Archive for the rock music Category

Cheap Trick “Silver” – Classic Rock greats captured live!

Posted in 1970's hard rock, 1970's Rock, 1980's rock music, 1980's hard rock, Album Review, classic rock, concerts, cover songs, essential hard rock albums, essential rock albums, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, live classic rock albums, live hard rock music, live rock albums, live rock music, Music, Rock, rock & roll, rock and roll, rock music, vintage live hard rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on June 5, 2009 by Metal Odyssey

6676475Cheap Trick is without question, in my top ten of all time favorite bands. That includes all genres of Rock, Hard Rock and Metal too. This is the one band I so desperately need to see live. I honestly cannot believe I never saw Cheap Trick in concert… after all these years. I feel semi-embarrassed in admitting this. Then again, I would have to be a full time concert goer to actually see every band I dig, there are that many… I am confidently certain I am not alone with that thought. Therefore, what makes for the consolation prize instead of seeing Cheap Trick live, is listening to their double CD “Silver”. (Released June 29, 2004). This double live, Cheap Trick bounty of hits commemorates their 25 plus years as a Rock & Roll original. (Yes, “at Budokan” is a legendary live album from Cheap Trick… I have covered that milestone of an album in an earlier post). “Silver” covers a vast array of Cheap Trick hits, from their deep catalog of albums. This live concert captures Cheap Trick in their Rockin’ spontaneous glory… no over dubbing that I can detect. 

The legendary Slash (of Gun’s N’ Roses, Velvet Revolver fame, of course), is a guest star guitarist for the tune “You’re All Talk”. Slash is so recognizable with his guitar sound, it is a Rockin’ treat to hear him jam with Cheap Trick. Robin Zander announces after the song ends, that Slash broke a guitar string while playing the first few notes… you will hear bits and pieces of Robin Zander talking to the concert crowd throughout “Silver”. This is what makes a live album really come to life, when the lead singer has the charisma and charm to acknowledge his surroundings, just as Robin Zander does here. Billy Corgan of the Smashing Pumpkins is a guest star guitarist on the tune “Just Got Back”… you can definitely hear the style of Billy Corgan come through on this Rocker of a song. That is two really cool guest guitarists to appear on “Silver”, it is like an added bonus for Hard Rock fans.

Cheap Trick does an unreal cover of the late/great John Lennon classic – “I’m Losin’ You”. Cheap Trick brings this song to Rock & Roll life, Robin Zander’s vocals were tailor made for this Lennon hit. The Beatles “Day Tripper” is yet another Rock & Roll classic that is covered with true Rock reverence by Cheap Trick, in my opinion, a flawless cover. “The Flame”, “Dream Police”, “Surrender”, “Stop This Game”, “That 70’s Song” and “Voices” are all here on “Silver”… never sounding better, a vintage cornucopia of Rock from Cheap Trick. A total of 31 songs are to be enjoyed here on “Silver”, 31 live, Cheap Trick classics! Bun E. Carlos on drums, Robin Zander on lead vocals, Rick Nielsen on guitars and Tom Petersson on bass are at the top of their Rock game during this live concert. I know that Cheap Trick is on tour again this Summer of 2009, from June 23rd through September 6th… with Def Leppard and Poison. (That is a really cool triple bill). Now, I have seen Def Leppard and Poison live in concert over the years… I just need to see Cheap Trick!!!

Cheap Trick "Silver"

STYX – “The Grand Illusion” 1977 album revisited

Posted in 1970's styx music, 1970's hard rock, 1970's Rock, Album Review, classic rock, cool album covers, essential hard rock albums, essential rock albums, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, Rock, rock & roll, rock and roll, rock keyboard musicians, rock music, rock music vocals, vintage hard rock albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , on June 1, 2009 by Metal Odyssey

If there was ever a Hard Rock album that I honestly wore out from excessive playing on a turntable, well, it would be “The Grand Illusion” by STYX. This album, (released on July 7, 1977), along with its fabulous music, also bestows incredible lyrics as well. I would escape the doldrums, trials and tribulations of being a teenager by kicking back and slapping down this Classic Rock gem. The funny thing is, the lyrics of these songs on “The Grand Illusion” are just as relevant for me today as they were twenty nine years ago. In hindsight, this album actually gave me tremendous solace, insight and inspiration, at a time in my life when I probably needed it most. There are certain Hard Rock albums that I have embraced and bonded with, where the music and lyrics just seem to connect to my very own personal experiences. “The Grand Illusion” is without a doubt, one of these Hard Rock albums I have connected with.

Just the lyrics alone from the song “The Grand Illusion” are inspiring me for a lifetime… “Don’t be fooled by the radio, the t.v. or the magazines… they show you photographs, of how your life should be…” – my interpretation of these lyrics are that the mass media constantly tells us how to eat, what to wear, who to vote for, how much you should weigh, what to buy and own and of course, how to look. Sorry, I do not need the plastic news anchors and million dollar television hosts telling me how to live my life! STYX was right on with the song “The Grand Illusion” – it is commons sense lyrics that I live by. My sister, (who is now in Rock N’ Roll Heaven), was the first to introduce me to STYX… “Come Sail Away” was her favorite STYX song ever, I know this for she played the 45 rpm at least 20 times a day one Summer, back in the day. “Miss America” is as cool as it gets with keyboards in Hard Rock, the intro to this tune is a definite high point. “Fooling Yourself (The Angry Young Man)” is a great tune to get psyched up to… “get up, get back on your feet… your the one they can’t beat and you know it”… man, if those cool lyrics are not enough to inspire you, then you are better off listening to vintage Boxcar Willie. 

I am by no means telling anyone what they should listen to on Metal Odyssey, rather, I only try to acknowledge the Hard Rock bands and their albums that in my Metal opinion, are a great listen and buy. “The Grand Illusion” by STYX is for me, so justifiable of a legendary Hard Rock album. If I was to get just one visitor to my post to obtain a copy of this CD/album, well, I did someone a great favor. Veteran STYX fans should understand what I mean! The members of STYX, on “The Grand Illusion” were: Dennis DeYoung on keyboards, synthesizer & vocals, Tommy Shaw on acoustic and electric guitars & vocals, Chuck Panozzo on bass & vocals, John Panozzo on drums, percussion & vocals, and James Young on guitars, keyboards & vocals. What a band… what an album.

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Danzig – debut album from 1988 is all Metal muscle

Posted in 1980's heavy metal albums, 1980's hard rock, 1980's heavy metal music, 1980's metal music, Album Review, classic metal, cool album covers, Danzig, essential hard rock albums, essential heavy metal albums, Hard Rock, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, horror metal, Metal, metal music, Metal Reviews, Misfits, Music, old school heavy metal, rock music, vintage heavy metal albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 27, 2009 by Metal Odyssey

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Listening to the debut album from Danzig, (titled “Danzig”), is always a refresher course in what smash mouth Metal is about. Released in 1988, this album in my Metal opinion, has all the ingredients necessary to be looked upon as a muscular Metal Classic. I will admit, that this is one of my favorite Metal albums ever and Danzig does hold high rank in my Metal universe. Before Glenn Danzig went the all Metal route with his music, well, was there anyone else in Metal that sounded like him? My answer is nope. I liken Danzig’s vocals to be of profound Metal uniqueness, where he will clearly deliver the spoken word, then sing and/or belt out vocally with real conviction.  Sure, I even agree that Danzig’s vocals sound a tad like Jim Morrison at times… not a bad dude to be compared to for vocals. The ten tracks on “Danzig” are laced with the lyrical darkness that are open for interpretation. Musically, Glenn Danzig is a Metal mastermind at combining the straight up and anti-commercial approach to these songs, while not over complicating any of the songs structure. “Mother” is the closest you will get to ever seeing a Danzig tune dabble with mainstream popularity.

