Archive for hard rock music

MEAT LOAF “Bat Out Of Hell” – A 1977 Rock Classic That’s An Ageless Wonder

Posted in classic rock, Hard Rock, hard rock music, Heavy Metal, metal odyssey, Music, rock 'n' roll, rock and roll, rock music with tags , , , , , , , , , , , , on November 8, 2010 by Metal Odyssey

MEAT LOAF – I don’t know why I do this. Do what you ask? Why do I think about when I first heard a particular song or album. What age was I? What year was it? How did this song or album affect me then, compared to now. Then, I begin to realize just how important, on a personal level, a respective song or album has been to me throughout my life. I’ve written about many songs and albums like this. I’m amazed as to how many songs and albums there are, that I hold so tremendously tight to my heart… and soul. Step in please, Meat Loaf… Bat Out Of Hell.

When I first heard that Classic Rock Ballad “of all ballads” – Two Out Of Three Ain’t Bad, it was definitely on the radio. As I look back on this tiny portion of my life now, owning the Bat Out Of Hell album then was not important to me. As a young lad… it was all about this song and having it on a 45 rpm, to play it anytime I wanted. Trust me, I eventually owned Bat Out Of Hell on vinyl and later CD. I just could not see my music collection complete without it. Then again, when is my music collection ever complete?

Paradise By The Dashboard Light and You Took The Words Right Out Of My Mouth (Hot Summer Night) were the next two songs I discovered from this prolific album. Yes, I felt spellbound by these Meat Loaf songs, hearing them on the radio back then made me feel like I was “getting older” and I could maybe get a chick and fall in love. These three songs had me maturing in my Rock Music listening habits, without my never knowing it at the time.

Metal truth be told, You Took The Words Right Out Of My Mouth (Hot Summer Night) still gives me ostrich bumps up and down my arms and face, to this very day. The louder I play this song, the greater the emotional impact it has on me. (Not every song in the world is like that). Jim Steinman was, is and forever shall be a songwriting genius. The combination of Jim Steinman’s soul grabbing writing and Meat Loaf’s soul stirring vocals were a match made in Rock ‘N’ Roll Heaven… for me anyways… and I’m certain I’m not alone in this Metal thought too.

I’m not going to get into “factual numbers and certification” here, however, Bat Out Of Hell is one of the greatest selling Rock albums of all-time. I can understand why. It seems as if this album never loses it’s relevance for me. The songs on Bat Out Of Hell can be lyrically accepted today as they were in those late ’70’s… there really is nothing corn-dog about these song’s themes. As for the Rock Music as a whole, what other album out there today can drop some teary-eyed ballads in the midst of such Rockin’ cool songs and still come across as not selling out with bubble gum? It’s difficult to do.

All Revved Up With No Place To Go is the oft overlooked “hit” from this Meat Loaf album. It registers definitively with all Rock ‘N’ Roll glory. Only Meat Loaf can give this song it’s roller coaster emotion that it fosters. Meat Loaf surely showcased his theatrical Rock vocals on this song… and many other of his songs without a doubt. The title track, Bat Out Of Hell, can be stamped as epic for both it’s length and layering. This is a song that arguably best exemplifies what 1970’s Rock was all about. Bat Out Of Hell was that song on an album that was never meant to become FM friendly due to it’s length, a song meant for the fan of that generation… the astute Rock enthusiast that wanted more than the Bay City Rollers.

For an album of seven songs, Bat Out Of Hell did something that many studio albums of ten, twelve or more songs doesn’t… providing no filler songs. As for the musicians behind Meat Loaf on Bat Out Of Hell, well, all I can say is quality creates quality. Todd Rundgren on guitar, Edgar Winter on saxophone… not too shabby.

My advice to those who never have listened to this tremendous album of Rock is simple: go out and buy it. Listen to it. Take it in. Then, realize, that this is what Rock Music song writing is all about. Afterwards, you shall know as to why the genre of Classic Rock exists in the first place. Meat Loaf, Jim Steinman and Bat Out Of Hell are just three of the reasons… that gave Classic Rock it’s name. Bat Out Of Hell, a Rock Classic… an ageless wonder.

Original Track Listing For Bat Out Of Hell:

Bat Out Of Hell

You Took The Words Right Out Of My Mouth (Hot Summer Night)

Heaven Can Wait

All Revved Up With No Place To Go

Two Out Of Three Ain’t Bad

Paradise By The Dashboard Light

For Crying Out Loud

* Reissued Bonus Tracks:

Great Boleros Of Fire (Live Intro)

Bat Out Of Hell (Live)

* All songs on Bat Out Of Hell were written by Jim Steinman.

* The late, Hall Of Fame Baseball legend, Phil “Scooter” Rizzuto, from my beloved New York Yankees, is credited with the “spoken word” for the play-by-play during Paradise By The Dashboard Light.

* Bat Out Of Hell was originally released in October of 1977, on Epic Records.

LONG LIVE MEAT LOAF & JIM STEINMAN.

Rest In Peace, Phil Rizzuto.

Stone.

Yngwie Malmsteen “relentless” – Releases November 22, 2010!

Posted in guitar legends, Hard Rock, hard rock music, Heavy Metal, heavy metal guitarists, heavy metal music, heavy metal news, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , , on November 6, 2010 by Metal Odyssey

YNGWIE MALMSTEEN – Guitar legend and arguably guitar god, Yngwie Malmsteen will be releasing relentless on his own Rising Force Records. The street date for relentless is November 22, 2010. Once again, this is another solid reminder, that 2010 is not yet over when it comes to highly anticipated Heavy Metal album releases.

I am used to Tuesday being the “release” date for new albums, the release date of November 22nd falls on a Monday for restless. Everywhere this new Yngwie Malmsteen album is mentioned, the same release date of November 22nd is stated. It really makes no difference to me… I’m Metal psyched just knowing that Yngwie Malmsteen has this album coming out, period!

What compliments and praise can be said about Yngwie Malmsteen that hasn’t already been stated? My Metal adulation for Yngwie can go on for thousands of words… I guess I’ve made my Metal point. It’s just a cozy feeling knowing that another Yngwie album is coming out… and just in time for Thanksgiving too.

Tim “Ripper” Owens will be making his second appearance as vocalist for Yngwie Malmsteen. His first album with Yngwie was on 2008’s Perpetual Flame. For those who may be unfamiliar, Tim “Ripper” Owens has been the lead vocalist for Judas Priest, Winters Bane and Iced Earth. “Ripper” also founded his own band, Beyond Fear, which they released their one album in 2006, aptly titled, Beyond Fear. Metal Supergroup, Charred Walls Of The Damned showcases “Ripper” on lead vocals and their self-titled debut album was released in February of 2010.

Track Listing For relentless:

Overture

Critical Mass

Shot Across The Bow

Look At You Now

Relentless

Enemy Within

Knight Of The Vasa Order

Caged Animal

Into Valhalla

Tide Of Desire

Adagio B Flat Minor Variation

Axe To Grind

Blinded

Cross To Bear

Arpeggios From Hell

LONG LIVE YNGWIE J. MALMSTEEN.

The word “cozy” was used as an adjective in this Metal Odyssey post.

Stone.

EYEHATEGOD: U.S. 2010/2011 Winter Tour Announced!

Posted in Hard Rock, Heavy Metal, heavy metal music, heavy metal news, metal music, metal odyssey, Music, punk rock music, rock music, rock music news with tags , , , , , , , , , on November 5, 2010 by Metal Odyssey

New Orleans-based, doomed-out, punk/blues/southern rock hardcore freaks, EYEHATEGOD, will head out on another American trek this December in support of absolutely nothing but the glory of hedonism and debauchery. EHG are the originators of a genre now known as “sludge,” a combination of raw, sick vocals and slow, heavy, down-tuned, grooving negative riffs that run together in a live setting in a sometimes volatile mess of guitar feedback, pounding drums, cigarettes, beer, vodka and hurt feelings. See the band in the following cities before they self-destruct:

EYEHATEGOD Winter Tour 2010 w/ Phobia:

11/30/2010 Bottletree – Birmingham, A

12/01/2010 @ Hideaway – Johnson City, TN
12/02/2010 @ Tremont – Charlotte, NC w/ Crowbar
12/03/2010 @ The Oasis – Charleston, SC

12/04/2010 @ The Earl – Atlanta, GA w/ Sons Of Tonatiuh
12/05/2010 @ Hi Tine – Memphis, TN

12/06/2010 @ Birdy’s –  Indianapolis, IN w/ Goatwhore
12/07/2010 @ Downtown – Little Rock, AR w/ Goatwhore
12/08/2010 @ Drifter’s – Fayetteville, AR

12/09/2010 @ The Marquee – Tulsa, OK
12/10/2010 @ Kordova – San Antonio,TX

12/11/2010 @ Reno’s – Dallas, TX
12/12/2010 @ Red Seven – Austin, TX

(Source: Earsplit press release, November 5, 2010)

* For more info on EYEHATEGOD, click the link below:

EYEHATEGOD – myspace music

EYEHATEGOD:

Mike IX Williams – vocals

Jimmy Bower – guitar

Brian Patton – guitar

Gary Mader – bass

Joey LaCaze – drums

GO GET ‘EM  EYEHATEGOD!

Stone.

BLACK SABBATH “Live Evil” – Some Metal Reflections On This 1982 Live Classic…

Posted in classic rock, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal odyssey, Music, rock music with tags , , , , , , , , , , on November 3, 2010 by Metal Odyssey

BLACK SABBATH – Released back in December of 1982, on Warner Bros. Records, Live Evil was the first “official” live Black Sabbath album. (Live At Last was released around 1980 and was not sanctioned by Black Sabbath. I picked up Live At Last on CD years ago, ditching my cassette version, sometime in the early 90’s). When Live Evil hit the store shelves, (which was a Caldor department store for me), it was like knowing something special was waiting for my ears… this was Black Sabbath with Ronnie James Dio and it was live.

