EASTERN FRONT – Caution: Eastern Front will tear your eardrums inside out and use them for slingshots, while your eyeballs widen and thine jaw drops in utter amazement from their Extreme Speed, Heaviness and fiery Blackened intensity. That is just the beginning… and I was well convinced after listening to the opening track – Stalinorgel, that Eastern Front has taken an enormously serious approach to their Extreme Music. One must listen to all eight songs that Eastern Front has created here, then absorb them all into thine senses and realize this band is not of the cookie cutter variety. Metal be thy name, has Eastern Front made quite the Black Metal statement with Blood On Snow.
The title track, Blood On Snow, clocks in at 8:31 and it is over eight minutes of 100% Black Metal majesty. From the mind invading and senses pummeling blast beats to the vicious guitar leads… and everything else in between, this title track is a Blackened Metal ride of ferocious euphoria. Can this Eastern Front album get any better? It sure can. The very next song, Unleash The Panzer Division, is an introduction to just how melodic guitar leads can coexist with dark, Black Metal ferocity of sound. These two songs, back-to-back are like a double dose of Eastern Front whoop ass… straight to my skin rippling forehead.
At The Gates Of Moscow is a mini Black epic in it’s own right, with seven minutes of unrelenting and Extreme song writing precision. Nagant’s warrior strong vocals are overwhelming with excessive power on At The Gates Of Moscow. Where Warriors Once Fell, this album’s closer, is the answer to what Iron Maiden would sound like if they were to try their Metal hand at Black Metal. Then again, this is Eastern Front, a Black Metal band that has put forth their very own style with more than subtle confidence. This is a Black Metal band that is overflowing with convincing Metal skill sets. If Eastern Front intended to save their Blackest best for last, they surely have succeeded with Where Warriors Once Fell.
If there is to be one consistent adjective to describe Blood On Snow, it has to be… powerful. From Nagant’s vocals to Holocaust’s unreal guitar leads and every nuance in between, the muscularity of Metal explodes with this bands Blackened style and character. Krieg on rhythm guitar, Destroyer on bass and Destruction on drums all enrich this album to it’s dark and Extreme fullest. Eastern Front sounds razor sharp and very tight on this album, they sound ready to take on the world, with a skull splitting deliverance of their Black Metal power surge.
Listening to this album is like getting hit by that continuous storm wind, that malicious wind that comes out of the northern sky with an unnatural vengeance… and all you can do is respect it’s overall strength. Blood On Snow is swirling with melodic speed throughout each song, with tempo changes, string arrangements and sound effects that are not incorporated for listening convenience or sell out, rather they exist due to the real emotions that Eastern Front has built into this beyond entertaining Black album.
* Blood On Snow was produced by Anders Backelin at Andy LaRocque’s Sonic Train Studios in Sweden. The quality that Andy’s Sonic Train Studio brings to the cascading Black Metal sound on this album is blatantly obvious and arguably, one day in the future… legendary. From the onset to the last note of Blood On Snow, I can hear the painstaking attention to detail, amongst the layers of sound, that great producers like Anders Backelin and Andy are conscientious about. Andy LaRocque is an original member alongside the ultra legendary King Diamond. Andy plays guitar, keyboards and is a songwriter for King Diamond. Andy was also a guitarist for DEATH, appearing on their 1993 studio album – Individual Thought Patterns.
* EASTERN FRONT lists Ipswich, United Kingdom, as their land of origin, on their myspace music page. (See myspace link below).
* EASTERN FRONT – Blood On Snow was released in Europe, on Candlelight Records, on September 13, 2010. Blood On Snow was released in the U.S. on Candlelight Records, on September 21, 2010.
* For more info on EASTERN FRONT, just click on the link below:
Nagant – vocals
Holocaust – lead guitar
Krieg – rhythm guitar
Destroyer – bass
Destruction – drums
Blood On Snow – (Back Cover of CD above)
Track Listing For Blood On Snow:
Stalinorgel
Battle Of Smolensk
Blood On Snow
Unleash The Panzer Division
Motherland
Dvenadtzat Kilometrov Ot Moskvy
At The Gates Of Moscow
Where Warriors Once Fell
EASTERN FRONT HAS ARRIVED… BEST TO LET THEM IN.
Stone.
The Wretched End, above, from left to right: Nils Fjellström (drums), Cosmo (guitar, bass, vocals) and Samoth (guitar).
SAMOTH – When Metal legends come to mind, they are usually of the household variety. The mainstream variety. There are those Metal legends that don’t come pre-packaged and red carpet ready… they are of the underground variety. SAMOTH is a Metal legend of the underground Metal community. As a Black Metal influence, Samoth carved out his very own piece of Rock Music history, with his pioneering Extreme Black Metal band he founded with Ihsahn and Mortis back in 1991 which the world will forever know as – Emperor.
Being a founding member of an internationally acclaimed Extreme Black Metal Band the likes of Emperor, all those years ago as a teenager, was a building block towards Metal immortality. Samoth later co-founded the Blackened Death Metal band – Zyklon, which after thirteen years of Metal existence they disbanded in 2010. His musical affiliation and membership with many other Black and Extreme Metal bands are many, including SCUM and Satyricon.
Samoth reflects on his days with Emperor, touches on balancing a career and family, speaks about his influences, horror movies, his very own Nocturnal Art Productions and of course his newest Metal project, The Wretched End and their new Death/Thrash studio album of Extreme Metal intensity – “Ominous”. While I spoke to Samoth, I realized very quickly there are many sides to this legend of Metal. Samoth is all about Metal, through a do it yourself attitude, coupled with a business savvy awareness that has made him a success for twenty years and counting. Samoth is a multi-instrumentalist, a songwriter and a self-made record label owner, who speaks more fluent than most college professors that stood before me lecturing.
Every answer from this enormous figure of Metal History made legitimate sense to me… there was never a dry tone nor a sense of arrogance or self righteousness about Samoth. A man such as Samoth, has been to the top of the mountain (and actually lives on a mountain too) and considers The Wretched End a new beginning for him. I walked away from my interview with Samoth with reaffirming Metal respect. Here is what Samoth had to say:
Stone: What’s the story behind The Wretched End coming together?
SAMOTH: After the decision to split up Zyklon, I decided on forming a new band with Cosmo. We both worked together with Scum (Deathpunk Band). Cosmo also did live bass for Zyklon on tour as well. We live close by to each other, so we talked about doing this project together. In 2008 and 2009 we wrote all the material for the “Ominous” album and recorded in the Summer of 2009. Nils Fjellström (drums) joined on with us in the Summer of 2009.
Stone: Ominous has become for me, one of the high points in Metal for 2010. Are you pleased with all of the initial positive response?
SAMOTH: Yeah we are! I’ve just been doing a lot of press as of late for it. The people and fans really seem to like it. I’m pretty pleased with the album. We knew we made a great album.
Stone: How did the lyrics to Human Corporation evolve?
SAMOTH: The lyrics are about how everything is very monetary in our society, especially in the Western World. It’s about how free we are, yet in reality we are influenced in our everyday life… we’re told how to act, what to eat, what to look like, what to buy and what to wear. It’s all the horror of human corporation. Human Corporation is about how man is being removed from nature.
Stone: Will The Wretched End be touring North America in the near future? Any tour plans?
SAMOTH: Unfortunately, no. The Wretched End is a studio project. Still, we’ll see what happens for the future. I want to go ahead with another album. I’m already in pre-production for the next album. I’m happy with the working relationship of this band. I’m more active with the song writing process now. There are those long periods on the road, where I miss making music. I’d do writing on the road and try to motivate myself on the road, still, it started to feel too long, these periods between making music. I started to think about making a new band and The Wretched End came together. The Wretched End is a new beginning for me, even though the band name says otherwise.
