Archive for the 1990's hard rock music Category

RUSH – “WORKING MEN” ROCKS LIVE WITH VINTAGE CUTS

Posted in 1970's classic rock bands, 1970's classic rock songs, 1970's classic rock vocalists, 1970's classic rock music, 1970's hard rock, 1970's progressive rock bands, 1970's Rock, 1970's rock bands, 1970's rock music, 1980's classic rock bands, 1980's rock music, 1980's classic rock music, 1980's hard rock bands, 1980's hard rock songs, 1980's progressive rock bands, 1990's hard rock music, 1990's rock music, 1990's hard rock bands, 1990's progressive rock bands, classic rock, classic rock albums, classic rock bands, classic rock music, classic rock songs, current rock bands, hard rock bands, hard rock music, heavy metal history, heavy metal legends, heavy metal music, metal odyssey, Music, progressive hard rock albums, progressive hard rock music, rock music with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 26, 2010 by Metal Odyssey

RUSH is a band that lures me into their progressive Hard Rock world, like an insect flying into a backyard bug lamp. The main difference between me and an insect, (besides my being a human being), is that once I get zapped by the electrifying sound of Rush, I don’t turn crispy and bite the dust. Rush could very well release an album every year and I would buy it. This ultra iconic band’s albums brings back memories and makes new memories for me, on a consistent basis. Metal truth be told, the older I get, the more I have taken a stronger liking to the music of Rush. (I cannot figure this out, therefore, I won’t try to). Rush has released a total of nine live albums over their brilliant career, (counting Working Men), with All The World’s A Stage from 1976 starting this chain. Working Men will never go down as being the greatest live Rush album ever… yet it will not be considered sub standard either. This legendary band can’t compete with themselves, each live album they release, is a signature of where they are as elite musicians. What Rush does best, is give their fans consistency over the decades, while not sacrificing integrity in their musical product. Working Men exemplifies this integrity, with songs that are the most popular from their extensive album catalog.

Geddy Lee, (lead vocals, bass guitar & keyboards), Alex Lifeson, (guitar & vocals) and Neil Peart on drums, possess the uncanny abilities to keep their songs relevant and vibrant. It’s refreshing reality to know that Rush continues onward, entering their fourth decade of creating Progressive Hard Rock, in which they laboriously and consistently helped catapult into a beyond legitimate genre.

All 12 songs are taken from previously released live DVD’s, with the exception of One Little Victory, which is stated as previously unreleased. I come to the conclusion, that this “particular” live version of One Little Victory has never been released, it has appeared on Rush In Rio Live. The studio version of One Little Victory is the opening track for the 2002 Rush album – Vapor Trails. (A tad confusing as to the exactness of the previously unreleased meaning).

Working Men does meld the classics of Rush past, embarking on decades of gems… this live album opens with Limelight, (1981’s Moving Pictures) and Far Cry, (2007’s Snakes & Arrows), is track number six. Having Far Cry in the mix, is a standing true reminder, that Rush is ever the creative trio in recent years. The Snakes & Arrows studio album is an exemplary offering of modern day, Rush Progressive Hard Rock. To acknowledge such a recent Rush song like Far Cry, amidst this vintage lineup of live tracks, was the right move. How can any fan of Rush or such songs as Limelight, Tom Sawyer, Freewill, Working Man or Closer To The Heart resist such a classic compilation of live and Progressive Hard Rock excellence? I can’t resist, no matter how many live go rounds Rush gives these songs.

* The live DVD’s from which these Rush songs were taken from, to compile Working Men: Rush In Rio (2003), R30 (2005) and Snakes & Arrows Live (2008).

The Spirit of Radio, 2112, Dreamline, Subdivisions, and YYZ are the remaining tracks heard on Working Men.

Rush – Working Men was released on November 17, 2009, on Anthem/Atlantic Records.

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THE WHO – “GREATEST HITS” IS MY ANNIVERSARY GIFT!

Posted in 1960's classic rock music, 1960's classic rock bands, 1960's rock & roll british invasion, 1960's rock music, 1970's classic rock bands, 1970's classic rock music, 1970's hard rock, 1970's rock bands, 1970's rock music, 1980's classic rock bands, 1980's rock music, 1980's classic rock, 1980's classic rock music, 1980's hard rock bands, 1990's hard rock music, 1990's rock bands, 1990's rock music, 1990's hard rock bands, classic rock, classic rock albums, classic rock bands, classic rock music, classic rock songs, cool album covers, current rock bands, family, feel good stories, hard rock bands, hard rock music, life, life stories, living, metal odyssey, Music, real life experiences, Rock, rock & roll, rock and roll, rock and roll hall of fame inductees, rock music, rock music history with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 10, 2010 by Metal Odyssey

My wife and I will celebrate our 15 year Wedding Anniversary on February 11th. Wow, how time has flown by! Tonight, while strolling about at K-Mart, my wife informed me my anniversary gift from her is The Who – Greatest Hits. (Not too shabby, in my Metal opinion). Heck, I’m the guy, I never expect an anniversary gift to begin with… I always make sure my wife gets a gift for certain, still, this feels like a bonus to me!

What’s very exciting about getting this CD from my wife is the pure fact: I have never owned The Who on CD my entire life!! You read that correctly… never did I upgrade The Who to CD, after all these years. Go figure. Of course, I have owned some, (not all), of The Who titles on vinyl and cassette… still have them floating around somewhere. It’s an invigorating feeling to have this Greatest Hits by The Who now… 19 songs and all! What sweetens the deal about this CD is that it was on sale for $9.99! Yes, maybe I have given off hints now and again that I am frugal… it’s from growing up in New England for most of my life… in extremely expensive Connecticut. Believe me, if you live or ever lived in Connecticut, you know what I mean. Living there, man, you have to know how to cut corners and clip coupons… or go broke trying.

Back to The Who… my wife and I, along with my best Metal buddy Scott Coverdale, saw The Who back in the mid ’90’s… seeing them was a thrill beyond belief for me. Drivin N Cryin was the opening band too. I’m thankful I was able to witness John Entwistle live, on bass as well. This legendary show was at the Meadows Music Theater in Hartford, Connecticut.

The Who is a band that I can never, ever, grow tired of. Honestly, The Who just strikes that certain chord within my psyche… and I’m not concerned about figuring it out either. Seeing Roger Daltrey and Pete Townshend Rockin’ out during the Super Bowl XLIV half-time special… was something special. I could only hope and pray, that I am in that kind of shape when I hit that age! Sure, Roger Daltrey may not sound like he did in 1980… yet c’mon… he belted it out for the world to know that The Who is still around and damn proud! Pete Townshend also reminded us all, that he too… can still kick some Rock and Roll ass.

My favorite song ever, from The Who, is: Eminence Front. I’m not going to attempt any explanation here, other than this is THE song. You know how it is… there’s always that one particular song from a band that resonates with your mind and soul… Eminence Front is just that song by The Who. I’m thankful for my beautiful wife of 15 years and counting… nothing beats the memories, life experiences and love we have both shared with each other. (We actually have been together since 1988, married in 1995). I’m also thankful I have the memory of seeing The Who, live, with my wife and best friend. Money can’t buy love and memories… but $9.99 can buy me the coolest wedding anniversary gift – The Who, Greatest Hits.

The Who – Greatest Hits was released on December 21, 2009.

LONG LIVE THE WHO!

Reflecting on the good memories of life and staying positive and true to yourself… is what it’s all about. Music is the stimulus of good life memories for me… the Rock Music of The Who is no exception.