The double gatefold album jacket was something else for my eyes all those years ago. So many of the songs characters, from the Black Sabbath catalog, finally came to life, on one album cover. I remember adhering to this Black Sabbath lineup, with Ronnie James Dio, Tony Iommi, Geezer Butler and Vinny Appice as being almost sinister, yet so alluring, due to the dark themes heard on the Heaven And Hell and the Mob Rules albums.

There was this extra special mystique happening with this Live Evil album… as it came across to me, upon my first few listens to this album. I still feel this way to this day. Live Evil seemed to emit a certain Metal mystique that only the Heaven And Hell and Mob Rules albums bestowed before it. As Best Metal Buddy Scott Coverdale and I have discussed over the years, this Live Evil album just seems to ignite with atmospheric waves of mysticity. At least we both know what each other means, in describing this overwhelming vibe that comes across to both our senses.

Since the first time I listened to Live Evil until this very day, the atmosphere of sound that this live album projects makes me feel like I am actually there, witnessing this Black Sabbath lineup jamming out their songs. No, I don’t feel as if I’m front row and center stage either… it’s as if I’m hovering around the outskirts of the crowd, all the while taking in each moment these songs provide. I envision a really dark arena that Black Sabbath performs in too. This may sound crazy to some, only it’s just the way I hear this Live Evil album, especially when I close my eyes and drift off to this highly underrated, live Metal classic.

I no longer have the double vinyl of Live Evil, the double CD I received as a gift from Scott Coverdale, some years ago. Sometimes it’s not all about reviewing an album based on “the standard formula”. There are those times, where I want to reveal just how an album affects me or reacts to me, on a personal level. Live Evil just makes me realize I’m listening to real Metal again… as the songs play, my mind then wanders off to those days of yesteryear, of waiting to catch my ride to a keg party in the woods… as I stand outside in the cold New England snow.

Long Live The Metal Mystique Of Black Sabbath… and Live Evil.

Stone.

DIO “At Donington UK: Live 1983 & 1987” Releases November 9, 2010!

Posted in classic rock, hard rock music, Heavy Metal, heavy metal albums, heavy metal music, live rock music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , on November 1, 2010 by Metal Odyssey

DIO – The late, ultra great and infinitely legendary Ronnie James Dio will be celebrated once again, on DIO – At Donington UK: Live 1983 & 1987. This double live CD, power packed with 25 songs, will be released on November 9th, 2010. This extremely cool DIO double CD will be released on Niji Entertainment Group.

By looking at the track listing, (see below), there is an excellent mix of DIO, Rainbow and Black Sabbath songs on this double live CD! I can no longer pick my favorite band that Ronnie James Dio had fronted… I love each one to the fullest. Each band that Ronnie sang for had their unique style, sound and character… that can never be duplicated. Yes, this DIO release I will be purchasing without a hiccup of uncertainty. Metal be thy name.

* 1983 = DIO – Holy Diver Tour and 1987 = DIO – Dream Evil Tour.

Front Cover:

Back Cover:

Track Listing For DIO – At Donington UK: Live 1983 & 1987:

Disc 1 (1983):

Stand Up And Shout

Straight Through The Heart

Children Of The Sea

Rainbow In The Dark

Holy Diver

Drum Solo

Stargazer

Guitar Solo

Heaven And Hell

Man On The Silver Mountain

Starstruck

Man On The Silver Mountain (Reprise)

Disc 2 (1987):

Dream Evil

Neon Knights

Naked In The Rain

Rock And Roll Children

Long Live Rock ‘n’ Roll

The Last In Line

Children Of The Sea

Holy Diver

Heaven And Hell

Man On The Silver Mountain

All The Fools Sailed Away

The Last In Line (Reprise)

Rainbow In The Dark

LONG LIVE THE MUSIC OF RONNIE JAMES DIO.

REST IN PEACE, RONNIE JAMES DIO.

Stone.

Alice Cooper “Love it to death” = Essential Rock History To Own!

Posted in classic rock, hard rock music, heavy metal music, metal odyssey, Music, rock and roll, rock music with tags , , , , , , , , , , , on October 28, 2010 by Metal Odyssey

ALICE COOPERLove it to death is the third studio album from Alice Cooper (the band), released back in January of 1971. Whoa… 1971! I’m not trying to make Alice Cooper himself or me feel old here, it’s just that this album was released 40 years ago… and it still Rocks like there’s no tomorrow! I’ve been listening to this CD for a few days now and for some reason or another, I can’t get enough of it.

Maybe the reason for my always liking Love it to death so tremendously, is due to it being a 100% Rock Classic? Could it be that all 9 songs are memorable… and the tenth song probably would have been filler? Whatever the Metal case may be, I revere this Alice Cooper album. My favorite song on Love it to death is… Black Juju… all 9:09 of it too. Black Juju just has that ultimate creepy vibe happening, the tribal like drumming of Neal Smith, the chilling vocals of Alice Cooper and the haunting organ just does it for me. This song’s dark and macabre style of psychedelia, wraps itself around me and tightens it’s eerie grip harder, each time I listen to it. Black Juju can easily be my favorite Alice Cooper song ever… if I was forced to choose one.

I’m Eighteen is an iconic song in and of itself, only it’s not the only great song on this album. This Alice Cooper album is a prime Metal example of just how the totality of quality songs can elevate an album into the Rock Historic Stratosphere. Really, to say Love it to death is an essential Alice Cooper album to own, is like saying water is essential for human survival. Even after I state this, I feel like telling myself… no shit Stone?

Alice Cooper as they appeared on Love it to death:

Alice Cooper – vocals

Glen Buxton – lead guitar

Michael Bruce – rhythm guitar, keyboards

Dennis Dunaway – bass

Neal Smith – drums

* Bob Ezrin played organ and piano on – Caught In A Dream, Long Way To Go, Hallowed Be My Name, Second Coming and Ballad of Dwight Fry.

Track Listing For Love it to death:

Caught In A Dream

I’m Eighteen

Long Way To Go

Black Juju

Is It My Body

Hallowed Be My Name

Second Coming

Ballad Of Dwight Fry

Sun Arise

* Love it to death was produced by Jack Richardson and Bob Ezrin.

LONG LIVE ALICE COOPER.

Stone.

THE CARS – DEBUT ALBUM FROM 1978 REVISITED

Posted in Album Review, classic rock, classic rock bands, classic rock music, Hard Rock, hard rock albums, hard rock bands, hard rock music, metal odyssey, Music, new wave music, rock and roll news, rock music, rock music news with tags , , , , , , , , , , , , , , , , , , on October 20, 2010 by Metal Odyssey

The Cars have always been summed up and best described as a New Wave Band. Alright, I’ll let that jive with me, only on their first album, The Cars had some serious Rock in their Wave. Missing Persons were a New Wave Band too, so was Men Without Hats and neither of those two bands come even remotely close in sounding like The Cars. So, were The Cars really a New Wave Band after all? A Flock Of Seagulls… now that’s what I consider a New Wave Band from the 80’s to sound like.

Due to the timing of The Cars being released, I gather it is probably “convenient” to lump this band into the New Wave crowd too. The debut and self titled album from The Cars was perhaps, just a few hundred slivers heavier, than your standard New Wave Band of the late ’70’s and early ’80’s. Sure, Missing Persons had a few “heavier” songs for their New Wave sound and style, with very decent drumming from Terry Bozzio, his playing and songwriting really was standout with that band. (Plus, Terry Bozzio was and still is an excellent drummer and all around musician too… in my Metal opinion).

I can recall hearing the “first” single off of this album, it was Just What I Needed. Can I recall the actual year I first heard this song? Ugh. Maybe it was 1979. No, I think it was 1980. Who really gives a flying elephant crap about when I first heard Just What I Needed. The simple fact is that I loved this song from the opening note. Seriously, this song’s significance lies in it’s originality for no other song really sounded like it, back in 1978.

I’m trying to “think back” and remember if there was another band out there that sounded like The Cars did, at the time of their 1978 debut album. This was 1978, not 1988, when a decade later you could swoop up a hundred New Wave Bands or so and compare them all against each other. Growing up in the late 70’s and early 80’s, I just accepted The Cars and their sound without giving any thought as to what music genre they belonged to. (Now that I’m a cranky old man, I scrutinize music genres like there’s no tomorrow). As each new song from their debut album trickled onto FM radio, I became more of a fan of them and this album.

Out of the nine songs heard on The Cars, seven of them made it to FM airplay. Seven! That is nothing to sneeze at either… how many Rock or Hard Rock bands can any of us name in 2010, that can boast seven songs from one album, being accepted into FM airplay and becoming hits? A “debut” album no less! It’s not as if these songs on The Cars were “Poppy” either, they were mainstream certainly, still a far cry from sounding “bubble gum”. These seven songs were played so often on the Connecticut FM radio stations, (WHCN, WCCC and WPLR), that I am guilty of never having bought this album, many years after it’s release.

Elliot Easton played guitar on The Cars with an obvious hard edge, his solo on Just What I Needed is an example of what I mean. It’s guitarists like Elliot that really exemplify playing for the song unselfishly and skillfully, versus the household name guitarists out there, who have accentuated their fame through piles of average solo albums throughout the decades.