Stone: You mention urban decay and factories as influences on your myspace. Can you elaborate further?
SAMOTH: It’s more like a nature influence. I live up on a mountain, in a beautiful setting. Urban decay is atmosphere of the world crumbling, being ruined by man’s hand. It’s all the self destruction of mankind.
Stone: Is the combination of Death, Thrash and Black Metal the ultimate Metal sound for you to capture?
SAMOTH: I guess it is. For the past twenty years it’s what I’ve been doing. Death, Thrash and Black Metal, compared to Zyklon, these are obvious similarities with the music. This is the music I’m most comfortable with. This is the music I’m influenced with and the foundation of my being a musician. It’s more interesting to me. I do draw more influences into my music, I like to become experimental at times. If it fits, I use it.
Stone: I see you list Tangerine Dream under your music influences, right in the midst of Slayer and Iron Maiden!
SAMOTH: Yeah, I listen to them. I do like ambient and electronic music. I find it to be inspiring. I prefer to listen to this music on a personally inspiring level.
Stone: Did you ever have a mentor?
SAMOTH: Not completely, no. I’ve always like to walk my own way and push myself to succeed. An artist inspiring me as I was growing up, that all took place.
Stone: Who inspired you?
SAMOTH: The classics are what inspired me. I liked KISS, W.A.S.P. and Judas Priest. My mom hated Blackie Lawless and that made me love him all the more!
Stone: Did you ever share the stage with W.A.S.P.?
SAMOTH: We played with W.A.S.P. in Finland, back in 2007. W.A.S.P. was larger than life when I was young, only when I got older, it’s not like that anymore. I like keeping my art dark, with death. It doesn’t mean my everyday life isn’t as dark.
Metal Odyssey Note: Emperor and W.A.S.P. shared the stage at the Tuska Open Air Metal Festival in Finland, on June 30, 2007. This Metal festival took place in Kaisaniemi Park, in the middle of Helsinki, Finland. Tuska Open Air Metal Festival has been an annual event, since 1998.
Stone: How was your Nocturnal Art Productions conceived?
SAMOTH: I started Nocturnal Art Productions back in ’93. I decided to start an underground record label, with no experience. A seven inch (vinyl) Emperor was the initial start. There was a lot of limited edition stuff. As I became more serious about it, I put more money into it, began to sign bands and created distribution. I did mail order for a period of time, still I needed a proper network. It takes up a lot of time and it took balance with being in a band. My main priority then was always the bands and Emperor. Through my relationship with Candlelight Records, Nocturnal became an imprint label with them, run by me through their network. This equals freedom for me. I always like to keep the Nocturnal name going, it makes a lot of sense for me as an artist.
Stone: It sounds so easy, the way you tell the story, only it must have been a great deal of work.
SAMOTH: I started from scratch, with a do it yourself attitude. I’ve always had a business sense and liked both sides of the music spectrum. This has helped me as an artist, to create contacts.
Stone: Who is the one musician Samoth wants to create music with still?
SAMOTH: That’s a tough one. You know who intrigues me is Devin Townsend. He has done some interesting stuff. He is a guy I would use for a producer. That’s the one for me to choose, Devin Townsend.
Metal Odyssey Note: Devin Townsend is both a musician and record producer, widely respected amongst Extreme Metal and Metal fans, musicians and the industry. Devin is the founder, vocalist and guitarist for Strapping Young Lad, which disbanded in 2007. Devin is carrying on his incredible career as a successful solo artist and producer.
Stone: What is your favorite Horror movie?
SAMOTH : I hardly watch them anymore, I hardly have anytime to watch them. When I used to watch Horror movies, it was the Omen trilogy. These movies inspired me. The soundtrack, the music itself is what really inspired me. I did enjoy Hellraiser, it was very dark. The first Evil Dead is a classic. On Blu-ray, these movies are not the same though. Watching the first Evil Dead on a beat up VHS, with the screen flickering, you can’t beat that.
Stone: You’re old school Samoth!
SAMOTH: I’m caught up in the digital chaos at my office though! Atmosphere is key to Horror movies. If there is no atmosphere, there is nothing. Today’s Horror movies are all caught up in special effects, there’s no atmosphere.
Stone: You have been a key member and a huge part of many bands over your career. Which band would you say was your proudest experience?
SAMOTH: Most definitely Emperor. We formed Emperor as teens. We had such an energy and were dedicated to the lifestyle of Black Metal. We all put everything into that band and built it into an international Extreme Metal influence. Emperor emotionally is my proudest experience right into my older life, it has led me to the musician I am today. It’s been twenty years already, since Emperor formed, holy crap! Before you know it, your an old geezer! I’m only thirty six years old and I’m talking like I’m ancient.
Stone: Well, the life of a Rock musician will probably have that affect on you, it must be grueling, with the lifestyle of touring and meeting your own recording deadlines.
SAMOTH: It’s because I started in my mid teens and had success in an early part of my life. Emperor did a fair share of touring and Zyklon toured much more. I like my home life, I’m a man at home. I strive for balance, between being a musician and my family.
Stone: If Metal took over the world, would you want to be it’s leader?
SAMOTH: If Metal took over the world, I like that. Sounds really stressful! It would be way too much stress. I have way too much stress on my plate already!
The Wretched End – Ominous, was released on October 25, 2010, on Candlelight Records.
* For more info on The Wretched End and SAMOTH, click below:
The Wretched End – myspace music
SAMOTH – Official Myspace Music
LONG LIVE SAMOTH AND HIS METAL.
Thank you, Samoth.
Stone.
METAL MASSACRE – Released on June 13, 2006, Metal Blade Records continued their excellent Metal tradition of delivering a heavy dose of their best signed bands that their label has to offer, with another ear blistering installment to their historic Metal Massacre series – Metal Massacre XII. There are 19 songs on Metal Massacre XIII and that = Metal value. From Bolt Thrower to The Absence, this compilation of Extreme Metal bands never subsides with unmistakable intensity.
Here is a brief and summarized history of the Metal Massacre album series: In 1982, Brian Slagel, the founder and owner of Metal Blade Records, put together and released a compilation of unsigned and underground Metal bands… that first compilation album being aptly titled – Metal Massacre. Onward through the ’80’s and ’90’s, another eleven Metal Massacre compilation albums were released through Metal Blade Records. Back in 1995, Metal Massacre XII was released on Metal Blade Records and was tentatively the last in this incredible series of Metal compilation albums… until eleven years later, in 2006, when Metal Massacre XIII was released!
Admittedly, over the decades and throughout this entire series of Metal Massacre albums, I have been exposed to Metal bands that I was not too familiar with. This still held true with Metal Massacre XIII, with The Absence, The Ocean, Cellador, The Black Dahlia Murder, Gaza and Demiricous being bands that I have pursued with my ears, due to their being featured here. Metal exposure is a good thing… Metal be thy name.
The first band heard on this compilation is Cellador, with Leaving All Behind. Cellador is a Power Metal band from Nebraska… and they are as potently heavy as they are melodic. Leaving All Behind is built around guitar speed that is reminiscent of ’80’s Speed Metal. I’m hoping Cellador carry’s on their Power Metal ways… just an above decent band they are. The Black Dahlia Murder brings on the Extreme with Miasma and it is as punishing as any song they have ever made. Brutal stuff is Miasma… I dig it tremendously.
Six Feet Under is unleashed with Shadow Of The Reaper and it is a Death Metal delight. It’s all about the grooves man… the Death Metal grooves of Six Feet Under! Chris Barnes on vocals ferociously delivers, per usual. The Absence has become a big favorite of mine and From Your Grave is Melodic Death Metal at it’s very finest. A real fine listen on this Metal Massacre album is God Dethroned smashing it down with Sigma Enigma. This song I found to be instantly memorable for it’s hell bent consistency.
