I really get into Death Metal and have my core favorite, Death Metal bands. Six Feet Under is one of my core Death Metal bands of mine. When I listen to Death Metal, it’s like I’m getting back to my Metal basics… there’s no fooling around with this genre, just extreme vocals and groove infested, thunder splitting – Metal. Chris Barnes, with his ultra legendary, Death Metal growling vocals, is at his finest on Graveyard Classics III. This album marks the third installment of the Graveyard Classics series of cover song albums from Six Feet Under. Six Feet Under not only groove along at an impressively addicting pace, this album is damn F’n fun too. Yes, it is fun to hear Chris Barnes belt out his original and extreme vocals to ten amazingly historical Heavy Metal, Hard Rock, Black Metal and Punk Rock songs.
One of the many reasons to admire Six Feet Under and their Graveyard Classics series, is their allegiance and recognition to so many historical and great bands from Rock Music’s past. It’s all about roots with these cover songs… and Six Feet Under covers them with Death Metal brilliance. My two favorite cover songs on Graveyard Classics III are: Destroyer by Twisted Sister and Not Fragile by Bachman Turner Overdrive. Six Feet Under plays Destroyer like they are going to take over the world… and implement a Death Metal master plan. Not Fragile showcases the guitar mastery of Steve Swanson, he really steals the Death Metal show on this song.
As I listen to Chris Barnes sing these two songs, I cannot help but not recognize that he is a fan of these bands he covers so well. Influence is a powerful word and bands like Slayer literally explode with it for so many musicians… Six Feet Under attests to this by covering At Dawn They Sleep. Six Feet Under may never be able to capture the Thrash Metal fire and intensity that only Slayer can deliver with At Dawn They Sleep, still, hearing such a fantastic Death Metal version of this classic is a thrill for me. The Frayed Ends Of Sanity is such a monumental choice for Six Feet Under to undertake as well, Metallica being the iconic Thrash Metal Band they are only drives home the reverence Chris Barnes upholds for Metal history. Oh, yeah, Six Feet Under plays this Metallica classic quite deadly well too.
What would a 2010 Death Metal cover song album, from Six Feet Under, be without an Anvil song? Metal On Metal only solidifies the fact that Anvil is as important a band to the history of Metal as any. Chris Barnes may not ever take over the vocal helm for Anvil’s Lips, regardless, he employs his very own grunt and growl trademark to a fabulous cover version. Just when you think Graveyard Classics III has all the historic Metal firepower to cover, A Dangerous Meeting by the unreal legendary Mercyful Fate is on this album too. A tough song to sing no matter who you are… Chris Barnes takes this song on and laces it with Death Metal vocal glorification. Psychotherapy by the Ramones and Snap Your Fingers Snap Your Neck by Prong are the fun moments for me on this album… two songs that probably no one ever would consider Death Metal material years ago. On Fire by Van Halen and Pounding Metal by (the blue collar) Thrash Metal vets Exciter, round out the ten Death Metal cover songs on Graveyard Classics III.
To say that Terry Butler on bass and Greg Gall on drums are very good is a Death Metal understatement… they are both excellent… the proof is in the songs. Six Feet Under has established their Death Metal legacy years ago, they are now just compounding this legacy, with an album of deliriously deadly cover songs called Graveyard Classics III. This is one damn fine listen – in Death Groove.
* Graveyard Classics III was released on January 19, 2010, on Metal Blade Records.
* Album Cover Art By: Dusty Peterson – Unreal great stuff… now thats Metal. Death Metal.
Metal Odyssey’s Metal Album Recommendation For Your Halloween Listening Enjoyment: OBITUARY – DARKEST DAY – These Death Metal Legends are not fooling around with their June 30th, 2009 release. Darkest Day is without Metal hesitation, one of my top three albums of 2009… spanning all the Metal genres.
Plus, the Grim Reaper wants to warn you all… the brand new SLAYER album World Painted Blood gets released on Tuesday, November 3rd. I am counting down the minutes in my Metal mind to this great moment in Slayer history.
SKELETONWITCH released their second full studio album with Prosthetic Records, Breathing the Fire, on October 13, 2009. I could not resist the Metal temptation and need of picking up this new CD on my visit to f.y.e. today. As I stood there staring at the hellish and downright evil artwork on the front cover of Breathing the Fire, it dawned on me… the Metal wait is over for this new Skeletonwitch. Yeah, very often enough I want my Metal pretty damned fast and extreme in every musical facet. All twelve songs on this album are extremely worthy, I can’t point out any skip overs whatsoever. Skeletonwitch does not fall short of Extreme Metal – every song on Breathing the Fire is blended with the very best of several Metal genres.