Ric Ocasek’s vocals were meant for The Cars. I know that sounds rather cliche, only it’s so true. Ric Ocasek gave The Cars a booming personality with his vocals. The “modern” vibe that The Cars pulsated with through their songs seemed to stick to Ric’s voice like glue. The late/great Benjamin Orr not only played bass for The Cars, he was the lead vocalist on All Mixed Up as well. Benjamin Orr’s vocals were perfect for this song, giving it that added emotion and personal element befitting of the lyrics. (His vocals on The Cars 1984 hit Drive, from their Heartbeat City album is another memorably gigantic performance from him as well).

The Cars presented an edgy futuristic listen into Rock’s eventual “wide-open” Pop feel of the 80’s, courtesy of Greg Hawkes on keyboards and an open mindedness of this band to create songs that were fabulously accessible. Regardless of the Rock/Pop direction The Cars did take into the 80’s, this debut album is by far, their best full-throttle, Rock teetering on Hard Rock effort… with a New Wave approach, let’s not forget.

Moving In Stereo can be the cornerstone New Wave song for The Cars. There was and still is something almost fantastically mystical about my never wanting to turn this song off, when I hear it on the radio. Could it be that The Cars really are moving me, through stereo? I feel semi-scared now. Good Times Roll has all the ingredients of bursting out of it’s seams with a loud guitar solo and a psyched out tempo that doesn’t relent. It does not happen that way though. It’s the keyboards that administer the melancholy antidote of calm, making this song still feel like the good times are rolling, nonetheless… in a Logan’s Run sort of cosmic way.

The Cars as I look back upon them now, were a mighty decent Rock, I mean, New Wave Band. After all these years, however, it is more beneficial for me personally, to call The Cars debut album a Classic Rock gem. If I was to recommend that “one” album from The Cars to a civilization outside of our Milky Way, it would no doubt be their debut album. For those on this planet, that are just being introduced to The Cars, I would recommend their debut album as well. These excellent musicians that decided to call themselves The Cars, as I look back now, are a symbolic example of their era, showing just how dynamic and memorable a band could become, by solidifying a unique sound from a Rock meets New Wave fusion.

THE CARS was released in June of 1978, on Elektra Records.

Track Listing For The Cars:

Good Times Roll

My Best Friend’s Girl

Just What I Needed

I’m In Touch With Your World

Don’t Cha Stop

You’re All I’ve Got Tonight

Bye Bye Love

Moving In Stereo

All Mixed Up


Rest In Peace, Benjamin Orr.

Stone.

Heavy Metal, Hard Rock And All Extreme Music Rules. Always Has, Always Will.

Posted in classic rock music, extreme music, Hard Rock, hard rock music, Heavy Metal, heavy metal music, heavy metal news, metal music, metal odyssey, Music, news, rock & roll, rock 'n' roll, rock and roll, rock music, rock music news with tags , , , , , , , , , , on October 16, 2010 by Metal Odyssey

So let it be Metal written, so let it be Metal told.

Heavy Metal, Hard Rock, Classic Rock and all Extreme Music Rules. There you have it. That’s how I feel and no one can change my Metal mind on this. When I reference “Extreme Music”… it is an all encompassing and generic term that I personally use. This includes Punk Rock, Death Metal, Black Metal, Gothic Metal, Grindcore, Hardcore and any and all sub genres of such Extreme Music. Metal be thy name.

* To all of the plastic mainstream “awards shows” that are televised throughout the year and continue to ignore the music and bands that are, (gulp), Heavy, (except for Revolver Magazine’s Golden Gods Awards), they can all kiss my Metal lovin’ ass.

* To the Rock And Roll Hall Of Fame: (I think you all know this one is coming), you can kiss my Metal lovin’ ass.

* To all the phony millionaire/billionaire record executives throughout the decades that shunned Heavy Music so that zit-faced boy bands and lip syncing performers could get “pushed” up the charts and on radio… you can all really pucker up… and kiss my Metal lovin’ ass.

* To those “Four Cartels” of the music industry, that abolished Heavy Metal from FM airplay and MTV back in the early ’90’s… kiss my Metal lovin’ ass. You losers.

* To all the writers who give “lousy” reviews on a band’s album, (while not bothering to listen to the given album), due to a respective band having conservative views… you all can really kiss my Metal lovin’ ass. You know who you are too, you political phonies with dumb-ass agendas.

* To all the liars behind the misleading and bias “record charts”, just keep on fooling the public and kiss my Metal lovin’ ass while your at it.

* To all the members of the “Flavor Of The Month Club” when it comes to music: Hey! Kiss my Metal lovin’ ass! You bet you know who you are… now your embarrassed.

* To that old and cranky, dictatorial political group known as the PMRC, that wanted to “change the world” through their radical thoughts and abuse of power, many years ago… see below:

* To the idiots that decided to have “amended” versions of CD’s to sell, go ahead… kiss my Metal lovin’ ass. Censorship IS NOT COOL, especially when it comes to music. Um, wasn’t there something once known asFreedom Of Speech in America? Kiss my Metal lovin’ ass again, you pathetic censor morons.

* To any band or musician who openly supports a presidential or any political candidate and gets mixed up in the immoral and unethical world of politics, by having a benefit concert for “political fundraising”… I don’t want you to kiss my ass. Please, just keep Rock ‘N’ Roll out of electing any millionaire/billionaire politician. Here’s a Metal thought: instead of having a fund-raising concert for some slimy politician, try having a fund-raising concert for a children’s hospital or orphanage. Duh. Duh again.

* To all the Phd’s, text book scholars and lawyers who “think” Heavy Metal promotes and causes violent behavior and deplorable acts on society… you can all take a bow… and while your bending over… kiss my Metal lovin’ ass.

* To all those who are annoyed that I use the fabulous word “Metal” so much in this and other posts on Metal Odyssey… um, you don’t have to kiss my Metal lovin’ ass at all. I actually have pity for you, due to the symptom you have, which is called: Metal envy. It must suck to have it.

I’m in a Metal lovin’ mood of the highest degree today, obviously. Then again, I’m always in a Metal lovin’ mood, only today it just feels so damn good. To all the nay sayers and antagonists of Heavy Music throughout the decades… hey… kiss my Metal lovin’ ass. You know why? Hell, we Metalheads, Punks and Extreme Music fans WON. The bands and the Heavy Music we love never hid, dried up or ran away. Many Heavy and Extreme bands have come and gone… still countless of these bands are still touring and making music to this very second.

I consistently try to remind visitors to Metal Odyssey, that there are scores of pathetic and narrow minded groups of people in our society that want to “control” and censor the Heavy Music that has made my life and countless other lives better. Self righteous and mean spirited groups like the PMRC need to be brought up over and over again, so fans of Heavy Music know of their censorship agenda that they set into place more than two decades ago. You can try to bury something that stinks and pretend it never existed… only the “stench” still lingers.

One last thought. To all of the idiots and “deep thinkers” that years ago would tell me “someday you will mature and stop listening to Heavy Metal and all that other garbage your listening to”… KISS MY METAL LOVIN’ ASS.

Metal Be Thy Name.

Stone.

SAMMY HAGAR – HAPPY BIRTHDAY FROM METAL ODYSSEY!

Posted in celebrity birthdays, Hard Rock, hard rock bands, hard rock music, Heavy Metal, heavy metal bands, heavy metal music, heavy metal news, metal odyssey, Music, rock & roll, rock 'n' roll, rock and roll, rock music, rock music news with tags , , , , , , , , , , , , , , , , , , , , on October 13, 2010 by Metal Odyssey

SAMMY HAGAR – On October 13, 1947, Sammy Hagar, the “Red Rocker” was born. Sixty Three years later, Sammy Hagar stands tall as one of the greatest in all of Rock. I, along with Scott Coverdale and the entire Metal Odyssey family, wants to wish Sammy a LOUD and fun filled HAPPY BIRTHDAY! My wife especially, well, she wanted to make certain to wish the Red Rocker a happy birthday today… she really digs him and rightfully so.

If Stone could buy a beer today for Sammy… I’d buy ’em by the rounds! A lead vocalist, guitarist and songwriter, Sammy has a vocal presence that is undeniably infectious and resonates nuthin’ but Rock ‘N’ Roll at 100% proof. There is something about listening to Sammy Hagar’s vocals that makes me and countless others feel like everything is alright… it’s all about good times.

Scott Coverdale and I can never get enough of The Red Rocker… he is as cool in 2010 as ever. Chickenfoot, ’nuff said. To keep the relevance fires burning in Rock Music like Sammy continues to do, only reflects on just how legitimate and honest he is as an all-around musician. Thanks for all of the fabulously memorable music you have created over the years Sammy!! Don’t ever stop ROCKIN!

Here is a roll call of the bands that Sammy has been a major part of, over his illustriously Rockin’ career:

MONTROSE (1973-1975)

That’s Sammy pictured in the far right corner of this album photo. This is the Montrose self-titled debut album from 1973. A classic band is Montrose, we’re talkin’ about Hard Rock & Heavy Metal roots here.

SAMMY HAGAR (Solo)

Sammy has released 11 solo studio albums over his legendary career. Street Machine was the fourth solo album from Sammy, released in 1979 on Capitol Records.

My favorite Sammy Hagar solo album is – Standing Hampton. This album was my very first Sammy Hagar album. Standing Hampton was released in 1981 on Geffen Records. I remember buying it at Bradlees department store in the early ’80’s. I worked in a grocery store in the same plaza as Bradlees… this album probably cost half of my paycheck back then, only it was well worth every penny. Baby’s On Fire is probably my favorite Sammy Hagar song ever. There’s Only One Way To Rock is a song that kicks ass from sunrise to sunset. Plus, Heavy Metal is a downright heavy hitter of a song too. Even if you own a Sammy Hagar “Greatest Hits” CD… buy Standing Hampton… you’ll thank Stone later.

