Archive for the hard rock albums Category

9 CHAMBERS – Posts New Song Sample: “One Thing Missing”

Posted in Hard Rock, hard rock albums, Heavy Metal, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , , , , on May 21, 2011 by Metal Odyssey

(Left: Ed Mundell, Right: Greg Hampton)

(Photo Credit: Rockframe Media/Karen Murphy Mundell)

9 CHAMBERS – The Hard Rock Super Group of 9 Chambers has posted a brand new song sample: One Thing Missing. You can hear this unreal great and Hard Rockin’ song by clicking here: 9 Chambers – Reverbnation

This band of Rock Music industry veterans called 9 Chambers are:

Greg Hampton on vocals and guitar – (worked with Alice Cooper, Lita Ford and Bootsy Collins, to name a few. Greg is currently producing a Tommy Bolin tribute album, which guests many famed Rock Music musicians.

Ed Mundell on guitar – (ex – Monster Magnet)

Jorgen Carlsson on bass – (Gov’t Mule)

Vinny Appice on drums – (will be involved as his schedule permits) (Black Sabbath, DIO and Heaven & Hell)

9 Chambers are currently recording and putting the Rockin’ touches on their forthcoming debut album. Stay tuned to Metal Odyssey for all the 9 Chambers details!

* For more info on 9 Chambers, click on the links below:

9 Chambers – Official Website

9 CHAMBERS – Official facebook

9 Chambers – Reverbnation

9 Chambers – Audio Samples

LONG LIVE 9 CHAMBERS.

Stone.

SHAKRA – Back On Track: Swiss Hard Rock Band Is Blazing Forward!

Posted in Hard Rock, hard rock albums, Heavy Metal, heavy metal albums, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , on May 13, 2011 by Metal Odyssey

SHAKRA – Watch out… before you dive your eardrums into this new Shakra studio album Back On Track, bear in mind this veteran band is aiming to kick your Hard Rockin’ and Heavy Metalin’ ass! I just cannot resist warning you all. When an album of 13 songs ROCKS this HARD, HEAVY and MEMORABLE, by God I am gonna raise some noize about it. Released on May 3rd, 2011 via AFM Records, Back On Track has Shakra on track for worldwide Hard Rock domination. Glory be to Metal, this album is a non-stopper… I just can’t hit the stop button when it is playing. I could have easily taken the easy road, by just giving this album a three word review like this: buy this album. Alas, I have to rant and rave about Back On Track.

Based in Switzerland, Shakra is following up on their last album Everest, which soared to #4 on the Swiss album charts back in 2009. I honestly see Shakra making gigantic strides in the States, with enough promotion and (hopefully) consistent radio play, be it FM or satellite. Shakra is tailor made for the Hard & Heavy Rock that makes 80’s old schoolers proud and play with enough relevance for todays younger generation to dig… big time. In a Metal nutshell, Shakra caught my undivided Hard Rockin’ attention from the opener B True B You to the unbelievable closer: Stonger Than Ever. This last song puts the thunder stamp on this album where I’m left muttering… holy crap that was one hell of a goooood listen!

Shakra now has a new lead singer with John Prakesh, (replacing Mark Fox) and he is damn good. Damn good. There are moments where I hear some Marc Storace (influence?) in John’s vocals, only don’t think for one second that John Prakesh isn’t an original. His vocals are a reminder to me, that a band can be elevated by it’s front man. This guy sings the Rockin’ daylights out of this album, Metal be thy name and hallelujah to all. Shakra plays as a cohesive unit, with their energy and Heavy Rock spirit coming through LOUD and very clear on Back On Track. Blazing is the most adequate adjective to describe the sound and total vibe I receive from Shakra, these guys are running on all Hard & Heavy Rock cylinders with Back On Track.

Revved up guitar leads and Hard Rockin’ riffs? Check. Hooks? Check. Melodic and memorable songs? Check. Pumped up chorus? Check. Thumpin’ rhythm section? Check. Psyche-you-out sonic thrills by the minute? Um… check again. Look, I would never praise an album that is the equivalent of bird crap on a windshield. Shakra has created an album that is the equivalent of a Hard & Heavy Rock celebration. This celebration called Back On Track MUST be shared to all fellow Hard Rock and Heavy Metal fans alike. Shakra for all intents and purposes, have smacked it down and let it loose with Back On TrackSpread the Hard Rock word: SHAKRA.

* Recorded and produced with Shakra’s own guitarist Thom Blunier, at Power Ride Studios.

* Back On Track entered the official Swiss Album Charts at #2, the highest charting SHAKRA album ever. Back On Track entered the German Album Charts at #84.

* Back On Track is the eighth studio album from SHAKRA.

SHAKRA:

John Prakesh – vocals

Thom Blunier – lead guitar

Thomas Muster – rhythm guitar

Dominik Pfister – bass

Roger Tanner – drums

Track Listing:

B True B You

I’ll Be

Crazy

Back On Track

When I See You

MMTWGR

Yesterday’s Gone

Someday

Eternity

Lonesomeness

Unspoken Truth

Brand New Day

Stronger Than Ever

* For more info on SHAKRA, click on the links below:

http://www.shakra.ch

http://www.afm-records.de

LONG LIVE SHAKRA.

Stone.

FAITHSEDGE – Debut Album Is Now On iTunes!

Posted in Hard Rock, hard rock albums, Heavy Metal, heavy metal albums, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , on May 6, 2011 by Metal Odyssey

FAITHSEDGE – As has been shouted out today by Giancarlo Floridia, (vocalist, songwriter, guitarist and founder of Faithsedge), the debut Faithsedge album is NOW on iTunes! Just click on the link below to get there… then make your purchase of one of the BEST Hard Rockin’ and Heavy Hittin’ albums of 2011!

http://itunes.apple.com/us/album/faithsedge/id435187614

* For more info on FAITHSEDGE, click on the links below:

FAITHSEDGE – facebook

FAITHSEDGE – Official Website

To read the complete Metal Odyssey album review for FAITHSEDGE, (posted on April 15, 2011), just click on the big header link below:

FAITHSEDGE – Debut Album Is One Of The Year’s Best In Both Hard Rock and Heavy Metal

LONG LIVE FAITHSEDGE.

Stone.

9 CHAMBERS – Hard Rockin’ Studio Update: Through Sights and Sounds!

Posted in Hard Rock, hard rock albums, hard rock bands, Heavy Metal, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , on May 1, 2011 by Metal Odyssey

(Left: Ed Mundell, Right: Greg Hampton)

(Photo Credit: Rockframe Media/Karen Murphy Mundell)

9 CHAMBERS – Rockin’ right along in the studio and currently making cool progress on their forthcoming debut album is the Hard Rock supergroup known as 9 Chambers. The lineup for 9 Chambers with their storied backgrounds: Vocalist and guitarist Greg Hampton (Alice Cooper, The New Czars, Lita Ford, to name a few), guitarist Ed Mundell (ex-Monster Magnet), Jorgen Carlsson on bass (Gov’t Mule) and Vinny Appice (Black Sabbath, Heavn & Hell, DIO) on drums.

The Rock world is a better place, when musicians such as 9 Chambers can unite and create their unique brand of Hard Rock! Check out the video below for the newly released sights and sounds collection that is 9 Chambers… as they’re recording in the studio right now!

* Stay tuned to Metal Odyssey for constant updates on 9 CHAMBERS, as they progress closer to their debut album’s finish and release date!

* Read the initial cover story about 9 CHAMBERS, as it was posted on Metal Odyssey back on April 8th, 2011 by clicking the big header link below!

9 Chambers – Hard Rock Supergroup Of: Greg Hampton, Ed Mundell, Jorgen Carlsson and Vinny Appice!

* For more info on 9 CHAMBERS, click on the links below:

9 Chambers – Official Website

9 CHAMBERS – Official facebook

9 Chambers – Reverbnation

9 Chambers – Audio Samples

LONG LIVE 9 CHAMBERS.

Stone.

9 Chambers – Hard Rock Supergroup Of: Greg Hampton, Ed Mundell, Jorgen Carlsson and Vinny Appice!

Posted in classic rock, Hard Rock, hard rock albums, Heavy Metal, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , , on April 8, 2011 by Metal Odyssey

(left: Ed Mundell, right: Greg Hampton)

(Photo credit: Karen Murphy Mundell)

9 CHAMBERS – Anytime I have a conversation with multi-instrumentalist and producer Greg Hampton, he will light up like the Time Square ball on New Years Eve when Classic Rock and Hard Rock is talked about. Greg has assembled a new band, a “supergroup” if you will, that has more reverence and experience in their Rock and Roll veins for that Classic Hard Rock sound than you can shake a Metal stick at. 9 Chambers makeup has four star musicians who know a thing or two about playing Classic Hard Rock, not to mention Heavy Metal as well. With 9 Chambers, it’s a Hard Rock venture that I’m eagerly anticipating.

Check out the lineup for 9 Chambers: Vocalist and guitarist Greg Hampton (Alice Cooper, The New Czars, Lita Ford), guitarist Ed Mundell (ex-Monster Magnet), Jorgen Carlsson on bass (Gov’t Mule) and Vinny Appice (Black Sabbath, Heavn & Hell, DIO) on drums. Whoa. Greg Hampton was not kidding around when he told me he was putting together a new band that would psyche out the Hard Rock community! It doesn’t get any more legit than this lineup… Metal be thy name. You can listen to 4 song samples from 9 Chambers by clicking here: 9 Chambers – Audio Samples

Greg Hampton is aiming for an August 2011 release date for the upcoming debut album from 9 Chambers, while negotiating a record deal with management. Greg states they have close to twenty songs written, so there are obviously many cool choices to be made for their debut album. Greg is enthused that he and Ed share common ground on what “old school” Rock music they both listen to, with Free, Armageddon and Captain Beyond, to name a few. The 1983 Black Sabbath release of Born Again has been getting worn out from playing in Greg’s car as of late too, further noting where his heavy music interest lies.

“Some guest drummers of recognition will be on board to finish off a few songs”, Greg added. On what to expect from the Hard Rock sound of 9 Chambers, Greg stated: “We wanted to stick to our original vision as to how the Hard Rock of 9 Chambers should sound, throw in a Soundgarden variable in the equation with both a 90’s and Crooked Vulture vibe to it. There’s a little Stoner vibe happening as well. This album is a lot less progressive than what I’ve done in the past. There are no synths or drum loops. It’s a purist approach of four guys playing Hard Rock”.

