Archive for the hard rock guitarists Category

Seether – “Finding Beauty In Negative Spaces” is awe inspiring Hard Rock

Posted in Album Review, cool album covers, current hard rock albums, current hard rock music, current hard rock songs, essential hard rock albums, essential rock albums, Hard Rock, hard rock album review, hard rock albums 2007, hard rock drummers, hard rock guitarists, hard rock music 2007, hard rock music this decade, hard rock songs, hard rock vocalists, Music, Rock, rock album reviews, rock music, rock music vocals, rock vocalists, seether rock band, Vocals with tags , , , , , , , , , , , , , , , , , , on July 3, 2009 by Metal Odyssey

main-150Seether is a Hard Rock band that does not need any plastic Hollywood music awards to be told they are damn great. The fans know. The music of Seether tells the whole story… of just how sensational Hard Rock songs are written. “Finding Beauty In Negative Spaces” is an album that should be a required musical manual for any up and coming Hard Rock band. Seether has proven to me, that lyrics are very, very, important in Heavy Music. Shaun Morgan, in my Metal opinion, encompasses many musical gifts… his vocals, guitar skills and the song writing that leaves me in awe. Lyrically, this is one of the best albums I have ever listened to in my lifetime. Couple these tremendously inspiring lyrics with Hard Rock music that is maximized by it’s hardness and mesmerizing grooves, well, you have yourself an instant classic. Shaun Morgan for me, is a vocalist that I listen to so intently, that the music at times becomes a backdrop. (This is by no means, an insult, it is just that Shaun Morgan’s vocals are so searing, they take hold of my attention and leave me zoned out on his voice and lyrics). I have to listen to Seether and say to myself, o.k., I am going to pay more attention to the music this time around, when I do it is like a double dose of Hard Rock music and Hard Rock vocal exhilaration. 

“Rise Above This” is a song that has hit me in such a right way. I lost my sister four years ago, man do I miss her. Since this song came into my life, well, It just seems to say exactly how I feel about missing her. My sister left to go to heaven at age 43, there was way too much more that I wanted to do with her and say to her. I never had a chance to say goodbye to her, this is my song that encourages me it is alright. I am ecstatic that there is a band like Seether and a vocalist/lyricist like Shaun Morgan that can combine Hard Rock with real lyrics recognizing true humanity. “No Jesus Christ” is probably the heaviest song on this album, it basically calls a deceitful person out, a song that just about anyone who is not a backstabbing, evil entity, can relate to. “Fake It” is the single greatest song to commemorate all of the scum bag, plastic people of this world, who cannot find their own identity and try their best to be nothing but despicable chameleons. I raise my fist and say hooray to Seether and Shaun Morgan for knowing that crappy people make great subject matter for Hard Rock songs! “Six Gun Quota” is a song about self inflicted destruction – of both body and soul. This song rocks, despite the honest to goodness gray subject matter.

The popularity and record sales of Seether are for a measurable reason. This band connects to me, it is only logical Seether connects to an unknown many others. Fans of Seether already know this, yet I need to tell new, prospective fans, that “Finding Beauty In Negative Spaces” is not your run of the mill Hard Rock album written with the premise to just party hard and pick up chicks. The music found here is of substance and quality Hard Rock, it is also story telling that mixes in a menagerie of human emotions and trials. 

Seether as they appear on “Finding Beauty In Negative Spaces”: Shaun Morgan on guitar & lead vocals, Dale Stewart on bass guitar & backing vocals and John Humphrey on drums.

fullsize

Army Of Anyone – A Hard Rock Band this credible has to make a return

Posted in 1990's hard rock music, Album Review, essential hard rock albums, essential rock albums, Hard Rock, hard rock album review, hard rock drummers, hard rock guitarists, hard rock music 2006, hard rock music this decade, hard rock songs, hard rock vocalists, Music, progressive hard rock music, progressive rock, progressive rock music, Rock, rock album reviews, rock music, rock vocalists with tags , , , , , , , , , , , , , , , , on June 29, 2009 by Metal Odyssey

Army Of Anyone band picture

 

 

 

 

 

 

 

 

Army Of Anyone, the supergroup made up of Dean DeLeo (guitar) and Robert DeLeo (bass, backing vocals) from Stone Temple Pilots, Richard Patrick (lead vocals) from Filter and Ray Luzier (drums) from the David Lee Roth band released a Hard Rock winner, back on November 14, 2006. In my Metal opinion, I wish this band would have stayed together to release many, many, more albums. I purchased the debut CD, self titled “Army Of Anyone”, the first week of it’s release… I have frequently reminded myself that I constantly listen to this band, buy why? Oh, how a Hard Rock album will sound when skillful musicians are at the top of their game, creating a bounty of melodies, mixed together with creatively inspired chords and lead vocals, all fastened together with a rhythm section so tight that the grooves it manifests serves to magnify the progressive musical energy around it. In essence, I really enjoy listening to the Hard Rock music from Army Of Anyone.

I own a Sony 5 CD disc changer, (my wife bought it for me way back in 1990), it has become a permanent component for my stereo system going on twenty years now. It plays fantastic to this very day, (knock on Metal), with extensive and constant usage. This Army Of Anyone CD has been almost permanently inside this Sony disc changer going on three years straight. I say almost, for whenever I take this Army Of Anyone CD out of the disc changer, it usually is not for more than a few days… I have reached the point where it does not feel right unless this CD is in place, ready to be played at a moments notice. Army Of Anyone is that good… no, instead, Army Of Anyone is that great. This band is Hard Rock, yes, only they have put to use their Progressive Hard Rock, musical tentacles… reaching out far beyond what current Hard Rock mainstream bands are currently striving for, musically.

I embrace the music of Army Of Anyone far more greater than the music of Stone Temple Pilots or Filter. (You can throw in the David Lee Roth Band too, that is a no brainer). This is only one album from Army Of Anyone and here I am, staking an extremely higher allegiance to them, than compared to STP or Filter. Honestly, there is no comparison, other than the fact of Dean and Robert DeLeo being members of STP, (the real reason why STP is a musically recognized and popular band in the first place). Plus, throw in the fact that STP regrouped and embarked on touring the past year and Richard Patrick has Filter firing on all cylinders, well, Army Of Anyone has become a musically elite supergroup in limbo. The glory, fame, popularity and record sales of the STP past, seem to far outweigh the Progressive Hard Rock brilliance that illuminates from Army Of Anyone. It is a shame. This is a perfect example of how credible and incredible Hard Rock music can get swept under the popularity carpet, due to decisions made that are beyond the fans control. Musicians and astute fans of any music genre know this: great music cannot be judged on record sales, mainstream radio popularity or tickets sold. Nope. Army Of Anyone just needed a massive marketing machine behind them, as well as no STP reunion, then, just maybe, this band could have skyrocketed into the popularity mix. 

Not to ignore the songs from the debut “Army Of Anyone” album, to summarize the lyrics: intelligent, socially conscious, awareness to world politics without becoming abrasive, add into the mix the human experience. Musically, as mentioned earlier, Hard Rock with a progressive edge, yet not as an afterthought. My favorite song on this album: “This Wasn’t Supposed To Happen” – this is hands down, one of the single greatest endings to a Hard Rock album that I have ever heard. It is a mellow tune, yes, a ballad – no. The acoustic arrangement of this song swelters with emotion that I never expected upon my very first listen. Unbelievable, pure music.

