Archive for the progressive metal Category

COHEED AND CAMBRIA “NEVERENDER SSTB” U.S. and Toronto 2011 Tour Dates!

Posted in Hard Rock, Heavy Metal, metal music, metal odyssey, Music, progressive metal, progressive rock, rock music, rock music news with tags , , , , , , , , , , on January 14, 2011 by Metal Odyssey

COHEED AND CAMBRIA – Progressive Rock/Metal giants COHEED AND CAMBRIA are getting ready to tour the U.S. and Toronto, Ontario, Canada this April and May of 2011! Below is the band telling all about this upcoming NEVERENDER SSTB Tour, as quoted from the COHEED AND CAMBRIA newsletter, January 14, 2011:

“Hey All,

In case you haven’t heard, we are performing our debut album, The Second Stage Turbine Blade, in it’s entirety in 23 cities across the US and in Toronto, Canada.

The “Evening with” format means we’ll do the full set electric, along with a 30-40 minute acoustic set, and a bonus electric set. No support bands.

Most of the shows are on sale now, a few go on sale tomorrow (and Oakland on Sunday)”. Full dates and ticket links are posted here:www.coheedandcambria.com

We hope to see you at the shows!!

April & May 2011 Tour Dates:

4/08 Kansas City, MO – Midland Theater
4/09 Dallas, TX – Palladium
4/11 Austin, TX – Stubbs
4/12 Houston, TX – Warehouse Live
4/14 Atlanta, GA – Tabernacle
4/15 Tampa, FL – Jannus Live
4/18 Charlotte, NC – Fillmore
4/19 Baltimore, MD – Rams Head Live
4/20 Washington, DC – 9:30 Club
4/22 Sayreville, NJ – Starland Ballroom
4/25 Boston, MA – House of Blues
4/26 Philadelphia, PA – Electric Factory
4/27 Toronto, ON – Kool Haus
4/29 Detroit, MI – Royal Oak Music Theater
4/30 Chicago, IL – House of Blues5/02 Denver, CO – Ogden Theater
5/03 Salt Lake City, UT – In the Venue
5/05 Seattle, WA – Showbox Sodo
5/06 Portland, OR – Roseland Theater
5/07 Oakland, CA – Fox Theater
5/09 Tempe, AZ – Marquee Theater
5/10 San Diego, CA – House of Blues
5/11 Los Angeles, CA – Club Nokia

www.coheedandcambria.com
www.twitter.com/coheed
www.facebook.com/coheedandcambria

COHEED AND CAMBRIA – Year Of The Black Rainbow was released on April 13, 2010, via Sony.

LONG LIVE COHEED AND CAMBRIA.

Stone.

VANDEN PLAS “Holes In The Sky” – Music Video… ROCKS!

Posted in Hard Rock, Heavy Metal, metal music, metal odyssey, Music, Power Metal, progressive metal, rock music, rock music news with tags , , , , , , , , , on January 13, 2011 by Metal Odyssey

VANDEN PLASHoles In The Sky, the brand new music video from German Progressive Metal Band VANDEN PLAS, is the “first regular video clip in VANDEN PLAS band history”… and it flat out Rocks! Holes In The Sky is a melodically heavy song that has caught my Metal attention like a thunder strike. This song is from the new and sixth VANDEN PLAS studio album Seraphic Clockwork, released in the U.S. on June 22, 2010 via Frontiers Records. I like everything about this song, from the  smooth and harmonious vocals of Andy Kuntz to the atmospheric keyboards of Günter Werno.

If you are into Power Metal, Progressive Power Metal and/or Melodic Metal, then check out this exceptional song below and give your ears the candy it deserves. My ears are asking for more…

VANDEN PLAS:

Andy Kuntz – vocals

Stephan Lill – guitars

Torsten Reichert – bass

Günter Werno – keyboards

Andreas Lill – drums

Track Listing For: The Seraphic Clockwork:

Frequency

Holes In The Sky

Scar Of An Angel

Sound Of Blood

The Final Murder

Quicksilver

Rush Of Silence

On My Way To Jerusalem

Eleyson (bonus track)

(Seraphic Clockwork back cover)

* For more info on VANDEN PLAS, click here: VANDEN PLAS – Official Website

LONG LIVE VANDEN PLAS.

Stone.

THE HUMAN ABSTRACT – Sign To eOne Music, Added To ATTICUS METAL III TOUR!

Posted in Heavy Metal, metal music, metal odyssey, metalcore, Music, progressive metal, rock music, rock music news with tags , , , , , , , , , on January 11, 2011 by Metal Odyssey

(New York, NY) — California Metal act, THE HUMAN ABSTRACT has signed a worldwide deal with eOne Music. Their brand new record “Digital Veil” will be released on March 8th, 2011.

“We are really pleased to begin the year with eOne as our new label. This relationship will only prove beneficial to the release of “Digital Veil” and help push the band a step forward into a productive and exciting future,” says bassist Henry Selva.

After releasing a pair of records via Hopeless Records, this will be the bands third official full length. Founding guitarist A.J. Minette has also returned to the band and couldn’t be more excited. He states, “It has been a pleasure working with The Human Abstract again. I am looking forward to supporting Digital Veil out on tour.”

The band will be part of the Atticus Metal III tour with Darkest Hour, Born Of Osiris, As Blood Runs Black and more running from February 25-March 27. For additional information feel free to head over to http://www.facebook.com/atticusmetaltour

THE HUMAN ABSTRACT have been seen on tour with acts such as AS I LAY DYING, DIREN GREY, ALL THAT REMAINS and THE VANS WARPED TOUR in recent years.

THE HUMAN ABSTRACT is: Travis Richter (vocals), Henry Selva (bass), Dean Herrera (guitar), Brett Powell (drums) and A.J. Minette (guitar).

For more information, please visit:

http://www.facebook.com/thehumanabstract

http://www.myspace.com/thehumanabstract

LONG LIVE THE HUMAN ABSTRACT.

Stone.

Blue Aside “The Orange Tree” – EP Rooted With Doom And Sci-Fi Psychedelia, Leaves A Lasting Metal Impression

Posted in doom metal, extreme music, Heavy Metal, metal music, metal odyssey, Music, progressive metal, psychedelic metal, rock music, rock music news, stoner metal with tags , , , , , , , , , on January 4, 2011 by Metal Odyssey

BLUE ASIDE – This Underground Doom Metal power trio from Boston, Massachusetts, that call themselves Blue Aside are not bashful on laying down some potent, Earth rattling psychedelia. Blue Aside is one heavy band, as heavy and thick as an unopened can of Castrol motor oil from 1966. (Man, that sounded hoochie, yet my point has been made). This five song debut EP, The Orange Tree, was released on Hydro-Phonic Records in the Fall of 2010. If a band of any heavy genre wants to make an instant impression on me with a debut EP, then Blue Aside has without a doubt succeeded.