* For more info on 9 CHAMBERS, click on the links below:

9 Chambers – Reverbnation

9 Chambers – Official Website

9 CHAMBERS – Official facebook

LONG LIVE 9 CHAMBERS.

Stone.

THE TREWS – “Hope & Ruin” Releases April 12th, 2011! Track Listing, Album Art and Info…

Posted in alternative rock, alternative rock bands, Hard Rock, hard rock albums, hard rock bands, metal odyssey, Music, rock and roll, rock music, rock music news with tags , , , , , , , , , on March 29, 2011 by Metal Odyssey

“Big riffs, bigger hooks, anthemic choruses – Canadian Alt-Rockers The Trews bring all of that and more” – Guitar Edge Magazine

THE TREWS’ fourth full-length studio album, Hope & Ruin, due out on The Trews Records on April 12, is a level-raising evolution for the Toronto-based rock band with two gold records, 10 top-10 singles and 800-plus concerts logged. After wrapping up the first leg of touring for 2009’s  Acoustic – Friends & Total Strangers retrospective, The Trews found themselves with time off and a blank canvas in front of them for the first time in years. The band decided to retreat to Tragically Hip’s fabled Bathhouse Studio’s, which is an old converted lake house just outside of Kingston, Ontario.

Recorded live-off-the-floor, they captured lightning in a bottle, resulting in a sound that is raw, electric and igniting. Of course, the ripping rockers that have made front man Colin MacDonald; his brother, guitarist John-Angus; their cousin, drummer Sean Dalton; and long-time friend, bassist Jack Syperek one of Canada’s top live acts are still present with the heavy “The World I Know,” unrelenting “Misery Loves Company” and pummeling “People of the Deer.”

We haven’t forgotten how to rock, but there’s new ground being covered,” says Colin. The Trews have never made an album in the manner in which they recorded Hope & Ruin, and it’s an album they never could’ve made before now. There’s a certain connection, comfort and intuition that’s needed to write and record in such an off-the-cuff, inspired manner. And that takes years to develop.

As the “Hope & Ruin” single continues to climb up the Active Rock charts in The Trews native Canada (currently at #7), the band is receiving accolades from around the globe. Performer Magazine here in the U.S. claims that “The Trews are, without a doubt, the greatest rock band of their generation” and upon their departure from their Australian tour  this month, famous native and rock affectionado Russell Crowe tweeted “Bon Voyage @thetrews hope you make it back to Australia soon. They came, they saw, they rocked”

The Trews will be touring the U.S. this Spring.

Hope & Ruin Track Listing:

Misery Loves Company

One By One

People of the Deer

Stay With Me

Hope & Ruin

If You Wanna Start Again

The World I Know

Dreaming Man

I’ll Find Someone Who Will

Love Is The Real Thing

Burned

You Gotta Let Me In

* I’ve listened to One By One, a song currently streaming from Hope & Ruin several times over. The Alternative Rock sound blended with a relevant Classic Rock feel and vibe, makes One By One erupt with all things fabulous about quality songwriting, memorable lyrics and guitar driven Rock Music. I’m really looking forward to landing my ears into this entire new album from The Trews.

* For more info on THE TREWS and to hear One By One streaming, click the links below:

THE TREWS – Official Website

THE TREWS – myspace music

LONG LIVE THE TREWS.
Stone.

VOLBEAT UPDATE! Plus Info On Ticket Giveaways and More VOLBEAT!

Posted in Hard Rock, hard rock albums, Heavy Metal, heavy metal albums, metal music, metal odyssey, Music, rock and roll, rock music, rock music news, rockabilly with tags , , , , , , , , , , , on March 25, 2011 by Metal Odyssey

Danish rockers Volbeat kicked off their first U.S. headlining tour Thursday night, March 23rd at Irving Plaza in NYC… with a BANG! The sold out crowd sang every word, while Volbeat rocked out with their signature blend of Hard Rock meets Metal meets Rockabilly. I think Metallica’s James Hatfield put it best, calling it “Some kind of Elvis Metal.”

Volbeat has clearly invaded the U.S. Metal scene. Don’t have tickets for your city? Be on the lookout: for each U.S. tour date, Volbeat will be posting a status update on their Facebook page where fans can enter to win tickets to that night’s show. While fans are on Volbeat’s Facebook page, they can also access the “Poll” tab to pick which song from Beyond Hell/ Above Heaven they want played that night.

Volbeat’s latest album, Beyond Hell/ Above Heaven debuted at #1 across Europe, reached #1 on CMJ’s Loud Rock chartdebuted in the top 10 on the iTunes Rock chart and was #5 on Revolver Magazine’s best albums of 2010 list.

Volbeat will also be performing at Revolver’s Golden God Awards, where they are nominated for Album of the Year.

Check out the video for “Fallen” here:

http://www.youtube.com/watch?v=VBaVlDIMKCU&feature=channel_video_title

http://www.vevo.com/watch/volbeat/fallen/DKNE11099901

Check out Volbeat on:

Facebook

Twitter

Beyond Hell / Above Heaven is available on iTunesAmazon

LONG LIVE VOLBEAT.

Stone.

REV THEORY – “Justice” Billboard Chart Positions For Week of March 5th, 2011! Some Metal Thoughts…

Posted in Hard Rock, hard rock albums, Heavy Metal, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , on March 2, 2011 by Metal Odyssey

REV THEORY – For the week of March 5th, 2011, the third studio album, Justice, from the Hard Rockin’ Rev Theory debuted at #75 on the Billboard 200 Chart. This is refreshing news, especially when the Billboard 200 Chart is saturated with watered down, commercial, bubble gum and flavor-of-the-month (ahem) “music”. Now, it’s time for Rev Theory to serve up some “Justice” on the Billboard charts.

I will readily admit, Justice is one heavy hitter for my ears. This album is loaded with songs that are guitar driven and packed with melodic crunch. The first three songs alone are very memorable: Dead In A Grave, Justice and Hangman just lead right into a complete album of songs that prove Rev Theory weren’t aiming to play it safe.

Rich Luzzi sounds tough as ever on vocals, with not one note being over stretched. The guitar duo of Julien Jorgensen and Lixx are more potent than ever, with Dave Agoglia (drums) and Matty McCloskey (bass) laying down some of the smoothest and coolest beats I’ve heard in a very long time. If your shopping around for a newly released Hard Rock album that kicks some genuine ass, Rev Theory ‘s Justice is the answer.

* Justice was released on February 15, 2011, on Interscope Records/DGC Records and produced by Terry Date.

GO GET ‘EM REV THEORY!

REV THEORY – JUSTICE Billboard chart (debut) positions for the week of March 5th, 2011:

Billboard 200 – #75

Rock Albums – #20

Alternative Albums – #11

Hard Rock Albums – #5

REV THEORY:

Rich Luzzi – lead vocals

Julien Jorgensen – guitar

Rikki Lixx – guitar, backing vocals

Matty McCloskey – bass, backing vocals

Dave Agoglia – drums

Track Listing For Justice:

Dead In A Grave

Justice

Hangman

The Fire

Loaded Gun

Guilty By Design

Enemy Within

Wicked Wonderland

Say Goodbye

Never Again

Hollow Man

* For more info on REV THEORY, click the links below:

REV THEORY – myspace music

REV THEORY – Official Website

LONG LIVE REV THEORY.

Stone.

BON JOVI and POISON – Who Cares About Their Recycled “Greatest Hits” Collections Anyways?

Posted in Hair Metal, Hard Rock, hard rock albums, hard rock bands, Heavy Metal, metal odyssey, Music, rock & roll, rock and roll, rock music, rock music news with tags , , , , , , , , , , , on November 21, 2010 by Metal Odyssey

BON JOVI/POISONMetal be damned their back. I’m not talking about the bands Bon Jovi and Poison themselves, I’m talking about their recycled, re-mastered, decades old “hits” that everyone on planet Earth already owns. Yes, both bands have reintroduced to the world, once again, their sacred “hits” and have now decided to call them… “collections”. The sole purpose of these “collections” being released now, is for their being purchased as holiday gifts, the timing could not be any more prosperous for Bon Jovi and Poison.

Some poor dude out there is gonna get this Bon Jovi The Ultimate Collection as a Christmas present this year…  just because he probably mentioned once, during a family reunion picnic, that he digs the song Bad Medicine. That’s so damn unfortunate. Some poor Hard Rock chick (who owns every Poison album already) is gonna receive this Poison Nothin’ But A Good Time Collection as a holiday grab bag gift at work… all due to her saying she has dug Poison her whole life to someone at the company cafeteria. Terrible thought, I know.

Any fan of Poison or Bon Jovi already owns every damn studio album, live album and greatest hits as it is. I don’t think either band is hurtin’ in the big pay day department either… still, it’s all about the $$$ and no remote care in the world for the long-time fans who want “new” studio recordings of songs. This is Bon Jovi’s fourth “greatest hits” album… hello, egomaniacs anonymous? Maybe these new “collections” from both bands are fitting for younger fans who are just getting into their music, I will concede that. Plus, I’m certain there are a ton of Democrat politicians who have been voted out of office this November that will buy this new Bon Jovi “Collection” as well. Those soon to be former Democrat politicians owe Bon Jovi for his supporting them… so there is always that new market to tap into.

How many times does Poison need to release a “greatest hits”? It’s been eight long years since Poison released a studio album of “new” songs, the last being 2002’s Hollyweird. Four “new” songs on Bon Jovi’s Ultimate Collection is like giving their loyal fans a bagged fart, disguised as a secret toy surprise, in the middle of bland tasting cheerios. Oh, I forgot, This Bon Jovi band is too “busy” to make a full-length album these days. This is as perfect an example, as I can point out, to two different bands becoming so commercial and worldly popular, that anything they decide to refry and belch out, is to be automatically accepted by the Rock listening and buying public. NOT!

Seasoned Rock and Hard Rock fans worldwide, save your hard earned money this holiday season and do yourself an “ultimate” favor by staying away from these “ultimate” collections. I’m not taking away from either band being solid and great in their own musical regards, that is not my intent. I really, really, dig Poison, always have and will. However, giving a little extra more money to the Salvation Army kettle, this holiday season, sounds like a much more valiant way to expend any more disposable income that I already don’t have.