I just hope, that Army Of Anyone would consider getting back together, every few years or so and create a new album. They do not have to do a major world tour for recognition and I understand if STP and Filter are of higher importance. What Dean DeLeo, Robert DeLeo and Richard Patrick must understand is that Army Of Anyone is much more enormous than they may realize, a true and real Hard Rock music creation. It is just like the quote from the fantasy baseball movie “Field Of Dreams” – “build it and they will come”… well, the members of Army Of Anyone have built it, if they could only continue, more fans would come. Probably more than they could ever imagine. 

albumcover

My favorite AC/DC song of all time is…

Posted in 1970's classic rock albums, 1970's classic rock songs, 1970's hard rock, 1970's heavy metal, 1970's Rock, classic hard rock, classic hard rock music, classic heavy metal albums, classic metal, classic rock, classic rock albums, classic rock music, cool album covers, essential hard rock albums, essential heavy metal albums, essential rock albums, Hard Rock, hard rock drummers, hard rock guitarists, hard rock songs, hard rock vocalists, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal music, heavy metal vocalists, Metal, metal music, Music, old school heavy metal, Rock, rock and roll hall of fame inductees, rock music, rock music vocals, rock vocalists, vintage hard rock albums, vintage heavy metal albums, vintage rock albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , on June 27, 2009 by Metal Odyssey

main-150AC/DC – they are not just Rock and Roll Hall of Famers, this band is an elite institution of heavy music. I always pondered throughout the years… which song from the extensive catalog of AC/DC albums, is my favorite of all time? Is my favorite song from the Bon Scott era? Man, the late Bon Scott was unique, his vocals were and always will be legendary. The Brian Johnson era is power packed with amazing songs, could I take the easy route and pull my favorite tune off of the “Back In Black” album? That would be way too easy for me, it seems like choosing “Hells Bells”, “Back In Black” or “Have A Drink On Me” as my favorite AC/DC song, would be particularly predictable. I will not argue the fact it is a historical album, “Back In Black” surely paved the way for Heavy Metal commercial acceptance. Besides, I personally am forever grateful for AC/DC appointing Brian Johnson to succeed the late Bon Scott. “Back In Black” will forever be on my all time favorite album list.

Well, after all these years, probably since around 1979, (in which I was first aware that AC/DC existed and heard the classic “Highway To Hell” single on FM radio), my personal choice, for favorite AC/DC song ever is… “Touch Too Much” – from the “Highway To Hell” album, (released in 1979). Whew, do I get the AC/DC fever when I hear this song. I do not care how many times I have listened to this classic, this song rocks. Even after so many years have passed by, I still feel that certain rush go straight through my face each time “Touch Too Much” is cranked up. Yeah, you know, that psyched out feeling that engulfs your whole body, like you just drank a 2 liter bottle of happy sauce. This song does it for me – thank you very much. This song hits me from the opening note… I do not believe there is one nano second that is not cool on this song. Sure, the single “Highway To Hell” received all of the attention from this sacred AC/DC album, yet in my Metal opinion, “Touch Too Much” is a song that embodied a core heaviness that signified of continuous great things to come from this band. 

I am certainly not alone in saying that I revere both the Bon Scott and Brian Johnson eras of AC/DC. Choosing a single favorite song from this band, is like choosing which day of the week is my favorite… I am just happy to be alive and be in the position to enjoy each day of the week, for Metal sakes. Going back to “Touch Too Much”, as the old saying goes… the more things change, the more they stay the same… really listen closely the next time you hear this song, then imagine if it were to be released for the first time in 2009. “Touch Too Much” is a song that blows away at least half of the newly released Hard Rock or Heavy Metal songs that do get commercial FM or satellite radio play. Angus Young on guitar, Malcolm Young on rhythm guitar, Cliff Williams on bass guitar and Phil Rudd on drums and of course, Bon Scott on vocals, made this song happen and groove in a way that has affected me for life. This is my Metal opinion – long live AC/DC and this enormous song.

DC "Highway To Hell" large pic

Cheap Trick “Special One” is just that and more

Posted in 1970's hard rock, 1970's Rock, 1980's hard rock albums, 1980's rock albums, 1980's rock music, 1980's hard rock, 1990's hard rock music, Album Review, classic hard rock, classic hard rock music, classic rock, classic rock albums, classic rock music, cool album covers, essential hard rock albums, essential rock albums, Hard Rock, hard rock album review, hard rock drummers, hard rock guitarists, hard rock music this decade, hard rock songs, hard rock vocalists, Music, Rock, rock & roll, rock and roll, rock music, rock music vocals, rock vocalists, Vocals with tags , , , , , , , , , , , , , , , , , , , on June 19, 2009 by Metal Odyssey

It is quite apparent, from looking at my past posts, that I am a Cheap Trick fan. I get such a listening thrill from their brand of Rock, both past and present. If Cheap Trick were to have floundered, lost a few steps musically, I would have lost interest in following them – of course. Many bands have done just that, floundered after years of success. (I used to think The Police were going to release a new killer album every 2 to 3 years, way back in 1984… who knew?). Well, enough with this as my opener… Cheap Trick really has done what many bands can only wish for… continued musical output that beams with integrity and relevance. The integrity is represented by Cheap Trick creating Rock/Hard Rock music that for me, is as energy filled, catchy and memorable as the “Dream Police” and/or “All Shook Up” albums from 25 years ago. On “Special One”, (released in 2003), this is not a Rock Band that sounds tired or weary – this is a band that sounds as if they are embarking on a Rock mission with their musical tanks fully loaded, with new ideas. Another aspect of integrity that Cheap Trick bestows, is the plain fact, that they are obviously not remotely attempting to cash in on their name or past success.

“Special One” is quite special indeed… it is a fitting prelude to the “Rockford” album, (released in 2006), where Cheap Trick in my Metal opinion, has landed as convincing a one-two Hard Rock punch that any fan could ever imagine or hope for. (See my “Rockford” review listed under album reviews on Metal Odyssey). Once I listened to “Rockford” upon it’s release, I felt and heard the continuation of what Cheap Trick is truly conveying here – that gifted musicians will always create great music. “Special One” is an album that does not tease at what is to come, this Rock album states of what is to come from Cheap Trick this decade. No watered down ballads, no instant radio hits, rather, “Special One” exemplifies what Rock and Hard Rock used to be, carried over with a flare for todays sound. The songs are accessible, not excessive, written with the blend of lyrics and music that glows with the Cheap Trick brand. That is my case stated for relevance.

Not that I am fast forwarding here, the last track on “Special One” titled “Hummer”, is a song that celebrates the ability for anyone to… hum. All kidding aside, this song is highlighted by the humming vocal tones of Robin Zander. (The liner notes do not suggest anyone else doing the humming, however, each band member does get credited with vocal input). After my first listen to “Hummer”, I was enlightened to now realize that humming is cool in a Rock song… Cheap Trick has made it that way. (Trust me, I still get annoyed when total strangers walk past me in the grocery store humming aloud). The first track titled “Scent Of A Woman” is as classic as it gets with Cheap Trick. The brashness of Rick Nielsen on guitar coupled with the up tempo beat, lends itself to being one of those Cheap Trick songs you have to jump around to. Tracks 2 thru 10, found between the two songs I mentioned here, create the Cheap Trick – Hard Rock sandwich that is flavored with a tad of old school and structured with lyrical/musical perfection, with attitude for today. Longevity in Rock Music does not always equate to cool albums – Cheap Trick’s longevity has equated to the coolest consistency of Rock & Hard Rock, that I hope never ends.

Cheap Trick: Robin Zander – vocals & guitars, Rick Nielsen – guitars & vocals, Tom Petersson – 12 string bass & vocals, Bun E. Carlos – drums & vocals.

fullsize

TESLA – “Forever More” a solid Hard Rock album and band

Posted in 1980's hard rock, 1980's heavy metal music, 1990's hard rock music, Album Review, classic hard rock music, classic rock, classic rock music, cool album covers, current hard rock albums, current hard rock music, current hard rock songs, current heavy metal albums, current heavy metal music, essential hard rock albums, essential rock albums, Hard Rock, hard rock album review, hard rock albums 2009, hard rock drummers, hard rock guitarists, hard rock music this decade, hard rock songs, hard rock vocalists, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal this decade, Music, recent heavy metal albums, Rock, rock music, rock music vocals, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 16, 2009 by Metal Odyssey

Tesla_aff_smTesla has released an album of 12 brand new tunes this past year titled “Forever More”, it should not be ignored or overlooked. I feel this new Tesla album is a solid musical statement, (“Forever More” was released on October 7, 2008). All 12 songs are what I consider to be Hard Rock excellence that lyrically relates. The lyrics of these songs are a celebration of life’s ups and downs, delivered in true – blue collar, Hard Rock fashion from Tesla. “So What!” is a heavy, musically driven tune, it essentially tells you to shrug off the complaining in life, plus who cares about other people’s whining as well. “Pvt. Ledbetter” is a feel good track about a soldier who is going to come home from war, (not to give away the storyline), the first listen to this song had me worried that it would be a sad ending. Jeff Keith on vocals sounds like he is having the time of his life, he sings better than ever on “Forever More”, (in my Metal opinion).