Amon Amarth and their song The Pursuit Of Vikings is my favorite song on MMIII. Melodic as all hell, Amon Amarth is a giant of a band. Melodic Death Metal can put me into one super great mood and Amon Amarth never disappoints me. The riffs kick some serious ass on this song, while everything just seems to come together perfectly. Amon Amarth can play my backyard barbecue next Summer… if they liked to. And The Hero Fails definitely provides one meaty dose of Metal Extremity with His Imperial Victory, the same can be said for Gaza with Cult… holy crap I’m telling you all, these two bands are Heeeaaavvvy and Exxxttrreeeeme. ‘Nuff said about that.
You can find Metal Massacre XIII just about anywhere CD’s are sold (online that is). I was able to get my “new” copy a few years back pretty cheap… (around $5 U.S.). Since the inception of Metal Blade Records Metal Massacre I, this is a Metal series well worth diving into with thine ears. Metal Massacre XIII is again, a tremendous value for the money. Plus, you are getting introduced to a bevy of very cool and dynamite Metal bands that your maybe unfamiliar with. I highly recommend, with Metal might, this Metal Massacre XIII to any fan of Metal worldwide… and to all alien Metalheads in outer space too.
* The ultra legendary Metallica were featured on 1982’s Metal Massacre… with their Thrash Classic – Hit The Lights.
Cellador – Leaving All Behind
The Black Dahlia Murder – Miasma
Six Feet Under – Shadow Of The Reaper
Torture Killer – Swarm!
Demiricous – Vagrant Idol
3 – Alien Angel
Bolt Thrower – The Killchain
Into The Moat – Dead Before I Stray
The Red Chord – Fixation On Plastics
Fragments Of Unbecoming – Sterling Black Icon
Paths Of Possession – Bleed The Meek
The Absence – From Your Grave
God Dethroned – Sigma Enigma
Amon Amarth – The Pursuit Of Vikings
Machinemade God – Kiss Me Now Kill Me Later
The Ocean – One With The Ocean
And The Hero Falls – His Imperial Victory
Gaza – Cult
End It All – Echo Of Cries
Stone.
DENIAL FIEND – They Rise, released back on October 16, 2007, on Ibex Moon Records, is as perfect a recommendation for your Horror Metal listening pleasure this Halloween season as any. The Death Metal growls, groans, gurgles and screaming are intertwined so fantastically with the sounds of spurting blood and vomiting, on this exceptionally horrific album. Listening to They Rise actually spooks me out more than watching any Exorcist sequel. (The original Exorcist movie was and always will be scary-bad-ass for me).
Denial Fiend, (calling Valrico, Florida their home base), takes the Horror Metal/Death Metal combination to the maximum and they don’t allow a millisecond for you to catch your breath or check your pulse. Maybe you can try to do this between songs, only I don’t recommend it, just kick back and enjoy the bludgeoning drumming, chugging and riffing while the Death Metal grooves pummel you senseless. This veteran “supergroup” of Extreme Horror and Death Metal, should hopefully realize they have made an album that is sure to be a cult favorite for dark ages to come. Metal be thy name, They Rise kicks some serious Horror Metal ass.
Which song on They Rise is my Metal favorite you query? It’s a no brainer… Return To The Tombs Of The Cursed Blind Dead, of course. Just the song title alone is a winner in my Metal book. I actually find myself singing along to this Extreme and groove saturated, Horror Metal gem. The chorus that belts out this song title leaves me in Metal awe, in that it just sounds so damn good to thine ears. Flesheater is no slouch song either. Heavy, fast and brutally Heavy again is Flesheater, what more can I say?
There is a hint of Horror Punk within the framework of Denial Fiend’s Death Metal assault. Gang vocal chanting with a nod to vintage Misfits is common amongst this album, with Flesheater, The Day Of The Undead and They Rise as examples. Blazing guitar leads are abundant, with Cover Me In Blood having plenty of them. The guitar solo that is heard in Cover Me In Blood is the stuff of Old School Death Metal-take it or leave it carnage. Ripped Inside Out is just freaking scary. Metal be thy name. “I Ripped You Inside Out”! Whoa. Plus, as an Extreme bonus, the sounds of gore does rear it’s heinous head within this song too. Whoa again.
The same appalling and nightmarish subject matter that box office Slasher films boast are on They Rise… the only difference being the lack of any macabre and grotesque “visual” effects. Who cares about visual effects anyways, when you can listen to Denial Fiend. In all Metal honesty, I’d rather listen to They Rise than watch a bunch of actors in a Slasher film… (I do get squeamish at gross visual effects sometimes). Listening to Horror Metal and Death Metal is an acquired taste I have developed over many years, I just don’t understand why I still have to watch a Friday The 13th sequel with one eye closed… go figure.
Frankenstein Conquers The World is a whirlwind of Horror Metal… fun. (Gasp), did I just use the word “fun” in reviewing They Rise? I sure did and the lyrics to Frankenstein Conquers The World are to blame. It’s a great song that’s built on a full-scale blitz of Death Metal grooves, resulting in an instantly memorable listen for me. Let The Blood Flow starts off with a chain saw revving up… then the nightmare from hell begins and that’s a Horror/Death Metal compliment. Whoa, this song is F’n heavy, I really don’t know any other way to describe it. I can’t get all academic on reviewing Denial Fiend’s They Rise album… I don’t think this band would want it that way either.
The Day Of The Undead puts the bloody lid on They Rise, with plenty of saluting to the living dead happening. Good stuff. “It’s the day of the undead, it’s the end of everything”… good stuff again. As this song comes to a close, an eerie warning of “the dead coming back to life” and the precautionary measures that should be taken is heard, from a news broadcasters concerned voice… a creepy vibe spills all over the place as I listen to it. An undisputed creepy vibe at that. This song could and should be included on a major motion picture soundtrack for a Living Dead sequel. There, I’ve made my Horror Metal appeal to Hollywood.
In the end, Denial Fiend does accomplish two things: 1. their songs lyrics do send shivers up and down my Metal spine and 2. they play some very damn good Horror/Death Metal with unrelenting and Extreme Heaviness. Extreme, Horror and Death Metal fans should be able to wrap their ears around Denial Fiend and their 2007 album They Rise without a wince. Old School Hardcore and Thrash Metal fans are invited to check out Denial Fiend’s They Rise as well… there’s plenty of speed and heaviness to go around. Happy Halloween… all you ghoulish Metalheads!
DENIAL FIEND as they appeared on They Rise:
Kam Lee – vocals
Terry Butler – bass
Sam Williams – guitar
Curtis Beeson – drums
* For more info on Denial Fiend, just click the link below:
Track Listing For They Rise:
They Rise
Return To The Tombs Of The Cursed Blind Dead
Flesheater
Cover Me In Blood
Ripped Inside Out
L.O.D.
Son Of The Creature From The Black Lagoon
Frankenstein Conquers The World
Let The Blood Flow
Children Shouldn’t Play With Deadthings
The Day Of The Undead
Long Live Denial Fiend and Horror Metal.
Stone.
THE BLACK DAHLIA MURDER – Deflorate, the fourth studio album from The Black Dahlia Murder, was released on September 15, 2009, on Metal Blade Records. Deflorate reached #43 on the Billboard Top 200 Chart and went to #5 on the Billboard Top Independent Albums Chart. With subsequent worldwide touring since, The Black Dahlia Murder are now setting their Extreme Metal sights on a North American tour… The Deflorate Tour. This blazingly Metal fierce band will be headlining, with opening bands – Goatwhore and ARKAIK.
