s stamp of Rock ‘N’ Roll approval! Enjoy!
KOPEK ARE:
Daniel Jordan – lead vocals & guitar
Brad Kinsella – bass guitar
Shane Cooney – drums
Track Listing For KOPEK – White Collar Lies:
Cocaine Chest Pains
White Collar Lies
Fever
Love Is Dead
Floridian
Sub Human
The Easy Way (D.B. Cooper)
Bring It On Home
Love Sick Blues
Bigger Than Us All
Sin City
* For more info on KOPEK, just click on the link below:
* KOPEK – White Collar Lies – will have it’s U.S. release, digitally, on June 29, 2010. The physical release for White Collar Lies will be on September 14, 2010. Both digital and physical releases are on Religion Music via SIN/Sony Music Independent Network.
* White Collar Lies was produced by Glenn Herlihy and mixed by Tom Lord-Alge.
Stone.
DERAILED “JUDGEMENT DAY” – AN OLD SCHOOL WRECKING BALL OF METAL & HARD ROCK!
Posted in Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal odyssey, Music, rock music with tags canadian heavy metal bands, derailed judgement day album review, hard rock albums 2010, hard rock bands, heavy metal album reviews, heavy metal albums 2010, heavy metal bands 2010, heavy metal debut albums, heavy metal music, heavy metal vocalists, metal odyssey, Music, old school heavy metal, rock music on June 26, 2010 by Metal Odyssey
DERAILED – From the Great White North they cometh… straight from Calgary, Alberta, Canada. They bring Metal. Old School Metal. Who are they? Derailed. What is their intent? To hand down their Metal edict… and I’m taking it all in like a Metal famished addict. With sharpened threads of Hard Rock entwined within the Metal fabric of Derailed’s debut album – Judgement Day, the total relevance factor of the songs makes for an amazing listen. If there is to be that one debut album, that Hard Rock and Heavy Metal fans should get their hands on in 2010, Derailed’s Judgement Day has to be strongly considered from my recommendation. Judgement Day is scheduled for a September 6, 2010, independent label release… worldwide.
Derailed is a band of veteran musicians, coupling their talents and experience to forge an album of 13 songs that scorch with fiery riffs, guitar leads, hooks and a Metal tight rhythm section of thundering force. Judgement Day’s strength is born from it’s quality song writing and lyrics. This is not a bubble gum/I’m lost in love/let’s party ’cause my parents just left town – album of Metal. With a sound that resonates Hard Rock and Metal maturity, Derailed just doesn’t show their experience on Judgement Day, they show they can flat out kick some serious heavy butt… for this band obviously put their music first and never considered second.
Once your ears digest the back-to-back intros of Into The Mist and Adrenaline, the Hard Rockin’ and Metal stompin’ ride begins with Derailed – Judgement Day. My only advice is don’t feel your alone when you want to replay Adrenaline continuously… Dean Boland on lead guitar tears it up with an Arena style muscularity. These two intros lay down the Hard and Heavy tracks that you will take, in navigating through Judgement Day’s assortment of memorably melodic songs.
Johnie Sin on lead vocals and rhythm guitar is an asset. If you are looking for that traditional Hard Rock and Heavy Metal vocalist from days long past, a “diamond in the rough” vocalist who has never been in the mass media spotlight, well, it’s Johnie Sin. This is a singer from the same Metal class as vocalist Mike Vescera, ( of Obsession, Yngwie J. Malmsteen & Loudness fame). Trust me, he is that good. One listen to just Lock & Load and any seasoned Metalhead will know instantly that Johnie Sin is a player.
Shine is a my creme’ de la creme’ song pick on Judgement Day. Whoa good is Shine. This song leans on the Hard Rock side of the tracks, blended with enough melodic and Old School moments to make me be beg for Metal mercy… then I play Shine again… and again. There is nuthin’ better than inflicting ones ears with great, heavy songs and Judgement Day is loaded with them. Your World is an instrumental that shall Rock your senses with it’s rhythmically contagious and heavily strewn, melodic guitar play, that is up tempo and psyche-you-out. Metal be thy name.
Grey Skies is an up tempo ballad that finds it’s coolness from the hardened vocals of Johnie Sin and Dean Boland’s lean, mean and slick guitar leads and climactic solo. At 8:26 long, Grey Skies is an epic not just for it’s length, it’s epic for it’s total strength. I’d Love To Change The World is the lone cover song on Judgement Day. Originally written by Alvin Lee of Ten Years After and released in 1971, Derailed adds some impressive heaviness to this Rock classic in 2010. Derailed gives this cover song some need for speed, with plenty of convincing angst from the vocals of Johnie Sin.
Dean Boland not only plays lead and rhythm guitar, he also mans the keyboards and provides backing vocals. A lyricist and songwriter for this Judgement Day album as well, Dean Boland’s accomplishments heard here are Metal commendable. Dean Boland seems to wear many Metal hats within Derailed, producing Judgement Day is one of them. The production and sound across the board, on this album, is what us traditionalists crave hearing… nothing is over polished and raw tendencies surface for air.