Every song is excellent, it is obvious from the quality of “Forever More” that this Tesla effort was well worth the wait! This album is very well written, both lyrically and musically. This is a real Hard Rock album of songs… the way it is supposed to be. If the power of this Hard Rock album  gets you psyched out, then you will be searching out the entire Tesla catalog of albums, guaranteed. Tesla has returned in grand, Hard Rocking form, thank goodness. Tesla has always been a favored Rock/Hard Rock band of mine… ever since the day I heard “Modern Day Cowboy” from the “Mechanical Resonance” album, over twenty years ago. Man, does time really fly! I was fortunate enough to see Tesla live, once, when they opened for Def Leppard. It was the Hysteria Tour for Def Leppard, (late ’80’s), both Tesla and Def Leppard played in the round – at the Hartford Civic Center, in expensive Connecticut. Tesla played an entire acoustic set… I was not expecting an acoustic jam that night, yet I dug it pretty well. 

Tesla is: Jeff Keith on lead vocals, Frank Hannon on electric and acoustic guitars & keyboards, Dave Rude on electric, acoustic and slide guitars, Brian Wheat on bass guitar and Troy Luccketta on drums and percussion. The liner notes within the CD digipak are the coolest, with 16 pages of full color band photos, with 2 pages devoted to each band member, filled with great full color photos and thank you’s for each. Tons of credits and a super cool, 2008 year in review, written by Tesla, makes for a classy touch.

fullsize

THE FIRM – what made this Rock Band’s debut album so appealing?

Posted in 1980's hard rock albums, 1980's popular rock bands, 1980's rock albums, 1980's rock music, 1980's hard rock, Album Review, Bad Company, cannibal corpse, classic rock, cool album covers, cover songs, Hard Rock, hard rock album review, hard rock drummers, hard rock guitarists, hard rock songs, hard rock vocalists, Music, Rock, rock & roll, rock and roll, rock music, rock vocalists, vintage hard rock albums, vintage rock albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 14, 2009 by Metal Odyssey

main-150Back in 1985, The Firm released their self titled, debut album “The Firm”. I remember being very curious about this band… would the album be heavy? Would this album be a dud? Why is Paul Rodgers not with Bad Company? Is Jimmy Page going to scorch on “The Firm” album? So many questions were going on in my mind back then, about The Firm’s first LP. Well, in my Metal opinion, this album was/still is, one of the more commercially accepted, radio friendly, Rock albums that I will still listen to… even in the middle of my Thrash Metal and Death Metal moods. During one of my frequent thrift store visits this past Winter, I came across this actual album, in close to perfect condition too. The album jacket shows no wear at all, plus the vinyl itself plays without a hitch. Upon finding this album, I instantly grabbed it, there was no second thought about it. (At 50 cents, there was no risk involved, only reward). What makes The Firm and their debut album so appealing? 

After all of these years, the reasons for my liking The Firm have never changed. First of course, is the lead singer Paul Rodgers. Bad Company will forever be a Hard Rock icon for me, especially the Paul Rodgers fronted version of this legendary band. Secondly, how can any Hard Rock and/or Heavy Metal enthusiast not want to get into a band that the revered Jimmy Page plays lead guitar for? Thirdly, “The Firm” as a whole, is not a heavy album and not a dud either. This album falls in between… it is a Rock album that has catchy, memorable tunes. When I really think about it, I do not believe that The Firm ever sounded like any Rock Band before them – save for Bad Company, due to the vocals of Paul Rodgers. However, musically, was there ever a song that sounded like “Radioactive”? Maybe there was, I just am not aware of it. That song drives me crazy, for it is so non-heavy, so corny, so different, yet I really like it, to this very day. I guess The Firm was that Rock Band that dared to be different, in 1985. “Satisfaction Guaranteed” is another song that chugs along, it never seems to get kick started, (and I swear you can almost feel this song wanting to get up and scream), yet again – I really like it.

“You’ve Lost That Lovin’ Feeling” is once again, a song that makes me feel like I have sold out my Metal soul to Pop Music. I actually sing aloud the lyrics, (when I am alone). Just to justify my singing these lyrics… I will sing them in my own, unique, Death Metal voice. Quite honestly, this song would be huge if a Death Metal band covered it. This is rather nit picking, regardless, if you take a look at the front album cover of “The Firm”, why on Metal Earth is the “i” in the word “FiRM” in lower case? This has not troubled me to any point of needing medication, I only look at it and wonder why? I do realize it was a logo design call, yet I always get the urge to want to fix the lower case “i” and make it an upper case “I”

Hey, all kidding aside, I feel The Firm was a darn decent Rock Band, the coolness of Paul Rodgers vocals and the enhanced and unparalleled guitar play of Jimmy Page make this debut album happen for me. I have no problem in recommending the debut album from The Firm, to anyone who is interested. Also note, in my Metal opinion, Tony Franklin on bass and Chris Slade on drums are no slouches either. Anyone who goes on to be the drummer for AC/DC, well, is legend. As I see it, I will turn to this album now and again and enjoy it. Plus, if Hammerfall can do a cover of “My Sharona” by The Knack, heck, then Cannibal Corpse could most certainly do a cover of “Money Can’t Buy” by The Firm.

fullsize

Happy Birthday Bun E. Carlos of Cheap Trick!

Posted in 1970's hard rock, 1970's Rock, 1980's rock music, 1980's hard rock, classic rock, current hard rock albums, Drums, essential hard rock albums, essential rock albums, Hard Rock, hard rock drummers, hard rock guitarists, hard rock songs, live rock albums, Music, new hard rock album, Rock, rock & roll, rock and roll, rock celebrity birthdays, rock music, vintage hard rock albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , on June 13, 2009 by Metal Odyssey

main-150-1Bun E. Carlos, drummer of Hard Rock legends, Cheap Trick, turned 58 Rockin’ years young today, (June 12, 2009). Metal Odyssey extends a huge Happy Birthday to Bun E. Carlos! I am not holding back when I say, I have been a fan of Cheap Trick since I was in 6th grade… (back in the late 1970’s)… when owning 8-track tapes of Cheap Trick was the norm and collecting Kiss trading cards was cool. I still get a cool kick from listening to Bun E. Carlos’s  classic drum intro, to the live track of “Ain’t That A Shame” off of the “at Budokan” album. Listening to Bun. E. Carlos over the years, I have never lost sight of the fact, that this drummer is as capable and talented as any other in Hard Rock history. Just give the album “Dream Police” a listen, especially the title track, you will hear Bun E. Carlos solidifying the song with precision. Bun E. Carlos has proven to me, it is not the glitz and glam that make a real Hard Rock drummer, it is the playing, the integrity in the musicianship that really matters. Many Hard Rock drummers have the look, yet they do not have half the talent with the drumsticks, like Mr. Carlos bestows. Bun E. Carlos is not an overnight sensation, this is a drummer that along with the entire Cheap Trick band… have paid their Hard Rock dues spanning three decades. 

Cheap Trick, as stated on the official Cheap Trick website, have achieved 40 gold and platinum recording awards, have more than 5,000 performances, 29 movie soundtracks and 20 million records sold. If I am not mistaken, this appears to be Hard Rock success and excellence, personified. 