Metal be thy name.

Stone.

THE CARS – DEBUT ALBUM FROM 1978 REVISITED

Posted in Album Review, classic rock, classic rock bands, classic rock music, Hard Rock, hard rock albums, hard rock bands, hard rock music, metal odyssey, Music, new wave music, rock and roll news, rock music, rock music news with tags , , , , , , , , , , , , , , , , , , on October 20, 2010 by Metal Odyssey

The Cars have always been summed up and best described as a New Wave Band. Alright, I’ll let that jive with me, only on their first album, The Cars had some serious Rock in their Wave. Missing Persons were a New Wave Band too, so was Men Without Hats and neither of those two bands come even remotely close in sounding like The Cars. So, were The Cars really a New Wave Band after all? A Flock Of Seagulls… now that’s what I consider a New Wave Band from the 80’s to sound like.

Due to the timing of The Cars being released, I gather it is probably “convenient” to lump this band into the New Wave crowd too. The debut and self titled album from The Cars was perhaps, just a few hundred slivers heavier, than your standard New Wave Band of the late ’70’s and early ’80’s. Sure, Missing Persons had a few “heavier” songs for their New Wave sound and style, with very decent drumming from Terry Bozzio, his playing and songwriting really was standout with that band. (Plus, Terry Bozzio was and still is an excellent drummer and all around musician too… in my Metal opinion).

I can recall hearing the “first” single off of this album, it was Just What I Needed. Can I recall the actual year I first heard this song? Ugh. Maybe it was 1979. No, I think it was 1980. Who really gives a flying elephant crap about when I first heard Just What I Needed. The simple fact is that I loved this song from the opening note. Seriously, this song’s significance lies in it’s originality for no other song really sounded like it, back in 1978.

I’m trying to “think back” and remember if there was another band out there that sounded like The Cars did, at the time of their 1978 debut album. This was 1978, not 1988, when a decade later you could swoop up a hundred New Wave Bands or so and compare them all against each other. Growing up in the late 70’s and early 80’s, I just accepted The Cars and their sound without giving any thought as to what music genre they belonged to. (Now that I’m a cranky old man, I scrutinize music genres like there’s no tomorrow). As each new song from their debut album trickled onto FM radio, I became more of a fan of them and this album.

Out of the nine songs heard on The Cars, seven of them made it to FM airplay. Seven! That is nothing to sneeze at either… how many Rock or Hard Rock bands can any of us name in 2010, that can boast seven songs from one album, being accepted into FM airplay and becoming hits? A “debut” album no less! It’s not as if these songs on The Cars were “Poppy” either, they were mainstream certainly, still a far cry from sounding “bubble gum”. These seven songs were played so often on the Connecticut FM radio stations, (WHCN, WCCC and WPLR), that I am guilty of never having bought this album, many years after it’s release.

Elliot Easton played guitar on The Cars with an obvious hard edge, his solo on Just What I Needed is an example of what I mean. It’s guitarists like Elliot that really exemplify playing for the song unselfishly and skillfully, versus the household name guitarists out there, who have accentuated their fame through piles of average solo albums throughout the decades.

Ric Ocasek’s vocals were meant for The Cars. I know that sounds rather cliche, only it’s so true. Ric Ocasek gave The Cars a booming personality with his vocals. The “modern” vibe that The Cars pulsated with through their songs seemed to stick to Ric’s voice like glue. The late/great Benjamin Orr not only played bass for The Cars, he was the lead vocalist on All Mixed Up as well. Benjamin Orr’s vocals were perfect for this song, giving it that added emotion and personal element befitting of the lyrics. (His vocals on The Cars 1984 hit Drive, from their Heartbeat City album is another memorably gigantic performance from him as well).

The Cars presented an edgy futuristic listen into Rock’s eventual “wide-open” Pop feel of the 80’s, courtesy of Greg Hawkes on keyboards and an open mindedness of this band to create songs that were fabulously accessible. Regardless of the Rock/Pop direction The Cars did take into the 80’s, this debut album is by far, their best full-throttle, Rock teetering on Hard Rock effort… with a New Wave approach, let’s not forget.

Moving In Stereo can be the cornerstone New Wave song for The Cars. There was and still is something almost fantastically mystical about my never wanting to turn this song off, when I hear it on the radio. Could it be that The Cars really are moving me, through stereo? I feel semi-scared now. Good Times Roll has all the ingredients of bursting out of it’s seams with a loud guitar solo and a psyched out tempo that doesn’t relent. It does not happen that way though. It’s the keyboards that administer the melancholy antidote of calm, making this song still feel like the good times are rolling, nonetheless… in a Logan’s Run sort of cosmic way.

The Cars as I look back upon them now, were a mighty decent Rock, I mean, New Wave Band. After all these years, however, it is more beneficial for me personally, to call The Cars debut album a Classic Rock gem. If I was to recommend that “one” album from The Cars to a civilization outside of our Milky Way, it would no doubt be their debut album. For those on this planet, that are just being introduced to The Cars, I would recommend their debut album as well. These excellent musicians that decided to call themselves The Cars, as I look back now, are a symbolic example of their era, showing just how dynamic and memorable a band could become, by solidifying a unique sound from a Rock meets New Wave fusion.

THE CARS was released in June of 1978, on Elektra Records.

Track Listing For The Cars:

Good Times Roll

My Best Friend’s Girl

Just What I Needed

I’m In Touch With Your World

Don’t Cha Stop

You’re All I’ve Got Tonight

Bye Bye Love

Moving In Stereo

All Mixed Up


Rest In Peace, Benjamin Orr.

Stone.

ALL THAT REMAINS “… For We Are Many” – A Formidable Album From One Of Metalcore’s Finest

Posted in hard rock albums, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, heavy metal songs, metal music, metal odyssey, metalcore bands, metalcore music, Music, rock music, rock music news, rock music reviews with tags , , , , , , , , , , , , , , , , , , on October 14, 2010 by Metal Odyssey

ALL THAT REMAINS – From the very onset, with the intro Now Let Them Tremble… All That Remains establishes the Metal fact they are not going to sugarcoat a damned note on their fifth studio album – … For We Are Many, released on October 12, 2010 on Prosthetic Records/Razon & Tie. I would never expect anything less than a fast, furious and angrier than a yellow jacket wasp sound from All That Remains, on their new album. That intro really did lead me down the path to an excellent Metalcore storm that … For We Are Many is all about. The Metal pride of Western Massachusetts has fabulously delivered on their new album, making it very difficult for me not to write a 5,000 word review on it.

For We Are Many has Philip Labonte belting out vocals that more than border on Death Metal, he exhibits some ear popping vocal noise that is a welcomed part of All That Remains brand of Metal, to my ecstatic ears. Philip can diversify vocally, like a Metal chameleon he resonates with gritty harmony on The Last Time, a straight edged Metalcore song that exemplifies why this genre can claim it’s Metal legitimacy in my Metal History book. If there could ever be an accessibly Extreme Metal song, then The Last Time is it.

If I have said it once before, I shall say it once again… Oli Herbert is a Metal asset to All That Remains. It’s just a matter of time before Oli becomes a household name amongst the Metal masses, if he hasn’t become one already. Oli can shred, just listening to the leads he comes out with is reason enough to become a fan of All That Remains. Plus, when I listen to Oli on any song, it’s listening to a guitarist who obviously reveres Old School Metal and Hard Rock, by incorporating the vibe of yesterday into the Metal of today.

Not to ignore Mike Martin on guitar, he has more devastating licks in his Metal bag of guitar tricks than I can count. Anytime I listen to All That Remains, especially now with their latest album, I want to scream out to the Metal community that Oli and Mike are a Metal guitar duo that can’t be contained… they have been unleashed unto the here and now and listening to these guys is a Metal reality check. From The Outside is a song that exemplifies exactly what I’m trying to convey here, Metal be thy name this song explodes with guitar driving force.

Now, try to name off five bass guitarists in all of Metal that are female. Nice try. Jeanne Sagan has been the Metal thunder glue for All That Remains since the 2006 diamond in the rough… The Fall Of Ideals. Jeanne isn’t gonna shy away from letting her Metal presence known… she plays stompingly tight alongside drummer Jason Costa, making this All That Remains band a formidable force. I really liked this band lineup on 2008’s Overcome, now I really, really, like this All That Remains lineup.

If Keepers Of Fellow Man doesn’t get your adrenaline fired up, then your probably in a frozen state of consciousness. Melodic driven, with the heaviness of duo guitars, a rhythm section spiraling out bombastic beats and Philip’s barbed wire vocals, carries this song in unison, to stadium crowd heights. Uh, yeah, Keepers Of Fellow Man is more than likely my favorite song on this album. This song is just one of twelve, that truly are all Metal encompassing, like an impermeable net dropping down on my brain and making me succumb to it’s Metal stranglehold.

The Waiting One is such a fantastic song that having it be the album closer is genius. This song is Heavy, even with it’s breakdowns and intervals of acoustic guitar. The layering affect of The Waiting One is what gives it it’s Metal brilliance. Plus, Philip Labonte exhibits a vocal soft side that quite frankly should be exposed more often. Philip gives off the same Metal cool when he croons as he does when he growls and shouts… in my Metal opinion.

All That Remains makes their Metal flow with plenty of melodic moments married with their trademark Metalcore sound throughout … For We Are Many. The heaviness is apparent, like a supercharged continuum, therefore, loyal All That Remains fans can’t possibly be disappointed with their new album. As each All That Remains album gets released, I hear more strength and confidence in the songwriting and music across the Metal board from this excellent band.

Adam Dutkiewicz returns as producer for this new All That Remains album. (Jason Suecof produced 2008’s Overcome). Adam is like a New England “National Metal Treasure”… he has that “knack” for bringing this Metalcore sound and vibe into a state of exceptionality. Anyone familiar knows Adam is a multi-instrumentalist and music producer that has helped catapult his band, Killswitch Engage, into mega-Metal notoriety.

The Metal accolades I have bestowed upon this new All That Remains album, is due to the sheer fact that this album finishes what it started, a heightened sound and feel to what these twelve great songs give off. With acute care into the songwriting and lyrics, while succeeding in the balancing act of melodic and Heavy Metalcore on … For We Are Many, Philip Labonte, Oli Herbert, Jeanne Sagan, Mike Martin and Jason Costa should by now, have some Metal swagger in their steps.