2010 is the year to get Derailed and Judgement Day is the reason why. Without a Metal doubt in my mind, I recommend Derailed – Judgement Day to any Hard Rock and/or Heavy Metal fan. Old School Hard Rock and Heavy Metal fans will want to sink their ears into Derailed’s combination of past and present heavy sound.
* Metal Odyssey gives Derailed – Judgement Day:
4.5 out of 5 Metal Fists!
* For more info on DERAILED, just click on the links below:
DERAILED ARE:
Dean Boland – lead, rhythm & acoustic guitars, keyboards, vocals
Johnie Sin – lead vocals & rhythm guitar
Terry Cornelson – drums
Steve Legault – bass, vocals
* Dean Boland has enjoyed international success, with the following music projects: Random Damage, Aragathor, Vicious Circle, Doomsayer and Boland Plan.
Track Listing For Judgement Day:
Into The Mist
Adrenaline
Derailed
Judgement Day
Shine
Insane
Rush
I’d Love To Change The World
Skinned
Lock & Load
Fade Away
Your World
Grey Skies
LONG LIVE DERAILED!
Stone.
RETROSPECT RECORDS – BRINGS BACK ’80’S AOR, HARD ROCK, METAL & DC STAR REISSUES!
Posted in classic rock, classic rock music, hair metal music, Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal records, metal odyssey, Music, rock & roll, rock 'n' roll, rock festivals, rock music, rock music news with tags 1970's hard rock bands, 1980's hard rock bands, 1980's heavy metal bands, aor, classic rock music, dc star hard rock band, hard rock music, heavy metal history, heavy metal music, independent record labels, m3 rock festival vendors, metal odyssey, Music, old school hard rock, old school heavy metal, retrospect records at m3 rock festival, rock music, rock music festivals, rock music news on June 25, 2010 by Metal Odyssey
RETROSPECT RECORDS – While at the 2010 M3 Rock Festival, held in Columbia Maryland on June 19th, I took in most of, if not all the merch and vendor tables & booths. One vendor that I’m very glad to have met and purchased from at M3 is Retrospect Records. This is an independent record company that advertises themselves as “The Worlds Largest” Hard Rock, Metal, AOR Reissue Label. Retrospect Records began it’s journey into re-issuing the Hard Rock, AOR and Metal albums of ’80’s bands back in 2003.
Walking up upon the Retrospect Records booth was like finding Metal gold! The vast assortment of ’80’s Hard Rock, AOR and Metal Reissue CD’s that were conveniently laid out on tables was a Metal sight to behold. Plus, the Metal bonus was Retrospect Records was selling these CD’s at $5 (U.S.) each! Now… that is a festival bargain of Metal bargains. As Best Metal Buddy, Scott Coverdale and I stopped to stare at the CD’s for sale, that’s when I saw DC Star – The Best Of Record Classics. Whoa! This is a band I’ve been wanting to find on CD for a very, very, long time! I exclaimed, rather loudly… “DC Star”! Then, a courteous rep came towards me from behind the Retrospect Records booth.
I requested to buy this DC Star CD and the rep asked me – “you don’t want both DC Star CD’s”? I replied, “both”? Then, he pointed out to me, the second DC Star CD he had for sale… The Best Of DC Star Records Vol #2. Whoa again! Without hesitation, I told the rep, “I’ll take both”! For $10, (U.S. funds), I snagged 23 DC Star songs on two CD’s! It turned out, this cool rep happened to be the owner of Retrospect Records, Sam McCaslin. (The other owner is Lisa McCaslin).
Sam’s enthusiasm and knowledge for these enormously great genres of 1980’s Hard Rock & Metal was overflowing. Sam told both Scott Coverdale and myself, that he has tried to get DC Star to reunite for an M3 Rock Festival performance. Sam stated, the only thing standing in the way of a DC Star reunion, is that two key band members are not talking to each other. (I won’t drop the names of which two band members of DC Star they are. Metal Odyssey will never venture into the gossip world of Heavy Music, this is as much gossip as you will ever read on Metal Odyssey). Intriguing information Sam shared with us, nonetheless.
DC Star was enormously popular on the East Coast of the U.S. back in the late ’70’s into the mid ’80’s. The sound of DC Star can be best summed up as a raw and hard edged Styx, an early Loverboy on overdrive, mixed with some Sweet or The Sweet influence, if you will, to make a surface comparison. DC Star is Old School Hard Rock, flirting at times, with an accessible Heavy Metal sound and style. Extremely melodic is the Hard Rock of DC Star, with unreal memorable guitar licks aplenty.
DC Star’s lead vocalist Kenny Taylor was undisputedly a talent, this guy could sing with the best of his generation. Just a great band was DC Star, as solid of a band of blue collar musicians, as I’ve ever listened to. I really wish I could have seen them live years ago. Once in awhile, I’ll find some DC Star vinyl turn up during my Heavy Metal hunts… only now I have two “Best Of Volumes” of DC Star on CD!! It would be an ultra great happening, however, if DC Star did reunite for even next year’s M3 Rock Festival.