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ARCADE – REVISITING STEPHEN PEARCY’S “OTHER BAND” AND 1993 DEBUT ALBUM

Posted in 1990's hard rock music, 1990's heavy metal albums, 1990's heavy metal bands, 1990's heavy metal guitarists, 1990's hair metal bands, 1990's hard rock albums, Album Review, collecting metal music, cool album covers, glam metal, glam metal music, Hair Metal, hair metal albums, hair metal bands, hair metal music, hard rock music, hard to find heavy metal albums, hard to find rock cd's, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1993, heavy metal bands, heavy metal history, heavy metal music 1993, metal odyssey, Music, old school heavy metal, rock music with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 18, 2010 by Metal Odyssey

In recent days, the 1993 debut and self titled album from Arcade found it’s way into my ears. (Thank you Best Metal Buddy Scott). Epic Records released this Arcade debut. You all should be quite familiar with Arcade’s front man Stephen Pearcy… lead singer for RATT and very much a prominent, memorable and flamboyant Hair Metal figure from the 1980’s. Fred Coury, the drummer for still another iconic 1980’s Hair Metal juggernaut – Cinderella, found that one of his Heavy Metal path’s led to Arcade as well. Hair Metal and Glam Metal aside, Arcade was just damn good Heavy Metal – period. In my Metal opinion, if Arcade was to have been assembled around 1985, (instead of the gray lined early ’90’s), they would have had their likenesses adorning highway billboards – all over North America. O.k., that might be of a Metal stretch, nonetheless, Arcade would easily have been bigger and more widely received during an earlier era. Revisiting Heavy Metal Bands from the past that are no longer together, makes for the credibility of just where Heavy Metal is today… these are the bands and musicians that kept the Metal flame burning during a ’90’s decade of Heavy Metal uncertainty. I was never uncertain about my beloved Heavy Metal during the ’90’s… and by the sounds of it, neither was Stephen Pearcy and Arcade.

What this debut album from Arcade shows me, is that Stephen Pearcy acknowledged within himself, that he had all the Metal ingredients and creativity to be a star outside of RATT. And certainly, I would hope the majority of us Metalheads know that RATT was no fluke, their heavy legacy still reigns to this very day. For Stephen Pearcy to be the lead vocalist for two bands of this quality and caliber is not an everyday accomplishment. Essentially, the same can be Metal said for Fred Coury respecively, on drums. Guitarists Donny Syracuse and Frankie Wilsex add credence to Arcade’s own Heavy Metal identity. The only reminder of RATT within the sound of Arcade is Stephen Pearcy’s vocals and he CANNOT be faulted for that.

It sounds very clear to me, that Stephen Pearcy and his Heavy Metal posse called Arcade, knew all along, just how to create and write a ballad. Cry No More, Mother Blues and So Good… So Bad… are extremely tolerable ballads to listen to. I can actually listen to these three ballads repeatedly! (Now, listening to any ballad repeatedly is a rarity in my Metal world). Arcade actually found that semi sappy to sappy lyrics don’t need to be coupled with excessively sappy music, that brings you to the brink of an emotional meltdown. I will admit, Cry No More has an acoustic guitar intro that carries on a very reminiscent tone and mood from Cinderella’s classic Power Ballad – Nobody’s Fool. Mother Blues is an unplugged/acoustic listen in Rock goodness, it really is. Sons And Daughters is the lone instrumental on Arcade. An acoustic instrumental that lends itself as the perfect segue to Mother Blues.

Arcade is one of those albums where it is obviously nonsensical to breakdown each song as a review. Those who have listened and liked this album may understand my point. Outside of the three ballads and one instrumental previously mentioned, the other eight songs are undisputed Rockers. If you are looking to revisit these songs or give them a first time listen, understand that the hard and heavy from Arcade doesn’t give me a moments break… and I like that! I try to steer away from pinpointing what exact genre Arcade belongs to… at the end of the Metal day does it really matter? Arcade is Hard Rock colliding with Heavy Metal, whatever one’s interpretation that differs from mine is a matter of personal Metal labeling.

From the onset, Dancin’ With The Angels is fair warning that Stephen Pearcy and Arcade are NOT about re-treading RATT. Messed Up World is my favorite song from Arcade. The lyrics of Messed Up World could not resonate any more loud and true for me. Relevance? This song is exploding at the Metal seams with it. Messed Up World could have easily been written for today’s nightly news features.

Arcade… they came, they saw, they Metal conquered.

ARCADE, as they appeared on their 1993 debut album:

Stephen Pearcy – lead vocalist

Donny Syracuse – guitarist

Frankie Wilsex – guitarist

Michael Andrews – bass guitarist

Fred Coury – drummer

The Track Listing For Arcade:

Dancin’ With The Angels

Nothin’ To Lose

Calm Before The Storm

Cry No More

Screamin’ S.O.S.

Never Goin’ Home

Messed Up World – *(Metal Odyssey Note: My favorite song, man, it’s a good one)

All Shook Up

So Good… So Bad…

Livin’ Dangerously

Sons And Daughters

Mother Blues

* Metal Odyssey’s Metal research has found there is an additional song on the Japanese version of Arcade – Reckless. No, I have never heard this song… yet.

* To the best of Metal Odyssey’s Metal knowledge, Arcade’s debut album – Arcade is out of print. Used copies are circulating for sale all around the world wide web. (I’ve seen used copies on Amazon Music).

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WANNA SEE MY MOTORHEAD BOOK? IT’S REAL COOL…

Posted in 1970's classic rock music, 1970's hard rock, 1970's heavy metal, 1970's heavy metal bands, 1980's hard rock, 1980's hard rock bands, 1980's heavy metal bands, 1980's heavy metal music, 1980's metal bands, 1981 heavy metal music, 1990's hard rock music, 1990's heavy metal bands, 1990's metal bands, 1990's hard rock bands, 1990's heavy metal music, book reviews, classic heavy metal, classic rock, classic rock music, collecting rock music, current heavy metal bands, family, feel good stories, Hard Rock, hard rock music, Heavy Metal, heavy metal bands, heavy metal book reviews, heavy metal history, heavy metal memorabilia, heavy metal music, life, life stories, metal music, metal odyssey, Music, old school heavy metal, rock & roll, rock and roll, rock music, rock music books with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on January 12, 2010 by Metal Odyssey

The year was 1987 and I was yes, a Motorhead fan. (I still am a Motorhead fan, of course). As Christmas approached in 1987, my late mother had asked me what I would want for (potential) gifts. Well, most certainly they were Heavy Metal related gifts… vinyl albums, CD’s, posters and one very special book in particular. I was raised where you never received every gift on your list… so the bigger the list did not mean the more the gifts. So, with that thought in mind, I really crossed my fingers and hoped that this really cool book would be checked off of the request list that I gave to my mother. That really cool book was titled… MOTORHEAD. Oh yeah, Motorhead. Just the cover alone had me grinning from ear to ear, with Lemmy Kilmister, Philthy Animal Taylor and Fast Eddie Clarke in all of their Rock n’ Roll and goofy splendor. (See the really cool front cover pic of this book below, to see what I mean by that statement). To make a long Metal story short… my mother did buy me that Motorhead book for Christmas after all! I will never forget the smile on her face, as she saw the excitement in mine, upon my first opening that book up on Christmas day in ’87. The sentimental link this book has to my late mother, plus it being a book that’s just about Motorhead… well, it’s priceless to me, both the memory and this book combined.

This dandy Motorhead book was published by Babylon Books in 1981. (Whoa, I used the word… dandy, on Metal Odyssey). One odd thing about this book is that the pages are not numbered. I did count the pages myself, it was pretty easy to do too, yup, there are 64 pages total, (not counting the front and back covers). Throughout this Motorhead book, there are dozens of vintage black & white photos of Lemmy, Eddie and Phil, as well as oddball photos ranging from groupies to fanzine photos and illustrations. The Metal note to remember here is that this book documents Motorhead up until 1981, it is so easy to thumb through these pages expecting to see Brian Robertson, Wurzel, Phil Campbell or Mikkey Dee. This is as vintage as it gets with Motorhead history!