HSAS – Hagar Schon Aaronson Shrieve – Released back in 1984, HSAS was a cool supergroup led by Sammy Hagar on lead vocals. Neal Schon (Journey) on guitar, Kenny Aaronson (Dust) on bass and Michael Shrieve (Santana) on drums. This Through The Fire album from HSAS kicks ass, it’s a great Hard Rock album that deserves more attention than it gets. No, this HSAS album is NOT dated… it has that deeply rooted sound that some of today’s Hard Rock Bands can’t capture.

VAN HALEN – Or, if you prefer, Van Hagar. Just an unbelievably smooth transition Sammy Hagar made in becoming the lead vocalist for Van Halen back in 1986… whoa. The debut album showcasing Sammy with Van Halen was 1986’s 5150 and that album will always be an incredible listen for me. If I had to choose a favorite Van Halen album with Sammy on lead pipes… it’s OU812 from 1988. Cabo Wabo, Feels So Good and Black And Blue are three songs that psyche-me-out beyond Metal belief. Metal be thy name.

SAMMY HAGAR and THE WABORITAS / WABOS – Just good times, feel good, party Rock ‘N’ Roll is Sammy’s Wabos band. If you have never checked out any of their albums, your missing out. This band Sammy assembled can Rock, Rock Hard or simply play it ultra-cool at times. My favorite Wabos album is Livin’ It Up from 2006.

CHICKENFOOT – Sammy’s second venture into forming a “supergroup” has succeeded in my Metal opinion. Chickenfoot ROCKS. ‘Nuff said. The detractors of Chickenfoot are just plain jealous, they have what is diagnosed as: Chickenfoot envy. Released in the Summer of 2009, the self-titled, debut album from Chickenfoot has all that Hard Rockin’ Summertime vibe I crave. With Joe Satriani on guitar, Chad Smith (Red Hot Chili Peppers) on drums and former Van Halen bassist Michael Anthony… yup, it’s a super-duper group.

LONG LIVE SAMMY HAGAR!

* For more info on SAMMY HAGAR, just click on the link below:

RED ROCKER.com

SAMMY HAGAR = GOOD TIMES!

Stone.

 

GRAVE DIGGER – “The Clans Will Rise Again” Releases October 12th In U.S.!!

Posted in hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, metal music, metal odyssey, Music, Power Metal, power metal bands, power metal music, rock music, rock music news with tags , , , , , , , , , , , , , , , , , on October 9, 2010 by Metal Odyssey

GRAVE  DIGGER – 2010 marks the 30th Anniversary of Grave Digger, further cementing their legendary Heavy, Speed and Power Metal status with the release of their 15th studio album – The Clans Will Rise Again. This new studio album from Grave Digger has a U.S. release date of October 12th, on Napalm Records. * The European release date was October 1st, 2010.

Germany is the birthplace for many important Heavy Metal Bands over the decades, (ACCEPT, Scorpions, HelloweenGamma Ray, Kreator and Edguy to name a many few), with Grave Digger bestowing their very own identity, brand and sound as well. You cannot discount Grave Digger, when the topic of German Heavy Metal Bands of influence comes up.

Axel Ritt has taken over all guitar duties as the newest member of Grave Digger on The Clans Will Rise Again. Guitarists Thilo Hermann and Manni Schmidt left Grave Digger, due to personal and musical differences, before entering the studio to record The Clans Will Rise Again.

There is no better time of the year than October, to have a brand new studio album released from Grave Digger! With the days growing shorter with sunlight and Halloween only a few weeks away, this new Grave Digger album will be a welcomed listen to my Metal scorched ears!

GRAVE DIGGER:

Chris Boltendahl – vocals

Axel Ritt – guitars

Jens Becker – bass

Stefan Arnold – drums

Hans Peter Katzenburg – piano & keys

* For more info on GRAVE DIGGER, just click on the cool links below:

GRAVE DIGGER CLAN.com

GRAVE DIGGER – myspace music

* Check out the music video for Highland Farewell below! This song is on The Clans Will Rise Again. A Potent and Power packed song that grabbed my Metal attention from the opening bagpipes!

Track Listing For The Clans Will Rise Again:

Days Of Revenge

Paid In Blood

Hammer Of The Scots

Highland Farewell

The Clans Will Rise Again

Rebels

Valley Of Tears

Execution

Whom The Gods Love

Spider

The Piper McLeod

Coming Home

When Rain Turns To Blood

Watch Me Die (Bonus Track)

LONG LIVE GRAVE DIGGER!

Stone.

Steve Lee – Rest In Peace

Posted in Hard Rock, hard rock bands, hard rock music, hard rock vocalists, Heavy Metal, heavy metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , on October 6, 2010 by Metal Odyssey

STEVE LEE – Lead vocalist and songwriter for the Swiss Hard Rock Band, Gotthard, passed away from a motorcycle accident in Nevada, on October 5, 2010. Reports state that a tractor trailer skidded into an area where Steve Lee parked his motorcycle, with fellow bikers, on a rainy Nevada highway. Steve Lee has been the lead vocalist for Gotthard since their 1992 debut and self-titled album. Gotthard has been a Hard Rock import from Switzerland that has sold millions of records worldwide.

The world of Rock Music has truly lost a talented singer, songwriter and musician. Steve Lee was 47 years old. The Metal Odyssey family extends their condolences to all of Steve Lee’s family, friends and fans. Rest in peace, Steve Lee, you will be missed.

Thank you for the music, Steve Lee.

HALFORD IV “MADE OF METAL” – THE METAL GOD… Has Returned With A Vengeance!

Posted in Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , , , , , , , on October 6, 2010 by Metal Odyssey

HALFORD – Oh, how The Metal God has cometh and made a Metal album that is mega-primed for satisfying my Metal hunger! Halford IVMade Of Metal, released on September 28, 2010, on Metal God Entertainment, is clearly a raised fist to the air hailing all things… METAL. If one has a difficult time understanding as to why Rob Halford is called… The Metal God… and one is clueless about Judas Priest and Fight, then all one needs to do is sink their ears and awareness into Halford IV – Made Of Metal and thy should understand what the hell The Metal God is all about.

Not detracting here from what has put Rob Halford on the highest level of the Metal hierarchy, Halford IV – Made Of Metal is like a symbol of what The Metal God is all about… singing his lungs out on exceptionally written songs, both in Metal music and lyrics. It would be too damn easy for Rob Halford to rest on his laurels and reap the decades of Metal glory that he has so rightfully earned. Instead, Rob Halford has come out with all guns Metal blazing and has released an album that should make the earth shift off of it’s axis, just a tad, when played at it’s maximum volume.

Now, there is a song on this new Halford album that just seems to be so unbelievably great to my Metal ears and soul, that I’m pinching myself to make certain I’m not dreaming as I listen to it. It’s an exhilarating experience, of a profound mega-Metal high when I listen to this song… Thunder And Lightning. Throughout all of my Metal lovin’ life, I have continuously searched out for the songs, albums and the bands that make me Metal high. Thunder And Lightning is that thunder strike of a song, that I shall turn to for inspiration and psyche-out therapy for the rest of my Metal guided life.

Rob Halford is simply classic on vocals during Thunder And Lightning, with Roy Z. and Metal Mike Chlasciak on guitars making it freaking soar, trading off their licks to Metal perfection. It’s the intensity and the non-stop groove that’s happening with this song that makes it so damn delicious to my Metal senses. When a song can capture and hold onto a psyche-out vibe like this, it is a song that is worthy of my telling the entire world about.

Honestly, I can’t count how many times I have listened to Thunder And Lightning in the short time that I have owned Halford IV – Made Of Metal. Whatever Rob Halford and Roy Z. have tapped into when they wrote this song, it is nothing short of mystical for me. This song only solidifies the fact that music is indeed… a language all it’s own. Let those Metal vibrations pour into my Metal soul!! Metal be thy name.

I Know We Stand A Chance, based on it’s lyrics, is a love song. This song plays out with both a Hard Rock and Metal feel, with Rob Halford’s vocal harmony streaming through the music flawlessly. A very memorable song, both for it’s music and lyrics. Three quarters through this song it kicks up a couple of notches with some electrifying and melodic fret work that I know I’ll be hearing in my sleep.

Like There’s No Tomorrow showcases Rob Halford, the Metal vocalist for the ages. Sure, Rob Halford has his vocal peers amongst him, the difference is, this is The Metal God we are listening to on this album. This song is incredibly memorable beyond belief. Is it the vocals of Rob? Could it be the dualing guitars? The imbedded bass thumping? The drum beats and cymbal smashing? Try all of the above. Melodic and soaringly heavy is this song, drawing it’s strength from the totality of the band.

Twenty-Five Years is a powerful and Heavy ballad, both with it’s music and lyrics. Rob Halford exemplifies why he is truly a remarkable vocalist as he sings Twenty-Five Years. By delivering this song through his emotionally charged vocals, in a story form, that lends itself as being deeply personal to The Metal God. This is by far not a depressing song for me, it is a serious break in the Metal experience that I cannot shun away. Lyrically there are life lessons that are taught here, making for a Metal reality check that has been handed down by this living Metal Legend.

We Own The Night and Heartless are melodic listen’s into just how Rob Halford and his band can play accessibly Heavy songs, one’s that probably would have been a huge hit if Heavy Metal ruled MTV and FM radio like it once did in those loud and colorful ’80’s. Even when Halford comes across with some commercial appeal, they are still damn Heavy as hell… flooded with Metal molasses. Rob Halford just sounds like he beamed up his vintage vocal self, from decades long ago, surpassing my Metal expectations on not just these two songs… the entire album.