The Traveler of Time and Space begins with a synthetic intro that makes me feel like I’m helplessly floating in outer space without a cell phone or I’m being chased by Zombies that can’t run… take your pick. The riff is king here and it leads me down the path to all things spectacular about Psychedelic Doom Metal, bringing me to the realization that Iron Butterfly is indeed an influential band in 2010. The retrospective nature of Blue Aside is not a dominant force, however. They integrate such imagination into their sound, that it makes for a simultaneous vibe that is both now and futuristic.

The vocals change off from being dark and downright evil to semi-harmonious with echos. One well schooled Rockaholic can easily point the progressive finger, with certainty, at Blue Aside. Stoner Metal fans that are looking for songs that are not 15 minutes long can easily fall victim to what Blue Aside is banging out on The Orange Tree. Picture The Mars Volta deciding they want to get down on some Doom Metal and make their music more eye popping heavy, while maintaining a non-mainstream grip on avant-garde, minus any stretching vocals and this is Blue Aside. Adam Abrams (guitar), Matt Neto (drums) and Joe Twomey (bass) can play, making me feel as if this is their third or fourth album after ten years of touring. As anti-commercial as a five song EP can ever be, The Orange Tree never slips into passages of mainstream cow-towing.

Comparisons aside, this trio is hitting the bulls-eye on being unique. Each song has it’s own flavor, with Orange Eyes being a more guitar oriented song, with it’s melodic leads and slow motion Punk like vocals. Otis’ Sun is much more Doom laden with it’s riffs and vocals and marches on with a more apocalyptic feel, never compromising on it’s melancholic mood. Black Rays has a strong emphasis on drums, with a guitar driven attack that keeps the tempo on high, being the one song on The Orange Tree that can be described as groove laden. Black Rays is my favorite song on this EP, I always fall over for the grooves… man, I dig that stuff.

The Inevitable Journey is a journey into one damn cool, hard and heavy tunnel of sound. The Tony Iommi inspired riffs are infectious, with the Doom infested tempo making this song worthy of repeated listens. Alright, this is my second favorite song on The Orange Tree and it proved to be extremely memorable for me after the very first listen. I could carry on more about this song, adding, that it’s muscular Old School-Stoner vibe meets present day Doom sound, is very close to Metal exhilaration.

Doom. Psychedelic. Stoner. Progressive. At the end of my Metal day, this is one very good, up and coming Metal band period. Smart musicianship coupled with smart lyrics that I hear on The Orange Tree, will take Blue Aside a long way down the Metal road. Fans of the heavy genres mentioned in this review should be able to wrap their ears around the sound that Blue Aside has created on The Orange Tree. Blue Aside has made a lasting Metal impression on me. I’ll be looking forward to Blue Aside releasing a full-length in the future… a band with this much talent, is going to be around for quite some Metal time.

* For more info on Blue Aside, click here: Blue Aside – myspace music

* For more info on Hydro-Phonic Records, click here: Hydro-Phonic Records

BLUE ASIDE:

Adam Abrams – guitar & vocals

Matt Neto – drums & vocals

Joe Twomey – bass & vocals

Track Listing For The Orange Tree:

The Traveler of Time & Space

Otis’ Sun

Orange Eyes

Black Rays

The Inevitable Journey

LONG LIVE BLUE ASIDE.

Stone.

BETWEEN THE BURIED AND ME – “THE GREAT MISDIRECT” IS A PROGRESSIVE & HEAVY MIND ADVENTURE

Posted in Album Review, alternative metal music, current heavy metal albums, current progressive metal albums, current progressive metal music, Heavy Metal, heavy metal albums 2009, heavy metal bands, heavy metal history, heavy metal music, Metal, metal music, metal music albums, metal odyssey, Music, prog metal albums, prog metal music, progressive metal, progressive metal 2009, progressive metal albums, progressive metal bands, progressive metal music, progressive metal songs, progressive rock music, rock music with tags , , , , , , , , , , , , , , , , , , , , , , , on January 23, 2010 by Metal Odyssey

BETWEEN THE BURIED AND ME – The Great Misdirect is a Progressive Metal album that was released on October 26, 2009, on Victory Records. I received this CD as a Christmas gift from my wife and daughters, therefore, my first listen to The Great Misdirect was in the final days of last year. Metal truth be told, this is my very first Between The Buried And Me album that I have ever owned… or listened to. Stagnant, same-old, status quo and ho-hum are words that DO NOT describe The Great Misdirect. Heavy, progressive, semi-psychedelic, retrospective, layered and mind adventure are words THAT DO describe this dynamic album. As I listened intently to The Great Misdirect, I swear that this is a band that has taken a time machine from the mid 1970’s to present day… and they have been kidnapped and forced to create heavier music than they are used to, while still being able to incorporate their own style of Classic Rock into the structure of the songs. Call this thought nutty, call it science fiction, still, this is the type of mind wandering that Between The Buried And Me are all about with their lyrics anyways! It’s not just a fascination with this band being different that gets me… it’s the sheer fascination that this band is damned good at writing Heavy Progressive Music and playing it too.

Just by reading the lyrics to Fossil Genera – A Feed From Cloud Mountain, I realize that BTBAM’s vocalist Tommy Rogers is open minded and embraces the science fiction side of thought and conspiracy theories, (where his actual views stand on such topics, I do not know). Needless to say, just reading the lyrics found within the liner notes is an adventure. As goes Progressive Metal, the moment I sit back and chill to a lengthy interlude of mellow musical interplay, the quicker I have to sit up/get up to the heavy guitar riffs and leads, the bombastic rhythm section and/or the Extreme Metal vocals. (Pssst… I don’t mind it one Metal bit).

Yes, Grand Funk Railroad and any other Classic Rock band of legend should be proud of the astute usage of keyboards found within The Great Misdirect. Once again, Tommy Rogers is at the helm on the keys, raising such a familiar 1970’s sound that actually seems to resonate above the heaviness. Tommy Rogers also seems to go back and forth from extreme to traditional vocals rather effortlessly. As a unit, BTBAM are smart as they are talented with their playing, improvisation with this band in a live setting should never pose a problem.

Mirrors opens The Great Misdirect in a solemn, ultra mellow and quaint way. Lyrically, Mirrors exhibits a person who is without question, disassociated with the world around him/her… both people and things included. Ah, don’t let the opener of Mirrors fool you however, Obfuscation burrows right into my Metal soul… almost without warning, then subsides into a legitimate progressive pattern that BTBAM have indeed succeeded at. Metal Odyssey Note: Obfuscation means to be unclear, evasive or confusing. I actually had to look this word up, yeah, I did. Using a dictionary is cool.