From Lemmy Kilmister’s very beginnings in Rock Music with The Sam Gopal Dream and later Hawkwind, this book lends itself to being a Motorhead 101 mini text book. A well documented history on just how Motorhead came together, through anecdotes and personal accounts makes for a fun and Metal educational read every time. A historical timeline of radio interviews and television appearances up to 1981 are also documented. What would this book be without a Motorhead discography? Albums, singles and bootlegs are covered! Biographies of Lemmy, Eddie and Phil are also included. Want to know the complete 1981 United States tour schedule that Motorhead had? The 1981 tour schedule is nailed down too! I could probably, with incredible Metal ease, blab away for paragraphs on end about the details found in this Motorhead book… unfortunately, I just can’t do that. Take my Metal word for it though… if you are a fan of Motorhead or of any Rock genre at all, this book is worth seeking and owning, both for it’s Rock History and nostalgia.

MOTORHEAD – Front Cover

Please excuse the quality of the photos here, sometimes Metal is Old School and these photos exemplify that. Actually, the ambiance that these photos represent, is just how this Motorhead book feels to hold and read. As a quick closing to the earlier story, about my receiving this great Motorhead book as a Christmas gift from my late mother back in ’87: Whenever my buddies, relatives or just about anyone that would come over to our house back in the late ’80’s, they would usually be confronted by my asking them… wanna see my Motorhead book? It’s real cool…

MOTORHEAD – Back Cover

I truly thank my unreal, great mom for this fabulous Motorhead book. It has served me right.

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HAPPY METAL BIRTHDAY ANTHONY KIEDIS! PLUS “ONE HOT MINUTE” REVISITED

Posted in 1980's classic rock bands, 1980's rock music, 1980's rock bands, 1990's classic rock albums, 1990's classic rock music, 1990's classic rock vocalists, 1990's college music, 1990's hard rock music, 1990's rock bands, 1990's rock music, 1990's hard rock albums, 1990's hard rock bands, Album Review, alternative rock bands, alternative rock music, alternative rock music albums, classic rock music, essential classic rock albums, essential classic rock songs, essential hard rock albums, essential rock albums, hard rock music, hard rock vocalists, metal odyssey, Music, rock & roll, rock album review, rock and roll, rock celebrity birthdays, rock guitarists, rock music, rock vocalists with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 1, 2009 by Metal Odyssey

Red Hot Chili Peppers logoMetal Odyssey extends a loud Happy Metal Birthday to Anthony Kiedis! Anthony was born on November 1, 1962 and he turns 47 today. Anthony co-founded and is the lead singer for The Red Hot Chili Peppers. My favorite Red Hot Chili Peppers album is one hot minute, (released on September 12, 1995 on Warner Bros). My three favorite songs from one hot minute are Warped, Aeroplane and My Friends. It is surprising to even me, that I really like the song My Friends such a great deal, due to it being a mid paced Rock ballad. Still, this song seemed to capture my attention back upon it’s release, it still does when I listen to it. The presence of Dave Navarro on guitar makes one hot minute a more heavier sounding version of The Red Hot Chili Peppers, in my Metal opinion. This is an album that I have to honestly say, bridged the gap between Grunge gradually losing it’s stranglehold on popularity and Heavy Metal making a comeback in the public eye. (That is my Metal opinion, I cannot help myself).

One hot minute made total sense to me upon it’s release back in 1995, it still does. The songs carry out a continuous Rock vibe while not adhering to one specific trend of the day. A very polished album, (produced by Rick Rubin), one hot minute is exemplary of what the mainstream was embracing as acceptable heavy, whenever it came anywhere near Hard Rock or (gasp), Heavy Metal. With a toned down Metallica on the loose in the mid 1990’s, The Red Hot Chili Peppers were not toning it down with one hot minute… based on their style of Rock. Their sixth studio album and a multi-platinum seller, one hot minute obviously had some hot chart success. (With that said, I have never been one to judge an album based on chart positions). I have always appreciated this band, what is there not to like about the musicianship of Flea on bass and Chad Smith on drums as well? A Rock rhythm section solidified.

Getting back to Anthony Kiedis… I have and always will be greatly entertained by his vocals. Anthony also has written some clever lyrics that many times touched on his own inner battles with addictions. The diverse style of Anthony’s vocals make him a Rock singer that is without question, truly one of a kind. From Funk to Heavy Metal and everything in-between, The Red Hot Chili Peppers have touched on it all, with Anthony Kiedis cementing his dynamic vocal stamp on each song in their extensive catalog. From my perception, listening to Anthony Kiedis sing using so many styles, leads me to believe he has an admirable respect for all genres of music. The alternative and artistic overlays of The Red Hot Chili Peppers brand of Rock cannot be discounted… neither can the vocals of Anthony Kiedis ever be denied.

The Red Hot Chili Peppers "one hot minute" large album pic

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MEAT LOAF – Appears In Commercial Endorsing A-1 Steak Sauce!

Posted in 1970's classic rock bands, 1970's classic rock vocalists, 1970's hard rock bands, 1970's classic rock music, 1970's hard rock, 1970's rock music, 1980's classic rock bands, 1980's classic rock vocalists, 1980's rock music, 1980's classic rock music, 1980's hard rock bands, 1990's classic rock albums, 1990's classic rock music, 1990's classic rock vocalists, 1990's hard rock music, 1990's rock bands, 1990's rock music, 1990's hard rock albums, 1990's hard rock bands, classic hard rock bands, classic hard rock music, classic rock, classic rock albums, classic rock bands, classic rock music, classic rock songs, classic rock vocalists, cool album covers, essential classic rock songs, food commercials, hard rock music, metal odyssey, Music, old school hard rock, rock & roll, rock and roll, rock and roll commercials, rock and roll news, rock music, rock music in commercials, rock music on television, rock music vocals, rock vocalists with tags , , , , , , , , , , , , , , , , , , , , , , on October 30, 2009 by Metal Odyssey

MetalOdysseyMeat Loaf, Rock Music legend. Meat Loaf, lead vocalist on Ted Nugent’s 1976 Free For All album. Meat Loaf, a guest investigator on Ghost Hunters. Meat Loaf playing the role of Eddie in the cult film classic – The Rocky Horror Picture Show. Oh, heck, I could make quite the list of Meat Loaf career achievements here. I have not even touched on awards, records sold or concert receipts. Meat Loaf has been a lifetime favorite Rock/Hard Rock vocalist for me. I get all happy to see Meat Loaf in the limelight, no matter what the platform may be. I have said it before, Meat Loaf just seems like a down to earth guy that has continuously risen above the star status of plasticity.

I have never been a fan of using vintage Rock songs for commercial purposes. Attaching a legendary song of any Rock or Metal Music genre, to a product for the sole purpose of marketing and selling such product, just takes away from the original Rock spirit of the song. That is my Metal opinion. Step in A-1 Steak Sauce, um, please. You see, I witnessed the other night, while watching whatever on television… Meat Loaf in an A-1 Steak Sauce commercial. Yes I did. Meat Loaf… steak sauce. (I think this commercial appeared during the Yankees vs. Angels game 6 playoff game on Fox). All I know is this commercial came on late, therefore my Metal memory has a few cobwebs. Meat Loaf looked fine, just as he looked on a recent episode of Ghost Hunters. In this A-1 Steak Sauce commercial, he actually looked like a dude you would approach at a family or company picnic… asking him where the cold beer is hidden.