Yes, The Mower is by far and large… the heaviest, meanest and most Metal song on this new Halford album. Even Rob’s vocals are screeching with an evil intensity that is downright scary on The Mower. I love it. This is the other side to Rob Halford’s vocals, piercing, angry and impressively dark. Speed Of Sound has the vibe and sound that is tailor made for a Judas Priest – Turbo Part II… if there ever was to be such an album. However, Speed Of Sound is Heavy and doesn’t get saturated with any synthetic sounds that the long past Turbo album radiates.

Alright, there is a “semi-stinker” on this album. I’ll give Rob Halford and his band a pass on this though. I owe ’em that much for making my Metal world so deliriously fine from Thunder And Lightning. Um, well, this song is pretty much a stinker. Made Of Metal is the song. There are some bad flashbacks happening in my brain, each time I hear the techno-electronic voice that is part of the intro to this song. Mr. Roboto flashbacks that is. I still have never recovered from Styx messing around with electronica… and that goes too far back for my own liking. The “roboto” voice re-appears towards the end of this song too, not cool. It’s just a dated song that doesn’t fit the Metal mold of this album and I don’t like to use the word… dated.

Make the bad Mr. Roboto go away, make the bad Mr. Roboto go away, make him go now.

Undisputed is the one song on Halford IV – Made Of Metal that can be of “big time” commercial value for the future. The lyrics are borderline corny… this song is about an undisputed heavyweight champion of the world, whoever that may be. This song would be perfect for the next (gasp) Rocky sequel or as an entrance theme for some WWE Wrestling Superstar. The Metal itself is brilliance on Undisputed, with scorching guitar leads and tough as nails riffs. Vocally, Rob Halford resonates with late ’70’s Judas Priest on Undisputed, capturing his very own classic self as only he can do.

For all intents and Metal purposes, Halford is backed up by one damned fabulous band. Mike Davis on bass and Bobby Jarzombek on drums hold it all together like a Heavy Metal pillar of unbreakable steel, giving each song an added dose of supercharged thump. I without hesitation, openly admit, that Halford IV – Made Of Metal has rolled into 2010 and taken me for a sensational Metal ride. This Metal ride I’m highly endorsing to fellow Metalheads, both young and old, stateside and worldwide. Don’t let this new Halford album be “the one” that you pass over for another day. Halford IV – Made Of Metal needs to heard… NOW… and forever.

* For more info on HALFORD, just click here: ROB HALFORD.com

Track Listing For HALFORD IV – MADE OF METAL:

Undisputed

Fire And Ice

Made Of Metal

Speed Of Sound

Like There’s No Tomorrow

Till The Day I Die

We Own The Night

Heartless

Hell Razor

Thunder And Lightning

Twenty-Five Years

Matador

I Know We Stand A Chance

The Mower

LONG LIVE HALFORD.

THE METAL GOD HAS RETURNED.

Stone.

DEATH ANGEL – 2011 NORTH AMERICAN RETRIBUTION TOUR – DATES LISTED!

Posted in hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, metal music, metal odyssey, Music, rock music, rock music news, Thrash Metal, thrash metal albums, thrash metal bands, thrash metal music, thrash metal tours with tags , , , , , , , , , , , , , , , , , , , on October 4, 2010 by Metal Odyssey

DEATH ANGEL – In support of their new and incredible sixth studio album, Relentless Retribution, DEATH ANGEL will be touring the United States with one stop in Canada, beginning on January 30, 2011. Beginning in Raleigh, North Carolina and commencing on February 26, 2011, in the city that these Bay Area Thrash Metal Legends know very well… San Francisco California! EARLY MAN, LAZARUS A.D., BONDED BY BLOOD and HeXeN will be on tour with DEATH ANGEL as well! This looks to be a kick-ass tour of Old School joining forces with New School Thrash Metal!

* DEATH ANGEL – Relentless Retribution was released on September 14, 2010, on Nuclear Blast USA.

2011 NORTH AMERICAN RETRIBUTION TOUR DATES:

January 30 @ Volume 11, Raleigh, NC

January 31 @ The Casbah, NC

February 1 @ Jaxx, W. Springfield, VA

February 2 @ Crazy Donkey, Farmingdale, NY

February 3 @ Rocko’s, Manchester, NH

February 4 @ Club Hell, Providence, RI

February 5 @ Montage Music Hall, Rochester, NY

February 6 @ Mod Club, Toronto, ON, Canada

February 7 @ Peabody’s, Cleveland, OH

February 8 @ Blondie’s, Detroit, MI

February 9 @ Reggie’s Rock Club, Chicago, IL

February 10 @ Phoenix Hill Tavern, Louisville, KY

February 11 @ Riot Room, Kansas City, MO

February 12 @ Conservatory, Oklahoma City, OK

February 13 @ Numbers, Houston, TX

February 14 @ Emo’s, Austin, TX

February 15 @ White Rabbit, San Antonio, TX

February 16 @ Rail Club, Ft. Worth, TX

February 18 @ Club DV8, Tucson, AZ

February 19 @ Clubhouse, Tempe, AZ

February 20 @ Chain Reaction, Anaheim, CA

February 21 @ Cheyenne Saloon, Las Vegas, NV

February 22 @ The Key Club, Hollywood, CA

February 23 @ Brick By Brick, San Diego, CA

February 24 @ The Boardwalk, Orangevale, CA

February 25 @ Lost On Main, Chico, CA

February 26 @ Slim’s, San Francisco, CA

(Source: DEATH ANGEL – Official Website)

* For more info on DEATH ANGEL, just click on the links below:

DEATH ANGEL – MySpace Music Page

DEATH ANGEL – Official Website

* For more info on EARLY MAN, just click on the links below:

EARLY MAN – myspace music page

EARLY MAN ARMY.com – Official Website of EARLY MAN

* For more info on LAZARUS A.D., just click on the link below:

LAZARUS A.D. – myspace music

* For more info on HeXeN, just click on the link below:

HeXeN – myspace music

EARLY MAN will be touring to support their new studio album, DEATH POTION, released on July 20, 2010, on The End Records.

BONDED BY BLOOD will be touring to support their new studio album, EXILED TO EARTH, released on August 10, 2010, on Earache Records.

LAZARUS A.D. will be touring to support their 2009 studio album, THE ONSLAUGHT, released on March 3, 2009, on Metal Blade Records.

LAZARUS A.D. will also be supporting their sophomore release – Black River Flows, which is slated for a February 1st, 2011 release on Metal Blade Records!

HeXeN will be touring to support their 2008 studio album, STATE OF INSURGENCY, released on August 5, 2008, on OSM Records.

LONG LIVE DEATH ANGEL.

LONG LIVE THRASH METAL.

Stone.

WHITE ZOMBIE “Make Them Die Slowly” – Reflecting On A 1989 CD I Can’t Part With

Posted in alternative metal music, Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal music, metal odyssey, Music, rock and roll, rock music, rock music news with tags , , , , , , , , , , , , , , , on October 3, 2010 by Metal Odyssey

WHITE ZOMBIE – Released back in good ‘ol 1989, Make Them Die Slowly was the second full-length album from White Zombie, (the first full-length being Soul Crusher, released in 1987). The late ’80’s was an ultra-terrific time for Heavy Metal, only the “wave of glory” of commercial acceptance and attention was starting to drift swiftly towards the Grunge movement, by 1990. White Zombie came upon the scene in ’87 with their brand of Noise Rock, eventually indulging into various music styles, while still keeping the heaviness intact. Industrial, Groove, Funk and Heavy Metal were Metal styles that White Zombie incorporated together all so well. Many articles and Rock historians also refer White Zombie to the Post-Thrash genre as well.

I can openly admit, that this Make Them Die Slowly CD has been in my possession since it’s 1989 release and I cannot part with it. The first reason for this is I really, really, dig this White Zombie album and band. Even in it’s unpolished grandeur, this is White Zombie breaking down some serious status quo. This band was where it all began for Rob Zombie! The second reason is, it is out of print. My original 1989 CD version of Make Them Die Slowly is selling for $169.88 (U.S. funds) as a “used” copy on Amazon.com… and there is currently only “one” for sale there! Whoa, baby, whoa.

There is a 1993 reissue version of Make Them Die Slowly for sale on Amazon.com, selling for $99.99 as “new” and $16.99 as “used”, all in U.S. funds. That is a dramatic drop in the selling price, when comparing the “used” version from 1989 to that of the 1993 reissue. In all Metal honesty, I was not aware of the “actual” value of my CD discussed here, not until today. I always knew it was an original pressing from 1989 and the value would be a bit high… only this is far out amazing to me! In hindsight, I wish I had purchased a dozen copies or more of Make Them Die Slowly back in ’89!

My cousin Randy is to blame for my buying this White Zombie CD back in ’89. He used to manage a combination collectibles and record store that was very, very cool. I would go there just about every day for a number of years, from the mid ’80’s right up to the mid ’90’s. I would cash my paycheck at this store… leaving with enough money to buy beer and gas. The rest of my hard earned loot would go into buying CD’s, tapes, vinyl, sports cards and comics. Those were the days… I know. I no longer buy sports cards or comics, just in case you were wondering.

Randy would always have his finger on “the pulse” of Rock ‘N’ Roll and Heavy Metal. If there was a new and cool band to check out… Randy knew about ’em. There was that one visit to his store, where he had Make Them Die Slowly on display… and Randy wasn’t talking me out of buying it. Thanks Randy! Man, this cool cousin of mine had landed me some fine picture discs of Metallica, Iron Maiden and Motorhead too. Many bands he steered into the direction of my ears… Fight is one that stands out, back in ’93. When Rob Halford left Judas Priest, whoa… that was a big deal back then. Randy is still alive and doing just fine… just in case you are wondering.

