Enslaved, from Norway, has created quite the exquisite Black Metal album with “Vertebrae”. Why do I use the adjective exquisite to describe this album? Well, I revere the Progressive Metal of Mastodon and Dream Theater, the legendary Progressive Rock of Pink Floyd and the groove infested Black Metal of Satyricon. Enslaved encompasses the most Metal and progressively delicious elements from these favorite bands of mine, while incorporating them into their very own startlingly, mind popping sound. What Enslaved has done here, is taken Rock and Metal influences to a new level, creating an album that embraces everything that is brilliant about Heavy and Progressive music. (I am not saying Enslaved actually looked to these bands for inspiration, this is just my musical and Metal interpretation and/or opinion). Enslaved has their roots in Black Metal, a musical track record that overflows with Metal bragging rights… “Vertebrae” by no means exemplifies this band as not being original. This album is as original as it gets… I cannot truly count how many Metal bands there are, that dare to experiment with music so valiantly.
Black Metal has gone through a bit of a metamorphosis over the years… so have the other Metal genres. There will always be the blue collar – true to the roots style of Black Metal, it deserves it’s rightful place in the Metal universe. Enslaved, like their counterparts Satyricon, have taken the Black Metal stylings and tweaked them, in this case, Enslaved progressively tweaked. As with anything in life, change is a natural necessity that either is accepted or rejected. Change in the musical circles of Metal can often times be equated to selling out or mellowing down, every fan of Metal has their own right to personally object or accept what they want from their music. My point I am trying to make here is, Enslaved has not deceived me or let me down with their brand of Progressive, Black Metal on “Vertebrae”. Vintage Venom and Mercyful Fate will forever and always be at my Metal reach, Enslaved “Vertebrae” is an extension of what happens when musical and Metal barriers are broken down.
In an all encompassing summary of the seven songs on “Vertebrae”, I hear the nod to the forefathers of Black Metal, with especially the lead vocals and the dark, macabre and searingly moody ambiance, coming from the musical background elements. The keyboards and organ can create Black Metal which pays homage to the original sound of this band and genre, it can also create the progressive path in which “Vertebrae” aims for as well. Herbrand Larsen is simply unreal on the keys, organ and vocals. The same can be said for each member of Enslaved… as a cohesive unit they have connected not only with each other with their Metal skills and prowess, they have also raised the bar musically, in a Metal world that is rapidly interconnecting with each others genres. I cannot resist myself by recommending highly “Vertebrae”, Enslaved has created an album that will be at the top of my Metal list for decades to come.
The members of Enslaved are: Ivar Bjornson on guitars, Grutle Kjellson on vocals & bass, Herbrand Larsen on keyboards, organ & vocals, Cato Bekkevold on drums and Ice Dale on guitars. Enslaved has given the Metal world seven brilliant new songs with “Vertebrae”, thus inspiring me to delve and journey even further into the vast genres and sub-genres of Metal music.
First of all, I am a fan of Ronny Munroe, the current lead vocalist for Metal Church. I just happen to gravitate towards the Old School Metal sound, both vocally and musically. Ronny Munroe in my Metal opinion, has the unmistakable Old School Heavy Metal vocals… and in no way do I subscribe to the opinion that this sound is dated. This brand of Old School Heavy Metal has been proven successful for decades now. For me, it is another Metal genre that lives on. With that said, I have obtained a copy of the new Ronny Munroe debut CD… “The Fire Within“, (released 2009), I am impressed by the total package of music here. This is Heavy Metal made the old school way, no frills, bells or whistles get in the way of the straight ahead approach that Ronny Munroe has taken on with “The Fire Within”. Honestly, Ronny Munroe comes with his Metal Church – front man credentials… he delivers a mightily solid twelve tunes alongside some talented friends. Rick Van Zandt of Metal Church, plays lead and rhythm guitars superbly throughout, with Michael Wilton of Queensryche delivering a solo on two tracks I will mention.
Saxon – the words durable, old school, enduring and still excellent at their Metal craft, come to my mind. Let’s be honest, this is not the same Saxon from their “Denim and Leather” days, yet they are Saxon 2009 – that is Metal-good enough for me. Saxon was an essential part of “the new wave of British Heavy Metal”, going back to the late 1970’s into the early 1980’s. When I first heard Saxon back then, I felt like I found a band no one else knew about… I had a cool Metal secret. Well, the secret was already out, as I later found. Saxon was justifiable a favorite of legions of Metalheads, therefore I was not alone with my new found Heavy Metal band after all. 
“into the Labyrinth” is the newest album from Saxon, released on January 13, 2009. “Battalions Of Steel” and “Valley Of The Kings” have an almost majestic Power Metal sound, complete with keyboards and what sounds to me like an enlightened choir. For me, Saxon pulls it off extremely well when they go the Power Metal route. “Live To Rock” is the single being pushed off of this album, it is bona fide Old School Heavy Metal with a cool, vintage, anthemic delivery to it. This is the fist raising – head banging tune that will stir up plenty of 80’s Heavy Metal memories for many. “Slow Lane Blues” is another fine example of how Saxon holds onto the Classic Metal approach, a fun tune that tells the complete story of a dude being pulled over by a cop for speeding. “Crime Of Passion” is heavy, heavy, Metal. Nigel Glockler punishes the drum kit on this song, again, head banging can and may occur when listening to this song too. If there is to be a song on this album that is considered a ballad, well, “Voice” is it. However, this is a heavy ballad – staunch Metalheads need not worry – Saxon does not get sappy here at all. “Hellcat” is my favorite track on this album, it is fast, furious and heavy. The three key Metal music ingredients I always embrace! “Come Rock Of Ages (The Circle Is Complete)” is a Heavy Metal exclamation point for Saxon on this album, man this song is good. “Coming Home (Bottleneck Version)” is a back woods – lets stomp in the swamp – foot stomping tune. It is a cool way to come down after the previous 12 tracks of fired up Heavy Metal.