The Black Dahlia Murder:
Trevor Strnad – vocals
Brian Eschbach – guitar
Ryan Knight – guitar
Ryan “Bart” Williams – bass
Shannon Lucas – drums
Check out the tour dates below… The Deflorate Tour just might be in your backyard.
* For more info on The Black Dahlia Murder, just click the link below:
The Black Dahlia Murder – myspace page
* For more info on Goatwhore, just click on the link below:
Goatwhore are touring in support of their 2009 studio album release – Carving Out The Eyes Of God, released on Metal Blade Records, on June 23, 2009.
* For more info on ARKAIK, just click on the link below:
ARKAIK are touring in support of their new studio album – Reflections Within Dissonance, which was released on Unique Leader, on January 26, 2010.
THE BLACK DAHLIA MURDER – THE DEFLORATE TOUR WITH GOATWHORE AND ARKAIK/U.S. AND CANADIAN DATES:
09/28 – Columbus, OH @ Skully’s
09/29 – Buffalo, NY @ Mohawk Place
09/30 – Brooklyn, NY @ Europa
10/01 – Hartford, CT @ Webster Underground
10/02 – Bucksport, ME @ The Kave
10/03 – Quebec, QC @ Imperial de Quebec
10/04 – Montreal, QC @ Petit Cafe
10/05 – Ottawa, ON @ Ritual
10/06 – Toronto, ON @ The Wreck Room
10/07 – Lemoyne, PA @ Championship
10/08 – Richmond, VA @ Canal Club
10/09 – Wilmington, NC @ The Soapbox Laundrolounge
10/10 – Charlotte, NC @ The Casbah
10/12 – East St. Louis, MO @ Pop’s
10/13 – Des Moines, IA @ The Vaudeville Mews
10/14 – DeKalb, IL @ House Cafe
10/15 – Grand Rapids, MI @ Mixtape Cafe
10/16 – Toledo, OH @ Headliners
(Source: Metal Blade News Update Newsletter, August 27, 2010)
EXTREME METAL RULES.
Stone.
WHITECHAPEL – Now that Whitechapel are finished with being a potent part of the Vans Warped Tour Twenty Ten, they are set to headline their very own tour… The Corruptour. Whitechapel will be supported by Impending Doom, Miss May I, Oceano and I Declare War, beginning on October 1st, 2010, in Macon, Georgia and culminating on October 23rd, 2010, in Nashville, Tennessee.
Out supporting their third studio album – A New Era Of Corruption, released June 8th, 2010 on Metal Blade Records, Whitechapel is an all-out Extreme Metal Force of Deathcore Fury… and The Corruptour shall showcase this Metal fact.
* For more info on WHITECHAPEL, just click on the link below:
Whitechapel Are:
Phil Bozeman – vocals
Ben Savage – lead guitar
Alex Wade – guitar
Zach Householder – guitar
Gabe Crisp – bass
Kevin Lane – drums
Whitechapel – The Corruptour
With:Impending Doom, Miss May I, Oceano, I Declare War:
10/01 – Macon, GA @ The 567
10/02 – Ft. Lauderdale, FL @ Culture Room
10/03 – St. Petersburg, FL @ State Theatre
10/04 – Jacksonville, FL @ Rain (Plush Complex)
10/05 – Spartanburg, SC @ Ground Zero
10/06 – Charlotte, NC @ Tremont Music Hall
10/07 – Raleigh, NC @ Volume 11 Tavern
10/08 – Norfolk, VA @ Norva
10/09 – Jermyn, PA @ Eleanor Rigby’s
10/10 – Hartford, CT @ Webster Theatre
10/12 – Boston, MA @ Harper’s Ferry
10/13 – Poughkeepsie, NY @ The Chance Theatre
10/14 – Syracuse, NY @ Lost Horizon
10/15 – Toledo, OH @ Headliner’s
10/16 – Grand Rapids, MI @ Intersection
10/17 – Elgin, IL @ Mad Maggies
10/19 – Milwaukee, WI @ The Rave
10/20 – Sauget, IL @ Pop’s
10/21 – Louisville, KY @ Headliners Music Hall
10/22 – Birmingham, AL @ Zydeco
10/23 – Nashville, TN @ Rocketown
MONSTER MOSH II
With: The Devil Wears Prada, Enter Shikari, Black Veil Brides:
10/31 – Frisco, TX @ Dr. Pepper Arena
(Source: Metal Blade News Update, August 20th, 2010)
KICK SOME EXTREME DEATH METAL & DEATHCORE ASS WHITECHAPEL!
Stone.
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BORIS RANDALL STONE: Recently, Boris Randall contacted Metal Odyssey and it is appreciated. Boris is a veteran of Punk and Extreme Metal Music, being a pioneer, in his own right, in the Horror Metal genre. A song writer, vocalist and lead/rhythm guitarist who really adheres to Rock ‘N’ Roll’s true roots, (Boris lists Elvis Presley, Screamin’ Jay Hawkins and Ramones as influences), he is a musician that is self-made and moving forward. Albeit underground or on Coffin Records, the music of Boris Randall has made some noise in the Heavy Music world over the last twenty + years. Boris has given Metal Odyssey, to share with fans, his career breakdown of bands he has founded and what he is up to at the moment. Here is what Boris Randall had to say and share: BORIS: First off, I’d like to thank you for supporting Hallowmas and my music. Let me give you some history on myself and how Hallowmas came to be and where it stands now. In 1989 I formed my first hardcore/punk band called THE SPLATTEPUNKS. We released several albums locally and underground. Complete do-it-yourself. We were relatively popular for what we were doing, and the fact that we were the ONLY punk/hardcore band with a horror image and horror lyrics within an 80 mile radius! (remember, in 1989 there was NO “horror punk” genre either) THE SPLATTERPUNKS kicked unholy ass until 1999 when I felt like it was time to move on. Our final release was an anthology that spanned our 10 years. Two cds, 76 songs, and a 28 page booklet that included lyrics and artwork. HALLOWMAS – THE ROAD TO HALLOW’S EVE album cover: In 2001 I formed HALLOWMAS. The idea was to take up where I left off with THE SPLATTERPUNKS, but to bring even more elements into it. And I did. I even brought a few of The Splatterpunks’ songs into Hallowmas. Hallowmas was a VERY busy band between releases, shows, interviews, videos, etc. The first Hallowmas release (on a real label) was in 2004 on Coffin Records. The album was called “October Burning.” It sold very well and continues to. It also received great reviews. The follow up was the ep you have called “The Road To Hallows Eve.” We went into the studio in 2006 and recorded our next full-length release, but the band broke up. That album, which I called “Autumn’s Soft Decay,” was never released even though it was finished and is in my possession. It also got leaked on the internet, so search the title and see if you can find it. The complete album is 18 tracks. HALLOWMAS – OCTOBER BURNING album cover: HALLOWMAS – classic promo group photo: In 2006 I also released a solo disc called “Season Of Death: The Last Halloween.” I limited it to 50 copies, which lasted about 4 weeks. I filled the time from 2007 to now by working with various bands, writing background music for the Rue Morgue Radio show, did the music for a Rue Morgue Radio video promo, and wrote the score for the Bill Hanzman’s Night Of The Living Dead stage play. Currently, I’m playing lead guitar in the extreme metal band NECROPHAGIA. If you’re well versed in metal I’m sure you know who they are. We’re in the studio right now working on our new album. I’ve also got my own band that will have a debut release very soon, but I’m keeping the whole thing under wraps for right now. That’s pretty much the light detail version of my history. Here’s a more detailed “time line” from my bands and their releases: THE SPLATTERPUNKS: HALLOWMAS: THE AUTUMN DEAD: BORIS RANDALL (solo): I’ve also made guest appearances on: I think that about covers it…….so far. I’ve got tons more music on the way. If you like Hallowmas I can’t wait for you to hear what I’ve got cooking. Plus, I hope you’ll enjoy my work in Necrophagia. Thanks for your interest and support, Metal Odyssey Note: Thank you Boris. It is always a thrill to get the “story straight” directly from the source. You and all of your bands are always welcomed at Metal Odyssey! Plus… I have a sinister suspicion I’m gonna like your work with Necrophagia’s new album… Deathtrip 69. NECROPHAGIA – 2010: From left to right: Boris Randall (guitar), Killjoy (vocals), Undead Torment (guitar), Shawn Slusarek (drums), Damien Matthews (bass). * For even more info on Boris Randall and Necrophagia, just click the links below: Boris Randall (solo) – myspace music page NECROPHAGIA – myspace music page * In case any visitor missed it, check out the album review I did on Hallowmas – The Road To Hallow’s Eve, back on September 25, 2009, by clicking on the link below: HALLOWMAS – “The Road To Hallow’s Eve” Is Horror Punk To Scream ForStone. |
DEATH – I’d have to say, without any hesitation, that Death – Live In L.A. (Death & Raw) is a scorcher of a live Death Metal album. If one wants to know where it all began with the Death Metal genre… one needs to get their ears glazed over with the power and force of Death’s original brand of Metal. A gigantic band in the history of Metal music is Death, with the late Chuck Schuldiner bringing to the forefront a Metal sound of extreme muscularity, embodied with his vocals, guitar and song writing. An unreal and unparalleled legacy of music… Death Metal Music, has Chuck Schuldiner left for us Metal fans to enjoy for generations to come.
