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MURDERDOLLS – “WOMEN AND CHILDREN LAST” RELEASES AUGUST 31, 2010!

MURDERDOLLS – And on the 13th day, God created the Murderdolls. O.k., so maybe God did. The real Metal fact is this: Murderdolls are BACK! On August 31, 2010, ROADRUNNER Records will be releasing the newest installment of heavy duty carnage, from this Supergroup. The legendary Joey Jordison (Slipknot) plays both guitar and drums on Women And Children Last. Wednesday 13, (Yes, that Wednesday 13!), is the lead vocalist and plays guitar and bass as well.

* Metal Odyssey Note: I did refer to Joey Jordison as “legendary”… and if anyone disagrees, well, you obviously have never listened to any Slipknot albums in your entire life… especially All Hope Is Gone. Metal be thy name.

On June 22, 2010, the RoadRunner Records website was serving up, (for just 48 hours), a free download of the Murderdolls single – My Dark Place Alone, from the forthcoming Women And Children Last. I took full advantage of this Metal freebie. Let me just describe this song as honestly as I can… An F’n intense and brutally supercharged Metal song, fueled with hellishly delectable speed and fury, that shall pummel thine senses into a state of maddening glee. ‘Nuff said. No? All right, here is a song review for the more intolerant and faint of heart out there: My Dark Place Alone shall invade your mind, space and soul by brute force… so grab your first aid kit, food rations, your ABBA albums, loved ones and seek shelter soon.

* Metal Odyssey Note: You can currently purchase My Dark Place Alone on itunes.

As read on the Murderdolls official website, (see link below), Joey Jordison states that Wednesday 13 came up with the new album title of Women And Children Last, being a funny joke on the Van Halen album “title” – Women And Children First, released back in 1980. (Just so the readers know… I revere that Van Halen album). Wednesday 13 reveals on the Murderdolls official website: “So the record is going to have ideas from all over the place. It’s heavy, it’s Glam Rock, it’s Hard Rock, it’s Metal, it’s… there’s not hip-hop though”. Sounds like a kickin’ ass album to Stone.

* From what I have been reading, Motely Crue’s legendary Mick Mars does appear on two songs, making Women And Children Last all the more Metal intriguing. Song titles have been revealed, with the two Mick Mars songs as well… only I don’t want to spell out these songs until it is “officially” stated on a credible site or from a credible source. Maybe this info is out there, already credibly established. Still, I just don’t want to wind up as a corn dog at the end of the day.

* Some of the new album’s song titles have been revealed on the RoadRunner Records website, (see link below), they are: Death Valley Superstars, Summertime Suicide, Drug Me To Hell and of course, My Dark Place Alone.

Murderdolls released their debut album in 2002 – Beyond The Valley Of The Murderdolls, on RoadRunner Records. Initially being a Horror Punk Band, Murderdolls are now promising a wide array of Heavy Music styles on Women And Children Last. From listening to their new single – My Dark Place Alone, Murderdolls have taken a few steps aside from their Horror Punk style of eight years ago. I really am looking forward to hearing this new Murderdolls album in it’s entirety. You can count on this album being reviewed right here on Metal Odyssey. I have a sinister suspicion I’m gonna really like it.

* For more info on Murderdolls, just click on the links below!

MURDERDOLLS – Official Website

www.myspace.com/murderdollsband

ROADRUNNER RECORDS

LONG LIVE MURDERDOLLS!

Stone.

IRON MAIDEN – “BRAVE NEW WORLD” ALBUM FROM 2000

Posted in hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal videos, metal odyssey, Music, progressive metal bands, progressive metal music, rock music with tags brave new world music video, hard rock music, heavy metal albums 2000, heavy metal albums 2010, heavy metal history, heavy metal legends, heavy metal music, heavy metal news, iron maiden albums, iron maiden heavy metal band, iron maiden rock in rio, iron maiden the final frontier, metal odyssey, Music, nwobhm, progressive metal music, rock music on July 12, 2010 by Metal Odyssey

IRON MAIDEN – In May of 2000, the beyond legendary Iron Maiden released the twelfth studio album of their unparalleled Heavy Metal career. Brave New World is studio album #12 from Iron Maiden and marked the return of their most prolific lead vocalist – Bruce Dickinson. (After 1992’s Fear Of The Dark album, Bruce Dickinson left Iron Maiden to pursue what became a successful solo career). The two Iron Maiden albums before Brave New World, The X Factor from 1995 and Virtual XI from 1998, featured the strong and capable vocals of Blaze Bayley. There was and always shall be, however, only “one” Bruce Dickinson and Brave New World resonates with his unreal unique, Metal/operatic vocals.

Brave New World is the album that also glistens with the return of long-time Iron Maiden guitarist Adrian Smith. The 1981 album Killers was Adrian Smith’s coming out party for Iron Maiden. With two signature band members in Bruce Dickinson and Adrian Smith, returning to the Heavy Metal historic band known as Iron Maiden, Brave New World was a real return to the make-up of how this band is truly embraced and perceived by their countless fans across the continents.

IRON MAIDEN – Rock In Rio (2002), concert supporting the Brave New World album.

IRON MAIDEN RETURNS! WITH STUDIO ALBUM #15!

THE FINAL FRONTIER – RELEASES AUGUST 17, 2010!!!

LONG LIVE IRON MAIDEN!

Stone.

1 Comment »

My favorite DANZIG song is…

Posted in Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal songs, heavy metal videos, metal odyssey, Music, rock music with tags 1980's heavy metal bands, 1990's heavy metal bands, current heavy metal bands, danzig dirty black summer video, danzig heavy metal band, danzig III how the gods kill, glenn danzig, hard rock music, heavy metal history, heavy metal legends, heavy metal music, heavy metal music videos, metal music, metal odyssey, Music, rock music on July 11, 2010 by Metal Odyssey

DANZIG – In 1992, Danzig III: How The Gods Kill was released. My favorite DANZIG song of all-time is on this album… Dirty Black Summer. Oh yeah. This is the one. There’s something about the wickedness of this song’s tone, atmosphere and grooves. Plus, this song’s edgy heaviness and lyrics are what puts that sinister smirk on my face and attitude in my step. Dirty Black Summer is not a “fun in the Summer sun” song by any stretch of the imagination. With that said, all the guitar parts seem to remind me of those hot and humid Summer nights, where I am taking a long cruise in the car, with the window down, as fog begins to formulate in the air. I guess it’s just me.

Some time ago, I wrote up a brief review on this great DANZIG album. You can read it if you so wish, I actually recommend that you do. Just click the link below:

DANZIG III: HOW THE GODS KILL

Oh, yeah, one more Metal thought. Glenn Danzig F’n RULES.

DANZIG as they appeared on DANZIG III: How The Gods Kill:

Glenn Danzig – vocals

Eerie Von – bass

John Christ – guitar

Chuck Biscuits – drums

Check out the DANZIG – Dirty Black Summer music video below. Hopefully you enjoy this song as much as I do. If not, well, you can always go back to your cross stitching and listen to the Fiddler On The Roof soundtrack. Metal be thy name.

CRANK IT LOUD MUTHA!

* For more info on DANZIG, just click the link below:

DANZIG – VEROTIK – Official Website

LONG LIVE DANZIG!

Stone.

3 Comments »

OVERKILL – TO TOUR AUSTRALIA, SEPTEMBER 2010, FOR FIRST TIME!

Posted in Heavy Metal, heavy metal bands, heavy metal music, heavy metal news, metal music, metal odyssey, Music, rock music, rock music news, Thrash Metal, thrash metal bands, thrash metal music with tags 1980's thrash metal bands, 1990's thrash metal bands, heavy metal concerts 2010, heavy metal music, heavy metal news, metal music, metal odyssey, Music, old school thrash metal, overkill 25th anniversary tour 2010, overkill thrash metal band, overkill tours australia 2010, thrash metal bands, thrash metal legends, thrash metal music, thrash metal music 2010 on July 10, 2010 by Metal Odyssey

OVERKILL – Thrash Metal Legends, OVERKILL will be taking their 25th Anniversary Tour down under, to the great country of Australia, this September of 2010! The cool poster pic below tells all. From what this tour poster pic reads, this is the first time ever OVERKILL will be unleashing their Thrash Metal in Australia! OVERKILL will be supported on all the Australian dates, by Australia’s very own Thrash Metal attack known as – MORTAL SIN.

*Metal Odyssey has no other information on this tour, just the tour image with info as you see it.

* OVERKILL is out supporting their amazing 2010 studio album release – IRONBOUND, released on E1 Music, on February 9, 2010.

* For more info on OVERKILL, just click the cool link below:

OVERKILL

* The link address for more info on OVERKILL touring Australia in September, 2010 is: http://www.overkillband.com.au/

LONG LIVE OVERKILL!

Stone.

SLAUGHTER – ROCKS HARD ON “EXTENDED VERSIONS” LIVE CD

Posted in Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal odyssey, Music, rock & roll, rock 'n' roll, rock and roll, rock music with tags 1990's heavy metal bands, 1990's hard rock bands, hair metal music, hard rock bands, hard rock music, heavy metal albums, heavy metal music, live hard rock albums, mark slaughter vocalist & guitarist, metal odyssey, Music, rock music, rock n' roll, slaughter extended versions album review, slaughter hard rock band, slaughter heavy metal band on July 9, 2010 by Metal Odyssey

SLAUGHTER – If your looking for a live CD of Slaughter, that is priced right, then this Extended Versions is choice. The liner notes do not reveal where or when these songs were recorded, just that they were recorded live. The compilation date on the back of this CD is 2002. Regardless, at the onset before the opening song, Mad About You, you can hear Mark Slaughter shouting out – “home sweet home, Las Vegas Nevada”! So, at least you know the city where Mad About You was recorded live.

There are those subtle breaks between the songs that obviously tells me this is not a complete/uninterrupted concert recording. Instead, this Extended Versions plays out as a compilation of live recordings. It really makes no difference to me if this is not a complete concert recording. Plus, it is noted on the back cover of this CD: this CD contains previously released recordings. The inside cover of the CD sleeve reads: all tracks 1998. (The 1998 live Slaughter album – Eternal Live, really comes to mind here and Las Vegas & Mexico were the live locations). The overall sound quality is excellent and the song selection is fantastic on this Slaughter – Extended Versions CD.

Having Mad About You as the opening song is a thrill to me, as it is one of my favorite songs from Slaughter. Mad About You just Rocks steady from beginning to end, making for a perfect pump-you-up song to get this live listen started. Up All Night is the fourth song, it’s always been just an amazing Hard Rocking anthem for me. Slaughter doesn’t disappoint with this live version of Up All Night, making it a true highlight of this Extended Versions CD.

An abbreviated and acoustic version of Spend My Life is included in the song selection. I have seen Slaughter perform an all live, acoustic set back in the early 90’s and it was extremely cool. To hear Spend My Life in it’s acoustic entirety would be even better. Despite the shortened version, it’s still a cool listen to hear Mark Slaughter prod the crowd into a sing along with this song’s chorus.