* Here is what the CD cover of DC Star – The Best Of Record Classics looks like:
* Here is what the CD cover of DC Star – The Best Of Records Vol #2 looks like:
Let me just add, the selection of Old School – 1980’s bands that Retrospect Records has to offer on CD is very impressive. Many, if not the majority of the ’80’s bands and/or titles on Retrospect Records are either hard to find or have never been released on CD until now. Many great underground bands from the ’80’s are to be found at Retrospect Records. Where else are you gonna find ’80’s Heavy Metal band – KRANK. How about Hammerhead? Or… Cleveland’s very own Hair Metal representative… Ginger Roxx from 1989? Just peruse through the online store of Retrospect Records and you shall find that the obscure and rare are all there.
Once you visit Retrospect Records website, you will see a cool logo that reads: RETROTHRASH RECORDS. There is a Metal bounty of Old School Thrash Bands out there, that would probably just love to have their albums reissued by Retrospect Records. Go get ’em Retrospect Records!
* To learn more about and/or purchase from Retrospect Records, just click on the link below:
Here is the very cool Retrospect Records cap I bought at a fair price, at the M3 Rock Festival, from Retrospect Records owner Sam McCaslin:
I’ll have to admit, this cap feels very comfortable on my corn-dog head.
Stone.
SCORPIONS “FACE THE HEAT” – AN UNDERRATED & CLASSIC 1993 ALBUM REVISITED!
Posted in Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal history, heavy metal music, metal odyssey, Music, rock 'n' roll, rock and roll, rock music with tags 1970's heavy metal bands, 1980's heavy metal bands, 1990's heavy metal bands, current heavy metal bands, face the heat album review, hard rock music, heavy metal album review, heavy metal history, heavy metal legends, heavy metal music, metal odyssey, Music, old school heavy metal, rock music, scorpions alien nation song, scorpions heavy metal band, scorpions hidden rockabilly track on June 23, 2010 by Metal Odyssey
SCORPIONS – Back on September 21, 1993, the Scorpions released Face the Heat on Mercury Records. This was studio album #12 from this beyond legendary Heavy Metal Band. On June 19, 2010, Best Metal Buddy, Scott Coverdale slid his Face the Heat CD into his Mercury SUV CD player… as we embarked on our journey to the 2010 M3 Rock Festival in Columbia, Maryland. Scott was not the least bit bashful at playing Face the Heat extremely LOUD on our ride and I was NOT complaining. This is one highly underrated Scorpions album, quite possibly due to it’s being released back in 1993… when Heavy Metal was supposed to be a hurtin’ and dried up genre and scene. (Yeah, right, whatever).
The opening track – Alien Nation, is one absolute powerful and thunderous listening experience of Scorpions Heavy Metal. The rhythm section alone is high octane/psyche-you-out detonation to the maximum level. Alien Nation is easily one of my favorite Scorpions songs ever recorded and I’m sure Scott feels the same way too. If there was to be that one Scorpions song that seemed to set the Metal tone on that ride to M3, it’s certainly Alien Nation. Metal be thy name can this song lift my mood to an unreal high.
Under The Same Sun is another standout song on Face the Heat. This song is a power ballad, one that is inspirational and yes… emotionally uplifting. The basic theme of this intelligent and melodic song is: if we all live under the same sun, then why can’t we all live as one? Yes, a philosophical question does rear it’s mighty ethical head from Under The Same Sun, only it is an almost magical thought to digest.
There is a hidden track at the end of Face the Heat and it does not appear until a few minutes after the CD comes to a close. One must keep the CD on play and not hit the stop button in order to hear this Rockabilly style song from the ever iconic Scorpions. Yes… it’s a Rockabilly song, taken from the mold of the historic and also legendary Queen and their classic song – Crazy Little Thing Called Love. When my ears first became introduced to this hidden track, it was around ten years ago, right around the time my twin daughters were born. I can actually recall that moment I first heard this song… it was as if I discovered a real gold nugget alongside a river bank! Truth be told, it only took me about seven years to discover this hidden track! I had owned Face the Heat since it’s year of release too, never knowing about the hidden track for so long. Gee Metal whiz.
Face the Heat proved to be a winner of a choice for Scott Coverdale to choose for our ride to the 2010 M3 Rock Festival in Columbia, Maryland. It was great to become reacquainted, once again, with a true classic of a Scorpions album. The overall heightened and Arena Style, Heavy Metal sound on Face the Heat is what makes it so memorable for me. This Scorpions album is not as “modernistic” as some “professional” reviews have alluded to over the many years since it’s release, in my Metal opinion.
If you have never listened to Face the Heat, I urge your doing so, especially if you are a new fan to the Scorpions. I am not endorsing Face the Heat as the greatest Scorpions album of all time, what I am endorsing here is a Scorpions album that should garner the attention and respect it so justifiably deserves. Any fan of Old School, 1980’s or 1990’s Heavy Metal should appreciate what the Scorpions created with Face the Heat – a quality album of melodic Heavy Metal songs. This CD is readily available just about everywhere online… from Best Buy to Amazon.
