Back in 1980, I was enthralled by 38 Special. That year, I went to the Caldor Department Store and bought the 45 rpm of the hit single – “Rockin’ Into The Night”. I was in eighth grade with not too much cash in my pocket, still I always held onto enough dough to buy my 45’s. My parents were on an extremely fixed budget, therefore, I could not coax too many higher priced albums from them back then. That was fine, I was always grateful for what my parents could afford to give me. Besides, I more often than not, earned my records from doing yard work and cleaning up the house. That 38 Special 45 rpm was played by me continuously. “Rockin’ Into The Night” was my song back in 1980, no one else’s, (or so I thought). The truth of the day is, I did not buy the actual album “Rockin’ Into The Night” until decades later. Man, what was I thinking? The 45 rpm I had from 1980 had been worn down from repeated play, eventually tossed away. Yet, as I write this post, this Classic Southern Hard Rock album, (really it is a CD now), is a permanent fixture in my music collection.
To call this album a gem is not adequate enough. “Rockin’ Into The Night” is a Southern Hard Rock accomplishment that in my opinion, (excuse the clique’), stood the test of time. This is an album that did not even need to have a hit single, all nine songs are true Southern Rock, played hard, with a determined grit and emotion by 38 Special. The liner notes for this album says it all… “This One’s For You Ronnie!”. Ronnie Van Zant, the founder and lead singer for Lynyrd Skynyrd, had passed away in a plane crash, (on October 20, 1977) and 38 Special had dedicated this album to him. Donnie Van Zant is the younger brother of Ronnie, his vocals have always gone straight through me, especially on this album. I always sensed, no matter how many times I listen to this album, that Donnie sang with extra vigor and emotion in dedication to his brother. (This is my interpretation anyways). After all of these years… decades… I still come to the conclusion that “Rockin’ Into The Night” Rocks just as bad ass as it did in 1980.
You would probably think that “Rockin’ Into The Night” is my favorite song off of this album. Would it be a shock to admit to all, that it is not? After the years have gone by, well, “Turn It On” is actually my favorite track off of this album, with “Rockin’ Into The Night” being a very close second. “Turn It On” just has that right beat that rivets me, the song is upbeat and true Southern Rock. The Southern Rock piano does have a substantial influence over me, especially when it is heard on “Turn It On”. “Stone Cold Believer”, “Take Me Through The Night” and “You Got The Deal” are for me, as consistent you will ever hear, when it comes to top tier Southern Hard Rock. “Robin Hood” is the instrumental song on this album, I do consider this song as a centerpiece, if you will, for it plays out as one of the finest examples of Southern Rock music as you could ever ask for. “Money Honey” is a song that I have hit the repeat button for without hesitation. This song is just a good old Southern Rocker that spills over with Southern Rock vibe and goodness.
I always like to write about the albums, songs and the bands that create them. I also write about the bands that have made my life memorable, both past and present. 38 Special is one of those bands that has instilled in me, the appreciation for both the quality of the song and quality of the musicianship. 38 Special introduced to me, in 1980, a song that has been with me now for the majority of my life. “Rockin’ Into The Night” will be enjoyed by me for the rest of my years as well. My nine year old twin daughters have given their thumbs up to this album, this solidifies the importance of passing along great music, from legendary bands of the past, to younger generations to enjoy. It makes me feel darn cool and good, when my young twin daughters say they like 38 Special and their upbeat music.
I have come to the conclusion, that Progressive Metal and Progressive Hard Rock are the genres that keep me grounded. Dream Theater offers me the best of two worlds, like a one-two Metal punch… this band makes me want to Rock out, then again, I have many moments with their music when I want to chill, in a Metal sort of way. I am not at all stating that Dream Theater can be easy listening Progressive Music… no way. They offer the segues, interludes, intro’s and instrumentals that serve as that musical cushion to fall back on, while awaiting the heavy parts. This is what draws me into their music, to always expect the unexpected with the Progressive nature of Dream Theater. Dream Theater has for me, come so far, paid their Metal dues, to be now recognized as a Progressive Metal super power. It is difficult to dispute the vast landscape of progressive musical ingenuity that Dream Theater bestows. listening to their new music is a reminder to me, that you can erase any other thoughts in your mind and escape into an album of songs.
“A Rite Of Passage” is an amazing song, it reminds me of what maybe Rainbow would sound like, in 2009. The keyboards in this song is what has me thinking of vintage Rainbow, the melody also has a deep, rich, Classic Rock flavor. “A Nightmare To Remember”, the opening song, has all the dynamics I come to expect from Dream Theater, musically and lyrically. I am very glad the story line to this song has a happy ending, despite the child mentally reliving such a personal experience that is the referred nightmare. “Black Clouds & Silver Linings”, (released on June 23, 2009), has most certainly eclipsed my expectations of what to expect, both musically and lyrically. This new Dream Theater release deservedly reached #6 on the Billboard album charts on the initial week of it’s release. It is clear that new fans have embraced Dream Theater and all of their epic Progressive Metal.
