Archive for the classic rock Category

I refuse to be a closet KISS fan

Posted in 1970's hard rock, 1970's heavy metal, 1970's Rock, 1980's hair metal music, 1980's hard rock, 1980's heavy metal music, 1980's metal music, 1990's heavy metal music, classic metal, classic rock, concerts, cool album covers, Gene Simmons, Hair Metal, hair metal music, Hard Rock, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal guitarists, heavy metal memorabilia, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal concerts, metal music, Music, old school heavy metal, Rock, rock and roll memorabilia, rock music, vintage heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on May 22, 2009 by Metal Odyssey

main-150KISS. The makeup, the attitude, the stage show, the costumes, the KISS trading cards from the 1970’s, the marketing machine which throws the KISS logo on just about anything. Wait a minute, there is of course… the music, uh, I mean the Heavy Metal. Since about 5th grade, (a long time ago, in a parochial school, far, far, away), I have been a KISS fan. You betcha. I am not a closet KISS fan either. No way will I disregard to anyone, a lifetime love I have for such a behemoth of a Heavy Metal icon, which is KISS. I will not part with my unopened wax box of KISS trading cards from 1978. No sir. What in the world is there to be ashamed of? KISS is the epitome of Heavy Metal success, both commercially and musically, in my Metal opinion.

I have had the opportunity to see KISS live, albeit without makeup. I unfortunately, never had an opportunity to see them live with makeup. Quite honestly, the only drawback about seeing KISS live was… the venue where the concert was. The New Haven Coliseum, (which no longer exists), was by far, the creepiest, most decrepit, armpit of an arena, ever to exist on planet Earth. I mean, this building was not even cool creepy, it was just a plain nightmare gone wrong. This arena was located in New Haven, Connecticut, of course. Alright, enough about that incompetent structure. The KISS concert was loud, bright, festive, loud again and darn right good. I have seen better live shows in my day, yet I am not complaining about anything that KISS did on that stage. It was a night to celebrate Heavy Metal, with a band that carried the flag for Heavy Music since their introduction to the world. This was the KISS “Asylum” Tour, back in good ol’ 1985. I will tell you this, it is a real Metal treat, to see my daughters revel in the KISS tunes, to know and see how much the music of KISS means to them, as it always has for me. My daughters were extremely excited when they saw KISS on television the other night, (I absolutely refuse to discuss this show on Metal Odyssey, let’s just say it is on the Fox Network and is a Pop music show). Hey, anytime KISS can get exposure to a new generation of fans is fine with me.

I remember being in High School, when all of a sudden, it was uncool to like KISS anymore. Well, that was what was happening in the penitentiary like High School I attended. Metalheads  were abundant, yet KISS became almost taboo to talk about. So, I took advantage of this situation. I asked all the super cool know-it-alls that no longer liked KISS, if they were willing to sell their KISS albums and anything KISS. I made out like a bandit. I had more KISS posters, albums and fanzines than I knew what to do with. Plus, I acquired it all dirt cheap. Then, one day, in 1982, KISS made a loud and triumphant return with their release “Creatures Of The Night”… all of a sudden, these fair weather KISS fans are asking me, if I would sell them any of my extra KISS memorabilia and/or albums. Go figure. Since the mid ’70’s up until present day, I have embraced the Heavy Metal that KISS has created. Even the ballads and Gene Simmons dating Cher I have accepted. Yes, the made for television movie “KISS Meets The Phantom In The Park” I have always accepted too. The changes in the KISS lineup never has made me flinch either, any KISS fan knows that the original four are the best. I am not ashamed to say this, for once a KISS fan, always a KISS fan. What other reason was there not to believe this, back in the day when I joined the “KISS Army”? I enlisted into the KISS Army decades ago, I have never gone awol since.

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Cheap Trick “At Budokan” – a vintage vinyl reunion

Posted in 1970's hard rock, Album Review, classic rock, essential hard rock albums, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, live rock albums, Metal, Music, Rock, rock & roll, rock and roll, rock music, rock music vocals, vintage hard rock albums, vintage live hard rock albums with tags , , , , , , , , , , , , , , , , on May 22, 2009 by Metal Odyssey

I love perusing the local thrift stores. You just never know when you will make that Hard Rock or Heavy Metal find. Cheap Trick “At Budokan” was just that for me this past winter – a Hard Rock find. It was a dreary, cold and blustery winters day, I decided to venture to one of the local thrift shops that has been infamous for having many vintage vinyl albums available for sale – at fifty cents each!! As I entered the shop, I made my way towards the used CD and albums section… there it was… just sitting there, abandoned, found useless by a former owner. Cheap Trick “At Budokan”, in all of it’s vintage vinyl, Hard Rock glory! This live album was released in the U.S. in February of 1979. This album is a live Hard Rock masterpiece, in my Metal opinion. I saw, from just a few feet away, that this album was in near perfect condition too! The coast was clear, I made my move and Cheap Trick was in my hands. I have finally been reunited with my long lost Cheap Trick album!! Holding this album, staring at the front cover photo of Robin Zander and Tom Petersson, well, it took me back to a moment in time.

Sometime back in the very early 1980’s, my cousin, Michael, well, he asked me if he could “borrow” my beloved Cheap Trick “At Budokan” album. I replied, “yes”. You live and learn. You learn from your past mistakes. I never saw that album again, not until this find at the thrift store was in my hands. You see, throughout the years, I never repurchased this classic Cheap Trick album, nor did I ever get it on CD. I guess, deep down inside of me, I was waiting, maybe hoping, that this cousin of mine would someday return the album to me. Dream on. Did I ever ask my cousin for the album over the years? Nope. It was not worth it. Eventually realizing how my cousin actually took care of material possessions, well, I just knew the album would not be in the same mint shape as it was, when it left me.

At this point, the past is just that, the past. I now have the Cheap Trick “At Budokan” live album and I could not be happier with it’s condition. As an amazing bonus – the liner notes are still inside this album that I found! The liner notes are in black and white, however, they are like a giant tour program. The photo’s alone are fabulous. To actually get my hands on this album at a thrift store, in this perfect shape, with the original liner notes tucked inside, that to me… is a find. Plus, upon my scrupulous inspection, it appears to me, that these liner notes were never taken out of the album sleeve! I am not kidding, no creases, tears or even signs of other people’s fingerprints! (My very own fingerprints were immediately left onto these liner notes, for the majority of the ink on the artwork is black). Do I sound a tad obsessive? Maybe so, however, when you are a collector of vintage Hard Rock/Metal albums, you do tend to inspect the memorabilia more than the average/casual consumer of such items.