* Metal Odyssey Notes: This Face The Heat CD I have always owned, is an original American release pressing. Therefore, I do not know if this hidden track is found on any imported version or re-mastered re-release. I do not know the title of this hidden track, it is not found anywhere within the liner notes of Face the Heat, that I own. If anyone out there knows the title of this hidden track, please comment it!
Scorpions as they appeared on Face the Heat:
Klaus Meine – lead vocalist
Matthias Jabs – lead guitar & rhythm guitar
Rudolf Schenker – rhythm guitar, lead guitar & backing vocals
Ralph Rieckermann – bass
Herman Rarebell – drums & percussion
Track Listing for Scorpions – Face the Heat:
Alien Nation
No Pain No Gain
Someone To Touch
Under The Same Sun
Unholy Alliance
Woman
Hate To Be Nice
Taxman Woman
Ship Of Fools
Nightmare Avenue
Lonely Nights
Stone.
CINDERELLA – A METAL SPOTLIGHT ON THE M3 ROCK FESTIVAL 2010!
Posted in hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal concerts, heavy metal festivals, heavy metal history, heavy metal music, metal odyssey, Music, rock 'n' roll, rock and roll, rock music, rock music news with tags 1980's hair metal bands, 1980's hard rock bands, 1980's heavy metal bands, 1980's heavy metal songs, cinderella heavy metal band, hard rock concerts 2010, hard rock music, heavy metal concerts 2010, heavy metal history, heavy metal music, heavy metal news, m3 rock festival 2010, metal odyssey, Music, rock festivals, rock music, rock music legends, rock music news on June 17, 2010 by Metal Odyssey
CINDERELLA – Since their 1986 debut album – Night Songs, I have been a fan of Cinderella. Be it Rock, Hard Rock, Hair Metal or good ol’ Heavy Metal… Cinderella can play it extremely well and with a classy touch of the Blues. Cinderella is slated for performing at the 2010 M3 Rock Festival, in Columbia, Maryland, on June 19th. Their set time is from 7:40 – 8:40 pm on the Pavilion Stage. They are the last band on the Pavilion Stage to perform before… the ultra legendary Scorpions headline and close out the night!!! I’M THERE! I literally am counting down the hours to this cool festival of Hard Rock ‘N’ Roll and so is my Best Metal Buddy… Scott Coverdale. This will be the third time I will have seen Cinderella live and it has been quite a few years since I’ve seen them last.
To pick my favorite Cinderella album, (there are four studio albums in all), is really not that easy. Metal truth be told, each Cinderella album is uniquely great, in it’s total Rockin’ totality. There is that one Cinderella album, however, that I turn to more often to listen to… Heartbreak Station from 1990. Bluesy, Hard Hittin’, American Rock ‘N’ Roll at it’s finest is the best way to sum up Heartbreak Station. My favorite song from this album is Shelter Me. Man, if there ever was a song that justifies why Cinderella is as genuine as a freshly minted and non-circulated, gold dollar coin… it’s this one. The lyrics of Shelter Me resonate with strong relevance, a song that can surely be adapted to today’s nightly news bull crap. Plus, Cinderella took a fine swipe at the censorship machine known as the PMRC within the lyrics of Shelter Me as well, which makes me very proud as a fan.
The More Things Change is another example of lyrical relevance, coupled with Bluesy Hard Rock excellence. This song opens up Heartbreak Station and truly signaled that Cinderella was more than just merely an inappropriately tagged – Hair Metal Band. For anyone to pigeonhole Cinderella into just the Hair Metal genre is nonsensical… this is an American Rock ‘N’ Roll Band that has proven their Rock diversity through four studio albums, the proof is in their music. Throw in a clear fact that Cinderella has not released a studio album since 1994’s Still Climbing, all the while maintaining a level of popularity that puts them second to the Scorpions on the M3 Rock Festival bill and the word impressive comes to mind.
Cinderella is a perfect example of quality and talent over quantity… their four studio albums hold up against the sands of time. The songs on these Cinderella albums are not just fad infused… these songs were and still are Hard Rockin’ genius. The word relevance keeps popping up as I write this, only it is so applicable to Cinderella. One of the items on my Metal wish list, is for Cinderella to make another studio album sometime soon. Then again, I’m just psyched this great band is still around and still touring, affording me the opportunity to see them live once again at M3!
* Heartbreak Station was released in 1990, on Mercury Records.
Track Listing For Cinderella – Heartbreak Station:
The More Things Change
Love’s Got Me Doin’ Time
Shelter Me
Heartbreak Station
Sick For The Cure
One For Rock & Roll
Dead Man’s Road
Make Your Own Way
Electric Love
Love Gone Bad
Winds Of Change
* Cinderella NOW and as they appeared on Heartbreak Station:
Tom Keifer – lead vocals, guitar, piano
Eric Brittingham – bass
Jeff LaBar – guitar
Fred Coury – drums, percussion, backing vocals
* For more info on Cinderella, click on the link below:
* For more info on the M3 Rock Festival 2010, just click the link below:
LONG LIVE CINDERELLA!
