Journey, the Rock icon of a band. Journey “Evolution”, an album that is now referred to as a Classic Rock masterpiece… by me anyways. What else can one say about this incredible Rock album? Quite a bit can actually be said, this album established Journey, solidified them atop the Rock Music world for many, many, years. There could never be another Steve Perry, his vocals alone gave Journey their signature sound. In my opinion, there are lead singers that have vocals so breathtaking, they are the most important musical instrument in their respective band. I had felt this way about Steve Perry, with his years with Journey. Steve Perry’s vocals can never be duplicated, nor will he ever be forgotten by me as the lead singer for Journey. I will always appreciate Journey as the band they are today too. With that said, this is an article where I am celebrating the brilliance of a moment in time, one that can be listened to time and again, that moment was Journey’s “Evolution”, (released in 1979).
Neal Schon, the lead guitarist to this very day for Journey, is an impeccable musician as well. His song writing on “Evolution” alongside Steve Perry, Gregg Rolie and Ross Valory could very well be interpreted as a – how to write Rock Music handbook. I can remember appreciating and being thrilled by the Rock and Hard Rock songs on “Evolution” back in the day. Now, it is 2009 and I only appreciate this Journey album all the more. Yes, for me, this is a Rock album where I can honestly say, they don’t make Rock albums like this anymore. (Please excuse that cliche). If someone who has never heard a single song from this album was to ask me, which songs are standout, cool or great… my answer would be all of them. “Lovin’, Touchin’, Squeezin’” is certainly the undisputed hit single from “Evolution”, plus “Just The Same Way” received it’s justifiable FM radio airplay for decades as well. Gregg Rolie sings lead on “Just The Same Way”, I have forever been impressed with his vocals on this song.
From the opening instrumental intro of “Majestic” to the very last song “Lady Luck”, you are hard pressed to find the commercial Rock Music that would years later, catapult Journey into the superstar stratosphere. This is what makes “Evolution” so important and favorable to me, that this was a Journey album that caught on with popularity for it’s Rock Music whole. It never hurt either, that the musical talent, creativity and skill with all the musicians of Journey were in sync on this album, thus, this made for the equalizer – where great Rock songs do not always become hit singles. Instead, as it holds true to this very day, great Rock songs become the building blocks of legendary Rock albums. “Evolution” draws it’s Rock Music strength from collective collaboration of the elite musicianship, with the end result being a revered/legendary Rock album of songs, not a greatest hits.
Journey, as they appeared on “Evolution”: Steve Perry on lead vocals, Neal Schon on lead guitar, Ross Valory on bass guitar, Gregg Rolie on keyboards and Steve Smith on drums.
Helix is a Heavy Metal band, (originating from Canada), one that I got the biggest Metal kick out of, back in the 1980’s. Released in 1983, “No Rest For The Wicked” is in my Metal opinion, one really cool Heavy Metal album… period. Helix has two very memorable songs off of this album, these songs are melodic and heavy, (yes, that is what the majority of 1980’s Heavy Metal was about… melodic and heavy. These two adjectives do coexist in song, no matter what any other professionally paid Rock Music critics may think. The two songs I am pointing out are: “Heavy Metal Love” and “White Lace and Black Leather”. Helix was – still is, a Heavy Metal band that came out of the same Metal Music mold as Krokus, (just to make a Metal comparison). “Heavy Metal Love” and “White Lace and Black Leather” are two songs that trudge along with that vintage 1980’s, Heavy Metal style of power. The entire album is a vintage trip of early 1980’s Heavy Metal, “Dirty Dog” and “Don’t Get Mad, Get Even” are two more notable tracks. As I reflect back, Helix did indeed get their FM radio play, especially on “Metal Shop”, (a Heavy Metal radio show back in… guess when? Ahhh, the 1980’s. 
Helix did a redo of “Heavy Metal Love”, it can be found on their 2007 studio release – “The Power Of Rock And Roll”. I like the 2007 version just as much as the 1983 version, albeit the new version of “Heavy Metal Love” Rocks along a tad faster. I wound up meeting my Heavy Metal Love, I eventually married her. (Please excuse me if that sounded a sliver corny, yet it is true). As a Heavy Metal fan, I always have attached good memories to my favorite bands, songs and concerts. Helix brings to the Metal table, a brand of Heavy Metal that makes me feel like it’s party time again and I don’t have to pay my bills. (Wishful thinking on the bill paying). That is what music does, it carries me off into my land of Metal… courtesy of terrific bands like Helix. Helix was all about Heavy Metal with their songs, lyrics and attitude. I am Metal cheery that they are still around to this very day. When you are a quality Heavy Metal band, that writes cool and memorable songs, Metal fans never will never forget you. Obviously, I have never forgotten about Helix.