I have added a new band to my Black Metal favorites list, they are Abigail Williams. Abigail Williams is void of having the heavy grooves of Satyricon’s superior recent releases, void of having the progressiveness of the incredible Enslaved. What Abigail Williams does offer up musically, is the extreme and brutal sounds of Black Metal. Yes, the very, very, heavy side of Black Metal. The layering of music is similar to what Cradle of Filth has accomplished with their infamous albums, minus any over exaggeration of melody. O.K., I have pointed out where Abigail Williams lines up musically, compared to their Black Metal counterparts, (or some of them anyway). On “In The Shadow Of A Thousand Suns”, (released on October 28, 2008 – candlelight records), Sorceron on lead vocals is alarmingly convincing, while the entire band plays very tight, giving every indication musically, that they know these are ten solid songs.
I have an appetite for the most Extreme Metal Music out there. Job For A Cowboy is without question, a healthy dose of Extreme Metal. Death Metal is this bands calling card. Playing every musical instrument in their band extremely fast and heavy is an understatement. Blast beats and the infamous cookie monster vocals are lathered all over the songs on “Ruination”, (released on Metal Blade Records, July 7, 2009). So, with all of the expected characteristics of being an Extreme – Death Metal band aside, Job For A Cowboy does prove to me one thing… they are more concerned about global and societal troubles than one might expect. I am not going to admit, I can actually make out the lyrics to these songs, from the vocals of Jonny Davy. Nope, instead, I have the assistance of the sacred liner notes, that come with the complete lyrics for every song on “Ruination”. For me, not understanding the words being pronounced from the Death Metal growls of Jonny Davy comes with the territory of this Metal genre. With this genre of Metal, the lead vocalist is just as equally important as any of the musical instruments being played. It is the anger driven vocals that gives the songs on “Ruination” their intended extreme force and purpose, if you will. Jonny Davy on vocals is equivalent to a wasp nest being disturbed by a broom stick. His vocals will swarm all over your Metal soul, clutching it, beating it into shape and then slapping you in the face with it. Job For A Cowboy delivers a lesson in Extreme – Death Metal whoop ass that has me saying… thank you sir, can I please have more?
Just when I thought that Cannibal Corpse’s “Evisceration Plague” was the lightning strike of an Extreme – Death Metal album of 2009, well, now I have my own personal
I have been riding on a rather enjoyable, Progressive Metal & Progressive Hard Rock wave of music as of late. Am I complaining? Not when bands like The Mars Volta release the Progressive elasticity of songs that they have titled – “Octahedron”. It is Hard Rock music like this, that challenges the outer reaches of my very own musical senses. I suppose that is what Progressive Music is meant to do? I am not going to fib here, it took me well into my third listen of “Octahedron” to have “it” finally hit me. The “it” is the focused energy and streamlined patience and musical precision, that are consistent, musical nuances I hear in these songs from The Mars Volta. Let’s be real, these artistic lined, Hard Rock songs, with all of their progressiveness, were not written over night. Is it considered to be uncool these days, to have a thought process and spacial intellect towards music? Not in my realm of listening to Hard Rock – or Metal for that matter. The Mars Volta has thrown “Octahedron” to the progressive wind, it has blown my way and this is what I have to say.
“Since We’ve Been Wrong” has my inner psyche floating somewhere out there in 1979, the retrospective, ambient rays of melody I hear in this song, has me laying on a freshly mowed lawn, staring up at a clear blue sky. “Teflon” does not stray too far away from this dreamy type of feeling either, it only Rocks a little harder. “Halo Of Nembutals” has me agreeing with the assertion that lead vocalist Cedric Bixler Zavala really does sound like the living legend – Geddy Lee of Rush. (This comparison has been thrown around quite a bit, it should be construed as a compliment, much better than being compared to the vocals of Jim Nabors, aka Gomer Pyle). With this song, carrying it’s way into “With Twilight As My Guide”, I tend to realize that I have fallen victim to a cascade of Progressive Hard Rock sanctity. I refuse to just stand pat and not let my feelings be known, about a band that is able to grasp the flexibility and open mindedness of song writing, both lyrically and musically. The Mars Volta apparently were either born as collaborative musicians or they visited some type of mystical being, in a tropical rain forest, who granted them the ability to eradicate themselves of any staleness and ego – thus anointing them with Progressive Musical powers.