Wild Life is brought to live Hard Rock glory and is a standout listen. Don’t be surprised if you are to repeatedly play Wild Life… very loud, as it should be heard. An excellent, excellent, Slaughter song is Real Love and it is live and kickin’ on this CD. On this heavy ballad, Mark Slaughter sings his heart out. Rock The World has Slaughter Rockin’ on all heavy cylinders, with all the potency I like to hear in a live song such as this. If Rock The World can’t motivate your day, then take two healthy dumps and don’t call me in the morning because your probably constipated.

Throughout each song heard on this live Slaughter CD, I will readily admit that Mark Slaughter’s vocals sound very, very, good. Vintage good. I can’t imagine any Slaughter fan walking away disappointed, after listening to this live CD. Slaughter – Extended Versions I strongly recommend to all Slaughter and Hard Rock fans the world over. Fans of 1980’s and early 1990’s Hair Metal should be pleased by this Slaughter CD too. Slaughter – Extended Versions is readily available wherever CD’s are sold, in both used and new condition. I’ve seen this CD out there and a new copy should set you back no more than $5 or $6 (U.S.), at the most.

* Slaughter – Extended Versions was released on BMG Special Products.

Track Listing For Slaughter – Extended Versions:

Mad About You

Fly To The Angels

Move To The Music

Up All Night

Spend My Life

Wildlife

Real Love

Rock The World

Shout It Out

Dance For Me

SLAUGHTER – (Original Lineup) – From left to right: Dana Strum, bass guitarist * Mark Slaughter, vocalist & guitarist * the late Tim Kelly, guitarist * Blas Elias, drummer

Long Live Slaughter Rock ‘N’ Roll!

Stone.

2 Comments »

BRET MICHAELS “CUSTOM BUILT” – MAKES FOR A DIVERSE ROCKIN’ LISTEN

Posted in country music, country rock music, Hard Rock, hard rock albums, hard rock music, metal odyssey, Music, rock & roll, rock 'n' roll, rock album reviews, rock and roll, rock music with tags 2010 rock album reviews, bret michaels custom built album review, bret michaels vocalist, country music, country rock music, hard rock music, metal odyssey, Music, new album releases 2010, rock & roll, rock albums 2010, rock music, rock music celebrities, rock n' roll on July 8, 2010 by Metal Odyssey

BRET MICHAELS – Bret Michaels did not leave us… thank you God and all the Rock ‘N’ Roll angels for that. Now, Bret Michaels has his brand new solo album Custom Built out, released on July 6, 2010, on Poor Boy Records Inc. and it is built on Rock ‘N’ Roll diversity. Anyone expecting a full-throttle Hard Rock album should prepare for a little bit o’ Country, a little bit o’ Club Mix and some acoustic music from Bret Michaels on Custom Built. Not to worry though… there are a couple of decent Hard Rock moments on this new Bret Michaels album too. Just because Bret Michaels wants to exhibit his fondness for some other music genres shouldn’t make this Custom Built album any less desirable for fans of Bret, Poison and good ol’ Rock ‘N’ Roll.

Am I thrilled by the Club Mix of “Go That Far”? (Club Mix by Jason Miller of Godhead). Nope. Not a chance. It’s not my cup o’ Rockin’ tea. With that said, it grooves enough for someone to dance to, wiggle to, or whatever to. At this point in Bret Michaels life, I feel he can basically do whatever he damn well feels like with his music anyways. You only live once. Plus, there are probably gonna be hordes of fans that will dig “Go That Far”. Just because I don’t dig it, doesn’t mean it’s the end of the world.

Open Road is a Country Rock song to relish however. Bret Michaels can really sing Country. He sings Country like it’s his second nature and I’m buying into it. “Open Road” has some classic Country lyrics to go along with it too… it’s upbeat in both it’s music and lyrics. “Rock’n My Country” is… you guessed it. Country! Hey, if I am to see Bret Michaels live someday and he sings this song, I’m gonna be doin’ my sneaker kickin’ (or is that boot kickin’?) stomp with one hand held high. My other hand shall have a cold one in it. Maybe two cold ones. A fun Country Rock song is “Rock’n My Country”.

“Nothing To Lose (Bret Only Demo)” is an acoustic gem. What a cool and mellow listen this song is. Lyrically moving and yes, inspirational. Is it a kleenex song? Maybe… only I’m too damn tough for that. Excuse me please… while I blow my nose and wipe my eyes now. Yes, yes, yes… the duet version of “Nothing To Lose” with Miley Cyrus is on this album too. Hey, it’s a good song and that’s what writing and playing good music is all about. Plus, Miley Cyrus has come of age in doing this song with Brett Michaels… in my Metal opinion. No, no, no… my eyes are not welling up. Stop it… and leave me alone. Gee whiz. Someone pass me a damn beer. Um, please.

I’d Die For You is a raw and downright non-commercial song that Rocks. It’s the last song on Custom Built and ends this album on a pretty Hard Rockin’ note. Plus, Bret Michaels sounds pretty bad ass singing this song too. Riding Against The Wind is the album opener and it falls somewhere between Hard Rock and Hard Rock Country. It’s a song that lyrically flirts with some patriotism and flourishes with undeniable emotion and reflection. Yes, this song I would raise the horns in the air to with Rockin’ glee.

Lie To Me is the bona fide Hard Rock song on “Custom Built”. Hell yeah… this song is a heavy hitter. Bret Michaels made the right move in adding this song to the mix… plus a psyche-you-out mini guitar solo doesn’t hurt “Lie To Me” either. “Wasted Time” is a Hard Rock song that wastes no time in grabbing my attention. This Rocker leans more towards being a tough Power Ballad, as it sounds semi-raw with Bret Michaels adding a sandpapered tone to his vocals, to enhance it’s overall heavy appeal.

My recommendation is buy “Custom Built”, listen to the songs on it and celebrate a musician who loves music. This is an album of songs, regardless if I don’t happen to like any Club Mix or not, it’s a song too… a song for someone else. Bret Michaels isn’t going anywhere anytime soon… there is just too much Rock ‘N’ Roll, Hard Rock and Country in his veins and “Custom Built” proves it.

Track Listing For Bret Michaels – Custom Built:

Riding Against The Wind

Lie To Me

Nothing To Lose (Featuring Miley Cyrus)

Wasted Time

What I Got

Every Rose (Country version featuring Brad Arnold of 3 Doors Down, Chris Cagle, Mark Wills)

Go That Far (Club Mix by Jason Miller of Godhead)

Driven (Rock Mix)

Open Road

Rock’n My Country

Nothing To Lose (Bret only demo)

I’d Die For You

Long Live Bret Michaels! Only… the Club Mix has to go.

Stone.

8 Comments »

CAVO “BRIGHT NIGHTS DARK DAYS” – ROCKS HARD WITH A MODERN EDGE

Posted in hard rock albums, hard rock bands, hard rock music, hard rock songs, heavy metal music, metal odyssey, Music, Rock, rock 'n' roll, rock and roll, rock music, rock music news with tags bright nights dark days album review, cavo hard rock band, cavo my little secret song, cavo rock band, current hard rock music, hard rock albums, hard rock bands, hard rock bands 2010, hard rock music, hard rock songs, melodic rock bands, melodic rock music, metal odyssey, modern rock music, Music, rock album reviews, rock music on July 7, 2010 by Metal Odyssey

CAVO – Upon listening to the opening track, Champagne, one would be lent to believe CAVO is going to blast through Bright Nights Dark Days with reckless Hard Rock abandon. Um, wrong. CAVO does electrify with Champagne, this song is one to play at maximum potential and has all the ingredients to “pump-up” the party. This is the chart topping single that has catapulted CAVO into the Rock stratosphere of popular music, which also appeared on their 2008 EP aptly titled – Champagne. Only this is a band that delves deeper into an all around Modern Rock sound, allowing some thick maturity to seep forth from their music and lyrics. Bright Nights Dark Days is a thorough listen into what a Rock band can accomplish, when song writing and lyrics are looked upon conscientiously.

It’s always a grand achievement when a Rock band can show their different levels of Hard and Heavy sound, while not coming across as being too darn diversified for their own liking. CAVO has assembled 11 songs on their major label debut album that sincerely gives them a true Rock identity. I like to steer away from the Post-Grunge label that has been given to CAVO here and there… I’d rather label CAVO as a Rock/Hard Rock Band that mingles with a flare for Modern sound. In a sophisticated way. To simplify things, CAVO Rocks.

CAVO is not the second coming of CREED, nor are they a commercial/bubble gum ready band for the Nickelodeon Network. CAVO is already carving out their very own Rock legacy only one year in since their major record label debut. This band has grasped that fine balance between Rock’s mainstream accessibility and Hard Rock hallelujah, while making their songs sound and feel like the now. CAVO has obviously tasted and experienced quite a bit of success since this album has been released, with another huge hit – Let It Go being included on the soundtrack for – Transformers: Revenge Of The Fallen. Let It Go is a powerful song, with it’s total Rock vibe and memorable chorus, I can understand why this song was picked for a blockbuster movie soundtrack.

I hear a genuine emotion that resonates from the vocals of Casey Walker. Casey Walker never comes across as pre-fabricated when he sings on this album, he comes across as really feeling the song’s respective musical and lyrical message. Cry Wolf and Ghost are two excellent examples of what I mean. Ghost is as personal a song can be lyrically and Casey Walker has a natural born talent to convey some moving emotion through his vocals. One listen to My Little Secret and it is quite clear as to how inspiring this lead vocalist sounds, taking a ballad that could have been turned into sappy city and instead Casey Walker makes this song a riveting listen.

Musically, CAVO comes across loud and clear as being one Rock solid unit. This is not a band that was born overnight, almost a decade in the making is CAVO. With numerous new Rock and Hard Rock Bands evolving within the last several years, it’s the bands that make quality songs and albums that stand out to my ears. CAVO should appeal to fans of Creed, of course, yet fans of Nickelback, Papa Roach, Pop Evil, Daughtry and even Saliva, (to name a few), should easily embrace their Rock & Hard Rock sound and songs. CAVO seems to be off to an incredible start with Bright Nights Dark Days, I honestly look forward to what this band delivers in the future.

* For more info on CAVO, you can freely click on the links below!

CAVO – MySpace Music Page

CAVO – Official Website

* Bright Nights Dark Days was released on August 11, 2009, on Reprise Records.

CAVO Are:

Casey Walker – vocals

Chris Hobbs – guitars

Brian Smith – bass

Chad LaRoy – drums

Track Listing For CAVO – Bright Nights Dark Days:

Champagne

Crash

Let It Go

Cry Wolf

Ghost

Blame

My Little Secret

Beautiful

We All Fall Down

Over Again

Useless

* Transformers Revenge Of The Fallen soundtrack was released on June 23, 2009 on Reprise Records. Let It Go by CAVO is track #3 on this soundtrack.

Stone.