Live In L.A. is rich with the heavy sound of Death, a top quality recording. This is not just some live album slapped and pieced together here… listening to Live In L.A. actually takes me there in my mind, to that actual Death concert back in 1998. I wish I really was at this concert, unfortunately I never did see Death live. The reality is in the listening to this excellent album of live Death songs, I can only marvel at how Chuck Schuldiner can pull me into the music he and Death are playing. This Live In L.A. album needs to be brought up for it’s credibility as a live album and for it’s powerful listen into Old School Death Metal.
When the topic of “most important” Metal bands comes my way, I most certainly consider Death to be in the equation. To incorporate lyrical themes of gore as well as social reality, in the way Chuck Schuldiner had accomplished, was only magnified to a profound level, by the extremely heavy sound of Death’s music. Chuck Schuldiner and Death figured most prominently in the formation of the Death Metal genre, still, putting genres aside, the legacy of Chuck Schuldiner and Death have also figured equally prominent in the history of Metal Music too… in my Metal opinion.
If I can recruit just a few readers to check out this live Death album, then I have done my Metal deed for the day. The heavy grooves are there, just waiting to be savored and heard on Live In L.A. (Death & Raw). Veteran Death fans know. New fans and younger generations should at least know, that Chuck Schuldiner and his band Death defined a genre. You won’t read that in any mainstream Pop Rock magazine.
* Live In L.A. was recorded on December 5, 1998, in of course, L.A., at Whiskey A Go-Go. This was one of 24 tour dates on The Sound Of Perseverance 1998 America Tour.
* Death – Live In L.A. (Death & Raw) was released on October 16, 2001 on Nuclear Blast Records.
* For those new to this legendary band known as DEATH, Chuck Schuldiner passed away on December 13, 2001, at age 34.
DEATH as they appeared on Live In L.A. (Death & Raw):
Chuck Schuldiner – vocals & guitar
Richard Christy – drums
Scott Clendenin – bass
Shannon Hamm – guitar
Track Listing For DEATH- LIVE IN L.A. (Death & Raw):
Intro / The Philosopher
Spirit Crusher
Trapped In A Corner
Scavenger Of Human Sorrow
Crystal Mountain
Flesh And The Power It Holds
Zero Tolerance
Zombie Ritual
Suicide Machine
Together As One
Empty Words
Symbolic
Pull The Plug
Rest In Peace, Chuck Schuldiner, your music lives on.
Stone.
I really get into Death Metal and have my core favorite, Death Metal bands. Six Feet Under is one of my core Death Metal bands of mine. When I listen to Death Metal, it’s like I’m getting back to my Metal basics… there’s no fooling around with this genre, just extreme vocals and groove infested, thunder splitting – Metal. Chris Barnes, with his ultra legendary, Death Metal growling vocals, is at his finest on Graveyard Classics III. This album marks the third installment of the Graveyard Classics series of cover song albums from Six Feet Under. Six Feet Under not only groove along at an impressively addicting pace, this album is damn F’n fun too. Yes, it is fun to hear Chris Barnes belt out his original and extreme vocals to ten amazingly historical Heavy Metal, Hard Rock, Black Metal and Punk Rock songs.
One of the many reasons to admire Six Feet Under and their Graveyard Classics series, is their allegiance and recognition to so many historical and great bands from Rock Music’s past. It’s all about roots with these cover songs… and Six Feet Under covers them with Death Metal brilliance. My two favorite cover songs on Graveyard Classics III are: Destroyer by Twisted Sister and Not Fragile by Bachman Turner Overdrive. Six Feet Under plays Destroyer like they are going to take over the world… and implement a Death Metal master plan. Not Fragile showcases the guitar mastery of Steve Swanson, he really steals the Death Metal show on this song.
As I listen to Chris Barnes sing these two songs, I cannot help but not recognize that he is a fan of these bands he covers so well. Influence is a powerful word and bands like Slayer literally explode with it for so many musicians… Six Feet Under attests to this by covering At Dawn They Sleep. Six Feet Under may never be able to capture the Thrash Metal fire and intensity that only Slayer can deliver with At Dawn They Sleep, still, hearing such a fantastic Death Metal version of this classic is a thrill for me. The Frayed Ends Of Sanity is such a monumental choice for Six Feet Under to undertake as well, Metallica being the iconic Thrash Metal Band they are only drives home the reverence Chris Barnes upholds for Metal history. Oh, yeah, Six Feet Under plays this Metallica classic quite deadly well too.
What would a 2010 Death Metal cover song album, from Six Feet Under, be without an Anvil song? Metal On Metal only solidifies the fact that Anvil is as important a band to the history of Metal as any. Chris Barnes may not ever take over the vocal helm for Anvil’s Lips, regardless, he employs his very own grunt and growl trademark to a fabulous cover version. Just when you think Graveyard Classics III has all the historic Metal firepower to cover, A Dangerous Meeting by the unreal legendary Mercyful Fate is on this album too. A tough song to sing no matter who you are… Chris Barnes takes this song on and laces it with Death Metal vocal glorification. Psychotherapy by the Ramones and Snap Your Fingers Snap Your Neck by Prong are the fun moments for me on this album… two songs that probably no one ever would consider Death Metal material years ago. On Fire by Van Halen and Pounding Metal by (the blue collar) Thrash Metal vets Exciter, round out the ten Death Metal cover songs on Graveyard Classics III.
To say that Terry Butler on bass and Greg Gall on drums are very good is a Death Metal understatement… they are both excellent… the proof is in the songs. Six Feet Under has established their Death Metal legacy years ago, they are now just compounding this legacy, with an album of deliriously deadly cover songs called Graveyard Classics III. This is one damn fine listen – in Death Groove.
* Graveyard Classics III was released on January 19, 2010, on Metal Blade Records.
* Album Cover Art By: Dusty Peterson – Unreal great stuff… now thats Metal. Death Metal.