Stone.
DIO “INTERMISSION” – LIVE ALBUM FROM 1986 IS A METAL MUST!
Posted in hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal songs, metal odyssey, Music, rock 'n' roll, rock and roll, rock music with tags 1980's heavy metal albums, 1980's heavy metal bands, 1980's heavy metal songs, dio heavy metal band, dio intermission album review, hard rock music, heavy metal history, heavy metal legends, heavy metal vocalists, live heavy metal albums, metal odyssey, Music, old school heavy metal, rock music, ronnie james dio on June 14, 2010 by Metal Odyssey
DIO – Released in June of 1986, DIO – Intermission has always been a favorable listen for me. The lone studio track, Time To Burn is a major reason why I bought Intermission so many years ago. This song just stuck to me instantly, from the very first time I heard it on either WCCC FM or WHCN FM out of Hartford, Connecticut. The combination of the melodic hardness and lyrics of Time To Burn just never seems to dull on my Metal senses. I still get the same ostrich bumps on my arms and face when I listen to this song today. Metal be thy name. The only difference between now and then, while listening to this vintage DIO song, is that at this point in my Metal life… I don’t feel I have that much “Time To Burn” anymore.
Back in 1986, there was no such thing as itunes, so buying just the song Time To Burn was not an option for me. Buying a song or two like we do today, at any time of the day, with the click of a computer mouse, was pure Science Fiction back then. Of course I wanted the entire song package that Intermission bestowed, as of 1986 there was no official live DIO title until this album was released. Furthermore, I, like so many millions of other DIO fans, was riding the wave of incredible album releases by DIO during those early to mid 80’s… 1983’s Holy Diver, 1984’s The Last In Line and 1985’s Sacred Heart were a triple dose of Heavy Metal ecstasy and still are!
In Metal truth, Intermission can easily be referred to as an EP, with only six songs. Five of the songs are live, with of course Time To Burn being the studio track. Track five is a live medley of three songs – Rock ‘N’ Roll Children, Long Live Rock ‘N’ Roll and Man On The Silver Mountain. Adding two classic Rainbow songs into the live mix, with Long Live Rock ‘N’ Roll and Man On The Silver Mountain was a brilliantly cool idea from Ronnie James Dio, in my Metal opinion. These two Rainbow songs were and forever will be synonymous with Ronnie James Dio.
The overall sound quality of the live songs are well above average, you won’t be listening to a bootleg when it comes to quality. Intermission will never go down in Metal history as the greatest live album… still it is an excellent live DIO album that is a must for new fans. Old School DIO and Heavy Metal fans should already be familiar with Intermission, embracing it as much as I do could differ from one fan to the next. Ronnie James Dio left us fans with an incredible and unparalleled catalog of music. Intermission is a DIO album that captured a moment in time and is too good to ignore.
Intermission is still readily available at nearly every online music retailer, plus it sells for well under ten dollars, (U.S.), in both new and used condition. I’ve also seen Intermission on vinyl, selling in the ten dollar, (U.S.), range for both new and used condition. Adding this DIO album to your DIO or Heavy Metal Music collection is a smart Metal move… who knows for how much longer it will be in print?
Track Listing For DIO – Intermission:
King Of Rock And Roll
Rainbow In The Dark
Sacred Heart
Time To Burn (Studio Track)
Rock ‘N’ Roll Children/Long Live Rock ‘N’ Roll/Man On The Silver Mountain (Medley)
We Rock
* DIO – Intermission was originally released on Warner Bros. Records in North America.
The musicians of DIO, as heard on Intermission:
Ronnie James Dio – vocals
Vivian Campbell – guitar
Jimmy Bain – bass
Vinny Appice – drums
Claude Schnell – keyboards
Craig Goldy – guitar on Time To Burn (studio track)
* Craig Goldy has been the guitarist for: Rough Cutt, Giuffria and Craig Goldy’s Ritual.
* Intermission was the official introduction of Craig Goldy as the guitarist for DIO, replacing Vivian Campbell.
* Craig Goldy is the guitarist on DIO’s studio albums: Dream Evil (1987), Magica (2000) and Master Of The Moon (2004).
* You can check out more info on Craig Goldy by clicking on the link below:
CRAIG GOLDY – MySpace Music Page
* After leaving DIO, Vivian Campbell joined Whitesnake in 1987 for their World Tour, through 1988. Vivian Campbell went on to play guitar on Lou Gramm’s 1989 solo album – Long Hard Look. He also played guitar for Riverdogs and Shadow King before joining Def Leppard in 1993. The Def Leppard album from 1993, Retro Active, was Vivian Campbell’s first appearance as guitarist with them.
Stone.
