I have added a new band to my Black Metal favorites list, they are Abigail Williams. Abigail Williams is void of having the heavy grooves of Satyricon’s superior recent releases, void of having the progressiveness of the incredible Enslaved. What Abigail Williams does offer up musically, is the extreme and brutal sounds of Black Metal. Yes, the very, very, heavy side of Black Metal. The layering of music is similar to what Cradle of Filth has accomplished with their infamous albums, minus any over exaggeration of melody. O.K., I have pointed out where Abigail Williams lines up musically, compared to their Black Metal counterparts, (or some of them anyway). On “In The Shadow Of A Thousand Suns”, (released on October 28, 2008 – candlelight records), Sorceron on lead vocals is alarmingly convincing, while the entire band plays very tight, giving every indication musically, that they know these are ten solid songs.
If you are looking for a seriously heavy, fast and Extreme band, regardless of the genre, Abigail Williams will engulf your musical senses with unrelenting and foreboding Black Metal force. This is a Black Metal band that sounds like they have been set loose from any musical restraints, given the command to set forth and spread their onslaught of enraged Black Metal unto the masses. The symphonic moments heard throughout this album lends itself as the bridge, that connects this Black Metal extremity of aggressiveness. After a couple of listens to “In The Shadow Of A Thousand Suns”, I realized that I waited too long to purchase this Black Metal creation. Abigail Williams has made one fine, full length album, of Extreme Black Metal music with this release. I hope that any band lineup changes that have occurred, will not prevent Abigail Williams from moving forward with powerful momentum. Sorceron is the nucleus of this band, he must continue to surround himself with quality musicians, just like the lineup found on this album. This is my Metal opinion and I recommend Abigail Williams “In The Shadow Of A Thousand Suns” to anyone who’s interest I may have peaked.
Abigail Williams as they appeared on “In The Shadow Of A Thousand Suns” are: Sorceron on lead vocals & lyricist, Mike Wilson on lead guitar, Plaguehammer on bass, Bjornthor on guitar, Trym on drums, Samus on drums and Ashley Ellyllon on keyboards and piano. Sorceron also plays guitar, bass and keyboards on this album as well. James Murphy appears as a guest guitarist.
Enslaved, from Norway, has created quite the exquisite Black Metal album with “Vertebrae”. Why do I use the adjective exquisite to describe this album? Well, I revere the Progressive Metal of Mastodon and Dream Theater, the legendary Progressive Rock of Pink Floyd and the groove infested Black Metal of Satyricon. Enslaved encompasses the most Metal and progressively delicious elements from these favorite bands of mine, while incorporating them into their very own startlingly, mind popping sound. What Enslaved has done here, is taken Rock and Metal influences to a new level, creating an album that embraces everything that is brilliant about Heavy and Progressive music. (I am not saying Enslaved actually looked to these bands for inspiration, this is just my musical and Metal interpretation and/or opinion). Enslaved has their roots in Black Metal, a musical track record that overflows with Metal bragging rights… “Vertebrae” by no means exemplifies this band as not being original. This album is as original as it gets… I cannot truly count how many Metal bands there are, that dare to experiment with music so valiantly.
It is an obvious Metal music marriage, the paranormal being put to lyrics in Metal songs. Any King Diamond album supports this statement, that is for certain. Horror and the paranormal rules the Metal world’s lyrics with it’s mystery, shock, and imagery. This to me, is one of the great attributes to Metal music, the paranormal and horror has given personality and life to throngs of Metal bands as: Alice Cooper, Misfits, Kiss (with makeup), Lordi, Rob Zombie, Slipknot, Danzig, W.A.S.P., Cannibal Corpse and of course, King Diamond again. The list could go on and on, regarding which Metal bands represent the horror and paranormal subjects best.
Metal Odyssey has taken upon itself to proclaim: Saturday, April 11, is National Heavy Metal Day! Therefore, you may take these helpful tips/advice and put them into action, (if you like) and spread and/or share the great music of Heavy Metal to those around you.
Here I go again, making up hysterical situations that could never, ever happen. Oh, by the way, these situations are all Heavy Metal related. So, sit back, turn up some Iron Maiden, read along and enjoy.
As “Commando” kicks in, there is no glimmer or hint that Satyricon “The Age Of Nero” is going to disappoint. The groove heavy Black Metal and black as night lyrics are two powerful characteristics of this entire great album. “The Wolfpack” pick up where “Commando” leaves off, with unrelenting and extremely likable riffs and leads that has me nodding, knowing that Satyricon has quite possibly created an album, that is the very best in all of Metal for 2009. “Black Crow On A Tombstone” is indicative of just how Satyricon can be creatively dark and creepy, both lyrically and musically, without over stating any traditional or obvious themes. In my opinion, throughout “Age Of Nero”, I hear nothing less than rock solid confidence through Satyr’s vocals and guitar playing. A serious approach musically has captured Black Metal greatness in a black bottle for Satyricon.
You must be logged in to post a comment.