I can recall how the great Danzig song “Mother” gave me an unexpected surprise that actually made my day. My best buddy in the Galaxy, well, he is a steadfast and loyal Boston Red Sox fan, (I am not). He took me along to Fenway Park a couple of times, (paid for my tickets too) and we both took in two fine games. I will always appreciate his generosity. Well, at one of these Red Sox games, the relief pitcher – closer was called in to the game, his name was Keith Foulke. I did not realize that this pitchers theme song and/or warm-up song to get pumped up to – was none other than Danzig’s “Mother”. Here I am, innocently sitting in the historical Fenway Park, by the historical “Pesky Pole”, within a sea of Red Sox fans and I am taken by Metal surprise to the electrifying and heavy loudness of Danzig’s “Mother” coming over the stadium speakers! I felt so proud to be a Danzig fan at that moment. Let me tell you, that song lit up the thousands of Red Sox fans at Fenway Park that day. 

Now, back to this Danzig album, my favorite four tunes, (not in any specific order), are: “Twist Of Cain” – which has the sandpaper tough, do not mess with me attitude oozing from the lyrics and music, “She Rides” – a track that has that slowly driven, heavy beat that gives me an instant, devious, Metal grin, “End Of Time” – which is melancholy and spooky lyrically and rocks heavy with thick Metal grooves, leads & riffs, then of course, “Mother”. I will say that in my Metal opinion, all ten songs on “Danzig” are fully loaded for maximum heavy musical enjoyment. The Danzig lineup for this debut album was: Glenn Danzig on vocals, Eerie Von on bass, John Christ on lead guitar and Chuck Biscuits on drums. Not that Glenn Danzig needed any introduction to the Rock universe back in 1988, he did arrive with storied and musically historical careers with the Misfits and Samhain behind him. However, I firmly believe that this debut album was built to last, succeeding in launching the Metal legacy that Danzig has so brilliantly created.

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Fastway – revisiting one cool, Heavy Metal debut album

Posted in 1980's heavy metal albums, 1980's rock music, 1980's hard rock, 1980's heavy metal music, 1980's metal music, Album Review, classic metal, classic rock, cool album covers, essential hard rock albums, essential heavy metal albums, essential rock albums, Hard Rock, hard rock album review, hard rock guitarists, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Motorhead, Music, old school heavy metal, Rock, rock music, vintage hard rock albums, vintage heavy metal albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 26, 2009 by Metal Odyssey

main-150In 1983, Fastway was the apple of my Metal eye. Today, well, Fastway is an old school Heavy Metal favorite of mine still, with their debut album aptly titled “Fastway”, being what I consider their best material. Man, when I heard the news that “Fast” Eddie Clarke was leaving Motorhead, I was floored like any loyal fan, back in the day. Then, the word broke, that “Fast” Eddie Clarke was forming a new Heavy Metal band called Fastway… my Metal anticipation was climbing by the second. Knowing that Pete Way (formerly of UFO) was to play bass alongside “Fast” Eddie Clarke only made this lineup more potent by the second. (I later found out that Pete Way never did get to actually play bass on the Fastway debut album).

Let’s go back in time now, to a wonderful department store named Caldor. You see, where I grew up, back in the 1980’s, Caldor was the biggest Hard Rock and Heavy Metal album supplier in my town. (It was the greatest place for a Metalhead teenager to go to for tunes, living in expensive nowhere Connecticut). I used to fantasize about Caldor while I was serving time in Parochial School and later High School. My thoughts strayed right into that glorious Caldor, envisioning the very long record aisles, lined with Yes, Iron Maiden, Bad Company, Ted Nugent, Black Sabbath… and then one day, in 1983, I remembered that the new Fastway album was to be released. Oh, the surefire Metal joy I would experience if that Fastway album was to be at Caldor! Minutes after I was released from being imprisoned in that High School, I was there… at Caldor. Fastway was also there. You betcha. With my Metal heart beating quickly, I reached for this precious new vinyl pressing, had it in my hands…  what is this? Located on the back of this Fastway debut album was a strange looking little mini record, it was not a 45 rpm, (it was the size of a 45 rpm and had a tiny album hole in the center), nor was it anything that I really saw before. It was supposed to be with this album, for it was the single for the song “Far Far From Home” – this song never made it on the actual album itself, therefore, the record company added it on as a separate single bonus! Man, at this moment, this teenage Metalhead was on Metal cloud nine.

Alright, as for the actual Metal found on this Fastway debut album, it rocked me straight into Heavy Metal bliss for an entire Summer – and Fall and Winter too. The tunes were so catchy, guitar driven and groove laden (courtesy of “Fast” Eddie Clarke), that it was one difficult album for me to put down for a lengthy period of time. “Say What You Will” was the most notoriously recognizable track off of this album. The opening guitar lead by “Fast” Eddie Clarke repeats throughout the entire song, instead of being repetitious, it was (and still is) Metal delicious. The vocals of the underrated Dave King were reminiscent of Robert Plant upon my initial listen to this album. However, back in the ’80’s it seemed to be the trend to point the finger at too many Hard Rock and Metal vocalists – accusing them of ripping off the legendary Robert Plant. “Easy Livin'” is definitely my favorite track on this debut, it is fast, slick and the guitar play of “Fast” Eddie Clarke shines. “You Got Me Runnin'” and “Give It All You Got” are heavy, fast paced – melody makers, providing the maximum Heavy Metal grooves you can possibly get out of three minute songs. 

In a Metal nutshell, the overall enjoyment that this Fastway debut album has provided me, sincerely has lasted a lifetime. This is one of those albums that I bought on CD as quickly as it was available. The efficiency of this album is what makes it a winner, for me. The efficiency of the songs structures, both musically and time wise, coupled with “Fast” Eddie Clarke on guitar, Dave King on vocals, Jerry Shirley on drums and Mickey Feat on bass, makes the debut Fastway album a Heavy Metal treat for me – to reach for to this very day.

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Nazareth “Hair Of The Dog” still has the heavy bite

Posted in 1970's hard rock, 1970's heavy metal, 1970's Rock, Album Review, classic metal, classic rock, cool album covers, cover songs, essential hard rock albums, essential heavy metal albums, essential rock albums, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, Rock, rock & roll, rock music, vintage hard rock albums, vintage heavy metal albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on May 25, 2009 by Metal Odyssey

Nazareth “Hair Of The Dog” has always been a monumental standout Hard Rock album for me. This is what I consider a real album with no pretensions, no fancy gimmicks. What you hear on “Hair Of The Dog” is true Classic Hard Rock, no tunes found here are subdued or watered down. Nazareth came up the Hard Rock ladder during the 1970’s, surrounded by Hard Rock icons such as: Bad Company, Queen, Boston, Foreigner, SweetStyx and Cheap Trick. What a fabulous time it was for Hard Rock music! For the Metal record, I always considered Nazareth to be a Hard Rock band, albeit they do have their Heavy Metal musical tendencies. “Hair Of The Dog”, lyrically, is for me, a true stick it to the man – heavy song. “Now your messin’ with a son of a bitch” – these lyrics say it all, my fellow citizens. I can remember so many moments, in my life, where this song has benefited me. Sure, I have been slighted and backstabbed, so have trillions of other people on this planet have as well. “Hair Of The Dog”, when played LOUD, especially after you know you have been jerked around by someone, well, it is the sure fire remedy for feeling vindication.