In 1983, Fastway was the apple of my Metal eye. Today, well, Fastway is an old school Heavy Metal favorite of mine still, with their debut album aptly titled “Fastway”, being what I consider their best material. Man, when I heard the news that “Fast” Eddie Clarke was leaving Motorhead, I was floored like any loyal fan, back in the day. Then, the word broke, that “Fast” Eddie Clarke was forming a new Heavy Metal band called Fastway… my Metal anticipation was climbing by the second. Knowing that Pete Way (formerly of UFO) was to play bass alongside “Fast” Eddie Clarke only made this lineup more potent by the second. (I later found out that Pete Way never did get to actually play bass on the Fastway debut album).
It is May 25th, 2009, Memorial Day in the United States. Today is also… the 61st birthday for Klaus Meine, lead vocalist for the incredible, dynamic and legendary Scorpions. Metal Odyssey gives out a loud, Metal filled, Happy Birthday to Klaus Meine! I can go on for days as to how much Metal joy that Klaus Meine and the Scorpions have given me, with their Heavy Metal, throughout my life. My favorite Scorpions album ever, is “In Trance” – this album showcased an up and coming Heavy Metal band that was filled with the Metal hunger and talent needed to sustain such a long standing, unbelievable career. Released in 1975, the third album, this is a Scorpions release unlike their “Animal Magnetism”, “Blackout” or “Love At First Sting” albums. This is Scorpions Metal that was raw, rough and edgy, in other Metal words – great tunes without the Arena Rock flamboyancy. Do not get me wrong, I support and revere every album ever released by the Scorpions. Only this is a Scorpions band in their Metal infancy, the dynamics are clearly heard on this album, which makes me choose “In Trance” as my favorite Scorpions release. This vinyl Metal Classic still exists in my collection today, after so many plays on the turntable. I am still amazed that I was able to keep this album, in such incredible condition, for this long!
KISS. The makeup, the attitude, the stage show, the costumes, the KISS trading cards from the 1970’s, the marketing machine which throws the KISS logo on just about anything. Wait a minute, there is of course… the music, uh, I mean the Heavy Metal. Since about 5th grade, (a long time ago, in a parochial school, far, far, away), I have been a KISS fan. You betcha. I am not a closet KISS fan either. No way will I disregard to anyone, a lifetime love I have for such a behemoth of a Heavy Metal icon, which is KISS. I will not part with my unopened wax box of KISS trading cards from 1978. No sir. What in the world is there to be ashamed of? KISS is the epitome of Heavy Metal success, both commercially and musically, in my Metal opinion.
It is Thursday, May 14, 2009 – C.C. DeVille, the talented guitarist for Poison celebrates his 47th birthday today. Happy Birthday C.C. Deville! It seems like it was yesterday for me, when I saw Poison live, at an amusement park in expensive Connecticut. It was the late ’80’s and Poison was hotter than a fresh loaf of bread out of the oven, back then. Poison for me, is a pretty cool Hair Metal band that can play. That live amusement park concert was quite honestly, the loudest Heavy Metal concert I have ever been to. I am not kidding and I have been to my fair share of Metal concerts throughout my life, both large and small.
I really enjoy the entire Anthrax catalog of albums, yet “Among The Living” is definitely my most favorite release from this veteran Thrash Metal band. Released in 1987, this album is loaded with all the power and explosiveness of pure Thrash, the Anthrax way. “Efilnikufesin (N.F.L.)” is one heavy tune that is rebellious and fun, to actually here the lyrics for yourself would explain what I mean. “Among The Living” earns it’s ferocity courtesy of the talented musicians of Anthrax. Scott Ian on guitar is, in my opinion, one of the best in Thrash Metal history. Joey Belladonna on vocals can carry a note extremely well, he is as valid to “Among The Living” as the music itself. I find Belladonna to be a Thrash Metal vocalist who is quite punctual, without compromising the heaviness whatsoever. I have the upmost respect for the vocals of Belladonna on this album. “Indians” is a great song for me, a Thrash Metal jewel of a tune with inspired lyrics. Every song here adds to the credibility of “Among The Living”. Fast music, fast vocals, fast background vocals, everything on this album is fast. That’s what makes Thrash Metal so profoundly heavy, the speed and it is all here waiting for you courtesy of Anthrax! I do not hesitate for a second, to recommend “Among The Living” to all Metal fans worldwide!
Well, I have finally reached the pinnacle in my decision process for The Greatest Heavy Metal Album Of All Time. Please reference my past posts on this topic, you will find many great & legendary Metal albums that I personally nominated for this prestigious label. Without further delay, in my Metal opinion, and only mine alone, I have chosen: Black Sabbath – “Sabbath Bloody Sabbath” 
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