GARY MOORE “AFTER THE WAR” – A HARD ROCKIN’ & HEAVY HITTING GEM FROM 1989
Posted in hard rock albums, hard rock music, hard rock songs, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal history, heavy metal music, metal odyssey, Music, rock 'n' roll, rock and roll, rock guitarists, rock music with tags 1980's hard rock albums, 1980's heavy metal albums, 1980's music videos, classic rock music, gary moore guitarist, guitar legends, hard rock music, heavy metal guitarists, heavy metal music, metal odyssey, Music, old school heavy metal, ready for love music video, rock guitar legends, rock music, rock n' roll on June 6, 2010 by Metal Odyssey
GARY MOORE – With twenty studio albums and five live albums to his legendary music credit, Gary Moore has played it all. From Rock to Hard Rock and Heavy Metal to Blues, Gary Moore’s name is synonymous with guitar icon. One of my favorite Gary Moore albums is After The War, which was released back on January 25, 1989 on Virgin Records. After The War is a Hard Rock album and can be easily considered Heavy Metal, due to Gary Moore’s guitar style that he so effortlessly displays. I have always been enamored by Gary Moore’s guitar and his vocals, both are showcased in a grand way on After The War.
Anytime I listen to After The War, it is like turning the key on the ignition and letting these songs take me for a terrific Hard Rockin’ ride. Never does Gary Moore ever lose me while he plays guitar. He is just one of those elite musicians that can make his guitar sing with emotion. In my Metal opinion, Gary Moore has that unique, unintended ability to have me listen more to his guitar playing than his vocals. That is not an insult, it is a significant reality that occurs to my ears and Gary Moore can sing with the best of them.
* As I continue on reviewing After The War, please bear in mind it is the cassette release from 1989 that I am referring to. This is the only version I have owned all of these years. Any regular visitor to Metal Odyssey knows of my never fading fondness for the cassette. I’ve taken care of my cassettes over the years and they have taken care of me. Metal be thy name.
The song opener After The War, is melodic filled, with strong vocals, backing vocals and guitar licks aplenty from Gary Moore. Keyboards play an important atmospheric role throughout this song and entire album, courtesy of Andy Richards and Don Airey. Speak For Yourself is a Heavy Metal song that is standout. Gary Moore makes it all the more Heavy with a mid-song solo that scorches. A fast tempo and loaded with attitude from Gary Moore’s vocals, Speak For Yourself just has that extra crunch I like to hear.
Livin’ On Dreams is yet another standout song, and there are quite a few like this on After The War. Very harmonious backing vocals that compliment Gary Moore’s more spirited vocals are what makes Livin’ On Dreams come across as inspiring. A melodic, Hard Rock listen that is an Old School treat, due to it’s sing-a-long vibe. The Messiah Will Come Again is an instrumental that proves why Gary Moore plays from his heart and Rock ‘N’ Roll soul. The tonal emotion that spills over from his guitar playing, has me staring into space in sheer Metal wonderment, each and every time I listen to this song over the years. With Gary Moore’s touch and feel for the Blues, The Messiah Will Come Again needs to be heard by any and every guitar aficionado the world over.
The accompaniment of musicians that surround Gary Moore on After The War is top tier talent. Step in, Ozzy Osbourne please. On Led Clones, Ozzy is the lead vocalist and he sounds vintage and great. Led Clones is saturated with keyboards, written in such a manner where these keyboards are an audible necessity. The programming of strings and utilizing them in Led Clones really accentuates this song’s subjectivity. This song is about the many bands back in the 1980’s that tried to “copycat” the sound and brilliance of the legendary Led Zeppelin.
Running From The Storm is an excellent song, with it’s pent up heaviness and deliriously melodic sound. It’s as if each musician assembled here brought their A game to this song. Gary Moore just embellishes Running From The Storm with his trademark leads and a potent solo for good measure. Ready For Love is the commercial/mainstream Hard Rocker that makes me feel F’n damn good from head to F’n toe. If Gary Moore’s vocals and guitar doesn’t grab you on this flavorful song, then something is dreadfully wrong. The rhythm section is tight and grooves, keeping the tempo consistently upbeat and steady. Ready For Love is very relevant to what 2010 Hard Rock and mainstream Heavy Metal is about. What am I saying… this entire After The War album is extremely relevant to the now.
* Check out the music video below – Ready For Love, from 1989! Crank it up LOUD!!
The Musicians On After The War:
Gary Moore – lead vocals & guitar
Andy Richards – keyboards/Fairlight Programming
Don Airey – keyboards
Simon Phillips – drums
Charlie Morgan – drums
Steve Piggot – sequencer bass
Laurence Cottle – Wal Bass
Andrew Eldritch, Chris Thompson, Sam Brown, Miriam Stockley – backing vocals
* Ozzy Osbourne contributes backing vocals on Speak For Yourself.
* Metal Odyssey note: the track listing below is for the cassette release from 1989.
Track Listing For After The War:
Side One:
After The War
Speak For Yourself
Livin’ On Dreams
Led Clones
The Messiah Will Come Again
Side Two:
Running From The Storm
This Thing Called Love
Ready For Love
Blood Of Emeralds
Dunluce
LONG LIVE GARY MOORE & HIS ROCK ‘N’ ROLL!