I remember, uh, reflect, on my High School days… early ’80’s… it was homeroom at 7:45 in the morning, for my first four years of serving time there, “Love Hurts” was played on the school’s radio station, every single day. Yup, every single day. Did I ever grow tired of this song? Nope. It is Nazareth for Metal sakes. I only used to wonder why “Hair Of The Dog” was not played… probably due to it’s lyrical content, the sacred & self righteous school administrators did not want to stir up the masses. I will delve more into the “Love Hurts” tune in the upcoming paragraph, uh, review.

If you are looking for a great, Classic Hard Rock album to buy and cherish, “Hair Of The Dog” should be an easy choice. This album is saturated with Hard Rock. Oozing with bluesy, Hard Rock music and attitude, “Hair Of The Dog” has so much more to offer, with the title track “Hair Of The Dog” being as close of an example to 1970’s Heavy Metal as you can possibly hear. This song revs it up into high gear, kicking off this album on a real high note. “Miss Misery” is a melancholy song that thumps along with a denim and leather flavor, highlighting the raspy vocals of Dan McCafferty. “Love Hurts” is the ballad, the big radio hit for Nazareth then and now. This song is a cover from the Everly Brothers, only this version is hardened around the edges and overflows with pure Rock emotion. “Whiskey Drinkin’ Woman” is a song with a grooving coolness happening, it has that American Southern Rock sound and atmosphere. “Hair Of The Dog” is in my opinion, quite diversified musically. The opening track being very Metal, another track having Southern Rock flavor and a classic 1950’s ballad cover song. “Please Don’t Judas Me” is a lengthy rocker at nearly ten minutes long. I appreciate this song for it’s jamming, it also exemplifies how albums years ago were geared more to the music than to releasing instant commercial hits. Nazareth released a memorable album back in 1975, it should be enjoyed and passed along for all Rock and Hard Rock fans. Heavy Metal fans should embrace this album for its quality musical content and ground floor sound. “Hair Of The Dog” helped shape Heavy Metal in the 1970’s and beyond. This is an album that can never, ever, be forgotten.

Nazareth on “Hair Of The Dog”: Dan McCafferty on vocals, Manny Charlton on guitars & synthesizer, Pete Agnew on bass guitar & backing vocals and Darrell Sweet on drums, percussion & backing vocals. The liner notes do not contain lyrics, it is a fold out with an enlarged scale of the album cover artwork.

Nazareth "Hair Of The Dog"

Bob Seger & The Silver Bullet Band – Rocks forever on “Nine Tonight”

Posted in 1970's hard rock, 1970's Rock, 1980's rock music, 1980's hard rock, Album Review, classic rock, Hard Rock, hard rock album review, hard rock songs, live rock albums, Music, rock & roll, rock & roll hall of fame inductees, rock and roll, rock and roll hall of fame inductees, rock music, rock music vocals, Vocals with tags , , , , , , , , , , , , , , , , , on May 24, 2009 by Metal Odyssey

In my Metal opinion, Bob Seger & The Silver Bullet Band are an American Rock N’ Roll treasure. Bob Seger was inducted into the Rock And Roll Hall Of Fame, in 2004. “Nine Tonight” is a live album that is also a greatest hits, based on the song selection. This album was recorded live in June 1980 in Detroit and October 1980 in Boston. Some of Bob Seger’s most successful hits are here with “Against The Wind”, “Hollywood Nights” and “We’ve Got Tonight”. The good time Rockers are here too, Bob Seger and The Silver Bullet Band do not disappoint with “The Fire Down Below”, “Old Time Rock And Roll” and “Her Strut”. Wow, does Bob Seger make these songs really come alive, coupled with Seger’s vocals and the excellent musicianship of The Silver Bullet Band. There is just a real, feel good vibe that is going on when you listen to “Nine Tonight”. I always say, be true to the roots of Hard Rock. For bands of yesteryear, like Bob Seger’s, without question, helped pave the way for the new Hard Rock bands of today.

I will go out on a Metal limb here and say, Metallica could never do a better job with the Bob Seger classic “Turn The Page”, (from the Back In ’72 album by Bob Seger – released in 1973), their cover version of this song is just that, a cover. (Keep in mind, I hold Metallica in the highest Metal regards). This was a classic example of nothing beats the original. It does go to show, that there are Metal bands out there that dig Bob Seger & The Silver Bullet Band, Metallica is proof of this. I could never resist any of Bob Seger’s brand of Rock through the years, the gravitation towards his voice and blue collar Rock & Roll has always made me a believer in his music. The combination of the songs with their memorable lyrics, plus the live atmosphere definitely provokes a positive Rockin’ good time on this CD/album.

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I refuse to be a closet KISS fan

Posted in 1970's hard rock, 1970's heavy metal, 1970's Rock, 1980's hair metal music, 1980's hard rock, 1980's heavy metal music, 1980's metal music, 1990's heavy metal music, classic metal, classic rock, concerts, cool album covers, Gene Simmons, Hair Metal, hair metal music, Hard Rock, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal guitarists, heavy metal memorabilia, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal concerts, metal music, Music, old school heavy metal, Rock, rock and roll memorabilia, rock music, vintage heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on May 22, 2009 by Metal Odyssey

main-150KISS. The makeup, the attitude, the stage show, the costumes, the KISS trading cards from the 1970’s, the marketing machine which throws the KISS logo on just about anything. Wait a minute, there is of course… the music, uh, I mean the Heavy Metal. Since about 5th grade, (a long time ago, in a parochial school, far, far, away), I have been a KISS fan. You betcha. I am not a closet KISS fan either. No way will I disregard to anyone, a lifetime love I have for such a behemoth of a Heavy Metal icon, which is KISS. I will not part with my unopened wax box of KISS trading cards from 1978. No sir. What in the world is there to be ashamed of? KISS is the epitome of Heavy Metal success, both commercially and musically, in my Metal opinion.

I have had the opportunity to see KISS live, albeit without makeup. I unfortunately, never had an opportunity to see them live with makeup. Quite honestly, the only drawback about seeing KISS live was… the venue where the concert was. The New Haven Coliseum, (which no longer exists), was by far, the creepiest, most decrepit, armpit of an arena, ever to exist on planet Earth. I mean, this building was not even cool creepy, it was just a plain nightmare gone wrong. This arena was located in New Haven, Connecticut, of course. Alright, enough about that incompetent structure. The KISS concert was loud, bright, festive, loud again and darn right good. I have seen better live shows in my day, yet I am not complaining about anything that KISS did on that stage. It was a night to celebrate Heavy Metal, with a band that carried the flag for Heavy Music since their introduction to the world. This was the KISS “Asylum” Tour, back in good ol’ 1985. I will tell you this, it is a real Metal treat, to see my daughters revel in the KISS tunes, to know and see how much the music of KISS means to them, as it always has for me. My daughters were extremely excited when they saw KISS on television the other night, (I absolutely refuse to discuss this show on Metal Odyssey, let’s just say it is on the Fox Network and is a Pop music show). Hey, anytime KISS can get exposure to a new generation of fans is fine with me.