Disease, Injury, Madness is over eleven minutes long, basically a Progressive Metal epic. Too bad this song wasn’t an hour long… it’s that good for me. As being an admirer of Mastodon, DaathDream Theater, Yes and The Electric Light Orchestra, my progressive Rock fan roots are as diverse as the Universe itself. Then again, when I think about it, isn’t the word diverse a major characteristic of Progressive Metal to begin with? Between The Buried And Me have recruited a NEW fan, I will gleefully dig into their back catalog without blinking a Metal eye.

Track Listing for The Great Misdirect:

Mirrors and Obfuscation – Metal Odyssey Note: (Mirrors plays out as an introduction to Obfuscation)

Disease, Injury, Madness

Swim To The Moon

Desert Of Song

Fossil Genera – A Feed from Cloud Mountain

Between The Buried And Me, as they appear on The Great Misdirect:

Tommy Rogers – vocals, keys and lyrics

Dan Briggs – bass, fretless bass

Dustie Waring – electric guitar, slide guitar, acoustic guitar and guitar effects

Paul Waggoner – electric guitar, steel string acoustic guitar, classical guitar and lap steel guitar

Blake Richardson – drums and percussion

MASTODON – “DIVINATIONS” PICTURE DISC SINGLE IS A METAL MUSIC FIND!

Posted in collecting heavy metal albums, collecting metal music, cool album covers, current progressive metal music, hard rock bands, hard rock music, hard rock music 2009, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal bands, heavy metal music, heavy metal on vinyl, heavy metal picture discs, heavy metal record finds, metal music, metal odyssey, Music, picture discs, prog metal albums, prog metal music, progressive hard rock albums, progressive hard rock music, progressive metal, progressive metal 2009, progressive metal albums, progressive metal bands, progressive metal music, progressive rock music, rock music with tags , , , , , , , , , , , , , , , , , , , , , , on January 19, 2010 by Metal Odyssey

MASTODON. Hot Topic. What do these two Metal Music names have in common? I recently, (last weekend), found the Mastodon – Divinations, 12″ picture disc single… at Hot Topic. Oh, that’s not all… this Mastodon picture disc single only set me back $2.54! That’s not a type-o… $2.54. Much cheaper than a pound of imported ham, currently selling at the local deli. (The original retail price for this picture disc runs around $14). You might query, as to how did I pay such a rock bottom price for this unreal great, Mastodon picture disc. Clearance racks RULE. As I entered Hot Topic, my wife informed me she was heading to the back of the store… to the clearance racks, was my Metal suspicion. It’s funny how I always become engaged by looking over the other stuff at Hot Topic, each time I go there, forgetting to hit the clearance racks first. The t-shirts, rings, vinyl album and CD racks never fail to distract my attention from those glorious clearance racks. I can always count on my wife to hone in on those racks of discounted Metal treasures though!

It’s always a Metal thrill when you can score your favorite bands on the discount racks. This is not the first time we have found very cool vinyl, discounted at Hot Topic. Just as we were checking out at the register, one of the Hot Topic employees raced over to the discount racks where this Mastodon picture disc was found… this employee proceeded to nab the lone remaining copy of Divinations, as well as other assorted vinyl too. She said she wanted to make her move, before the discounted stuff was gone. I can’t blame her one Metal bit. We did pick up other discounted vinyl at Hot Topic that same visit… I will wait to blab about it on future posts because the finds are that unreal great.

This Mastodon Divinations, 12″ picture disc single has the following two songs:

Side A: Divinations(From the 2009 release – Crack The Skye)

Side B: Divinations (Instrumental)

I really, really, like the Progressive Metal that simmers with touches of psychedelia, from the Crack The Skye album that Mastodon released in 2009. I like it so much that I picked it to be #7 in my list of top 25 Heavy Metal albums for 2009. You can check it out by clicking the link below:

METAL ODYSSEY’S TOP 25 HEAVY METAL ALBUMS OF 2009

You can also just click on the header below to read my review for Mastodon – Crack The Skye, which I posted on May 6, 2009:

Mastodon “Crack The Skye” is a cool Metal journey to take

Here is the front view of this terrific Mastodon 12″ Divinations picture disc single:


IRON MAIDEN – “KILLERS” STILL REIGNS AS A KILLER OF A METAL ALBUM

Posted in 1980's heavy metal albums, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal bands, 1980's metal music, 1981 heavy metal music, 1990's heavy metal bands, Album Review, classic heavy metal albums, cool album covers, creepy album covers, current heavy metal bands, essential heavy metal albums, guitar legends, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal albums 1981, heavy metal bands, heavy metal bands from england, heavy metal drummers, heavy metal guitarists, heavy metal history, heavy metal music, heavy metal vocalists, metal music, metal odyssey, Music, old school heavy metal, progressive metal, rock music, scary album covers, vintage heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , on December 12, 2009 by Metal Odyssey

As decades pass and thousands of Heavy Metal albums are released, there will always be those select titles that are still left standing tall. Iron Maiden Killers is one of those select albums that reigns as a killer for me… 28 years after it’s June 1981, U.S. release. Killers epitomizes Old School Heavy Metal, plus Iron Maiden legitimizes the single word – Metal, as it’s very own sub genre. Whenever I think of “Metal” the first band that comes to my mind is Iron Maiden. I sometimes debate myself senseless, asking why isn’t Iron Maiden my favorite Heavy Metal band of all time? Then, I ease my confusion by just knowing that Iron Maiden is and forever will be a “core” band of mine. Killers essentially was faster and harder than many traditional Heavy Metal albums of it’s time… the great part is that Iron Maiden was just beginning to “touch upon” the progressive side of Metal Music, an attribute they became so legendary for.

Back in 1981, the Thrash Metal movement was the welcomed storm on the horizon… Iron Maiden was the baddest and heaviest outside of just a select group of their peers. Motorhead, Black Sabbath, Judas Priest, Scorpions and Accept come to mind, when deciphering which Metal bands were as hard and heavy as Iron Maiden, back in 1981. Still, outside of Motorhead, Iron Maiden was about speed, the songs on Killers are overall – fast. Exceptions do exist, Prodigal Son is a slower paced Iron Maiden song without a doubt. The tempo being dictated by the acoustic guitars only magnifies the slender tempered sound of Prodigal Son. (Going back to the debut Iron Maiden album, Remember Tomorrow signified the flirtation with somberness that this legendary band would revisit in future albums, Prodigal Son carry’s over this assertion).