Back in 1980, I was enthralled by 38 Special. That year, I went to the Caldor Department Store and bought the 45 rpm of the hit single – “Rockin’ Into The Night”. I was in eighth grade with not too much cash in my pocket, still I always held onto enough dough to buy my 45’s. My parents were on an extremely fixed budget, therefore, I could not coax too many higher priced albums from them back then. That was fine, I was always grateful for what my parents could afford to give me. Besides, I more often than not, earned my records from doing yard work and cleaning up the house. That 38 Special 45 rpm was played by me continuously. “Rockin’ Into The Night” was my song back in 1980, no one else’s, (or so I thought). The truth of the day is, I did not buy the actual album “Rockin’ Into The Night” until decades later. Man, what was I thinking? The 45 rpm I had from 1980 had been worn down from repeated play, eventually tossed away. Yet, as I write this post, this Classic Southern Hard Rock album, (really it is a CD now), is a permanent fixture in my music collection. 
Faster Pussycat debuted their self titled album back in 1987. Sure, I gave Faster Pussycat a listen back then, they were never a #1 favorite of mine, still this band Rocked – and they still Rock to this day. Nonetheless, I still find time to give this band a listen. I recall Faster Pussycat being a cool party band to rock out to, back in the late ’80’s. Faster Pussycat was tied into the Hair Metal genre, right out of L.A., yet I always had the sense that this band was a bit more edgier and heavier to be pigeon holed into that genre. I just stamp the old Heavy Metal label on this band and I am done with it. This group does deliver a whole bunch of Heavy Rock & Roll with their sound, Taime Downe on lead vocals is a sliver reminiscent of Marc Storace of Krokus fame, (in my Metal opinion). Why I say Heavy Rock & Roll when I describe the music of Faster Pussycat is for really one valid reason… the piano that is at times featured in their songs. “Cathouse” is a great example of when you hear the Rock piano getting it’s fair usage. Without ever knowing this band, I can hear influences from the legendary Aerosmith, Taime Downe really does remind me of Steven Tyler on “Slip Of The Tongue”.
I have come to the conclusion, that Progressive Metal and Progressive Hard Rock are the genres that keep me grounded. Dream Theater offers me the best of two worlds, like a one-two Metal punch… this band makes me want to Rock out, then again, I have many moments with their music when I want to chill, in a Metal sort of way. I am not at all stating that Dream Theater can be easy listening Progressive Music… no way. They offer the segues, interludes, intro’s and instrumentals that serve as that musical cushion to fall back on, while awaiting the heavy parts. This is what draws me into their music, to always expect the unexpected with the Progressive nature of Dream Theater. Dream Theater has for me, come so far, paid their Metal dues, to be now recognized as a Progressive Metal super power. It is difficult to dispute the vast landscape of progressive musical ingenuity that Dream Theater bestows. listening to their new music is a reminder to me, that you can erase any other thoughts in your mind and escape into an album of songs.
“A Rite Of Passage” is an amazing song, it reminds me of what maybe Rainbow would sound like, in 2009. The keyboards in this song is what has me thinking of vintage Rainbow, the melody also has a deep, rich, Classic Rock flavor. “A Nightmare To Remember”, the opening song, has all the dynamics I come to expect from Dream Theater, musically and lyrically. I am very glad the story line to this song has a happy ending, despite the child mentally reliving such a personal experience that is the referred nightmare. “Black Clouds & Silver Linings”, (released on June 23, 2009), has most certainly eclipsed my expectations of what to expect, both musically and lyrically. This new Dream Theater release deservedly reached #6 on the Billboard album charts on the initial week of it’s release. It is clear that new fans have embraced Dream Theater and all of their epic Progressive Metal.
I have added a new band to my Black Metal favorites list, they are Abigail Williams. Abigail Williams is void of having the heavy grooves of Satyricon’s superior recent releases, void of having the progressiveness of the incredible Enslaved. What Abigail Williams does offer up musically, is the extreme and brutal sounds of Black Metal. Yes, the very, very, heavy side of Black Metal. The layering of music is similar to what Cradle of Filth has accomplished with their infamous albums, minus any over exaggeration of melody. O.K., I have pointed out where Abigail Williams lines up musically, compared to their Black Metal counterparts, (or some of them anyway). On “In The Shadow Of A Thousand Suns”, (released on October 28, 2008 – candlelight records), Sorceron on lead vocals is alarmingly convincing, while the entire band plays very tight, giving every indication musically, that they know these are ten solid songs.