I remember being in High School, when all of a sudden, it was uncool to like KISS anymore. Well, that was what was happening in the penitentiary like High School I attended. Metalheads  were abundant, yet KISS became almost taboo to talk about. So, I took advantage of this situation. I asked all the super cool know-it-alls that no longer liked KISS, if they were willing to sell their KISS albums and anything KISS. I made out like a bandit. I had more KISS posters, albums and fanzines than I knew what to do with. Plus, I acquired it all dirt cheap. Then, one day, in 1982, KISS made a loud and triumphant return with their release “Creatures Of The Night”… all of a sudden, these fair weather KISS fans are asking me, if I would sell them any of my extra KISS memorabilia and/or albums. Go figure. Since the mid ’70’s up until present day, I have embraced the Heavy Metal that KISS has created. Even the ballads and Gene Simmons dating Cher I have accepted. Yes, the made for television movie “KISS Meets The Phantom In The Park” I have always accepted too. The changes in the KISS lineup never has made me flinch either, any KISS fan knows that the original four are the best. I am not ashamed to say this, for once a KISS fan, always a KISS fan. What other reason was there not to believe this, back in the day when I joined the “KISS Army”? I enlisted into the KISS Army decades ago, I have never gone awol since.

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Cheap Trick “At Budokan” – a vintage vinyl reunion

Posted in 1970's hard rock, Album Review, classic rock, essential hard rock albums, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, live rock albums, Metal, Music, Rock, rock & roll, rock and roll, rock music, rock music vocals, vintage hard rock albums, vintage live hard rock albums with tags , , , , , , , , , , , , , , , , on May 22, 2009 by Metal Odyssey

I love perusing the local thrift stores. You just never know when you will make that Hard Rock or Heavy Metal find. Cheap Trick “At Budokan” was just that for me this past winter – a Hard Rock find. It was a dreary, cold and blustery winters day, I decided to venture to one of the local thrift shops that has been infamous for having many vintage vinyl albums available for sale – at fifty cents each!! As I entered the shop, I made my way towards the used CD and albums section… there it was… just sitting there, abandoned, found useless by a former owner. Cheap Trick “At Budokan”, in all of it’s vintage vinyl, Hard Rock glory! This live album was released in the U.S. in February of 1979. This album is a live Hard Rock masterpiece, in my Metal opinion. I saw, from just a few feet away, that this album was in near perfect condition too! The coast was clear, I made my move and Cheap Trick was in my hands. I have finally been reunited with my long lost Cheap Trick album!! Holding this album, staring at the front cover photo of Robin Zander and Tom Petersson, well, it took me back to a moment in time.

Sometime back in the very early 1980’s, my cousin, Michael, well, he asked me if he could “borrow” my beloved Cheap Trick “At Budokan” album. I replied, “yes”. You live and learn. You learn from your past mistakes. I never saw that album again, not until this find at the thrift store was in my hands. You see, throughout the years, I never repurchased this classic Cheap Trick album, nor did I ever get it on CD. I guess, deep down inside of me, I was waiting, maybe hoping, that this cousin of mine would someday return the album to me. Dream on. Did I ever ask my cousin for the album over the years? Nope. It was not worth it. Eventually realizing how my cousin actually took care of material possessions, well, I just knew the album would not be in the same mint shape as it was, when it left me.

At this point, the past is just that, the past. I now have the Cheap Trick “At Budokan” live album and I could not be happier with it’s condition. As an amazing bonus – the liner notes are still inside this album that I found! The liner notes are in black and white, however, they are like a giant tour program. The photo’s alone are fabulous. To actually get my hands on this album at a thrift store, in this perfect shape, with the original liner notes tucked inside, that to me… is a find. Plus, upon my scrupulous inspection, it appears to me, that these liner notes were never taken out of the album sleeve! I am not kidding, no creases, tears or even signs of other people’s fingerprints! (My very own fingerprints were immediately left onto these liner notes, for the majority of the ink on the artwork is black). Do I sound a tad obsessive? Maybe so, however, when you are a collector of vintage Hard Rock/Metal albums, you do tend to inspect the memorabilia more than the average/casual consumer of such items.

Now, for the actual music found on this excellent album: Cheap Trick “At Budokan” is an incredibly essential, live Rock & Roll album to own! I have this album in the top ten live Rock albums ever released, it is that good. The songs are tremendous, filled with the trademark energy of Cheap Trick, yet the live essence surrounding the music makes for an inspiring listen. This album was recorded in Japan, at Budokan, in April of 1978! This music is incredibly relevant to today’s Rock sound, it has not lost any mileage with me after all these years. This is the album that truly made Cheap Trick a household name. Since “at Budokan”, Cheap Trick continues to stay current with Rock & Hard Rock, releasing an extensive catalog of great Rock albums which spans four decades! The very famous track “I Want You To Want Me” is here in all of it’s Rock glory, with the classic cover of Fats Domino’s “Ain’t That A Shame”. “Surrender” is a signature song of this great band, it borderlines on the Punk Rock side and still has that catchy appeal it bestowed so brightly, back in the day. “Need Your Love” and “Come On, Come On” are two more tracks that can light up any concert stage today. Overall, this is required Rock & Roll listening for fans of all Rock genres. You can honestly walk away from listening to “At Budokan” and realize how much influence Cheap Trick has on today’s Rock sound. Musically, Cheap Trick is so good, simply one of a kind. Cheap Trick are: Robin Zander on vocals, Rick Nielsen on guitar, Tom Petersson on bass and Bun E. Carlos on drums.

Cheap Trick "At Budokan"

Happy Birthday to ZZ Top legend Dusty Hill!

Posted in 1970's hard rock, 1970's Rock, 1980's hard rock, classic rock, Hard Rock, Music, Rock, rock & roll, rock & roll hall of fame inductees, rock and roll, rock and roll hall of fame inductees, rock celebrity birthdays, rock music, southern hard rock with tags , , , , , , , , , , , , on May 20, 2009 by Metal Odyssey

main-150Metal Odyssey would like to extend a tremendously LOUD – Happy Birthday! – to legendary bassist and Rock and Roll Hall of Famer, Dusty Hill of ZZ Top! Dusty Hill turns a real cool 60 today, May 19, 2009. I have been fortunate enough to see the legendary ZZ Top live in concert, (around 1995 – if I am correct), at the Hartford Civic Center. The opening act was none other than… the amazing George Thorogood! That was one incredible night of Rock N’ Roll! Yes, I did buy a souvenir from that concert, it was the infamous ZZ Top keychain. Man, I loved that ZZ Top keychain, it was made out of pure Metal too. I just lost that wonderful souvenir about two years ago… it is a darn shame. Anytime I held that keychain in view, someone (yes even total strangers) would always say: “Hey, isn’t that the ZZ Top keychain”? It was quite a popular conversation piece for me. 

My favorite ZZ Top album ever, is “One Foot In The Blues” – released on November 22, 1994. This album is all heavy Blues, baby! The ZZ Top brand of Rockin’ Blues.This album holds the honor and distinction of being the only CD that I listened to the very morning of my Wedding Day. You betcha. This just so happens to be the CD that I listened to on that entire special day, plus it was a gift from my gorgeous wife to be as well . Dusty Hill, thank you for the fabulous Rock N’ Roll and heavy Blues you have created with ZZ Top all these years! I definitely have cool and special memories associated with the tunes of ZZ Top. I certainly applaud and truly appreciate your musicianship.

