Archive for the essential classic rock albums Category

“Frankenstein” – The Edgar Winter Group Rock Classic, an Over Kill Thrash Metal cover song

Posted in 1970's classic rock albums, 1970's classic rock bands, 1970's classic rock songs, 1970's hard rock bands, 1970's classic rock music, 1970's hard rock, 1970's Rock, 1970's rock music, 1980's thrash metal music, 1980's metal music, 1990's heavy metal albums, 1990's heavy metal bands, 1990's thrash metal albums, 1990's thrash metal bands, 1990's thrash metal songs, classic hard rock, classic hard rock bands, classic hard rock music, classic heavy metal albums, classic rock albums, classic rock bands, classic rock cover songs, classic rock instrumentals, classic rock music, classic rock music 1972, classic rock songs, cool album covers, essential classic rock albums, essential thrash metal albums, hard rock songs, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal cover songs, Metal, metal music, metal odyssey, Music, old school hard rock, old school thrash metal music, Over Kill, Rock, rock music, Thrash Metal, thrash metal albums 1991, thrash metal cover songs, thrash metal music, thrash metal music 1991, thrash metal music instrumental songs, thrash metal music reviews, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 31, 2009 by Metal Odyssey

The Edgar Winter Group "They Only Come Out At Night" small picIf I had to choose one of my favorite Rock instrumental songs of all time, there is no doubt “Frankenstein” comes to mind. The Edgar Winter Group released “They Only Come Out At Night” in November of 1972, this is the album you will find this original song on. Written by Edgar Winter, how ahead of it’s time was this song? Realistically, this now Classic Rock masterpiece of an instrumental song was as diversified as it was heavy. The multi talented musicianship of Edgar Winter is standout on “Frankenstein”, with the keyboards creating enough spookiness to validate the song’s title. The saxophone, in my Metal opinion, has always had a macabre sounding affect on me, only adding to the overall eerie coolness that “Frankenstein” erupts. I fell Metal head over heels for this song decades ago… I still slap this song on very frequently, especially around Halloween. Seriously, this song just goes perfect when Autumn arrives… once October hits, I have plenty of scary and heavy songs to bust out and revel in their dark side glory, “Frankenstein” leads the pack. No Halloween season can ever get by me, without listening to this song on a consistent basis. The Edgar Winter Group released a mammoth of a Rock album with “They Only Come Out At Night”, “Frankenstein” just made this release immensely complete, with it’s inclusion.

Now, step in… Over Kill. “Horrorscope” was released on September 3, 1991 and on this album, Over Kill includes the cover version of “Frankenstein”. The running time of this Over Kill  cover version comes in at 3:29, compared to The Edgar Winter Group’s original version of 4:44. Despite the shortened length of time, Over Kill demonstrated a monstrous Thrash Metal approach to honoring such a legendary Rock instrumental classic. Yes, I bought this Over Kill album within the first week of it’s release back in 1991, (I still have it on cassette too). When I first listened to Over Kill’s Thrash Metal burn on “Frankenstein”, I was stunned, all I felt was the immediate power force of guitar, bass and drums all coming together like a Metal typhoon. The only word that I honestly can remember saying aloud, listening for the first time to Over Kill’s cover version was… whoa. I also dropped plenty of complimentary f-bombs alongside the adjectives of great, incredible and insane. I still do, when talking about this Over Kill cover of “Frankenstein”. I will not lie, I look upon Over Kill, past and present, as if they were and still are the Thrash Metal kings of the entire universe. That type of Metal bias has no persuasion whatsoever, when I tell the entire planet that this cover by Over Kill is one for the Metal record books. As for the “Horrorscope” album itself… Thrash Metal of profound intensity.

I will succumb by stating, I honestly without a Metal doubt, cannot choose one version of “Frankenstein” over the other. This is a wicked example of how an original Rock Classic can be so legendary and inspiring, yet the cover version with all of it’s grand Thrash Metal bite and might, results in my saying it is a Metal tie. September is just around the corner… October shall be upon us very soon… “Frankenstein” will be played very loud by me very many times starting now… my home stereo speakers are going to get a Metal workout like they never experienced before.

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TED NUGENT – “Free For All” a 1976 Hard Rock album of greatness

Posted in 1970's classic rock albums, 1970's classic rock bands, 1970's classic rock songs, 1970's hard rock bands, 1970's classic rock music, 1970's hard rock, 1970's Rock, 1970's rock music, Album Review, classic hard rock, classic hard rock bands, classic hard rock music, classic rock, classic rock albums, classic rock bands, classic rock music, classic rock music 1976, classic rock songs, classic rock vocalists, essential classic rock albums, essential hard rock albums, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, hard rock vocalists, Music, old school hard rock, Rock, rock guitarists, rock music, rock music vocals, rock vocalists, vintage hard rock albums, vintage rock albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , on August 29, 2009 by Metal Odyssey