* For more info on ALL THAT REMAINS, just click the link below:

ALL THAT REMAINS – myspace music

ALL THAT REMAINS:

Philip Labonte – vocals

Oli Herbert – lead guitar

Mike Martin – guitar

Jeanne Sagan – bass

Jason Costa – drums

… For We Are Many – Track Listing:

Now Let Them Tremble

For We Are Many

The Last Time

Some Of The People, All Of The Time

Won’t Go Quietly

Aggressive Opposition

From The Outside

Dead Wrong

Faithless

Hold On

Keepers Of Fellow Man

The Waiting One

LONG LIVE ALL THAT REMAINS.

Stone.

HELLOWEEN “7 Sinners” Releases November 9, 2010 In U.S.! Some HELLOWEEN thoughts…

Posted in Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, metal odyssey, Music, power metal albums, power metal bands, power metal music, rock music, rock music news with tags , , , , , , , , , , , , , , , on October 7, 2010 by Metal Odyssey

HELLOWEEN – Power Metal pioneers and ultra iconic, HELLOWEEN will be releasing their 13th full-length studio album, 7 Sinners, via The End Records, on November 9th, 2010. (This is the U.S. release date). Originating from Germany, Helloween is an influential and important band in the history of Metal. Since their 1985 album release – Walls Of Jericho, Helloween has been an undisputed leader in the Power Metal genre. I’ll never forget buying Walls Of Jericho on cassette years ago… I thought I was the coolest dude on the block for stumbling onto Helloween. Even though I have Walls Of Jericho on CD, I never let go of the cassette version.

Kai Hansen was terrific as the lead vocalist and guitarist for Helloween. (Gamma Ray obviously gets my Metal endorsement to the fullest). Michael Kiske was formidable as the lead vocalist for Helloween, his vocals on Keeper Of The Seven Keys Part I are legendary. I’d have to pick Keeper Of The Seven Keys Part I as my favorite Helloween album of all time… alright, tied with Walls Of Jericho! It’s not that easy, in choosing my favorite Helloween album of all time. (Chameleon from 1993… is not my favorite).

Yes, I even liked Unarmed – Best Of 25th Anniversary, which was released on March 30, 2010. No, it was not the Power Metal force we have all come to expect from Helloween, only this album I found to be a very cool listen. Some of the greatest Helloween songs ever, were re-structured with string arrangements and a choir. Dr. Stein really gets a Rock ‘N’ Roll makeover that I find to be a fun listen. At the end of the Metal day though, I’m sure relieved and psyched that Helloween is back, with their potent Power Metal that I’m expecting on 7 Sinners.

Andi Deris is an incredible vocalist as well, he can sing Metal lights out. Whoa… can Andi carry a note and sing the roof off. I can honestly say that Gambling With The Devil from 2007 is so powerful, that having a “three way tie” for my #1 Helloween album is Metal justified. Gambling With The Devil is simply put… riveting. Plus… I’ll throw in the Metal fact that founding member and guitarist MichaelWeiki” Weikath is a super nice guy to interview, one of the “good guys” of Metal… hands down. Kai Hansen is also a super nice guy to talk to… a genuine class act.

So, yeah, I get all pumped up anytime Helloween is about to release a new album. This is a band that I could easily write 500,000 words about and still want to write more. Seriously though, how many bands have their been in Metal, or any Rock genre for that matter, that can boast having “3” amazing lead vocalists in their bands history? Not too many I would imagine. I’m really looking forward to getting my copy of 7 Sinners… and on that day I’m going to be one psyched-out Metalhead. Those are my Metal thoughts for now about Helloween… I’m certain I’ll be reviewing 7 Sinners come November, you can bet your bottom Metal dollar on that one!

* For more info on HELLOWEEN, just click on the link below:

HELLOWEEN – Official Website

HELLOWEEN

Track Listing For HELLOWEEN – 7 Sinners:

Where The Sinners Go

Are You Metal?

Who Is Mr. Madman?

Raise The Noise

World Of Fantasy

Long Live The King

The Smile Of The Sun

You Stupid Mankind

If A Mountain Could Talk

The Sage, The Fool, The Sinner

My Sacrifice

Not Yet Today

Far In The Future

* The premium version of 7 Sinners will include a deluxe digpak, extended booklet and an exclusive bonus track. (Source: Helloween Official Website)

LONG LIVE HELLOWEEN!

Stone.


HALFORD IV “MADE OF METAL” – THE METAL GOD… Has Returned With A Vengeance!

Posted in Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , , , , , , , on October 6, 2010 by Metal Odyssey

HALFORD – Oh, how The Metal God has cometh and made a Metal album that is mega-primed for satisfying my Metal hunger! Halford IVMade Of Metal, released on September 28, 2010, on Metal God Entertainment, is clearly a raised fist to the air hailing all things… METAL. If one has a difficult time understanding as to why Rob Halford is called… The Metal God… and one is clueless about Judas Priest and Fight, then all one needs to do is sink their ears and awareness into Halford IV – Made Of Metal and thy should understand what the hell The Metal God is all about.

Not detracting here from what has put Rob Halford on the highest level of the Metal hierarchy, Halford IV – Made Of Metal is like a symbol of what The Metal God is all about… singing his lungs out on exceptionally written songs, both in Metal music and lyrics. It would be too damn easy for Rob Halford to rest on his laurels and reap the decades of Metal glory that he has so rightfully earned. Instead, Rob Halford has come out with all guns Metal blazing and has released an album that should make the earth shift off of it’s axis, just a tad, when played at it’s maximum volume.

Now, there is a song on this new Halford album that just seems to be so unbelievably great to my Metal ears and soul, that I’m pinching myself to make certain I’m not dreaming as I listen to it. It’s an exhilarating experience, of a profound mega-Metal high when I listen to this song… Thunder And Lightning. Throughout all of my Metal lovin’ life, I have continuously searched out for the songs, albums and the bands that make me Metal high. Thunder And Lightning is that thunder strike of a song, that I shall turn to for inspiration and psyche-out therapy for the rest of my Metal guided life.

Rob Halford is simply classic on vocals during Thunder And Lightning, with Roy Z. and Metal Mike Chlasciak on guitars making it freaking soar, trading off their licks to Metal perfection. It’s the intensity and the non-stop groove that’s happening with this song that makes it so damn delicious to my Metal senses. When a song can capture and hold onto a psyche-out vibe like this, it is a song that is worthy of my telling the entire world about.

Honestly, I can’t count how many times I have listened to Thunder And Lightning in the short time that I have owned Halford IV – Made Of Metal. Whatever Rob Halford and Roy Z. have tapped into when they wrote this song, it is nothing short of mystical for me. This song only solidifies the fact that music is indeed… a language all it’s own. Let those Metal vibrations pour into my Metal soul!! Metal be thy name.

I Know We Stand A Chance, based on it’s lyrics, is a love song. This song plays out with both a Hard Rock and Metal feel, with Rob Halford’s vocal harmony streaming through the music flawlessly. A very memorable song, both for it’s music and lyrics. Three quarters through this song it kicks up a couple of notches with some electrifying and melodic fret work that I know I’ll be hearing in my sleep.

Like There’s No Tomorrow showcases Rob Halford, the Metal vocalist for the ages. Sure, Rob Halford has his vocal peers amongst him, the difference is, this is The Metal God we are listening to on this album. This song is incredibly memorable beyond belief. Is it the vocals of Rob? Could it be the dualing guitars? The imbedded bass thumping? The drum beats and cymbal smashing? Try all of the above. Melodic and soaringly heavy is this song, drawing it’s strength from the totality of the band.

Twenty-Five Years is a powerful and Heavy ballad, both with it’s music and lyrics. Rob Halford exemplifies why he is truly a remarkable vocalist as he sings Twenty-Five Years. By delivering this song through his emotionally charged vocals, in a story form, that lends itself as being deeply personal to The Metal God. This is by far not a depressing song for me, it is a serious break in the Metal experience that I cannot shun away. Lyrically there are life lessons that are taught here, making for a Metal reality check that has been handed down by this living Metal Legend.

We Own The Night and Heartless are melodic listen’s into just how Rob Halford and his band can play accessibly Heavy songs, one’s that probably would have been a huge hit if Heavy Metal ruled MTV and FM radio like it once did in those loud and colorful ’80’s. Even when Halford comes across with some commercial appeal, they are still damn Heavy as hell… flooded with Metal molasses. Rob Halford just sounds like he beamed up his vintage vocal self, from decades long ago, surpassing my Metal expectations on not just these two songs… the entire album.

Yes, The Mower is by far and large… the heaviest, meanest and most Metal song on this new Halford album. Even Rob’s vocals are screeching with an evil intensity that is downright scary on The Mower. I love it. This is the other side to Rob Halford’s vocals, piercing, angry and impressively dark. Speed Of Sound has the vibe and sound that is tailor made for a Judas Priest – Turbo Part II… if there ever was to be such an album. However, Speed Of Sound is Heavy and doesn’t get saturated with any synthetic sounds that the long past Turbo album radiates.

Alright, there is a “semi-stinker” on this album. I’ll give Rob Halford and his band a pass on this though. I owe ’em that much for making my Metal world so deliriously fine from Thunder And Lightning. Um, well, this song is pretty much a stinker. Made Of Metal is the song. There are some bad flashbacks happening in my brain, each time I hear the techno-electronic voice that is part of the intro to this song. Mr. Roboto flashbacks that is. I still have never recovered from Styx messing around with electronica… and that goes too far back for my own liking. The “roboto” voice re-appears towards the end of this song too, not cool. It’s just a dated song that doesn’t fit the Metal mold of this album and I don’t like to use the word… dated.

Make the bad Mr. Roboto go away, make the bad Mr. Roboto go away, make him go now.

Undisputed is the one song on Halford IV – Made Of Metal that can be of “big time” commercial value for the future. The lyrics are borderline corny… this song is about an undisputed heavyweight champion of the world, whoever that may be. This song would be perfect for the next (gasp) Rocky sequel or as an entrance theme for some WWE Wrestling Superstar. The Metal itself is brilliance on Undisputed, with scorching guitar leads and tough as nails riffs. Vocally, Rob Halford resonates with late ’70’s Judas Priest on Undisputed, capturing his very own classic self as only he can do.