Backtracking to the intro of Killers, The Ides Of March, I insist that this was the sign of all Metal things to come on this prolific album. The Ides Of March is heavy, it is melancholy, dark and foreboding… in essence, a Metal prelude or warning if you will, that Iron Maiden was not fabricating or pretending. Twilight Zone is the song from Killers, where I feel Paul Di’Anno is at his giant best, vocally. Certainly, it is my personal opinion, as is the case with this entire article. Genghis Khan is the Metal instrumental that catapulted the musical identity of Iron Maiden, the trademark sound of this soon to be – historic Metal band. My eyeballs still pop open wide, to this very day, each time I listen to Genghis Khan.

When it comes down to musicianship, what honestly can be nit picked here? Iron Maiden as a unit on Killers made layering famous and vogue – basically instigating Progressive Metal from it’s dormancy. I cannot and never will find a fault with this legendary Iron Maiden lineup, Paul Di’Anno was the lead singer for this band in 1981 and a damned great one too… Metal case closed. Even back in the mid 1980’s, I never gave a damn about comparing Paul Di’Anno to Bruce Dickinson… what’s the point? Any seasoned Metalhead knew then and should know now, that these two lead singers are worlds apart with technique and range. In my Metal opinion, one is not better than the other, they are both unique and stylistically genuine. Paul Di’Anno gave the songs on Killers a mysterious tone, his vocals created a fog invading sound scape that bordered on macabre.

Murders In The Rue Morgue is my favorite song on Killers. Again, it’s speed, hard and heavy that this song illuminates. Paul Di’Anno never needed to hit the highest note on the planet to make Murders In The Rue Morgue an Iron Maiden classic, instead his fiery swagger is not just heard vocally, it is felt. Dave Murray and Adrian Smith unleashing their duo guitar leads proved that there was another one-two Metal guitar punch out there… alongside Metal guitar legends Glenn Tipton and K.K. Downing of Judas Priest. Clive Burr on drums was not an enigma, he was THE drummer for Iron Maiden during the most important years of their maturation. And then, there is THE bass guitarist for Iron Maiden. To better accentuate my Metal point here, what Babe Ruth will forever be to the history of baseball, what the Mona Lisa will forever be to the history of fine art portraits, Steve Harris will forever be of equal importance to the history of Heavy Metal and Metal Music. Go ahead, listen or re-listen to Iron Maiden Killers… then listen really closely to the bass guitar playing of Steve Harris, hopefully you might just understand what I mean.

DREAM THEATER – “WITHER” IS MY STANDOUT SONG FOR 2009

Posted in 1990's progressive metal bands, heavy metal music, heavy metal songs 2009, metal odyssey, Music, progressive metal, progressive metal 2009, progressive metal albums, progressive metal music, progressive metal songs, progressive metal today, progressive metal videos, progressive rock music, rock music with tags , , , , , , , , , , , , , , , , , , , on November 20, 2009 by Metal Odyssey

Dream Theater are such amazing musicians, it is scary. I liken Dream Theater to a “Heavy Metal Electric Light Orchestra”. Of course, that is my humble, Metal opinion. The song Wither, from the 2009 Dream Theater album Black Clouds & Silver Linings, (on Roadrunner Records), is an incredible work of Progressive Metal. This song has struck a chord with me, (not to sound sappy), with all of it’s content. With it’s layering of music, lyrics, mood and edginess, Wither is a song that stands out amongst a ton of music I have been listening to, this past year of 2009. I always tend to shy away from ballads, only this is Dream Theater… and I’m all ears to Wither. James LaBrie has flawless vocals on Wither, amazing. Hopefully you can enjoy this song and video of Wither as much as I do.

IRON MAIDEN – “Cross Eyed Mary” 1983 cover song is a rare Metal Music treasure

Posted in 1980's heavy metal albums, 1980's heavy metal hits, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, Album Review, cool album covers, cover songs, essential heavy metal albums, essential metal music albums, essential progressive metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal cover songs, heavy metal guitarists, heavy metal memorabilia, heavy metal music, heavy metal music 1983, Heavy Metal Reviews, heavy metal vocalists, Iron Maiden, Metal, metal music, metal music ep's, metal odyssey, Metal Reviews, Music, old school heavy metal, prog metal albums, prog metal music, progressive metal, progressive metal albums, progressive metal music, progressive metal music eps, vintage heavy metal albums, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 5, 2009 by Metal Odyssey

Iron Maiden "The Trooper"  EP album artworkIron Maiden released their fourth studio album, “Piece Of Mind” in 1983. An amazing Heavy Metal album it was and forever will be. I bought that album back in ’83… stared at the front cover for hours, which in fact, probably equals out to actual days. I have always been mesmerized by artist Derek Riggs artwork of mascot Eddie. This album does not contain the cover song of “Cross Eyed Mary”, instead, it was released as a “b” side to the single “The Trooper”, taken from the “Piece Of Mind” album. To the best of my Metal research, “The Trooper” single was released on June 20, 1983. I frequented a small and independent record store on an almost daily basis back in the ’80’s, (I won’t divulge the name of this store for personal reasons), upon a daily stop there… there it was… Iron Maiden “The Trooper” Maxi Single on vinyl no less!! My Metal memory is very vivid about this moment… I stared this beautiful Iron Maiden rarity down, bought it and have kept it pristine ever since. Plus, this was the only copy this store had, I never saw this Iron Maiden single on vinyl again. (Certainly, there has to be more out there in collections or online today, I just never happened to come across one in person). This Iron Maiden Maxi Single as it is called, again, is on vinyl that is the actual size of an album -(an EP if you will), it plays at 45 rpm.

As for “The Trooper” it is and always will be an amazing work of Metal Music, this song no Metalhead could ever possibly tire from. An unreal great Metal song is “The Trooper”. Now, for the Metal juicy part of this important single… “Cross Eyed Mary”. I always have and will continue to give Jethro Tull a listen now and again… they are cool by me, despite what Metallica may think of them. The original Jethro Tull version of “Cross Eyed Mary” does not even come remotely close, to the prolific Metal power of Iron Maiden’s cover version though. I am talking extremely Metal prolific, when I mention this Iron Maiden cover of “Cross Eyed Mary”. Whoa, man, this Iron Maiden cover sends Metal chills up and down my spine. I am not sugar coating a thing… this Iron Maiden cover is the real thing, hands down it is my most favorite and cherished Metal cover song that has ever been recorded. Not to sound cheesy or lame here, the opening guitar leads sends me into Metal orbit… really. Bruce Dickinson is outstanding on vocals with this song, Iron Maiden took hold of “Cross Eyed Mary” and turned it into a Metal masterpiece. NO flutes or piano are on this Iron Maiden cover version of “Cross Eyed Mary”, no sir.