Based on the type of funky day I’ve been having, coming across the song Under A Pitch Black Sky by SKYFIRE was all the Metal elixir I needed, to get that funk out of my day. This song is from Skyfire’s 2009 release – Esoteric. Skyfire is a Progressive Death Metal Band, originating from Sweden. I first heard Under A Pitch Black Sky from a compilation CD of Metal songs, courtesy from an issue of Metal Hammer that I picked up, sometime back in 2009. (Getting free Metal compilation CD’s from an issue of Metal Hammer… or from any source, is a very cool Metal deal). I really enjoy the Death Metal genre, throw in melodic and it suits me just the same. There is the atmospheric element of Symphonic Metal heard throughout this great song. Lead vocalist Joakim Karlsson sounds brilliant on Under A Pitch Black Sky, some may equate his vocals to having a touch of Black Metal fire as well. The blistering guitars are a focal point of this song… just one listen and you shall understand my Metal glee. At the end of the Metal day, SKYFIRE is an excellent Progressive Death Metal Band for me. I hope you enjoy Under A Pitch Black Sky as much as I do… crank this Metal up and it might get the funk out of your day too!
LONG LIVE SKYFIRE!
SKYFIRE:
Joakim Karlsson – (Vocals)
Martin Hanner – (Bass & Keyboards)
Andreas Edlund – (guitars & keyboards)
Johan Reinholdz – (Guitars)
Joakim Jonsson – (Drums)
To find out more about SKYFIRE, just click on this link that takes you to their MySpace Music page: SKYFIRE
It is METAL Music and bands like SKYFIRE, that never let me down…
SKELETONWITCH released their second full studio album with Prosthetic Records, Breathing the Fire, on October 13, 2009. I could not resist the Metal temptation and need of picking up this new CD on my visit to f.y.e. today. As I stood there staring at the hellish and downright evil artwork on the front cover of Breathing the Fire, it dawned on me… the Metal wait is over for this new Skeletonwitch. Yeah, very often enough I want my Metal pretty damned fast and extreme in every musical facet. All twelve songs on this album are extremely worthy, I can’t point out any skip overs whatsoever. Skeletonwitch does not fall short of Extreme Metal – every song on Breathing the Fire is blended with the very best of several Metal genres.
Skeletonwitch brings forth the Thrash Metal attack combined with Old School Speed Metal, adding Death Metal and Black Metal influences just for great Metal measure. With all of these incredible Metal genres explored here, Skeletonwitch is a Metal band that I cannot pigeonhole into one genre. That is fine with me, I am sure Skeletonwitch could care in the least as well… Metal is… Metal. Breathing the Fire is one incredible Metal album to look back upon for 2009, it is like the late season, supercharged and extreme power blast of Metal Music that has set my Metal world ablaze. I always say, that with Metal bands like this, it makes me feel confident knowing that the flag for Metal will be waving high for years to come. Chance Garnette on lead vocals is as mean and talented as I could hope for – his dual Death Metal growls and Black Metal screams are what this music is about. Anyone familiar with Extreme Metal should agree, that this style of Metal was not meant for crooning out the ballads. Chance Garnette gets my Metal horns with thunderous praise. In my Metal opinion, Skeletonwitch can play, it’s not the easiest task to make an album of this Metal genre sound like a standout.
The guitar leads, dual leads and solos have a melodic, Old School – Speed Metal appeal, while never taking away from the overall dark mood of any of the songs. The rhythm section holds everything together like a vice and these songs grip my Metal psyche with pure Metal domination. I once read a professionally paid Rock critic write – melodic and heavy do not coexist… uh, they do. The Metal proof is in actually listening to Skeletonwitch and Breathing the Fire… the rest is Extreme and at times, melodic Metal candy for your ears. To extract each song and dissect it here would be nonsense, the overall themes to know are that these songs are about death and submitting to evil. ‘Nuff said. Ah, Metal. I will state, Blinding Black Rage is as horrific, evil and nightmarish of a song lyrically that I have ever heard. Ah, Metal… Extreme Metal, I love this stuff. This is the new generation of Extreme Metal, take it or leave it… I’m taking it. If you are looking for the current Metal that is happening now, take my advice and give Skeletonwitch – Breathing the Fire a thorough listen… it served me right.
Skeletonwitch as they appear on Breathing the Fire:
Nate “N8 Feet Under” Garnette – guitars
Chance Garnette – lead vocals
Derrick “Mullet Chad” Nau – drums
Scott “Scunty D.” Hedrick – guitars
Evan “Loosh” Linger – bass
Track Listing For Breathing the Fire:
Submit to the Suffering
Longing for Domination
Where the Light has Failed
Released from the Catacombs
Stand Fight and Die
The Despoiler of Human Life
Crushed Beyond Dust
Blinding Black Rage
Gorge Upon My Soul
Repulsive Salvation
Strangled by Unseen Hands
… And into the Flame


Alright, I am more than thrilled at this new Obituary album, “Darkest Day”, I am enthralled with Metal jubilation. Death Metal jubilation. I am also reminded as to why I am lured into the heaviest, most Metal bludgeoning genre there is… it is Obituary. These guys are not about making nice with the trend setters… forget about it. Obituary is Old School Death Metal lathered with extreme. Understand, however, that Obituary delivers grooves by the Death Metal bushels. From it’s deadly beginning track – “List of Dead” to it’s deadly ending “Left To Die”, I am going out on a Metal limb here by stating… “Darkest Day” is one of 2009’s best Metal albums period. Being one of the true forefathers of the Death Metal genre, Obituary lays their Death Metal cards out on the table here, you either are with them or with them. This is not a Death Metal band that you just want to try out, if you buy an Obituary album, you are either a fan or your about to become one.
“Outside My Head” is like a Death Metal march to take over the Metal Universe, Donald Tardy on drums is as decidedly relentless as a yellow jacket wasp, stinging it’s prey. “Your Darkest Day” has it’s vintage nod to Doom with riffs that will either scare the hell out of you or make you beg for more… I beg for more, please. Tony Iommi of Black Sabbath should feel so proud, that a Death Metal band of the caliber like Obituary, can incorporate the early Metal years – feel and vibe to their music… without straying away from the Death Metal manuscript of today. Obviously, this is my Metal opinion, what one Metalhead hears within “Darkest Day” can severely differ from another. “See Me Now” is extremely heavy – underscored, my choice pick as favorite track. John Tardy on vocals only enhances the seething heaviness of “See Me Now”. For that matter, John Tardy just flat out enhances this entire album with his vintage and aggressive vocals, this is all about vocal confidence and not being over the top.
By the time I hear “Truth Be Told”, it feels like “Darkest Day” has only lasted five minutes… it is that unreal good. Ordinarily, with an average Death Metal up and coming band, “Truth Be Told” would be their greatest song – with Obituary, every song here can be considered as great. What can be said about Trevor Peres and Ralph Santolla on guitars? They are damn good, no, damn unreal good. Lest not forget Frank Watkins on bass, he keeps the Death Metal rhythm moving at a fiery pace, giving me every reason to suffer from whiplash. Cool. Acknowledgment of Metal greatness is priority number one whenever I discuss the Metal genres with anyone or post on Metal Odyssey. My Metal goal is to get the word out about unreal heavy bands and/or albums… the word on “Darkest Day” is this – real, extreme and forged with Death Metal integrity. “Darkest Day”… Metal ownership of this album is a must, (what am I thinking), it is required. Obituary… Death Metal legends.