main-150Ted Nugent “Free For All”, (released in 1976), is an album of Hard Rock songs that I slap the label of greatness on. There is no one you can compare Ted Nugent to… he was and still is his own Rock and Roll Warrior. Meat Loaf’s vocals and Ted Nugent’s guitar are a double dose of Classic Hard Rock superiority on this album. Meat Loaf is the lead vocalist on the songs: “Writing On The Wall”, “Street Rats”, “Together”, “Hammerdown” and “I Love You So I Told You A Lie”. Meat Loaf is the real deal vocally, on these songs. “Free For All” was an accomplishment of incredible songs that just continue to knock me over to this day. This album just carries me off into the thunderous land of Hard Rock glory. Ted Nugent is truly an originator of 1970’s Hard Rock guitar… listening to the guitar play of this legend makes me want to stand atop a crowd of onlookers and scream hell yeah!! In my Metal opinion, Ted Nugent and “Free For All” is all about 1970’s Hard Rock in it’s most genuine and heaviest state. An uncompromising group of songs that are Hard Rock personified, aimed at stirring up a good time and feeling the Ted Nugent power of guitar cool. I finally had my first introduction to this album and other Ted Nugent albums at that, in the early 1980’s. Ted Nugent quickly made me aware that Hard Rock music should never be watered down, it should be hard driven and fostered with head turning guitar licks aplenty. With “Free For All”, there are so many Hard Rock attributes happening that this album could easily be labeled as The Great Reference Book of Hard Rock, in my Metal opinion.

The album opener “Free For All” plays out as such… a Hard Rock song that sounds heavier than it really is, a Hard Rock song that highlights the fusion and importance of a bass driven flow. “Free For All” the song, when played at the recommended loud volume, makes me feel like the world is a wonderful globe of Rock and Roll beings. “Dog Eat Dog” is just another Ted Nugent classic… it powers forward without making a single pit stop, so be forewarned… this is a Hard Rock song that should never, ever, be turned off until it is rightfully over. “Street Rats” takes a back seat to no other Hard Rock song, in all of Hard Rock history. This song has never failed at it’s goal to Rock me out senseless… never. The word mellow just does not coincide with the persona or music of Ted Nugent. However, “Together” is a song that I consider to be toned down enough for the dreaded mellow adjective to come out and play. Hey, I am going to say that this song is one of my favorites of the entire catalog of Ted Nugent albums. “Together” is a song that is hard enough to not be a bona fide ballad, yet it comes across rather soothing, based on the Ted Nugent heaviness scale.

“Light My Way” is the one song on this album that I feel legitimized why Ted Nugent was/is such a great guitar player, he jams like a Hard Rock guru meets Southern Hard Rock legend. “Hammerdown” does not stray away from the Ted Nugent guitar lead and solo laden blueprint that makes this entire album – a 1970’s Classic Hard Rock album of upmost legitimacy. “I Love You So I Told You A Lie” could very well have been a song on a future Meat Loaf album, in my Metal opinion. Meat Loaf truly bestowed his vocal brilliance on this Ted Nugent album. Add Meat Loaf into the mix of songs on “Free For All” and this album has and always will satisfy any Classic Hard Rock hunger fits, that I may encounter. For the record, I have listened to this album non-stop today, it just has the Hard Rock groove and vibe I was hankering for.

Derek St. Holmes was the lead vocalist on the songs: “Turn It Up”, “Light My Way” and “Dog Eat Dog”, while Ted Nugent is the lead vocalist on the title song “Free For All”.

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Why I feel KISS gave Rock n’ Roll back to America and other KISS points too

Posted in 1970's classic rock albums, 1970's classic rock bands, 1970's classic rock songs, 1970's hard rock bands, 1970's hard rock, 1970's heavy metal, 1970's heavy metal albums, 1970's heavy metal music, 1970's Rock, 1970's rock music, 1980's classic rock bands, 1980's heavy metal albums, 1980's classic rock, 1980's heavy metal bands, 1980's heavy metal music, 1990's heavy metal bands, classic hard rock, classic hard rock bands, classic hard rock music, classic heavy metal albums, classic rock, classic rock albums, classic rock bands, classic rock music, classic rock songs, current heavy metal music, essential classic rock albums, essential heavy metal albums, Gene Simmons, glam metal music, Heavy Metal, heavy metal albums, heavy metal bands this decade, heavy metal memorabilia, heavy metal music, heavy metal this decade, Metal, metal music, metal music today, metal odyssey, Music, old school heavy metal, Rock, rock & roll, rock and roll, rock and roll hall of fame complaints, rock music, rock music commentary, vintage hard rock albums, vintage heavy metal albums, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 28, 2009 by Metal Odyssey

KISS logoKISS gave Rock n’ Roll back to America. This legendary Heavy Metal band did this in 1974 with the release of their debut album – “Kiss”. Elvis, Chuck Berry, Buddy Holly, Fats Domino, Roy Orbison, B.B. King, Chubby Checker, The Big Bopper, Jerry Lee Lewis, The Beach Boys, The Doors, Janis Joplin, Jimi Hendrix and a throng of other American Rock bands and musicians created a sound that took over the planet… Rock n’ Roll. Let’s not forget the Country, Blues and Soul musicians and bands that played a key role in creating American Rock n’ Roll, expanding it’s identity, look and genres. Rock n’ Roll was born in America. Then, fast forward to the British Invasion… along came The Beatles, The Rolling Stones, The Who, The Moody Blues, The Animals, The Kinks, Led Zeppelin, Black Sabbath, Deep Purple and many, many more Rock bands and musicians who crossed over the Atlantic Ocean to introduce an entire new sound, look and attitude to American Rock n’ Roll fans, as well as the world. (I use all of the bands as mentioned, to provide more clarity with my point,). I am an undisputed huge fan of the British Invasion of Rock and Roll, I am only pointing out that Rock and Roll started here in America and Kiss re-established this fact with their emergence and might. After this British Invasion of Rock n’ Roll, Kiss made the impact statement like none other, here was a loud, confident, group of musicians living in America, playing their brand of heavy music – in costumes and makeup no less.