The classic Meat Loaf song – I’d Do Anything For Love (But I Won’t Do That), is heard during this A-1 Steak Sauce commercial. Plus, Meat Loaf is shown singing along to this song, apparently showing his affection towards A-1 Steak Sauce. Meat Loaf is also shown wearing a bath robe and bunny slippers too. Yup. Hey, I’m all for a free enterprise, this is America. I also believe in the semi-fabulous words of wisdom… live and let live. Metal be damned though, I will forever now attach this great Meat Loaf song to a stinking bottle of steak sauce. The marriage of commercial products and my favorite Rock songs have an imbedding power within my Metal mind, this has always been the case my entire life. Once the attachment of a Rock song and it’s commercially related product occurs… that’s it. I cannot shake the connection loose once I hear such song(s) again.

There are many positives to be explored with this Meat Loaf meets A-1 Steak Sauce commercial just the same. Three quick positives come to my Metal mind: One – Meat Loaf is in the public eye, where he rightfully should be. Two – Meat Loaf is working and getting paid. Three – I will now and forever link and associate the A-1 Steak Sauce bottle that sits atop many restaurant tables, to a Rock Music icon whose voice has entertained and inspired me for decades. Reaching for that bottle of A-1 Steak Sauce will never be the same for me again. Long live Meat Loaf.

* I’d Do Anything For Love (But I Won’t Do That) appears on the 1993 Meat Loaf album – Bat Out of Hell ll: Back Into Hell. This fantastic song was written by Jim Steinman.

Meat Loaf "Bat Out Of Hell ll" large album pic

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TONY IOMMI & GLENN HUGHES – 1996 DEP SESSIONS ALBUM- OLD SCHOOL HEAVY METAL

Posted in 1970's classic rock albums, 1970's classic rock bands, 1970's hard rock bands, 1970's classic rock music, 1970's hard rock, 1970's heavy metal, 1970's heavy metal music, 1970's Rock, 1970's rock music, 1980's classic rock bands, 1980's classic rock guitarists, 1980's heavy metal albums, 1980's classic rock music, 1980's heavy metal bands, 1980's heavy metal music, 1980's metal music, 1986 heavy metal albums, 1986 heavy metal music, 1990's classic rock albums, 1990's classic rock music, 1990's hard rock music, 1990's heavy metal albums, 1990's heavy metal bands, 1990's rock music, 1990's hard rock bands, 1990's heavy metal music, Album Review, Black Sabbath, century media records, classic hard rock, classic hard rock music, classic heavy metal, classic heavy metal albums, classic metal, classic rock, classic rock albums, classic rock bands, classic rock music, classic rock vocalists, collecting classic rock, collecting heavy metal albums, collecting music, cool album covers, essential classic rock albums, essential hard rock albums, essential heavy metal albums, essential rock albums, hard rock music, hard rock songs, hard rock vocalists, hard to find rock albums, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal vocalists, Metal, metal odyssey, Music, old school hard rock, old school heavy metal, rock & roll, rock and roll, rock and roll hall of fame inductees, rock music, rock vocalists, tony iommi heavy metal guitarist, vintage hard rock bands, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 20, 2009 by Metal Odyssey

HUGHES large album picI found IOMMI With Glenn Hughes – the 1996 Dep Sessions on the Century Media Records online store CM Distro.com. This CD set me back 3 bucks plus shipping. (I bought a few CD’s so the total shipping cost of 5 bucks was reasonable to me). This CD was in the clearance section at CM Distro.com, proving to be a cool Metal find for me. Tony Iommi is the lead guitarist for the ultra legendary/Rock and Roll Hall of Fame inductee – Black Sabbath. Glenn Hughes has had a stellar career of his own, most notably being a vocalist and bass guitarist for Deep Purple on their Burn and Stormbringer studio albums from 1974. Glenn Hughes is also on the Deep Purple studio album – Come Taste the Band from 1975, as well as several Deep Purple live albums, the most notable being Deep Purple – Made In Europe, from 1976. Glenn Hughes was a member of Black Sabbath, (hey, it is an official Black Sabbath album – Black Sabbath Featuring Tony Iommi – Seventh Star). This studio album, Seventh Star, was released back in January of 1986 and Glenn Hughes was the lead vocalist only… Dave Spitz played bass on Seventh Star. This background information on Glenn Hughes is to help anyone who may be unfamiliar with his musicianship and/or career. Trust me, it would be a very long post to acknowledge everything Glenn Hughes has done during his illustrious music career dating back to 1968.

I have always revered the vocals of Glenn Hughes, not to mention his bass guitar exploits. When I listen to Glenn Hughes sing, it is the real deal for me… real Hard Rock vocals, real Heavy Metal vocals and yes, even soulful vocals on some of his solo work as well. Tony Iommi in my Metal opinion, is… if not the founding father of Heavy Metal guitar, then one of the very first. The combination of Glenn Hughes on vocals and Tony Iommi on guitar worked just fine for me on the Black Sabbath album, Seventh Star. Certainly, it was not the most famous music achievement for either Tony Iommi or Glenn Hughes, still it remains a standout album for me due to it’s Old School – Heavy Metal resonance and quality of songs.

This 1996 DEP Sessions album seems to rekindle that Old School Heavy Metal and Old School Hard Rock sound from the late 1970’s into the ’80’s. Do not expect a layered and very heavy album here, you will not be listening to Heaven and Hell or Sabbath Bloody Sabbath. Even the Heavy Metal fog storm of Seventh Star is not revisited here by Iommi and Hughes. What I hear, is an appropriate blend of Rock, Hard Rock and Heavy Metal vocals from Glenn Hughes, to correspond with the diverse guitar brilliance of Tony Iommi. The riffs are plentiful, extremely distinguishable that this is Tony Iommi – the Old School, Heavy Metal riff king himself. Iommi does not shy away from writing and playing tremendously melodic leads as well, in a Metal nutshell… Tony Iommi’s guitar is the dominant musical force on this 1996 DEP Sessions album, (of course). Unlike the Black Sabbath albums with Geezer Butler on bass and Bill Ward on drums, the rhythm section on this album honestly does take a back seat… albeit intentional during production or it just may be my aging Metal ears.

My three favorite songs on this 1996 DEP Sessions album are: Gone – which plays out as the heaviest song, the opening riff is vintage Tony Iommi. I‘m Not The Same Man – has reality check lyrics and is driven with melodic hardness at every nook and cranny. Fine – is a Hard Rock ballad that just grabs my attention on a personal level, plus Tony Iommi and Glenn Hughes really deliver a genuine song here. All eight songs are memorable and good quality, both musically and lyrically. I won’t yell out loud that this album is unreal great and the best stuff these two Heavy Music legends have ever done. I will attest that this album has been a damn cool listening experience for me though. 1996 DEP Sessions is definitely worth picking up if you are a fan of Old School Heavy Metal and/or Hard Rock, Deep Purple and Black Sabbath. Glenn Hughes and Tony Iommi fans have to own this album of course, the value is in the overall musicianship and diversity in songs. I will be playing this album regularly in the future, the combination of Glenn Hughes and Tony Iommi is just too cool to ignore.

Track Listing For: IOMMI with Glenn Hughes the 1996 Dep Sessions:

Gone

From Another World

Don’t You Tell Me

Don’t Drag The River

Fine

Time Is The Healer

I’m Not The Same Man

It Falls Through Me

* the 1996 Dep Sessions IOMMI with Glenn Hughes was released on September 28, 2004, on Sanctuary and Mayan Records.