Here are the 2009 United States (domestic) and International tour dates for Cannibal Corpse. I researched and found these dates on the “Metal Blade” newsletter. As any seasoned Metalhead concert goer knows, tour dates are always subject to change. This does make for a cool guide in tracking down where these guys are playing and when… possibly in your neck of the woods or continent. Man, is that Mayhem Festival a potent lineup of intense bands or what! Take a look…
CANNIBAL CORPSE
ROCKSTAR ENERGY DRINK MAYHEM FESTIVAL
Tour w/ SLAYER, Marilyn Manson, Bullet For My Valentine, Trivium, All That Remains, God Forbid, Behemoth, Job For A Cowboy, The Black Dahlia Murder, Whitechapel
07/10 Sacramento, CA Sleep Train Amphitheatre
07/11 San Francisco, CA Shoreline Amphitheatre
07/12 San Bernardino, CA Glen Helen Pavilion
07/14 Seattle, WA White River Amphitheater
07/17 Phoenix, AZ Cricket Pavilion
07/18 Albuquerque, NM Journal Pavilion
07/19 Denver, CO Fiddler’s Green Amphitheater
07/21 Kansas City, KS Sandstone Amphitheater
07/22 St. Louis, MO Verizon Wireless Amphitheater
07/24 Atlanta, GA Lakewood Amphitheater
07/25 Indianapolis, IN Verizon Wireless Music Centre
07/26 Chicago, IL First Midwest Bank Amphitheatre
07/28 Toronto, ON Molson Amphitheater
07/29 Scranton, PA Toyota Pavilion
07/31 Cleveland, OH Blossom Music Center
08/01 Pittsburgh, PA Post Gazette Pavilion
08/02 Detroit, MI DTE Energy Music Theatre
08/04 Boston, MA Tweeter Center for the Perf. Arts
08/06 Virginia Beach, VA Virginia Beach Amphitheater
08/07 Camden, NJ Susquehanna Bank Center
08/08 Hartford, CT New England Dodge Music Center
08/09 Washington, DC Nissan Pavilion
08/11 Tampa, FL Ford Amphitheatre
08/12 West Palm Beach, FL Cruzan Amphitheater
08/14 San Antonio, TX Verizon Wireless Amphitheatre
08/15 Dallas, TX Superpages.com Center

Australian Tour Dates:
CANNIBAL CORPSE
09/07 Auckland, NZ Transmission Room
09/08 Christchurch, NZ The Bedford
09/10 Perth, AU Capitol
09/11 Adelaide, AU Fowlers Live
09/12 Sydney, AU The Roundhouse
09/13 Brisbane, AU The HiFi
09/15 Melbourne, AU Billboard The Venue
Japan Tour Dates:
CANNIBAL CORPSE
06/08 Tokyo, JP Shibuya Club Quattro
06/09 Osaka, JP Shinsaibashi Club Quattro
06/11 Nagoya, JP Club Quattro

CANNIBAL CORPSE – European Tour Dates:
Tour w/ Dying Fetus, Evocation, Obscura
10/02 Oberhausen, DE Death Feast Ultimate
10/03 Lichtenfels, DE Way Of Darkness Festival
10/04 Pratteln, CH Z7
10/05 Saarbrücken, DE Garage
10/06 Vosselaar, BE Biebob
10/07 Paris, FR La Locomotive
10/09 Barcelona, ES Razzmatazz 2
10/10 Madrid, ES Heineken
10/11 Bilbao, ES Rock Star
10/12 Lyon, FR Transbordeur
10/13 Milan, IT Alcatraz
10/14 Rome, IT Alpheus
10/16 Athens, GR Gagarin 205
10/17 Thessaloniki, GR Principal Club Theatre
10/18 Belgrade, RS SKC
10/19 Bratislava, SK DK Dubravka
10/20 Cracow, PL Studio
10/21 Berlin, DE Columbia Club
10/23 München, DE Backstage
10/24 Linz, AT Posthof
10/25 Ludwigsburg, DE Rockfabrik
10/26 Dordrecht, NL Bibelot
10/27 Zwolle, NL Hedon
Tour w/ Dying Fetus, Trigger The Bloodshed, Annotations Of An Autopsy
10/28 Colchester, UK Arts Centre
10/29 London, UK Koko
10/30 Sheffield, UK Corporation
10/31 Glasgow, UK ABC
11/01 Leamington Spa, UK Assembly
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Kittie “Spit” is one huge chunk, of an extremely heavy work of Metal. I basically stumbled onto this CD courtesy of a local thrift store that I love to frequent – for Metal finds, of course. “Spit” only set me back 3 bucks, not too shabby for a Metal find. If you are into Death Metal, Hardcore and Extreme Metal, well, “Spit” should be in your Metal collection. Very heavy music here, seriously heavy. Heavy duty heavy. The lyrics are heavy. Everything about Kittie and “Spit” is Metal, of the extreme. Morgan Lander on vocals and guitar has the attitude bellowing with unashamed aggression. Morgan’s Death Metal vocals definitely get across loud and loud again. After listening to Morgan Lander sing, I would not want to be the dude that ever crosses her, in any way. Listening to all 12 songs will have you knowing that Kittie is not looking for commercial approval or a top 100 hit single. Kittie are playing the heaviest of Metal and delivering it like a cosmic meteor storm. I love Metal and respect what Kittie had created with “Spit”. This album has become one of my underground Metal favorites. This is a disc worth exploring if you are into the heaviest of Metal.
The enhanced CD version of “Spit” has a full screen video of the song “Brackish”. The Kittie lineup for “Spit” was: Morgan Lander on vocals & guitar, Mercedes Lander on drums, Talena Atfield on bass and Fallon Bowman on guitar. Kittie “Spit” was released on January 11, 2000. Going on a decade since it’s release, this Metal from Kittie measures up to todays Metal standard of heavy.

Rumpelstiltskin Grinder. It was just a matter of time before I picked up the newest release from these Thrash Metal dudes. “Living For Death, Destroying The Rest” is their brand new album, (on Relapse Records), it is fast, furious, super heavy, a tad diabolical, well, I made my point. These attributes are exactly what I look for from any Thrash Metal album, so it is safe to say that Rumpelstiltskin Grinder delivered the super Metal goods here, in my Metal opinion. I cannot say enough about the frenzied pace of the Thrash Metal with this album, while driving and listening to these guys, I have to say it is quite exhilarating.
“Graveyard Vandalization” is a tune that Cannibal Corpse should be very proud of. Lyrically, it is completely and insanely gory, disgusting and downright nasty. What else could anyone expect from a song lyrically, when it has a title like that? For me, the tune is still quite entertaining and musically encompasses all things Thrash. It is humorous to me, for when I think of the title for this album – “Living For Death, Destroying The Rest”, well, isn’t that the usual theme of 24 hour network news cable channels? If anyone out there cannot handle the lyrics and tunes from Rumpelstiltskin Grinder, I guess they probably should not be able to handle the nightly news either. It is refreshing for me to know, that a band like Rumpelstiltskin Grinder is running off with the torch of Thrash Metal – I hope they carry on for quite awhile. I recommend this album to any Metal fan who wants to be entertained with some down home, new school, Thrash Metal fury.
I still have my ability to hear, thank goodness, especially after I listened to the new release from the Death Metellars from Atlanta, Georgia, – DAATH. This is my kind of Metal cup of tea – a full blown onslaught of Death Metal, that rages through all eleven new songs like an out of control meteor, ready to strike the desolate and cold planet Mars. The new lead singer for DAATH is Sean Z., one listen to “The Concealers” and I am very convinced that he is up to the task to be a standout Death Metal front man. Sean Z. on vocals just seems to engulf the attitude and strength of the lyrics, belting out with the desire and hunger that the entire Metal world should find captivating.
Overall, this entire new album from DAATH is of course, Death Metal, yet they incorporate an underlying mood of progressiveness, with melancholy echoes and synthetic eerie sounds – creating an atmosphere that is as dark as it is melodious. On “The Unbinding Truth” and “… Of Poisoned Sorrows” both tunes end in an abrupt and distorted manner, with the music skipping – the sounds of crackling, (like an old vinyl record being played), can be heard. (Upon my first listen, I thought I had a defect in my CD). This breakaway from the norm works fine for me, it only adds to the dark tone of what is being conveyed by DAATH.