CHEAP TRICK “WOKE UP WITH A MONSTER” – SPOTLIGHTING A STANDOUT 1990’S HARD ROCK ALBUM

Posted in classic rock, classic rock bands, classic rock music, Hard Rock, hard rock albums, hard rock bands, hard rock music, heavy metal music, metal odyssey, Music, rock & roll, rock 'n' roll, rock and roll, rock music with tags 1970's rock bands, 1980's rock bands, 1990's hard rock albums, 1990's rock albums, 1994 rock albums, aor, cheap trick rock band, classic rock music, hard rock bands, hard rock music, melodic rock music, metal odyssey, Music, rock music, rock music legends, woke up with a monster album review on July 6, 2010 by Metal Odyssey

CHEAP TRICK – Don’t be fooled by those “elitist” Rock magazine reviews on this prize of a Cheap Trick album called – Woke Up With A Monster. Past reviews from pathetic Rock Music publications, that can’t grasp great Rock ‘N’ Roll bands and their music, just make for incredible comedy. Why drop names here now… we fans know the politically biased Rock magazine I’m referring to. Woke Up With A Monster is a Hard Rock album from 1994 that glows bright amongst the glut of mid 1990’s Rock and Hard Rock album releases, which many seemed to stray away from having any semblance of Classic Rock influence all together.

Amidst competing with the popular Grunge movement of it’s time, Woke Up With A Monster pulsated then and radiates still, in 2010. With eleven songs that beat down the door of stagnant Rock Music and kicks it’s weak ass from sunrise to sundown, this is a Cheap Trick album that sets an example of just how to ROCK STEADY in the face of pop-cultural ignorance of the day.

Phew. That felt kinda gooood. Now, onto this outrageously infectious delight, that is Woke Up With A Monster. The very last song on this album grooves along with a Rockin’ melodic aura that makes me feel like… the album is over? Can’t be! This song is just too cool and it flows through my veins like Rock ‘N’ Roll oxygen! This last song I’m referring to is Love Me For A Minute. Rick Nielsen on guitar plays some crafty licks throughout Love Me For A Minute, giving this song it’s melodic driving appeal. Robin Zander sings this song like it’s the biggest Cheap Trick hit from their career too. A “wow” song that ends this album on a very, very, high note.

Now, if the last song on Woke Up With A Monster is this chewy delicious, just how good are the other songs? For all intents and Rock ‘N’ Roll purposes, the remaining ten songs are a listen and quick study in what Rock greatness is all about, when you don’t try to reinvent the F’n wheel. The song writing, the lyrics, the vocals, the all too irresistible Rock sound of Cheap Trick. Just like comfort food. Sounds so simplistic doesn’t it? If Rock ‘N’ Roll “focus” was a pre-requisite for Cheap Trick to carry on as a band for all these years, they certainly bestowed a monumental ton of it, while creating their 12th studio album, regardless if there was “outside” assistance in song writing.

Despite what may be “read” from “other” reviews on this album over the years… I just don’t buy into the notion that there is a Grunge sound on Woke Up With A Monster. Hell, my ears don’t even hear a hint of it. Even if the band members themselves were to tell me they veered towards a Grunge “feel”, I’m not listening. This is Cheap Trick and it’s as underrated an album as there can possibly ever exist. Metal be thy name.

As fickle and wavering the “general Rock listening public” was back in the mid ’90’s, Woke Up With A Monster did get released. It was during an era where the “flavor of the month club” was buying up whatever the “experts” on MTV and VH1 were hawking. Great Rock Music will always, (here comes the cliche’), stand the test of time. The songs on this Cheap Trick album should easily speak for themselves in 2010, with an almost bone chilling relevancy. Woke Up With A Monster, perhaps, is an album that was sixteen years ahead of it’s time. If you think that sounds far fetched… just listen to The Beatles – Sgt. Pepper’s Lonely Hearts Club Band album and try to convince yourself it really was released in 1967.

From the onset, My Gang sets off the Rockin’ tone of this album with all the Cheap Trick familiarities that are so unique to this bands sound. From the tight as cousins rhythm section of Tom Petersson on bass and Bun E. Carlos on drums, to Robin Zanders’s Rock profound vocals, with Rick Nielsen’s song altering guitar play, Cheap Trick certainly walloped my senses with Woke Up With A Monster. The title track being my favorite song doesn’t distract me from the other ten. However, this title song gets more tasty to my ears each time I listen to it… even if I have lost count after all these years.

True and great Rock Music was never meant to be disposable… we’ll leave that disposable stuff to the Pop Bubble Gum Music world. My intent, in getting the word back out on Woke Up With A Monster is to rekindle past fans of this album and shake loose new fans that this Cheap Trick release exists. Regardless of any “out-of-print” or “unavailable” status for Woke Up With A Monster, the digital download world like itunes does exist for albums such as this.

* For more info on Cheap Trick, just click that fantastic link below:

Cheap Trick – Official Website

Cheap Trick Are:

Robin Zander – lead vocals

Rick Nielsen – guitars

Tom Petersson – 12 string bass

Bun E. Carlos – drums

Track Listing For Cheap Trick – Woke Up With A Monster:

My Gang

Woke Up With A Monster

You’re All I Wanna Do

Never Run Out Of Love

Didn’t Know I Had It

Ride The Pony

Girlfriends

Let Her Go

Tell Me Everything

Cry Baby

Love Me For A Minute

* Woke Up With A Monster was produced by Ted Templeman.

* Woke Up With A Monster was released in 1994, on Warner Bros. Records.

LONG LIVE CHEAP TRICK!

Stone.

22 Comments »

URIAH HEEP “HEAD FIRST” – 1983 HARD ROCKIN’ ALBUM FLASHBACK

Posted in classic rock, classic rock bands, classic rock music, Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal odyssey, Music, rock & roll, rock 'n' roll, rock guitarists, rock music with tags 1970's hard rock bands, 1980's hard rock albums, 1980's hard rock bands, 1980's heavy metal music, 1980's heavy metal videos, 1980's melodic rock music, aor, classic rock bands, classic rock music, hard rock music, heavy metal history, heavy metal music, metal odyssey, Music, old school heavy metal, progressive rock music, rock music, rock n' roll, uriah heep hard rock band, uriah heep head first album 1983 on July 5, 2010 by Metal Odyssey

URIAH HEEP – Back in 1983, Uriah Heep released their 15th studio album – Head First. Granted, this was not the original Classic Rock lineup of Uriah Heep. The sound and style of Uriah Heep had changed considerably as the ’70’s came to a close and the colorful ’80’s came reeling in. With the 1982 Uriah Heep album – Abominog ushering in a new lead vocalist in Peter Goalby, Head First would be the second of three albums that this vocalist would be fronting. (Equator from 1985 would be the third and last Uriah Heep album featuring Peter Goalby as lead vocalist). For comparison purposes, the class of Rock/Hard Rock vocalists that best fits alongside Peter Goalby are: Lou Gramm, (Foreigner), Kelly Hansen, (Foreigner/Hurricane) and Brian Howe, (Bad Company/Ted Nugent), to name just a few.

I consider Head First, to be a Hard Rock swirling with early ’80’s commercial Heavy Metal album. Head First is AOR for certain and is not lacking with melodic Rockin’ songs. This is not a blockbuster of a heavy album by any means. Instead, Head First is an album of songs that gives off some cool vibes… vibes that I still find appealing after all these years. My favorite song on this album is hands-down: The Other Side Of Midnight. When I first heard this song played on FM back in ’83, I was hooked. This song is very much a psyche-you-out listen, with it’s up-tempo and melodic Hard Rock sound.

In 1983, I was a junior trying to survive in High School and working part-time as a grocery store bagger and shopping cart gopher. The supermarket I worked at was named Finest… only there was nothing very fine about it. One cool aspect about working for this dingy and depressing supermarket was it’s next door neighbor store… Bradlees. This department store had a semi-impressive records & tapes department, so I used to spend most of my $20 – $30 paycheck there on music. I bought this Head First album there… only I don’t have it on vinyl anymore. (itunes cured my hankering for this album though).

Stay On Top and Sweet Talk are two other extremely melodic and accessible songs that probably made it to the FM airwaves way back then. I just can’t say for certain. Stay On Top is “kinda like” an anthem represented on Head First. This song has a bit of toughness about it… early ’80’s Heavy Rock toughness that is. Sweet Talk is dominated by the keyboards played by John Sinclair. It’s the keys that really makes Sweet Talk elevate with it’s pumped-up tempo and mood. During his musical career, John Sinclair was also the keyboardist for The Babys and Ozzy Osbourne.

Bob Daisley plays bass on Head First and is most famous for his Rock ‘N’ Roll stints with Rainbow and Ozzy Osbourne. Longtime Uriah Heep drummer Lee Kerslake was on board for Head First. Lee Kerslake was also the drummer for Ozzy Osbourne’s 1980 debut album – Blizzard Of Ozz and 1981’s Diary Of A Madman.

Lonely Nights is the Bryan Adams cover song that Uriah Heep plays a bit heavier than the original. Not by much though. Lonely Nights is from the Bryan Adams 1981 sophomore release titled – You Want It You Got It. Both the Bryan Adams and Uriah Heep version of this song just screams with that early ’80’s Rock sound, feel and… may I add vibe? No, no, no… I HATE the word “dated”. It makes ME feel… um, uh… old. Regardless of my rhetorical nonsense here, Lonely Nights is undisputedly a very emotional and inspirational song, in my Metal opinion.

If there has ever been that #1 constant with Uriah Heep, since day one, it is lead guitarist Mick Box. A founding/original member of Uriah Heep, Mick Box seems to have quietly become a Rock legend in his own much deserving right. Ever since the 1970 Uriah Heep debut album – Very ‘eavy… Very ‘umble, Mick Box has been on lead guitar. Fast forward to 2008 and Uriah Heep have released their 21st studio album – Wake The Sleeper. Uriah Heep is still Rockin’ the lights out live in 2010 from what I have read and been told… a Rock historic band that I would love to see live sometime soon. Then, I could boast that I have seen Mick Box play guitar… in real time.

Classic Rock, 1980’s mainstream Heavy Metal & Hard Rock, Melodic Rock, Progressive Rock and AOR fans should take a keen liking to Head First from Uriah Heep. This is a band that stretches across quite a few Rock genres, both past and present.

* For more info on Uriah Heep, just click on the link below:

URIAH HEEP – THE OFFICIAL WEBSITE

URIAH HEEP – MySpace Music Page

Uriah Heep, as they appeared on the Head First studio album:

Peter Goalby – lead vocals

Mick Box – guitar

John Sinclair – keyboards & backing vocals

Bob Daisley – bass

Lee Kerslake – drums, percussion

Original Track Listing For Uriah Heep – Head First:

The Other Side Of Midnight

Stay On Top

Lonely Nights

Sweet Talk

Love Is Blind

Roll-Overture

Red Lights

Rollin’ The Rock

Straight Through The Heart

Weekend Warriors

LONG LIVE URIAH HEEP!

40 years of Uriah Heep Rock ‘N’ Roll is something to celebrate.

Stone.