I am Metal smitten that Robin Zander, Rick Nielsen, Tom Petersson and of course, Bun E. Carlos are still Rocking heavy and steady to this very day! Cheap Trick will be releasing yet another new album, adding more credence to an already storied and legendary career. As reported on the official Cheap Trick website, “The Latest” will be the new Cheap Trick album, with it’s release date set for June 23, 2009. Amazon.com will have exclusive rights in selling “The Latest” for one month. The official Cheap Trick website also states that limited editions of this album will be available on LP and 8-track tapes… that is correct… 8 -track tapes!! (Now that is what I call vintage). Thank you Bun E. Carlos and Cheap Trick for your incredible contributions to Rock and Hard Rock history… thank you for being a mainstay in my music listening life.

fullsize

Great White “Rising” rises to the top with A+ Hard Rock

Posted in 1980's hard rock, 1980's heavy metal music, 1980's metal music, 1990's heavy metal music, Album Review, cool album covers, current hard rock albums, current hard rock songs, current heavy metal albums, current heavy metal music, essential hard rock albums, Great White, great white 2009, Hair Metal, hair metal music, Hard Rock, hard rock album review, hard rock albums 2009, hard rock guitarists, hard rock songs, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal this decade, heavy metal vocalists, independent record labels, Metal, Music, Rock, rock music, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , on June 8, 2009 by Metal Odyssey

Great White “Rising” for me, is a retrospective listen, and it is not Heavy Metal. This is some inspiring, well written and high quality – Hard Rock. I can even go as far to say that “Rising” can be defined as a Rock album. You are not going to hear the 1980’s flamboyant, grandiose, guitar riff – infused Heavy Metal tunes here. No insanely – Metal driven solos either, some tastefully crafted solo’s do appear however, (“Danger Zone”), so do not despair. What I do hear on “Rising”, is a band that has clearly found themselves creating music straight from the heart. I am not trying to sound sappy here, sappy is not allowed on Metal Odyssey. What I am trying to convey is that Great White has proven to us Metalheads years ago, that they can play heavy and light up an Arena or two. I am convinced, after listening to “Rising”, that Great White is just as enthusiastic and talented as ever. Great White are real musicians… they do not need to carbon copy their past albums onto a 2009 release. “Rising” has some really addicting Old School Hard Rock flavor throughout.

Jack Russell on lead and background vocals has close to no resemblance of the Hair Metal heyday of his 1980’s voice. Forget the comparisons anymore to the legendary Robert Plant! (It started to get very old, even though Great White is what I consider the greatest Led Zeppelin cover band in the world). It is refreshing to hear Jack Russell not sound like a 1980’s retread. His vocals are absolutely superb on this album. “Danger Zone” and “Down On The Level” are two of the more hardest rockers on “Rising”, giving way to some of Jack Russell’s vocal past. “My Sanctuary” exemplifies what the Hard Rock ballads sound like on this album… free flowing with plenty of catchy grooves. “Situation” and “Shine” are songs that are similar, being heavy enough that they are very far removed from being mellow meltdowns. “All Or Nothin” is laden with enough grooves, hooks and foot stomping moments to make this my favorite track. Loveless” is a real retrospective visit to late ’70’s early ’80’s Hard Rock sound- only it is a really good visit at that. Great White in my Metal opinion, has found the perfect balance of melody and harmonious vocals with just enough heavy guitar and rhythm section to make “Rising” a legitimate Hard Rock keeper.

I cannot possibly compare Great White of the ’80’s to Great White of 2009. I dig the music from both Great White eras. I find it cool when a band, especially one that is renowned for Heavy Metal, digs a little deeper into their musical souls and delivers a knock out of an album, filled with tunes you were not really expecting. Great White “Rising” should appeal to a very vast audience of genres… Hard Rock, Rock and Heavy/Hair Metal fans should find what they like on this album, I know I have. With all of my mentioning of retrospective on this review of “Rising”, I am steadfast against the labeling of music as being dated. Just because music brings back memories of other decades or sounds like music from the past, does not make it uncool. Look at how many CD’s and albums that the immortal Elvis and legendary Beatles sell on a weekly basis… if dated music does exist, then I guess dated music is in. Great White of 2009 is happening for me. I have spoken my Metal point.

“Rising” was released on April 21, 2009, on Shrapnel Records. And now, a Metal Odyssey roll call of the members of Great White, as they appear on “Rising”: Jack Russell – lead and background vocals, Mark Kendall – guitar and background vocals, Audie Desbrow – drums, Michael Lardie – guitar, keyboards, mandolin, sitar, harmonica, percussion and background vocals, Scott Snyder – bass and background vocals.

fullsize-1

Cheap Trick “Silver” – Classic Rock greats captured live!

Posted in 1970's hard rock, 1970's Rock, 1980's rock music, 1980's hard rock, Album Review, classic rock, concerts, cover songs, essential hard rock albums, essential rock albums, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, live classic rock albums, live hard rock music, live rock albums, live rock music, Music, Rock, rock & roll, rock and roll, rock music, vintage live hard rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on June 5, 2009 by Metal Odyssey

6676475Cheap Trick is without question, in my top ten of all time favorite bands. That includes all genres of Rock, Hard Rock and Metal too. This is the one band I so desperately need to see live. I honestly cannot believe I never saw Cheap Trick in concert… after all these years. I feel semi-embarrassed in admitting this. Then again, I would have to be a full time concert goer to actually see every band I dig, there are that many… I am confidently certain I am not alone with that thought. Therefore, what makes for the consolation prize instead of seeing Cheap Trick live, is listening to their double CD “Silver”. (Released June 29, 2004). This double live, Cheap Trick bounty of hits commemorates their 25 plus years as a Rock & Roll original. (Yes, “at Budokan” is a legendary live album from Cheap Trick… I have covered that milestone of an album in an earlier post). “Silver” covers a vast array of Cheap Trick hits, from their deep catalog of albums. This live concert captures Cheap Trick in their Rockin’ spontaneous glory… no over dubbing that I can detect. 

The legendary Slash (of Gun’s N’ Roses, Velvet Revolver fame, of course), is a guest star guitarist for the tune “You’re All Talk”. Slash is so recognizable with his guitar sound, it is a Rockin’ treat to hear him jam with Cheap Trick. Robin Zander announces after the song ends, that Slash broke a guitar string while playing the first few notes… you will hear bits and pieces of Robin Zander talking to the concert crowd throughout “Silver”. This is what makes a live album really come to life, when the lead singer has the charisma and charm to acknowledge his surroundings, just as Robin Zander does here. Billy Corgan of the Smashing Pumpkins is a guest star guitarist on the tune “Just Got Back”… you can definitely hear the style of Billy Corgan come through on this Rocker of a song. That is two really cool guest guitarists to appear on “Silver”, it is like an added bonus for Hard Rock fans.

Cheap Trick does an unreal cover of the late/great John Lennon classic – “I’m Losin’ You”. Cheap Trick brings this song to Rock & Roll life, Robin Zander’s vocals were tailor made for this Lennon hit. The Beatles “Day Tripper” is yet another Rock & Roll classic that is covered with true Rock reverence by Cheap Trick, in my opinion, a flawless cover. “The Flame”, “Dream Police”, “Surrender”, “Stop This Game”, “That 70’s Song” and “Voices” are all here on “Silver”… never sounding better, a vintage cornucopia of Rock from Cheap Trick. A total of 31 songs are to be enjoyed here on “Silver”, 31 live, Cheap Trick classics! Bun E. Carlos on drums, Robin Zander on lead vocals, Rick Nielsen on guitars and Tom Petersson on bass are at the top of their Rock game during this live concert. I know that Cheap Trick is on tour again this Summer of 2009, from June 23rd through September 6th… with Def Leppard and Poison. (That is a really cool triple bill). Now, I have seen Def Leppard and Poison live in concert over the years… I just need to see Cheap Trick!!!

Cheap Trick "Silver"

STYX – “The Grand Illusion” 1977 album revisited

Posted in 1970's styx music, 1970's hard rock, 1970's Rock, Album Review, classic rock, cool album covers, essential hard rock albums, essential rock albums, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, Rock, rock & roll, rock and roll, rock keyboard musicians, rock music, rock music vocals, vintage hard rock albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , on June 1, 2009 by Metal Odyssey

If there was ever a Hard Rock album that I honestly wore out from excessive playing on a turntable, well, it would be “The Grand Illusion” by STYX. This album, (released on July 7, 1977), along with its fabulous music, also bestows incredible lyrics as well. I would escape the doldrums, trials and tribulations of being a teenager by kicking back and slapping down this Classic Rock gem. The funny thing is, the lyrics of these songs on “The Grand Illusion” are just as relevant for me today as they were twenty nine years ago. In hindsight, this album actually gave me tremendous solace, insight and inspiration, at a time in my life when I probably needed it most. There are certain Hard Rock albums that I have embraced and bonded with, where the music and lyrics just seem to connect to my very own personal experiences. “The Grand Illusion” is without a doubt, one of these Hard Rock albums I have connected with.