Emil Werstler and Eyal Levi on guitars are reaching out to new heights with their skills on this album – they play very heavy and very fast, yet the breakdowns and leads are tastefully done for a Death Metal album. Jeremy Creamer on bass and Kevin Talley on drums pound out the rhythm section with pure force and defiance, that catapults this album into the real-deal realm of Death Metal. My copy of “The Concealers” I purchased directly through Century Media (my favorite record company on planet Earth), it came with an extra copy of the liner notes – authentically autographed by each member of DAATH!! Obviously, I am content with “The Concealers” – this is an album I highly recommend to all Metal and Death Metal fans. DAATH, in my Metal opinion, is a Death Metal force to reckon with and when their tunes are on – I am all ears.
If there is one band that I can identify the entire Death Metal genre with, it is Cannibal Corpse. Why do I adore Death Metal? I easily embrace the straight up approach and punishing sound that comes from this music. I really do not care in the least if I cannot make out the lyrics coming from lead vocalist George Fisher. Are the vocals still important? Of course, the cookie monster vocals are the trademark identity of what Death Metal is supposed to sound like! Therefore, if I was to choose my favorite Death Metal band, it is Cannibal Corpse. (Arch Enemy comes in a very, very, close second). Cannibal Corpse and the entire Death Metal genre will probably never receive mainstream media acclaim – who cares. Any Death Metal band could never expect any gratitude from anyone except their fans. That is what makes all Metal so special.
I always grin and basically laugh, when I read articles both past and present, in regards to how the album cover artwork and lyrics offend whoever. My, how different gore and horror is perceived by some, especially when it is delivered musically from a Death Metal icon like Cannibal Corpse! In my rational and educated mind, I perceive gore and horror the same, whether it is portrayed through Death Metal or film, like a Steven King novel or movie, the same for Clive Barker, John Carpenter and Rob Zombie as well. Wes Craven was never one to water down his brand of gore and horror through film. Actually, the single worst and most gruesome way to view and/or listen to gore and horror is to watch the nightly news or 24 hour news networks – choose your evil. At least with Cannibal Corpse, you know what you are buying when their respective album/CD is in your hands, it is fair warning. The news networks, well, they never give you warning anymore when they show dead bodies, body parts or extreme accidents. (They used to, yet it is no longer cool to warn us viewers. Instead they rather have children sitting at home in front of the television be traumatized for an extended period of time. There is no way on Earth to filter out the gore and horror on the network news). Do the people who are offended by Cannibal Corpse and Death Metal in general get just as annoyed by the news networks? Are you kidding! NO. How about Hollywood Horror films? NO again! Actors, writers, film directors and news networks seem to always get the free pass. We live in a society of constant double standards – what is o.k. for Hollywood horror and slasher movies is not o.k. for Cannibal Corpse or any Death Metal band out there. Yet, once a new Cannibal Corpse album comes out, watch out! Cannibal Corpse gets the self righteous fists shaken at them again!
So, I will continue to listen to Cannibal Corpse for as long as I have ears that work. Rob Barrett and Pat O’Brien on guitars, Alex Webster on bass, Paul Mazurkiewicz on drums and George Fisher on vocals are as talented as they come with musicianship, they only deliver their musical skills one way – real Death Metal. Their unrelenting power-charge of forceful and angry Metal, always uncompromising, encompassed by abhorrent lyrics of gore, horror, shock and all extremes known, will forever entertain me to my Metal hearts delight!!
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It is an obvious Metal music marriage, the paranormal being put to lyrics in Metal songs. Any King Diamond album supports this statement, that is for certain. Horror and the paranormal rules the Metal world’s lyrics with it’s mystery, shock, and imagery. This to me, is one of the great attributes to Metal music, the paranormal and horror has given personality and life to throngs of Metal bands as: Alice Cooper, Misfits, Kiss (with makeup), Lordi, Rob Zombie, Slipknot, Danzig, W.A.S.P., Cannibal Corpse and of course, King Diamond again. The list could go on and on, regarding which Metal bands represent the horror and paranormal subjects best.
I highly recommend taking a listen to Iced Earth – “The Horror Show”, this is an album dedicated to just the legendary horror movie monsters: Dracula, The Wolfman, Frankenstein and The Phantom of the Opera are covered just fine by Matt Barlow’s vocals and the writing and musical genius of Jon Schaffer. I also highly recommend the horror concept album, that for me is now a true Metal classic – “Abigail” from King Diamond, released in 1987. In my opinion, “Abigail” was/is a triumphant representation of Black Metal, even though the music includes heavy duty Speed Metal throughout. This King Diamond lineup on “Abigail” also bestows the talented Mikkey Dee on drums, who has been a mainstay with Motorhead, since 1992.
When I listen to my favorite Metal bands playing tunes about the macabre, horror and the paranormal, I cannot help reflecting on my favorite paranormal television shows. The material that King Diamond covers, for example, mirrors what many of the paranormal shows offer. My favorite scary & spooky television shows are: “Ghost Hunters”, “Penn State Paranormal”, “Most Haunted”, “UFO Hunters” and “Monster Quest”, all delving into the mysteriously unknown, paranormal, the dark side and real life monsters. Any Metal band can get hordes of information and subject matter for their music, just by watching this scary paranormal reality television.
Now, do I believe in all of this paranormal subject matter that these shows discuss/cover? Do I believe in real life monsters like Bigfoot, Moth Man and UFO aliens? Let’s just say, I get entertained and spooked out like anyone else, I really like the unknown aspect of these topics. I am also never going to be one of those, who back when Christopher Columbus sailed the seven seas, thought our planet Earth was square. It is an absolute fact, that new species of any of our known living organisms, (plants, fish, animals, insects), are being discovered on a daily basis. There are many, many, mysteries and dark questions out there that still have to be answered, for me it is great fun delving into these scary topics through Metal music and paranormal reality television. My feeling is that, paranormal reality television and Metal music just seem to go together, both never cease to thrill and entertain me.
Metal Odyssey has taken upon itself to proclaim: Saturday, April 11, is National Heavy Metal Day! Therefore, you may take these helpful tips/advice and put them into action, (if you like) and spread and/or share the great music of Heavy Metal to those around you.
* Listen to any or all Metal genres today!
* Play any or all Metal music LOUD today!
* Wear your favorite Metal t-shirt with pride today!
* Listen to any or all Metal genres with someone you love today!
* Buy or trade some Metal music today!
* Buy that special someone or your favorite buddy a Metal music gift! (give the gift of Metal)
* Share a Metal album/CD with someone!
* Share your Metal music knowledge with someone today!
* Read a decent mainstream or underground Metal magazine today, (not a Metal mag written by babies).
* If you are lucky enough, go to a Metal concert/club gig today!
* Watch a cool Metal movie today – “Trick or Treat”, any John Carpenter film or any Metal concert film will suffice.
* Surf the net for all of your favorite Metal bands and Metal news!
* Find an outdoor flea market for Metal music stuff – here’s a tip – buy low!
* Organize your Metal album/CD collection!
* Hang up a Metal poster of your favorite band(s) with pride!
Come to think of it, it seems like every day is a National Heavy Metal Day for me! It might feel that way to some of you out there too. Regardless, it just sounds and feels so cool, a National Heavy Metal Day, doesn’t it? Remember – BE TRUE TO METAL AND METAL WILL BE TRUE TO YOU.

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| importantkittenb5744… on METAL CHURCH – Check Out… | |
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| Metal Odyssey on KINDRED – Nightmarish Fi… |
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