When I first listened to Make Them Die Slowly, I realized rather quickly that White Zombie was not the stereotypical ’80’s Arena Rock or Heavy Metal Band. Rather, White Zombie was a band totally different from what I was used to hearing… this band wasn’t Thrash, Traditional Metal, NWOBHM or straight up Hard Rock. This White Zombie band caught me off guard and I initially liked what I was listening to. Sure, this band was “different”, only they were not lean on the heavy side of the Metal aisle and the vocals of Rob Zombie sounded too fiendishly bizarre for me to pass over.

Back in ’89, I felt like I stumbled on some “underground” band that not many people knew about. I never gave it a second thought, as to White Zombie becoming anything special anyhow. Listening to what I liked was the main priority then, as it is now. This White Zombie album was never going to be exalted as a masterpiece, no way. The production across the board is raw and steely on Make Them Die Slowly, arguably an album of demos… not anywhere near the overall sound and production that their 1992 studio album La Sexorcisto: Devil Music, Vol. 1 would radiate. (That album is a multi-million unit seller and still makes my prehistoric stereo speakers smoke).

In the midst of all the styles of Heavy Music that White Zombie seemed to tap into, there is always that “sliver” of Punk that I seem to catch onto with their music. Acid Flesh may have it’s non-stop groove and sparse funkiness about it, still it walks a fine line with the Punk flirtation. The same can be said for Power Hungry, only the guitar licks are crunchy enough to make any Punk comparison an extremely mild one. “Demonspeed” carries such a raw atmosphere of sound, it isn’t far fetched to think it’s a live recording during the first half minute it plays. If there is one constant to be heard on this album, it’s that this White Zombie band played with a fiery enthusiasm that my ears cannot dismiss away. “Demonspeed” is one Heavy mutha’ of a song and is my favorite on this album.

Revenge is fueled with enough kick ass, thunder-stomp Metal that it is dizzying. The repeated riff that gives Revenge it’s Metal bite, is extremely close to that of Tony Iommi’s signature riff from Zero The Hero, heard on the 1983 Black Sabbath album – Born Again. Godslayer plays at 7:14 long and is the “epic” on this album. Rob Zombie’s vocals on Godslayer gives way to the notion that maybe he was a fan of Glenn Danzig. I never picked up on the vocal similarities between Rob Zombie and Glenn Danzig, while listening to Godslayer so many years ago. This is the only song where I feel any vocal similarities between these two Metal heavyweights exists. I’m certain though, that it is all coincidental anyways. Maybe.

The overall Heavy Groove and styles that Make Them Die Slowly breathes was another solid building block towards the Metal that Rob Zombie was to eventually release as a solo superstar. Truthfully, listening to this White Zombie album is like listening to the Rob Zombie blueprint and dancing skeletons to his future. To usher in the ’90’s with a band as heavily diverse as White Zombie, probably means more to me now than it did then. I never cared to figure out really, the “fad” sound of any decade. White Zombie was no fad… this was as legit of a Heavy Band as any genre could grasp.

As I look back on the doorstep to the ’90’s, White Zombie was the band that snuck in through the front door and made themselves very comfortable in the hearts, minds and ears of more than just this Metalhead. This is “one of those” Metal albums that I appreciate more in 2010 than I probably did back in ’89. Maybe my growing appreciation lies in the fact, that White Zombie made me realize that it was cool to diversify the Metal menu, having me look upon them now, over two decades later, as Metal innovators.

WHITE ZOMBIE as they appeared on Make Them Die Slowly:

* Note: In doing my Metal research, I have read that John Ricci did not play guitar on Make Them Die Slowly. However, John Ricci is in the group photo found in the liner notes of this CD, with his name appearing below him. I have come across, through Metal research, that John Ricci left White Zombie the day Make Them Die Slowly was completed… due to having Carpal Tunnel Syndrome. I am going with that he played guitar on this album… unless a credible source “close” to the recording of this album can tell me otherwise.

Rob Zombie – vocals

John Ricci – guitar

Ivan DePrume – drums

Sean Yseult – bass guitar

Track Listing For Make Them Die Slowly:

DEMONSPEED

DISASTER BLASTER

MURDERWORLD

REVENGE

ACID FLESH

POWER HUNGRY

GODSLAYER

* More Metal research about Make Them Die Slowly, revealed the following: that “some” CD’s were released with the printing on the liner notes “spine” being incorrect. The “incorrect” spelling or error is: Let Them Die Slowly appears on the spine. “Let” and not “Make” is the error. My CD version has this error on the liner notes spine… take a look at the pic below to see for yourself:

As you can also see from the above pic, Rob Zombie is one damn cool illustrator!

* Make Them Die Slowly was produced by Bill Laswell

* Make Them Die Slowly was originally released in 1989, on Caroline.

* As stated in the liner notes: All Lyrics – Rob Zombie, All Music – White Zombie and All Illustrations – Rob Zombie.

* The liner notes show “one” Special Thanks, it goes to… Rock & Punk Legend… Iggy Pop.

Here is the White Zombie band photo that is in the liner notes.

From left to right: Ivan DePrume, John Ricci, Sean Yseult and Rob Zombie.

Here is an illustration that is in the liner notes, drawn by Rob Zombie:

The above illustration has the words: “Bite Down Sucker” in top right corner. “Hell” is spelled out on the fist of the monster dude.

LONG LIVE THE ROCK ‘N’ ROLL OF WHITE ZOMBIE!

Stone.

Hellfueled – Revisiting “Midnight Lady” EP From 2004!

Posted in Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal videos, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , , , , , , on October 2, 2010 by Metal Odyssey

HELLFUELED – In Metal Odyssey’s quest, this Halloween Season, to deliver reviews on Metal, Hard Rock and Punk Bands that bestow horror-theme tendencies of sound, style and persona, here is the very first installment for this gloriously wicked and frightful October of 2010… Hellfueled. This is one very cool Metal Band from Husqvarna, Sweden, not because I said so, it’s due to the clear fact they can write and play songs that are memorable. Anytime a band’s particular song or sound sticks in my Metal brain, it tells me that band is damn good. Midnight Lady is one hell of a memorable song from one hell of a memorable band that is Hellfueled.

Could it be a personal “gravitation” or “taste” in music happening here with Hellfueled? Probably. The only truth is, I would not go out of my way so often as I do, to just recommend pigeon crap on a platter. I try my hardest, to recommend the “coolest” bands and the creme’ de’ la creme’ of Metal, to my fellow Metalheads of the Metal Odyssey Battalion. Metal be thy name.

The song Midnight Lady opens up with a riff that was born to grab my attention and this song never let’s up on it’s ’80’s Heavy Metal outer-glow. Midnight Lady just lifts off from the onset and never seems to land to the ground, which is what good Heavy Metal is supposed to do in the first place. Despite the resonance of some Old School Heavy Metal from days long past, Hellfueled delivered a very relevant song in 2004 with Midnight Lady and it still is relevant in 2010, when compared to what’s being released at the moment.

Some may concur that Hellfueled isn’t playing anything that hasn’t been heard before. I counter by stating Hellfueled plays an European style of Traditional Heavy Metal and does so with a defiant level of confidence and talent. Just the three songs heard on this Midnight Lady EP, demonstrates the fire and hunger of a band, that trusts their style of sound and the path of heaviness they have chosen.

Reflecting for just a moment, to a band that just might be an influence to Hellfueled… Black SabbathAndy Alkman, the lead vocalist for Hellfueled, sounds remarkably close to that of the everlasting and legendary… OZZY. Vocals are supposed to be a unique characteristic, yet sometimes close similarities can occur between different singers, that is reality. I could not be more honest, in stating that Andy’s vocals are tailor-made for this style and sound of Heavy Metal. His vocals come across as natural and unforced, with any resemblance to Ozzy Osbourne being unintentional. If Andy’s intent was to vocally sound like Ozzy, well, then he obviously nailed it. Believe me, this is not the first place where Andy’s vocals have been compared to Ozzy.

The two previously unreleased demo songs, (Endless Work and Big Fat Eight), are very muscular in the Traditional Heavy Metal style, while not sounding as completely polished as Midnight Lady. Nonetheless, both of these demo songs can stand alone and take a pass on any further tweaking on the production side… the rawness brings out a more lean and mean aura to the vocals and overall sound of the band.

The music video for Midnight Lady that comes as a bonus to this EP is fun to watch. A teenage/college age couple are taking a late night cruise when all of a sudden, they drive by the Hellfueled band hitchhiking on the side of a dark and desolate country road. The girl in the car looks at the band as they drive by them and makes a goofy facial gesture at them. Game on.

Watch for yourself, as this couple finds out the hard way not to mess around with Hellfueled! Just click on the video box below!

Hellfueled takes the Traditional Heavy Metal style and plays it in a manner where I feel surrounded by their sound. Very strong, loud and enveloping are Hellfueled as they play on these songs, vocals included, with a guitar driven force. For new fans, this Midnight Lady EP makes for a solid introduction to Hellfueled.

I’ve seen the mp3 and CD/EP of Midnight Lady for sale on Amazon.com. It is worth picking up the entire CD/EP, as you are getting not only the two previously unreleased demo’s, your also getting the music video for Midnight Lady as well. This Midnight Lady EP is a terrific Metal listen and music video from Hellfueled that shouldn’t fly under your Metal radar. Plus… if you ever see Hellfueled hitching for a ride, don’t be foolish by not helping them out.

* For more info on Hellfueled, just click on the links below:

Hellfueled – Official Website

Hellfueled – myspace music

* Current Hellfueled lineup:

Andy Alkman – vocals

Jocke Lundgren – guitar

Henke Lonn – bass

Kent Svensson – drums

* Midnight Lady EP was released in Sweden in December of 2004, on Black Lodge.

* Midnight Lady EP had a worldwide release date in April of 2005, on Black Lodge.

