Archive for June, 2009

ISIS – “Holy Tears” EP is Prog Metal worth checking out

Posted in Album Review, avant-garde metal albums, avant-garde metal music, cool album covers, current metal albums, current prog metal albums, current prog metal music, current progressive metal albums, current progressive metal eps, current progressive metal music, Metal, metal music, metal music today, Metal Reviews, Music, prog metal albums, prog metal music, progressive metal, progressive metal albums, progressive metal music, progressive metal today, progressive rock with tags , , , , , , , , , , , , , , , , on June 10, 2009 by Metal Odyssey

I have read many an article and interview recently in regards to Isis. In my Metal opinion, Isis is a Progressive Metal band. Now, I have read professionally paid critics label Isis as an… Art Metal Band??? I have absolutely, positively, no clue as to what an Art Metal Band is supposed to look like or sound like. Maybe there is an Art Metal Band out there somewhere… and this band draws and paints on stage while they play Metal music. I dunno. The only thing I find artsy about Isis is the CD cover artwork. Despite the mislabeling that goes on every day in Metal music… rest assured… Isis is Progressive Metal. This is a darn right decent band too – they have all the Metal tools to create some elaborate and layered Metal tunes. (In other words, Progressive Metal tunes). I like the Death Metal growls, the vocal placement that Isis gives for them on their songs works out rather well for me. The combination of normal vocals with Death Metal vocals is not new, yet set within the Metal – musical framework of Isis, it sounds rather cutting edge. 

Isis is different, they stand out, that is cool. They show their musical influences, yet they are rather original when it comes to Progressive Metal, that is my Metal take anyway. Yeah, the Pink Floyd influence is evident with the Metal of Isis, yet that is what you can expect from Progressive Metal. Now, maybe the members of Isis would say they do not hear any Pink Floyd influence in their Metal… that is fine, it is just my Metal ears telling my Metal brain what they hear. Many Progressive Metal bands have proved to me, that you can space-out to this genre of Metal, Isis is no exception. That is why I like Progressive Metal in the first place, this type of Metal affects me a whole bunch differently than say, Manowar. (It would be next to impossible to space-out to the legendary and explosive Heavy Metal of Manowar).

If you are thinking of diving into some Isis Progressive Metal, my recommendation would be to get a copy of the “Holy Tears” EP, (released February 5, 2008), it is not as costly as a regular CD and it is a cool barometer of just what Isis has to offer with their music. The three tracks on this EP are: “Holy Tears”, “Not Rivers, But In Drops” and a live version of “Holy Tears”. A video (CD-rom) for “Holy Tears” also comes on this EP as well. I have no Metal reservations about recommending Isis to fans of Progressive Metal at all. Metal fans of other genres may want to diversify a bit and give Isis a listen too. I know I did, I have no Metal regrets.

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RANCID – “let the dominoes fall” is Punk Rock to devour

Posted in 1990's punk rock music, Album Review, current punk rock music, essential punk rock albums, extreme music today, punk rock album reviews, punk rock albums, punk rock music, punk rock music 2009, punk rock music today, punk rock songs, recent punk rock albums with tags , , , , , , , , , , , , , , , , , , , , , on June 9, 2009 by Metal Odyssey

fullsizeRancid“let the dominoes fall” took me by surprise as I walked the CD aisles at Target today. Why is this? Well, for one, it was actually there, in stock. Secondly, the humane price of  $7.98 was screaming out at me to – buy now! $7.98… that is cheaper than buying two happy meals for my daughters. Talk about value… there are also 19 songs on the new Rancid CD as well. It is a cool treat to finally not get ripped off by the retail CD prices… when I find a great deal, I tell people. The liner notes in this Rancid CD are a bonus – it is a very large Rancid poster (depicting the CD cover of band and logo). This poster is so large, it is suitable for hanging on your wall of choice. (Sorry, I did not take an actual measurement of this poster, take my word for it, it is large). On the backside of the poster you will find all the lyrics to the songs. 

As for the songs – excellent stuff, this Rancid Punk Rock is. What I like most about Rancid, is there are no hidden agendas – just Punk Rock comin’ at ya’ the way it should be… with plenty of Old School Punk Rock sound and feel to rejoice over. I always found the Ramones and Misfits to be an instant cure to the doldrums and stagnant complacency, that an ordinary day may bring. Rancid fits this bill for me as well. I need Punk Rock as much as any of my Metal Music genres I revere. To make my point about curing the doldrums… my first listen to the tune “LA river” and I was stoked. “LA river” now and forever will get me moving, this songs beat and lyrics are instantly memorable and very addicting. In my opinion, Rancid does a convincing and yet, modest job at airing out some social commentary… “this place” tackles the subject matter of monster corporations causing the demise of Lake Shore foundries. “civilian ways” is for me, lyrically, a commendable Punk Rock statement. This song touches on the life of a U.S. soldier returning home from war… only this soldier now finds civilian ways to be foreign. Rancid does not overstate themselves while staying true to their music, the lyrics of “i ain’t worried” is a proud rallying cry for the Punk Rock genre.