My copy of “The Trooper” vinyl single looks just like the above image, with the exception that my copy has “Maxi Single – super sound version” printed on the front cover, inside a red outlined circle. The bottom image shows what the Japanese import version of “The Trooper” looks like on CD, however, “Cross Eyed Mary” is NOT on this CD single!? The two songs on this Japanese import are: “The Trooper Live (2003)” and “The Trooper” (album version). Go figure that out, the same artwork, it is “The Trooper” single, yet “Cross Eyed Mary” is not included anymore. It would have been Metal genius, if Iron Maiden included “Cross Eyed Mary” on their “Somewhere Back In Time: The Best Of 1980-1989″ album, that would have been a perfect song to add into the historical Metal mix. I am just psyched that I still have this vinyl single of Iron Maiden, this is one Metal treasure I just will not part with – no way.

Some Metal extra notes about this Iron Maiden single, to benefit, guide and nourish your Metal mind: 

Iron Maiden, as they appeared on “The Trooper” and “Cross Eyed Mary”: Bruce Dickinson on lead vocals, Dave Murray on guitar, Adrian Smith on guitar, Steve Harris on bass guitar and Nicko McBrain on drums. * This 1983 “The Trooper” single was originally released on EMI records.

fullsize

Dream Theater “Black Clouds & Silver Linings” – Many silver linings found on this album

Posted in Album Review, cool album covers, current prog metal albums, current prog metal music, current progressive metal albums, current progressive metal music, essential progressive metal albums, Hard Rock, heavy metal album review, heavy metal albums, Metal, metal music, metal music today, Metal Reviews, Music, prog metal albums, prog metal music, progressive metal, progressive metal 2009, progressive metal albums, progressive metal music, progressive metal today, progressive rock, progressive rock music, rock music with tags , , , , , , , , , , , , , , , , , , on July 16, 2009 by Metal Odyssey

main-150I have come to the conclusion, that Progressive Metal and Progressive Hard Rock are the genres that keep me grounded. Dream Theater offers me the best of two worlds, like a one-two Metal punch… this band makes me want to Rock out, then again, I have many moments with their music when I want to chill, in a Metal sort of way. I am not at all stating that Dream Theater can be easy listening Progressive Music… no way. They offer the segues, interludes, intro’s and instrumentals that serve as that musical cushion to fall back on, while awaiting the heavy parts. This is what draws me into their music, to always expect the unexpected with the Progressive nature of Dream Theater. Dream Theater has for me, come so far, paid their Metal dues, to be now recognized as a Progressive Metal super power. It is difficult to dispute the vast landscape of progressive musical ingenuity that Dream Theater bestows. listening to their new music is a reminder to me, that you can erase any other thoughts in your mind and escape into an album of songs.

Dream Theater group photo“A Rite Of Passage” is an amazing song, it reminds me of what maybe Rainbow would sound like, in 2009. The keyboards in this song is what has me thinking of vintage Rainbow, the melody also has a deep, rich, Classic Rock flavor. “A Nightmare To Remember”, the opening song, has all the dynamics I come to expect from Dream Theater, musically and lyrically. I am very glad the story line to this song has a happy ending, despite the child mentally reliving such a personal experience that is the referred nightmare. “Black Clouds & Silver Linings”, (released on June 23, 2009), has most certainly eclipsed my expectations of what to expect, both musically and lyrically. This new Dream Theater release deservedly reached #6 on the Billboard album charts on the initial week of it’s release. It is clear that new fans have embraced Dream Theater and all of their epic Progressive Metal.

After listening to “Black Clouds & Silver Linings”, one can reach the conclusion that Dream Theater has created an album that is a throwback. With guitar leads and lengthy songs that reminisce of 1970’s albums from Yes, Rainbow and Rush; it is my Metal opinion that Dream Theater has maintained, tweaked and fine tuned a remarkable balance of Old School intertwining with originality and relevance. If Metal music was ever supposed to move me, Dream Theater has done it on this release. This is an amazingly enjoyable album to listen to. This Progressive Metal Music with all of it’s musical eloquence, will no doubt have me exploring the deep layers of “Black Clouds & Silver Linings” for years to come.

Dream Theater, as they appear on “Black Clouds & Silver Linings”: John Petrucci on guitar & vocals, Jordan Rudess on keyboards & continuum, James LaBrie on vocals, John Myung on bass and Mike Portnoy on drums, percussion & vocals.

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Blind Guardian covers “In-A-Gadda-Da-Vida” – Power Metal style

Posted in 1960's acid rock music, 1960's classic rock music, 1960's psychedelic rock music, 1960's vintage rock albums, 1960's rock music, Album Review, Century Media, century media records, classic hard rock, classic hard rock music, classic rock, classic rock albums, classic rock cover songs, classic rock music, cool album covers, cover songs, heavy metal album review, heavy metal from germany, Heavy Metal Reviews, heavy metal this decade, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, power metal music, prog metal albums, prog metal music, progressive metal, progressive metal albums, progressive metal music, progressive metal music eps, rock music, vintage rock albums, vintage rock and roll cover songs, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , on July 6, 2009 by Metal Odyssey

7744373Blind Guardian is a Power Metal meets Progressive Metal band, straight out of the fine country of Germany. I enjoy the Power Metal and Progressive Metal genres immensely, Blind Guardian for me, is always a cool listen. As I was browsing around the Century Media Records online site (CM Distro.com) several months ago, I happened to find an EP from Blind Guardian that quickly caught my Metal attention. The name of this EP is “Fly”, (released in 2006), it contains three songs: “Fly”, “Skalds and Shadows” and the cover version of the Iron Butterfly classic – In-A-Gadda-Da-Vida”. I knew instantly I needed to purchase this EP. I have always and forever revered this Psychedelic, Classic Rock, gem of a song that Iron Butterfly created with “In-A-Gadda-Da-Vida”, (originally released in 1968). I placed my order for this Blind Guardian EP without ever hearing it first… I had complete confidence in Blind Guardian delivering a decent cover version of this song, plus as I stated earlier, their Power – Prog Metal style never put me in the doldrums whatsoever.