HUGHES large album pic

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DRIVIN N CRYIN – 1993 ALBUM “SMOKE” IS HARD ROCK BLISS

Posted in 1980's rock music, 1980's hard rock bands, 1990's classic rock albums, 1990's classic rock music, 1990's college music, 1990's hard rock music, 1990's rock bands, 1990's rock music, 1990's hard rock albums, 1990's hard rock bands, Album Review, classic hard rock bands, classic rock, classic rock album finds, classic rock albums, classic rock bands, classic rock music, classic rock songs, classic rock vocalists, collecting classic rock, collecting rock music, current hard rock bands, essential classic rock albums, essential classic rock songs, essential hard rock albums, essential rock albums, feel good stories, Hard Rock, hard rock album review, hard rock bands from georgia, hard rock drummers, hard rock guitarists, hard rock music, hard rock songs, hard rock vocalists, metal odyssey, Music, old school hard rock, rock & roll, rock album review, rock and roll, rock music, rock vocalists with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on October 16, 2009 by Metal Odyssey

Drivin N Cryin "Smoke" small album picThere are those select few bands, select few albums throughout my life that I have listened to, that I can say – resonates with me. Drivin N Cryin is one of those bands and their 1993 album – Smoke, (on Island Records). I confess, I never owned a copy of Smoke until October 14, 2009. Unbelievable, how great Rock Music can slip by you. I have vindicated this slip-up by now taking ownership of this great album… finding it on CD during one of my many thrift store Hard Rock and Metal hunts. Rock diversity is a strong point with Drivin N Cryin, their talent to create credible and memorable songs are sensationally a musical characteristic. Smoke is a Rock meets Hard Rock album that even upon it’s initial 1993 release, can be construed as a throwback – to the days when writing Rock songs wasn’t about a race to the commercial finish line. After three consecutive and thorough listens to Smoke on Wednesday, all I could think about that night was listening to Smoke on Thursday! For me, this album is that good… I mean great.

Drivin N Cryin does bring back a very cool Rock memory for me. I saw Drivin N Cryin open up for the ultra legendary – The Who. This concert was at the Meadows Music Theater in Hartford, Connecticut, I think the year was around 1997. (Heck, I cannot remember the exact year). My wife and best buddy Scott were with me for this unreal great night of Rock and Roll. We did not know upon entering this outdoor amphitheater that Drivin N Cryin were opening for The Who that night… we were beyond thrilled when Drivin N Cryin hit the stage, they were simply put – tremendous. I will always remember that night, for Metal sakes, it was The Who taking center stage after all! However, Drivin N Cryin was the Hard Rock bonus that was so unexpected that evening… an unbelievable bonus it was!

Drivin N Cryin "Smoke" small album picThere is no hiding from the fact that I uphold Metal Music and I am a Metalhead, with that said, I also uphold quality Rock and Hard Rock Music as well. Drivin N Cryin enables me to embrace their songs through their vivid musicianship and clarity of their lyrics. With Smoke, there are no illusions going on, no flamboyant and over the ropes attitudes to be heard, just straight -up Rock Music that hits home for me. The first three songs, Back Against The Wall, She Doesn’t Wanna Go and Smoke on Smoke are a 1-2-3 Hard Rock can of whoop ass. 1000 Swings and 1988 are by far cool Rockers as well. Whiskey Soul Woman is just one incredible Rock song to cruise to, it has a Classic Rock vibe swirling all around. When You Come Back is a laid back, Blues Rockin’ song that shows just how diverse Drivin N Cryin can be with Rock. Patron Lady Beautiful can be justified as an epic Rock song for Drivin N Cryin, at 7:36 it plays out with the Rock mellowness that I need to hear every so often and takes it’s twists and turns with Hard Rock heaviness – in real Classic Rock style. What’s The Difference and Eastern European Carny Man has some Tom Petty influence happening, both vocally and musically, not a bad influence for my ears to hear at all.

My favorite song on Smoke, (if I am forced to choose), has to be Turn It Up Or Turn It Off… this is a Hard Rock Classic for me, man these guys jam on this song. There is a hidden track on Smoke, right after the last song, therefore there are really thirteen songs on this album. This hidden song has Classic Rock oozing from it’s every crevice, with the guitars giving way to 1970’s style licks that are beyond cool for me. When it is all said and done, quality Rock musicianship and vocals will always save the day and stay relevant for decades on end. Drivin N Cryin is just this band, extremely credible song writing and musicianship and Rockin’ to this very day. I really dig the vocals of Kevin Kinney, he is at his unreal best on Smoke. I most highly recommend Drivin N Cryin and all of their music to any fan of Rock, Classic Rock and Hard Rock. Smoke turned out to be a hidden Rock gem for me, sending me off to Hard Rock bliss.

* I have not seen this CD for sale on Best Buy online, I have seen it for sale at Amazon.com, as recent as today.

Drivin N Cryin as they appeared on Smoke:

Kevin Kinney – vocals and guitar

Tim Nielsen – bass

Jeff Sullivan – drums

Buren Fowler – lead guitar

DRIVIN N CRYIN "SMOKE" X-LARGE ALBUM PIC

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THE LAW – Paul Rodgers and Kenney Jones 1991 album revisited

Posted in 1990's hard rock music, 1990's rock music, Album Review, classic hard rock, classic hard rock bands, classic hard rock music, classic rock, classic rock albums, classic rock albums 1991, classic rock bands, classic rock music, classic rock songs, classic rock vocalists, collecting classic rock, collecting rock music, everyday experiences, family, feel good stories, Hard Rock, hard rock album review, hard rock drummers, hard rock songs, hard rock vocalists, metal odyssey, Music, old school hard rock, Rock, rock album review, rock album reviews, rock music, rock music vocals, rock vocalists, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , on September 7, 2009 by Metal Odyssey

The Law - small album photoOn Saturday, of this 2009 Labor Day Weekend, I set out on a trip to buy back to school necessities for my daughters. The local mall, which is only minutes away, provides for a cool stroll… an f.y.e. is located inside. (Yessssss!). As my daughters and wife are perusing the kids sneakers, all I kept thinking was… what is currently hiding in the batch of used CD’s over at f.y.e.? The trip to this particular mall proved to be very worthwhile, no sneakers were found that my daughter liked, however, we had some fine pizza slices for lunch while we were there, plus I found The Law. The debut album The Law was nestled within the many used CD titles for sale at f.y.e.. With my f.y.e. Backstage Pass Platinum store card, the final price I paid for The Law used CD was $2.81… amazing. Not a bad price to pay for one of the most underrated Rock/Hard Rock albums I have ever listened to. I really get a kick sometimes out of what I will find in the selection of used CD’s at f.y.e., I have scored some real cool used CD’s at f.y.e. over the past few years. Upon leaving this mall, my wife did not hesitate for a second, in getting The Law into the car’s CD player… the family and I listened to this CD in it’s entirety as we continued on our quest for back to school sneakers.

I bought The Law on cassette tape back in 1991 and still have it to this day, an upgrade to CD was long overdue. The Law was released on March 19, 1991, I instantly knew I would purchase this album back then, due to my admiration for Paul Rodgers with his Rock-cool and legendary vocals. Plus, I always immensely enjoyed Bad Company, Free and The Firm… whatever band Paul Rodgers fronted, I was listening to. My favorite song from this album is Laying Down The Law, it is a solid Hard Rock song that ripples with a tough vibe and reminiscent of Bad Company… in my Metal opinion. Paul Rodgers wrote and even plays the piano on Laying Down The Law. Overall, this is not the greatest album or band/project that Paul Rodgers was a part of, still I like The Law enough to recommend to anyone into quality Rock, Hard Rock or Classic Rock music. This album had it’s share of song writers and guest musicians, yet the end result are eleven songs that possess the Classic Rock sound that hooks me each time I listen. Paul Rodgers on vocals with The Law is the main reason why I like this album. Kenney Jones on drums, (Small Faces, Faces and The Who), is another valid reason why I will always look back at this band and album with the upmost respect.

The way I see it, you have to listen to bands and albums that you like, regardless of how successful the respective album was/is on the charts or mainstream radio. Album sales never have determined for me, the quality of a band or album, I shall never be swayed by mainstream Rock critics or here-say. The Law is a prime example of record sales not being impressive and a band short lived. Do I care? No. It’s what I like that matters most and I would not recommend this album if I thought it to be a stinker.