Overall, “let the dominoes fall” has proven to be an excellent Punk Rock CD for me, Rancid has 19 tunes here for a reason… they’re all credible. Truth be told, I listened to this CD four times today alone… not counting the number of times I listened to “LA river”, which was many times more. I highly recommend Rancid “let the dominoes fall” to all Punk Rock fans and all Extreme Music fans across the globe. Rancid are: Tim Armstrong on guitar & vocals, Lars frederiksen on guitar & vocals, Matt Freeman on bass & vocals and Branden Steineckert on drums. Rancid “let the dominoes fall” was released on June 2, 2009, on Hellcat Records/Epitaph Records.

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Great White “Rising” rises to the top with A+ Hard Rock

Posted in 1980's hard rock, 1980's heavy metal music, 1980's metal music, 1990's heavy metal music, Album Review, cool album covers, current hard rock albums, current hard rock songs, current heavy metal albums, current heavy metal music, essential hard rock albums, Great White, great white 2009, Hair Metal, hair metal music, Hard Rock, hard rock album review, hard rock albums 2009, hard rock guitarists, hard rock songs, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal this decade, heavy metal vocalists, independent record labels, Metal, Music, Rock, rock music, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , on June 8, 2009 by Metal Odyssey

Great White “Rising” for me, is a retrospective listen, and it is not Heavy Metal. This is some inspiring, well written and high quality – Hard Rock. I can even go as far to say that “Rising” can be defined as a Rock album. You are not going to hear the 1980’s flamboyant, grandiose, guitar riff – infused Heavy Metal tunes here. No insanely – Metal driven solos either, some tastefully crafted solo’s do appear however, (“Danger Zone”), so do not despair. What I do hear on “Rising”, is a band that has clearly found themselves creating music straight from the heart. I am not trying to sound sappy here, sappy is not allowed on Metal Odyssey. What I am trying to convey is that Great White has proven to us Metalheads years ago, that they can play heavy and light up an Arena or two. I am convinced, after listening to “Rising”, that Great White is just as enthusiastic and talented as ever. Great White are real musicians… they do not need to carbon copy their past albums onto a 2009 release. “Rising” has some really addicting Old School Hard Rock flavor throughout.

Jack Russell on lead and background vocals has close to no resemblance of the Hair Metal heyday of his 1980’s voice. Forget the comparisons anymore to the legendary Robert Plant! (It started to get very old, even though Great White is what I consider the greatest Led Zeppelin cover band in the world). It is refreshing to hear Jack Russell not sound like a 1980’s retread. His vocals are absolutely superb on this album. “Danger Zone” and “Down On The Level” are two of the more hardest rockers on “Rising”, giving way to some of Jack Russell’s vocal past. “My Sanctuary” exemplifies what the Hard Rock ballads sound like on this album… free flowing with plenty of catchy grooves. “Situation” and “Shine” are songs that are similar, being heavy enough that they are very far removed from being mellow meltdowns. “All Or Nothin” is laden with enough grooves, hooks and foot stomping moments to make this my favorite track. Loveless” is a real retrospective visit to late ’70’s early ’80’s Hard Rock sound- only it is a really good visit at that. Great White in my Metal opinion, has found the perfect balance of melody and harmonious vocals with just enough heavy guitar and rhythm section to make “Rising” a legitimate Hard Rock keeper.

I cannot possibly compare Great White of the ’80’s to Great White of 2009. I dig the music from both Great White eras. I find it cool when a band, especially one that is renowned for Heavy Metal, digs a little deeper into their musical souls and delivers a knock out of an album, filled with tunes you were not really expecting. Great White “Rising” should appeal to a very vast audience of genres… Hard Rock, Rock and Heavy/Hair Metal fans should find what they like on this album, I know I have. With all of my mentioning of retrospective on this review of “Rising”, I am steadfast against the labeling of music as being dated. Just because music brings back memories of other decades or sounds like music from the past, does not make it uncool. Look at how many CD’s and albums that the immortal Elvis and legendary Beatles sell on a weekly basis… if dated music does exist, then I guess dated music is in. Great White of 2009 is happening for me. I have spoken my Metal point.