525284Blind Guardian “Fly”, as with any of this bands albums, never fail to peak my curiosity based on the album cover artwork on their releases. Going in, I knew they are a capable, talented and quality Metal band, with intellectual lyrics and story telling to coincide with their songs. I am pleased at purchasing “Fly”, all three songs are diverse, with my favorite being the cover song from Iron Butterfly “In-A-Gadda-Da-Vida.” Blind Guardian’s version is very heavy, all power, it rocks tough and hard, while paying great respect to this songs originally intended hardness and dark landscape. The only key aspect here, is to know that this is the shortened cover version of this song, at 3:38 long, (the original Iron Butterfly album version is 17:05 long). Blind Guardian if anything, makes this song sound just as macabre and melancholy, (quite a musical feat), with the vocals and music sounding equally haunting as the original. Some may feel Blind Guardian makes “In-A-Gadda-Da Vida” sound more spooky than the original version… there have been times I have thought just that. Now, as to the age old argument… is the cover version better than the original? Of course, it would be a monstrous feat to blow away the original Iron Butterfly rendition of “In-A-Gadda-Da-Vida”… I will always like the original version more. With that said… once you hear Blind Guardian cover this song, you may very well be like me and think – whoa, this is a really cool and heavy way to commemorate a classic… a Metal job well done.

“Fly” is a more open ended Progressive Metal example, with the vocals being more punctual and deliberate. “Skalds and Shadows” is an acoustic version of it’s original, musically you are surrounded by an almost medieval atmosphere of mood and senses, making me feel as if I am about to enter an ancient, abandoned castle. I am impressed by the way lead vocalist Hansi Kursch changes and adapts his vocal approach, according to the individual song, this type of diversity and quality in singing is appreciable. Blind Guardian gives the listener a rather nice mix of Heavy Music on this “Fly” EP, even though there are only three songs. I am obviously pleased with this EP, it is a Metal keeper. The liner notes are 8 pages with full lyrics and credits. The center spread within the liner notes are two pages depicting the Blind Guardian band logo. With the musicianship, vocals and diversity of song found on this one EP, anyone new to Blind Guardian’s music should find this as an invitation to check out their impressive back catalog of albums. I recommend “The Fly” to all Progressive and Power Metal fans. Fans of Metal music in general should appreciate what Blind Guardian has created here as well.

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MAGNUM – Discography of studio & live albums

Posted in 1970's hard rock, 1970's Rock, 1980's hard rock albums, 1980's heavy metal albums, 1980's rock albums, 1980's rock music, 1980's hard rock, 1980's heavy metal music, classic hard rock music, classic rock, classic rock music, current hard rock albums, current hard rock music, Hard Rock, hard rock music this decade, prog metal albums, prog metal music, progressive hard rock albums, progressive hard rock music, progressive metal, progressive metal albums, progressive metal music, progressive metal today, progressive rock, progressive rock discography, progressive rock music, Rock, rock music, vintage hard rock albums with tags , , , , , , , , , , , , , , , , , , , , on June 17, 2009 by Metal Odyssey

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Magnum, the Progressive Rock/Hard Rock band that I really get a thrill out of listening to. At times, they can be heavy, ever so melodic… if you are into true Classic Rock/Hard Rock and/or Progressive music, you should give Magnum a try… this discography you may find useful. Magnum has been making music since their debut album “Kingdom Of Madness” from 1978. Covering four decades, this is a band that gets my attention and respect. Musicianship, Magnum.

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Studio Albums: 

Kingdom Of Madness * Magnum II * Chase The Dragon * The Eleventh Hour * On A Storyteller’s Night * Vigilante * Wings Of Heaven * Goodnight L.A. * Sleepwalking * Keeping The Nite Light Burning * Rock Art * Breath Of Life * Brand New Morning * Princess Alice And The Broken Arrow * Into The Valley Of The Moon King *

Live Albums:

Marauder * Invasion Live * The Spirit * The Last Dance * Stronghold * Days Of Wonder * The River Sessions * Wings Of Heaven Live *

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IRON MAIDEN “FLIGHT 666” is now boarding Metalheads!

Posted in 1980's heavy metal albums, 1980's heavy metal music, 1980's metal music, Album Review, classic metal, concerts, cool album covers, current heavy metal albums, current heavy metal music, current live heavy metal albums, current metal albums, current prog metal albums, current prog metal music, current progressive metal albums, essential heavy metal albums, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal this decade, heavy metal vocalists, Iron Maiden, Metal, metal music, metal music today, Metal Reviews, Music, new heavy metal album, old school heavy metal, prog metal albums, prog metal music, progressive metal, progressive metal albums, progressive metal music, progressive metal today, recent heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 11, 2009 by Metal Odyssey

fullsizeYou bet your Metal memory I picked up the new and live double CD “Flight 666” from Iron Maiden, (released June 9, 2009). How could I possibly pass it up? This is Iron Maiden we are talking about… Metal icons… Metal elite. I first saw this new Iron Maiden CD, yesterday, at f.y.e., they were asking $16.99… I knew I could do better than that. So, I went to good ol’ Super Walmart to pick up necessities, like… food, then my body was on automatic pilot and went straight to the CD aisles. Iron Maiden is a necessity in my Metal life, therefore, I purchased “Flight 666” along with various food items from Walmart. I embarked for my car, with my daughters by my side and I am one happy dude. The Walmart price? I paid $13.88 for “Flight 666”, if I continued to search for a cheaper price than that, I would be wasting gas in my tank. Plus, I was able to save $3.23… sounds like chump change, yet it adds up throughout the years when you shop around a tad. I am going to put the DVD version of “Flight 666” on my want list for now… I listen to Metal light years more often than I watch Metal.

Now, for the Metal music on “Flight 666″… again, this is Iron Maiden! What in the Metal world could I possibly find fault with here? This live double CD is juiced up with many prime Metal tunes from the expansive Iron Maiden catalog of albums. Quality, quality and more quality. That is what you hear from the production, sound and of course, the Metal from this Iron Maiden live CD. No Iron Maiden and/or Metal fan could possibly expect any less from this band. When I listen to “Flight 666”, I truly realize how I have never grown weary of any Iron Maiden tunes. If anything, listening to this CD makes me appreciate this band all the more, Iron Maiden is still cranking out Metal across the world… and doing so with their trademark, brilliant musicianship. These guys have not missed a step going on three decades. “Flight 666” is proof of this. The Progressive Metal exuberance of Iron Maiden, with their multi-layered triple guitar attack are in a Metal class all their own. Being a live CD, the nuances and ambiance of the musicianship and the thousands of screaming Iron Maiden fans make for an exciting listen. Not everyone is into live albums… I never fell in love with every live Metal album I have listened to either – “Flight 666” is a live Metal album that I will boast about forever.