The Law notable guest musicians and/or song writers:

Phil Collen (lead guitarist for Def Leppard), wrote Miss You In A Heartbeat for The Law and later recorded by Def Leppard for their Retrospective album. The ever legendary David Gilmour plays guitar on the song Stone. Chris Rea also plays guitar on the song Stone. Bryan Adams cowrote and plays guitar on Nature of the Beast.

The Law - large album photo

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MASTERS OF REALITY – “Sunrise On The Sufferbus” album evokes memories of hanging out and chillin’

Posted in 1990's hard rock music, 1990's rock music, 1990's stoner rock music, Album Review, classic hard rock, classic hard rock bands, classic hard rock music, classic rock, classic rock albums, classic rock bands, classic rock music, classic rock songs, collecting music, essential classic rock albums, essential hard rock albums, essential rock albums, feel good stories, Hard Rock, hard rock album review, hard rock songs, hard to find rock albums, hard to find rock cd's, Music, old school hard rock, Rock, rock album reviews, rock and roll, rock music, silly album covers, vintage hard rock albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , on September 6, 2009 by Metal Odyssey

Masters Of Reality "Sunrise On The Sufferbus" small picMasters Of Reality – Sunrise On The Sufferbus was released back in 1992, on Chrysalis Records. I already owned the 1988 debut album, (self titled), from Masters Of Reality when I jumped on this album back in 1992. The best way I can describe this band is Old School Stoner Rock/Hard Rock, in my Metal opinion. This is a grossly underrated Rock album, the musicianship, songs and total grooviness on Sunrise On The Sufferbus makes this a lifetime keeper, for me. My favorite song on this album is J.B. Witchdance, a non stop bass groove with a semi-haunting overall sound, always seems to put me in a cool mood. My second choice pick from Sunrise On The Sufferbus is She Got Me  (When She Got Her Dress On) – this song as with the entire album, is unbelievably unique, I just never heard a band sound like Masters Of Reality back then, nor do I now. This album is the closest thing to heavy without being so… I know that sounds crazy, I just cannot explain this music any better than that. O.K., maybe I’ll try this… cool under heavy… now that might work. (If you are wincing at the use of words here, just go with Stoner Rock).

My best buddy in the Metal Universe, Scott, well, he and I must have listened to this CD together at least… 250 times, maybe slightly more. I am not exaggerating here with the numbers… we both really locked into Sunrise On The Sufferbus. You see, Scott and I became very fascinated with the Sega Genesis game system back around 1991… so much that we were like anyone else who call themselves gamers, we played Sega Genesis games for very, very, long hours. Of course, during these marathon nights and/or days of  Sega Genesis, we both would listen to Heavy Metal and Hard Rock aplenty. Sunrise On The Sufferbus was just always played, again and again… and again. Speaking for myself here, to this day, I do not know what the hypnotic appeal is to Sunrise On The Sufferbus… all I can say is it stands alone with it’s Rock vibe. Again, I guess that is why I call it Stoner Rock. 

Looking back on those days in 1992 and the few years after, I appreciate the fact my best buddy Scott hung out with me for those endless hours of NHLPA Hockey, John Madden Football and Tony LaRussa Baseball. I really mastered those Sega Genesis games back then… Scott was not too shabby either, however, he never could keep up with my patented swoop move to the goalie, on the NHLPA Hockey game. Hanging out and chillin’ with my best buddy Scott so many years ago, when there were no major bills to pay, no deadlines to meet, just marathon rounds of Sega Genesis game playing and listening to Sunrise On The Sufferbus are memories I will never forget. We really did have a good time talking Metal, and listening to Metal and Hard Rock… hours at a time. (We listened to so much music during these marathon games, heck, Garth Brooks was even put into the CD rotation too). The Sega Genesis game system with all of those cool games, I gave to my nephew some years back. However, Sunrise On The Sufferbus is still in my CD collection and it is a pretty difficult Masters Of Reality CD to track down. The last time I checked, Sunrise On The Sufferbus is out of print. I can’t see myself parting with Sunrise On The Sufferbus for at least another 100 years or so.

Masters Of Reality, as they appeared on Sunrise On The Sufferbus: Chris Goss on lead vocals, guitars and keyboards, Googe on bass guitar and backing vocals and the legendary Ginger Baker on drums and backing vocals.

Masters Of Reality "Sunrise On The Sufferbus" large pic

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JOURNEY – “Arrival” is a 2001 album I finally bought in 2009

Posted in 1970's classic rock bands, 1980's classic rock bands, 1980's rock albums, 1980's rock music, 1980's hard rock, 1990's hard rock music, Album Review, classic hard rock, classic rock, classic rock albums, classic rock bands, classic rock music, essential classic rock albums, essential rock albums, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, hard rock vocalists, Music, old school hard rock, Rock, rock album reviews, rock music, rock music vocals, rock vocalists, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , on August 20, 2009 by Metal Odyssey

main-150When it comes to Rock and Hard Rock Music, I always have put Journey on my listening rotation. I am guilty of not keeping up with the purchases of new CD’s over the years from Journey, “Arrival” is a perfect example of this. After the 1986 album “Raised On Radio”, I never picked up “Trial By Fire”, “Arrival” (until now) or “Generations”. You betcha I did grab a copy of “Revelation”… the Walmart 2 CD/1 DVD version too. It is not as if I totally forgot about Journey, these albums are just victims of the hordes of releases out there I have always wanted to buy… financially it is impossible to buy everything. Man, I am impressed by this Journey album… more than that, I cannot believe it took me this long to land “Arrival” into my music collection. I guess after each listen to “Arrival”, all I can really say to myself is what was I waiting for and thinking?  (I should have just bought this album years ago and stop worrying about how much money I spend on music!). I can’t comprehend how this album has not sold over a million copies? What gives? If “Arrival” was fronted by the legendary Steve Perry and released back in the 1980’s, it surely would have been multi platinum… wouldn’t it? Who knows, we shall never know, it is all make believe speculation on my part. All I do know is that “Arrival” is chock full of Rock and Hard Rock songs that are premium quality, in my Metal opinion. The song writing on “Arrival” is so outrageously good, I shake my head and thank the fact Journey is still around Rocking today.

Neal Schon is tremendous on guitar, (as usual), especially on “Livin’ To Do”… a choice favorite song of mine from this album. “Higher Place” is the opening song, the one and only song I was familiar with before I bought “Arrival”. “Higher Place” is the perfect table setter for this album, it has all things Journey about it happening. “I Got A Reason” is another song that really stands out for me, the lyrics and upbeat melody delivers plenty of highs here.  Steve Augeri on lead vocals does sound extremely close to Steve Perry… yet I will always state – there is only one Steve Perry, only one. With that off my chest, Steve Augeri does a smash up job on lead vocals, this guy can sing. On “With Your Love”, Steve Augeri makes me really like a ballad for a change. Neal Schon again, on guitar, adds the strength to this ballad that makes it rise up with musical emotion. I cannot hesitate to recommend “Arrival” to any fan of Classic Rock and Hard Rock, of any generation. Walmart has this CD in their retail store… that is where I found “Arrival”, plus it was an even five dollars. Five dollars, for a sealed (not used) CD… there are many times the Walmart CD aisles Rock.

Journey, as they appeared on “Arrival”: Neal Schon on guitar & backing vocals, Steve Augeri on lead vocals, Jonathan Cain on keyboards & backing vocals, Ross Valory on bass guitar & backing vocals and Deen Castronovo on drums & backing vocals. “Arrival” was released on April 3, 2001.