“Rising” was released on April 21, 2009, on Shrapnel Records. And now, a Metal Odyssey roll call of the members of Great White, as they appear on “Rising”: Jack Russell – lead and background vocals, Mark Kendall – guitar and background vocals, Audie Desbrow – drums, Michael Lardie – guitar, keyboards, mandolin, sitar, harmonica, percussion and background vocals, Scott Snyder – bass and background vocals.

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DISTURBED – Indestructible Metal

Posted in Album Review, cool album covers, cover songs, current heavy metal albums, current heavy metal music, current metal albums, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal this decade, heavy metal vocalists, Metal, metal concerts, metal music, metal music today, Metal Reviews, Music, new heavy metal album, recent heavy metal albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on June 7, 2009 by Metal Odyssey

main-150My wife is a loyal fan of Heavy Metal. (Thank goodness). Well, I knew this over 20 years ago before we ever married. This turned out to be quite the Metal bonus, having my wife being a fellow Metalhead. I get cool Metal gifts for my birthday and Christmas from her and she encourages and nurtures the love I have for Metal music. I am a very fortunate Metalhead to have a wife like her. Her favorite Heavy Metal band of all-time has always been Def Leppard… until I introduced her to Disturbed. (I still believe both these bands are tied for my wife’s favorite). So, as I write away with Metal Odyssey, she keeps looking over my shoulder… waiting to see when Disturbed makes it to this blog. I without further Metal ado… will give my Metal opinion on Disturbed. I feel Disturbed is an excellent Metal band. Sure, Disturbed came around during the Nu-Metal phenomenon, yet I still never would classify them as such. No matter how much I try to dissect it… Disturbed holds up as being Metal.

The debut album from Disturbed, “The Sickness”, (released in 2000), has it’s Nu-Metal appeal… regardless, I am not buying into this label. “The Sickness” for me, is a fabulous album that brought about a Metal sound that I never heard before. This sound I am talking about is truly derived from the vocals of David Draiman, I honestly have never heard anyone else sing like him. The sound effects that David Draiman belts out vocally are to me, unique. This guy can sing, I am not going to ever dispute this. The deep rooted emotion and anger has always been a believable staple with David’s vocals, in my Metal opinion. Usually a band has to do a knock out, killer job of covering a tune from years past to impress me… Disturbed blows away the original version of “Shout” from Tears for Fears. There is no comparison. Man, this song gets me Metal pumped, that is how it affects me, so shall it be. The “Ten Thousand Fists” album (released in 2005), cuts the Metal mustard for me as well. Hey, I always thought Genesis was a cool Progressive Rock band… I would give this band a listen from time to time. Then, when I first heard the cover version of “Land of Confusion” done by Disturbed – again, blown away. The Genesis original version of this song I always found to be intriguing, it is Disturbed that made it a Metal treat for my ears.

Last Summer of 2008, when Disturbed released “Indestructible”, I fell Metal victim again… the entire album was exactly what I was hoping for – the heaviest Disturbed yet. I will will say this much, without any hesitation, that “Indestructible” was one of the finest Metal albums released in 2008. Every song on this album is heavy duty and powerful, I could not endorse this album any louder than that. Dan Donegan on lead guitar is tremendously good… I cannot ignore this fact. John Moyer on bass and Mike Wengren on drums smack it down with the rhythm section, they are tremendous players as well. David Draiman sings to maximum Metal capacity too, always has. As a Metal side note, I feel it is extremely cool, that Disturbed has played for our U.S. troops overseas. To wrap this Disturbed post up, yup, I am a fan. I am not trying to sound like a fart head when I say – what is there not to like? Disturbed has released four very cool Metal albums in a row, that is quite the Metal task. Yes, music is always a personal preference, my personal belief is that Disturbed is as their newest album suggests… indestructible.

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BLACK FLAG “LIVE ’84” – extreme, real and essential Punk Rock

Posted in 1980's live punk rock albums, 1980's punk rock albums, 1980's punk rock music, Album Review, black flag albums, essential punk rock albums, Extreme, legends of punk rock, live punk rock music, Punk rock, punk rock album review, punk rock albums, punk rock music with tags , , , , , , , , , , , , , , , , on June 6, 2009 by Metal Odyssey

Black Flag “Live ’84” is a listening lesson of the early days of Extreme Music. There is no denying… Black Flag is Punk Rock. In my Metal opinion, when I think of the Punk Rock bands that laid out the blueprint for Hardcore and Extreme Music, Sex Pistols, Ramones, Misfits and Black Flag come to mind instantly. Each of these bands are so instrumental in the development of the Punk Rock, Extreme and Hardcore movements. Listening to “Live ’84” and I cannot help myself by becoming absorbed by the distortion, feedback, speed, heaviness and pissed off sound and attitude that engulfs me. Nothing beats listening to a vintage, live, Punk Rock album like this. The raw solos and low production only add to the real Punk spirit of this live Black Flag album. Henry Rollins as with each member of Black Flag, bestowed the take it or piss off approach to their music, I personally hear and feel it on “Live ’84”. For me, I am taking it… every Black Flag second of it.