Just the lyrics alone from the song “The Grand Illusion” are inspiring me for a lifetime… “Don’t be fooled by the radio, the t.v. or the magazines… they show you photographs, of how your life should be…” – my interpretation of these lyrics are that the mass media constantly tells us how to eat, what to wear, who to vote for, how much you should weigh, what to buy and own and of course, how to look. Sorry, I do not need the plastic news anchors and million dollar television hosts telling me how to live my life! STYX was right on with the song “The Grand Illusion” – it is commons sense lyrics that I live by. My sister, (who is now in Rock N’ Roll Heaven), was the first to introduce me to STYX… “Come Sail Away” was her favorite STYX song ever, I know this for she played the 45 rpm at least 20 times a day one Summer, back in the day. “Miss America” is as cool as it gets with keyboards in Hard Rock, the intro to this tune is a definite high point. “Fooling Yourself (The Angry Young Man)” is a great tune to get psyched up to… “get up, get back on your feet… your the one they can’t beat and you know it”… man, if those cool lyrics are not enough to inspire you, then you are better off listening to vintage Boxcar Willie. 

I am by no means telling anyone what they should listen to on Metal Odyssey, rather, I only try to acknowledge the Hard Rock bands and their albums that in my Metal opinion, are a great listen and buy. “The Grand Illusion” by STYX is for me, so justifiable of a legendary Hard Rock album. If I was to get just one visitor to my post to obtain a copy of this CD/album, well, I did someone a great favor. Veteran STYX fans should understand what I mean! The members of STYX, on “The Grand Illusion” were: Dennis DeYoung on keyboards, synthesizer & vocals, Tommy Shaw on acoustic and electric guitars & vocals, Chuck Panozzo on bass & vocals, John Panozzo on drums, percussion & vocals, and James Young on guitars, keyboards & vocals. What a band… what an album.

fullsize

Fastway – revisiting one cool, Heavy Metal debut album

Posted in 1980's heavy metal albums, 1980's rock music, 1980's hard rock, 1980's heavy metal music, 1980's metal music, Album Review, classic metal, classic rock, cool album covers, essential hard rock albums, essential heavy metal albums, essential rock albums, Hard Rock, hard rock album review, hard rock guitarists, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Motorhead, Music, old school heavy metal, Rock, rock music, vintage hard rock albums, vintage heavy metal albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 26, 2009 by Metal Odyssey

main-150In 1983, Fastway was the apple of my Metal eye. Today, well, Fastway is an old school Heavy Metal favorite of mine still, with their debut album aptly titled “Fastway”, being what I consider their best material. Man, when I heard the news that “Fast” Eddie Clarke was leaving Motorhead, I was floored like any loyal fan, back in the day. Then, the word broke, that “Fast” Eddie Clarke was forming a new Heavy Metal band called Fastway… my Metal anticipation was climbing by the second. Knowing that Pete Way (formerly of UFO) was to play bass alongside “Fast” Eddie Clarke only made this lineup more potent by the second. (I later found out that Pete Way never did get to actually play bass on the Fastway debut album).

Let’s go back in time now, to a wonderful department store named Caldor. You see, where I grew up, back in the 1980’s, Caldor was the biggest Hard Rock and Heavy Metal album supplier in my town. (It was the greatest place for a Metalhead teenager to go to for tunes, living in expensive nowhere Connecticut). I used to fantasize about Caldor while I was serving time in Parochial School and later High School. My thoughts strayed right into that glorious Caldor, envisioning the very long record aisles, lined with Yes, Iron Maiden, Bad Company, Ted Nugent, Black Sabbath… and then one day, in 1983, I remembered that the new Fastway album was to be released. Oh, the surefire Metal joy I would experience if that Fastway album was to be at Caldor! Minutes after I was released from being imprisoned in that High School, I was there… at Caldor. Fastway was also there. You betcha. With my Metal heart beating quickly, I reached for this precious new vinyl pressing, had it in my hands…  what is this? Located on the back of this Fastway debut album was a strange looking little mini record, it was not a 45 rpm, (it was the size of a 45 rpm and had a tiny album hole in the center), nor was it anything that I really saw before. It was supposed to be with this album, for it was the single for the song “Far Far From Home” – this song never made it on the actual album itself, therefore, the record company added it on as a separate single bonus! Man, at this moment, this teenage Metalhead was on Metal cloud nine.

Alright, as for the actual Metal found on this Fastway debut album, it rocked me straight into Heavy Metal bliss for an entire Summer – and Fall and Winter too. The tunes were so catchy, guitar driven and groove laden (courtesy of “Fast” Eddie Clarke), that it was one difficult album for me to put down for a lengthy period of time. “Say What You Will” was the most notoriously recognizable track off of this album. The opening guitar lead by “Fast” Eddie Clarke repeats throughout the entire song, instead of being repetitious, it was (and still is) Metal delicious. The vocals of the underrated Dave King were reminiscent of Robert Plant upon my initial listen to this album. However, back in the ’80’s it seemed to be the trend to point the finger at too many Hard Rock and Metal vocalists – accusing them of ripping off the legendary Robert Plant. “Easy Livin'” is definitely my favorite track on this debut, it is fast, slick and the guitar play of “Fast” Eddie Clarke shines. “You Got Me Runnin'” and “Give It All You Got” are heavy, fast paced – melody makers, providing the maximum Heavy Metal grooves you can possibly get out of three minute songs. 

In a Metal nutshell, the overall enjoyment that this Fastway debut album has provided me, sincerely has lasted a lifetime. This is one of those albums that I bought on CD as quickly as it was available. The efficiency of this album is what makes it a winner, for me. The efficiency of the songs structures, both musically and time wise, coupled with “Fast” Eddie Clarke on guitar, Dave King on vocals, Jerry Shirley on drums and Mickey Feat on bass, makes the debut Fastway album a Heavy Metal treat for me – to reach for to this very day.

fullsize

Nazareth “Hair Of The Dog” still has the heavy bite

Posted in 1970's hard rock, 1970's heavy metal, 1970's Rock, Album Review, classic metal, classic rock, cool album covers, cover songs, essential hard rock albums, essential heavy metal albums, essential rock albums, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, Rock, rock & roll, rock music, vintage hard rock albums, vintage heavy metal albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on May 25, 2009 by Metal Odyssey

Nazareth “Hair Of The Dog” has always been a monumental standout Hard Rock album for me. This is what I consider a real album with no pretensions, no fancy gimmicks. What you hear on “Hair Of The Dog” is true Classic Hard Rock, no tunes found here are subdued or watered down. Nazareth came up the Hard Rock ladder during the 1970’s, surrounded by Hard Rock icons such as: Bad Company, Queen, Boston, Foreigner, SweetStyx and Cheap Trick. What a fabulous time it was for Hard Rock music! For the Metal record, I always considered Nazareth to be a Hard Rock band, albeit they do have their Heavy Metal musical tendencies. “Hair Of The Dog”, lyrically, is for me, a true stick it to the man – heavy song. “Now your messin’ with a son of a bitch” – these lyrics say it all, my fellow citizens. I can remember so many moments, in my life, where this song has benefited me. Sure, I have been slighted and backstabbed, so have trillions of other people on this planet have as well. “Hair Of The Dog”, when played LOUD, especially after you know you have been jerked around by someone, well, it is the sure fire remedy for feeling vindication.

I remember, uh, reflect, on my High School days… early ’80’s… it was homeroom at 7:45 in the morning, for my first four years of serving time there, “Love Hurts” was played on the school’s radio station, every single day. Yup, every single day. Did I ever grow tired of this song? Nope. It is Nazareth for Metal sakes. I only used to wonder why “Hair Of The Dog” was not played… probably due to it’s lyrical content, the sacred & self righteous school administrators did not want to stir up the masses. I will delve more into the “Love Hurts” tune in the upcoming paragraph, uh, review.