There are six tracks on “Flight 666” that are post “Powerslave” era Iron Maiden. “Wasted Years” and “Heaven Can Wait” are from the “Somewhere In Time” album. “Heaven Can Wait” is my favorite post “Powerslave” Iron Maiden tune, it is played live in incredible Metal fashion here. “Fear Of The Dark” is from, of course, the “Fear Of The Dark” album. “The Clairvoyant”, “Moonchild” and “Can I Play With Madness” are off of the “Seventh Son of a Seventh Son” album. The remaining eleven tracks are just killer, vintage and monumental Iron Maiden from the debut “Iron Maiden” album up to and including, the “Powerslave” album. The opening live trademark of “Churchill’s Speech” gets the Metal juices flowing for what is about to come… “Aces High”… pure Iron Maiden, pure Metal intensified! “2 Minutes To Midnight” and “The Number Of The Beast” roar with Iron Maiden – Metal history. I am glad to see that “Rime Of The Ancient Mariner”, from the “Powerslave” album, is added to this amazing set of Iron Maiden classics… at almost 14 minutes long, Iron Maiden makes an epic story turn to epic Metal greatness. My favorite Iron Maiden tune ever is found on “Flight 666” as well and I am ecstatic… “Revelations” from the “Piece Of Mind” album.

I guess you may have figured out by now, that I am a life long fan of Iron Maiden. I am obviously not alone with my Metal allegiance towards this band. I could go on forever about how much I dig this band and “Flight 666”, however, all great Metal posts must come to an end. If you are already an Iron Maiden fan, you know you will own this album, (if you not already have it). For new fans of Metal or Iron Maiden, it is time to get on board for “Flight 666”!!

Iron Maiden are: Bruce Dickinson on lead vocals, Dave Murray on lead & rhythm guitars, Adrian Smith on lead & rhythm guitars, Janick Gers on lead & rhythm guitars, Steve Harris on bass and Nicko Mcbrain on drums. If these guys are not legitimate Rock & Roll Hall of Famers, then nobody is. Iron Maiden is in my Rock & Roll Hall of Fame and they epitomize what the word Metal means.

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ISIS – “Holy Tears” EP is Prog Metal worth checking out

Posted in Album Review, avant-garde metal albums, avant-garde metal music, cool album covers, current metal albums, current prog metal albums, current prog metal music, current progressive metal albums, current progressive metal eps, current progressive metal music, Metal, metal music, metal music today, Metal Reviews, Music, prog metal albums, prog metal music, progressive metal, progressive metal albums, progressive metal music, progressive metal today, progressive rock with tags , , , , , , , , , , , , , , , , on June 10, 2009 by Metal Odyssey

I have read many an article and interview recently in regards to Isis. In my Metal opinion, Isis is a Progressive Metal band. Now, I have read professionally paid critics label Isis as an… Art Metal Band??? I have absolutely, positively, no clue as to what an Art Metal Band is supposed to look like or sound like. Maybe there is an Art Metal Band out there somewhere… and this band draws and paints on stage while they play Metal music. I dunno. The only thing I find artsy about Isis is the CD cover artwork. Despite the mislabeling that goes on every day in Metal music… rest assured… Isis is Progressive Metal. This is a darn right decent band too – they have all the Metal tools to create some elaborate and layered Metal tunes. (In other words, Progressive Metal tunes). I like the Death Metal growls, the vocal placement that Isis gives for them on their songs works out rather well for me. The combination of normal vocals with Death Metal vocals is not new, yet set within the Metal – musical framework of Isis, it sounds rather cutting edge. 

Isis is different, they stand out, that is cool. They show their musical influences, yet they are rather original when it comes to Progressive Metal, that is my Metal take anyway. Yeah, the Pink Floyd influence is evident with the Metal of Isis, yet that is what you can expect from Progressive Metal. Now, maybe the members of Isis would say they do not hear any Pink Floyd influence in their Metal… that is fine, it is just my Metal ears telling my Metal brain what they hear. Many Progressive Metal bands have proved to me, that you can space-out to this genre of Metal, Isis is no exception. That is why I like Progressive Metal in the first place, this type of Metal affects me a whole bunch differently than say, Manowar. (It would be next to impossible to space-out to the legendary and explosive Heavy Metal of Manowar).

If you are thinking of diving into some Isis Progressive Metal, my recommendation would be to get a copy of the “Holy Tears” EP, (released February 5, 2008), it is not as costly as a regular CD and it is a cool barometer of just what Isis has to offer with their music. The three tracks on this EP are: “Holy Tears”, “Not Rivers, But In Drops” and a live version of “Holy Tears”. A video (CD-rom) for “Holy Tears” also comes on this EP as well. I have no Metal reservations about recommending Isis to fans of Progressive Metal at all. Metal fans of other genres may want to diversify a bit and give Isis a listen too. I know I did, I have no Metal regrets.

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Enslaved “Vertebrae” – Progressive, Black Metal raises the bar

Posted in Album Review, Black Metal, black metal 2008, black metal 2009, black metal from norway, cool album covers, current heavy metal albums, current heavy metal music, current progressive metal albums, essential heavy metal albums, Extreme Metal, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, metal music today, Metal Reviews, Music, new heavy metal album, norwegian black metal, progressive metal, progressive metal albums, progressive metal music, recent heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 3, 2009 by Metal Odyssey

main-150Enslaved, from Norway, has created quite the exquisite Black Metal album with “Vertebrae”. Why do I use the adjective exquisite to describe this album? Well, I revere the Progressive Metal of Mastodon and Dream Theater, the legendary Progressive Rock of Pink Floyd and the groove infested Black Metal of Satyricon. Enslaved encompasses the most Metal and progressively delicious elements from these favorite bands of mine, while incorporating them into their very own startlingly, mind popping sound. What Enslaved has done here, is taken Rock and Metal influences to a new level, creating an album that embraces everything that is brilliant about Heavy and Progressive music. (I am not saying Enslaved actually looked to these bands for inspiration, this is just my musical and Metal interpretation and/or opinion). Enslaved has their roots in Black Metal, a musical track record that overflows with Metal bragging rights… “Vertebrae” by no means exemplifies this band as not being original. This album is as original as it gets… I cannot truly count how many Metal bands there are, that dare to experiment with music so valiantly.

Black Metal has gone through a bit of a metamorphosis over the years… so have the other Metal genres. There will always be the blue collar – true to the roots style of Black Metal, it deserves it’s rightful place in the Metal universe. Enslaved, like their counterparts Satyricon, have taken the Black Metal stylings and tweaked them, in this case, Enslaved progressively tweaked. As with anything in life, change is a natural necessity that either is accepted or rejected. Change in the musical circles of Metal can often times be equated to selling out or mellowing down, every fan of Metal has their own right to personally object or accept what they want from their music. My point I am trying to make here is, Enslaved has not deceived me or let me down with their brand of Progressive, Black Metal on “Vertebrae”. Vintage Venom and Mercyful Fate will forever and always be at my Metal reach, Enslaved “Vertebrae” is an extension of what happens when musical and Metal barriers are broken down. 