As a life long Metalhead, whenever you see a Heavy Metal Band crack the Billboard Top 200 Album Chart it is cause for Metal celebration. With that said, whenever I witness an Extreme Metal Band crack this same album chart, well, the world suddenly becomes a better place indeed. Step in The Black Dahlia Murder… please. Their newest album – Deflorate, (Metal Blade Records), debuted at #43 on the Billboard Top 200 Album Chart the week of September 15, 2009. (12,000 units were sold in the first week of this albums release). YEAH! In the midst of dozens of bubble gum – Pop Music new releases, there arises… The Black Dahlia Murder. Let this debut week showing of this incredible band and album, be a Metal reminder to the commercial Pop/Elevator Music world, that Extreme Music lurks around every corner, back road, corn field, city street and CD aisle. Earlier this year, Cannibal Corpse cracked this same Billboard Top 200 Album Chart as well, I see an Extreme Metal pattern of awareness starting to develop here in 2009. Metal Odyssey is Extreme Metal proud of The Black Dahlia Murder, (and still damn Metal proud of Cannibal Corpse too). Real music… Metal Music. All of us Metalheads and the Metal Bands we follow are not going away anytime soon… METAL RULES.
Alright, I am more than thrilled at this new Obituary album, “Darkest Day”, I am enthralled with Metal jubilation. Death Metal jubilation. I am also reminded as to why I am lured into the heaviest, most Metal bludgeoning genre there is… it is Obituary. These guys are not about making nice with the trend setters… forget about it. Obituary is Old School Death Metal lathered with extreme. Understand, however, that Obituary delivers grooves by the Death Metal bushels. From it’s deadly beginning track – “List of Dead” to it’s deadly ending “Left To Die”, I am going out on a Metal limb here by stating… “Darkest Day” is one of 2009’s best Metal albums period. Being one of the true forefathers of the Death Metal genre, Obituary lays their Death Metal cards out on the table here, you either are with them or with them. This is not a Death Metal band that you just want to try out, if you buy an Obituary album, you are either a fan or your about to become one. 
Arch Enemy is one of my favorite Death Metal bands. Brutally heavy from every musical angle, yet still melodic, Arch Enemy needs no introduction to die hard Metal and Death Metal fans. For those new fans of Arch Enemy who are still looking to purchase a CD from their Death Metal catalog, a great starting point that will not set you back a ton of loot, is their EP “Revolution Begins”, (released on August 31, 2007). This EP was released in 2007 to promote their studio album “Rise Of The Tyrant”, (released on September 25, 2007). EP’s or CD singles, (as they are sometimes referred as), are a cool opportunity to own a few songs of a Metal band, (a Metal test run for fans, if you will). If you are like me, EP’s are a must to own – especially EP’s of my favorite bands. These EP’s more often than not, include studio and/or live songs that are not found on any regular studio or live album. “Revolution Begins” includes the cover of the Queensryche classic – “Walk In The Shadows”. This cover version from Arch Enemy, thrills me just as high as the original version from the great Queensryche. I am Metal serious about that. I revere the Queensryche original, still I revere this Arch Enemy version too. Arch Enemy gives “Walk In The Shadows” a darker, more creepy sense about it… Death Metal style.
I have an appetite for the most Extreme Metal Music out there. Job For A Cowboy is without question, a healthy dose of Extreme Metal. Death Metal is this bands calling card. Playing every musical instrument in their band extremely fast and heavy is an understatement. Blast beats and the infamous cookie monster vocals are lathered all over the songs on “Ruination”, (released on Metal Blade Records, July 7, 2009). So, with all of the expected characteristics of being an Extreme – Death Metal band aside, Job For A Cowboy does prove to me one thing… they are more concerned about global and societal troubles than one might expect. I am not going to admit, I can actually make out the lyrics to these songs, from the vocals of Jonny Davy. Nope, instead, I have the assistance of the sacred liner notes, that come with the complete lyrics for every song on “Ruination”. For me, not understanding the words being pronounced from the Death Metal growls of Jonny Davy comes with the territory of this Metal genre. With this genre of Metal, the lead vocalist is just as equally important as any of the musical instruments being played. It is the anger driven vocals that gives the songs on “Ruination” their intended extreme force and purpose, if you will. Jonny Davy on vocals is equivalent to a wasp nest being disturbed by a broom stick. His vocals will swarm all over your Metal soul, clutching it, beating it into shape and then slapping you in the face with it. Job For A Cowboy delivers a lesson in Extreme – Death Metal whoop ass that has me saying… thank you sir, can I please have more?
Just when I thought that Cannibal Corpse’s “Evisceration Plague” was the lightning strike of an Extreme – Death Metal album of 2009, well, now I have my own personal
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