I know this sounds like a cliche here… they just don’t make Punk Rock like this anymore. Heck, they don’t make bands at all like this anymore – bands that aren’t encapsulated and sheltered by their respective genre and packaged up for a massive marketing campaign for the masses. To review the songs on this Black Flag album would be a waste of my Metal time. Take my Metal word for it… this is an essential, live, Punk Rock album from Black Flag. The sum of all the musical parts here, make for an unquestionable exposure to what Punk Rock was supposed to sound like in 1984. Grit, angry, blue collar, loud, very, very fast, non-synchronized (in parts) and maddeningly abrupt musically. There is my music review for “Live ’84”. I will say that “Rats Eyes” is my favorite track, it is extremely heavy and maniacal – just Punk perfect. Take it or leave it, Black Flag is as essential to the history of Heavy Music as is the blast beat. Henry Rollins, made for as formidable a front man, as there ever existed in Punk Rock or any Heavy Music genre for that matter. Listen to this album and you might just agree with me on this.

19 songs are on “Live ’84”, only 3 tracks clock in under 2 minutes each. There are 9 songs that clock in at over 4 minutes each – with the opener “The Process of Weeding Out” coming in at 8:37. Black Flag were not your stereotypical Punk Rock band when it came to the playing times of tunes. If a martian came down to Earth, asked me for a prime example of Punk Rock and/or Extreme Music from the 1980’s, well, I would definitely hand this alien a copy of Black Flag “Live ’84”. To give proper credit where it is due, I would also hand over to this smelly space creature… a copy of the Misifts “Earth A.D.”, which was released in 1983. I think what makes me gravitate towards Black Flag “Live ’84” is hearing the brutal Punk Rock belief, in the music these guys were playing, throwing heavy caution to the wind, while not giving a crap what the commercial music world and sappy pop critics thought or said.

A Metal Odyssey roll call of the members of Black Flag, as they appear on “Live ’84”: Henry Rollins on lead vocals, Greg Ginn on guitar, Kira on bass, Bill Stevenson on drums and Tom Troccoli and various audience members on backing vocals.

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Heavy Metal cassettes are still useful to me

Posted in 1980's hard rock, 1980's heavy metal music, 1980's metal music, 1980's thrash metal, 1990's heavy metal music, classic metal, classic rock, collecting music, everyday experiences, everyday social experiences, glam metal music, Hair Metal, hair metal music, Hard Rock, Heavy Metal, Metal, metal music, Music, music collections, old school heavy metal, progressive rock, Punk rock, rock music, shopping for music, southern rock, thrash metal music with tags , , , , , , , , , , , , on June 5, 2009 by Metal Odyssey

MetalOdysseyYou know something… I am sick and tired of the throw away mentality that surfaces about, in regards to the media in which we listen to music. Turntables are still being sold and so are cassette tape decks. I can understand if younger generations are not at all interested in vinyl records, cassette tapes or (gulp) – 8-track tapes. The younger dudes did not have record or tape collections to replace with CD’s… a very costly endeavor at that, which can take a lifetime to rebuild with CD’s, depending on how large your music collection wasHowever, in the last three years alone, I have purchased two “brand new” combination stereo systems for my daughters and guess what? Both of these combination stereos have built-in cassette decks!! Both stereos were purchased at Target, a major upscale department store that is supposedly in the know – on the cutting edge of having the latest home electronics technology! So, if cassette tapes are supposed to be so archaic, so outdated and symbolic of poor taste in music listening enjoyment, then why are they still being manufactured? To pacify us older dudes who have still hung on to our cassette collections? Out of sympathy for us nostalgic Metalheads?