Now, for the actual music found on this excellent album: Cheap Trick “At Budokan” is an incredibly essential, live Rock & Roll album to own! I have this album in the top ten live Rock albums ever released, it is that good. The songs are tremendous, filled with the trademark energy of Cheap Trick, yet the live essence surrounding the music makes for an inspiring listen. This album was recorded in Japan, at Budokan, in April of 1978! This music is incredibly relevant to today’s Rock sound, it has not lost any mileage with me after all these years. This is the album that truly made Cheap Trick a household name. Since “at Budokan”, Cheap Trick continues to stay current with Rock & Hard Rock, releasing an extensive catalog of great Rock albums which spans four decades! The very famous track “I Want You To Want Me” is here in all of it’s Rock glory, with the classic cover of Fats Domino’s “Ain’t That A Shame”. “Surrender” is a signature song of this great band, it borderlines on the Punk Rock side and still has that catchy appeal it bestowed so brightly, back in the day. “Need Your Love” and “Come On, Come On” are two more tracks that can light up any concert stage today. Overall, this is required Rock & Roll listening for fans of all Rock genres. You can honestly walk away from listening to “At Budokan” and realize how much influence Cheap Trick has on today’s Rock sound. Musically, Cheap Trick is so good, simply one of a kind. Cheap Trick are: Robin Zander on vocals, Rick Nielsen on guitar, Tom Petersson on bass and Bun E. Carlos on drums.

Cheap Trick "At Budokan"

Happy Birthday to ZZ Top legend Dusty Hill!

Posted in 1970's hard rock, 1970's Rock, 1980's hard rock, classic rock, Hard Rock, Music, Rock, rock & roll, rock & roll hall of fame inductees, rock and roll, rock and roll hall of fame inductees, rock celebrity birthdays, rock music, southern hard rock with tags , , , , , , , , , , , , on May 20, 2009 by Metal Odyssey

main-150Metal Odyssey would like to extend a tremendously LOUD – Happy Birthday! – to legendary bassist and Rock and Roll Hall of Famer, Dusty Hill of ZZ Top! Dusty Hill turns a real cool 60 today, May 19, 2009. I have been fortunate enough to see the legendary ZZ Top live in concert, (around 1995 – if I am correct), at the Hartford Civic Center. The opening act was none other than… the amazing George Thorogood! That was one incredible night of Rock N’ Roll! Yes, I did buy a souvenir from that concert, it was the infamous ZZ Top keychain. Man, I loved that ZZ Top keychain, it was made out of pure Metal too. I just lost that wonderful souvenir about two years ago… it is a darn shame. Anytime I held that keychain in view, someone (yes even total strangers) would always say: “Hey, isn’t that the ZZ Top keychain”? It was quite a popular conversation piece for me. 

My favorite ZZ Top album ever, is “One Foot In The Blues” – released on November 22, 1994. This album is all heavy Blues, baby! The ZZ Top brand of Rockin’ Blues.This album holds the honor and distinction of being the only CD that I listened to the very morning of my Wedding Day. You betcha. This just so happens to be the CD that I listened to on that entire special day, plus it was a gift from my gorgeous wife to be as well . Dusty Hill, thank you for the fabulous Rock N’ Roll and heavy Blues you have created with ZZ Top all these years! I definitely have cool and special memories associated with the tunes of ZZ Top. I certainly applaud and truly appreciate your musicianship.

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Rainbow “Long Live Rock ‘n’ Roll” long lives indeed!

Posted in 1970's hard rock, 1970's heavy metal, 1970's Rock, Album Review, classic rock, cool album covers, dio, essential hard rock albums, essential heavy metal albums, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, rainbow heavy metal band, Rock, rock music, rock music vocals, ronnie james dio, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , on May 19, 2009 by Metal Odyssey

There never seems to be a day that goes by, where I do not peruse my Heavy Metal collection of albums and/or CD’s. One album in my collection, that recently caught my attention and reminded me of genuine Heavy Metal greatness is Rainbow “Long Live Rock ‘n’ Roll”. When I first bought this album, I did so when Ronnie James Dio was the lead vocalist for Black Sabbath, sometime between 1980 and 1982. I needed to, at that time, catch up and become familiar with any or all of Ronnie James Dio’s music and bands. This album, without any doubt in my Metal mind, is a keeper for life.

Released in 1978, this album upon my first complete listen, had me in awe. It still has that same affect on me, more than 25 years later. It just seems that the true elite of Hard Rock and Heavy Metal will shine on forever, keeping the flame of Heavy Music burning for decades on end. That is exactly what “Long Live Rock ‘n’ Roll does for me, it keeps it’s Heavy Rock sheen glistening, no matter how many times I listen to it. It is my opinion that this album deserves to be in any all time great lists. The two songs “Long Live Rock ‘n’ Roll” and “L.A. Connection” alone are reason enough to add this album to your collection of Heavy Music. These two tunes pound away at a pace that is classic 1970’s Heavy Metal, yet the unmistakable sound is vintage Rainbow. Here is an album, that boasts strong and heavy music for it’s time, with intelligent lyrics and arguably one of the premiere lead guitarists and lead vocalists in all of Heavy Rock, back in 1978.

Fast forward to Ronnie James Dio joining forces with Black Sabbath, then decades later Heaven & Hell, we are all living in the present with the unstoppable Metal tandem of Tony Iommi and Dio. What is such a thrill to revisit, each time I listen to this album, is there was at one time, an incredible Heavy Metal duo of Ritchie Blackmore and Dio. Listening to Dio sing at this pertinent stage of his career, is hearing an emboldened vocalist, rich with sincere emotion and hunger that elevates the totality of this albums music. Ritchie Blackmore on guitar gives the songs on “Long Live Rock ‘n’ Roll” their creative and at times medieval signature sound. “Gates of Babylon” is a fine example on this album, of what I mean, in mentioning a medieval guitar sound. What words can I truly use to compliment the guitar playing and skill of the legendary Ritchie Blackmore on this album? Let’s leave it that Ritchie Blackmore is guitar elite. The pair of Dio and Blackmore together in Rainbow may have been short lived, however, just as the title of this album states “Long Live Rock ‘n’ Roll” – this album without question long lives.

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I drove my neighbors nuts with Ratt – “Out Of The Cellar”

Posted in 1980's hair metal music, 1980's hard rock, 1980's heavy metal music, Album Review, classic rock, cool album covers, Hair Metal, hair metal music, Hard Rock, hard rock album review, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews with tags , , , , , , , , , , , , , , , , , , , on May 19, 2009 by Metal Odyssey

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It was the Summer of 1984, Ratt “Out Of The Cellar” was the Heavy Metal/Hair Metal album that took me and my neighborhood Metal buddies by storm. Yes, this is going to be a middle aged Metalhead reminiscing about 1980’s Heavy Metal, therefore, you have been forewarned. Now, back to Ratt – this album for me, is catchy, melodic, fun, groove laden, riff laden, party all night, good times, brand of Heavy Metal. In other words, I have always put Ratt “Out Of The Cellar” on the Heavy Metal pedestal. Hey, this is my personal preference. If you research and surf around the internet, well, you will find many positive reviews regarding this album and it’s significance to the total Heavy Metal genre of the 1980’s. This album did peak at #7 on the Billboard top 200 album chart in 1984. Stephen Pearcy on lead vocals, Warrn DeMartini & Robbin Crosby on guitar, Juan Croucier on bass guitar and Bobby Blotzer on drums were Ratt, circa 1984, the band that made me like Hair Metal.