3 Comments »

METALLICA – “MASTER OF PUPPETS” VS. “THE BLACK ALBUM”

Posted in hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal history, heavy metal music, metal odyssey, Music, rock music, Thrash Metal, thrash metal music with tags 1980's thrash metal music, 1980's heavy meta albums, 1980's heavy metal music, 1990's heavy metal bands, favorite metallica album, hard rock music, heavy metal history, heavy metal legends, heavy metal music, metal odyssey, metallica albums, Music, old school thrash metal, rock and roll hall of fame bands, rock music, thrash metal bands, thrash metal pioneers on July 3, 2010 by Metal Odyssey

METALLICA – Just the band name alone explodes with pure Metal. Metallica is synonymous with Metal excellence, regardless of any Load or ReLoad moments in their bands storied history. Back on March 3, 1986, my Metal lovin’ life was transformed into a state of Metallidelirium… Master Of Puppets, the third studio album from Metallica, was released. I was already a proud and boisterous fan of Metallica in 1986, looking upon and listening to their debut Kill ‘Em All and sophomore Ride The Lightning albums as if they were Metal gospels.

Before I carry on any further… Master Of Puppets is my favorite Metallica album that this beyond legendary Metal band ever created.

Metallica was on quite a roll with their first three album releases, a generation of loyal Metallica fans was certainly bred from listening to them. I am one of those fans. The Black Album released in 1991 garnered a gazillion more fans, a whole new generation of them too. I can’t and never will dismiss The Black Album as a Metal goliath in the history of Heavy Metal. Often times, when “The Greatest Metal Albums Of All Time” lists are put together, I will see The Black Album in the top five. Truthfully, it doesn’t quite jive with me for Master Of Puppets is a more true measuring stick of the incredible career/catalog of albums that Metallica has created. Regardless, this is just my Metal opinion.

It just seems to appear this way, that Metallica fans that grew up in the “early” 80’s will lean towards Master Of Puppets, (or even Ride The Lightning), as their ultimate Metallica album. Metallica fans that I speak to, that are at least ten years my junior, will more often than not tell me The Black Album is Metallica’s finest. Am I “off base” here? I don’t think so, especially since I have the gift to gab about Metal with just about every person I bump into at fye, concerts, blogs and everywhere else I venture to in life. The topic of Master Of Puppets vs. The Black Album will “pop-up” more frequently than you can ever imagine.

The Black Album is undisputedly the biggest selling Metallica album of all-time. With that fact stated, The Black Album also spent four consecutive weeks as the #1 album on the Billboard 200 chart. I bought this album on or about it’s release date back in 1991, no mistaken. Enter Sandman was a melodically heavy, side-step of a song for Metallica and extremely addicting to my ears upon the very first listen. The same goes for Sad But True. Overall, the entire album was a sigh of relief for me, just knowing that Metallica did not have a song like One on it. Sorry, but any semblance of a ballad coming from Metallica, never mixed well for this lifetime Metalhead.

Back to Master Of Puppets. Battery. The opening track. Whoa. Whoa again. A scary fast Thrash Metal song. An angry sound with angry vocals. I fell in Metal love. Upon my very first listen to Battery, I felt as if the rest of the Heavy Metal world was now in the “catch-up mode”. Master Of Puppets was to the Thrash and Heavy Metal world back in 1986 what the iphone is to our world of communication today. Very, very, important. A cultural impact. Could not picture the world without this Master Of Puppets album… these were my Metal school of thoughts back in 1986. These same Metal school of thoughts I stand by still, in 2010.

The song Master Of Puppets, one word: excellence. My Metal memories of the Summer of 1986 is overridden with this song being blasted to it’s maximum potential at every single keg party, get-together, function or hang-out that my fellow Metalhead buddies and I engaged in back then. The entire Master Of Puppets album was played this way by me and my Metal peers, for arguments sake. The Master Of Puppets album felt like a victory back in 1986, a righteous fist being raised in the air, all in the name of Thrash Metal and all of it’s Metal genre cousins. A feeling that we Metalheads had finally, indeed, conquered all. In 1986, with the release of Master Of Puppets, we Metalheads along with the strength of Metallica behind us… really did conquer an era of Rock ‘N’ Roll.

Wearing the Master Of Puppets concert t-shirt constantly, was like wearing a badge of Metal honor. As I wore this t-shirt, from 1986 until it finally met it’s final demise from over wear… wherever I may have roamed… people looked at it with either horror and disgust or they wanted to talk about it, as if Metallica were the Metal equivalent to the Beatles. My seeing Metallica twice on their Master Of Puppets tour wasn’t just bragging rights back then… it was as if I had been to see The Holy Grail itself and I had been anointed as a Metal prophet.

Now, it is July 3, 2010. I look upon both the Master Of Puppets and The Black Album with undeniable respect and reverence. It’s no secret that Master Of Puppets is the heaviest and fastest album out of the two, being a full-throttle Thrash Metal album. Yet, that is not why Master Of Puppets is my favorite Metallica album, the real reasoning for me is that Master Of Puppets was and still is the real heart and soul sound and energy of what Metallica was really about in the 1980’s. The other non-secret is that The Black Album is Metallica’s biggest seller. I only hope this is not the sole reason as to why so many professionally paid Rock critics put this album in their “top 5” lists. A biggest selling album does not necessarily equate it to being the best offering musically, from that respective bands catalog of albums.

Any fan can choose any Metallica album to be their favorite, it’s a personal choice and there is no right or wrong answer for fans. However, once major mainstream magazines begin to idolize The Black Album in “Top 5 All – Time” lists without even comparing it to Master Of Puppets, well, that just comes across as journalistic bias and purely following the status quo leader. The professionally paid mainstream Rock media ignoring Master Of Puppets and not including it on any “Top 5 All-Time” lists won’t make it go away.

It’s my thought that The Black Album became much more popular due to it’s semi-commercial accessibility. In reflection, could it have been the strength in popularity of Metallica as “THE” Metal band to beat and/or be measured against be the REAL reason for the strong record sales of The Black Album after all? The Metallica momentum was in full swing way before The Black Album was released and Master Of Puppets was a Metal historic building block and reason for this momentum in the first place.

What are your thoughts? Am I all alone in thinking Master Of Puppets is better than The Black Album?

* If you care to read about my seeing Metallica live, a long time ago, in a Metal world far, far, away, then click on the cool link below:

My greatest Metal memory/experience of my life.

LONG LIVE METALLICA!

Stone.

22 Comments »

KINGDOM OF SORROW – RETURNS WITH THE METAL LETHAL “BEHIND THE BLACKEST TEARS”

Posted in Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, Heavy Metal Reviews, metal music, metal odyssey, Music, music reviews, rock music with tags bands at ozzfest 2010, behind the blackest tears album review, current metal bands, doom metal music, extreme metal music, hardcore metal music, heavy metal albums 2010, heavy metal history, heavy metal legends, heavy metal music, heavy metal music 2010, heavy metal supergroups, kingdom of sorrow metal band, metal music, metal odyssey, Music, new metal albums 2010, rock music, sludge metal music, stoner metal music on July 2, 2010 by Metal Odyssey

KINGDOM OF SORROW – The triumphant Metal return of Kingdom Of Sorrow commenced on June 8, 2010, with the sophomore release of behind the blackest tears, released on Relapse Records. Better get your Metal game face on and strap yourself in, before you let this new Kingdom Of Sorrow album beat down your eardrums into submission. This album is a listen in the most cement shattering, steel bending and Earth stirring form. Crunching and thunderous invading guitar riffs courtesy of Kirk Windstein, (of Crowbar & Down fame), are an ultimate Metal statement from this Metal legend. Kirk sharing vocals with Jamey Jasta, (of Hatebreed fame) makes for one hell of a bone shattering Metal dynamic duo.

A vast audience of fans and critics call Kingdom Of Sorrow a supergroup and that is justified. I rather look upon Kingdom Of Sorrow as a real Metal group, no jet setting or bragging rants about their red carpet waltz’s… these are two blue collar Metal veterans that aren’t polishing off any plastic Grammy’s that sit atop a grand piano. Jamey Jasta and Kirk Windstein execute their brand of Metal like a crashing meteor, obliterating all the stillness and serene landscape that gets in their way. They serve it up and smack you down with their extreme vocals, combined with heavy as molasses riffs, that explodes Doom meets Stoner and mixed with some good ol’ Sludge in it’s most ferocious form. Listening to behind the blackest tears isn’t comparable to opening up a can of Metal whoop ass, instead it’s like opening up a 5o gallon drum of Metal whoop ass. Metal be thy name.

Enlightened To Extinction greets you with an apocalyptic riff that leads into some melodic heaviness courtesy of a nod to some Metalcore, with Jamey Jasta exhibiting his Metal vocal diversity. God’s Law In The Devil’s Land pulsates with Kingdom Of Sorrow’s Metal fury, giving every reason as to why Jasta and Windstein are so great at sharing lead vocals. This song should be played extremely loud, atop a creepy mountain peek, during a full moon for some unsuspecting innocent village below to get panicked by. As Hardcore as Monuments Of Ash sounds, it’s Metal leanings and fillings are what makes the hair stand up straight on my arms. Whoa, does Monuments Of Ash kick my Metal lovin’ ass.

Behind The Blackest Tears can easily be targeted as my favorite song, it grooves along so incredibly heavy and just gives off some invitingly creepy vibes from every musical angle. From Heroes To Dust is another opportunity where Jamey Jasta lets his vocal diversity be heard. A more somber and turned down vocal delivery only gives From Heroes To Dust it’s proper due. This song is probably the closest thing Kingdom Of Sorrow will ever get to creating a ballad. Salvation Denied is without deliberation, the most Extreme and vocally Hardcore laced song on behind the blackest tears… and a damn good song at that.

No Class, the Motorhead cover song, is done quite impressively by Kingdom Of Sorrow. It’s an intimidating hurdle to cover a true classic like No Class, only Jasta comes impressively close to the legendary Lemmy Kilmister’s unique vocal style. As far as the music and song structure goes, Kingdom Of Sorrow left well enough alone… and that’s a great thing, if it aint broke don’t fix it. Still, hearing this version of No Class on the limited deluxe version of behind the blackest tears is a welcomed Metal treat to my Old School ears.

Soldiers Of Hell, the Running Wild cover song, plays out with an ultra contagious Heavy Metal vibe that is non-stop. The guitar play are an intense high to listen to on Soldiers Of Hell, proving to be a fabulous song choice for Kingdom Of Sorrow to cover. Saluting a real-deal, Old School and pioneering German Heavy Metal Band as Running Wild, along with covering the immortal and ultra important Motorhead, gets a Metal kudos from Metal Odyssey!

I purchased the deluxe edition of behind the blackest tears at my neighborhood fye, at a very decent price of $8.99, (U.S.). The cover pic, at the top of this post, is that of the slipcase cover of this deluxe edition. (The regular cover pic for behind the blackest tears is seen below the band names).

* Metal Odyssey gives behind the blackest tears – 5 out of 5 Metal Fists!

Who am I to find something wrong with this great album? When the Metal is this great, I stand up straight, bang my F’n head, raise the horns to the air and tell it like it F’n is.