200px-Journeyarrival

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Quakertown Pennsylvania Farmers Market is Heavy Metal friendly

Posted in 1990's hard rock music, Album Review, classic rock music, collecting music, creepy album covers, everyday experiences, everyday people, everyday social experiences, flea market experiences, flea market finds, Hard Rock, hard rock album review, heavy metal music shopping, Music, obscure hard rock bands, obscure hard rock cd's, Rock, rock music, shopping for music, spooky album covers with tags , , , , , , , , , , , , , , , , , , on July 5, 2009 by Metal Odyssey

MetalOdysseyI took my first trip to the Quakertown Farmers Market, in Quakertown, Pennsylvania, this weekend, safe to say that this is a place to find many Heavy Metal souvenirs. I perused Heavy Metal, Metal, Classic Rock, Hard Rock memorabilia, CD’s, vinyl albums, t-shirts, posters, stickers, buttons, air fresheners, you name it. All at affordable prices!! Across the board, any of the dealers at this Farmers Market were selling their Rock & Roll goodies at prices way, way, lower than Rockabilia.com – or any online Rock Music store. (Believe me, I do memorize prices, especially when it comes to Heavy Metal memorabilia). Used CD’s and vinyl albums were abundant at this fine outdoor – indoor shopping mecca. I found some cool bargains from the outdoor flea market dealers, as well as the indoor store merchants as well. I spent a total of $17.50, walking away with 4 used CD’s, 1 Janis Joplin magnet, 1 Cannibal Corpse pin, 1 Slipknot air freshener and an AC/DC bottle opener/key chain combo. Let’s be real… if I purchased all of these items at the local mall, I would be spending more than double the amount of money. 

All of the dealers I met were very friendly, no sour faces to be found. (That is very cool). One dealer with an inside store, sold pretty much exclusively, 1960’s and 1970’s Classic Rock memorabilia. Plenty of Tom Jones, The Doors, Hendrix, The Beatles and of course – Janis Joplin. One dealer inside had a well stocked CD store – representing all genres of music… Metal seemed to take precedent however, with every inch of wall space being adorned with Hard Rock and Metal posters of numerous bands. (This store was packed, elbow to elbow). Another inside store was selling Rock t-shirts, of all Metal genres… this was the only item being sold, however, if you cannot find your favorite bands t-shirt here, you probably won’t find it anywhere. Another fine dealer with an inside shop had tons of Metal memorabilia, from wall tapestries to pins, well worth the browsing. That is four, very cool shops, at The Quakertown Farmers Market that were Rock – Heavy Metal music related. There very well may be a couple of more that I missed – this place was extremely crowded so it is possible that I may have overlooked some inside stores.

A COOL, OBSCURE,  CD FIND – PLUS A REVIEW OF THIS STRANGE CD FOR “TOM” THE DEALER, AS I PROMISED HIM:

The two outside flea market dealers I dealt with were both super cool, I bought 2 CD’s from each dealer. One dealer in particular, Tom is his name, sold me a CD of Monks Of Doom, titled “Meridian”, (released in 1991). I bought this CD based on the spooky and evil looking front cover artwork. Plus, with a band being named The Monks Of Doom, well, that is right up my Metal alley. Needless to say, I never heard of this band ever, so buying this CD blind for $2.50 did not seem too risky to me. Heck, this CD also has 15 songs on it too. Tom, upon selling me this CD, was as curious as I was, as to what type of music does Monks Of Doom play? Well, Tom, the answer is not what I initially guessed at all. You see, I was steadfast at thinking the Monks Of Doom were Folk Punk Rock, maybe a bit of Psychobilly, similar to Tiger Army. Nope, Monks Of Doom are in my Metal opinion… Rock meets Hard Rock. This band is Rock and at times, Hard Rock with a consistent sound and feel of the macabre. Some of the music is like a Hard Rock soundtrack for a decent (not low budget), horror movie. There are many moments in the songs that give a nod to Funk Rock as well. A sense and sound of Folk can be heard in a couple of tracks, nothing too dominating however. In summary, Monks Of Doom are a diverse bunch. As for the lead vocalist, well, think – Crash Test Dummies meets The Talking Heads. The verdict from Metal Odyssey: Monks Of Doom are strangely cool, to say they are diverse is an understatement. This CD, “Meridian” is going to be played often by me, due to their deliriously macabre and Hard Rocking style.

I will definitely be returning to The Quakertown Farmers Market for many more Heavy Metal needs. Let’s hope I bump into “Tom” (the outdoor flea market dealer), maybe he can hook me up to another Monks Of Doom CD. Only this time… I will know who the heck the Monks Of Doom are.

MetalOdyssey

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Army Of Anyone – A Hard Rock Band this credible has to make a return

Posted in 1990's hard rock music, Album Review, essential hard rock albums, essential rock albums, Hard Rock, hard rock album review, hard rock drummers, hard rock guitarists, hard rock music 2006, hard rock music this decade, hard rock songs, hard rock vocalists, Music, progressive hard rock music, progressive rock, progressive rock music, Rock, rock album reviews, rock music, rock vocalists with tags , , , , , , , , , , , , , , , , on June 29, 2009 by Metal Odyssey

Army Of Anyone band picture

 

 

 

 

 

 

 

 

Army Of Anyone, the supergroup made up of Dean DeLeo (guitar) and Robert DeLeo (bass, backing vocals) from Stone Temple Pilots, Richard Patrick (lead vocals) from Filter and Ray Luzier (drums) from the David Lee Roth band released a Hard Rock winner, back on November 14, 2006. In my Metal opinion, I wish this band would have stayed together to release many, many, more albums. I purchased the debut CD, self titled “Army Of Anyone”, the first week of it’s release… I have frequently reminded myself that I constantly listen to this band, buy why? Oh, how a Hard Rock album will sound when skillful musicians are at the top of their game, creating a bounty of melodies, mixed together with creatively inspired chords and lead vocals, all fastened together with a rhythm section so tight that the grooves it manifests serves to magnify the progressive musical energy around it. In essence, I really enjoy listening to the Hard Rock music from Army Of Anyone.

I own a Sony 5 CD disc changer, (my wife bought it for me way back in 1990), it has become a permanent component for my stereo system going on twenty years now. It plays fantastic to this very day, (knock on Metal), with extensive and constant usage. This Army Of Anyone CD has been almost permanently inside this Sony disc changer going on three years straight. I say almost, for whenever I take this Army Of Anyone CD out of the disc changer, it usually is not for more than a few days… I have reached the point where it does not feel right unless this CD is in place, ready to be played at a moments notice. Army Of Anyone is that good… no, instead, Army Of Anyone is that great. This band is Hard Rock, yes, only they have put to use their Progressive Hard Rock, musical tentacles… reaching out far beyond what current Hard Rock mainstream bands are currently striving for, musically.

I embrace the music of Army Of Anyone far more greater than the music of Stone Temple Pilots or Filter. (You can throw in the David Lee Roth Band too, that is a no brainer). This is only one album from Army Of Anyone and here I am, staking an extremely higher allegiance to them, than compared to STP or Filter. Honestly, there is no comparison, other than the fact of Dean and Robert DeLeo being members of STP, (the real reason why STP is a musically recognized and popular band in the first place). Plus, throw in the fact that STP regrouped and embarked on touring the past year and Richard Patrick has Filter firing on all cylinders, well, Army Of Anyone has become a musically elite supergroup in limbo. The glory, fame, popularity and record sales of the STP past, seem to far outweigh the Progressive Hard Rock brilliance that illuminates from Army Of Anyone. It is a shame. This is a perfect example of how credible and incredible Hard Rock music can get swept under the popularity carpet, due to decisions made that are beyond the fans control. Musicians and astute fans of any music genre know this: great music cannot be judged on record sales, mainstream radio popularity or tickets sold. Nope. Army Of Anyone just needed a massive marketing machine behind them, as well as no STP reunion, then, just maybe, this band could have skyrocketed into the popularity mix. 

