Ted Nugent “Free For All”, (released in 1976), is an album of Hard Rock songs that I slap the label of greatness on. There is no one you can compare Ted Nugent to… he was and still is his own Rock and Roll Warrior. Meat Loaf’s vocals and Ted Nugent’s guitar are a double dose of Classic Hard Rock superiority on this album. Meat Loaf is the lead vocalist on the songs: “Writing On The Wall”, “Street Rats”, “Together”, “Hammerdown” and “I Love You So I Told You A Lie”. Meat Loaf is the real deal vocally, on these songs. “Free For All” was an accomplishment of incredible songs that just continue to knock me over to this day. This album just carries me off into the thunderous land of Hard Rock glory. Ted Nugent is truly an originator of 1970’s Hard Rock guitar… listening to the guitar play of this legend makes me want to stand atop a crowd of onlookers and scream hell yeah!! In my Metal opinion, Ted Nugent and “Free For All” is all about 1970’s Hard Rock in it’s most genuine and heaviest state. An uncompromising group of songs that are Hard Rock personified, aimed at stirring up a good time and feeling the Ted Nugent power of guitar cool. I finally had my first introduction to this album and other Ted Nugent albums at that, in the early 1980’s. Ted Nugent quickly made me aware that Hard Rock music should never be watered down, it should be hard driven and fostered with head turning guitar licks aplenty. With “Free For All”, there are so many Hard Rock attributes happening that this album could easily be labeled as The Great Reference Book of Hard Rock, in my Metal opinion.
The album opener “Free For All” plays out as such… a Hard Rock song that sounds heavier than it really is, a Hard Rock song that highlights the fusion and importance of a bass driven flow. “Free For All” the song, when played at the recommended loud volume, makes me feel like the world is a wonderful globe of Rock and Roll beings. “Dog Eat Dog” is just another Ted Nugent classic… it powers forward without making a single pit stop, so be forewarned… this is a Hard Rock song that should never, ever, be turned off until it is rightfully over. “Street Rats” takes a back seat to no other Hard Rock song, in all of Hard Rock history. This song has never failed at it’s goal to Rock me out senseless… never. The word mellow just does not coincide with the persona or music of Ted Nugent. However, “Together” is a song that I consider to be toned down enough for the dreaded mellow adjective to come out and play. Hey, I am going to say that this song is one of my favorites of the entire catalog of Ted Nugent albums. “Together” is a song that is hard enough to not be a bona fide ballad, yet it comes across rather soothing, based on the Ted Nugent heaviness scale.
“Light My Way” is the one song on this album that I feel legitimized why Ted Nugent was/is such a great guitar player, he jams like a Hard Rock guru meets Southern Hard Rock legend. “Hammerdown” does not stray away from the Ted Nugent guitar lead and solo laden blueprint that makes this entire album – a 1970’s Classic Hard Rock album of upmost legitimacy. “I Love You So I Told You A Lie” could very well have been a song on a future Meat Loaf album, in my Metal opinion. Meat Loaf truly bestowed his vocal brilliance on this Ted Nugent album. Add Meat Loaf into the mix of songs on “Free For All” and this album has and always will satisfy any Classic Hard Rock hunger fits, that I may encounter. For the record, I have listened to this album non-stop today, it just has the Hard Rock groove and vibe I was hankering for.
Derek St. Holmes was the lead vocalist on the songs: “Turn It Up”, “Light My Way” and “Dog Eat Dog”, while Ted Nugent is the lead vocalist on the title song “Free For All”.
I listened to Joe Satriani “Surfing With The Alien” all day today… in the car, in the house and back in the car once again. (Released in 1987, I own both the vinyl LP and CD). I have those days, where I choose that one CD and listen to it the entire day. Joe Satriani is without question, one of my favorite guitarists that ever lived. Pinning down who my favorite guitarist is of all time is too impossible of a task – there are just way too many guitarists across the entire Rock and Heavy Music spectrum that I revere. It’s not that I do not want to get controversial about naming an all time favorite guitarist, I named what I feel is the greatest Metal album of all time, in a previous post – (Black Sabbath, “Sabbath Bloody Sabbath”). There are just so many unique styles of playing out there, in the world of guitarists, I tend to draw from a cornucopia of these styles and enjoy what I hear from a vast array of players. Joe Satriani really nails it down, with pin point accuracy, on this album. Combining speed and clarity, while slowing things down at all the right moments, makes for a harmonious and melodic guitar instrumental experience, is the best quick summary for Joe Satriani on “Surfing With The Alien”. The daunting question of: Is Joe Satriani a Rock, Hard Rock or Heavy Metal guitarist? – can only be answered by stating Joe Satriani can play it all and play it with greatness. The catalog of albums that Joe Satriani has created over the years proves just that, the proof is in his music.