* For more info on KINGDOM OF SORROW, just click the links below:

KINGDOM OF SORROW – MySpace Music Page

KINGDOM OF SORROW ARE:

Jamey Jasta – vocals

Kirk Windstein – guitars & vocals

Additional Studio Musicians:

Charlie Bellmore – guitars & bass

Nick Bellmore – drums

Track Listing For behind the blackest tears:

Enlightened To Extinction

God’s Law In The Devil’s Land

Monuments Of Ash

Behind The Blackest Tears

Envision The Divide

From Heroes To Dust

Along The Path To Ruin

With Barely A Breath

The Death We Owe

Sleeping Beast

Torchlight Procession

Salvation Denied

Bonus Tracks On Limited Edition:

No Class (Motorhead Cover Song)

Soldiers Of Hell (Running Wild Cover Song)

* KINGDOM OF SORROW is currently touring with OZZFEST 2010!

* For more OZZFEST 2010 info, just click the cool link below:

OZZFEST 2010

LONG LIVE KINGDOM OF SORROW!

Stone.

7 Comments »

SERGEANT STEEL “LOVERS & MANIACS” – GOOD TIMES & CONTAGIOUS HARD ROCK DEBUT FROM AUSTRIA!

Posted in Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal odyssey, Music, rock & roll, rock 'n' roll, rock music, rock music news with tags classic rock, current hard rock bands, hair metal music, hammer of love music video, hard rock albums 2010, hard rock bands, hard rock from austria, hard rock music, heavy metal music, heavy metal news, international hard rock bands, metal odyssey, Music, old school hard rock, old school heavy metal, rock music, rock music news, sergeant steel hard rock band, sergeant steel lovers & maniacs album review on July 1, 2010 by Metal Odyssey

SERGEANT STEEL – Yes Virginia, there is some kick ass Hard Rock being imported out of Austria and they are known as… Sergeant Steel. Sergeant Steel has released their debut album of Hard Rock blood, sweat and tears titled – Lovers & Maniacs, back on March 6, 2010. A young and talented band, invigorated to take on the world by Hard Rockin’ storm, while obviously having fun along the way is Sergeant Steel. Just one of their song titles – Taking The World By Storm, gives this fact away quite clearly. This song is a speed driven example of just how Heavy Sergeant Steel can play their Rock, plus showcasing that lead vocalist Phil Vanderkill can hit the high notes, with an influential nod to perhaps the Metal God himself, the legendary Rob Halford.

While Taking The World By Storm may be Lovers & Maniacs fastest, grittiest and Heaviest song, the remaining album is loaded with Hard Rock glory. My favorite song on this album is Hammer Of Love, (see and listen to the music video below!). Hammer Of Love embodies all things great about psyche-you-out Hard Rock, it’s melodic drive is noteworthy and was instantly memorable to my ears. I can hear and feel the contagious enthusiasm that Sergeant Steel has for their music throughout Lovers & Maniacs, especially on Hammer Of Love. If this song alone does not put Sergeant Steel on the Hard Rock map, then Metal be thy name.

Guitarists Jack Power and Chuck Boom give Sergeant Steel a double dose of Old School licks, the leads and solo’s are aplenty and gives this debut album a head turning appeal. On the unforgettable anthem Chasing Love, the dual axe attack stands out and screams Arena style Hard Rock, big and bold, a sound and energy that is what Sergeant Steel is truly all about. Looking For An Angel is a feel-good song that Rocks so damn good, it very well could be bottled up, marketed and sold as an elixir to cure the F’n blues. On Looking For An Angel, the upbeat and spirited lyrics combined with it’s music makes it a Hard Rock hit, complete with a saxophone and backing vocals that really compliments this song’s style and mood.

Lovers & Maniacs shouldn’t become a Hard Rock album catalogued within the “best kept secrets” file of 2010. Instead, Sergeant Steel should be considered a Hard Rock newcomer that has released a can’t miss debut album of catchy songs, that remind me why Rock ‘N’ Roll was meant to be fun and illicit cool vibes. This is not a sound-alike band, your not going to be listening to a copy cat album with Lovers & Maniacs. You will hear, however, influences of Hard Rock’s glorious and time proven sound… which is down right dynamite to me. Sergeant Steel is yet another young band that gives me all the more confidence in our Hard Rock and Heavy Metal future. Let Heavy Music freedom ring!

Sergeant Steel makes it proudly known, (in the CD liner notes), that this is a band that shunned trigger drums and auto-tune programmes. Sergeant Steel, (within the liner notes), reveal their sincerity for the music they created, thus making for an honest album. I can appreciate Sergeant Steel’s Old School approach to recording, their Old School Hard Rock sound is a proven result of this.

Any fan of 1980’s Hard Rock and/or mainstream Heavy Metal should take a liking to Sergeant Steel. Old School isn’t checking out anytime soon and Sergeant Steel have submitted their registration to Rock with Lovers & Maniacs. This is a band that can only get better… and that is an incredible thought for they are a damn decent Hard Rock group now.

* Metal Odyssey gives Sergeant Steel – Lovers & Maniacs 4 out of 5 Metal Fists!

* Check out the music video for Hammer Of Love by clicking on the very cool box below! Just be well advised… one must crank up Hammer Of Love… LOUD!

* For more info on Sergeant Steel, just click on the links below:

SERGEANT STEEL – Official Website

Sergeant Steel – MySpace Music Page

SERGEANT STEEL ARE:

Phil Vanderkill – lead vocals

Jack Power – guitars, backing vocals

Chuck Boom – guitars, backing vocals

Cosy Cox – bass

Kevin King – drums, percussion

Ben Bateman – keyboards, piano

* Lovers & Maniacs produced by Jack Power

* Mastered by the legendary Beau Hill (Alice Cooper, Eric Clapton, Bob Dylan, Europe, Warrant, Ratt, Winger & more!)

Track Listing For Lovers & Maniacs:

Hammer Of Love

Chasing Love

Looking For An Angel

Still In Love

Taking The World By Storm

Seizin’ The Crown

Love Hurtz

High On Life

Miss U Tonite

Nuts Of Steel

Go Get ‘Em Sergeant Steel!

Stone.

6 Comments »

THE MICHAEL SCHENKER GROUP “ASSAULT ATTACK” – 1982 ALBUM REVISITED!

Posted in classic rock, classic rock music, Hard Rock, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal odyssey, Music, rock music with tags 1980's hard rock music, 1980's heavy metal albums, 1980's heavy metal bands, 1980's heavy metal music, aor, assault attack album review, classic rock music, guitar legends, hard rock music, heavy metal guitarists, heavy metal history, heavy metal music, melodic rock music, metal odyssey, msg heavy metal band, Music, old school heavy metal, rock music, the michael schenker group heavy metal band on June 30, 2010 by Metal Odyssey

THE MICHAEL SCHENKER GROUP – Crazy good. That’s my “flashback review” for the Michael Schenker Group album from 1982, titled – Assualt Attack. Aw, heck, I guess I’ll carry on about just how crazy good this Assualt Attack album is after all. Michael Schenker has released some melodic albums in his career with The Michael Schenker Group and Assault Attack is no exception. 1982 was a time where Heavy Metal was growing into the gigantic and lovable monster that it did eventually become… and still is to this very day.

While NWOBHM Bands like Judas Priest and Iron Maiden were laying down the thick, speed driven, dark and Heavy albums in 1982, with Screaming For Vengeance and The Number Of The Beast, respectively, The Michael Schenker Group was laying down the melodic side of Hard Rock colliding with Heavy Metal sound. And what an amazingly melodic sound at that. What Michael Schenker does with his guitar is he makes it sing… his guitar truly is a second lead vocalist in his band. On Assualt Attack, as with any Michael Schenker album in truth, showcases a lead guitarist who never tried to out-muscle a song with overpowering riffs, questionable leads or over zealous solos. Michael Schenker always makes the song work with his guitar.

Back in 1982, FM radio was MTV, itunes, satellite radio and the internet combined. The only other place on Earth you would have been informed of The Michael Schenker Group would have been through a local fanzine, Circus or Hit Parader magazine. (I’m talking about 1982 America here, so my magazine examples are what they are). The first time I was introduced to this Assault Attack album, it was hearing the two songs Dancer and Desert Song. FM radio was the medium from which I heard these songs initially, the call letters were either WHCN or WCCC out of Hartford, CT, take your pick. The FM nighttime radio show was appropriately called… Metal Shop.

The first two albums from The Michael Schenker Group along with Assault Attack I probably bought within a one year span around ’82… and I thought I had a ton of “catching up” to do back then! Metal be thy name. The constant Rockin’ theme of Assault Attack, is it’s melodic nature screams relevancy while nurturing my memories of younger days. Fans of the current Hard Rock/Melodic Rock movement should easily catch onto this album from The Michael Schenker Group, it’s an album worthy of 2010 rotation.

Back to the exquisitely melodic and still Heavy song… Dancer. The solo by Michael Schenker on Dancer is a listen in Heavy Metal art. This song can be looked upon by some, as slightly commercial for it’s own good, only it’s still a bona fide Hard Rock song from an era that was still escorting Disco out the back door. Graham Bonnet on lead vocals, just a few years removed from being the lead vocalist on Rainbow’s Classic Hard Rock gem, 1979’s Down To Earth album, is his stunning self, giving Dancer and the remaining 8 songs on Assault Attack their unrestrained emotion.

Desert Song finds it’s strengths in many parts, one part lyrics, one part Graham Bonnet on vocals and of course… Michael Schenker’s mouth watering end cap solo. Furthermore, Desert Song is structured with creative diligence, something that many of today’s Hard Rock and Heavy Metal songs don’t normally exhibit. Ulcer is the instrumental where Michael Schenker lets it all air out and rightfully so. While I listen to Ulcer, I can’t help thinking of Joe Satriani… and how this song just might have been a definitive influence on his guitar playing. If there is to be a Heavy Metal guitarist and instrumental to emulate from 1982, Michael Schenker and Ulcer is a fabulous choice.

Rock You To The Ground has a bluesy sound both with it’s music and lyrics. A standout of a Hard Rock track, with Michael Schenker really letting loose with an energetic solo that finishes off this memorable song. It may sound cliche’, yet all the hooks and licks are abundant throughout Assault Attack and they haven’t lost their Hard Rockin’ luster going on three decades! Classic Rock? Hard Rock? Sure… only add Classic Schenker as well.

Broken Promises is a showcase of Michael Schenker’s guitar prowess, as he still leaves plenty of room for Graham Bonnet to leave his vocal imprint as well. This is a 1982 Heavy Metal song that seamlessly tied the knot with a Hard Rock sense of purpose. Broken Promises Rocks along with it’s hardened melody and thumping rhythm section of Chris Glen on bass and Ted McKenna on drums.

Girl From Uptown is a bonus track found on the 2009 remastered version of Assault Attack and it should have been an original song to this album… in my Metal opinion. Once again, a melodic Hard Rockin’ song that features the combination of Graham Bonnet’s vocal harmony and Michael Schenker’s luxurious guitar tone. Girl From Uptown just puts me in a cool mood, then again, this entire album puts me in great Metal spirits… with no let up in sight.

* I used to own Assault Attack on vinyl once. Yup, got rid of it for some insane reason. Anyhow, I’ve since purchased this vintage album on itunes… for under $5 (U.S.). That sure beats the asking price of the import CD version that is currently out there.