Kiss being introduced to the world in 1974 may have had more of an impact than some Rock historians think… The Grateful Dead, with their extremely loyal and abundant following with unmatched touring was American – I will never disagree with this bands unique impact on Rock Music history. However, Kiss was not about peace and love… this was the loudest band in the land Dressed To killsinging about girls that are Hotter Than Hell, partying, Makin’ Love, God of Thunder, a Love Gun and all things against the norm in ways that were not quite presented before in Rock Music history. What Rock Band from the 1960’s used Pyrotechnics like Kiss? How many Rock musicians could spit up blood and still play the bass and sing? Who used such an elaborate and eye defying stage show before Kiss? Kiss not only made Rock n’ Roll powerful, they (gasp) made it fun and entertaining too. The marketing blitz of items that portrayed the Kiss logo and band were everywhere during the 1970’s… if you look around today, these same items plus new products bearing Kiss are around us. Any Kiss tour during the 1970’s was nothing to ignore, the Kiss Army was never just a fictitious entity… it was and still is real.

After Kiss broke all the Rock n’ Roll rules, more Rock bands than I could ever mention here took their lead and emulated Kiss either musically, with make-up, through stage shows and/or marketing. When I stop to think about it, what other Rock or Heavy Metal Band garnered more media attention during the 1970’s than Kiss? With their all around power of Rock, Kiss let it be known, through their albums, that they were not fooling themselves or the fans all along. Kiss is setting the stage again, ready to unleash their brand new album Sonic Boom onto the masses… October of 2009 should be quite the month in the life of this middle aged Metalhead, for Kiss shall return… giving back their brand of Rock n’ Roll to us all again. That is why, in my Metal opinion, Kiss gave back Rock n’ Roll to America back in 1974, they are now only going to remind us as to why their music lives on.

It is high time for the so called Rock and Roll Hall of Fame in Cleveland, Ohio, to stop playing nonsensical games and induct an American Rock Band that redefined American Rock n’ Roll history through their music and pop culture impact, Kiss over the decades has become an American institution. Since I am on the topic, I could care less about the voting process or who votes at the Rock and Roll Hall of Fame, all I know is that the ignorance is growing by leaps and bounds over there in each passing year of it’s existence. I do have one word of advice for the Rock and Roll Hall of Fame, (if you can consider this an actual word), DUH? I would guarantee this… more fans will go to this Hall of Fame to see Kiss than than anyone could ever imagine. Once again, this is my Metal opinion and I am steadfast about it.

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BLUE OYSTER CULT – “Fire Of Unknown Origin”, 1981 album is a Rock Classic

Posted in 1980's classic rock bands, 1980's hard rock albums, 1980's heavy metal albums, 1980's heavy metal hits, 1980's popular rock bands, 1980's rock albums, 1980's rock music, 1980's classic rock, 1980's classic rock music, 1980's hard rock, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, Album Review, classic hard rock, classic hard rock bands, classic hard rock music, classic heavy metal albums, classic rock, classic rock albums, classic rock bands, classic rock music, classic rock songs, cool album covers, essential classic rock albums, essential hard rock albums, essential heavy metal albums, essential rock albums, Hard Rock, hard rock album review, hard rock songs, hard rock vocalists, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal music, heavy metal vocalists, metal odyssey, Music, old school hard rock, old school heavy metal, Rock, rock music, rock music vocals, rock vocalists, vintage hard rock albums, vintage heavy metal albums, vintage heavy metal bands, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , on August 27, 2009 by Metal Odyssey

Blue Oyster Cult "Fire of Unknown Origin" small picBlue Oyster Cult released “Fire Of Unknown Origin” in 1981, which was perfect timing for me. I already had Kiss, Foreigner, Cheap Trick, Queen, Ozzy Osbourne, AC/DC and Bad Company in my system back then, being wowed by Blue Oyster Cult was my ears next step in branching out into the Heavy Music world. Back in 1981, there was the choice of buying music on 8 track, I bought “Fire Of Unknown Origin” on this medium – thank you very much. (I no longer have this 8 track from yesteryear, the 8 track player is a memory as well). This album is just another example of what melded my Metal and Hard Rock Music tastes at a young age, (I was fifteen years old in 1981). Another stepping stone album, if you will, towards the lifetime of Metal and Hard Rock Music adoration that I behold. In my Metal opinion, this BOC album is an early 1980’s Heavy Metal meets Hard Rock album, that has consistently lured me back for many a listen over the years.

I always appreciated the lead vocals of Eric Bloom. The mellowness that carpets his vocals is a signature sound of BOC. The biggest hit from “Fire Of Unknown Origin” was “Burnin’ For You”, where the vocals of Eric Bloom and the semi-heaviness of the music really compliment one another. This song was a mainstream FM radio favorite for years, one of my favorite Hard Rock songs ever. “Joan Crawford”, “Heavy Metal: The Black and Silver” and “Fire Of Unknown Origin” are three other songs from this album that I could never get enough of. I have always liked this entire album, “Fire Of Unknown Origin” comes highly recommended from me to younger and new fans of BOC and/or Classic Rock. This is one of those times where I honestly state, this is just a great album of Hard Rock and heavy songs, a true classic.