My number one music genre, is of course, Heavy Metal and all related Heavy and Extreme Music genres. With that appreciation I have for my music, I still covet the Heavy Metal cassettes that I, to this very day… hunt down and find at thrift stores and yard sales. Hey, I have the means to still play them! As a bonus for me… my model year 2000 Ford Tauras has a built-in… you guessed it… cassette deck! Therefore, I am not wasting my loot when I purchase these Heavy Metal cassettes from yesteryear. No matter what thrift store I frequent, the standard price for each cassette tape is only fifty cents. Fifty cents!! C’mon, let’s be real, that is nothing compared to the sticker prices for the newly released, Heavy Metal CD’s you find today. My recent CD purchases, of the newest releases of Metal bands, have ranged in price from $9.99 upwards to $17.99… and we are not talking about any one of them being a double CD either! These CD prices will never thwart my addiction to Heavy Metal and frequent purchasing. The point I am making is simple… for fifty cents, I am still getting the same enjoyment from the music I listen to, albeit the sound quality of a CD versus the cassette tape equates to the CD wins. (I will not argue about the sound quality)

There are dozens of Heavy Metal cassettes that I find that are currently not available on CD. The cassettes I buy must have the original liner notes intact, in near mint to mint condition. Take my word for it, these liner notes are a piece of Heavy Metal nostalgia for the respective band on the cassette… I still get a kick out of reading the cool liner notes that have full lyrics and interesting credits. You would be surprised at what one may learn from reading the liner notes of these old cassettes… especially the ones that are currently not available on CD. I have posted in the past, the last laugh the turntable and record albums are currently having on the music marketplace… it is the Heavy Metal cassette tape that is silently having the last laugh as well.

Cheap Trick “Silver” – Classic Rock greats captured live!

Posted in 1970's hard rock, 1970's Rock, 1980's rock music, 1980's hard rock, Album Review, classic rock, concerts, cover songs, essential hard rock albums, essential rock albums, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, live classic rock albums, live hard rock music, live rock albums, live rock music, Music, Rock, rock & roll, rock and roll, rock music, vintage live hard rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on June 5, 2009 by Metal Odyssey

6676475Cheap Trick is without question, in my top ten of all time favorite bands. That includes all genres of Rock, Hard Rock and Metal too. This is the one band I so desperately need to see live. I honestly cannot believe I never saw Cheap Trick in concert… after all these years. I feel semi-embarrassed in admitting this. Then again, I would have to be a full time concert goer to actually see every band I dig, there are that many… I am confidently certain I am not alone with that thought. Therefore, what makes for the consolation prize instead of seeing Cheap Trick live, is listening to their double CD “Silver”. (Released June 29, 2004). This double live, Cheap Trick bounty of hits commemorates their 25 plus years as a Rock & Roll original. (Yes, “at Budokan” is a legendary live album from Cheap Trick… I have covered that milestone of an album in an earlier post). “Silver” covers a vast array of Cheap Trick hits, from their deep catalog of albums. This live concert captures Cheap Trick in their Rockin’ spontaneous glory… no over dubbing that I can detect. 

The legendary Slash (of Gun’s N’ Roses, Velvet Revolver fame, of course), is a guest star guitarist for the tune “You’re All Talk”. Slash is so recognizable with his guitar sound, it is a Rockin’ treat to hear him jam with Cheap Trick. Robin Zander announces after the song ends, that Slash broke a guitar string while playing the first few notes… you will hear bits and pieces of Robin Zander talking to the concert crowd throughout “Silver”. This is what makes a live album really come to life, when the lead singer has the charisma and charm to acknowledge his surroundings, just as Robin Zander does here. Billy Corgan of the Smashing Pumpkins is a guest star guitarist on the tune “Just Got Back”… you can definitely hear the style of Billy Corgan come through on this Rocker of a song. That is two really cool guest guitarists to appear on “Silver”, it is like an added bonus for Hard Rock fans.

Cheap Trick does an unreal cover of the late/great John Lennon classic – “I’m Losin’ You”. Cheap Trick brings this song to Rock & Roll life, Robin Zander’s vocals were tailor made for this Lennon hit. The Beatles “Day Tripper” is yet another Rock & Roll classic that is covered with true Rock reverence by Cheap Trick, in my opinion, a flawless cover. “The Flame”, “Dream Police”, “Surrender”, “Stop This Game”, “That 70’s Song” and “Voices” are all here on “Silver”… never sounding better, a vintage cornucopia of Rock from Cheap Trick. A total of 31 songs are to be enjoyed here on “Silver”, 31 live, Cheap Trick classics! Bun E. Carlos on drums, Robin Zander on lead vocals, Rick Nielsen on guitars and Tom Petersson on bass are at the top of their Rock game during this live concert. I know that Cheap Trick is on tour again this Summer of 2009, from June 23rd through September 6th… with Def Leppard and Poison. (That is a really cool triple bill). Now, I have seen Def Leppard and Poison live in concert over the years… I just need to see Cheap Trick!!!