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Rainbow “Long Live Rock ‘n’ Roll” long lives indeed!

Posted in 1970's hard rock, 1970's heavy metal, 1970's Rock, Album Review, classic rock, cool album covers, dio, essential hard rock albums, essential heavy metal albums, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, rainbow heavy metal band, Rock, rock music, rock music vocals, ronnie james dio, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , on May 19, 2009 by Metal Odyssey

There never seems to be a day that goes by, where I do not peruse my Heavy Metal collection of albums and/or CD’s. One album in my collection, that recently caught my attention and reminded me of genuine Heavy Metal greatness is Rainbow “Long Live Rock ‘n’ Roll”. When I first bought this album, I did so when Ronnie James Dio was the lead vocalist for Black Sabbath, sometime between 1980 and 1982. I needed to, at that time, catch up and become familiar with any or all of Ronnie James Dio’s music and bands. This album, without any doubt in my Metal mind, is a keeper for life.

Released in 1978, this album upon my first complete listen, had me in awe. It still has that same affect on me, more than 25 years later. It just seems that the true elite of Hard Rock and Heavy Metal will shine on forever, keeping the flame of Heavy Music burning for decades on end. That is exactly what “Long Live Rock ‘n’ Roll does for me, it keeps it’s Heavy Rock sheen glistening, no matter how many times I listen to it. It is my opinion that this album deserves to be in any all time great lists. The two songs “Long Live Rock ‘n’ Roll” and “L.A. Connection” alone are reason enough to add this album to your collection of Heavy Music. These two tunes pound away at a pace that is classic 1970’s Heavy Metal, yet the unmistakable sound is vintage Rainbow. Here is an album, that boasts strong and heavy music for it’s time, with intelligent lyrics and arguably one of the premiere lead guitarists and lead vocalists in all of Heavy Rock, back in 1978.

Fast forward to Ronnie James Dio joining forces with Black Sabbath, then decades later Heaven & Hell, we are all living in the present with the unstoppable Metal tandem of Tony Iommi and Dio. What is such a thrill to revisit, each time I listen to this album, is there was at one time, an incredible Heavy Metal duo of Ritchie Blackmore and Dio. Listening to Dio sing at this pertinent stage of his career, is hearing an emboldened vocalist, rich with sincere emotion and hunger that elevates the totality of this albums music. Ritchie Blackmore on guitar gives the songs on “Long Live Rock ‘n’ Roll” their creative and at times medieval signature sound. “Gates of Babylon” is a fine example on this album, of what I mean, in mentioning a medieval guitar sound. What words can I truly use to compliment the guitar playing and skill of the legendary Ritchie Blackmore on this album? Let’s leave it that Ritchie Blackmore is guitar elite. The pair of Dio and Blackmore together in Rainbow may have been short lived, however, just as the title of this album states “Long Live Rock ‘n’ Roll” – this album without question long lives.

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Michael Schenker & Gary Barden rock together again on “In The Midst Of Beauty”

Posted in 1980's hard rock, 1980's heavy metal music, Album Review, classic rock, current hard rock albums, current hard rock songs, current heavy metal music, Guitar, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, Rock, rock music, rock music vocals with tags , , , , , , , , , , , , , , , , , , , , , , on May 18, 2009 by Metal Odyssey

I always have been enamored by the guitar brilliance of Michael Schenker. I have always been a big fan of the Hard Rock/Heavy Metal vocals of Gary Barden. These two musicians combined, made for one very cool and memorable debut album by The Michael Schenker Group, which was self titled. My favorite album by this duo is the second Michael Schenker Group album, titled “MSG”. Depending on the song or album you listen to from the Michael Schenker Group catalog, this band can be defined as Rock, Hard Rock or Heavy Metal. Diversity has been the mainstay in Michael Schenker’s music, in my Metal opinion. A tried and true crossover of Heavy Music styles is what MSG has accomplished over the decades. Michael Schenker has had one incredible Hard Rock/Metal career, being an original member of the Scorpions and as a member of the infamous UFO.

Michael Schenker has had different lead vocalists over the years, again, my nod goes to the combo of Michael Schenker and Gary Barden. I did not intend to get too long winded, on the background history of The Michael Schenker Group, just a brief introduction is necessary for new fans that might want to check out the past music of MSG. Schenker – Barden “In The Midst Of Beauty” was released on May 13, 2008, with both Michael Schenker and Gary Barden rockin’ out together again. I am very pleased with this album, the vocals of Barden are still solid, he was never a flamboyant or in your face – Arena Rock vocalist to begin with. Barden for me, has always been a cool and deliberate Heavy Rock vocalist who exhibits real emotion in his vocals, while pronouncing the lyrics of his songs – always making the lyrical message as important as the music itself. In my Metal opinion, Gary Barden is as true a Heavy Rock vocalist today as he was in 1980. I cannot say enough about the guitar wizardry of Michael Schenker, to me he plays his very best on “In The Midst Of Beauty”.

All 12 songs are memorable for me on this album, with my favorite track being “Ride On My Way”. This tune is very melodic and it Rocks. I knew when I bought this CD, that I was not going to hear the resurrection of the 1980’s Schenker & Barden Heavy Metal attack. As years pass, all of our great and legendary Metal musicians change a tad or two. Does Gary Barden sound older? How about Michael Schenker? Give me a break, if anything else, there is a new found level of confident Metal that I hear on “In The Midst Of Beauty”. Do not be fooled, for Michael Schenker still brings the heavy on his guitar solos and leads. These two Heavy Metal legends can still Rock their hearts out, I only wish I could sing or play guitar this darn great at my age! “In The Midst Of Beauty” is a fantastic Hard Rock/old school Heavy Metal album that defines what Schenker and Barden are all about – both accomplished musicians who have nothing to prove to anyone – while still showing the entire Rock world what real song writing is all about.

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Cheap Trick – “Dream Police” an essential Hard Rock album

Posted in 1970's hard rock, 1970's Rock, 1980's hard rock, Album Review, classic rock, cool album covers, essential hard rock albums, essential rock albums, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, Music, Rock, rock & roll, rock and roll, rock music, rock music vocals, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , on May 16, 2009 by Metal Odyssey

I have been fascinated with the Hard Rock music of Cheap Trick since 1978. Yup, 1978. I owned with pride, the 8-track cassette copy of “Dream Police” and played it until only a hissssssss sound was heard, while a faint sound of tunes played in the background noise. It was not easy tossing away that 8-track copy of “Dream Police” – I eventually bought a CD copy of it down the road, somewhere around 1986 and I still have that CD. There is no hissssss sound on this Cheap Trick CD, no sir. All I hear is the sensational Hard Rockin’ music that is 100% vintage Cheap Trick. “Gonna Raise Hell” in my Metal opinion, is as bona fide a Heavy Metal song that Cheap Trick has ever created. This tune, for me, is what makes “Dream Police” such a classic album. Seriously, “Gonna Raise Hell” is a jaw dropping, head banging, anthem of a timeless tune. The bass play on this track alone is like a thunderous, stomping mad, evil, forest gremlin army marching toward battle. (There are times when my musical interpretations can become quite creative). Tom Petersson, in my opinion, takes a back seat to no one as a bassist in Hard Rock.