* To catch up on ALL things happening with The Michael Schenker Group, including their 30th Anniversary Tour 2010, just click on the link below!

MICHAEL SCHENKER HIMSELF.COM

The Michael Schenker Group, as they appeared on Assault Attack:

Michael Schenker – guitars

Graham Bonnet – lead vocals

Chris Glen – bass

Ted McKenna – drums

Tommy Eyre – keyboards

Track Listing For The Michael Schenker Group – Assault Attack:

Assault Attack

Rock You To The Ground

Dancer

Samurai

Desert Song

Broken Promises

Searching For A Reason

Ulcer

Girl From Uptown (2009 remastered CD bonus track)

LONG LIVE MICHAEL SCHENKER!

LONG LIVE GRAHAM BONNET!

Stone.

4 Comments »

AS I LAY DYING & WHITECHAPEL ON BILLBOARD TOP 200 ALBUM CHART!

Posted in death metal music, extreme music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, metal music, metal odyssey, Music, rock music with tags as i lay dying parallels music video, billboard top 200 album chart, death metal music, extreme metal albums, extreme metal music, heavy metal albums 2010, heavy metal bands 2010, heavy metal music, heavy metal news, metal music, metal odyssey, Music, new metal album releases on June 29, 2010 by Metal Odyssey

As taken from the Metal Blade Records News Update from June 25, 2010:

“Metal Blade Records, still home to two titles on the Billboard Top 200 Chart! Los Angeles based metal label Metal Blade Records is currently home to two of the year’s heaviest titles to break this week’s Billboard Top 200 Chart. Knoxville Tennessee’s WHITECHAPEL spent their second week on the Billboard Top 200 at #153 with the band’s highly anticipated album A New Era of Corruption and San Diego California’s Grammy nominated group AS I LAY DYING is now spending their SIXTH week in the Top 200 Chart, landing the #137 position. Metal Blade Records would like to congratulate both bands for this remarkable achievement and thank them for their dedication and all their hard work in creating the best albums of their career’s to date”.

Metal Odyssey would also like to congratulate As I lay Dying and Whitechapel as well… it is a great feeling when two Extreme Metal Bands make some F’n noise in the mainstream album charts! With my loyal leanings towards the Heavier and Extreme side of Metal, I cannot hold back the Metal appreciation I have for these two bands cracking into a world wide known and accepted album chart like Billboard.

* For more Metal info on As I Lay Dying, click the links below:

http://www.ThePowerlessRise.com

http://www.AsILayDying.com

http://www.myspace.com/asilaydying

* For more Metal info on WHITECHAPEL, click the links below:

http://www.aneweraofcorruption.com

http://www.whitechapel.com

http://www.myspace.com/whitechapel

http:/www.facebook.com/whitechapelmetal

* For more Metal Blade Records info, click the links below:

http://www.metalblade.com

http://www.metalblade.tv

AS I LAY DYING – THE POWERLESS RISE:

* Check out the music video for As I Lay Dying – Parallels, a speed burning and Metal furious song taken from The Powerless Rise album. Just click on that cool box below!

WHITECHAPEL – NEW ERA OF CORRUPTION:

LONG LIVE METAL!

Stone.

4 Comments »

KOPEK “WHITE COLLAR LIES” – DEBUT ALBUM IS A PRESENT & FUTURE STANDOUT OF MODERN ROCK

Posted in alternative rock music, Hard Rock, hard rock albums, hard rock bands, hard rock music, heavy metal music, metal odyssey, modern rock music, Music, rock & roll, rock 'n' roll, rock music with tags album reviews, alternative rock albums 2010, alternative rock music, hard rock albums 2010, hard rock music, heavy metal music, kopek modern rock band, kopek white collar lies album review, love is dead music video, metal odyssey, modern rock bands 2010, modern rock music, modern rock songs 2010, Music, new modern rock albums, rock music, rock n' roll on June 28, 2010 by Metal Odyssey

KOPEK – Each era seems to have one, two or maybe three “new” Rock bands that illuminate with an unexpected specialness. Dublin Ireland’s Rockin’ trio named Kopek is special to my ears. It is 2010, and a whole new era of Rock ‘N’ Roll has just begun. Sure, my ears may have some Rock ‘N’ Roll mileage on them, only what I hear in the music from Kopek is Modern Rock that isn’t just shunning that dreadful and uninvited guest named the “status quo”… Kopek has obliterated it with their debut album – White Collar Lies.

The lyrics, song writing, musicianship and Modern Rock angst I hear on White Collar Lies, all points to the direction of Kopek one day becoming bigger than they could ever dream of being. As long as Kopek does not lose sight of keeping their music’s intentional and unintentional sound, feel and message within the parameters of soul and passion, all the while saturating it with pulsating modernism, they may very well be an iconic example of Rock influence in 2020. A momentary sigh of relief came upon me, after my very first listen through of White Collar Lies… there just isn’t any Pop accessibility happening in the music of Kopek. Thank God.

Certainly, the first single from White Collar Lies, Love Is Dead, most credibly will garner enough mainstream attention without a doubt. Once anyone unfamiliar with Kopek listens to Love Is Dead, they shall forever and always know who Kopek is. A personal and emotional Mod Rock march to psyche-out madness, may very well erupt in the streets, if Love Is Dead was played loud upon a giant metropolis. That would probably be a sight to see and doesn’t sound too far fetched, especially once Love Is Dead begins it’s Rockin’ and groovy Modern takeover of your soul.

If I was in charge of handing down the “first single” from White Collar Lies, it would be Cocaine Chest Pains. This opening track on Kopek’s debut not just establishes them as a refreshing and viable Mod Rock Band, this song let’s it be known that Kopek can Rock quite Hard. The song – White Collar Lies is a show stopper in and of itself. The lyrics are applaudable, with Kopek putting a spotlight of despicable shame on corporate greed and selfishness. Kopek plays music that makes me feel like I’m supposed to stand up and be counted, with a seasoned attitude of musicianship radiating from every note, from every song.

It is not difficult to find myself doing a semi-headbang to the Mod Rock of Kopek. Fever is a song that makes my Metalhead soul peek out the cracks and wonder what the hell is going on. Fever should, with it’s melodic foot stomping and Hard Rock influenced edginess, be another single embraced by the whole darn world too. Floridian is the up-tempo ballad that is highlighted by it’s ability to be melodic beyond belief. Inspiring melodies and just brazenly memorable is Floridian, making for guess what? Another potential single from this ultra-dynamic debut album called White Collar Lies.

The trio of Kopek play their instruments so well, it is almost too easy to succumb to, while letting my mind wander off to the lyrics, energy, spirit and mood that Kopek has created throughout White Collar Lies. In the end, the music on White Collar Lies… albeit Modern Rock dominate, still has flashes of Alternative, Rock and at times Hard Rock influences, dictating from beginning to end, that Kopek really can play like their lives depend on it. Lead vocalist Daniel Jordan may very well carry you off, into an excitingly edgy and engagingly powerful world of listening delight. There is a confident streak in Daniel’s vocals, that exhibits the strength in Kopek’s songs.

Kopek laid out their path of music for my ears to journey on, little did I know of the unexpected Rock ‘N’ Roll finds I would encounter along the way while listening to White Collar Lies. Let the uniqueness of Kopek’s Mod Rock blended with Hard edged crunchiness take your ears for a much overdue surprise of Rock newness. Believe me, once you’ve listened to White Collar Lies for yourself, you might very well be thinking this band is special as well.

* Just click on that groovy video box below, to watch and hear just how insanely cool the Kopek song – Love Is Dead from White Collar Lies is. Plus, this Kopek music video comes with Stone’s stamp of Rock ‘N’ Roll approval! Enjoy!

KOPEK ARE:

Daniel Jordan – lead vocals & guitar

Brad Kinsella – bass guitar

Shane Cooney – drums

Track Listing For KOPEK – White Collar Lies:

Cocaine Chest Pains

White Collar Lies

Fever

Love Is Dead

Floridian

Sub Human

The Easy Way (D.B. Cooper)

Bring It On Home

Love Sick Blues

Bigger Than Us All

Sin City

* For more info on KOPEK, just click on the link below:

KOPEK – MySpace Music Page

* KOPEK – White Collar Lies – will have it’s U.S. release, digitally, on June 29, 2010. The physical release for White Collar Lies will be on September 14, 2010. Both digital and physical releases are on Religion Music via SIN/Sony Music Independent Network.

* White Collar Lies was produced by Glenn Herlihy and mixed by Tom Lord-Alge.

Stone.

15 Comments »

SCORPIONS AT M3 ROCK FESTIVAL 2010 – THANK YOU SCORPS!!

Posted in Hard Rock, hard rock bands, hard rock music, Heavy Metal, heavy metal bands, heavy metal festivals, heavy metal history, heavy metal music, heavy metal news, metal odyssey, Music, rock & roll, rock 'n' roll, rock music with tags 1970's heavy metal bands, 1980's heavy metal bands, 1990's heavy metal bands, hard rock music, heavy metal concerts, heavy metal history, heavy metal legends, heavy metal music, heavy metal music 2010, metal odyssey, Music, old school heavy metal, rock festivals, rock music, rock music news, scorpions heavy metal band, scorpions live, scorpions m3 rock festival 2010 on June 27, 2010 by Metal Odyssey

SCORPIONS – Last Saturday, June 19, 2010, I and Best Metal Buddy Scott Coverdale watched, sang along to and jumped for Metal joy as the ultra legendary Scorpions performed as the headliner, closing out a memorable day of Hard & Heavy Rock ‘N’ Roll, at the 2010 M3 Rock Festival in Columbia Maryland. Never once did I really dwell about the fact, that this is the Scorpions farewell tour. How could I? The Scorpions, for as long as they were on stage that night, made me feel as though the world around me was in unison with the Metal euphoria that I was experiencing. Sound sappy? Not to me… this was the Scorpions and I was finally seeing them, hearing them and experiencing their songs LIVE. O.k., I did dwell a little.

The Zoo and Big City Nights were two songs the Scorpions played at M3 that I shall never forget. Just the thunderous power from Paweł Mąciwoda’s bass and James Kottak’s drums as The Zoo began it’s Heavy Metal stomp, was an exhilarating feeling and sound to envelope my mind and ears! The power, the excitement, the LOUD Heavy Metal that exploded around me from this Scorpions performance is what I was anticipating and wishing for, weeks leading up to this M3 Rock Festival. To say I felt like a teenager again is an understatement. I did. So be it. It’s not a crime to feel so damn good from the music I am hearing, from a band I revere so highly, in an outdoor live setting like M3. Metal be thy name.

I don’t think I have ever, in my Metal life, sung along to Big City Nights as loud as I did that night at M3. Riveting. My body felt as if I was picked up and given wings to fly, while Big City Nights was being played by the Scorpions. After all these years, of listening to such incredibly classic songs like Blackout, I am finally seeing Klaus Meine on vocals with Rudolf Schenker and Matthias Jabs on guitars… owning the stage. Klaus Meine explained his voice was a tad under the weather, in response to a fan close to the stage wanting him to sing louder. Klaus Meine explained to the thousands of fans that he was – “singing straight from the heart”. Yes, you were Klaus. I and Scott Coverdale were loud and proud lawn creatures for this M3 Rock Festival… and we both heard the great Klaus Meine just fine. Thank you Klaus Meine for giving it all you had that night… I’ll never forget hearing your voice sing live.