Stone.
ALICE COOPER “CONSTRICTOR” – 1986 ALBUM REVISITED!
Posted in classic rock, classic rock music, Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal history, heavy metal music, horror metal, metal odyssey, Music, rock 'n' roll, rock and roll, rock music with tags 1980's heavy metal albums, 1980's heavy metal music, alice cooper constrictor album review, hard rock music, heavy metal album reviews, heavy metal history, heavy metal legends, heavy metal music, heavy metal vocalists, horror metal, metal odyssey, Music, old school heavy metal, rock music, wrestlemania III 1987 on June 5, 2010 by Metal Odyssey
ALICE COOPER – Constrictor was released on September 22, 1986, on MCA Records. Constrictor was the ninth studio album representing the “solo” career of Alice Cooper. This was the album that marked the return of Alice Cooper, (The Nightmare Returns Tour soon began). A three year “retirement” of sorts had begun since Alice Cooper’s 1983 studio album – DaDa. This Constrictor album changed all of that “retirement” thinking… Alice Cooper was really back, on MTV and even at WrestleMania III on March 29, 1987.
Alice Cooper was in the corner of Jake “The Snake” Roberts as he squared against The Honky Tonk Man during WrestleMania III. I can remember watching this all unfold, seeing Alice Cooper in the ring, thinking to myself… man, Alice Cooper could kick some ass right now! (Honestly, I used to think Pro Wrestling was real… the WWF kind that is). I had bought tickets to WrestleMania III with my cousins, only it was tickets for the then extremely popular – closed circuit television at a large theatre.
Ah, Metal… I mean, WrestleMania memories. Now, back to this Constrictor album:
The Constrictor album cover itself is vintage Alice Cooper, shock and horror imagery really goes hand in hand with this Rock ‘N’ Roll icon. Aw, heck, compare this album cover to most Grindcore, Death and Black Metal album covers and you are looking at the age of innocence, with Alice Cooper’s neck and face being the fixture for this boa constrictor. I do love this album cover… it’s the persona and image of what Alice Cooper conveys as a performer.
The most commercial and late 80’s accessible Hard Rock song on this album is without a doubt – He’s Back (The Man Behind The Mask). This keyboard dominated song was also a major song for the movie soundtrack – Friday The 13th Part Vl: Jason Lives. With all of it’s open air silliness, I still like this song. It’s different. Very different. Let’s face it, this song was written and recorded for a purpose, to promote both a major slasher film franchise and Alice Cooper as well. When the Metal goal is to intentionally make a commercial song such as this, (which is obvious), then I’m agreeable.
The Great American Success Story is another mainstream blast of Hard Rock, which teeters on Pop Metal by way of 1986. The Arena style guitar takes the upper hand in making this song navigate through it’s friendly swirl of lyrics and melodic undertaking. Even Alice Cooper himself sounds more amicable than formidable on The Great American Success Story.
Life And Death Of The Party takes a more harder and heavier turn for the Metal better. Alice Cooper even has a semi-sinister delivery with his vocals, a characteristic that is essential to his voice and persona. The more sinister Alice Cooper gets… the better. Thrill My Gorilla can either be construed as tongue-in-cheek or just plain Hard Rockin’ fun, take your Metal pick. This song can only work for Alice Cooper back in 1986… this song in 2010 would go down as ? and in 1978 this song would have been ? as well. Really, c’mon, it’s the Metal truth.
Give It Up, with it’s “Give It Up” chorus and open door friendly ambiance, was tailor made for a late ’80’s motion picture soundtrack about teens in love. The mid to late ’80’s was oozing with these type of flicks… and songs like Give It Up were all over them. There is nothing wrong with it’s appeal, plus it really does “fit” into this mainstream bag o’ tricks that Constrictor musically advertises.
Teenage Frankenstein… what more can be said than that? At first glance, this song title appears as one a Punk Rock novice might expect to find… on an early Misfits album. Alas, this song is actually the opening track on Constrictor. The lyrical rhyming coupled with Alice Cooper’s very slick vocals, makes this song actually work it’s Hard Rock wonder with me. Metal be thy name.
Once again, I am convinced that fun lyrical content can coexist in Heavy Music… Alice Cooper has proven this with Constrictor. The front cover of Constrictor may lead one to believe it’s a much heavier and darker album than it really is. What this album exchanges for heaviness, it makes up for with it’s good time 80’s feel and attitude. I’ve owned Constrictor for a very long time, upgraded it to CD without thinking twice, in all Metal honesty.
Sometimes it’s the atmosphere of an album of songs that mesmerizes me so. This Alice Cooper album is a fine example of that. I don’t feel a hint of hesitation in recommending this album to any fan of Classic Rock, Hard Rock or 80’s Heavy Metal. Constrictor is a mirror image of it’s pop cultural backdrop of 1986… lot’s of flash, swagger and accessible songs that one can crank up loud, in a church parking lot, without getting hit by lightning.