“Voices” is a smoothly written power ballad, only power ballads were not supposed to be around until Hair Metal came out of L.A. in the ’80’s. “Dream Police” is the fast paced, musically heavy driven, winner of a title track. To say that these mentioned songs, quite possibly the entire album, is relevant to what is created in todays Hard Rock or Heavy Metal circles is not far fetched. I feel that if a band today, created and released the song “Gonna Raise Hell”, it would do just that. This song is too darn good to be considered an old time classic. “Need Your Love” may be over seven minutes long, however, Cheap Trick makes this tune groove along at a pace that gives it an addicting Rock flavor. Cheap Trick melded together harmony, melody and Hard Rock in such a blissful heavy way, I cannot stop myself from labeling “Dream Police” as an essential Hard Rock album to own. Why else would I be reaching for this CD to rock out to, going on three decades now?

The vocals of Robin Zander were attitude laden with a slice of Punk, I can never mistake the overflow of confidence in his voice on “Dream Police”. Rick Nielsen on guitar is fluid and creatively distinctive on “Dream Police”. I find his signature sound to be legendary, Rick Nielsen was and still is one of a kind. What can be said for Bun E. Carlos on drums? This man carries out the identity of a true Rock and Roll drummer, he never over extends on “Dream Police” and only super enhances the rhythm section with skillful beats. In Summary, “Dream Police” is a work of Hard Rock musical art, from a legendary dream team of Rock musicians, forever known as Cheap Trick. 

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Black Stone Cherry – a Hard Rock band on a path to greatness

Posted in Album Review, current hard rock albums, current hard rock songs, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, recent heavy metal albums, Rock, rock & roll, rock and roll, rock music, southern hard rock, southern hard rock albums with tags , , , , , , , , , , , , , , , , , , , , on May 16, 2009 by Metal Odyssey

Black Stone Cherry, you better believe I like this band! I always feel reassured when a young Hard Rock or Metal band appears on the scene and shows reverence for old school Classic Rock, Hard Rock and Heavy Metal. With Black Stone Cherry, the reverence is in their music. I can hear it and feel it, the reverence in their first two albums and I am sold. Pick up or find just about any interview from this band, you will find these guys mentioning bands from years/decades gone by with the upmost respect. I personally feel it is the coolest and most admirable quality of any heavy Rock band to recognize the roots of their respective genre. Since the first moment I heard of Black Stone Cherry and with my continuance to follow them through numerous media sources, I have never heard a microscopic ounce of arrogance or self entitlement from them. This attitude will carry Black Stone Cherry to greater heights, for they have the musical talent to achieve their highest goals, in my Metal opinion.

I give Road Runner Records a huge applause for signing Black Stone Cherry in the first place, this record company has a winner here and believe me, they know it. One professionally paid music critic out there recently wrote, that “Black Stone Cherry should stop trying to sound like Nickelback” – this statement proves that there are paid music critics out there that never listen to the bands they write about. Black Stone Cherry sounds nothing like Nickelback, the only two things these two bands have in common are that they are extremely talented musically and they play Hard Rock. (I could never, ever, find it ethical to write about a band or their music without first listening to their stuff, yet unethical music reviews is what we all get handed to us, from mainstream Rock publications these days).

There are just two albums/CD’s out there currently by Black Stone Cherry – give them time, their first release was on July 18, 2006, aptly titled “Black Stone Cherry” with their second release on August 19, 2008 titled “Folklore and Superstition”. Black Stone Cherry blends together almost magically, the genres of Hard Rock, Heavy Metal and Southern Hard Rock. In my Metal opinion, there are no filler tunes on either album. The debut album for me, is the heaviest of the two, with “Folklore and Superstition” reaching out to a more melodic and commercial friendly sound. Having radio friendly tunes on a Hard Rock album does not bother me one bit, especially when the songs are not all sappy ballads. Don’t get me wrong though, “Soul Creek”, “Blind Man” and “Please Come In” off of “Folklore and Superstition” are catchy and melodic, yet these songs still Rock like there is no tomorrow. Great party tune is “Soul Creek” – I find myself bellowing out the lyrics to this song while I play it, almost as if it is uncontrollable.

Uh, yeah, I definitely recommend Black Stone Cherry and both of their albums/CD’s to any fan out there who wants to Rock out to some excellent music from excellent musicians. Here is the lineup for Black Stone Cherry, ‘cuz you just might want to know these dudes names: Chris Robertson on lead vocals, lead/rhythm/slide guitar, Ben Wells on rhythm & lead guitar, electric sitar & backing vocals, Jon Lawhon on lead, rhythm bass & backing vocals and John Fred Young on drums, percussion & backing vocals.

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Misfits “Project 1950” – a Punk Rock blitz of cover tunes

Posted in 1950's cover songs, Album Review, cool album covers, cover songs, current punk rock music, Misfits, Music, Punk rock, punk rock albums, punk rock music, Ramones, rock & roll, rock & roll hall of fame inductees, rock and roll, rock music with tags , , , , , , , , , , , , , , , , , on May 14, 2009 by Metal Odyssey

I love Metal and Punk Rock. Both genres are more similar than many people realize. Both genres are filled with loud, proud and against the grain outcasts. Based on the junk music you see and hear on network television these days, Metal and Punk Rock are the underdogs. That is why I subscribe to and adore both of these immensely great music genres. With that said, being a fiend, uh, I mean fan of the Misfits became a natural choice for me years ago. The Misfits “Project 1950”, in my Metal opinion, should and/or could be embraced by any Metal fan. Jerry Only, Marky Ramone and Dez Cadena rip out ten 1950’s Rock and Roll classics with heavy and intense Punk enthusiasm and skill. It is my personal belief, that Jerry Only not only can tear the house down with his bass playing, he can flat out sing too. Jerry Only’s vocals makes the songs on “Project 1950” sound like a continuous Punk Rock party. 

There are no special or secret musical ingredients to find here, just straight up Punk Rock and Roll courtesy of The Misfits. Marky Ramone being a part of The Misfits, appearing on drums for “Project 1950” makes it all the more special and inspiring. Marky Ramone (and of course, the Ramones) being enshrined in the Rock and Roll Hall of Fame, gives the Misfits incredible added status on this album. (Yes, I did use the word special earlier). Dez Cadena is blistering on guitar, he plays the old fashioned way… he just plays man. It is my opinion, that these three Misfits are undisputed legends. “This Magic Moment”, “Dream Lover” and “Monster Mash” are my three favorites, however, I have to admit that I like each song that is covered here immensely. “It’s Only Make Believe” is a thunderous, heavy, Punk trip of a cover tune. Truth be told, after listening to “Project 1950” for untold number of times, I find myself continuing to listen. This album has realistically become an addiction that hopefully will never falter.

Overall, “Project 1950” has a tad of Heavy Metal flavor, this obviously is not the Misfits from the Glenn Danzig era. Still, this is Punk, this is the Misfits and each song covered here makes this fact known loud and clear. If I can turn on anyone out there to this great album, then I have done a great deed. This is an album that should make any fan of heavy music grin, move and yell out the lyrics to. I hope and pray that Jerry Only would consider doing a “Project 1960” – that would be insanely great. I honestly feel this is one incredible crossover album that bridges the gap between Metal and Punk Rock.