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JOE SATRIANI “Surfing With The Alien” – My music of choice for today and many days to come

Posted in 1980's classic rock guitarists, 1980's hard rock albums, 1980's heavy metal albums, 1980's instrumental rock albums, 1980's rock albums, 1980's rock music, 1980's classic rock, 1980's classic rock music, Album Review, classic hard rock, classic hard rock music, classic rock, classic rock albums, classic rock music, classic rock songs, cool album covers, essential classic rock albums, essential hard rock albums, essential heavy metal albums, essential rock albums, Guitar, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, heavy metal album covers, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal solo albums, heavy metal solo artists, instrumental guitar rock albums, Music, old school hard rock, old school heavy metal, Rock, rock guitarists, rock music, vintage hard rock albums, vintage heavy metal albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , on August 26, 2009 by Metal Odyssey

main-150I listened to Joe Satriani “Surfing With The Alien” all day today… in the car, in the house and back in the car once again. (Released in 1987, I own both the vinyl LP and CD). I have those days, where I choose that one CD and listen to it the entire day. Joe Satriani is without question, one of my favorite guitarists that ever lived. Pinning down who my favorite guitarist is of all time is too impossible of a task – there are just way too many guitarists across the entire Rock and Heavy Music spectrum that I revere. It’s not that I do not want to get controversial about naming an all time favorite guitarist, I named what I feel is the greatest Metal album of all time, in a previous post – (Black Sabbath, “Sabbath Bloody Sabbath”). There are just so many unique styles of playing out there, in the world of guitarists, I tend to draw from a cornucopia of these styles and enjoy what I hear from a vast array of players. Joe Satriani really nails it down, with pin point accuracy, on this album. Combining speed and clarity, while slowing things down at all the right moments, makes for a harmonious and melodic guitar instrumental experience, is the best quick summary for Joe Satriani on “Surfing With The Alien”. The daunting question of: Is Joe Satriani a Rock, Hard Rock or Heavy Metal guitarist? – can only be answered by stating Joe Satriani can play it all and play it with greatness. The catalog of albums that Joe Satriani has created over the years proves just that, the proof is in his music.

When I listened to “Surfing With The Alien” today, I never stopped to think about what these songs would be like if lyrics were to be put into the mix. (I am thinking it now, though). That is what a great guitar instrumental album will do for me, the focal point is the guitar brilliance of Joe Satriani, no vocals are necessary. The guitar play of Joe Satriani is what speaks, in essence, that is what it should do. I have always equated a great guitar player, as a musician who can make me hear and feel the emotion that erupts from the notes and chords they play. At 1:46, “Hill Of The Skull” may be one of the shortest songs on this album, yet this is the one that overflows the most emotional feeling – for me. Surfing With The Alien” is hands down, the most popular and fastest song from this album, a quick fix for getting back on my feet and body slamming any negative thoughts in my brain. If I had to describe this album in just two words, they would be: groove saturated. “Always With Me, Always With You” and “Echo” are not just crossover songs to lure the easy listening crowd into the outskirts of Heavy Music, these are songs that encapsulate the upbeat harmony and instinctive music writing genius of Joe Satriani.

My favorite song on “Surfing With The Alien” is Ice 9″. Oh man, do I really like this song. By process of elimination, there is going to be the one song out of the ten found here, that sends it straight through me.“Satch Boogie” is a song that reels me in as well, it shows just how dynamic Joe Satriani had become as a player, on just his second album release. Listening to just this CD today really did make my day that much better. It is not that often that I will listen to only one CD for an entire day… this has definitely been an exercise in Metal constraint for me. To not slap in some Death Metal, Black Metal or straight up Heavy Metal within today’s routine, only justifies how much I really enjoy this album and Joe Satriani’s guitar. Tomorrow I will go back to my daily mix of Metal listening, still I guarantee that I will crank up “Ice 9” once again.

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BOSTON – “Don’t Look Back” sealed album provides a very cool Classic Rock find

Posted in 1970's classic rock albums, 1970's classic rock albums sealed, 1970's classic rock bands, 1970's classic rock songs, 1970's hard rock bands, 1970's classic rock music, 1970's hard rock, 1970's Rock, 1970's rock music, 1980's classic rock bands, 1980's rock music, 1980's classic rock music, 1980's hard rock, Album Review, classic hard rock, classic hard rock bands, classic hard rock music, classic rock, classic rock 1978, classic rock album finds, classic rock albums, classic rock bands, classic rock music, classic rock songs, collecting classic rock, collecting music, collecting rock music, cool album covers, essential classic rock albums, essential hard rock albums, essential rock albums, everyday experiences, flea market finds, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, hard rock vocalists, Music, old school hard rock, Rock, rock & roll, rock album reviews, rock and roll, rock and roll memorabilia, rock music, rock music vocals, rock vocalists, thrift store finds, thrift store rock music finds, vintage hard rock albums, vintage rock album finds, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 25, 2009 by Metal Odyssey

main-150On one of my recent Hard Rock/Heavy Metal hunts via the second hand route, I came across a true Classic Rock album that I grabbed ahold of within milliseconds of spotting it… Boston “Don’t Look Back”. As a Metal bonus, this great album is also – still factory sealed. That is so right, this vintage Boston album which was released on August 2, 1978, has still, it’s original plastic wrapping protecting it for thirty one years. I never owned “Don’t Look Back” on album before, finding a mint copy of it now, in 2009, is so fine. Sure, I have Boston on CD, yet landing one of my favorite Classic Rock bands on sealed vinyl, on a trip to a thrift store unleashes a cool high for me… every time. I realize this price always gets mentioned when I write about my vintage album finds, it is the truth when reveal it only cost fifty cents. Yikes, that is cheaper than most of the plastic prizes my daughters pay for at the (what I still call) bubble gum machines in front of the grocery stores.