If you are looking for a great, Classic Hard Rock album to buy and cherish, “Hair Of The Dog” should be an easy choice. This album is saturated with Hard Rock. Oozing with bluesy, Hard Rock music and attitude, “Hair Of The Dog” has so much more to offer, with the title track “Hair Of The Dog” being as close of an example to 1970’s Heavy Metal as you can possibly hear. This song revs it up into high gear, kicking off this album on a real high note. “Miss Misery” is a melancholy song that thumps along with a denim and leather flavor, highlighting the raspy vocals of Dan McCafferty. “Love Hurts” is the ballad, the big radio hit for Nazareth then and now. This song is a cover from the Everly Brothers, only this version is hardened around the edges and overflows with pure Rock emotion. “Whiskey Drinkin’ Woman” is a song with a grooving coolness happening, it has that American Southern Rock sound and atmosphere. “Hair Of The Dog” is in my opinion, quite diversified musically. The opening track being very Metal, another track having Southern Rock flavor and a classic 1950’s ballad cover song. “Please Don’t Judas Me” is a lengthy rocker at nearly ten minutes long. I appreciate this song for it’s jamming, it also exemplifies how albums years ago were geared more to the music than to releasing instant commercial hits. Nazareth released a memorable album back in 1975, it should be enjoyed and passed along for all Rock and Hard Rock fans. Heavy Metal fans should embrace this album for its quality musical content and ground floor sound. “Hair Of The Dog” helped shape Heavy Metal in the 1970’s and beyond. This is an album that can never, ever, be forgotten.

Nazareth on “Hair Of The Dog”: Dan McCafferty on vocals, Manny Charlton on guitars & synthesizer, Pete Agnew on bass guitar & backing vocals and Darrell Sweet on drums, percussion & backing vocals. The liner notes do not contain lyrics, it is a fold out with an enlarged scale of the album cover artwork.

Nazareth "Hair Of The Dog"

Cheap Trick “At Budokan” – a vintage vinyl reunion

Posted in 1970's hard rock, Album Review, classic rock, essential hard rock albums, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, live rock albums, Metal, Music, Rock, rock & roll, rock and roll, rock music, rock music vocals, vintage hard rock albums, vintage live hard rock albums with tags , , , , , , , , , , , , , , , , on May 22, 2009 by Metal Odyssey

I love perusing the local thrift stores. You just never know when you will make that Hard Rock or Heavy Metal find. Cheap Trick “At Budokan” was just that for me this past winter – a Hard Rock find. It was a dreary, cold and blustery winters day, I decided to venture to one of the local thrift shops that has been infamous for having many vintage vinyl albums available for sale – at fifty cents each!! As I entered the shop, I made my way towards the used CD and albums section… there it was… just sitting there, abandoned, found useless by a former owner. Cheap Trick “At Budokan”, in all of it’s vintage vinyl, Hard Rock glory! This live album was released in the U.S. in February of 1979. This album is a live Hard Rock masterpiece, in my Metal opinion. I saw, from just a few feet away, that this album was in near perfect condition too! The coast was clear, I made my move and Cheap Trick was in my hands. I have finally been reunited with my long lost Cheap Trick album!! Holding this album, staring at the front cover photo of Robin Zander and Tom Petersson, well, it took me back to a moment in time.

Sometime back in the very early 1980’s, my cousin, Michael, well, he asked me if he could “borrow” my beloved Cheap Trick “At Budokan” album. I replied, “yes”. You live and learn. You learn from your past mistakes. I never saw that album again, not until this find at the thrift store was in my hands. You see, throughout the years, I never repurchased this classic Cheap Trick album, nor did I ever get it on CD. I guess, deep down inside of me, I was waiting, maybe hoping, that this cousin of mine would someday return the album to me. Dream on. Did I ever ask my cousin for the album over the years? Nope. It was not worth it. Eventually realizing how my cousin actually took care of material possessions, well, I just knew the album would not be in the same mint shape as it was, when it left me.

At this point, the past is just that, the past. I now have the Cheap Trick “At Budokan” live album and I could not be happier with it’s condition. As an amazing bonus – the liner notes are still inside this album that I found! The liner notes are in black and white, however, they are like a giant tour program. The photo’s alone are fabulous. To actually get my hands on this album at a thrift store, in this perfect shape, with the original liner notes tucked inside, that to me… is a find. Plus, upon my scrupulous inspection, it appears to me, that these liner notes were never taken out of the album sleeve! I am not kidding, no creases, tears or even signs of other people’s fingerprints! (My very own fingerprints were immediately left onto these liner notes, for the majority of the ink on the artwork is black). Do I sound a tad obsessive? Maybe so, however, when you are a collector of vintage Hard Rock/Metal albums, you do tend to inspect the memorabilia more than the average/casual consumer of such items.

Now, for the actual music found on this excellent album: Cheap Trick “At Budokan” is an incredibly essential, live Rock & Roll album to own! I have this album in the top ten live Rock albums ever released, it is that good. The songs are tremendous, filled with the trademark energy of Cheap Trick, yet the live essence surrounding the music makes for an inspiring listen. This album was recorded in Japan, at Budokan, in April of 1978! This music is incredibly relevant to today’s Rock sound, it has not lost any mileage with me after all these years. This is the album that truly made Cheap Trick a household name. Since “at Budokan”, Cheap Trick continues to stay current with Rock & Hard Rock, releasing an extensive catalog of great Rock albums which spans four decades! The very famous track “I Want You To Want Me” is here in all of it’s Rock glory, with the classic cover of Fats Domino’s “Ain’t That A Shame”. “Surrender” is a signature song of this great band, it borderlines on the Punk Rock side and still has that catchy appeal it bestowed so brightly, back in the day. “Need Your Love” and “Come On, Come On” are two more tracks that can light up any concert stage today. Overall, this is required Rock & Roll listening for fans of all Rock genres. You can honestly walk away from listening to “At Budokan” and realize how much influence Cheap Trick has on today’s Rock sound. Musically, Cheap Trick is so good, simply one of a kind. Cheap Trick are: Robin Zander on vocals, Rick Nielsen on guitar, Tom Petersson on bass and Bun E. Carlos on drums.

Cheap Trick "At Budokan"

Rainbow “Long Live Rock ‘n’ Roll” long lives indeed!

Posted in 1970's hard rock, 1970's heavy metal, 1970's Rock, Album Review, classic rock, cool album covers, dio, essential hard rock albums, essential heavy metal albums, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, rainbow heavy metal band, Rock, rock music, rock music vocals, ronnie james dio, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , on May 19, 2009 by Metal Odyssey

There never seems to be a day that goes by, where I do not peruse my Heavy Metal collection of albums and/or CD’s. One album in my collection, that recently caught my attention and reminded me of genuine Heavy Metal greatness is Rainbow “Long Live Rock ‘n’ Roll”. When I first bought this album, I did so when Ronnie James Dio was the lead vocalist for Black Sabbath, sometime between 1980 and 1982. I needed to, at that time, catch up and become familiar with any or all of Ronnie James Dio’s music and bands. This album, without any doubt in my Metal mind, is a keeper for life.

Released in 1978, this album upon my first complete listen, had me in awe. It still has that same affect on me, more than 25 years later. It just seems that the true elite of Hard Rock and Heavy Metal will shine on forever, keeping the flame of Heavy Music burning for decades on end. That is exactly what “Long Live Rock ‘n’ Roll does for me, it keeps it’s Heavy Rock sheen glistening, no matter how many times I listen to it. It is my opinion that this album deserves to be in any all time great lists. The two songs “Long Live Rock ‘n’ Roll” and “L.A. Connection” alone are reason enough to add this album to your collection of Heavy Music. These two tunes pound away at a pace that is classic 1970’s Heavy Metal, yet the unmistakable sound is vintage Rainbow. Here is an album, that boasts strong and heavy music for it’s time, with intelligent lyrics and arguably one of the premiere lead guitarists and lead vocalists in all of Heavy Rock, back in 1978.