Track Listing For Midnight Lady EP:

Midnight Lady – (Taken from the album Volume One)

Endless Work – (Previously unreleased demo)

Big Fat Eight – (Previously unreleased demo)

* Endless Work and Big Fat Eight are also listed as “Japanese Bonus Tracks” from Hellfueled’s debut album from 2004 – Volume One. (This info is listed on Hellfueled’s official website under “discography”.

* Produced by Fredrik Nordström and Patrik J. Sten

* The legendary producer/musician Fredrik Nordström founded Dream Evil, recruiting the incredible… Gus G. to join on with his band. The rest is Heavy Metal history…

* Extra Bonus Material:

Midnight Lady (Video) – (Directed by Charlie Granberg)

LONG LIVE HELLFUELED!

Stone.

ALICE COOPER – Is Finally “Nominated” To The Rock And Roll Hall Of Fame… Now What?

Posted in Hard Rock, hard rock bands, hard rock music, Heavy Metal, heavy metal bands, heavy metal history, heavy metal music, heavy metal news, metal odyssey, Music, rock & roll, rock 'n' roll, rock and roll, rock music, rock music news with tags , , , , , , , , , , , , , , , , on September 29, 2010 by Metal Odyssey

ALICE COOPER – Oh, thank you, thank you, thank you, Rock And Roll Hall Of Fame for “acknowledging” that Alice Cooper exists! Wow… that must really had been a strenuous and heated debate for all of you “corporate” board of directors over there to make. So, what are all of us Alice Cooper fans supposed to do now? Are we supposed to be excited? Are we all supposed to fall for your phony “corporate” game over there at The Rock And Roll Hall Of Shame? This is the same “institution” that nominated the uncannily iconic KISS last year and then decided not to induct them. DOLTS! Now… KISS isn’t even nominated this year!? WTF? Alas, the whole KISS debacle is for another post… another day.

Rock ‘N’ Roll History 101 to the “corporate” Rock Music scholars over at The Rock And Roll Hall Of Shame: Alice Cooper was known as a “band”. That’s right, Alice Cooper (The Band). From 1969 to 1973, Alice Cooper (The Band) released 7 studio albums. Alice Cooper then went solo, with the release of Welcome To My Nightmare in 1975. Alice Cooper (solo) has released a total of 18 studio albums from 1975 to 2008.

SO… WHICH IS IT… ALICE COOPER (THE BAND) OR ALICE COOPER (SOLO) THAT IS NOMINATED? GET IT STRAIGHT ROCK AND ROLL HALL OF SHAME. GET WITH IT. IT SHOULD BE BOTH THAT ARE NOMINATED, YOU POP-MAINSTREAM DUNCES. DOLTS!

I have been a lifelong fan of Alice Cooper (The Band) and Alice Cooper (Solo). No, I am not seventeen years old either, there are those days I wish I was though. I am old enough to know that the selection process for the nominees and inductees into this Rock And Roll Hall Of Shame is politically motivated by a clique of decision makers who thinks ABBA carries more “musical excellence” than the likes of: RUSH, Cheap Trick, KISST. Rex and The Moody Blues. (LOL). There are many more to add to this legendary list, however, my Metal point has been made clear.

At the end of the day, true fans of Alice Cooper (The Band & Solo), will never tire of their loyalty. A true fan cherishes the music their favorite bands and musicians create, regardless of what some millionaire CEO and his “out of touch” board of directors may say, in some overpriced building in Cleveland, Ohio.

A Rock ‘N’ Roll icon such as Alice Cooper does not need to be reassured of his status and acceptance by induction into any damn hall of fame. Sure, it is an honor to be inducted… only it should be a bigger honor to know your fans revere your music and accept you for who you are, regardless. Alice Cooper is BIGGER than The Rock And Roll Hall Of Fame… and that “establishment” knows it.

I say this time and again… that I revere many of the bands and musicians that have been inducted into this building. The slimy political posturing, that affects the nomination and induction process is what ruins what would have been a very grand idea from the very beginning… to have a credible Rock And Roll Hall Of Fame for fans to gravitate to. Sadly, that “type” of Hall Of Fame just doesn’t exist for this Rock ‘N’ Roll fan.

* Here is the “original” band lineup for Alice Cooper (The Band)… maybe someone can pass this information along to the Rock Music “scholars” that oversee who gets inducted into that building in Cleveland.

Alice Cooper – vocalist

Glen Buxton – guitarist

Michael Bruce – guitarist, keyboardist

Dennis Dunaway – bass guitarist

Neal Smith – drummer

LONG LIVE ALICE COOPER!

Stone.

TWEAK BIRD – Self Titled Album Is Eclectic And Heavy!

Posted in Album Review, alternative rock bands, alternative rock music, avant-garde metal music, Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal odyssey, Music, rock and roll, rock music, rock music news, stoner metal music with tags , , , , , , , , , , , , on September 28, 2010 by Metal Odyssey

TWEAK BIRD – Brothers Ashton and Caleb Bird have rode into town from Southern Illinois, with their self-titled, eclectically fused and heavy, full length album. Released on August 31, 2010, on Volcom EntertainmentTweak Bird is the follow-up to this bands 7 song EP, Reservations from 2008. From the looks of the album cover, Ashton and Caleb seem to be pretty psyched out about things… as well they should be, since Tweak Bird were invited as an opening act for the Progressively Alternative legends known as Tool this past Summer of 2010. Your music must be striking a heavy nerve and be interesting plus different enough for Maynard James Keenan to take such a prominent notice.

Well, I’ve taken notice of Tweak Bird too. Yes, I’m no Maynard James Keenan, still I have learned long ago that when you play from the heart and don’t follow the leader with your Heavy Rock sound, a band is going to stand out from the sea of clones. Tweak Bird has seemed to navigate themselves through this sea of clones and gathered up their Rock influences to make a menagerie of sound that is both Heavy and semi-Progressive. With a sprinkle of Alternative ambiance that seems to peer through the cracks of Tweak Birds’s sound, it’s still the Heavy Stoner riffs and chunkiness of Caleb’s baritone guitar that commands their sound.

There are moments, while I listen to Tweak Bird, that I feel I’m hearing The Sword in a slightly tempered down groove. Then, the vocal harmonies of Ashton and Caleb seem to combine for what makes this album stand apart from being just another Heavy assemblage of songs. The comparison likeness, no matter how subtle, to that of the great Geddy Lee, is not an out of the realm statement to make when mentioning the vocals of these two brothers.

One moment where Tweak Bird’s music gets diverse, Alternative if you will, is on the song A Sun/Ahh Ahh, where an extended saxophone solo by John McCowan, (who is referred to as “sometimes third band member” in a Volcom Entertainment press release), comes into play at around the two-minute mark of this song that runs 4:13. The overlapping and intermittent vocal ahh’s over the saxophone lends to an almost eerie feel… and I dig it. “A Sun/Ahh Ahh” comes to a close with the saxophone solo and fittingly makes sense.

Flute anyone? Tweak Bird incorporates the flute into Flyin’ High”. This song simultaneously breathes a slow tempo while Caleb plays the thickest and heaviest Stoner riffs that makes me bang my head in slow motion. It can be done… slow motion headbanging… Tweak Bird taught me how. As with the saxophone, Tweak Bird makes the flute fit right into their Heavy motives, almost in a hallucinating sort of way. Cool.

The last song on Tweak Bird, Distant Airways”, is the longest as well. Six songs clock in under 3 minutes, two songs under 2 minutes and one song barely over 4 minutes long. “Distant Airways” plays out at 6:15 long and doesn’t bore the senses as a useless and redundant epic either. The good ol’ saxophone makes its appearance once again on “Distant Airways”, giving these sax moments I hear a smoky lounge vibe that borders on the ultra cool. Hey… I have stated that Tweak Bird has shunned away the “clone syndrome” of Heavy Music and this song exemplifies this statement with ease. Distant Airways comes to a synthetic close with what sounds like a UFO taking off from some god forsaken crop field. A bona-fide Progressive moment. Cool again.

“Tunneling Through” showcases Ashton Bird hitting the drums hard (as he has been quoted: his hitting the drums hard being the “trick” in making his drums “sound good”). To me, Ashton’s drumming does sound good… and yes, it does sound like he hits the drums damn hard too. “Tunneling Through” gives way to a victorious feeling of “opening your mind” and journeying into the unknown. A tad psychedelic in it’s lyrical content? Sure thing. These lyrics married with the Stoner riffs and Heavy crunch, gives me that early 70’s Blue Cheer slap to my forehead. I point out this song as being my personal favorite from Tweak Bird.

Tweak Bird opens the album with The Future”, a song that has proved to me that Psychedelic Heavy Metal does exist, especially when this type of cool experimentation occurs. “The Future” has a memorable and steady beat that is not short on the Heavy side of Tweak Birds’s bag of cool & Rockin’ tricks. “The Future” ends with lots of fuzzy distortion that might have me borrowing my daughters lava lamp very soon. The shortest song from Tweak Bird is Round Trippin'”, playing at 1:12. The UFO’s have come to land! One listen to “Round Trippin'” and you’ll know what I mean there. This synth laced instrumental, puts an exclamation point on my tagging Tweak Bird as indeed… semi- Progressive.

Beyond is a track that takes the classic vibe of Surf Rock and beams it down into 2010… and is played the Tweak Bird way. Maybe the resurgence of Hawaii Five-O has some credibility after all. This song would make for a fabulous addition to this revamped television series soundtrack. Am I being a wise guy here? Nope. Beyond has all the feel and sound of modern day “Surfin’ USA”, only without the teeny-bop lyrics of actual… surfing. Cool.