I just can’t say enough about the song writing found on “Don’t Look Back”, the music and lyrics are just prime examples of what Classic Rock and Hard Rock is about. This is an album where the two biggest hits are my favorite two hits as well. Going on decades now, the guitar leads on the song “Don’t Look Back” still sends me into a Hard Rock high. If “A Man I’ll Never Be” has gone down in Rock Music history as a ballad, then so be it. Musically, it really cannot be disputed as a ballad… so I just consider this song as my second favorite ballad of all time. (My favorite ballad ever is “Home Sweet Home” by Motley Crue, which I posted on this Metal Odyssey blog in recent weeks). As I stop to ponder, Boston was/is in a Hard Rock class of their own… what other band out there really sounds like them, musically or vocally? Orion The Hunter comes to mind, with their one album, (released on May 9, 1984). Realistically, Orion The Hunter sounded like Boston due to the band members being: Boston guitarist Barry Goudreau, lead singer Fran Cosmo (who became the vocalist for Boston in the 1990’s) and the late Brad Delp who provided background vocals on the “Orion The Hunter” album. Honestly, can a spinoff  band of Boston count when trying to name another band that has that legendary Boston sound?

This is what makes hunting for Hard Rock and Heavy Metal music so interesting… once I land a find, I begin to seek out further the history and Rock Music family tree of the band and album I find. All of this Hard Rock happiness and it only cost fifty cents. I am not too interested in opening the sealed plastic wrap that has protected this album for so long… I am quite content to just stare at it and keep it as a Classic Rock collectible for now. In the end, looking for Hard Rock and Heavy Metal finds can be an educational trip into Rock History. Plus, paying fifty cents for a Boston album that is originally sealed, is extremely more frugal and genuine than paying fifty thousand dollars to rent out twenty eight acres of fun, for one week, on Martha’s Vineyard.

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FOREIGNER “Double Vision” – a Classic Hard Rock album revisited

Posted in 1970's classic rock albums, 1970's classic rock bands, 1970's classic rock songs, 1970's hard rock bands, 1970's classic rock music, 1970's hard rock, 1970's Rock, 1970's rock music, 1980's classic rock bands, 1980's rock music, 1980's classic rock music, Album Review, classic hard rock, classic hard rock bands, classic hard rock music, classic rock, classic rock albums, classic rock bands, classic rock music, essential classic rock albums, essential hard rock albums, essential rock albums, Hard Rock, hard rock songs, hard rock vocalists, Music, old school hard rock, Rock, rock album reviews, rock and roll, rock music, rock vocalists, vintage hard rock albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 24, 2009 by Metal Odyssey

main-150Foreigner, a Hard Rock band that opened the doors to the world of Heavy Music for me. Double Vision”, an album that I consider to be one of the greatest Rock or Hard Rock albums ever created. On June 20, 1978, “Double Vision” was released. On January 26, 1979, I received this revered album as a birthday gift from my late mother. I was able to choose an album, just one album, on a trip to the Caldor department store… Foreigner “Double Vision” was my choice, on that birthday. Each year that passes by, these fond memories only grow stronger. Man, if I was to say I have listened to this album more times than any other album, it would not be a stretch. Back in 1979, I was only listening to a handful of Hard Rock bands that would eventually guide me into evolving into the Metal Music loyalist that I am today. I was thirteen years old and completely blown away by this album and band… I listened to every lyric, every chord, every note, that erupted from these songs. Foreigner was actually teaching me, at this very young age, that Hard Rock music this enormous could and would make my life enjoyable. I continue to reflect, to revisit often, the bands and albums that molded my heavy music tastes. 

From the very first listen to “Double Vision” until this very day, I honestly would choose “Blue Morning, Blue Day” as my favorite song from this album. I completely reject any notion that this song is a ballad. In my Metal opinion, Lou Gramm was at his most impeccable, vocally, on this song. My second favorite song from this classic album is a clear choice… the instrumental “Tramontane”. Whoa, when I first listened to “Tramontane”, it was my introduction to what a Rock instrumental really was and really sounded like. I realized then, at thirteen years old, that Rock and Hard Rock music did not always need lyrics to sound amazing. “Hot Blooded” and “Double Vision” are the two super hit singles from this album that literally sent psyched up – shock waves throughout my entire body. Here I was, only a few years removed from listening to a dozen or so 45 rpm’s that were my mom’s from her teen years… I went from Buddy Holly and The Everly Brothers, straight to the Hard Rock strength of Foreigner. Back in 1979, at age thirteen, this was one thrilling Rock Music leap for me. In 1979, Foreigner joined Kiss and Cheap Trick to round out my big three heavy bands that I was so ecstatic over. Queen and Bad Company were right behind them… trust me when I say that once 1980 rolled around, I was in a Hard Rock and Heavy Metal whirlwind of wonder.