Not to ignore the songs from the debut “Army Of Anyone” album, to summarize the lyrics: intelligent, socially conscious, awareness to world politics without becoming abrasive, add into the mix the human experience. Musically, as mentioned earlier, Hard Rock with a progressive edge, yet not as an afterthought. My favorite song on this album: “This Wasn’t Supposed To Happen” – this is hands down, one of the single greatest endings to a Hard Rock album that I have ever heard. It is a mellow tune, yes, a ballad – no. The acoustic arrangement of this song swelters with emotion that I never expected upon my very first listen. Unbelievable, pure music.

I just hope, that Army Of Anyone would consider getting back together, every few years or so and create a new album. They do not have to do a major world tour for recognition and I understand if STP and Filter are of higher importance. What Dean DeLeo, Robert DeLeo and Richard Patrick must understand is that Army Of Anyone is much more enormous than they may realize, a true and real Hard Rock music creation. It is just like the quote from the fantasy baseball movie “Field Of Dreams” – “build it and they will come”… well, the members of Army Of Anyone have built it, if they could only continue, more fans would come. Probably more than they could ever imagine. 

albumcover

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Cheap Trick “Special One” is just that and more

Posted in 1970's hard rock, 1970's Rock, 1980's hard rock albums, 1980's rock albums, 1980's rock music, 1980's hard rock, 1990's hard rock music, Album Review, classic hard rock, classic hard rock music, classic rock, classic rock albums, classic rock music, cool album covers, essential hard rock albums, essential rock albums, Hard Rock, hard rock album review, hard rock drummers, hard rock guitarists, hard rock music this decade, hard rock songs, hard rock vocalists, Music, Rock, rock & roll, rock and roll, rock music, rock music vocals, rock vocalists, Vocals with tags , , , , , , , , , , , , , , , , , , , on June 19, 2009 by Metal Odyssey

It is quite apparent, from looking at my past posts, that I am a Cheap Trick fan. I get such a listening thrill from their brand of Rock, both past and present. If Cheap Trick were to have floundered, lost a few steps musically, I would have lost interest in following them – of course. Many bands have done just that, floundered after years of success. (I used to think The Police were going to release a new killer album every 2 to 3 years, way back in 1984… who knew?). Well, enough with this as my opener… Cheap Trick really has done what many bands can only wish for… continued musical output that beams with integrity and relevance. The integrity is represented by Cheap Trick creating Rock/Hard Rock music that for me, is as energy filled, catchy and memorable as the “Dream Police” and/or “All Shook Up” albums from 25 years ago. On “Special One”, (released in 2003), this is not a Rock Band that sounds tired or weary – this is a band that sounds as if they are embarking on a Rock mission with their musical tanks fully loaded, with new ideas. Another aspect of integrity that Cheap Trick bestows, is the plain fact, that they are obviously not remotely attempting to cash in on their name or past success.

“Special One” is quite special indeed… it is a fitting prelude to the “Rockford” album, (released in 2006), where Cheap Trick in my Metal opinion, has landed as convincing a one-two Hard Rock punch that any fan could ever imagine or hope for. (See my “Rockford” review listed under album reviews on Metal Odyssey). Once I listened to “Rockford” upon it’s release, I felt and heard the continuation of what Cheap Trick is truly conveying here – that gifted musicians will always create great music. “Special One” is an album that does not tease at what is to come, this Rock album states of what is to come from Cheap Trick this decade. No watered down ballads, no instant radio hits, rather, “Special One” exemplifies what Rock and Hard Rock used to be, carried over with a flare for todays sound. The songs are accessible, not excessive, written with the blend of lyrics and music that glows with the Cheap Trick brand. That is my case stated for relevance.

Not that I am fast forwarding here, the last track on “Special One” titled “Hummer”, is a song that celebrates the ability for anyone to… hum. All kidding aside, this song is highlighted by the humming vocal tones of Robin Zander. (The liner notes do not suggest anyone else doing the humming, however, each band member does get credited with vocal input). After my first listen to “Hummer”, I was enlightened to now realize that humming is cool in a Rock song… Cheap Trick has made it that way. (Trust me, I still get annoyed when total strangers walk past me in the grocery store humming aloud). The first track titled “Scent Of A Woman” is as classic as it gets with Cheap Trick. The brashness of Rick Nielsen on guitar coupled with the up tempo beat, lends itself to being one of those Cheap Trick songs you have to jump around to. Tracks 2 thru 10, found between the two songs I mentioned here, create the Cheap Trick – Hard Rock sandwich that is flavored with a tad of old school and structured with lyrical/musical perfection, with attitude for today. Longevity in Rock Music does not always equate to cool albums – Cheap Trick’s longevity has equated to the coolest consistency of Rock & Hard Rock, that I hope never ends.

Cheap Trick: Robin Zander – vocals & guitars, Rick Nielsen – guitars & vocals, Tom Petersson – 12 string bass & vocals, Bun E. Carlos – drums & vocals.

fullsize

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TESLA – “Forever More” a solid Hard Rock album and band

Posted in 1980's hard rock, 1980's heavy metal music, 1990's hard rock music, Album Review, classic hard rock music, classic rock, classic rock music, cool album covers, current hard rock albums, current hard rock music, current hard rock songs, current heavy metal albums, current heavy metal music, essential hard rock albums, essential rock albums, Hard Rock, hard rock album review, hard rock albums 2009, hard rock drummers, hard rock guitarists, hard rock music this decade, hard rock songs, hard rock vocalists, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal this decade, Music, recent heavy metal albums, Rock, rock music, rock music vocals, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 16, 2009 by Metal Odyssey

Tesla_aff_smTesla has released an album of 12 brand new tunes this past year titled “Forever More”, it should not be ignored or overlooked. I feel this new Tesla album is a solid musical statement, (“Forever More” was released on October 7, 2008). All 12 songs are what I consider to be Hard Rock excellence that lyrically relates. The lyrics of these songs are a celebration of life’s ups and downs, delivered in true – blue collar, Hard Rock fashion from Tesla. “So What!” is a heavy, musically driven tune, it essentially tells you to shrug off the complaining in life, plus who cares about other people’s whining as well. “Pvt. Ledbetter” is a feel good track about a soldier who is going to come home from war, (not to give away the storyline), the first listen to this song had me worried that it would be a sad ending. Jeff Keith on vocals sounds like he is having the time of his life, he sings better than ever on “Forever More”, (in my Metal opinion).

Every song is excellent, it is obvious from the quality of “Forever More” that this Tesla effort was well worth the wait! This album is very well written, both lyrically and musically. This is a real Hard Rock album of songs… the way it is supposed to be. If the power of this Hard Rock album  gets you psyched out, then you will be searching out the entire Tesla catalog of albums, guaranteed. Tesla has returned in grand, Hard Rocking form, thank goodness. Tesla has always been a favored Rock/Hard Rock band of mine… ever since the day I heard “Modern Day Cowboy” from the “Mechanical Resonance” album, over twenty years ago. Man, does time really fly! I was fortunate enough to see Tesla live, once, when they opened for Def Leppard. It was the Hysteria Tour for Def Leppard, (late ’80’s), both Tesla and Def Leppard played in the round – at the Hartford Civic Center, in expensive Connecticut. Tesla played an entire acoustic set… I was not expecting an acoustic jam that night, yet I dug it pretty well. 

Tesla is: Jeff Keith on lead vocals, Frank Hannon on electric and acoustic guitars & keyboards, Dave Rude on electric, acoustic and slide guitars, Brian Wheat on bass guitar and Troy Luccketta on drums and percussion. The liner notes within the CD digipak are the coolest, with 16 pages of full color band photos, with 2 pages devoted to each band member, filled with great full color photos and thank you’s for each. Tons of credits and a super cool, 2008 year in review, written by Tesla, makes for a classy touch.

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