I have an appetite for the most Extreme Metal Music out there. Job For A Cowboy is without question, a healthy dose of Extreme Metal. Death Metal is this bands calling card. Playing every musical instrument in their band extremely fast and heavy is an understatement. Blast beats and the infamous cookie monster vocals are lathered all over the songs on “Ruination”, (released on Metal Blade Records, July 7, 2009). So, with all of the expected characteristics of being an Extreme – Death Metal band aside, Job For A Cowboy does prove to me one thing… they are more concerned about global and societal troubles than one might expect. I am not going to admit, I can actually make out the lyrics to these songs, from the vocals of Jonny Davy. Nope, instead, I have the assistance of the sacred liner notes, that come with the complete lyrics for every song on “Ruination”. For me, not understanding the words being pronounced from the Death Metal growls of Jonny Davy comes with the territory of this Metal genre. With this genre of Metal, the lead vocalist is just as equally important as any of the musical instruments being played. It is the anger driven vocals that gives the songs on “Ruination” their intended extreme force and purpose, if you will. Jonny Davy on vocals is equivalent to a wasp nest being disturbed by a broom stick. His vocals will swarm all over your Metal soul, clutching it, beating it into shape and then slapping you in the face with it. Job For A Cowboy delivers a lesson in Extreme – Death Metal whoop ass that has me saying… thank you sir, can I please have more?
Just when I thought that Cannibal Corpse’s “Evisceration Plague” was the lightning strike of an Extreme – Death Metal album of 2009, well, now I have my own personal
I have been riding on a rather enjoyable, Progressive Metal & Progressive Hard Rock wave of music as of late. Am I complaining? Not when bands like The Mars Volta release the Progressive elasticity of songs that they have titled – “Octahedron”. It is Hard Rock music like this, that challenges the outer reaches of my very own musical senses. I suppose that is what Progressive Music is meant to do? I am not going to fib here, it took me well into my third listen of “Octahedron” to have “it” finally hit me. The “it” is the focused energy and streamlined patience and musical precision, that are consistent, musical nuances I hear in these songs from The Mars Volta. Let’s be real, these artistic lined, Hard Rock songs, with all of their progressiveness, were not written over night. Is it considered to be uncool these days, to have a thought process and spacial intellect towards music? Not in my realm of listening to Hard Rock – or Metal for that matter. The Mars Volta has thrown “Octahedron” to the progressive wind, it has blown my way and this is what I have to say.
“Since We’ve Been Wrong” has my inner psyche floating somewhere out there in 1979, the retrospective, ambient rays of melody I hear in this song, has me laying on a freshly mowed lawn, staring up at a clear blue sky. “Teflon” does not stray too far away from this dreamy type of feeling either, it only Rocks a little harder. “Halo Of Nembutals” has me agreeing with the assertion that lead vocalist Cedric Bixler Zavala really does sound like the living legend – Geddy Lee of Rush. (This comparison has been thrown around quite a bit, it should be construed as a compliment, much better than being compared to the vocals of Jim Nabors, aka Gomer Pyle). With this song, carrying it’s way into “With Twilight As My Guide”, I tend to realize that I have fallen victim to a cascade of Progressive Hard Rock sanctity. I refuse to just stand pat and not let my feelings be known, about a band that is able to grasp the flexibility and open mindedness of song writing, both lyrically and musically. The Mars Volta apparently were either born as collaborative musicians or they visited some type of mystical being, in a tropical rain forest, who granted them the ability to eradicate themselves of any staleness and ego – thus anointing them with Progressive Musical powers.
“Cotopaxi”, “Desperate Graves” and “Copernicus” are three songs in a row, that I swear are a path that lead me to believing that the words status quo are not in The Mars Volta vocabulary. Omar Rodriguez Lopez has given new meaning to the phrase – lead, not follow – for if this musician were to follow, I would probably be listening to a band that wants to fit in and play it safe, like so many bands who don’t follow their hearts and instincts do. The same goes for Cedric Bixler Zavala, as both a vocalist and lyricist. If anything, I am completely guilty of being passionate about the music that moves me. The Mars Volta are just as guilty for being passionate in creating the music that stands up and above, so much so, the “Octahedron” CD cover does not even bear their name. It is the music that really matters, the music that stands alone, it is not a name of a band, the physicality or gender of it’s members, nor the image. “It” is really all about the finished product, the music and what it says. “Octahedron” speaks more if you give “it” the space and respect is so justifiably deserves.