Now here is why this great album drove my neighbors nuts, back in the Summer of 1984. You see, I did have quality neighbors next door, they were like family to me. The only thing about these neighbors that I did not dig was, they never, ever, invited me (or my family) over for their countless picnics or to swim in their pool. Other than that, I could honestly count on them for anything else, (except monetary handouts). So, I rebelled, I lashed out, I cranked up Ratt “Out Of The Cellar” so damn loud – every stinking day, of every hour I was home, that Summer of 1984. I would open my bedroom windows fully, then I strategically placed my stereo speakers on top of the window sills, aimed right at my neighbors. I made certain to do this especially when they had their daily picnic and swimming pool jamboree. The nervous looks I would get from my neighbors relatives, as they were gorging on picnic meats, was worth its weight in Metal gold. My neighbor who was the dad (God rest his soul), had the single loudest voice I have ever, even to this day, heard on a human being. He would bellow: “Turn that crap down or turn that crap off”. I turned it up LOUDER.

You see, I was really blessed to have had parents that accepted and liked Heavy Metal, (once I got into high school they realized they could not stop Metal, they could only accept and like it), plus they did not care in the least as to how loud I played my Metal. I would smell the sweet and tender aroma of the steaks cooking on the grill, hot dogs and hamburgers giving off the sensational smells as they cooked away, tantalizing me, making me hunger for an invitation to at least one lousy picnic next door. Dream on, so my only way of expressing my disbelief and let down was to blare my Ratt album as loud as the stereo system could tolerate. A sassy, stuck up, green turtle neck shirt wearing, niece of my neighbors was always at these daily backyard picnic spectacles. I forget her name now and she was my age, yet she acted like she was 55 years old in high school. This bothersome girl was unfortunately in a couple of classes with me in high school. One day, in the Fall of 1984, she turned to me and asked me why I played the same Ratt album over and over. She said: “I am so sick of that album, it is all you play”.  Well, because of that mindless comment and thoughtless attitude, when the Summer of 1985 came around, well, I introduced my neighbors to Mercyful Fate and Slayer. I did not hold back any longer. I turned it up a Metal notch. 

To this day, I enjoy immensely the “Out Of The Cellar” album from Ratt, it is not just due to it’s enormous Heavy Metal power that it instills in me, it is also due to it evoking such bizarre memories that make me laugh at myself.

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Michael Schenker & Gary Barden rock together again on “In The Midst Of Beauty”

Posted in 1980's hard rock, 1980's heavy metal music, Album Review, classic rock, current hard rock albums, current hard rock songs, current heavy metal music, Guitar, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, Rock, rock music, rock music vocals with tags , , , , , , , , , , , , , , , , , , , , , , on May 18, 2009 by Metal Odyssey

I always have been enamored by the guitar brilliance of Michael Schenker. I have always been a big fan of the Hard Rock/Heavy Metal vocals of Gary Barden. These two musicians combined, made for one very cool and memorable debut album by The Michael Schenker Group, which was self titled. My favorite album by this duo is the second Michael Schenker Group album, titled “MSG”. Depending on the song or album you listen to from the Michael Schenker Group catalog, this band can be defined as Rock, Hard Rock or Heavy Metal. Diversity has been the mainstay in Michael Schenker’s music, in my Metal opinion. A tried and true crossover of Heavy Music styles is what MSG has accomplished over the decades. Michael Schenker has had one incredible Hard Rock/Metal career, being an original member of the Scorpions and as a member of the infamous UFO.

Michael Schenker has had different lead vocalists over the years, again, my nod goes to the combo of Michael Schenker and Gary Barden. I did not intend to get too long winded, on the background history of The Michael Schenker Group, just a brief introduction is necessary for new fans that might want to check out the past music of MSG. Schenker – Barden “In The Midst Of Beauty” was released on May 13, 2008, with both Michael Schenker and Gary Barden rockin’ out together again. I am very pleased with this album, the vocals of Barden are still solid, he was never a flamboyant or in your face – Arena Rock vocalist to begin with. Barden for me, has always been a cool and deliberate Heavy Rock vocalist who exhibits real emotion in his vocals, while pronouncing the lyrics of his songs – always making the lyrical message as important as the music itself. In my Metal opinion, Gary Barden is as true a Heavy Rock vocalist today as he was in 1980. I cannot say enough about the guitar wizardry of Michael Schenker, to me he plays his very best on “In The Midst Of Beauty”.

All 12 songs are memorable for me on this album, with my favorite track being “Ride On My Way”. This tune is very melodic and it Rocks. I knew when I bought this CD, that I was not going to hear the resurrection of the 1980’s Schenker & Barden Heavy Metal attack. As years pass, all of our great and legendary Metal musicians change a tad or two. Does Gary Barden sound older? How about Michael Schenker? Give me a break, if anything else, there is a new found level of confident Metal that I hear on “In The Midst Of Beauty”. Do not be fooled, for Michael Schenker still brings the heavy on his guitar solos and leads. These two Heavy Metal legends can still Rock their hearts out, I only wish I could sing or play guitar this darn great at my age! “In The Midst Of Beauty” is a fantastic Hard Rock/old school Heavy Metal album that defines what Schenker and Barden are all about – both accomplished musicians who have nothing to prove to anyone – while still showing the entire Rock world what real song writing is all about.

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Cheap Trick – “Dream Police” an essential Hard Rock album

Posted in 1970's hard rock, 1970's Rock, 1980's hard rock, Album Review, classic rock, cool album covers, essential hard rock albums, essential rock albums, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, Music, Rock, rock & roll, rock and roll, rock music, rock music vocals, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , on May 16, 2009 by Metal Odyssey

I have been fascinated with the Hard Rock music of Cheap Trick since 1978. Yup, 1978. I owned with pride, the 8-track cassette copy of “Dream Police” and played it until only a hissssssss sound was heard, while a faint sound of tunes played in the background noise. It was not easy tossing away that 8-track copy of “Dream Police” – I eventually bought a CD copy of it down the road, somewhere around 1986 and I still have that CD. There is no hissssss sound on this Cheap Trick CD, no sir. All I hear is the sensational Hard Rockin’ music that is 100% vintage Cheap Trick. “Gonna Raise Hell” in my Metal opinion, is as bona fide a Heavy Metal song that Cheap Trick has ever created. This tune, for me, is what makes “Dream Police” such a classic album. Seriously, “Gonna Raise Hell” is a jaw dropping, head banging, anthem of a timeless tune. The bass play on this track alone is like a thunderous, stomping mad, evil, forest gremlin army marching toward battle. (There are times when my musical interpretations can become quite creative). Tom Petersson, in my opinion, takes a back seat to no one as a bassist in Hard Rock.