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Metal Church – Heavy Metal to the core

Posted in 1980's heavy metal music, 1990's heavy metal music, Album Review, classic rock, Hard Rock, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, Metal Church, metal music, Metal Reviews, rainbow heavy metal band, rock music with tags , , , , , , , , , , , , , , , on May 13, 2009 by Metal Odyssey

I have a long list of Metal bands that I simply cannot get enough of. Metal Church is on this list. Actually, Metal Church is at the very top of this list. The reasons are many: the musicianship (first & foremost), the lead vocalists throughout this bands career  (the late David Wayne), Mike Howe and current lead vocalist Ronny Munroe. The music of Metal Church has always been heavy, they have never tried to sign on to the flavor of the month when it comes to Heavy Metal. Metal Church has always been as great of a representation of Heavy Metal music, as you can possibly get. (In my Metal opinion). I will say this now, Ronny Munroe for me, is what I consider the most underrated lead singer in all of Heavy Metal music today. I definitely feel Ronny is a Heavy Metal flashback, old school if you will. That is a compliment, for Ronny does not over reach vocally nor does he try to. Ronny Munroe is the only lead vocalist today, that reminds me of the legendary Ronnie James Dio. Sometimes comparisons are cool, especially when you get compared to DIO. *Ronny Munroe has his brand new solo album out now titled “The Fire Within”… with Kurdt Vanderhoof and Ronny producing it. Ronny does a cover of the Rainbow – Ronnie James Dio classic – “Man On The Silver Mountain” – I ordered my copy today, man, I cannot wait to get it. Michael Wilton from Queensryche and Rick Van Zandt from Metal Church both play guitar on Ronny’s solo album too. 

Kurdt Vanderhoof, the founder, guitarist and leader of Metal Church, along with all the musicians that have been part of Metal Church, both past and present, have proven to me that perseverance with musical integrity can bring about incredible Metal music. The proof of this belief are the catalog of albums from Metal Church. Plus, Kurdt Vanderhoof has a pretty darn good side project of a band called Presto Ballet as well. (I will save Presto Ballet for another future post). Going back to October 27th of 2008, a statement on the Metal Church website informed fans that Kurdt Vanderhoof was going to correct/rehabilitate bulging discs in his lower back. The statement went on to say this situation could take up to 6 months for Kurdt Vanderhoof. Man, I truly hope and pray that Kurdt Vanderhoof does rid his body of all the pain these bulging discs have caused. I am hopeful that everything goes well for Kurdt. 

During this past year, (September 23, 2008), Metal Church released their new album “This Present Wasteland” – one rock solid chunk of Heavy Metal that every fan of quality Metal music should own. It is an album that I consider to be one of the very best in Heavy Metal releases from 2008. I personally feel every tune on this album is heavy and of equal worthiness. “Monster” is a great track, lyrically taking on the dark side of cyberspace addiction. My favorite tune on this album is without a doubt, “Crawling To Extinction”, this song has all the old school, Heavy Metal flare, musically happening. If you are even remotely interested in checking out what Metal Church is all about, buy any album/CD of theirs and become an instant fan. The debut album of Metal Church is heavier, faster, more of a Thrash Metal work, in my Metal opinion. Comparing one Metal Church album to another is ridiculous, based on there being 3 different lead vocalists over the years. Besides, my being a gigantic advocate for Metal Church will not allow me to nit pick any of their music they have ever created. Check out Metal Church at http://www.metalchurchmusic.com

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Happy Birthday Eric Burdon – legendary vocalist of The Animals

Posted in 1960's rock & roll, 1960's rock & roll british invasion, 1960's rock music, 1970's Rock, classic rock, Hard Rock, Rock, rock & roll, rock & roll hall of fame inductees, rock and roll, rock and roll hall of fame inductees, rock celebrity birthdays, rock music, rock music vocals, Vocals with tags , , , , , , , , , , , , , on May 11, 2009 by Metal Odyssey

365241Today is May 11, 2009 and is also – the birthday for Eric Burdon, the legendary lead vocalist for the (legendary) 1960’s Rock band – The Animals. Eric Burdon and The Animals are deservedly enshrined in The Rock and Roll Hall of Fame, (inducted in 1994). Eric Burdon has turned a rockin’ 68 today! Today is as good an excuse as any to slap on some tunes from The Animals and play them LOUD. The Animals were an integral part of the historical “British Invasion” of Rock & Roll, straight from England, back in the storied 1960’s. Man, the voice of Eric Burdon is just plain timeless, in my Metal opinion. I have always been captivated by the vocals of Eric Burdon, I always wonder how he would have sounded fronting a Metal band today, he has that voice that is deep, cool and ominous. The three tunes from The Animals that I always find stuck in my head are: “House of the Rising Sun”, “Sky Pilot” and “Don’t Let Me Be Misunderstood”. (Now I am gonna have these tunes stuck in my head today, that is cool with me though). The Animals career may have been short compared to many other bands of that time period, however, I always feel it is quality and not quantity that matters most in Rock & Roll. To me, The Animals and Eric Burdon exemplify Rock & Roll quality.

Ean Evans – Thank you for the music

Posted in classic rock, classic southern rock, Hard Rock, Music, Rock, rock music, southern hard rock, southern rock, southern rock bass players with tags , , , , , , , , , , on May 10, 2009 by Metal Odyssey

14462976I heard the news on May 6, 2009, that Ean Evans, the long standing bass player for Rock & Roll Hall of Fame member & Southern Rock Legends Lynyrd Skynyrd, passed away from a battle with cancer. Ean’s quality bass playing and backing vocals will surely be missed. Ean’s music will forever be heard and enjoyed by fans worldwide, an everlasting gift he has left us all. Metal Odyssey pays tribute to Ean Evans and gives condolence to all of his family and friends. May God Bless You, Ean Evans, rest in peace in Rock N’ Roll heaven.

The greatest Heavy Metal album of all time is…

Posted in 1970's hard rock, 1970's Rock, Album Review, Black Sabbath, classic rock, cool album covers, Hard Rock, hard rock album review, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, ozzy, Ozzy Osbourne, Rock, rock music, rock music vocals, tony iommi heavy metal guitarist with tags , , , , , , , , , , , , , , , , , , , , , , , , on May 9, 2009 by Metal Odyssey

527399Well, I have finally reached the pinnacle in my decision process for The Greatest Heavy Metal Album Of All Time. Please reference my past posts on this topic, you will find many great & legendary Metal albums that I personally nominated for this prestigious label. Without further delay, in my Metal opinion, and only mine alone, I have chosen: Black Sabbath – “Sabbath Bloody Sabbath”      

Please note that this is my opinion, anyone out there can have his/her own choice for this topic. It boils down to personal preference, especially when it happens to be Metal. Here are my reasons for why I feel this way about this incredible album:

1. It is my belief that Doom Metal, Stoner Metal and real Metal all began with Black Sabbath. “Sabbath Bloody Sabbath” just signifies musically, what Metal was and where Metal was heading, back in 1974. 

2. Without question, for me, the ‘riff master’ of the Metal world then and now is and forever will be the legendary Tony Iommi.

3. Ozzy Osbourneno Rock or Metal vocalist has ever sounded like him, or even come close. Ozzy’s vocals are so unique, it is uncanny. I am not saying Ozzy is the greatest vocalist ever, what I am stating is that his vocals are a signature, a trademark if you will, of “Sabbath Bloody Sabbath.” Ozzy’s vocals are so extraordinarily identifiable, just as Tony Iommi’s guitar riffs.

4. Not that this played any factor in my decision whatsoever – the album cover artwork is extremely cool, very much Metal. The artwork depicts a skull, demonic beings, a nightmarish snapshot of a piece of hell. Perhaps, I do not know officially for certain, this was the first album cover of any Rock genre which depicted 666 in it’s artwork. (Again, I would need to really research this).