For all intents and Metal purposes, Halford is backed up by one damned fabulous band. Mike Davis on bass and Bobby Jarzombek on drums hold it all together like a Heavy Metal pillar of unbreakable steel, giving each song an added dose of supercharged thump. I without hesitation, openly admit, that Halford IV – Made Of Metal has rolled into 2010 and taken me for a sensational Metal ride. This Metal ride I’m highly endorsing to fellow Metalheads, both young and old, stateside and worldwide. Don’t let this new Halford album be “the one” that you pass over for another day. Halford IV – Made Of Metal needs to heard… NOW… and forever.

* For more info on HALFORD, just click here: ROB HALFORD.com

Track Listing For HALFORD IV – MADE OF METAL:

Undisputed

Fire And Ice

Made Of Metal

Speed Of Sound

Like There’s No Tomorrow

Till The Day I Die

We Own The Night

Heartless

Hell Razor

Thunder And Lightning

Twenty-Five Years

Matador

I Know We Stand A Chance

The Mower

LONG LIVE HALFORD.

THE METAL GOD HAS RETURNED.

Stone.

WHITE ZOMBIE “Make Them Die Slowly” – Reflecting On A 1989 CD I Can’t Part With

Posted in alternative metal music, Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal music, metal odyssey, Music, rock and roll, rock music, rock music news with tags , , , , , , , , , , , , , , , on October 3, 2010 by Metal Odyssey

WHITE ZOMBIE – Released back in good ‘ol 1989, Make Them Die Slowly was the second full-length album from White Zombie, (the first full-length being Soul Crusher, released in 1987). The late ’80’s was an ultra-terrific time for Heavy Metal, only the “wave of glory” of commercial acceptance and attention was starting to drift swiftly towards the Grunge movement, by 1990. White Zombie came upon the scene in ’87 with their brand of Noise Rock, eventually indulging into various music styles, while still keeping the heaviness intact. Industrial, Groove, Funk and Heavy Metal were Metal styles that White Zombie incorporated together all so well. Many articles and Rock historians also refer White Zombie to the Post-Thrash genre as well.

I can openly admit, that this Make Them Die Slowly CD has been in my possession since it’s 1989 release and I cannot part with it. The first reason for this is I really, really, dig this White Zombie album and band. Even in it’s unpolished grandeur, this is White Zombie breaking down some serious status quo. This band was where it all began for Rob Zombie! The second reason is, it is out of print. My original 1989 CD version of Make Them Die Slowly is selling for $169.88 (U.S. funds) as a “used” copy on Amazon.com… and there is currently only “one” for sale there! Whoa, baby, whoa.

There is a 1993 reissue version of Make Them Die Slowly for sale on Amazon.com, selling for $99.99 as “new” and $16.99 as “used”, all in U.S. funds. That is a dramatic drop in the selling price, when comparing the “used” version from 1989 to that of the 1993 reissue. In all Metal honesty, I was not aware of the “actual” value of my CD discussed here, not until today. I always knew it was an original pressing from 1989 and the value would be a bit high… only this is far out amazing to me! In hindsight, I wish I had purchased a dozen copies or more of Make Them Die Slowly back in ’89!

My cousin Randy is to blame for my buying this White Zombie CD back in ’89. He used to manage a combination collectibles and record store that was very, very cool. I would go there just about every day for a number of years, from the mid ’80’s right up to the mid ’90’s. I would cash my paycheck at this store… leaving with enough money to buy beer and gas. The rest of my hard earned loot would go into buying CD’s, tapes, vinyl, sports cards and comics. Those were the days… I know. I no longer buy sports cards or comics, just in case you were wondering.

Randy would always have his finger on “the pulse” of Rock ‘N’ Roll and Heavy Metal. If there was a new and cool band to check out… Randy knew about ’em. There was that one visit to his store, where he had Make Them Die Slowly on display… and Randy wasn’t talking me out of buying it. Thanks Randy! Man, this cool cousin of mine had landed me some fine picture discs of Metallica, Iron Maiden and Motorhead too. Many bands he steered into the direction of my ears… Fight is one that stands out, back in ’93. When Rob Halford left Judas Priest, whoa… that was a big deal back then. Randy is still alive and doing just fine… just in case you are wondering.

When I first listened to Make Them Die Slowly, I realized rather quickly that White Zombie was not the stereotypical ’80’s Arena Rock or Heavy Metal Band. Rather, White Zombie was a band totally different from what I was used to hearing… this band wasn’t Thrash, Traditional Metal, NWOBHM or straight up Hard Rock. This White Zombie band caught me off guard and I initially liked what I was listening to. Sure, this band was “different”, only they were not lean on the heavy side of the Metal aisle and the vocals of Rob Zombie sounded too fiendishly bizarre for me to pass over.

Back in ’89, I felt like I stumbled on some “underground” band that not many people knew about. I never gave it a second thought, as to White Zombie becoming anything special anyhow. Listening to what I liked was the main priority then, as it is now. This White Zombie album was never going to be exalted as a masterpiece, no way. The production across the board is raw and steely on Make Them Die Slowly, arguably an album of demos… not anywhere near the overall sound and production that their 1992 studio album La Sexorcisto: Devil Music, Vol. 1 would radiate. (That album is a multi-million unit seller and still makes my prehistoric stereo speakers smoke).

In the midst of all the styles of Heavy Music that White Zombie seemed to tap into, there is always that “sliver” of Punk that I seem to catch onto with their music. Acid Flesh may have it’s non-stop groove and sparse funkiness about it, still it walks a fine line with the Punk flirtation. The same can be said for Power Hungry, only the guitar licks are crunchy enough to make any Punk comparison an extremely mild one. “Demonspeed” carries such a raw atmosphere of sound, it isn’t far fetched to think it’s a live recording during the first half minute it plays. If there is one constant to be heard on this album, it’s that this White Zombie band played with a fiery enthusiasm that my ears cannot dismiss away. “Demonspeed” is one Heavy mutha’ of a song and is my favorite on this album.

Revenge is fueled with enough kick ass, thunder-stomp Metal that it is dizzying. The repeated riff that gives Revenge it’s Metal bite, is extremely close to that of Tony Iommi’s signature riff from Zero The Hero, heard on the 1983 Black Sabbath album – Born Again. Godslayer plays at 7:14 long and is the “epic” on this album. Rob Zombie’s vocals on Godslayer gives way to the notion that maybe he was a fan of Glenn Danzig. I never picked up on the vocal similarities between Rob Zombie and Glenn Danzig, while listening to Godslayer so many years ago. This is the only song where I feel any vocal similarities between these two Metal heavyweights exists. I’m certain though, that it is all coincidental anyways. Maybe.

The overall Heavy Groove and styles that Make Them Die Slowly breathes was another solid building block towards the Metal that Rob Zombie was to eventually release as a solo superstar. Truthfully, listening to this White Zombie album is like listening to the Rob Zombie blueprint and dancing skeletons to his future. To usher in the ’90’s with a band as heavily diverse as White Zombie, probably means more to me now than it did then. I never cared to figure out really, the “fad” sound of any decade. White Zombie was no fad… this was as legit of a Heavy Band as any genre could grasp.

As I look back on the doorstep to the ’90’s, White Zombie was the band that snuck in through the front door and made themselves very comfortable in the hearts, minds and ears of more than just this Metalhead. This is “one of those” Metal albums that I appreciate more in 2010 than I probably did back in ’89. Maybe my growing appreciation lies in the fact, that White Zombie made me realize that it was cool to diversify the Metal menu, having me look upon them now, over two decades later, as Metal innovators.

WHITE ZOMBIE as they appeared on Make Them Die Slowly:

* Note: In doing my Metal research, I have read that John Ricci did not play guitar on Make Them Die Slowly. However, John Ricci is in the group photo found in the liner notes of this CD, with his name appearing below him. I have come across, through Metal research, that John Ricci left White Zombie the day Make Them Die Slowly was completed… due to having Carpal Tunnel Syndrome. I am going with that he played guitar on this album… unless a credible source “close” to the recording of this album can tell me otherwise.

Rob Zombie – vocals

John Ricci – guitar

Ivan DePrume – drums

Sean Yseult – bass guitar

Track Listing For Make Them Die Slowly:

DEMONSPEED

DISASTER BLASTER

MURDERWORLD

REVENGE

ACID FLESH

POWER HUNGRY

GODSLAYER

* More Metal research about Make Them Die Slowly, revealed the following: that “some” CD’s were released with the printing on the liner notes “spine” being incorrect. The “incorrect” spelling or error is: Let Them Die Slowly appears on the spine. “Let” and not “Make” is the error. My CD version has this error on the liner notes spine… take a look at the pic below to see for yourself:

As you can also see from the above pic, Rob Zombie is one damn cool illustrator!

* Make Them Die Slowly was produced by Bill Laswell

* Make Them Die Slowly was originally released in 1989, on Caroline.

* As stated in the liner notes: All Lyrics – Rob Zombie, All Music – White Zombie and All Illustrations – Rob Zombie.

* The liner notes show “one” Special Thanks, it goes to… Rock & Punk Legend… Iggy Pop.

Here is the White Zombie band photo that is in the liner notes.

From left to right: Ivan DePrume, John Ricci, Sean Yseult and Rob Zombie.

Here is an illustration that is in the liner notes, drawn by Rob Zombie:

The above illustration has the words: “Bite Down Sucker” in top right corner. “Hell” is spelled out on the fist of the monster dude.

LONG LIVE THE ROCK ‘N’ ROLL OF WHITE ZOMBIE!

Stone.

Hellfueled – Revisiting “Midnight Lady” EP From 2004!

Posted in Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal videos, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , , , , , , on October 2, 2010 by Metal Odyssey

HELLFUELED – In Metal Odyssey’s quest, this Halloween Season, to deliver reviews on Metal, Hard Rock and Punk Bands that bestow horror-theme tendencies of sound, style and persona, here is the very first installment for this gloriously wicked and frightful October of 2010… Hellfueled. This is one very cool Metal Band from Husqvarna, Sweden, not because I said so, it’s due to the clear fact they can write and play songs that are memorable. Anytime a band’s particular song or sound sticks in my Metal brain, it tells me that band is damn good. Midnight Lady is one hell of a memorable song from one hell of a memorable band that is Hellfueled.