“Voices” is a smoothly written power ballad, only power ballads were not supposed to be around until Hair Metal came out of L.A. in the ’80’s. “Dream Police” is the fast paced, musically heavy driven, winner of a title track. To say that these mentioned songs, quite possibly the entire album, is relevant to what is created in todays Hard Rock or Heavy Metal circles is not far fetched. I feel that if a band today, created and released the song “Gonna Raise Hell”, it would do just that. This song is too darn good to be considered an old time classic. “Need Your Love” may be over seven minutes long, however, Cheap Trick makes this tune groove along at a pace that gives it an addicting Rock flavor. Cheap Trick melded together harmony, melody and Hard Rock in such a blissful heavy way, I cannot stop myself from labeling “Dream Police” as an essential Hard Rock album to own. Why else would I be reaching for this CD to rock out to, going on three decades now?

The vocals of Robin Zander were attitude laden with a slice of Punk, I can never mistake the overflow of confidence in his voice on “Dream Police”. Rick Nielsen on guitar is fluid and creatively distinctive on “Dream Police”. I find his signature sound to be legendary, Rick Nielsen was and still is one of a kind. What can be said for Bun E. Carlos on drums? This man carries out the identity of a true Rock and Roll drummer, he never over extends on “Dream Police” and only super enhances the rhythm section with skillful beats. In Summary, “Dream Police” is a work of Hard Rock musical art, from a legendary dream team of Rock musicians, forever known as Cheap Trick. 

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Metal Church – Heavy Metal to the core

Posted in 1980's heavy metal music, 1990's heavy metal music, Album Review, classic rock, Hard Rock, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, Metal Church, metal music, Metal Reviews, rainbow heavy metal band, rock music with tags , , , , , , , , , , , , , , , on May 13, 2009 by Metal Odyssey

I have a long list of Metal bands that I simply cannot get enough of. Metal Church is on this list. Actually, Metal Church is at the very top of this list. The reasons are many: the musicianship (first & foremost), the lead vocalists throughout this bands career  (the late David Wayne), Mike Howe and current lead vocalist Ronny Munroe. The music of Metal Church has always been heavy, they have never tried to sign on to the flavor of the month when it comes to Heavy Metal. Metal Church has always been as great of a representation of Heavy Metal music, as you can possibly get. (In my Metal opinion). I will say this now, Ronny Munroe for me, is what I consider the most underrated lead singer in all of Heavy Metal music today. I definitely feel Ronny is a Heavy Metal flashback, old school if you will. That is a compliment, for Ronny does not over reach vocally nor does he try to. Ronny Munroe is the only lead vocalist today, that reminds me of the legendary Ronnie James Dio. Sometimes comparisons are cool, especially when you get compared to DIO. *Ronny Munroe has his brand new solo album out now titled “The Fire Within”… with Kurdt Vanderhoof and Ronny producing it. Ronny does a cover of the Rainbow – Ronnie James Dio classic – “Man On The Silver Mountain” – I ordered my copy today, man, I cannot wait to get it. Michael Wilton from Queensryche and Rick Van Zandt from Metal Church both play guitar on Ronny’s solo album too. 

Kurdt Vanderhoof, the founder, guitarist and leader of Metal Church, along with all the musicians that have been part of Metal Church, both past and present, have proven to me that perseverance with musical integrity can bring about incredible Metal music. The proof of this belief are the catalog of albums from Metal Church. Plus, Kurdt Vanderhoof has a pretty darn good side project of a band called Presto Ballet as well. (I will save Presto Ballet for another future post). Going back to October 27th of 2008, a statement on the Metal Church website informed fans that Kurdt Vanderhoof was going to correct/rehabilitate bulging discs in his lower back. The statement went on to say this situation could take up to 6 months for Kurdt Vanderhoof. Man, I truly hope and pray that Kurdt Vanderhoof does rid his body of all the pain these bulging discs have caused. I am hopeful that everything goes well for Kurdt. 

During this past year, (September 23, 2008), Metal Church released their new album “This Present Wasteland” – one rock solid chunk of Heavy Metal that every fan of quality Metal music should own. It is an album that I consider to be one of the very best in Heavy Metal releases from 2008. I personally feel every tune on this album is heavy and of equal worthiness. “Monster” is a great track, lyrically taking on the dark side of cyberspace addiction. My favorite tune on this album is without a doubt, “Crawling To Extinction”, this song has all the old school, Heavy Metal flare, musically happening. If you are even remotely interested in checking out what Metal Church is all about, buy any album/CD of theirs and become an instant fan. The debut album of Metal Church is heavier, faster, more of a Thrash Metal work, in my Metal opinion. Comparing one Metal Church album to another is ridiculous, based on there being 3 different lead vocalists over the years. Besides, my being a gigantic advocate for Metal Church will not allow me to nit pick any of their music they have ever created. Check out Metal Church at http://www.metalchurchmusic.com

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Happy Birthday Eric Burdon – legendary vocalist of The Animals

Posted in 1960's rock & roll, 1960's rock & roll british invasion, 1960's rock music, 1970's Rock, classic rock, Hard Rock, Rock, rock & roll, rock & roll hall of fame inductees, rock and roll, rock and roll hall of fame inductees, rock celebrity birthdays, rock music, rock music vocals, Vocals with tags , , , , , , , , , , , , , on May 11, 2009 by Metal Odyssey

365241Today is May 11, 2009 and is also – the birthday for Eric Burdon, the legendary lead vocalist for the (legendary) 1960’s Rock band – The Animals. Eric Burdon and The Animals are deservedly enshrined in The Rock and Roll Hall of Fame, (inducted in 1994). Eric Burdon has turned a rockin’ 68 today! Today is as good an excuse as any to slap on some tunes from The Animals and play them LOUD. The Animals were an integral part of the historical “British Invasion” of Rock & Roll, straight from England, back in the storied 1960’s. Man, the voice of Eric Burdon is just plain timeless, in my Metal opinion. I have always been captivated by the vocals of Eric Burdon, I always wonder how he would have sounded fronting a Metal band today, he has that voice that is deep, cool and ominous. The three tunes from The Animals that I always find stuck in my head are: “House of the Rising Sun”, “Sky Pilot” and “Don’t Let Me Be Misunderstood”. (Now I am gonna have these tunes stuck in my head today, that is cool with me though). The Animals career may have been short compared to many other bands of that time period, however, I always feel it is quality and not quantity that matters most in Rock & Roll. To me, The Animals and Eric Burdon exemplify Rock & Roll quality.