Autograph was a Heavy Metal/Hair Metal band that for me, were cool to rock out to back in the ’80’s. Their hit song “Turn Up The Radio” (released on “Sign In Please” in 1984), is one of those reasons why I will stop by itunes on a very rare occasion. (I have not dived in head first to itunes just yet, I am an Old School Metalhead that still digs the album, CD, cassette and the irreplaceable – liner notes). With that out of my system, I did purchase the single “Turn Up The Radio” off of itunes back over the Winter of 2009. (I have not replaced my cassette version of the album “Sign In Please” by Autograph with a CD version… even after all these (gulp), decades. However, itunes does have it’s cool worthiness where you can just buy a single song that comes to your mind… this Autograph tune came to my mind one last Winters day, I just could not get it out of my head. (Hey, that last phrase is an Electric Light Orchestra song). I am aware that itunes may not have every single Heavy Metal song ever recorded, yet itunes delivered “Turn Up The Radio” for me and I am turning that classic Autograph song up loud – and proud.
Throughout my travels to antique stores and thrift shops, more often than not, I come across albums and/or CD’s that grab my attention in milliseconds. I usually find the Metal, Punk Rock or Extreme Music that is not in stock at your local Walmart, Best Buy or f.y.e., therefore my journey’s to these eclectic shops are never in vain. Sure, the vast majority of underground and obscure music titles can be had online just about anywhere you look, I am an avid consumer of online purchases this way. However, it is just a tad more cool to actually hunt down or stumble upon a CD of a band that is not on any mainstream or commercial charts… not in the limelight whatsoever… and this band is unique, a definite qualifier for existing in the world of Extreme Music. Please excuse me, if I say that the three dollars I paid to bring home Violent Femmes “Why Do Birds Sing?”, (released in 1991), was a smart move. Three dollars versus the eleven dollars (or more) it would have cost me to buy this CD brand new online… not counting the shipping and tax costs. Used CD? Is there such a thing? Man, a CD really has to be scratched up and bent out of shape for me to consider it used. Besides, I am not that naive to purchase a used CD without inspecting the surface wear of the actual disc itself. Crap, I better get on with the actual music found here, on “Why Do Birds Sing?” and stop this ranting about the science of used CD hunting and purchasing.
Seether is a Hard Rock band that does not need any plastic Hollywood music awards to be told they are damn great. The fans know. The music of Seether tells the whole story… of just how sensational Hard Rock songs are written. “Finding Beauty In Negative Spaces” is an album that should be a required musical manual for any up and coming Hard Rock band. Seether has proven to me, that lyrics are very, very, important in Heavy Music. Shaun Morgan, in my Metal opinion, encompasses many musical gifts… his vocals, guitar skills and the song writing that leaves me in awe. Lyrically, this is one of the best albums I have ever listened to in my lifetime. Couple these tremendously inspiring lyrics with Hard Rock music that is maximized by it’s hardness and mesmerizing grooves, well, you have yourself an instant classic. Shaun Morgan for me, is a vocalist that I listen to so intently, that the music at times becomes a backdrop. (This is by no means, an insult, it is just that Shaun Morgan’s vocals are so searing, they take hold of my attention and leave me zoned out on his voice and lyrics). I have to listen to Seether and say to myself, o.k., I am going to pay more attention to the music this time around, when I do it is like a double dose of Hard Rock music and Hard Rock vocal exhilaration. 
After just one listening experience with “Influence” (released March 6, 2007) and you hear and feel the unique musical chemistry, that both Tommy Shaw and Jack Blades have together. The overall up beat vibe throughout “Influence” will have you not putting this disc away for a very long time. What an accomplished set of Classic Rock gems that Shaw-Blades covers! Typically, I always approach cover songs with skeptical tendencies. Usually one or two listens to a cover tune, will be enough of a listen for me to either like it or cherish the original version. With “Influence”, I was taken completely by surprise by how Tommy Shaw and Jack Blades brought new Rock life to these classics. While I listen to this album, I cannot help but go through a Rock and Roll reality check, realizing where the roots of Rock music actually come from. The Mama’s and the Papa’s, Simon and Garfunkel and Seals & Crofts may have their legacies emblazoned in the Rock Folk and Easy Listening genres, yet their lyrics, song structures and melodies can so easily be considered the building blocks of true Classic Rock. Tommy Shaw and Jack Blades took hold of these musical building blocks and ran with it… creating a sensational album of Classic Rock, that breaks down any generational barriers that carry the tags of dated and non-relevant.