Could it be a personal “gravitation” or “taste” in music happening here with Hellfueled? Probably. The only truth is, I would not go out of my way so often as I do, to just recommend pigeon crap on a platter. I try my hardest, to recommend the “coolest” bands and the creme’ de’ la creme’ of Metal, to my fellow Metalheads of the Metal Odyssey Battalion. Metal be thy name.

The song Midnight Lady opens up with a riff that was born to grab my attention and this song never let’s up on it’s ’80’s Heavy Metal outer-glow. Midnight Lady just lifts off from the onset and never seems to land to the ground, which is what good Heavy Metal is supposed to do in the first place. Despite the resonance of some Old School Heavy Metal from days long past, Hellfueled delivered a very relevant song in 2004 with Midnight Lady and it still is relevant in 2010, when compared to what’s being released at the moment.

Some may concur that Hellfueled isn’t playing anything that hasn’t been heard before. I counter by stating Hellfueled plays an European style of Traditional Heavy Metal and does so with a defiant level of confidence and talent. Just the three songs heard on this Midnight Lady EP, demonstrates the fire and hunger of a band, that trusts their style of sound and the path of heaviness they have chosen.

Reflecting for just a moment, to a band that just might be an influence to Hellfueled… Black SabbathAndy Alkman, the lead vocalist for Hellfueled, sounds remarkably close to that of the everlasting and legendary… OZZY. Vocals are supposed to be a unique characteristic, yet sometimes close similarities can occur between different singers, that is reality. I could not be more honest, in stating that Andy’s vocals are tailor-made for this style and sound of Heavy Metal. His vocals come across as natural and unforced, with any resemblance to Ozzy Osbourne being unintentional. If Andy’s intent was to vocally sound like Ozzy, well, then he obviously nailed it. Believe me, this is not the first place where Andy’s vocals have been compared to Ozzy.

The two previously unreleased demo songs, (Endless Work and Big Fat Eight), are very muscular in the Traditional Heavy Metal style, while not sounding as completely polished as Midnight Lady. Nonetheless, both of these demo songs can stand alone and take a pass on any further tweaking on the production side… the rawness brings out a more lean and mean aura to the vocals and overall sound of the band.

The music video for Midnight Lady that comes as a bonus to this EP is fun to watch. A teenage/college age couple are taking a late night cruise when all of a sudden, they drive by the Hellfueled band hitchhiking on the side of a dark and desolate country road. The girl in the car looks at the band as they drive by them and makes a goofy facial gesture at them. Game on.

Watch for yourself, as this couple finds out the hard way not to mess around with Hellfueled! Just click on the video box below!

Hellfueled takes the Traditional Heavy Metal style and plays it in a manner where I feel surrounded by their sound. Very strong, loud and enveloping are Hellfueled as they play on these songs, vocals included, with a guitar driven force. For new fans, this Midnight Lady EP makes for a solid introduction to Hellfueled.

I’ve seen the mp3 and CD/EP of Midnight Lady for sale on Amazon.com. It is worth picking up the entire CD/EP, as you are getting not only the two previously unreleased demo’s, your also getting the music video for Midnight Lady as well. This Midnight Lady EP is a terrific Metal listen and music video from Hellfueled that shouldn’t fly under your Metal radar. Plus… if you ever see Hellfueled hitching for a ride, don’t be foolish by not helping them out.

* For more info on Hellfueled, just click on the links below:

Hellfueled – Official Website

Hellfueled – myspace music

* Current Hellfueled lineup:

Andy Alkman – vocals

Jocke Lundgren – guitar

Henke Lonn – bass

Kent Svensson – drums

* Midnight Lady EP was released in Sweden in December of 2004, on Black Lodge.

* Midnight Lady EP had a worldwide release date in April of 2005, on Black Lodge.

Track Listing For Midnight Lady EP:

Midnight Lady – (Taken from the album Volume One)

Endless Work – (Previously unreleased demo)

Big Fat Eight – (Previously unreleased demo)

* Endless Work and Big Fat Eight are also listed as “Japanese Bonus Tracks” from Hellfueled’s debut album from 2004 – Volume One. (This info is listed on Hellfueled’s official website under “discography”.

* Produced by Fredrik Nordström and Patrik J. Sten

* The legendary producer/musician Fredrik Nordström founded Dream Evil, recruiting the incredible… Gus G. to join on with his band. The rest is Heavy Metal history…

* Extra Bonus Material:

Midnight Lady (Video) – (Directed by Charlie Granberg)

LONG LIVE HELLFUELED!

Stone.

TWEAK BIRD – Self Titled Album Is Eclectic And Heavy!

Posted in Album Review, alternative rock bands, alternative rock music, avant-garde metal music, Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal odyssey, Music, rock and roll, rock music, rock music news, stoner metal music with tags , , , , , , , , , , , , on September 28, 2010 by Metal Odyssey

TWEAK BIRD – Brothers Ashton and Caleb Bird have rode into town from Southern Illinois, with their self-titled, eclectically fused and heavy, full length album. Released on August 31, 2010, on Volcom EntertainmentTweak Bird is the follow-up to this bands 7 song EP, Reservations from 2008. From the looks of the album cover, Ashton and Caleb seem to be pretty psyched out about things… as well they should be, since Tweak Bird were invited as an opening act for the Progressively Alternative legends known as Tool this past Summer of 2010. Your music must be striking a heavy nerve and be interesting plus different enough for Maynard James Keenan to take such a prominent notice.

Well, I’ve taken notice of Tweak Bird too. Yes, I’m no Maynard James Keenan, still I have learned long ago that when you play from the heart and don’t follow the leader with your Heavy Rock sound, a band is going to stand out from the sea of clones. Tweak Bird has seemed to navigate themselves through this sea of clones and gathered up their Rock influences to make a menagerie of sound that is both Heavy and semi-Progressive. With a sprinkle of Alternative ambiance that seems to peer through the cracks of Tweak Birds’s sound, it’s still the Heavy Stoner riffs and chunkiness of Caleb’s baritone guitar that commands their sound.

There are moments, while I listen to Tweak Bird, that I feel I’m hearing The Sword in a slightly tempered down groove. Then, the vocal harmonies of Ashton and Caleb seem to combine for what makes this album stand apart from being just another Heavy assemblage of songs. The comparison likeness, no matter how subtle, to that of the great Geddy Lee, is not an out of the realm statement to make when mentioning the vocals of these two brothers.

One moment where Tweak Bird’s music gets diverse, Alternative if you will, is on the song A Sun/Ahh Ahh, where an extended saxophone solo by John McCowan, (who is referred to as “sometimes third band member” in a Volcom Entertainment press release), comes into play at around the two-minute mark of this song that runs 4:13. The overlapping and intermittent vocal ahh’s over the saxophone lends to an almost eerie feel… and I dig it. “A Sun/Ahh Ahh” comes to a close with the saxophone solo and fittingly makes sense.

Flute anyone? Tweak Bird incorporates the flute into Flyin’ High”. This song simultaneously breathes a slow tempo while Caleb plays the thickest and heaviest Stoner riffs that makes me bang my head in slow motion. It can be done… slow motion headbanging… Tweak Bird taught me how. As with the saxophone, Tweak Bird makes the flute fit right into their Heavy motives, almost in a hallucinating sort of way. Cool.

The last song on Tweak Bird, Distant Airways”, is the longest as well. Six songs clock in under 3 minutes, two songs under 2 minutes and one song barely over 4 minutes long. “Distant Airways” plays out at 6:15 long and doesn’t bore the senses as a useless and redundant epic either. The good ol’ saxophone makes its appearance once again on “Distant Airways”, giving these sax moments I hear a smoky lounge vibe that borders on the ultra cool. Hey… I have stated that Tweak Bird has shunned away the “clone syndrome” of Heavy Music and this song exemplifies this statement with ease. Distant Airways comes to a synthetic close with what sounds like a UFO taking off from some god forsaken crop field. A bona-fide Progressive moment. Cool again.

“Tunneling Through” showcases Ashton Bird hitting the drums hard (as he has been quoted: his hitting the drums hard being the “trick” in making his drums “sound good”). To me, Ashton’s drumming does sound good… and yes, it does sound like he hits the drums damn hard too. “Tunneling Through” gives way to a victorious feeling of “opening your mind” and journeying into the unknown. A tad psychedelic in it’s lyrical content? Sure thing. These lyrics married with the Stoner riffs and Heavy crunch, gives me that early 70’s Blue Cheer slap to my forehead. I point out this song as being my personal favorite from Tweak Bird.

Tweak Bird opens the album with The Future”, a song that has proved to me that Psychedelic Heavy Metal does exist, especially when this type of cool experimentation occurs. “The Future” has a memorable and steady beat that is not short on the Heavy side of Tweak Birds’s bag of cool & Rockin’ tricks. “The Future” ends with lots of fuzzy distortion that might have me borrowing my daughters lava lamp very soon. The shortest song from Tweak Bird is Round Trippin'”, playing at 1:12. The UFO’s have come to land! One listen to “Round Trippin'” and you’ll know what I mean there. This synth laced instrumental, puts an exclamation point on my tagging Tweak Bird as indeed… semi- Progressive.

Beyond is a track that takes the classic vibe of Surf Rock and beams it down into 2010… and is played the Tweak Bird way. Maybe the resurgence of Hawaii Five-O has some credibility after all. This song would make for a fabulous addition to this revamped television series soundtrack. Am I being a wise guy here? Nope. Beyond has all the feel and sound of modern day “Surfin’ USA”, only without the teeny-bop lyrics of actual… surfing. Cool.

The “Pop” or commercial accessibility of Tweak Bird’s songs sound non-contrived and it works well within the parameters of Heaviness that they pound away with. Caleb is an admitted T-Rex fan and loves Marc Bolan’s songwriting technique, thus the underlying reasoning behind a Classic Rock “Pop” characteristic, swirled within Tweak Bird’s overall sound. Clearly, Tweak Bird is a Heavy Band when it’s all said and done. Ashton and Caleb just mix it up by implementing the saxophone and flute within their Heavy Music playbook, showing that taking chances in Rock Music can make a comeback in 2010.

Do I like Tweak Bird? I sure do. I admire their making an album that is not generic. Knowing they are a Heavy Band is just the beginning… one must listen to each song and hear for themselves that the “unexpected” is just as cool as the “expected”. The one constant throughout the songs heard on Tweak Bird, is that you will hear Ashton and Caleb both playing Heavy… regardless if there are those intermittent moments of stylistic changes, the Heavy always returns.