“Cotopaxi”, “Desperate Graves” and “Copernicus” are three songs in a row, that I swear are a path that lead me to believing that the words status quo are not in The Mars Volta vocabulary. Omar Rodriguez Lopez has given new meaning to the phrase – lead, not follow – for if this musician were to follow, I would probably be listening to a band that wants to fit in and play it safe, like so many bands who don’t follow their hearts and instincts do. The same goes for Cedric Bixler Zavala, as both a vocalist and lyricist. If anything, I am completely guilty of being passionate about the music that moves me. The Mars Volta are just as guilty for being passionate in creating the music that stands up and above, so much so, the “Octahedron” CD cover does not even bear their name. It is the music that really matters, the music that stands alone, it is not a name of a band, the physicality or gender of it’s members, nor the image. “It” is really all about the finished product, the music and what it says. “Octahedron” speaks more if you give “it” the space and respect is so justifiably deserves.
Blind Guardian is a Power Metal meets Progressive Metal band, straight out of the fine country of Germany. I enjoy the Power Metal and Progressive Metal genres immensely, Blind Guardian for me, is always a cool listen. As I was browsing around the Century Media Records online site (CM Distro.com) several months ago, I happened to find an EP from Blind Guardian that quickly caught my Metal attention. The name of this EP is “Fly”, (released in 2006), it contains three songs: “Fly”, “Skalds and Shadows” and the cover version of the Iron Butterfly classic – “In-A-Gadda-Da-Vida”. I knew instantly I needed to purchase this EP. I have always and forever revered this Psychedelic, Classic Rock, gem of a song that Iron Butterfly created with “In-A-Gadda-Da-Vida”, (originally released in 1968). I placed my order for this Blind Guardian EP without ever hearing it first… I had complete confidence in Blind Guardian delivering a decent cover version of this song, plus as I stated earlier, their Power – Prog Metal style never put me in the doldrums whatsoever.
Blind Guardian “Fly”, as with any of this bands albums, never fail to peak my curiosity based on the album cover artwork on their releases. Going in, I knew they are a capable, talented and quality Metal band, with intellectual lyrics and story telling to coincide with their songs. I am pleased at purchasing “Fly”, all three songs are diverse, with my favorite being the cover song from Iron Butterfly “In-A-Gadda-Da-Vida.” Blind Guardian’s version is very heavy, all power, it rocks tough and hard, while paying great respect to this songs originally intended hardness and dark landscape. The only key aspect here, is to know that this is the shortened cover version of this song, at 3:38 long, (the original Iron Butterfly album version is 17:05 long). Blind Guardian if anything, makes this song sound just as macabre and melancholy, (quite a musical feat), with the vocals and music sounding equally haunting as the original. Some may feel Blind Guardian makes “In-A-Gadda-Da Vida” sound more spooky than the original version… there have been times I have thought just that. Now, as to the age old argument… is the cover version better than the original? Of course, it would be a monstrous feat to blow away the original Iron Butterfly rendition of “In-A-Gadda-Da-Vida”… I will always like the original version more. With that said… once you hear Blind Guardian cover this song, you may very well be like me and think – whoa, this is a really cool and heavy way to commemorate a classic… a Metal job well done.
I took my first trip to the Quakertown Farmers Market, in Quakertown, Pennsylvania, this weekend, safe to say that this is a place to find many Heavy Metal souvenirs. I perused Heavy Metal, Metal, Classic Rock, Hard Rock memorabilia, CD’s, vinyl albums, t-shirts, posters, stickers, buttons, air fresheners, you name it. All at affordable prices!! 
Throughout my travels to antique stores and thrift shops, more often than not, I come across albums and/or CD’s that grab my attention in milliseconds. I usually find the Metal, Punk Rock or Extreme Music that is not in stock at your local Walmart, Best Buy or f.y.e., therefore my journey’s to these eclectic shops are never in vain. Sure, the vast majority of underground and obscure music titles can be had online just about anywhere you look, I am an avid consumer of online purchases this way. However, it is just a tad more cool to actually hunt down or stumble upon a CD of a band that is not on any mainstream or commercial charts… not in the limelight whatsoever… and this band is unique, a definite qualifier for existing in the world of Extreme Music. Please excuse me, if I say that the three dollars I paid to bring home Violent Femmes “Why Do Birds Sing?”, (released in 1991), was a smart move. Three dollars versus the eleven dollars (or more) it would have cost me to buy this CD brand new online… not counting the shipping and tax costs. Used CD? Is there such a thing? Man, a CD really has to be scratched up and bent out of shape for me to consider it used. Besides, I am not that naive to purchase a used CD without inspecting the surface wear of the actual disc itself. Crap, I better get on with the actual music found here, on “Why Do Birds Sing?” and stop this ranting about the science of used CD hunting and purchasing.