The “Pop” or commercial accessibility of Tweak Bird’s songs sound non-contrived and it works well within the parameters of Heaviness that they pound away with. Caleb is an admitted T-Rex fan and loves Marc Bolan’s songwriting technique, thus the underlying reasoning behind a Classic Rock “Pop” characteristic, swirled within Tweak Bird’s overall sound. Clearly, Tweak Bird is a Heavy Band when it’s all said and done. Ashton and Caleb just mix it up by implementing the saxophone and flute within their Heavy Music playbook, showing that taking chances in Rock Music can make a comeback in 2010.

Do I like Tweak Bird? I sure do. I admire their making an album that is not generic. Knowing they are a Heavy Band is just the beginning… one must listen to each song and hear for themselves that the “unexpected” is just as cool as the “expected”. The one constant throughout the songs heard on Tweak Bird, is that you will hear Ashton and Caleb both playing Heavy… regardless if there are those intermittent moments of stylistic changes, the Heavy always returns.

Any multi-faceted, Rock Music nut should have a field day listening to Tweak Bird. Heavy Music fans that want a slice of Alternative cake, with their search for up and coming bands, might get exactly what they have been looking for with Tweak Bird. After listening to Tweak Bird several times, my use of the word “cool” has heightened… and I’m going for another slice of that Alternative cake. Cool.

* Tweak Bird was produced by Deaf Nephews – Dale Crover (Melvins & Altamont) and Toshi Kasai (Big Business & Altamont).

* For more info on TWEAK BIRD, just click on the cool links below:

TWEAK BIRD – myspace music

TWEAK BIRD – Official Website

Pictured above: Ashton on left, Caleb on right.

Track Listing For TWEAK BIRD:

The Future

Lights In Lines

Round Trippin’

A Sun/Ahh Ahh

Beyond

Tunneling Through

Sky Ride

Hazement In The Basement

Flyin’ High

Distant Airways

GO GET ‘EM, TWEAK BIRD!

Stone.

World EXCLUSIVE Premiere – The Jimi Hendrix Experience “HEY JOE” Is Covered By THE NEW CZARS! LISTEN HERE FIRST!

Posted in classic rock, classic rock music, classic rock songs, Hard Rock, hard rock bands, hard rock music, hard rock songs, Heavy Metal, heavy metal music, metal odyssey, Music, rock & roll, rock and roll, rock guitarists, rock music, rock music news with tags , , , , , , , , , , , , , , , on September 26, 2010 by Metal Odyssey

THE NEW CZARS – Metal Odyssey is extremely proud and honored, to present to the Rock Music world, the World Premiere Exclusive listen of Hey Joe covered by The New Czars! Metal Odyssey is the only place you will hear this cover version right now! *(Just click on the arrow in the bar below, to hear this song, in it’s entirety for yourself!). This ultra classic song from the ever legendary and late Jimi Hendrix is timeless. Hey Joe was released by The Jimi Hendrix Experience, on their debut album, Are You Experienced in 1967.

This cover of Hey Joe by The New Czars is solid in both it’s relevancy and classic heaviness carried over from it’s time. Greg Hampton adds his unique vocals and guitar skills to a song that some may consider sacred and does so with such rightful Rock reverence, which makes me say whoa, well done! Greg’s vocals have an instilled “Classic Rock sound and vibe” that only makes his singing Hey Joe that much more real to me. In my Metal opinion, Greg Hampton and The New Czars have nailed down the true Rock essence of Hey Joe. Jimi Hendrix is probably smiling from above, as he hears this cover version of Hey Joe.

Greg Hampton tells Metal Odyssey: “I have been a lifelong fan of Jimi Hendrix. With the fortieth anniversary of Jimi Hendrix’s passing approaching, I’ve been listening to a lot of his music. I wanted to do something to commemorate Jimi Hendrix on this important anniversary, through song. This cover of Hey Joe I’ve been working on for quite some time and I am very proud of it. I hope the fans will appreciate this cover of Hey Joe and like it as much as I do”.

* This cover version of Hey Joe by The New Czars will be available for purchase on itunes, on October 5, 2010.

* Hey Joe will also be featured on the forthcoming EP from The New Czars, titled: Mining The Ruins. This EP is slated for a November 30, 2010 release.

* Greg Hampton, (founding member of The New Czars), plays all instruments on this cover of Hey Joe, except for drums which are played by The New Czars alumni and multi-instrumentalist Chris Collier.

* To listen to the World Exclusive Premiere of Hey Joe by The New Czars, click the arrow in the bar below!

Long live the music of Jimi Hendrix!

Long live The New Czars!

Stone.

HALFORD “MADE OF METAL” – RELEASES SEPTEMBER 28, 2010!

Posted in Hard Rock, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , , , , , , , on September 21, 2010 by Metal Odyssey

HALFORDThe Metal GodRob Halford and his mighty band Halford will be seeing their third studio album – Made Of Metal released on September 28, 2010! Rob Halford is a living legend of Metal… with his Metal legacy forever forged as the front man for Judas Priest, Fight and 2wo.

This forthcoming album from Halford just seems to put a Metal exclamation point on the “year of Metal releases”… 2010! I personally can’t wait to hear Made Of Metal. Whoa. Whoa again.

* Made Of Metal will be released on Metal God Entertainment.

* For more info on Rob Halford and HALFORD, just click on link below:

ROB HALFORD.com

Track Listing For: Made Of Metal:

Undisputed

Fire And Ice

Made Of Metal

We Own The Night

Til The Day I Die

There’s No Tomorrow

Speed Of Sound

Heartless

Hell Razor

Thunder And Lightning

Twenty-Five Years

Matador

I Know We Stand A Chance

The Mower

Here is a discography of HALFORD studio albums:

Ressurection (released August 8, 2000)

Crucible (released June 25, 2002)

Halford 3 – Winter Songs (released November 3, 2009)

Yes, Halford 3 – Winter Songs is a studio album, however it is a holiday album. I guess one may still state this is an “official” studio album from Halford and call Made Of Metal the “fourth” studio album. It really makes no difference to me… cause HALFORD rules no matter what.

LONG LIVE ROB HALFORD AND HIS BAND – HALFORD!

Stone.

PANTERA – “THE WILL TO SURVIVE” DEMO IS A HIDDEN METAL TREASURE

Posted in hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal history, heavy metal music, heavy metal news, heavy metal songs, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , , , , , , , , on September 20, 2010 by Metal Odyssey

PANTERA – On September 14, 2010, Rhino Records released the 3-CD Deluxe Edition of Cowboys From Hell. PANTERA rules. Originally released back on July 17, 1990, on Atco Records, this was the album that catapulted PANTERA as a relentless and blazingly bad-ass live band. Metal be thy name, that is the truth. 2010 ushered in the 20th Anniversay of Cowboys From Hell, whoa… seems like yesterday to me when this unreal great album came out. Cowboys From Hell marked the fifth studio album from PANTERA… the first four being on their own label called Metal Magic. PANTERA rules.

It’s an endless Metal debate, as to which PANTERA album is the very best. I like to go with Cowboys From Hell, Vulgar Display Of Power and Far Beyond Driven as my personal top three. Hell, it’s very difficult for me to pin one PANTERA album against another. PANTERA rules. As I see it, PANTERA was the pit bull in the backyard, that was set loose to protect and spread the cause of Metal in the decade of the ’90’s… and they did just that and then some. Metal be thy name.

There is one demo, that was never released before, on disc 3 (the demo disc) which is The Will To Survive. Whoa, do I like this song a Metal ton. Phil Anselmo sounds like Rob Halford… or can I say has some heavy duty Rob Halford influence in his vocals, on this demo. After listening to this song a couple dozen more times… I will even make a Metal stretch by saying, that I hear a bit of Geoff Tate in the vocals of Phil Anselmo too. The Will To Survive of course was written and had it’s parts recorded well before there was a Vulgar Display Of Power, even before Cowboys From Hell.

I’m calling The Will To Survive demo a hidden Metal treasure. Why? For one, it’s not a song I would have expected to hear on this deluxe edition of Cowboys From Hell. Sure, the thought crossed my mind of maybe hearing something from the Metal Magic era of PANTERA… only this song surpasses what I initially thought it would sound like, both in it’s Traditional Metal style and sound. Trust me… the late and ultra legendary Dimebag sounds fabulous on guitar too, giving The Will To Survive a Speed Metal/Power Metal vibe that really leaves me whining for more.

If there were more hidden Metal treasures like The Will To Survive still on tape somewhere… locked away… I pray that Vinnie Paul, Rex Brown and Phil Anselmo would turn ’em loose on us fans someday, with one entire CD of PANTERA songs that have NEVER been heard before in any form. PANTERA rules.

Why do I keep stating “PANTERA rules” throughout this post you may query? There really is nuthin’ to question here… PANTERA F’N RULES. Always did… always will. Call me a PANTERA fan boy? Hell, I’m not alone there and I’m in good company, thank you very much. Plus, I’m damn proud to be one. Yes, I strongly urge any and all fans of Metal and of course, PANTERA, to get a copy of this Cowboys From Hell 20th Anniversary Deluxe Edition.

* Recently, I interviewed Phil Anselmo for my very good Metal Buddies over at HARD ROCK HIDEOUT. You can check out this HARD ROCK HIDEOUT exclusive by clicking the large link below or by clicking any HARD ROCK HIDEOUT link you see here.

PHIL ANSELMO – THE HARD ROCK HIDEOUT INTERVIEW!l

*An abbreviated breakdown of the 3 disc Cowboys From Hell – 2oth Anniversary Deluxe Edition:

* Disc 1 is the Cowboys From Hell studio album remastered. Disc 2 contains 12 live songs. Disc 3 has 11 demos from the Cowboys From Hell sessions, which includes The Will To Survive.

LONG LIVE THE METAL OF PANTERA!

REST IN PEACE, DIMEBAG.

Stone.