In an all encompassing summary of the seven songs on “Vertebrae”, I hear the nod to the forefathers of Black Metal, with especially the lead vocals and the dark, macabre and searingly moody ambiance, coming from the musical background elements. The keyboards and organ can create Black Metal which pays homage to the original sound of this band and genre, it can also create the progressive path in which “Vertebrae” aims for as well. Herbrand Larsen is simply unreal on the keys, organ and vocals. The same can be said for each member of Enslaved… as a cohesive unit they have connected not only with each other with their Metal skills and prowess, they have also raised the bar musically, in a Metal world that is rapidly interconnecting with each others genres. I cannot resist myself by recommending highly “Vertebrae”, Enslaved has created an album that will be at the top of my Metal list for decades to come.

The members of Enslaved are: Ivar Bjornson on guitars, Grutle Kjellson on vocals & bass, Herbrand Larsen on keyboards, organ & vocals, Cato Bekkevold on drums and Ice Dale on guitars. Enslaved has given the Metal world seven brilliant new songs with “Vertebrae”, thus inspiring me to delve and journey even further into the vast genres and sub-genres of Metal music.

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CKY “Carver City” is diverse, macabre Metal at it’s finest

Posted in Album Review, cool album covers, current heavy metal albums, current heavy metal music, current progressive metal albums, hard rock album review, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, metal music today, Metal Reviews, Music, progressive metal, progressive metal albums, progressive metal music with tags , , , , , , , , , , , , , , , , , , , , on May 21, 2009 by Metal Odyssey

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I am hopelessly addicted to Metal music. CKY is just another reason why my Metal addiction will never cease. I grabbed, uh, bought my copy of “Carver City” – smack dab on the actual release date of May 19, 2009. You betcha. I was innocently wandering the CD aisles of Wal-Mart, minding my own business, then CKY “Carver City” came into view. I could not resist, nor did I want to try hunting down this new CKY for a cheaper price. For it was there, so shall I buy. I am a steadfast and loyal enthusiast of all Metal, that is why I am very intrigued by CKY and “Carver City”. CKY brings to the Heavy Music table a whole bunch of Metal genres woven into one. These guys are giving Metal fans something different, a change of pace, a stray from the Metal norm, in my Metal opinion.

“The Era Of An End” is heavily saturated with what I will call spooky synthesizer sounds. This is the closing track on this album, a fitting end to an overall macabre Metal work of genius. “Old Carver’s Bones” is heavy, again with sci-fi atmospherics meets creepy synthesizer music and sound effects. The vocals on this tune are enough to not make me want to walk alone at night on a deserted road. Good stuff. “A#1 Roller Rager” is more commercially acceptable, melodic and harmonious. I find this tune to be quite catchy, again different from what is currently flooding the Metal market today. The vocals on “A#1 Roller Rager” sound familiar to the style of 1980’s Arena Rock, yet I am not complaining. (I said earlier CKY is different). “Hellions On Parade”, the opening track that every Metal fan should have heard by now, (due to it being on the internet everywhere prior to the release), works it’s melodic, Metal thumping magic for me. The synthetic textures of music found here on “Carver City” are such an integral style of CKY, that without them, this Metal would not sound so good. “Carver City” is loaded with plenty of cool riffs, impressive backing vocals and heavy ambiance. Everything CKY did here musically seems to seamlessly blend together, forming an imaginative and macabre sound scape of Metal, that I cannot get enough of. The stylistic and progressive theme that CKY ventures into on “Carver City” makes me appreciate this total package here. As a side note, the artwork on the front/back cover and inside the liner notes are perfect, this art fits right into the “Carver City” theme and musical environment. This is a cool, new, Metal album to own for the Summer of 2009 and beyond.

Now I want to call out the names of these guys – they get a gigantic Metal thank you from me for creating “Carver City”: Deron Miller on lead vocals, guitar, bass, moogs, orchestration * Chad I Ginsburg (CIG) on lead guitar, bass, moogs, orchestration and backing vocals * Jess Margera on drums * Matt Deis on bass. RoadRunner Records has yet another amazing Metal band on their roster, this label knows great music when they hear it.

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Mastodon “Crack The Skye” is a cool Metal journey to take

Posted in Album Review, current heavy metal music, Hard Rock, hard rock album review, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, progressive metal, progressive metal albums, progressive metal music, progressive rock, rock music with tags , , , , , , , , , , , , , , , , , , on May 6, 2009 by Metal Odyssey

9231716I have been reading “professionally paid” music critic reviews about the newest release from Mastodon – “Crack The Skye” – the majority of them  are not even worth discussing or repeating. I dig the new Mastodon album, simply put it rocks. For Metal sakes, anyone who knows Metal, should know and/or understand that Mastodon is and always has been a Progressive Metal band. With the Progressive Metal bands, you never know exactly what you are going to get with the next album. (To solidify my point, just look at Rush, Dream Theater and Queensryche, these bands have always experimented musically). So what, big deal, so the new Mastodon album is not as heavy as their last release “Blood Mountain” – give me a Metal break.

bm-bandThe Metal musical “escape” I feel and hear while listening to “Crack The Skye” is cool for me. The vocals are still heavy, the guitar leads are still heavy, and the rhythm section is the farthest thing musically from 1970’s Hard Rock as you can possibly get. This album was not created in 1977, this Metal is happening now. Sure, there are plenty of synthetic sounds applied to “Crack The Skye,” that is what makes this album progressive. The synthetic interludes and backdrops along with the lyrics are why I call “Crack The Skye” a Metal journey. Mastodon did not provide here, a “rip and tear – let it all loose, heavy frenzy” – if I or any other true Metal fan wants that, heck, I will listen to a Metal band that is supposed to play that way. Suffice to say, in my Metal opinion, Mastodon has created a Progressive Metal gem. Paid and uninformed music critics can call this new album from Mastodon anything they want. The sole reason why I live for Metal music in the first place, is due to it’s diversity with all of the Metal genres. At the end of the day, when you break it all down, musically, Metal will always be… Metal

icons_3I really give praise to the vocals, musicianship, song writing and lyrics on “Crack The Skye” – do I find any flaws? Nope. I could never write or play Metal music this darn good. I recommend to all Mastodon and Metal fans across the globe to chase this album down, play it, enjoy it. Rock out to it. Jump onto “Crack The Skye” and experience the Progressive Metal journey that Mastodon created. Now, just because I want to, here is a roll call of the fine Metal musicians that are Mastodon: Brann Dailor (drums, vocals & percussion), Brent Hinds (lead guitar, vocals & banjo), Bill Kelliher (guitar) and Troy Sanders (bass, vocals & bass synth).