My summary as to why I believe “Sabbath Bloody Sabbath” to be The Greatest Heavy Metal Album Of All Time is this:

Black Sabbath “Sabbath Bloody Sabbath” is a tried and true Heavy Metal classic. Every song is a definitive statement of just how talented and forward thinking Black Sabbath was in 1974. These 8 songs are a journey of surreal riffs, post psychedelic musical heaviness, that molded Heavy Metal into what it has become today. The opener “Sabbath Bloody Sabbath” has a lead riff that instantly prepares you for the remaining set of songs. The instrumental “Fluff” could only work for Black Sabbath on this album, it’s convenient yet prominent position within these songs makes complete sense. “Fluff” and it’s acoustic beauty embarks on the intelligence Black Sabbath held onto musically. Just look at how many Metal bands since, that have slipped in dreamy, mystical or macabre instrumentals for their respective albums. Ozzy Osbourne is so unmistakably eerie on vocals, he was and always shall be one of a kind. Tony Iommi delves into the world of heavy riffs, formulating one after another throughout, unknowingly becoming the Metal riff king for all time. Geezer Butler on bass and Bill Ward on drums provide a legendary rhythm section, that shapes the dark moodiness of this beyond fantastic Metal masterpiece. I look at 1974, then I realize exactly how prominent Heavy Meal was then. It really was not an embraced genre as yet, Metal was truly in it’s infant stage.

“Sabbath Bloody Sabbath” was the Metal comet that stormed into the musical universe in 1974, making a collision onto a world of Rock & Roll that did not know what hit it. Legions of bands and musicians have been influenced by this album, if not, these bands/musicians are not into Metal and/or do not live on this planet. I strongly urge any and all Heavy Metal or Hard Rock fans to add “Sabbath Bloody Sabbath” to their music collection, it is an essential and important work of Heavy Metal. The Greatest Heavy Metal Album Of All Time. 

Just as a sidebar, I struggled with this decision. I was steadfast in deciding on Slipknot “All Hope Is Gone” as the greatest ever. Then, I followed my Metal heart and realized, if it wasn’t for Black Sabbath and “Sabbath Bloody Sabbath,” would there even be Metal music as we know it today?

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Molly Hatchet debut album from 1978 – Rocks heavy to this day

Posted in 1970's hard rock, 1970's Rock, 1980's hard rock, 1980's southern hard rock, 1980's southern rock, Album Review, classic rock, classic southern rock, cool album covers, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, Music, rock music, rock music vocals, southern hard rock, southern hard rock albums, southern rock, southern rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , on May 8, 2009 by Metal Odyssey

In 1978, Molly Hatchet, the Southern Rock legends to be, released their debut album “Molly Hatchet” – this album still rocks today. I was just embarking on my teen years back in 1978, Kiss, Foreigner, The Electric Light Orchestra and Cheap Trick were my four main bands that I listened to constantly. (I was not into the real heavy music until I entered high school, heck, I was still green and learning fast about the huge world of Rock music). One band, however, that turned my head and gave me instant goose bumps as soon as I heard their tunes was Molly Hatchet. Man, I was amazed at the sound of this band. I was going on fourteen when I first heard the guitar jamming, the muscular feel and Southern Rock energy coming from Molly Hatchet. The vocals of Danny Joe Brown sounded so bad ass to me, (they still do), I thought I was bad ass when I spoke of Molly Hatchet to my grammar school buddies. The rebellious sound, vocals, lyrics and super cool album cover won me over in 1978 and has never waned for three decades. I never forget or stop listening to those bands that got me into music as a kid, these bands including Molly Hatchet I am forever grateful for.

“The Creeper” in and of itself is good enough reason to chase this album/CD down. The seven minute and brilliant “Dreams I’ll Never See” for me, makes for one of the greatest cruisin’ tunes I have ever heard. “Bounty Hunter” and “Gator Country” just kick start this album into a Hard Southern Rockin’ rebellious ride that I enjoy taking. I realize a couple of  posts ago was about Molly Hatchet as well, I am stoked recently over this band forgive me please. This debut album from Molly Hatchet blows away thousands of other debut albums that are out there – how often I find myself not buying a bands first album due to it’s blandness. Hey, this is my Metal opinion. Sure, the debut from Molly Hatchet is “old school” – only remember that this is an album that helped pave the way for Southern Hard Rock to flourish and receive it’s due respect and credibility. I hope my posts on Molly Hatchet can lure new fans to this legendary band and to the genre of Southern Rock. Veteran fans of Molly Hatchet and Southern Hard Rock already know what I am talking about.

Here is the original lineup of Molly Hatchet, as they appeared on their debut album “Molly Hatchet” – Danny Joe Brown – lead vocalist, Duane Roland – lead guitar, Dave Hlubek – lead guitar, Steve Holland – lead guitar, Banner Thomas – bass guitar and Bruce Crump – drums.

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Duff McKagan’s Loaded is loaded with Punk & Hard Rock

Posted in Album Review, Century Media, century media records, current hard rock songs, current heavy metal music, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, new hard rock album, new heavy metal album, new punk rock album, Punk rock, Rock, rock music, rock music vocals with tags , , , , , , , , , , , , , , , , , on May 7, 2009 by Metal Odyssey

9252961Duff McKagan, you know, the very famous and former bass player for the legendary Guns N’ Roses and current bass wizard for Velvet Revolver? Yeah, that guy. Well, let me tell you, Duff McKagan has his brand new solo, (if you will), album out right now and it is in my Metal opinion, sensational. Really, these tunes that Duff McKagan provides with Loaded are just that – loaded. Loaded with quality Hard Rock driven tunes. These songs have catchy hooks and an almost unmistakable Punk Rock vibe happening throughout the entire album. Loaded is groove laden and if I am not mistaken, not over-produced! I can honestly say, that I hear a bit of overall polish missing and I love that!!

Duff McKagan handles the lead vocal duties on every song and plays guitar on this album. I will say this without hesitation, Duff McKagan can sing. His vocals are tailored made for Hard Rock, with a whole bunch of Punk Rock attitude to go along with them. Why do I keep bringing up the comparisons with Punk Rock? Well, that is what I honestly hear, Duff Mckagan’s Loaded is all about Hard Rock and Punk Rock meeting each other in the middle. The only song that gets the least of my attention on this album is “Mother’s Day” – the lyrics are depressing. I always stray away from the sad ballads/sad lyrics from any band. However, despite the lyrics on this song, musically it is very listenable.

Once you listen to the first two tracks – “Sick” and “Sleaze Factory”, anyone who appreciates Hard Rock and Punk Rock will realize the fusion of the two are here with Loaded – these two songs set the table for this album. Duff McKagan has proved to me, that he is an extremely well rounded Rock musician, his talents resonate loud and clear on this album. Loaded as a band and Sick the album, are sure fire to achieve commercial and mainstream acceptance and success, I can appreciate that. Loaded as a band deserves all the applause they can muster. When you have the instant and legendary credibility of Duff McKagan carrying the music, broad acceptance is unavoidable, forget being labeled underground. Loaded and this album has become an instant favorite for me, I highly recommend this album to all heavy music fans worldwide. Now, to spotlight the fine musicians that make up Loaded: Duff McKagan on vocals & guitars, Geoff Reading on drums & vocals, Jeff Rouse on bass, vocals and translucent and Mike Squires on guitars and vocals.