Seether is a Hard Rock band that does not need any plastic Hollywood music awards to be told they are damn great. The fans know. The music of Seether tells the whole story… of just how sensational Hard Rock songs are written. “Finding Beauty In Negative Spaces” is an album that should be a required musical manual for any up and coming Hard Rock band. Seether has proven to me, that lyrics are very, very, important in Heavy Music. Shaun Morgan, in my Metal opinion, encompasses many musical gifts… his vocals, guitar skills and the song writing that leaves me in awe. Lyrically, this is one of the best albums I have ever listened to in my lifetime. Couple these tremendously inspiring lyrics with Hard Rock music that is maximized by it’s hardness and mesmerizing grooves, well, you have yourself an instant classic. Shaun Morgan for me, is a vocalist that I listen to so intently, that the music at times becomes a backdrop. (This is by no means, an insult, it is just that Shaun Morgan’s vocals are so searing, they take hold of my attention and leave me zoned out on his voice and lyrics). I have to listen to Seether and say to myself, o.k., I am going to pay more attention to the music this time around, when I do it is like a double dose of Hard Rock music and Hard Rock vocal exhilaration. 
After just one listening experience with “Influence” (released March 6, 2007) and you hear and feel the unique musical chemistry, that both Tommy Shaw and Jack Blades have together. The overall up beat vibe throughout “Influence” will have you not putting this disc away for a very long time. What an accomplished set of Classic Rock gems that Shaw-Blades covers! Typically, I always approach cover songs with skeptical tendencies. Usually one or two listens to a cover tune, will be enough of a listen for me to either like it or cherish the original version. With “Influence”, I was taken completely by surprise by how Tommy Shaw and Jack Blades brought new Rock life to these classics. While I listen to this album, I cannot help but go through a Rock and Roll reality check, realizing where the roots of Rock music actually come from. The Mama’s and the Papa’s, Simon and Garfunkel and Seals & Crofts may have their legacies emblazoned in the Rock Folk and Easy Listening genres, yet their lyrics, song structures and melodies can so easily be considered the building blocks of true Classic Rock. Tommy Shaw and Jack Blades took hold of these musical building blocks and ran with it… creating a sensational album of Classic Rock, that breaks down any generational barriers that carry the tags of dated and non-relevant.
Dee Snider is and forever will be a real Heavy Metal icon. (I have said this time and again, this is just how I feel). This man needs no introduction to Metalheads worldwide… he has flown the flag for Metal with unmistakable pride. Dee Snider had another kick to the face Heavy Metal Band during his illustrious career – Widowmaker. My best buddy in the universe introduced me to Widowmaker just a week ago. You heard that right, just one week ago. Let’s face it, there is an infinite amount of Hard Rock and Metal music out there to be heard and enjoyed. I could never fathom the task or have the time, to listen to everything ever created in Metal Music. Widowmaker just so happened to be a band I was always aware of, yet I never heard more than a couple of tracks from them throughout the years. Having my buddy give me a copy of “Blood And Bullets” was a great surprise, like a Heavy Metal bonus falling from the sky and into my lap.
Bob Seger, Rock and Roll Legend and Rock and Roll Hall of Famer. That should be quite enough of an accomplishment to just call it a day, for just about any aging Rock Star, huh? Not the case with Bob Seger, no way. Just because a living Rock Legend goes on a personal hiatus for a number of years, does this mean this Rock Legend is washed up? Has this Rock Legend lost the ability to write and sing music like it was 1980 all over again? In my Metal opinion, Bob Seger has lost no Rock and Roll groove in his music, nor has he forgotten how to write Rock music songs that hit me straight to the heart. “Face The Promise” is a celebration of Rock Music that not only inspires me with all of it’s lyrical content, the Rock and Roll move and groove songs on this album are wrapped up in sincere blue collar grit.
Tesla has released an album of 12 brand new tunes this past year titled “Forever More”, it should not be ignored or overlooked. I feel this new Tesla album is a solid musical statement, (“Forever More” was released on October 7, 2008). All 12 songs are what I consider to be Hard Rock excellence that lyrically relates. The lyrics of these songs are a celebration of life’s ups and downs, delivered in true – blue collar, Hard Rock fashion from Tesla. “So What!” is a heavy, musically driven tune, it essentially tells you to shrug off the complaining in life, plus who cares about other people’s whining as well. “Pvt. Ledbetter” is a feel good track about a soldier who is going to come home from war, (not to give away the storyline), the first listen to this song had me worried that it would be a sad ending. Jeff Keith on vocals sounds like he is having the time of his life, he sings better than ever on “Forever More”, (in my Metal opinion).
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