Once “Double Vision” was locked into my system, I needed more Foreigner… so I delved into their debut album by buying it in the Summer of 1979. “Head Games” was released in 1979, with “4” coming out in 1981, both of these Foreigner classics I took to as well. When it was all said and done, my winner was and always will be “Double Vision”. The albums Foreigner released after “4” seemed to take off into a different Rock direction, I never could grasp onto any Foreigner ballads. I was already too spoiled by the first two Foreigner albums to really embrace any Pop Music ballads that they made so hugely popular in the mid to late 1980’s. As I look back now, it is the “Double Vision” album that is really Foreigner, this is one of the albums that took hold of a thirteen year old back in 1979 and set him straight on a life long path of Heavy Music listening bliss. I have absolutely no regrets, just a ton of Metal gratitude to Foreigner.

Foreigner, as they appeared on “Double Vision”: Mick Jones on guitar, Lou Gramm on lead vocals, Ian McDonald on guitar & keyboard, Al Greenwood on synthesizer & keyboard, Ed Gagliardi on bass and Dennis Elliott on drums.

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JOURNEY – “Arrival” is a 2001 album I finally bought in 2009

Posted in 1970's classic rock bands, 1980's classic rock bands, 1980's rock albums, 1980's rock music, 1980's hard rock, 1990's hard rock music, Album Review, classic hard rock, classic rock, classic rock albums, classic rock bands, classic rock music, essential classic rock albums, essential rock albums, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, hard rock vocalists, Music, old school hard rock, Rock, rock album reviews, rock music, rock music vocals, rock vocalists, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , on August 20, 2009 by Metal Odyssey

main-150When it comes to Rock and Hard Rock Music, I always have put Journey on my listening rotation. I am guilty of not keeping up with the purchases of new CD’s over the years from Journey, “Arrival” is a perfect example of this. After the 1986 album “Raised On Radio”, I never picked up “Trial By Fire”, “Arrival” (until now) or “Generations”. You betcha I did grab a copy of “Revelation”… the Walmart 2 CD/1 DVD version too. It is not as if I totally forgot about Journey, these albums are just victims of the hordes of releases out there I have always wanted to buy… financially it is impossible to buy everything. Man, I am impressed by this Journey album… more than that, I cannot believe it took me this long to land “Arrival” into my music collection. I guess after each listen to “Arrival”, all I can really say to myself is what was I waiting for and thinking?  (I should have just bought this album years ago and stop worrying about how much money I spend on music!). I can’t comprehend how this album has not sold over a million copies? What gives? If “Arrival” was fronted by the legendary Steve Perry and released back in the 1980’s, it surely would have been multi platinum… wouldn’t it? Who knows, we shall never know, it is all make believe speculation on my part. All I do know is that “Arrival” is chock full of Rock and Hard Rock songs that are premium quality, in my Metal opinion. The song writing on “Arrival” is so outrageously good, I shake my head and thank the fact Journey is still around Rocking today.

Neal Schon is tremendous on guitar, (as usual), especially on “Livin’ To Do”… a choice favorite song of mine from this album. “Higher Place” is the opening song, the one and only song I was familiar with before I bought “Arrival”. “Higher Place” is the perfect table setter for this album, it has all things Journey about it happening. “I Got A Reason” is another song that really stands out for me, the lyrics and upbeat melody delivers plenty of highs here.  Steve Augeri on lead vocals does sound extremely close to Steve Perry… yet I will always state – there is only one Steve Perry, only one. With that off my chest, Steve Augeri does a smash up job on lead vocals, this guy can sing. On “With Your Love”, Steve Augeri makes me really like a ballad for a change. Neal Schon again, on guitar, adds the strength to this ballad that makes it rise up with musical emotion. I cannot hesitate to recommend “Arrival” to any fan of Classic Rock and Hard Rock, of any generation. Walmart has this CD in their retail store… that is where I found “Arrival”, plus it was an even five dollars. Five dollars, for a sealed (not used) CD… there are many times the Walmart CD aisles Rock.

Journey, as they appeared on “Arrival”: Neal Schon on guitar & backing vocals, Steve Augeri on lead vocals, Jonathan Cain on keyboards & backing vocals, Ross Valory on bass guitar & backing vocals and Deen Castronovo on drums & backing vocals. “Arrival” was released on April 3, 2001.

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DEEP PURPLE – “Deepest Purple” is a Space Truckin’ ride back to the ’70’s

Posted in 1970's classic rock albums, 1970's classic rock songs, 1970's hard rock bands, 1970's classic rock music, 1970's hard rock, 1970's Rock, 1970's rock music, 1980's hard rock, Album Review, classic hard rock, classic hard rock bands, classic hard rock music, classic rock, classic rock albums, classic rock bands, classic rock music, cool album covers, essential classic rock albums, essential hard rock albums, essential rock albums, Hard Rock, hard rock album review, hard rock drummers, hard rock guitarists, hard rock music this decade, hard rock songs, hard rock vocalists, heavy metal music, Music, old school hard rock, Rock, rock album reviews, rock keyboard musicians, rock music, rock vocalists, vintage hard rock albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 16, 2009 by Metal Odyssey

main-150Is it just me thinking this way? Deep Purple “Deepest Purple”, (subtitled “The Very Best of Deep Purple”), is the epitome of what a Rock/Hard Rock Greatest Hits album is supposed to be. These Deep Purple classics are hands down, sensational and historical Rock Music. Gimme a break, how can any generation not want to embrace these songs? These Deep Purple songs are perfect examples of just how amazing the song writing was in Rock and Hard Rock, back in the 1970’s. Could Deep Purple have been ahead of their time? I certainly think so, by at least a decade. The hardness, forget about the heaviness for a second, is what drives these Deep Purple songs to the top tier of  Rock and Hard Rock history, in my Metal opinion. Just stop to think about this, for a Metal second… how many new Rock or Hard Rock bands out there today, could actually put out a Greatest Hits album, down the road, with such impeccable and recognizable songs? “Smoke On The Water” and “Highway Star” are two Hard Rock songs alone, that represent a generation of Rock and Hard Rock music and the decade of the 1970’s. “Fireball” and “Child In Time” are just the icing on the Hard Rock cake here.