Ean Evans – Thank you for the music

Posted in classic rock, classic southern rock, Hard Rock, Music, Rock, rock music, southern hard rock, southern rock, southern rock bass players with tags , , , , , , , , , , on May 10, 2009 by Metal Odyssey

14462976I heard the news on May 6, 2009, that Ean Evans, the long standing bass player for Rock & Roll Hall of Fame member & Southern Rock Legends Lynyrd Skynyrd, passed away from a battle with cancer. Ean’s quality bass playing and backing vocals will surely be missed. Ean’s music will forever be heard and enjoyed by fans worldwide, an everlasting gift he has left us all. Metal Odyssey pays tribute to Ean Evans and gives condolence to all of his family and friends. May God Bless You, Ean Evans, rest in peace in Rock N’ Roll heaven.

The greatest Heavy Metal album of all time is…

Posted in 1970's hard rock, 1970's Rock, Album Review, Black Sabbath, classic rock, cool album covers, Hard Rock, hard rock album review, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, ozzy, Ozzy Osbourne, Rock, rock music, rock music vocals, tony iommi heavy metal guitarist with tags , , , , , , , , , , , , , , , , , , , , , , , , on May 9, 2009 by Metal Odyssey

527399Well, I have finally reached the pinnacle in my decision process for The Greatest Heavy Metal Album Of All Time. Please reference my past posts on this topic, you will find many great & legendary Metal albums that I personally nominated for this prestigious label. Without further delay, in my Metal opinion, and only mine alone, I have chosen: Black Sabbath – “Sabbath Bloody Sabbath”      

Please note that this is my opinion, anyone out there can have his/her own choice for this topic. It boils down to personal preference, especially when it happens to be Metal. Here are my reasons for why I feel this way about this incredible album:

1. It is my belief that Doom Metal, Stoner Metal and real Metal all began with Black Sabbath. “Sabbath Bloody Sabbath” just signifies musically, what Metal was and where Metal was heading, back in 1974. 

2. Without question, for me, the ‘riff master’ of the Metal world then and now is and forever will be the legendary Tony Iommi.

3. Ozzy Osbourneno Rock or Metal vocalist has ever sounded like him, or even come close. Ozzy’s vocals are so unique, it is uncanny. I am not saying Ozzy is the greatest vocalist ever, what I am stating is that his vocals are a signature, a trademark if you will, of “Sabbath Bloody Sabbath.” Ozzy’s vocals are so extraordinarily identifiable, just as Tony Iommi’s guitar riffs.

4. Not that this played any factor in my decision whatsoever – the album cover artwork is extremely cool, very much Metal. The artwork depicts a skull, demonic beings, a nightmarish snapshot of a piece of hell. Perhaps, I do not know officially for certain, this was the first album cover of any Rock genre which depicted 666 in it’s artwork. (Again, I would need to really research this).

My summary as to why I believe “Sabbath Bloody Sabbath” to be The Greatest Heavy Metal Album Of All Time is this:

Black Sabbath “Sabbath Bloody Sabbath” is a tried and true Heavy Metal classic. Every song is a definitive statement of just how talented and forward thinking Black Sabbath was in 1974. These 8 songs are a journey of surreal riffs, post psychedelic musical heaviness, that molded Heavy Metal into what it has become today. The opener “Sabbath Bloody Sabbath” has a lead riff that instantly prepares you for the remaining set of songs. The instrumental “Fluff” could only work for Black Sabbath on this album, it’s convenient yet prominent position within these songs makes complete sense. “Fluff” and it’s acoustic beauty embarks on the intelligence Black Sabbath held onto musically. Just look at how many Metal bands since, that have slipped in dreamy, mystical or macabre instrumentals for their respective albums. Ozzy Osbourne is so unmistakably eerie on vocals, he was and always shall be one of a kind. Tony Iommi delves into the world of heavy riffs, formulating one after another throughout, unknowingly becoming the Metal riff king for all time. Geezer Butler on bass and Bill Ward on drums provide a legendary rhythm section, that shapes the dark moodiness of this beyond fantastic Metal masterpiece. I look at 1974, then I realize exactly how prominent Heavy Meal was then. It really was not an embraced genre as yet, Metal was truly in it’s infant stage.

“Sabbath Bloody Sabbath” was the Metal comet that stormed into the musical universe in 1974, making a collision onto a world of Rock & Roll that did not know what hit it. Legions of bands and musicians have been influenced by this album, if not, these bands/musicians are not into Metal and/or do not live on this planet. I strongly urge any and all Heavy Metal or Hard Rock fans to add “Sabbath Bloody Sabbath” to their music collection, it is an essential and important work of Heavy Metal. The Greatest Heavy Metal Album Of All Time. 

Just as a sidebar, I struggled with this decision. I was steadfast in deciding on Slipknot “All Hope Is Gone” as the greatest ever. Then, I followed my Metal heart and realized, if it wasn’t for Black Sabbath and “Sabbath Bloody Sabbath,” would there even be Metal music as we know it today?

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Molly Hatchet debut album from 1978 – Rocks heavy to this day

Posted in 1970's hard rock, 1970's Rock, 1980's hard rock, 1980's southern hard rock, 1980's southern rock, Album Review, classic rock, classic southern rock, cool album covers, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, Music, rock music, rock music vocals, southern hard rock, southern hard rock albums, southern rock, southern rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , on May 8, 2009 by Metal Odyssey

In 1978, Molly Hatchet, the Southern Rock legends to be, released their debut album “Molly Hatchet” – this album still rocks today. I was just embarking on my teen years back in 1978, Kiss, Foreigner, The Electric Light Orchestra and Cheap Trick were my four main bands that I listened to constantly. (I was not into the real heavy music until I entered high school, heck, I was still green and learning fast about the huge world of Rock music). One band, however, that turned my head and gave me instant goose bumps as soon as I heard their tunes was Molly Hatchet. Man, I was amazed at the sound of this band. I was going on fourteen when I first heard the guitar jamming, the muscular feel and Southern Rock energy coming from Molly Hatchet. The vocals of Danny Joe Brown sounded so bad ass to me, (they still do), I thought I was bad ass when I spoke of Molly Hatchet to my grammar school buddies. The rebellious sound, vocals, lyrics and super cool album cover won me over in 1978 and has never waned for three decades. I never forget or stop listening to those bands that got me into music as a kid, these bands including Molly Hatchet I am forever grateful for.