Any multi-faceted, Rock Music nut should have a field day listening to Tweak Bird. Heavy Music fans that want a slice of Alternative cake, with their search for up and coming bands, might get exactly what they have been looking for with Tweak Bird. After listening to Tweak Bird several times, my use of the word “cool” has heightened… and I’m going for another slice of that Alternative cake. Cool.

* Tweak Bird was produced by Deaf Nephews – Dale Crover (Melvins & Altamont) and Toshi Kasai (Big Business & Altamont).

* For more info on TWEAK BIRD, just click on the cool links below:

TWEAK BIRD – myspace music

TWEAK BIRD – Official Website

Pictured above: Ashton on left, Caleb on right.

Track Listing For TWEAK BIRD:

The Future

Lights In Lines

Round Trippin’

A Sun/Ahh Ahh

Beyond

Tunneling Through

Sky Ride

Hazement In The Basement

Flyin’ High

Distant Airways

GO GET ‘EM, TWEAK BIRD!

Stone.

HOLY MOTHER “TOXIC RAIN” – 1998 METAL ALBUM FOREVER UNLEASHES IT’S METAL POTENCY!

Posted in Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , , , , , , on September 22, 2010 by Metal Odyssey

HOLY MOTHER – This third studio album, Toxic Rain, released in 1998 by Holy Mother, is one hell of a solid chunk of Traditional Metal. Toxic Rain downpours with a sound and style of American Power Metal in the vein of DIO and Obsession, along with a thick influence from Judas Priest and the Old School/Traditional Metal essence that the NWOBHM is so remembered and revered for.

With Metal roots originating from Long Island, New York, Holy Mother is a Metal Band that should not be bypassed for any lack of commercial success, mainstream snubbing or mid-’90’s media ignorance towards Heavy Metal. Great and real Metal will always rise from the ashes or raise it’s victorious fist from any catacombs of dormancy.

Becoming aware of Holy Mother and Toxic Rain all started with my trip to Music Outlet in Enfield, Connecticut. Best Metal Buddy, Scott Coverdale took me to this very cool and independently owned record and CD store that he frequents consistently. That day, I observed Scott walking about Music Outlet with a sinister grin upon his face… “I got it”… is what he said to me. I looked down upon the CD he was holding and it was Toxic Rain. Man, Scott was psyched out of his mind to have landed this CD… and now I know why.

Now that I own my personal copy of Toxic Rain, I realize the reason why Scott was grinning from ear to ear at Music Outlet that day. This album = Metal. Damn, you could not find a better representation of Traditional Metal, built with speed, blazing guitar leads and victorious riffs, than this Holy Mother album. The drumming of Jim Harris is like a battle call to Metal arms, his ultra-potent fills and supercharged timing are the icing on the Metal cake for Toxic Rain.

Vocalist Mike Tirelli is not gonna be in the back of the line ever, not according to my Metal scorecard. Mike is also a former vocalist for Riot and Burning Starr, making for an impressive Metal resume. I can compare Mike’s vocals to that of Mark Boals (of Yngwie J. Malmsteen fame) and Michael Vescera (of Obsession and Loudness fame), only adding in a harder edge.

Rich Naso on guitar lays it down heavy and steady from start to finish on Toxic Rain, with shades of Speed Metal wizardry gelled together with many extremely relevant and Traditional Metal tones. Rich never runs out of ultra delectable guitar licks… he’s just a cool player to hear on this album. Randy Coven on bass, has played with Yngwie J. Malmsteen and Riot during his Metal career. Creating a Metal family tree is evident, with this Holy Mother lineup of 1998.

The decade of the 90’s is NOT the lost era of Metal. Many, many, Metal Bands were releasing albums and touring during the 90’s. (Thank you… Slayer, W.A.S.P., Pantera and Overkill, to name a few). Instead, it will always be remembered by me as the decade where the mainstream media did NOT cover Metal… or great Metal for that matter. If Holy Mother released Toxic Rain in the mid to late 1980’s, hell, it would have probably received a ton more promotion and circulation amongst the media. This is my Metal opinion… and I’m not budging from it.

If you want me to be “street” about summing up this Toxic Rain album in one sentence, well, here it goes: Holy shit is this Holy Mother band unreal great on Toxic Rain! For me to “refer” this album to fans of Metal is really absurd. I need to bellow: Buy this Toxic Rain album if you believe in your own damned Metal salvation! Seriously, if your looking to make that purchase of a classic Metal release… Toxic Rain can be as viable a choice as any. So let it be Metal written… so let it be Metal done.

Once you hear Wars kick in, this song’s speed and rugged crunch shall be the leading Metal indicators that Holy Mother is not screwing around on Toxic Rain. The title track – Toxic Rain is a deluge of Metal that forces it’s way upon my ears, all the while I’m taking it all in like a parched desert floor during a tropical downpour. Again, its the speed + power which = holy shit great Metal here. Again, that’s as “street” honest as I can get.

My favorite song on this now revered Metal album is – My Destination. I’ll tell you what my destination has always been… to discover and listen to great, quality laced Metal, just like Holy Mother. My Destination has a melodic power surge running wild and it’s riveting to say the Metal least. The River carries it’s melodic drive through the vocals of Mike Tirelli and the savory leads and solos of Rich Naso. This song is a heavyweight like all the others on Toxic Rain, it showcases no doubt’s that Mike Tirelli can hit the high notes. You’ve Got Another Thing Comin’ is the lone cover song on this album. This Judas Priest Metal classic is given it’s justified due from Holy Mother, it’s worth cranking it up on high, still there’s nothing like the original. A solid cover it is and very worthy of many obligatory headbanging moments.

Losing My Bet closes out Toxic Rain, a song that sustains the consistent quality, heaviness and unrelenting power of sound that Holy Mother plays from the very onset. No one song sounds alike on Toxic Rain and Losing My Bet is an exclamation point to this statement. The only similarities heard between all 11 songs are that of the astute allegiance to Metal that Holy Mother plays so damn well.

I must factor in that the vocals of Mike Tirelli and the guitar playing of Rich Naso are standout on each song, while Randy Coven on bass and Jim Harris on drums are fabulously tight together. Once Losing My Bet comes to a close, I have that Metal hunger to listen to this Holy Mother album again… and again. That is a benchmark of being a great Metal album for me, when I can state something like that.

I could say, without any hesitation, that Toxic Rain is one of the very best Metal albums from the 90’s decade. (Criminal Afterlife is another Holy Mother album I feel this same way about as well, only that is for another post). You are getting the entire Metal ball O’ wax with Holy Mother’s playing on Toxic Rain… no run of the mill, no “standard stuff” or copycat crap going on with this band. Hopefully Holy Mother can make a return down the Metal road and release some potent, new material. Holy Mother is yet another Metal reality check, as to there being great bands from the 90’s that flew under the Metal radar by me… and I’m thankful Scott Coverdale uttered those now infamous words toward my way, during one cool visit to Music Outlet… “I got it”.

* For more info on HOLY MOTHER, just click on the link below:

HOLY MOTHER – myspace music

* HOLY MOTHER – Toxic Rain was released on A.B.S. Records

HOLY MOTHER as they appeared on Toxic Rain:

Mike Tirelli – vocals

Rich Naso – guitar

Randy Coven – bass

Jim Harris – drums

Track Listing For Toxic Rain:

Wars

Electric

Toxic Rain

The Rats Keep Runnin’

My Destination

Live To Die

The River

You’ve Got Another Thing Comin’ (Judas Priest cover)

Symptom Of Withdrawal

Melting Pot

Losing My Bet

LONG LIVE THE METAL OF HOLY MOTHER!

Stone.

JIMI HENDRIX – HIS MUSIC FOREVER LIVES ON

Posted in guitar legends, Hard Rock, hard rock albums, hard rock bands, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal guitarists, heavy metal history, heavy metal music, heavy metal news, metal odyssey, Music, rock guitarists, rock music, rock music history, rock music news with tags , , , , , , , , , , , , , , on September 18, 2010 by Metal Odyssey

JIMI HENDRIX – Back on September 18, 1970, Jimi Hendrix passed away in London, England, at age 27. Forty years ago, the loss of Jimi Hendrix was just getting underway. Getting into the exact details of where Jimi Hendrix died and how he died is not my purpose here. I am solely reflecting on my introduction to his music as a young teen and how his music continues to entertain me to this very day. Check that… the music of Jimi Henrix continues to bring me joy to this very day.

Back when I was in high school in the early 1980’s, (1980-85), Jimi Hendrix was a huge favorite amongst the crowd of kids I hung with who listened to Heavy Metal. (Yes, I did “extra time” in high school… big deal). Even the kids who listened to straight up Rock and Hard Rock listened to Jimi Hendrix too. It seemed as if no one dared to say they didn’t dig Hendrix back then… he was too cool and bigger than life, regardless if he had passed away a decade earlier. There was this mystique, an almost reverent aura about the songs that Jimi Hendrix sang and played guitar on back in those days. I still get that sense of mystique, a brilliant vibe of reverence when I listen to Jimi Hendrix now… in 2010.

Why the reverence? The mystique? Well, in my Metal opinion, who else can be looked upon as the leading pioneer of electric Heavy Metal guitar? The riffs. Oh, those riffs. Seriously, who else back in 1967 was playing that style of “heavy guitar”? On a consistent level? Yes, you can go back through Rock ‘N’ Roll history with a magnifying glass and find those guitarists who “flirted” with some “heavy” riffs before and during the Jimi Hendrix era. I’m only being real about the impact that Jimi Hendrix had on Rock Music history. His guitar and vocals were so unique to the time that it’s a mesmerizing thought to behold.

It is difficult to pinpoint which was the first Jimi Hendrix song I ever heard, although I will venture to guess it was Foxy Lady. The three FM radio stations I listened to, while in high school, were WCCC and WHCN out of Hartford, the third being WPLR out of New Haven, Connecticut. Those three FM stations played Jimi Hendrix like it was going out of style the Beatles, The WhoRUSH and Led Zeppelin were also played so continuously, that I found no reason to buy all of their albums right away. It’s quite possible to admit, that I listened to Jimi Hendrix each day of my high school life due to those FM radio stations. Truthfully.