Certainly, I am not going to argue the clear fact that we had genre and decade defining Rock and Hard Rock groups during the 1970’s such as The Beatles, Led Zeppelin, Queen, ELO, Yes, Boston, Moody Blues, The Doors, Molly Hatchet, Bad Company, Kansas, Aerosmith, ZZ Top, Pink Floyd, AC/DC (Bon Scott era), Lynyrd Skynyrd and Ted Nugent. The list of iconic Rock and Hard Rock bands from the 1970’s is huge. You betcha. Of course I missed mentioning some well deserved bands and solo musicians here… this post would be gigantic if I was to make a master list. My point I am making is this… there was Deep Purple, man, and they rocked liked no tomorrow during the decade of the ’70’s – “Deepest Purple” is sound Rock and Hard Rock proof of that. If a time machine really did exist and I could rent one, (I am certain that I would not be able to afford to buy one), I would get on that Rock and Roll mother ship and take a ride to a vintage Deep Purple concert back in the 1970’s. (I am positive that Connecticut would have one hefty and major time machine tax, Senator Christopher Dodd would be all over that one – if a time machine existed).

Back to Deep Purple… I could not complain about which lead singer would be fronting this legendary band… if I was to go back in time to see them in concert, it is pick ’em at lead singer  –  for all I care! David Coverdale, Ian Gillain, Glenn Hughes or Tommy Bolin as lead singer… it would not matter, I would be cheering on this 1970’s version of Deep Purple like a psyched out, Hard Rockin’, “Space Truckin” fan! Aw heck, throw in the late 1960’s lead singer Rod Evans for good measure too, he counts. I am not by any shape or form, taking away the great Hard Rock achievements of the Deep Purple lineups of the 1980’s through present day, no way. This Deep Purple music dynasty is special, an undisputed Hard Rockin’ franchise. I just have that Rock and Roll fantasy once in awhile, this whole time machine journey to see Deep Purple in the ’70’s is one. So, the next time you hear, “Woman From Tokyo”, “Burn” and “Stormbringer”, not to mention the other great hits of Deep Purple, earlier mentioned, just remember when they were written… these songs epitomize the label of – timeless. “Space Truckin'”… ’nuff said.

I tip my Metal Music hat to all the past and present musicians of Deep Purple, especially Ritchie Blackmore on guitar, Jon Lord on keyboards, Roger Glover on bass guitar, Joe Lynn Turner on lead vocals, Nick Simper on bass guitar, Joe Satriani on lead guitar and Ian Paice on drums. I thank Don Airey on keyboards and Steve Morse on guitar for keeping the Deep Purple – Hard Rock machine turnin’ and churnin’ to this day. If it wasn’t for Deep Purple, Metal Music as we know it today, probably would not sound so cool. That… is my Metal opinion.

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Ace Frehley – my second favorite Kiss solo album

Posted in 1970's classic rock albums, 1970's classic rock songs, 1970's classic rock music, 1970's hard rock, 1970's heavy metal, 1970's heavy metal albums, 1970's heavy metal music, 1970's Rock, 1970's rock music, Album Review, classic hard rock, classic hard rock music, classic heavy metal albums, classic rock, classic rock albums, classic rock music, classic rock music facts, cool album covers, essential classic rock albums, essential hard rock albums, essential heavy metal albums, essential rock albums, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal solo albums, heavy metal solo artists, heavy metal solo vocalists, heavy metal vocalists, Metal, Music, old school heavy metal, rock music, vintage hard rock albums, vintage heavy metal albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , on August 9, 2009 by Metal Odyssey

main-150Ace Frehley will always be my choice pick for the guitarist of Kiss. Ace Frehley was the original guitarist and in my Metal opinion, the best at lead guitar for Kiss. I few posts ago, I stated that my favorite Kiss solo album of all time is Paul Stanley. I cannot backtrack that sentiment, the Paul Stanley album is for me, #1. With that said, out of the four Kiss solo albums, Ace Frehley is clearly my #2 choice. My fellow peer in Metal blogs over at The Metal Files, (a cool Metal Music blog that is worth the visits), commented his favorite Kiss solo album is Ace Frehley… this spurred me into delving into the Ace Frehley solo album once again. I do own the Ace Frehley solo album, (released on September 18, 1978), a record that has been with me for decades. I actually bought this Ace Frehley vinyl from a cut-out bin, from a small department store named Woolworths, back in the very early 1980’s. My Ace Frehley album has the top right corner actually cut off, therefore, that is probably why it was in a cut-out bin! Despite the cosmetic damage that this album cover suffered, the album itself and the large fold-out poster of Ace Frehley that was included with the album, never sustained damage from the cut-out process. (Each Kiss solo album had a large fold-out poster of the respective Kiss musician inside the album sleeve, with each of the four posters interlocking together, through die cuts, to form one giant Kiss collage, if you will).