“The Creeper” in and of itself is good enough reason to chase this album/CD down. The seven minute and brilliant “Dreams I’ll Never See” for me, makes for one of the greatest cruisin’ tunes I have ever heard. “Bounty Hunter” and “Gator Country” just kick start this album into a Hard Southern Rockin’ rebellious ride that I enjoy taking. I realize a couple of  posts ago was about Molly Hatchet as well, I am stoked recently over this band forgive me please. This debut album from Molly Hatchet blows away thousands of other debut albums that are out there – how often I find myself not buying a bands first album due to it’s blandness. Hey, this is my Metal opinion. Sure, the debut from Molly Hatchet is “old school” – only remember that this is an album that helped pave the way for Southern Hard Rock to flourish and receive it’s due respect and credibility. I hope my posts on Molly Hatchet can lure new fans to this legendary band and to the genre of Southern Rock. Veteran fans of Molly Hatchet and Southern Hard Rock already know what I am talking about.

Here is the original lineup of Molly Hatchet, as they appeared on their debut album “Molly Hatchet” – Danny Joe Brown – lead vocalist, Duane Roland – lead guitar, Dave Hlubek – lead guitar, Steve Holland – lead guitar, Banner Thomas – bass guitar and Bruce Crump – drums.

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Molly Hatchet – “Greatest Hits” defines Southern Hard Rock

Posted in 1980's hard rock, 1980's southern hard rock, 1980's southern rock, Album Review, classic rock, Hard Rock, hard rock album review, hard rock songs, Heavy Metal, Music, Rock, rock music, rock music vocals, southern hard rock albums, southern rock albums with tags , , , , , , , , , , , , , , , , on May 6, 2009 by Metal Odyssey

4264744Every time I listen to Molly Hatchet “Greatest Hits” I get positively pumped and put into the best of moods. The Southern Hard Rock crunch of Molly Hatchet coupled with the back roads feel of all their music will never be matched by any band today. Molly Hatchet, in my opinion, was the heaviest Southern Rock band of their day. They treaded the fine line of Metal later in their career with “Satisfied Man” and “Shake The House Down”. Early in Molly Hatchet’s catalog of music, “The Creeper” made it known instantly that this band was playing heavy and for keeps! This song off of their debut album “Molly Hatchet” is bass heavy and the guitar work slams it down! The signature heaviness of Molly Hatchet is also linked to the unique lead vocals. The tough as nails vocals you will hear are from Jimmy Farrar and Danny Joe Brown. Both vocalists were so similar in their attitude and make no mistake Southern Hard Rock vocal delivery. The FM radio hits of the late ’70’s and early ’80’s are all here, with “Flirtin’ With Disaster”, “Beatin’ The Odds”, and the lengthy guitar driven masterpieces “Dreams I’ll Never See” and “Fall Of The Peacemakers”.

7188189Let’s face it, the album artwork on Molly Hatchet album covers are extremely cool. I still find myself, to this day, staring at the artwork like it is my first time ever seeing it. I am from the generation of Metal/Hard Rock fans that would (and still do), sit down with a vinyl album jacket and inspect every speck of art, from front to back, while listening to that respective band’s tunes. I strongly recommend any fan of heavy music to buy this “Greatest Hits” of Molly Hatchet, still, I also recommend any album that this band has ever released, past or present. It is my opinion, that Molly Hatchet truly crossed over many Rock genres during their reign – Rock, Hard Rock, Southern Rock, Southern Hard Rock and eventually a stab at trying to sound like ’80’s Heavy Metal, (with the album “The Deed Is Done” – released in 1984). Call them any genre you wish, I just call Molly Hatchet legends. Long live Molly Hatchet. Keeping in mind, the core of the original Molly Hatchet lineup has changed over the years, this band has still released some current and impressive Southern Hard Rock albums over the last decade.

4264762I have never, ever, heard such incredible, good-old fashioned guitar jamming in my life like I hear with Molly Hatchet on their “Greatest Hits” – intensity is the best adjective. This band legitimized guitar jamming and put it on the map! This is the ultimate “Greatest Hits” you will find from Molly Hatchet. Give the Hatchet a try and you will be hooked for life! The liner notes that come with the re-mastered CD are eight pages. Two pages are devoted to a summary history of Molly Hatchet, along with four cool band photos and song/album credits.

Quiet Riot “Rehab” – a Heavy Metal diamond in the rough

Posted in 1980's heavy metal music, Album Review, classic rock, Hair Metal, Hard Rock, hard rock album review, hard rock songs, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, Rock, rock music, Vocals with tags , , , , , , , , , , , , , , , , , , on May 4, 2009 by Metal Odyssey

8141414The late Kevin DuBrow of Quiet Riot has certainly left his mark on the world of Heavy Metal. In my opinion, just the album “Metal Health” alone is quite the Metal accomplishment. “Metal Health” (released in 1983), will forever have the distinction of being the very first Heavy Metal album to hit #1 on the album charts. Fast forward to October 31, 2006, Quiet Riot “Rehab” was released under the radar, so to speak. “Rehab” is a darn good hard rockin’ album, in my Metal opinion. You no longer hear the Hair Metal thumping of the 1980’s on this album, what I do hear, are quality written songs with quality musicianship. In summary, the music on “Rehab” is Hard Rock meets Heavy Metal.

I am not saying that “Rehab” is the greatest Metal album I have ever listened to, it is just a real decent album of songs that really rock, a well rounded album of songs. This is not what I expected, actually, for I thought that “Rehab” was going to be a Hair Metal trip down memory lane. I did get more than I anticipated, for all the tunes here are relatively longer than your usual straight-up Heavy Metal album. The shortest tune is “Blind Faith”, at 3 minutes and 23 seconds. The longest tune is “Evil Woman” at 8 minutes and 49 seconds. The musicians on “Rehab” are (of course) Kevin DuBrow on vocals and Frankie Banali on drums – with Glenn Hughes on bass and lead vocal duet on the tune “Evil Woman.” (No, this is not a cover song of The Electric Light Orchestra’s Classic Rock hit). Glenn Hughes also provides background vocals throughout “Rehab”, with Neil Citron on guitar and Tony Franklin on bass as well. “It Sucks To Be You”, (written by Kevin DuBrow), is the closest you are probably going to get in hearing the old school Hair Metal swagger vocals coming from Kevin DuBrow. Musically, the song is also the most reminiscent of 1980’s Heavy Metal from Quiet Riot too.