Cheap Trick "Silver"

LAZARUS A.D. “The Onslaught” – a real intense Thrash Metal invasion

Posted in Album Review, current heavy metal albums, current heavy metal music, current thrash metal albums, current thrash metal music, Drums, Extreme Metal, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal vocalists, james hetfield, Metal, metal blade, metal blade records, metal music, metal music today, Metal Reviews, Music, new heavy metal album, new thrash metal albums, recent heavy metal albums, Thrash Metal, thrash metal 2009, thrash metal album review, thrash metal music, thrash metal music reviews with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 4, 2009 by Metal Odyssey

lazarus_smallI am blown away by this new Thrash Metal band that call themselves – Lazarus A.D. really blown away. This is not cookie cutter Thrash, nor is this band a bunch of Thrash wannabes either. Lazarus A.D. is for real. These dudes can play Thrash… with no cutting corners, just plain great – in your face – Thrash Metal. I read all of the articles and reviews I could get my Metal hands on regarding this band. Now, I have my hands on their debut release “The Onslaught”, (released March 3, 2009), the contents of this CD is ten tracks of unrelenting, intense and fired up Thrash. I am extremely Metal happy that a young Thrash band like Lazarus A.D. sounds and plays this good. I always say… we veteran Metalheads can never have enough younger bands to carry on the Metal tradition – the more new Heavy and/or Extreme bands, the better! I liken this band to being a throwback, to the days when Thrash Metal was felt, not just heard.

“Damnation For The Weak” stands out for me, with the gang vocals making quite the Metal impression. The lyrics are cool, this very well may become the trademark tune for Lazarus A.D., (just my Metal opinion). This album is riff infested, with enough solos to satisfy my Thrash appetite. The songs are not outrageously long, with only one tune over five minutes long, “Revolution”, clocking in at 5:05. With the opening track of “Last Breath”, it really defines the Thrash attack Lazaraus A.D. will take you on… you will need every last breath one time through this album. (I tend to do quite a bit of air drumming, therefore I did feel a tad exhausted after my first listen). No, I am not embarrassed to tell anyone that I air drum to Metal. It seems just about everyone does the air guitar gig, so I chose air drums a very long time ago. Ryan Shutle on drums does a punishing number on the skins, I can only imagine how much more insane he will play as this band grows. Jeff Paulick on lead vocals and bass is a sliver reminiscent vocally, of the legendary James Hetfield (of Metallica fame, for those who have been living on Saturn the last three decades), (man, I guess I am really dishing out the compliments to these guys).

Overall, I find all ten tracks to be solid, current, with a nod to Old School, Thrash Metal. I took a Metal gamble by buying this CD without hearing more than one tune first… the Metal gamble has paid off. Last year, (2008), I was giving off a big Metal grin for the young dudes of Black Tide… I like that band for sure… Lazarus A.D. however, is a noticeable notch heavier with the Thrash assault. Lazarus A.D. is currently touring with/opening for Unearth and the invincible Thrash Metal titans… Testament, through June 2009. Not too shabby to have this gig, huh? It also seems fitting that Lazarus A.D. is on Metal Blade Records, this legendary record label knows it’s Thrash Metal. Metal Blade Records was instrumental in defining Thrash Metal decades ago… they still are. By now, you probably realize that I highly recommend Lazarus A.D. “The Onslaught” to the entire Metal community. This is an album that will be on my hot list for a very long time. 

Here is a Metal roll call of the entire Lazarus A.D. band: Jeff Paulick on lead vocals and bass, Dan Gapen on lead guitar and backing vocals, Alex Lackner on guitar and Ryan Shutle on drums. 

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Enslaved “Vertebrae” – Progressive, Black Metal raises the bar

Posted in Album Review, Black Metal, black metal 2008, black metal 2009, black metal from norway, cool album covers, current heavy metal albums, current heavy metal music, current progressive metal albums, essential heavy metal albums, Extreme Metal, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, metal music today, Metal Reviews, Music, new heavy metal album, norwegian black metal, progressive metal, progressive metal albums, progressive metal music, recent heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 3, 2009 by Metal Odyssey

main-150Enslaved, from Norway, has created quite the exquisite Black Metal album with “Vertebrae”. Why do I use the adjective exquisite to describe this album? Well, I revere the Progressive Metal of Mastodon and Dream Theater, the legendary Progressive Rock of Pink Floyd and the groove infested Black Metal of Satyricon. Enslaved encompasses the most Metal and progressively delicious elements from these favorite bands of mine, while incorporating them into their very own startlingly, mind popping sound. What Enslaved has done here, is taken Rock and Metal influences to a new level, creating an album that embraces everything that is brilliant about Heavy and Progressive music. (I am not saying Enslaved actually looked to these bands for inspiration, this is just my musical and Metal interpretation and/or opinion). Enslaved has their roots in Black Metal, a musical track record that overflows with Metal bragging rights… “Vertebrae” by no means exemplifies this band as not being original. This album is as original as it gets… I cannot truly count how many Metal bands there are, that dare to experiment with music so valiantly.