Now, I have not ever owned the Ace Frehley solo album as a CD… until today. A trip to Best Buy had me, as usual, walking the CD aisles and staking out some Heavy Music that would pacify my Metal hunger. Well, Classic Heavy Metal has done it again… the Ace Frehley solo CD caught my eye, it was about time to upgrade my vinyl copy after all. I paid $7.99 for this Ace Frehley CD today, that is cheaper than buying a steak and a whole lot more gratifying too. “Rip It Out” and “Speedin’ Back To My Baby” are the first two tracks… I tag these two songs as being my two favorites. These songs have that Ace Frehley vibe happening, vocally of course, yet the guitar of Ace is so incredibly vintage. To plop a CD into the car stereo on the ride home and have the very first two songs crank like this… all I could say to myself as I drove was… Space Ace Rocks. As I continued to listen to Ace Frehley, it was a consistent reminder to me, as to how Rock legit his solo album was and still is. When I was much younger, back in 1978, I bought the 45 rpm of “New York Groove”, with the “B” side being “Snow Blind”. Both of these songs I do put on a Metal pedestal for the memories they stir… I was just a young, little dude playing this 45 record back in 1978, CD’s and ipods were non existent and The New York Yankees beat the Boston Red Sox – in a one game playoff for the American League East Division title. Plus, I had no bills to pay back in 1978 either. Ace Frehley as with all of the Kiss solo albums, bring back memories that money just can’t buy.

This Ace Frehley solo album did reach platinum sales status, (one million or more copies sold), peaking at #26 on the U.S. Billboard album charts as well. My fellow Metal blogging peer at The Metal Files commented Ace Frehley did not write “New York Groove”… Russ Ballard did. “New York Groove” peaked at #13 on the U.S. Billboard Singles chart. Not to sound like a television music show judge, excuse me by saying… Ace Frehley nailed it with “New York Groove”. Aw, heck, Ace Frehley nailed it on all nine songs too.

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Journey “Evolution” – a delicacy of a Classic Rock Album

Posted in 1970's classic rock albums, 1970's classic rock songs, 1970's classic rock music, 1970's hard rock, 1970's Rock, 1970's rock music, Album Review, classic hard rock, classic hard rock music, classic rock, classic rock albums, classic rock music, cool album covers, essential classic rock albums, essential hard rock albums, essential rock albums, hard rock album review, Music, Rock, rock album reviews, rock music, rock vocalists, vintage hard rock albums, vintage rock albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , on July 21, 2009 by Metal Odyssey

main-150Journey, the Rock icon of a band. Journey “Evolution”, an album that is now referred to as a Classic Rock masterpiece… by me anyways. What else can one say about this incredible Rock album? Quite a bit can actually be said, this album established Journey, solidified them atop the Rock Music world for many, many, years. There could never be another Steve Perry, his vocals alone gave Journey their signature sound. In my opinion, there are lead singers that have vocals so breathtaking, they are the most important musical instrument in their respective band. I had felt this way about Steve Perry, with his years with Journey. Steve Perry’s vocals can never be duplicated, nor will he ever be forgotten by me as the lead singer for Journey. I will always appreciate Journey as the band they are today too. With that said, this is an article where I am celebrating the brilliance of a moment in time, one that can be listened to time and again, that moment was Journey’s “Evolution”, (released in 1979).

Neal Schon, the lead guitarist to this very day for Journey, is an impeccable musician as well. His song writing on “Evolution” alongside Steve Perry, Gregg Rolie and Ross Valory could very well be interpreted as a – how to write Rock Music handbook. I can remember appreciating and being thrilled by the Rock and Hard Rock songs on “Evolution” back in the day. Now, it is 2009 and I only appreciate this Journey album all the more. Yes, for me, this is a Rock album where I can honestly say, they don’t make Rock albums like this anymore. (Please excuse that cliche). If someone who has never heard a single song from this album was to ask me, which songs are standout, cool or great… my  answer would be all of them. “Lovin’, Touchin’, Squeezin’” is certainly the undisputed hit single from “Evolution”, plus “Just The Same Way” received it’s justifiable FM radio airplay for decades as well. Gregg Rolie sings lead on “Just The Same Way”, I have forever been impressed with his vocals on this song.

From the opening instrumental intro of “Majestic” to the very last song “Lady Luck”, you are hard pressed to find the commercial Rock Music that would years later, catapult Journey into the superstar stratosphere. This is what makes “Evolution” so important and favorable to me, that this was a Journey album that caught on with popularity for it’s Rock Music whole. It never hurt either, that the musical talent, creativity and skill with all the musicians of Journey were in sync on this album, thus, this made for the equalizer – where great Rock songs do not always become hit singles. Instead, as it holds true to this very day, great Rock songs become the building blocks of legendary Rock albums. “Evolution” draws it’s Rock Music strength from collective collaboration of the elite musicianship, with the end result being a revered/legendary Rock album of songs, not a greatest hits.

Journey, as they appeared on “Evolution”: Steve Perry on lead vocals, Neal Schon on lead guitar, Ross Valory on bass guitar, Gregg Rolie on keyboards and Steve Smith on drums.

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