Overall, I find “Rehab” to be a sincere and serious approach in creating and delivering on some very cool Hard Rock/Heavy Metal from Quiet Riot. After each listen to “Rehab”, I cannot help but find myself wishing Kevin DuBrow did not pass away so young. Then again, Kevin DuBrow will live on forever in the music he helped to create, leaving Metal fans like myself enjoying what I consider to be one of the more unique vocals in Heavy Metal’s storied history. In my Metal opinion, “Rehab” is one heavy, mature, quality driven, class act effort for Quiet Riot to end their Metal legacy with.

Watch out Metal & Hard Rock fans – Chickenfoot is coming!

Posted in 1980's heavy metal music, Album Review, classic rock, current hard rock songs, Guitar, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, recent heavy metal albums, Rock, rock music, rock music vocals, van halen, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , on May 1, 2009 by Metal Odyssey

9297986Supergroups are not a new concept to the worlds of Hard Rock or Heavy Metal. Asia, Hellyeah, HSAS and Saints Of The Underground are just a handful of really cool supergroups of Hard Rock and Metal, both from the past to the present. Chickenfoot, however, is a super – supergroup. With the likes of Sammy Hagar on vocals, Michael Anthony on bass & backing vocals, Chad Smith on drums and the brilliant – Joe Satriani on guitar, Chickenfoot is one monster of a legendary lineup of musicians. C’mon, you are looking at half of the Van Halen lineup here, with Sammy Hagar and Michael Anthony. 

I have always admired each and everyone of these guys as musicians, my appetite for Van Halen, Sammy Hagar’s solo material, The Red Hot Chili Peppers and Joe Satriani has never waned over the years. I have just recently heard three tracks from the upcoming release from Chickenfoot, (due for release on June 9, 2009), these three tunes are really, really, really cool and hard rocking. “Soap On A Rope”, “Oh Yeah” and “Down The Drain” all sound like vintage Van Hagar, (oops), I mean Van Halen with Sammy on vocals, of course. However, this is not a replay of Sammy Hagar fronting Van Halen – no sir. The songs are so vibrant, heavy and unbelievably catchy. Gee, could it be due to Joe Satriani blazing on guitar like his life depends on it? Joe Satriani has finally put his stamp of unreal guitar wizardry, onto a band with a vocalist. When I listen to these three songs, it is Van Halen meets Joe Satriani. I find all three songs to be a bit more edgier than what Sammy Hagar has done with Van Halen, this is a compliment. Trust me, Joe Satriani stands out on these three songs! In my Metal opinion, Joe Satriani does not take a back seat to Eddie Van Halen on any day. 

Michael Anthony lends not only his talented bass skills to Chickenfoot, he also brings to the Metal table his distinguishable backing vocals – (which are currently sorely missed in the new Van Halen). Chad Smith has proved to me, on only these two songs I have heard thus far, from Chickenfoot, that he can play drums like a Hard Rock/Heavy Metal super pro. Chad Smith can play the heavy stuff, you betcha! I actually have shook my head while listening to “Soap On A Rope”, “Oh Yeah” and “Down The Drain”, (in an over impressed/blown away manner), due to the overall musicianship and the way these guys gel together. These three tunes rock hard – period. Metal debate closed, as far as I’m concerned. June 6, 2009 will be just another great and historical day in the world of Hard Rock and Heavy Metal music. For the last few years now, I keep telling anyone who listens, this is truly an unbelievable time to be a fan of Hard Rock and/or Metal music. The vintage & legendary players are still out there, turning out the highest quality of heavy music, Chickenfoot is one great example of what I am talking about. Chickenfoot is going to be very huge, this Summer of 2009!

You too can also check out these three tunes from the forthcoming Chickenfoot album, just go to: http://www.chickenfoot.us

Heaven & Hell “The Devil You Know” is Metal greatness!

Posted in 1980's heavy metal music, Black Sabbath, classic rock, dio, Hard Rock, heaven and hell heavy metal band, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, horror metal, Metal, metal music, Metal Reviews, Music, new heavy metal album, Power Metal, recent heavy metal albums, Rock, rock music, rock music vocals, ronnie james dio, tony iommi heavy metal guitarist, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , on April 30, 2009 by Metal Odyssey

92776864Alas, I finally received via U.S. mail, on April 29, 2009, directly from Best Buy online, the brand new Heaven & Hell release – “The Devil You Know” – (I pre-ordered the CD/DVD version) and I am simply ecstatic over this Metal! I feel I am exonerated from all the praise and hype I have been giving Heaven & Hell for their embarking on making this new album. Greatness is not enough of a positive adjective to describe the Metal tunes on “The Devil You Know” – and I mean all ten songs are enormously great. My favorite tune on this album is “The Turn Of The Screw” – it sounds incredible with Tony Iommi on guitar, for Iommi seems as if he let his melodic side take over with the leads and solo. Ronnie James Dio sounds like he is thirty years old again on not just this tune, all ten of these tunes!

Am I going too far with the praise so far? In my personal Metal opinion, nope. Anyone, albeit fan or professionally paid music critic, who does not agree that “The Devil You Know” is Metal greatness should go out and start listening to dance club music from the 80’s. Heaven & Hell sound as if they have let out their finest and most creative ideas musically, for this new album. Oh, yes, the vintage Tony Iommi guitar riffs are abundant, with dark and doom ambiance aplenty. Lyrically, the songs are what you can expect from Heaven & Hell, with the legendary Ronnie James Dio leading the way vocally, accentuating each syllable with Metal precision. Geezer Butler and Vinny Appice sound so tight as a rhythm section, I would swear they play & practice music together weekly, for the past twenty five years! The old school Metal meets a current Metal groove is happening on this album, I find it extremely addicting.

By no means has Heaven & Hell released a retrospective Metal album that carbon copies the work they accomplished during the 1980’s, no way. In my Metal opinion, this is as current a Metal sound as any recent Metal album release, by any band. Heaven & Hell did not just step it up  a notch, they stepped it up with class and respect for us fans – by writing and creating what I consider the highest quality of Metal I have heard in recent memory. I feel Heaven & Hell did reach back to their roots, yet they combined it with the maturation of their musical talents, giving my ears not what Metal used to sound like but what Metal truly is. “The Devil You Know” has instantly become one of those Metal albums, where I cannot believe how great and intense each song is. No skipping over any tune or quick sampling here. Veteran Black Sabbath – Heaven & Hell fans should be thrilled by this new album, new fans most certainly will be Metal impressed. It is not the cliche’ that Heaven & Hell has become of age, it is more that Heaven & Hell proves they are ageless.