Fast forward to Ronnie James Dio joining forces with Black Sabbath, then decades later Heaven & Hell, we are all living in the present with the unstoppable Metal tandem of Tony Iommi and Dio. What is such a thrill to revisit, each time I listen to this album, is there was at one time, an incredible Heavy Metal duo of Ritchie Blackmore and Dio. Listening to Dio sing at this pertinent stage of his career, is hearing an emboldened vocalist, rich with sincere emotion and hunger that elevates the totality of this albums music. Ritchie Blackmore on guitar gives the songs on “Long Live Rock ‘n’ Roll” their creative and at times medieval signature sound. “Gates of Babylon” is a fine example on this album, of what I mean, in mentioning a medieval guitar sound. What words can I truly use to compliment the guitar playing and skill of the legendary Ritchie Blackmore on this album? Let’s leave it that Ritchie Blackmore is guitar elite. The pair of Dio and Blackmore together in Rainbow may have been short lived, however, just as the title of this album states “Long Live Rock ‘n’ Roll” – this album without question long lives.

fullsize

Michael Schenker & Gary Barden rock together again on “In The Midst Of Beauty”

Posted in 1980's hard rock, 1980's heavy metal music, Album Review, classic rock, current hard rock albums, current hard rock songs, current heavy metal music, Guitar, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, Rock, rock music, rock music vocals with tags , , , , , , , , , , , , , , , , , , , , , , on May 18, 2009 by Metal Odyssey

I always have been enamored by the guitar brilliance of Michael Schenker. I have always been a big fan of the Hard Rock/Heavy Metal vocals of Gary Barden. These two musicians combined, made for one very cool and memorable debut album by The Michael Schenker Group, which was self titled. My favorite album by this duo is the second Michael Schenker Group album, titled “MSG”. Depending on the song or album you listen to from the Michael Schenker Group catalog, this band can be defined as Rock, Hard Rock or Heavy Metal. Diversity has been the mainstay in Michael Schenker’s music, in my Metal opinion. A tried and true crossover of Heavy Music styles is what MSG has accomplished over the decades. Michael Schenker has had one incredible Hard Rock/Metal career, being an original member of the Scorpions and as a member of the infamous UFO.

Michael Schenker has had different lead vocalists over the years, again, my nod goes to the combo of Michael Schenker and Gary Barden. I did not intend to get too long winded, on the background history of The Michael Schenker Group, just a brief introduction is necessary for new fans that might want to check out the past music of MSG. Schenker – Barden “In The Midst Of Beauty” was released on May 13, 2008, with both Michael Schenker and Gary Barden rockin’ out together again. I am very pleased with this album, the vocals of Barden are still solid, he was never a flamboyant or in your face – Arena Rock vocalist to begin with. Barden for me, has always been a cool and deliberate Heavy Rock vocalist who exhibits real emotion in his vocals, while pronouncing the lyrics of his songs – always making the lyrical message as important as the music itself. In my Metal opinion, Gary Barden is as true a Heavy Rock vocalist today as he was in 1980. I cannot say enough about the guitar wizardry of Michael Schenker, to me he plays his very best on “In The Midst Of Beauty”.

All 12 songs are memorable for me on this album, with my favorite track being “Ride On My Way”. This tune is very melodic and it Rocks. I knew when I bought this CD, that I was not going to hear the resurrection of the 1980’s Schenker & Barden Heavy Metal attack. As years pass, all of our great and legendary Metal musicians change a tad or two. Does Gary Barden sound older? How about Michael Schenker? Give me a break, if anything else, there is a new found level of confident Metal that I hear on “In The Midst Of Beauty”. Do not be fooled, for Michael Schenker still brings the heavy on his guitar solos and leads. These two Heavy Metal legends can still Rock their hearts out, I only wish I could sing or play guitar this darn great at my age! “In The Midst Of Beauty” is a fantastic Hard Rock/old school Heavy Metal album that defines what Schenker and Barden are all about – both accomplished musicians who have nothing to prove to anyone – while still showing the entire Rock world what real song writing is all about.

fullsize

Cheap Trick – “Dream Police” an essential Hard Rock album

Posted in 1970's hard rock, 1970's Rock, 1980's hard rock, Album Review, classic rock, cool album covers, essential hard rock albums, essential rock albums, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, Music, Rock, rock & roll, rock and roll, rock music, rock music vocals, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , on May 16, 2009 by Metal Odyssey

I have been fascinated with the Hard Rock music of Cheap Trick since 1978. Yup, 1978. I owned with pride, the 8-track cassette copy of “Dream Police” and played it until only a hissssssss sound was heard, while a faint sound of tunes played in the background noise. It was not easy tossing away that 8-track copy of “Dream Police” – I eventually bought a CD copy of it down the road, somewhere around 1986 and I still have that CD. There is no hissssss sound on this Cheap Trick CD, no sir. All I hear is the sensational Hard Rockin’ music that is 100% vintage Cheap Trick. “Gonna Raise Hell” in my Metal opinion, is as bona fide a Heavy Metal song that Cheap Trick has ever created. This tune, for me, is what makes “Dream Police” such a classic album. Seriously, “Gonna Raise Hell” is a jaw dropping, head banging, anthem of a timeless tune. The bass play on this track alone is like a thunderous, stomping mad, evil, forest gremlin army marching toward battle. (There are times when my musical interpretations can become quite creative). Tom Petersson, in my opinion, takes a back seat to no one as a bassist in Hard Rock.

“Voices” is a smoothly written power ballad, only power ballads were not supposed to be around until Hair Metal came out of L.A. in the ’80’s. “Dream Police” is the fast paced, musically heavy driven, winner of a title track. To say that these mentioned songs, quite possibly the entire album, is relevant to what is created in todays Hard Rock or Heavy Metal circles is not far fetched. I feel that if a band today, created and released the song “Gonna Raise Hell”, it would do just that. This song is too darn good to be considered an old time classic. “Need Your Love” may be over seven minutes long, however, Cheap Trick makes this tune groove along at a pace that gives it an addicting Rock flavor. Cheap Trick melded together harmony, melody and Hard Rock in such a blissful heavy way, I cannot stop myself from labeling “Dream Police” as an essential Hard Rock album to own. Why else would I be reaching for this CD to rock out to, going on three decades now?

The vocals of Robin Zander were attitude laden with a slice of Punk, I can never mistake the overflow of confidence in his voice on “Dream Police”. Rick Nielsen on guitar is fluid and creatively distinctive on “Dream Police”. I find his signature sound to be legendary, Rick Nielsen was and still is one of a kind. What can be said for Bun E. Carlos on drums? This man carries out the identity of a true Rock and Roll drummer, he never over extends on “Dream Police” and only super enhances the rhythm section with skillful beats. In Summary, “Dream Police” is a work of Hard Rock musical art, from a legendary dream team of Rock musicians, forever known as Cheap Trick. 

fullsize

Black Stone Cherry – a Hard Rock band on a path to greatness

Posted in Album Review, current hard rock albums, current hard rock songs, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, recent heavy metal albums, Rock, rock & roll, rock and roll, rock music, southern hard rock, southern hard rock albums with tags , , , , , , , , , , , , , , , , , , , , on May 16, 2009 by Metal Odyssey

Black Stone Cherry, you better believe I like this band! I always feel reassured when a young Hard Rock or Metal band appears on the scene and shows reverence for old school Classic Rock, Hard Rock and Heavy Metal. With Black Stone Cherry, the reverence is in their music. I can hear it and feel it, the reverence in their first two albums and I am sold. Pick up or find just about any interview from this band, you will find these guys mentioning bands from years/decades gone by with the upmost respect. I personally feel it is the coolest and most admirable quality of any heavy Rock band to recognize the roots of their respective genre. Since the first moment I heard of Black Stone Cherry and with my continuance to follow them through numerous media sources, I have never heard a microscopic ounce of arrogance or self entitlement from them. This attitude will carry Black Stone Cherry to greater heights, for they have the musical talent to achieve their highest goals, in my Metal opinion.

I give Road Runner Records a huge applause for signing Black Stone Cherry in the first place, this record company has a winner here and believe me, they know it. One professionally paid music critic out there recently wrote, that “Black Stone Cherry should stop trying to sound like Nickelback” – this statement proves that there are paid music critics out there that never listen to the bands they write about. Black Stone Cherry sounds nothing like Nickelback, the only two things these two bands have in common are that they are extremely talented musically and they play Hard Rock. (I could never, ever, find it ethical to write about a band or their music without first listening to their stuff, yet unethical music reviews is what we all get handed to us, from mainstream Rock publications these days).