Dee Snider is and forever will be a real Heavy Metal icon. (I have said this time and again, this is just how I feel). This man needs no introduction to Metalheads worldwide… he has flown the flag for Metal with unmistakable pride. Dee Snider had another kick to the face Heavy Metal Band during his illustrious career – Widowmaker. My best buddy in the universe introduced me to Widowmaker just a week ago. You heard that right, just one week ago. Let’s face it, there is an infinite amount of Hard Rock and Metal music out there to be heard and enjoyed. I could never fathom the task or have the time, to listen to everything ever created in Metal Music. Widowmaker just so happened to be a band I was always aware of, yet I never heard more than a couple of tracks from them throughout the years. Having my buddy give me a copy of “Blood And Bullets” was a great surprise, like a Heavy Metal bonus falling from the sky and into my lap.
Bob Seger, Rock and Roll Legend and Rock and Roll Hall of Famer. That should be quite enough of an accomplishment to just call it a day, for just about any aging Rock Star, huh? Not the case with Bob Seger, no way. Just because a living Rock Legend goes on a personal hiatus for a number of years, does this mean this Rock Legend is washed up? Has this Rock Legend lost the ability to write and sing music like it was 1980 all over again? In my Metal opinion, Bob Seger has lost no Rock and Roll groove in his music, nor has he forgotten how to write Rock music songs that hit me straight to the heart. “Face The Promise” is a celebration of Rock Music that not only inspires me with all of it’s lyrical content, the Rock and Roll move and groove songs on this album are wrapped up in sincere blue collar grit.
Tesla has released an album of 12 brand new tunes this past year titled “Forever More”, it should not be ignored or overlooked. I feel this new Tesla album is a solid musical statement, (“Forever More” was released on October 7, 2008). All 12 songs are what I consider to be Hard Rock excellence that lyrically relates. The lyrics of these songs are a celebration of life’s ups and downs, delivered in true – blue collar, Hard Rock fashion from Tesla. “So What!” is a heavy, musically driven tune, it essentially tells you to shrug off the complaining in life, plus who cares about other people’s whining as well. “Pvt. Ledbetter” is a feel good track about a soldier who is going to come home from war, (not to give away the storyline), the first listen to this song had me worried that it would be a sad ending. Jeff Keith on vocals sounds like he is having the time of his life, he sings better than ever on “Forever More”, (in my Metal opinion).
Paul Dianno “The Living Dead” was released on May 16, 2006. Why I lead with this, is due to my impatience for waiting on this album… I counted the days leading up to it’s release. It was like I was eight years old again, waiting for Christmas morning to come. For the few who may not know, Paul Dianno was the original lead singer for Iron Maiden. Paul Dianno was lead vocalist on the debut “Iron Maiden” album and the “Killers” album. Of course you can count bootlegs and the “Maiden Japan” EP as well, with having Dianno as lead vocalist. If it wasn’t for Bruce Dickinson taking over as lead vocalist for Iron Maiden, starting with the “666 The Number of the Beast” album, I would say that Paul Dianno could never be replaced as lead vocalist. However, It is my Metal opinion that comparing Paul Dianno to Bruce Dickinson is apples to oranges. Why compare? They are both completely different vocalists, both in style and range. The Paul Dianno fronted version of Iron Maiden, with the first two studio albums, (mentioned above), are undisputed Metal classics, that are revered and influential to countless Metal fans and/or Metal musicians. I feel Paul Dianno shares the same equal glory among the other original members of Iron Maiden for these albums being so iconic. (Phew, I got that off my chest, now I can blab about the actual album – “The Living Dead”).
You bet your Metal memory I picked up the new and live double CD “Flight 666” from Iron Maiden, (released June 9, 2009). How could I possibly pass it up? This is Iron Maiden we are talking about… Metal icons… Metal elite. I first saw this new Iron Maiden CD, yesterday, at f.y.e., they were asking $16.99… I knew I could do better than that. So, I went to good ol’ Super Walmart to pick up necessities, like… food, then my body was on automatic pilot and went straight to the CD aisles. Iron Maiden is a necessity in my Metal life, therefore, I purchased “Flight 666” along with various food items from Walmart. I embarked for my car, with my daughters by my side and I am one happy dude. The Walmart price? I paid $13.88 for “Flight 666”, if I continued to search for a cheaper price than that, I would be wasting gas in my tank. Plus, I was able to save $3.23… sounds like chump change, yet it adds up throughout the years when you shop around a tad. I am going to put the DVD version of “Flight 666” on my want list for now… I listen to Metal light years more often than I watch Metal.
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