Still waiting patiently for the new Heaven & Hell

Posted in 1980's heavy metal music, Black Sabbath, classic rock, dio, Guitar, Hard Rock, heaven and hell heavy metal band, Heavy Metal, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal vocalists, Metal, metal music, Music with tags , , , , , , , , , , , , , , , , , , , on April 29, 2009 by Metal Odyssey

92776863In my last blog, in regards to the new release from Heaven & Hell, “The Devil You Know,” I mentioned I was hoping my CD/DVD version would arrive on the 28th of April, via U.S. mail. Well, gosh, golly, I received a confirmation of shipment email from Best Buy online – it informed me they (at Best Buy), shipped my CD/DVD out on April 27th. Shucks. I am not faulting Best Buy here at all, yet, when I pre-ordered the new Slipknot CD – “All Hope Is Gone” last Summer of 2008, it arrived in my mailbox right smack dab on the release date!! Go figure. I am a patient Metalhead. Always have been, always will be. Great Metal things come to those Metalheads who wait. 

Since I am on the topic of the legendary Heaven & Hell, let’s face it, Tony Iommi is the super king of Heavy Metal riffs. Stoner riffs, Doom Metal riffs, whatever you want to call it, the Metal masses have followed Tony Iommi’s formula of riff excellence for four decades now. Geezer Butler has his very own signature sound coming out of his bass, just like his partner in Metal, (Tony Iommi), Geezer brings the heavy doom and boom to his playing. Man, I cannot wait to hear the incredible Ronnie James Dio belting out the vocals on these brand new Metal tunes! My favorite Black Sabbath album of all-time is without question, “Sabbath Bloody Sabbath”, in my opinion it really signified the status, of the Heavy Metal sound that this band was about. I am just so smitten, that these four guys are together again – releasing “The Devil You Know” and embarking on another world tour, even after touring last year. The truest spirit of Heavy Metal illuminates from Heaven & Hell, both from their music and lyrics. What an undeniable legacy, in my Metal opinion! Transcending the Metal music they are so talented for creating, Heaven & Hell exemplify that longevity does coexist with quality.

Happy Birthday Peter Frampton!

Posted in 1970's hard rock, 1970's Rock, Album Review, classic rock, Hard Rock, Metal, Music, rock celebrity birthdays, rock music, rock music vocals with tags , , , , , , , , , , on April 25, 2009 by Metal Odyssey

398580613773543Anyone who follows Metal Odyssey knows that I like to keep up on the birthdays of legendary Rock Stars. Why? Well, it is a great excuse to write about these dudes and give my opinion on their music. So, without further delay – Metal Odyssey gives out a LOUD Happy Birthday to Peter Frampton!! Frampton turned a cool rockin’ 59 on April 22, 2009. My favorite Peter Frampton album is definitely “Frampton Comes Alive.” Released in 1976, this live album for me, captures the Rock & Roll spirit, talent and energy that Peter Frampton has been exhibiting, going on four decades. “Do You Feel Like I Do” and “Baby I Love Your Way” are true Frampton classics, the live recordings only bring them more to life, in my opinion. I always liked his album “Where I Should Be” – the single “I Can’t Stand It No More” I still find very catchy. Is Peter Frampton Hard Rock? To me, no, if you are going by todays Rock music standards. It was probably easier to categorize Peter Frampton as Hard Rock in the 1970s, maybe. As I see it, Peter Frampton is a Rock legend in his own right, I have always been keen on his brand of Rock & Roll. Plus, for me, the music of Peter Frampton always reminds me of the Summer, being at an outdoor party or just hanging out at the beach. I really cannot figure out why this is, I do recall many outdoor parties in the past, where Frampton was being cranked up loud though. (Maybe that is the reason). All in all, Peter Frampton and his music has been cool for me over the years, I wish Peter Frampton all the best as he continues to tour and write music. Thank you for all the great tunes over the years Peter Frampton!3447595

Happy Birthday Alan Price! – The Animals keyboardist

Posted in 1960's rock music, 1970's Rock, brand new sin, classic rock, Hard Rock, Music, psychedelic rock music, Rock, rock keyboard musicians, rock music, rock music vocals, Vocals with tags , , , , , , , , , , on April 21, 2009 by Metal Odyssey

Metal Odyssey sends out a very LOUD Happy Birthday to Alan Price, the original keyboard and organ player for The Animals! Alan turned a real cool 67 on April 19th. I cannot ever grow tired of listening to the keyboard majesty that Alan Price bestowed through the music of The Animals. To me, the keyboards are borderline haunting on “The House of The Rising Sun” – quite honestly, besides Eric Burdon on vocals, the keyboard playing of Alan Price made this song a timeless, early Classic Rock masterpiece. This song always seems to be a favorite for many bands to cover – Brand New Sin does what I consider the coolest cover of this tune, which is found on their album “Tequila”, released in 2006.

14393836“We Gotta Get Out of this Place” is yet another totally incredible song that The Animals gave to Rock music. Again, Alan Price is unmistakably brilliant on this song playing keyboard. I find it so amazing that these tunes were created in the mid 1960’s and still have a contagious Rock groove illuminating from them! The 1960’s and 1970’s Rock-Hard Rock eras were profound with establishing the importance of the keyboard and organ, as solid and true Rock music instruments. The Animals were an authentic British Rock band that stakes a mighty claim in the well established roots of Hard Rock and arguably Heavy Metal as well. Alan Price with his keyboard playing, gave The Animals an important element to their overall signature sound. Thank you Alan Price for the ever lasting music you created!

DEE SNIDER IS A TRUE AMERICAN METAL HERO

Posted in classic rock, Hard Rock, Heavy Metal, Metal, metal music, Music, rock music with tags , , , , , , on March 18, 2009 by Metal Odyssey

3986146Yes, we have a historic time of change in our nation’s history at the moment, it is always a great time to be an American. However, let us not forget, that it was not long ago, when the PMRC, wanted to abolish and strip Heavy Metal from its foundation. Censorship of any kind is very scary inside a democracy. So many bands were on their list, from Twisted Sister to Stryper! I will forever be grateful to Dee Snider, for sticking up for what is right, not backing down to the PMRC and the politicians (yes, Al Gore and his wife Tipper Gore), that wanted to ban and restrict Metal and musical lyrics.

How quickly a nation can forget, I hope this is a well deserved reminder to all Metal and Extreme music fans, to know how precious our rights are, to listen to any music we choose. What Dee Snider stood for while defending Heavy Metal for all of us was beyond being a Metal hero, Dee Snider was being a true and free American, defending our rights.

The entire “Congressional hearings” are well documented and founded in regards to this event/circus. Without the likes of Dee Snider and the late Frank Zappa and many more Metal and music artists who represented all of us in the “Metal family” we would not have any Extreme music today. For if the PMRC would have gotten their way, there would be no Metal or Punk bands for any Metal magazine or blog to cover. Pretty scary stuff huh? I can live with the silly “parental advisory” stickers on CD’s, I simply would have had a sadder and different life without Metal and Punk Rock.

LONG LIVE DEE SNIDER.

Stone.