There are just two albums/CD’s out there currently by Black Stone Cherry – give them time, their first release was on July 18, 2006, aptly titled “Black Stone Cherry” with their second release on August 19, 2008 titled “Folklore and Superstition”. Black Stone Cherry blends together almost magically, the genres of Hard Rock, Heavy Metal and Southern Hard Rock. In my Metal opinion, there are no filler tunes on either album. The debut album for me, is the heaviest of the two, with “Folklore and Superstition” reaching out to a more melodic and commercial friendly sound. Having radio friendly tunes on a Hard Rock album does not bother me one bit, especially when the songs are not all sappy ballads. Don’t get me wrong though, “Soul Creek”, “Blind Man” and “Please Come In” off of “Folklore and Superstition” are catchy and melodic, yet these songs still Rock like there is no tomorrow. Great party tune is “Soul Creek” – I find myself bellowing out the lyrics to this song while I play it, almost as if it is uncontrollable.

Uh, yeah, I definitely recommend Black Stone Cherry and both of their albums/CD’s to any fan out there who wants to Rock out to some excellent music from excellent musicians. Here is the lineup for Black Stone Cherry, ‘cuz you just might want to know these dudes names: Chris Robertson on lead vocals, lead/rhythm/slide guitar, Ben Wells on rhythm & lead guitar, electric sitar & backing vocals, Jon Lawhon on lead, rhythm bass & backing vocals and John Fred Young on drums, percussion & backing vocals.

fullsize-1 fullsize

Happy Birthday C.C. DeVille – Poison guitarist

Posted in 1980's hard rock, 1980's heavy metal music, concerts, current heavy metal music, glam metal, glam metal music, Guitar, Hair Metal, hair metal music, Hard Rock, hard rock guitarists, Heavy Metal, heavy metal albums, heavy metal guitarists, heavy metal music, Metal, metal concerts, metal music, Music, rock celebrity birthdays with tags , , , , , , , , , , , , , , , , , , , , , , , , on May 15, 2009 by Metal Odyssey

7901078It is Thursday, May 14, 2009 – C.C. DeVille, the talented guitarist for Poison celebrates his 47th birthday today. Happy Birthday C.C. Deville! It seems like it was yesterday for me, when I saw Poison live, at an amusement park in expensive Connecticut. It was the late ’80’s and Poison was hotter than a fresh loaf of bread out of the oven, back then. Poison for me, is a pretty cool Hair Metal band that can play. That live amusement park concert was quite honestly, the loudest Heavy Metal concert I have ever been to. I am not kidding and I have been to my fair share of Metal concerts throughout my life, both large and small.

Slaughter and BulletBoys opened up for Poison on that humid Summer night of Metal. (Slaughter played an entire acoustic set that evening, BulletBoys rocked). I give Poison a lot of credit, they still tour consistently and draw the crowds. In my Metal opinion, Poison has their popularity machine still running after all these years. C.C. DeVille gets my respect as a guitarist, he definitely has Lemmy Kilmister’s respect – C.C. appears on the Motorhead album “Kiss of Death” (released in 2007), playing the guitar solo on the tune “God Was Never On Your Side”. Anytime you can get a permanent link into the musical history of Motorhead is cool Metal stuff indeed. Just as a nifty trivia fact to throw out here, C.C. DeVille’s real name is Bruce Anthony Johannesson.

Molly Hatchet debut album from 1978 – Rocks heavy to this day

Posted in 1970's hard rock, 1970's Rock, 1980's hard rock, 1980's southern hard rock, 1980's southern rock, Album Review, classic rock, classic southern rock, cool album covers, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, Music, rock music, rock music vocals, southern hard rock, southern hard rock albums, southern rock, southern rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , on May 8, 2009 by Metal Odyssey

In 1978, Molly Hatchet, the Southern Rock legends to be, released their debut album “Molly Hatchet” – this album still rocks today. I was just embarking on my teen years back in 1978, Kiss, Foreigner, The Electric Light Orchestra and Cheap Trick were my four main bands that I listened to constantly. (I was not into the real heavy music until I entered high school, heck, I was still green and learning fast about the huge world of Rock music). One band, however, that turned my head and gave me instant goose bumps as soon as I heard their tunes was Molly Hatchet. Man, I was amazed at the sound of this band. I was going on fourteen when I first heard the guitar jamming, the muscular feel and Southern Rock energy coming from Molly Hatchet. The vocals of Danny Joe Brown sounded so bad ass to me, (they still do), I thought I was bad ass when I spoke of Molly Hatchet to my grammar school buddies. The rebellious sound, vocals, lyrics and super cool album cover won me over in 1978 and has never waned for three decades. I never forget or stop listening to those bands that got me into music as a kid, these bands including Molly Hatchet I am forever grateful for.

“The Creeper” in and of itself is good enough reason to chase this album/CD down. The seven minute and brilliant “Dreams I’ll Never See” for me, makes for one of the greatest cruisin’ tunes I have ever heard. “Bounty Hunter” and “Gator Country” just kick start this album into a Hard Southern Rockin’ rebellious ride that I enjoy taking. I realize a couple of  posts ago was about Molly Hatchet as well, I am stoked recently over this band forgive me please. This debut album from Molly Hatchet blows away thousands of other debut albums that are out there – how often I find myself not buying a bands first album due to it’s blandness. Hey, this is my Metal opinion. Sure, the debut from Molly Hatchet is “old school” – only remember that this is an album that helped pave the way for Southern Hard Rock to flourish and receive it’s due respect and credibility. I hope my posts on Molly Hatchet can lure new fans to this legendary band and to the genre of Southern Rock. Veteran fans of Molly Hatchet and Southern Hard Rock already know what I am talking about.

Here is the original lineup of Molly Hatchet, as they appeared on their debut album “Molly Hatchet” – Danny Joe Brown – lead vocalist, Duane Roland – lead guitar, Dave Hlubek – lead guitar, Steve Holland – lead guitar, Banner Thomas – bass guitar and Bruce Crump – drums.

fullsize

Duff McKagan’s Loaded is loaded with Punk & Hard Rock

Posted in Album Review, Century Media, century media records, current hard rock songs, current heavy metal music, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, new hard rock album, new heavy metal album, new punk rock album, Punk rock, Rock, rock music, rock music vocals with tags , , , , , , , , , , , , , , , , , on May 7, 2009 by Metal Odyssey

9252961Duff McKagan, you know, the very famous and former bass player for the legendary Guns N’ Roses and current bass wizard for Velvet Revolver? Yeah, that guy. Well, let me tell you, Duff McKagan has his brand new solo, (if you will), album out right now and it is in my Metal opinion, sensational. Really, these tunes that Duff McKagan provides with Loaded are just that – loaded. Loaded with quality Hard Rock driven tunes. These songs have catchy hooks and an almost unmistakable Punk Rock vibe happening throughout the entire album. Loaded is groove laden and if I am not mistaken, not over-produced! I can honestly say, that I hear a bit of overall polish missing and I love that!!

Duff McKagan handles the lead vocal duties on every song and plays guitar on this album. I will say this without hesitation, Duff McKagan can sing. His vocals are tailored made for Hard Rock, with a whole bunch of Punk Rock attitude to go along with them. Why do I keep bringing up the comparisons with Punk Rock? Well, that is what I honestly hear, Duff Mckagan’s Loaded is all about Hard Rock and Punk Rock meeting each other in the middle. The only song that gets the least of my attention on this album is “Mother’s Day” – the lyrics are depressing. I always stray away from the sad ballads/sad lyrics from any band. However, despite the lyrics on this song, musically it is very listenable.

Once you listen to the first two tracks – “Sick” and “Sleaze Factory”, anyone who appreciates Hard Rock and Punk Rock will realize the fusion of the two are here with Loaded – these two songs set the table for this album. Duff McKagan has proved to me, that he is an extremely well rounded Rock musician, his talents resonate loud and clear on this album. Loaded as a band and Sick the album, are sure fire to achieve commercial and mainstream acceptance and success, I can appreciate that. Loaded as a band deserves all the applause they can muster. When you have the instant and legendary credibility of Duff McKagan carrying the music, broad acceptance is unavoidable, forget being labeled underground. Loaded and this album has become an instant favorite for me, I highly recommend this album to all heavy music fans worldwide. Now, to spotlight the fine musicians that make up Loaded: Duff McKagan on vocals & guitars, Geoff Reading on drums & vocals, Jeff Rouse on bass, vocals and translucent and Mike Squires on guitars and vocals.