I have been ecstatic, blown away and wowed by the new Scorpions album – Sting In The Tail since it’s release day. Hearing the Scorpions play Raised On Rock… live… gave me more ostrich bumps up and down my arms than ever before, in my entire Metal life. If a song is so grand, so personally emotional to me, I can easily be driven to happy tears. Hearing Raised On Rock, played live by the Scorpions that M3 evening, brought me to those happy tears. Sound Sappy? Not to me… this was the Scorpions… F’n live.

Each time a song ended, Klaus Meine would thank the thousands of screaming Scorpions fans. Scott Coverdale still kids me now… and will never, ever, cease to kid me… that I shouted right back – “No, thank you Klaus”!! I could not help myself, I needed to thank Klaus Meine and the Scorpions for all the wonderful moments I spent alone as a teen… listening to their albums and songs for inspiration. Inspiration to get through another grueling day of high school. I was thanking this iconic band for all those wonderful moments, where I partied till dawn with their albums being played… Blackout, Animal Magnetism, In Trance, Savage Amusement and Love At First Sting… just to name more than a few. I was shouting back my “thank you’s” for being a band that my ten year old twin daughters and Rockin’ great wife think are the greatest too.

Seeing, hearing and being a part of the Scorpions live performance at the 2010 M3 Rock Festival was much more about the music, it was about saying goodbye. Saying goodbye to an old, good friend. Saying goodbye to knowing this important and Rock historic band, shall may never get near my neck of the woods again for a concert. Saying goodbye to knowing in three years, it’s over for the Scorpions as a band. Still, in my Metal heart, this night at M3 felt more like a celebration to me. A night to personally celebrate a live performance of the Scorpions and really feel their songs go through me.

I met and talked to a real cool dude this night at M3, he sat in a folding chair next to me on the lawn. A middle aged dude, very friendly and a knowledgeable Scorpions fan. A very loyal Scorpions fan too. You see, this dude checked himself out of a hospital, just before a major operation, with multiple fractures in his hip, just to see his favorite band play live… and bid farewell to them as well. I could see the pain in this dude’s face, yet the Scorpions made him feel no real pain that night… he stood up for the last two songs of their set with some help of his friends… and he sang along with his fists pumping in the air.

When the Scorpions finished their set, with the encore performance of Rock You Like A Hurricane, the celebration was nearing an end and reality began to set in. I fist pumped into the air, sang the lyrics to this ultra memorable song very loudly and felt my body jumping up and down… without my control. This is what Rock ‘N’ Roll is about. This is what the Scorpions are all about. This… is what a band that has meant so much to me, made me feel like that night at M3.

As Scott Coverdale and I made our long trek back to his air conditioned SUV, I felt both exhausted and wired, inspired and very hungry. Walking amongst the enormous crowd, I heard many fans speak of the Scorpions performance. Sure, there were plenty of fans wanting “their song” to be played that wasn’t. Not hearing “a certain Scorpions song” was never an issue for me that night at M3. This night was NOT the time to squabble about petty stuff like that. No sir. Just knowing I have a lifetime memory of seeing the Scorpions live on their farewell tour, seeing them play their hearts out on stage for us fans… that is what it’s really all about.

THANK YOU SCORPIONS, FOR A MEMORY OF A METAL LIFETIME.

I’ll miss ya’ Scorps.

Stone.

5 Comments »

DERAILED “JUDGEMENT DAY” – AN OLD SCHOOL WRECKING BALL OF METAL & HARD ROCK!

Posted in Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal odyssey, Music, rock music with tags canadian heavy metal bands, derailed judgement day album review, hard rock albums 2010, hard rock bands, heavy metal album reviews, heavy metal albums 2010, heavy metal bands 2010, heavy metal debut albums, heavy metal music, heavy metal vocalists, metal odyssey, Music, old school heavy metal, rock music on June 26, 2010 by Metal Odyssey

DERAILED – From the Great White North they cometh… straight from Calgary, Alberta, Canada. They bring Metal. Old School Metal. Who are they? Derailed. What is their intent? To hand down their Metal edict… and I’m taking it all in like a Metal famished addict. With sharpened threads of Hard Rock entwined within the Metal fabric of Derailed’s debut album – Judgement Day, the total relevance factor of the songs makes for an amazing listen. If there is to be that one debut album, that Hard Rock and Heavy Metal fans should get their hands on in 2010, Derailed’s Judgement Day has to be strongly considered from my recommendation. Judgement Day is scheduled for a September 6, 2010, independent label release… worldwide.

Derailed is a band of veteran musicians, coupling their talents and experience to forge an album of 13 songs that scorch with fiery riffs, guitar leads, hooks and a Metal tight rhythm section of thundering force. Judgement Day’s strength is born from it’s quality song writing and lyrics. This is not a bubble gum/I’m lost in love/let’s party ’cause my parents just left town – album of Metal. With a sound that resonates Hard Rock and Metal maturity, Derailed just doesn’t show their experience on Judgement Day, they show they can flat out kick some serious heavy butt… for this band obviously put their music first and never considered second.

Once your ears digest the back-to-back intros of Into The Mist and Adrenaline, the Hard Rockin’ and Metal stompin’ ride begins with Derailed – Judgement Day. My only advice is don’t feel your alone when you want to replay Adrenaline continuously… Dean Boland on lead guitar tears it up with an Arena style muscularity. These two intros lay down the Hard and Heavy tracks that you will take, in navigating through Judgement Day’s assortment of memorably melodic songs.

Johnie Sin on lead vocals and rhythm guitar is an asset. If you are looking for that traditional Hard Rock and Heavy Metal vocalist from days long past, a “diamond in the rough” vocalist who has never been in the mass media spotlight, well, it’s Johnie Sin. This is a singer from the same Metal class as vocalist Mike Vescera, ( of Obsession, Yngwie J. Malmsteen & Loudness fame). Trust me, he is that good. One listen to just Lock & Load and any seasoned Metalhead will know instantly that Johnie Sin is a player.

Shine is a my creme’ de la creme’ song pick on Judgement Day. Whoa good is Shine. This song leans on the Hard Rock side of the tracks, blended with enough melodic and Old School moments to make me be beg for Metal mercy… then I play Shine again… and again. There is nuthin’ better than inflicting ones ears with great, heavy songs and Judgement Day is loaded with them. Your World is an instrumental that shall Rock your senses with it’s rhythmically contagious and heavily strewn, melodic guitar play, that is up tempo and psyche-you-out. Metal be thy name.

Grey Skies is an up tempo ballad that finds it’s coolness from the hardened vocals of Johnie Sin and Dean Boland’s lean, mean and slick guitar leads and climactic solo. At 8:26 long, Grey Skies is an epic not just for it’s length, it’s epic for it’s total strength. I’d Love To Change The World is the lone cover song on Judgement Day. Originally written by Alvin Lee of Ten Years After and released in 1971, Derailed adds some impressive heaviness to this Rock classic in 2010. Derailed gives this cover song some need for speed, with plenty of convincing angst from the vocals of Johnie Sin.

Dean Boland not only plays lead and rhythm guitar, he also mans the keyboards and provides backing vocals. A lyricist and songwriter for this Judgement Day album as well, Dean Boland’s accomplishments heard here are Metal commendable. Dean Boland seems to wear many Metal hats within Derailed, producing Judgement Day is one of them. The production and sound across the board, on this album, is what us traditionalists crave hearing… nothing is over polished and raw tendencies surface for air.

2010 is the year to get Derailed and Judgement Day is the reason why. Without a Metal doubt in my mind, I recommend Derailed – Judgement Day to any Hard Rock and/or Heavy Metal fan. Old School Hard Rock and Heavy Metal fans will want to sink their ears into Derailed’s combination of past and present heavy sound.

* Metal Odyssey gives Derailed – Judgement Day:

4.5 out of 5 Metal Fists!

* For more info on DERAILED, just click on the links below:

DERAILED – Official Website

www.myspace.com/derailedmetal

DERAILED ARE:

Dean Boland – lead, rhythm & acoustic guitars, keyboards, vocals

Johnie Sin – lead vocals & rhythm guitar

Terry Cornelson – drums

Steve Legault – bass, vocals

* Dean Boland has enjoyed international success, with the following music projects: Random Damage, Aragathor, Vicious Circle, Doomsayer and Boland Plan.

Track Listing For Judgement Day:

Into The Mist

Adrenaline

Derailed

Judgement Day

Shine

Insane

Rush

I’d Love To Change The World

Skinned

Lock & Load

Fade Away

Your World

Grey Skies

LONG LIVE DERAILED!

Stone.

4 Comments »

RETROSPECT RECORDS – BRINGS BACK ’80’S AOR, HARD ROCK, METAL & DC STAR REISSUES!

Posted in classic rock, classic rock music, hair metal music, Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal records, metal odyssey, Music, rock & roll, rock 'n' roll, rock festivals, rock music, rock music news with tags 1970's hard rock bands, 1980's hard rock bands, 1980's heavy metal bands, aor, classic rock music, dc star hard rock band, hard rock music, heavy metal history, heavy metal music, independent record labels, m3 rock festival vendors, metal odyssey, Music, old school hard rock, old school heavy metal, retrospect records at m3 rock festival, rock music, rock music festivals, rock music news on June 25, 2010 by Metal Odyssey

RETROSPECT RECORDS – While at the 2010 M3 Rock Festival, held in Columbia Maryland on June 19th, I took in most of, if not all the merch and vendor tables & booths. One vendor that I’m very glad to have met and purchased from at M3 is Retrospect Records. This is an independent record company that advertises themselves as “The Worlds Largest” Hard Rock, Metal, AOR Reissue Label. Retrospect Records began it’s journey into re-issuing the Hard Rock, AOR and Metal albums of ’80’s bands back in 2003.

Walking up upon the Retrospect Records booth was like finding Metal gold! The vast assortment of ’80’s Hard Rock, AOR and Metal Reissue CD’s that were conveniently laid out on tables was a Metal sight to behold. Plus, the Metal bonus was Retrospect Records was selling these CD’s at $5 (U.S.) each! Now… that is a festival bargain of Metal bargains. As Best Metal Buddy, Scott Coverdale and I stopped to stare at the CD’s for sale, that’s when I saw DC Star – The Best Of Record Classics. Whoa! This is a band I’ve been wanting to find on CD for a very, very, long time! I exclaimed, rather loudly… “DC Star”! Then, a courteous rep came towards me from behind the Retrospect Records booth.

I requested to buy this DC Star CD and the rep asked me – “you don’t want both DC Star CD’s”? I replied, “both”? Then, he pointed out to me, the second DC Star CD he had for sale… The Best Of DC Star Records Vol #2. Whoa again! Without hesitation, I told the rep, “I’ll take both”! For $10, (U.S. funds), I snagged 23 DC Star songs on two CD’s! It turned out, this cool rep happened to be the owner of Retrospect Records, Sam McCaslin. (The other owner is Lisa McCaslin).