Of course, I borrowed and listened to Are You Experienced, Axis: Bold As Love and Electric Ladyland from my friends before I owned them. Swapping albums was the norm back then… not too many of us had the cash to run out and buy every album we wanted. Those are and always will be the “big 3” Jimi Hendrix albums for me. Sure, there have been many other studio albums released after his death, only these are the three albums that defined Jimi Hendrix and made me one of his countless fans.

To stop and reflect for a second, on just how many times I have listened to Jimi Hendrix over the years is mind numbing. Then, to realize that I have never grown tired of the music that Jimi Hendrix created is a double shot of mind numb. Yes, this is all my personal opinion and the way I truly feel. Jimi Hendrix was a pioneering guitar player who paved the way for Heavy Metal to be where it is today. I sometimes wonder what Jimi Hendrix would think of Metal Music in 2010? What would Jimi Hendrix have to say, during those “building block” years of Heavy Metal during the 1970’s and 1980’s? Man, it would be very cool to know.

There could never be another set of album releases such as the first 3 from the Jimi Hendrix Experience. To have three albums in a row, with such amazingly memorable songs is unparalleled. Purple Haze, Crosstown Traffic and All Along The Watchtower… really, what more can be said for the originality and pure heaviness of their time? Timeless is a powerful word… Jimi Hendrix epitomizes this word each and every time I listen to his music.

Rest In Peace, Jimi Hendrix.

Thank you for your timeless music.

Stone.

JOE ELLIOTT’S DOWN ‘N’ OUTZ – “MY REGENERATION” GENERATES A ROCKIN’ GREAT ALBUM!

Posted in classic rock, classic rock albums, classic rock bands, classic rock music, Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal music, metal odyssey, Music, rock & roll, rock 'n' roll, rock and roll, rock music, rock music news with tags , , , , , , , , , , , , , , , on September 16, 2010 by Metal Odyssey

JOE ELLIOTT’S DOWN ‘N’ OUTZ – The news is out… the very famous lead singer for the very legendary Def Leppard has revealed his favorite Rock Band and he has done so through My ReGeneration. The band? None other than… Mott the Hoople. Not too shabby of a favorite I might add. Apparently, Joe Elliott was invited by Mott the Hoople to “participate in some capacity” in their reforming for a week’s worth of shows at the ol’ legendary… Hammersmith Odeon, (now named Hammersmith Apollo), last October of 2009. This experience proved to be the incubus for Joe Elliott forming Down ‘n’ Outz and making an album of cover songs from “spin offs” of Mott the Hoople.

My ReGeneration contains cover songs from Mott, Ian Hunter and British Lions. The last song on this album, The Flipside Of The Shameless Whelk, was written by Joe Elliott and Ronan McHugh. Quite honestly, it is refreshing to hear songs, good Rock ‘N’ Roll songs, that I would probably never have listened to if it wasn’t for this Rockin’ grand idea by Joe Elliott. Um… thanks Joe… and Down ‘n’ Outz too! To absorb what Joe Elliott and his band has assembled here play, is a lesson in British “Old School” Rock ‘N’ Roll.

Mott the Hoople obviously spawned some inventive and historical Rock Music during their too brief, six year tenure of existence – 1969 to 1974. The creative Rock Music minds that did “spin off” from Mott the Hoople are impressive to say the least. Guitarist and founding member of Mott the Hoople, Mick Ralphs will always be my sentimental favorite… for Mick being a founding and current member of Bad Company is all that to this Rockaholic.

While listening to My ReGeneration, I found that yes… this is Joe Elliott singing, only this is not the lungs of power, ultra charismatic, throat scorching vocalist that has fronted Def Leppard either. What I do hear is Joe Elliott – Rock ‘N’ Roll vocalist extraordinaire. Man, do I dig the vocals of Joe Elliott on My ReGeneration. Now, don’t get too down, all you Def Leppard fanatics out there. Joe Elliott has taken his vocals to a magnificent level here, he has in essence, proven to be as well rounded a Heavy Metal meets Rock vocalist as any other, in my most humble and Metal opinion.

Overnight Angels more than stands out as an incredibly memorable song to my Metal brain, this song just unequivocally makes me feel really good. As a bonus, Joe Elliott more than flirts with delivering some Def Leppard vocals on Overnight Angels, he flat-out sings this song as if it could have been on 1999’s Euphoria album as well. A Hard Rockin’ good time listen that doesn’t subside with it’s up-tempo. Alright, you got me, this song is my favorite on ReGeneration. Hey Joe Elliott… this one cover song alone is worth the purchase of ReGeneration! There, I said it, just like the corn dog I sometimes am.

After a couple of listens to England Rocks and I honestly have to agree… ENGLAND ROCKS! ENGLAND ROCKS! ENGLAND ROCKS! Please excuse me… this song really does ROCK. Shouting And Pointing has an overwhelmingly great Classic Rock vibe from beginning to end. The guitar solo by Paul Guerin is very cool, to be quite simplistically honest. Paul Guerin lays the Heavy down on Shouting And Pointing and Heavy is always welcomed in Stone’s ears. Joe Elliott has some fabulous vocal moments on this song, playing around with his pitch and melody only adds more psyche-out flavoring to the overall dish.

Hey Joe… this Down ‘n’ Outz band does… ROCK. Uh… YEAH! Obviously this band behind Joe Elliott is seasoned, knows their Rock ‘n’ Roll and how to play it.

O.k., here comes the sad and short ballad. Apologies is this song. Clocking in at 1:02 long. Stone don’t likey. Now, that is not to say it is a lousy song, I just don’t do very short and sad ballads. Metal be thy name. Down ‘n’ Outz still does ROCK, um, Joe. Who Do You Love is a bar hoppin’, foot stompin’, beer mug clangin’, it’s Friday night even if it’s Sunday, damn good Rock ‘N’ Rollin’ song. Turn it up!

By Tonight kicks in with a familiar guitar segue that is startling close to that from High ‘n’ Dry (Saturday Night) from Def Leppard’s sophomore album from 1981… High ‘n’ Dry. Stone does likey very much though. This is a Hard Rock song personified and Down ‘n’ Outz jams on it, pushing this song to it’s maximum Rock-Out potential.

I do enjoy the cover songs that Joe Elliott and Down ‘n’ Outz have compiled on ReGeneration. This album is a fun trip down Mott the Hoople’s “spin off” memory lane. Thanks to Joe Elliott though, now I’m gonna have to spend more $$$ and buy all those really cool albums from Ian Hunter, Mott and British Lions. Gee Metal whiz, Joe. I’ll Let It Go though, Joe. Joe Elliott’s Rockaholism only fuels mine and what am I supposed to do? Cranking up the volume on ReGeneration is really the only option here… (make sure to turn it down for Apologies though).

Good Times is a fitting song to be included on this album, this is a good times listen after all. This song is what Rock ‘N’ Roll is all about… “gonna have a good time tonight, Rock ‘N’ Roll Music’s gonna play all night”. This Good Times song is one big blast of feel good vibe. The Flipside Of The Shameless Whelk plays out as a 1:38 long take from a jam session and it Rocks along with cool ease, putting a close to this ReGeneration album.

As noted earlier, it appears that Joe Elliott and Ronan McHugh wrote The Flipside Of The Shameless Whelk, I am coming to the conclusion that Down ‘n’ Outz jammed on it. There are no details other than (Elliott/McHugh) within the liner notes regarding this last song, so if anyone out there knows more about it, please feel free to comment. Up to this point of writing this review, I have no further information on the song – Apologies, other than (Major) as a writing credit. Anyone with further knowledge on Apologies as well can comment, it’s very welcomed.

Fans of Joe Elliott, Def Leppard, Classic Rock, Mott the Hoople and every spin off band from them should give a thorough listen into what Joe Elliott’s Down ‘n’ Outz have done with My ReGeneration. These cover songs are dripping with relevancy, giving these true Classic Rock songs a spotlight and new Rockin’ life. It has been fun for me, to branch off into the direction of the spin off bands of Mott the Hoople and listening to these great songs. Now I have more bands from Rock Music History to delve deeper into and that doesn’t bother me at all!

* My ReGeneration was released on July 13, 2010, on Mailboat Records.

Down ‘n’ Outz:

Joe Elliott – lead vocals, backing vocals, rhythm guitar, acoustic guitar, some piano, various percussion

Paul Guerin – lead & rhythm guitar, backing vocals

Guy Griffin – rhythm guitar, backing vocals

Keith Weir – keyboards, backing vocals

Ronnie Garrity – bass guitar

Phil Martini – drums, backing vocals

* Ron Garrity is the bass guitarist for the Rock/Hard Rock Band – Raw Glory. Paul Guerin, Guy Griffin, Keith Weir and Phil Martini are all members of the Hard Rock Band – The Quireboys.

Track Listing For ReGeneration, Listed With Original Artist:

Golden Opportunity (Ian Hunter)

Storm (Mott)

Overnight Angels (Ian Hunter)

Career (No Such Thing As Rock ‘n’ Roll) (Mott)

England Rocks (Ian Hunter)

Shouting And Pointing (Mott)

By Tonight (Mott)

Apologies (credited to “Major”)

Who Do You Love (Ian Hunter)

One More Chance To Run (British Lions)

3000 Miles From Here (Ian Hunter)

Good Times (Mott, originally recorded by The Easybeats)

The Flipside Of The Shameless Whelk (Elliott/McHugh)

Stone.


OLD SCHOOL METAL 101: SHOK PARIS – “THE HEAT AND THE FIRE” SONG FROM 1989!

Posted in hard rock albums, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal history, heavy metal music, heavy metal news, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , , , , on September 15, 2010 by Metal Odyssey

SHOK PARIS – Digging into some Old School Metal and uncovering my Shok Paris album from 1989 – Concrete Killers, had me realizing how damn decent and cool this band really was. The Heat And The Fire song has all the melodic late 80’s Metal swagger happening, from the strong vocals of Vic Hix to the heated guitar leads and solo from Ken Erb. 1989… essentially 22 years ago and Shok Paris Rocked with “Concrete Killers”. This album still Rocks my ears to this very day, Metal be thy name.

* For more info & band history on Shok Paris, just click on the link below:

SHOK PARIS/Fan Club myspace music

* Concrete Killers was released on I.R.S.

LONG LIVE THE HEAVY ROCK ‘N’ ROLL OF SHOK PARIS!

Stone.