Black Metal has gone through a bit of a metamorphosis over the years… so have the other Metal genres. There will always be the blue collar – true to the roots style of Black Metal, it deserves it’s rightful place in the Metal universe. Enslaved, like their counterparts Satyricon, have taken the Black Metal stylings and tweaked them, in this case, Enslaved progressively tweaked. As with anything in life, change is a natural necessity that either is accepted or rejected. Change in the musical circles of Metal can often times be equated to selling out or mellowing down, every fan of Metal has their own right to personally object or accept what they want from their music. My point I am trying to make here is, Enslaved has not deceived me or let me down with their brand of Progressive, Black Metal on “Vertebrae”. Vintage Venom and Mercyful Fate will forever and always be at my Metal reach, Enslaved “Vertebrae” is an extension of what happens when musical and Metal barriers are broken down. 

In an all encompassing summary of the seven songs on “Vertebrae”, I hear the nod to the forefathers of Black Metal, with especially the lead vocals and the dark, macabre and searingly moody ambiance, coming from the musical background elements. The keyboards and organ can create Black Metal which pays homage to the original sound of this band and genre, it can also create the progressive path in which “Vertebrae” aims for as well. Herbrand Larsen is simply unreal on the keys, organ and vocals. The same can be said for each member of Enslaved… as a cohesive unit they have connected not only with each other with their Metal skills and prowess, they have also raised the bar musically, in a Metal world that is rapidly interconnecting with each others genres. I cannot resist myself by recommending highly “Vertebrae”, Enslaved has created an album that will be at the top of my Metal list for decades to come.

The members of Enslaved are: Ivar Bjornson on guitars, Grutle Kjellson on vocals & bass, Herbrand Larsen on keyboards, organ & vocals, Cato Bekkevold on drums and Ice Dale on guitars. Enslaved has given the Metal world seven brilliant new songs with “Vertebrae”, thus inspiring me to delve and journey even further into the vast genres and sub-genres of Metal music.

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Ronny Munroe “The Fire Within” – Metal Church vocalist roars on solo debut

Posted in Album Review, Century Media, century media records, classic metal, cover songs, current heavy metal albums, current heavy metal music, dio, essential heavy metal albums, Guitar, guitar solos, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal solo albums, heavy metal solo artists, heavy metal vocalists, Metal, Metal Church, metal music, metal music today, Metal Reviews, Music, new heavy metal album, old school heavy metal, rainbow heavy metal band, ronnie james dio, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 2, 2009 by Metal Odyssey

30649First of all, I am a fan of Ronny Munroe, the current lead vocalist for Metal Church. I just happen to gravitate towards the Old School Metal sound, both vocally and musically. Ronny Munroe in my Metal opinion, has the unmistakable Old School Heavy Metal vocals… and in no way do I subscribe to the opinion that this sound is dated. This brand of Old School Heavy Metal has been proven successful for decades now. For me, it is another Metal genre that lives on. With that said, I have obtained a copy of the new Ronny Munroe debut CD… The Fire Within, (released 2009), I am impressed by the total package of music here. This is Heavy Metal made the old school way, no frills, bells or whistles get in the way of the straight ahead approach that Ronny Munroe has taken on with “The Fire Within”. Honestly, Ronny Munroe comes with his Metal Church – front man credentials… he delivers a mightily solid twelve tunes alongside some talented friends. Rick Van Zandt of Metal Church, plays lead and rhythm guitars superbly throughout, with Michael Wilton of Queensryche delivering a solo on two tracks I will mention.

“Across The Sea Of Souls” is the song I feel Ronny Munroe is at his finest, his vocals sound sharp, as if he has been singing this song his entire life. The Michael Wilton solo on this song is cool, I cannot ignore or resist his guitar talent. “Ivory Towers” and “Evil Genius” are tracks that showcase moments of the higher extreme of Ronny’s vocal range, (yes, think of Rob Halford), these songs are groove laden with images of 1980’s Arena Metal concerts in my mind! “Ride Me” is a Metal-macho tune that rocks heavy, the lyrics are tailor made for a Hair Metal band… Ronny makes this song work, Randy Cooper kicks in with a lean & mean solo, a Heavy Metal tune with plenty of swagger. “What You Choose To Call Hell (I Call Home)” comes across to me, as the signature track for Ronny on this album. It is dark, heavy, moody and effectively bridges the gap between Metal Church and Ronny Munroe’s solo career. Michael Wilton appears again here, providing another memorable solo.