Sam’s enthusiasm and knowledge for these enormously great genres of 1980’s Hard Rock & Metal was overflowing. Sam told both Scott Coverdale and myself, that he has tried to get DC Star to reunite for an M3 Rock Festival performance. Sam stated, the only thing standing in the way of a DC Star reunion, is that two key band members are not talking to each other. (I won’t drop the names of which two band members of DC Star they are. Metal Odyssey will never venture into the gossip world of Heavy Music, this is as much gossip as you will ever read on Metal Odyssey). Intriguing information Sam shared with us, nonetheless.

DC Star was enormously popular on the East Coast of the U.S. back in the late ’70’s into the mid ’80’s. The sound of DC Star can be best summed up as a raw and hard edged Styx, an early Loverboy on overdrive, mixed with some Sweet or The Sweet influence, if you will, to make a surface comparison. DC Star is Old School Hard Rock, flirting at times, with an accessible Heavy Metal sound and style. Extremely melodic is the Hard Rock of DC Star, with unreal memorable guitar licks aplenty.

DC Star’s lead vocalist Kenny Taylor was undisputedly a talent, this guy could sing with the best of his generation. Just a great band was DC Star, as solid of a band of blue collar musicians, as I’ve ever listened to. I really wish I could have seen them live years ago. Once in awhile, I’ll find some DC Star vinyl turn up during my Heavy Metal hunts… only now I have two “Best Of Volumes” of DC Star on CD!! It would be an ultra great happening, however, if DC Star did reunite for even next year’s M3 Rock Festival.

* Here is what the CD cover of DC Star – The Best Of Record Classics looks like:

* Here is what the CD cover of DC Star – The Best Of Records Vol #2 looks like:

Let me just add, the selection of Old School – 1980’s bands that Retrospect Records has to offer on CD is very impressive. Many, if not the majority of the ’80’s bands and/or titles on Retrospect Records are either hard to find or have never been released on CD until now. Many great underground bands from the ’80’s are to be found at Retrospect Records. Where else are you gonna find ’80’s Heavy Metal band – KRANK. How about Hammerhead? Or… Cleveland’s very own Hair Metal representative… Ginger Roxx from 1989? Just peruse through the online store of Retrospect Records and you shall find that the obscure and rare are all there.

Once you visit Retrospect Records website, you will see a cool logo that reads: RETROTHRASH RECORDS. There is a Metal bounty of Old School Thrash Bands out there, that would probably just love to have their albums reissued by Retrospect Records. Go get ’em Retrospect Records!

* To learn more about and/or purchase from Retrospect Records, just click on the link below:

RETROSPECT RECORDS

Here is the very cool Retrospect Records cap I bought at a fair price, at the M3 Rock Festival, from Retrospect Records owner Sam McCaslin:

I’ll have to admit, this cap feels very comfortable on my corn-dog head.

Stone.

5 Comments »

SCORPIONS “FACE THE HEAT” – AN UNDERRATED & CLASSIC 1993 ALBUM REVISITED!

Posted in Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal history, heavy metal music, metal odyssey, Music, rock 'n' roll, rock and roll, rock music with tags 1970's heavy metal bands, 1980's heavy metal bands, 1990's heavy metal bands, current heavy metal bands, face the heat album review, hard rock music, heavy metal album review, heavy metal history, heavy metal legends, heavy metal music, metal odyssey, Music, old school heavy metal, rock music, scorpions alien nation song, scorpions heavy metal band, scorpions hidden rockabilly track on June 23, 2010 by Metal Odyssey

SCORPIONS – Back on September 21, 1993, the Scorpions released Face the Heat on Mercury Records. This was studio album #12 from this beyond legendary Heavy Metal Band. On June 19, 2010, Best Metal Buddy, Scott Coverdale slid his Face the Heat CD into his Mercury SUV CD player… as we embarked on our journey to the 2010 M3 Rock Festival in Columbia, Maryland. Scott was not the least bit bashful at playing Face the Heat extremely LOUD on our ride and I was NOT complaining. This is one highly underrated Scorpions album, quite possibly due to it’s being released back in 1993… when Heavy Metal was supposed to be a hurtin’ and dried up genre and scene. (Yeah, right, whatever).

The opening track – Alien Nation, is one absolute powerful and thunderous listening experience of Scorpions Heavy Metal. The rhythm section alone is high octane/psyche-you-out detonation to the maximum level. Alien Nation is easily one of my favorite Scorpions songs ever recorded and I’m sure Scott feels the same way too. If there was to be that one Scorpions song that seemed to set the Metal tone on that ride to M3, it’s certainly Alien Nation. Metal be thy name can this song lift my mood to an unreal high.

Under The Same Sun is another standout song on Face the Heat. This song is a power ballad, one that is inspirational and yes… emotionally uplifting. The basic theme of this intelligent and melodic song is: if we all live under the same sun, then why can’t we all live as one? Yes, a philosophical question does rear it’s mighty ethical head from Under The Same Sun, only it is an almost magical thought to digest.

There is a hidden track at the end of Face the Heat and it does not appear until a few minutes after the CD comes to a close. One must keep the CD on play and not hit the stop button in order to hear this Rockabilly style song from the ever iconic Scorpions. Yes… it’s a Rockabilly song, taken from the mold of the historic and also legendary Queen and their classic song – Crazy Little Thing Called Love. When my ears first became introduced to this hidden track, it was around ten years ago, right around the time my twin daughters were born. I can actually recall that moment I first heard this song… it was as if I discovered a real gold nugget alongside a river bank! Truth be told, it only took me about seven years to discover this hidden track! I had owned Face the Heat since it’s year of release too, never knowing about the hidden track for so long. Gee Metal whiz.

Face the Heat proved to be a winner of a choice for Scott Coverdale to choose for our ride to the 2010 M3 Rock Festival in Columbia, Maryland. It was great to become reacquainted, once again, with a true classic of a Scorpions album. The overall heightened and Arena Style, Heavy Metal sound on Face the Heat is what makes it so memorable for me. This Scorpions album is not as “modernistic” as some “professional” reviews have alluded to over the many years since it’s release, in my Metal opinion.

If you have never listened to Face the Heat, I urge your doing so, especially if you are a new fan to the Scorpions. I am not endorsing Face the Heat as the greatest Scorpions album of all time, what I am endorsing here is a Scorpions album that should garner the attention and respect it so justifiably deserves. Any fan of Old School, 1980’s or 1990’s Heavy Metal should appreciate what the Scorpions created with Face the Heat – a quality album of melodic Heavy Metal songs. This CD is readily available just about everywhere online… from Best Buy to Amazon.

* Metal Odyssey Notes: This Face The Heat CD I have always owned, is an original American release pressing. Therefore, I do not know if this hidden track is found on any imported version or re-mastered re-release. I do not know the title of this hidden track, it is not found anywhere within the liner notes of Face the Heat, that I own. If anyone out there knows the title of this hidden track, please comment it!

Scorpions as they appeared on Face the Heat:

Klaus Meine – lead vocalist

Matthias Jabs – lead guitar & rhythm guitar

Rudolf Schenker – rhythm guitar, lead guitar & backing vocals

Ralph Rieckermann – bass

Herman Rarebell – drums & percussion

Track Listing for Scorpions – Face the Heat:

Alien Nation

No Pain No Gain

Someone To Touch

Under The Same Sun

Unholy Alliance

Woman

Hate To Be Nice

Taxman Woman

Ship Of Fools

Nightmare Avenue

Lonely Nights

Stone.

9 Comments »

M3 ROCK FESTIVAL 2010 PART I: THE STATE OF HEAVY MUSIC ACCORDING TO STONE

Posted in concerts, hair metal music, Hard Rock, hard rock bands, hard rock music, Heavy Metal, heavy metal bands, heavy metal concerts, heavy metal festivals, heavy metal history, heavy metal music, heavy metal news, metal odyssey, Music, rock & roll, rock 'n' roll, rock festivals, rock music with tags hair metal music, hard rock bands 2010, hard rock festivals, hard rock music, heavy metal bands 2010, heavy metal festivals, heavy metal history, heavy metal music, heavy music 2010, live heavy metal music, m3 rock festival 2010, metal music, metal odyssey, Music, old school heavy metal, rock concerts 2010, rock festivals, rock music, rock n' roll on June 21, 2010 by Metal Odyssey

M3 ROCK FESTIVAL 2010 – As I was a part of the many thousands of Hard Rock and Heavy Metal fans at this year’s M3 Rock Festival in Columbia, Maryland this past Saturday, I came upon a realization… that Heavy Music is alive and very F’n well in 2010. Fans from teens to Old School Metalheads were in attendance at this Heavy Music event and they were not at all bashful at letting their excitement be seen or heard. The excitement for music that moves them, grooves them and makes them all feel like one gigantic and united family. Music, regardless of genre, should and most often does, ignite and bring out the emotions in all of us. How thrilling and satisfying it was, to witness thousands of Heavy Music fans at the M3 Rock Festival, celebrating together, (very peacefully too I might add), some of the greatest songs and bands that time has not forgotten.

We are a rowdy and straight forward bunch, us Heavy Music fans. Yet our rowdiness comes with jubilant horns raised in the air, a handshake, a high five or a slap on the back to our fellow fan. While I was amongst the massive M3 Rock Festival crowd on June 19th, I shared stories, anecdotes and countless quips with what I thought were strangers. After a couple of days have passed since this memorable day in my Metal life, I’ve come to the realization… that these strangers were never really strangers at all. They were passionate and loyal Heavy Music fans, just like myself. We were all family on June 19th, at the M3 Rock Festival. A proud, loud, loyal and raucous family at that.

We all live during a time of war, economic instability and political mud slinging that engulfs the headline news each and every moment. For one day, thousands of Heavy Music fans along with more than a dozen bands and countless vendors, created a world where politicians could never bullshit with or dare enter without running away with their heads caught between their legs. A world where spending eight dollars on a cold beer brought a smile to my face. A world where thousands of us could escape to, away from the crap that our cable network news shoves down our throats continuously. A world where us Heavy Music fans proved once again to society, we did not come to conquer, burn and pillage a community that accepted us in. God Bless the world of Heavy Music and Columbia, Maryland.

As days, weeks and years shall go by, I’ll never forget this 2010 M3 Rock Festival. I shall never forget the bands I Rocked to, the evil humidity that enveloped the air, the beer that went down like candy water and my fellow Heavy Music fans as well. I was truly in my element at the 2010 M3 Rock Festival and so too were thousands of other fellow fans. The state of Heavy Music has never been more defiant, loud and resilient… the 2010 M3 Rock Festival proved this to me, both bands and fans. We are really one big happy and Heavy Music lovin’ family. Metal be thy name.

I will be writing a series of posts that feature this 2010 M3 Rock Festival in the days and most likely, weeks to come. There are many stories to still tell, from the bands to the vendors that made this day ROCK… for me.

STONE.

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