The Band Behind – Constrictor:
Alice – vocals
Kane Roberts – guitars, bass, keyboards, background vocals, drums
David Rosenberg – drums
Donnie Kisselbach – bass guitar
Kip Wringer – bass guitar
Paul Delph – keyboards, background vocals on “He’s Back”
Tom Kelly – background vocals on “He’s Back”
Beau Hill – background vocals
Track Listing For Alice Cooper – Constrictor:
Teenage Frankenstein
Give It Up
Thrill My Gorilla
Life And Death Of The Party
Simple Disobediance
The World Needs Guts
Trick Bag
Crawlin’
The Great American Success Story
He’s Back (The Man Behind The Mask)
* Here is what the WrestleMania III promo poster looks like:
When I was a young lad, I witnessed both Andre The Giant and Hulk Hogan wrestle live. It was in my old High School Gym too. (This was way before the WWF became super enormous, long before the WWF changed to the WWE). Andre The Giant was an incredibly large human being and Hulk Hogan… he had muscles growing out of his eyeballs for Metal sakes.
LONG LIVE ALICE COOPER!
Stone.
ALICE COOPER “LIVE AT TORONTO” – INDIE LABEL CD FOR DIEHARD FANS ONLY
Posted in classic rock, classic rock albums, classic rock bands, classic rock music, Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal odyssey, Music, rock 'n' roll, rock music with tags 1970's classic rock music, 1970's rock bands, 1980's heavy metal music, 1990's heavy metal music, Alice cooper, alice cooper live at toronto album review, classic rock music, hard rock legends, hard rock music, heavy metal history, heavy metal legends, heavy metal music, heavy metal vocalists, live heavy metal albums, metal odyssey, Music, old school heavy metal, rock music, rock n' roll on June 3, 2010 by Metal Odyssey
Here is an offbeat Alice Cooper CD I found while moseying around a flea market in Quakertown, Pennsylvania recently – Live At Toronto. The exact year this Toronto concert was recorded is a Metal mystery to me, the info just does not exist within the liner notes… for there are no liner notes with this CD! The back of this CD does show the track listing, the usual record company info and a photo credit. Classic Sound, Inc. is the record company/distributor and the front cover photo of Alice Cooper is dated – 1993. I’ve seen this same CD available at Amazon.com, with sellers listing the starting price as low as 2 cents! (Must be Ebay sellers). As you shall read further, this Alice Cooper – Live At Toronto CD is for diehard fans only… for those fans who absolutely, must have every album/CD title out there, of this ultra Rock legend.
With no real liner notes, it is not definite as to who the musicians are backing up Alice Cooper. I would not want to make any guesses without having credible information regarding who exactly played on stage, with Alice Cooper for this recording. My Metal research has turned up nothing, in regards to this CD, other than the “basic” info that I am mentioning in this post. The overall sound quality of Live At Toronto is not going to blow anyone away… it does not impress me at all. The song selection does not contain Alice Cooper’s standout hits, nor even any standout deep album cuts from the Alice Cooper catalog. Listening to Live At Toronto gives my ears the impression that this was a concert in a smaller venue, not an Arena.
It’s really a shame, this live CD could be quite a vintage and Rock solid listen, if only some qualified sound engineer did some tweaking where necessary. There are many moments throughout, where I swear I’m listening to a 45 rpm being played as a 33 1/3 rpm… no kidding. Classic Rock should never be recorded to sound so old. I’ll say this many times though… this is NOT the great Alice Cooper’s fault. Alice Cooper cannot be held accountable for some indie label messing up with one of his concert recording’s and trying to cash in on his legendary and Classic Rock.
There is a silent break between each song, so the continuity of the “live” concert experience is non-existent. Alice Cooper is not caught live talking it up to the crowd, nor are there any memorable moments that would make me want to recommend this CD to new fans of Alice Cooper. My best Metal advice is stick to the main titles of Alice Cooper, on the major labels. Sometimes these offbeat and indie labels that release live CD’s are not privy to quality standards in live recordings. My disappointment after listening to Live At Toronto is again, not any fault of Alice Cooper, it is obviously a failure on the part of the people behind mastering this live recording.
Track Listing For Alice Cooper – Live At Toronto:
Ain’t That Just Like A Woman
Painting A Picture
Medley: A.C. Instrumental – I’ve Written Home To Mother
Freak Out Song
Goin’ To The River
Nobody Like Me
Science Fiction
I’ll be keeping my Alice Cooper – Live At Toronto CD… and I will most likely listen to it again. My Metal admiration and liking Alice Cooper for so long, makes me one of those fans who finds it very cool, to seek out, find and keep his albums and CD’s within my collection. Even if the CD is a sub-par, indie-label, live recording. Part of being a Metalhead, is having that “gotta have it” Metal mentality… especially when an album or CD is priced dirt cheap.
LONG LIVE ALICE COOPER!
Stone.
Metal Odyssey > Heavy Metal Music Blog 
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