After listening to “The Fire Within”, it is my Metal opinion, that Ronny Munroe places Old School Heavy Metal high on a pedestal. I hear while listening to this album, the influences of Judas Priest, Dio and Dio era Rainbow. My opinion could not be better solidified, after listening to “Man On The Silver Mountain” (a vintage Rainbow song), covered by Ronny Munroe. This being the last track, it fittingly closes out a fine Heavy Metal album of creative tunes. Ronny does a terrific cover of this song, I really enjoy this version a whole bunch. This cover version found here, is a fine tribute to an everlasting, Heavy Metal classic of a song. Ronny’s vocals at times, do have comparisons to the legendary Ronnie James Dio, especially on this classic Rainbow cover. I will say, my favorite will always be the original “Man On The Silver Mountain” as sung by Dio himself. In summary, “The Fire Within” will be an album that I will tune in to on a regular basis, it is what I like. I was looking forward to this solo album from Ronny, I have not been disappointed. I recommend Ronny Munroe’s debut solo effort to any fan of Old School Heavy Metal, 1980’s Heavy Metal, Rainbow and of course, Metal Church. New fans should just dive in… this brand of Metal needs to be passed on!

Upon searching for “The Fire Within”, I did locate this CD on the worlds greatest online record store… Century Media Records… aka… CM Distro.com. (I highly recommend CM Distro.com). “The Fire Within” is on an independent record label called Ratpak Records. *Not to leave out the cool musicianship of the following on this album: Izzy Rehaume on bass guitar, Rick Pierce on rhythm guitar, Johnny Ringo and David Van Zandt on drums.

Ronny Munroe "The Fire Within"

STYX – “The Grand Illusion” 1977 album revisited

Posted in 1970's styx music, 1970's hard rock, 1970's Rock, Album Review, classic rock, cool album covers, essential hard rock albums, essential rock albums, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, Rock, rock & roll, rock and roll, rock keyboard musicians, rock music, rock music vocals, vintage hard rock albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , on June 1, 2009 by Metal Odyssey

If there was ever a Hard Rock album that I honestly wore out from excessive playing on a turntable, well, it would be “The Grand Illusion” by STYX. This album, (released on July 7, 1977), along with its fabulous music, also bestows incredible lyrics as well. I would escape the doldrums, trials and tribulations of being a teenager by kicking back and slapping down this Classic Rock gem. The funny thing is, the lyrics of these songs on “The Grand Illusion” are just as relevant for me today as they were twenty nine years ago. In hindsight, this album actually gave me tremendous solace, insight and inspiration, at a time in my life when I probably needed it most. There are certain Hard Rock albums that I have embraced and bonded with, where the music and lyrics just seem to connect to my very own personal experiences. “The Grand Illusion” is without a doubt, one of these Hard Rock albums I have connected with.

Just the lyrics alone from the song “The Grand Illusion” are inspiring me for a lifetime… “Don’t be fooled by the radio, the t.v. or the magazines… they show you photographs, of how your life should be…” – my interpretation of these lyrics are that the mass media constantly tells us how to eat, what to wear, who to vote for, how much you should weigh, what to buy and own and of course, how to look. Sorry, I do not need the plastic news anchors and million dollar television hosts telling me how to live my life! STYX was right on with the song “The Grand Illusion” – it is commons sense lyrics that I live by. My sister, (who is now in Rock N’ Roll Heaven), was the first to introduce me to STYX… “Come Sail Away” was her favorite STYX song ever, I know this for she played the 45 rpm at least 20 times a day one Summer, back in the day. “Miss America” is as cool as it gets with keyboards in Hard Rock, the intro to this tune is a definite high point. “Fooling Yourself (The Angry Young Man)” is a great tune to get psyched up to… “get up, get back on your feet… your the one they can’t beat and you know it”… man, if those cool lyrics are not enough to inspire you, then you are better off listening to vintage Boxcar Willie. 

I am by no means telling anyone what they should listen to on Metal Odyssey, rather, I only try to acknowledge the Hard Rock bands and their albums that in my Metal opinion, are a great listen and buy. “The Grand Illusion” by STYX is for me, so justifiable of a legendary Hard Rock album. If I was to get just one visitor to my post to obtain a copy of this CD/album, well, I did someone a great favor. Veteran STYX fans should understand what I mean! The members of STYX, on “The Grand Illusion” were: Dennis DeYoung on keyboards, synthesizer & vocals, Tommy Shaw on acoustic and electric guitars & vocals, Chuck Panozzo on bass & vocals, John Panozzo on drums, percussion & vocals, and James Young on guitars, keyboards & vocals. What a band… what an album.

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