On one of my recent Hard Rock/Heavy Metal hunts via the second hand route, I came across a true Classic Rock album that I grabbed ahold of within milliseconds of spotting it… Boston “Don’t Look Back”. As a Metal bonus, this great album is also – still factory sealed. That is so right, this vintage Boston album which was released on August 2, 1978, has still, it’s original plastic wrapping protecting it for thirty one years. I never owned “Don’t Look Back” on album before, finding a mint copy of it now, in 2009, is so fine. Sure, I have Boston on CD, yet landing one of my favorite Classic Rock bands on sealed vinyl, on a trip to a thrift store unleashes a cool high for me… every time. I realize this price always gets mentioned when I write about my vintage album finds, it is the truth when reveal it only cost fifty cents. Yikes, that is cheaper than most of the plastic prizes my daughters pay for at the (what I still call) bubble gum machines in front of the grocery stores.
Blackfoot has always been one of my favorite Southern Rock Bands, their songs and sound flat out Rock for me. The history of Blackfoot includes a long list of musicians, this is one band that has seen it’s share of lineup changes over the years. My favorite years of Blackfoot Southern Rock were definitely 1979 through 1981. The Blackfoot albums released during those years were “Strikes”, “Tomcattin'” and “Marauder”. The CD “Blackfoot Greatest Hits”, (pictured here), contains ten songs representing these three albums, which was at Walmart a couple of years ago… for five bucks I bought it without question. Admittedly, I do not own any other Blackfoot albums, so picking up a Greatest Hits of Blackfoot was essential sooner or later. I really get into this Blackfoot CD during the Spring through Autumn months… probably due to the fact I always equate Southern Rock to warmer weather. Go figure. The first track on this CD is “Highway Song”, my favorite Blackfoot tune ever. This CD I played in my car recently, the timing of listening to “Highway Song”, on this particular small road trip, could not have been any better, here is how it all unfolded…
When it comes to Rock and Hard Rock Music, I always have put Journey on my listening rotation. I am guilty of not keeping up with the purchases of new CD’s over the years from Journey, “Arrival” is a perfect example of this. After the 1986 album “Raised On Radio”, I never picked up “Trial By Fire”, “Arrival” (until now) or “Generations”. You betcha I did grab a copy of “Revelation”… the Walmart 2 CD/1 DVD version too. It is not as if I totally forgot about Journey, these albums are just victims of the hordes of releases out there I have always wanted to buy… financially it is impossible to buy everything. Man, I am impressed by this Journey album… more than that, I cannot believe it took me this long to land “Arrival” into my music collection. I guess after each listen to “Arrival”, all I can really say to myself is what was I waiting for and thinking? (I should have just bought this album years ago and stop worrying about how much money I spend on music!). I can’t comprehend how this album has not sold over a million copies? What gives? If “Arrival” was fronted by the legendary Steve Perry and released back in the 1980’s, it surely would have been multi platinum… wouldn’t it? Who knows, we shall never know, it is all make believe speculation on my part. All I do know is that “Arrival” is chock full of Rock and Hard Rock songs that are premium quality, in my Metal opinion. The song writing on “Arrival” is so outrageously good, I shake my head and thank the fact Journey is still around Rocking today.
Is it just me thinking this way? Deep Purple “Deepest Purple”, (subtitled “The Very Best of Deep Purple”), is the epitome of what a Rock/Hard Rock Greatest Hits album is supposed to be. These Deep Purple classics are hands down, sensational and historical Rock Music. Gimme a break, how can any generation not want to embrace these songs? These Deep Purple songs are perfect examples of just how amazing the song writing was in Rock and Hard Rock, back in the 1970’s. Could Deep Purple have been ahead of their time? I certainly think so, by at least a decade. The hardness, forget about the heaviness for a second, is what drives these Deep Purple songs to the top tier of Rock and Hard Rock history, in my Metal opinion. Just stop to think about this, for a Metal second… how many new Rock or Hard Rock bands out there today, could actually put out a Greatest Hits album, down the road, with such impeccable and recognizable songs? “Smoke On The Water” and “Highway Star” are two Hard Rock songs alone, that represent a generation of Rock and Hard Rock music and the decade of the 1970’s. “Fireball” and “Child In Time” are just the icing on the Hard Rock cake here.
Madina Lake “Attics to Eden” caught my attention upon it’s release, (May 5, 2009), by the front cover artwork. Anytime a band puts thought and/or creativity to use, with their album cover art, just 
Madina Lake is obviously a younger band, yet the current and/or new textured sound to their songs is what differentiates them from being gobbled up by the status quo. It is 2009, I not only want to stay current with the younger bands… I need to. There is that part of me that does not want to be left behind in this vast world of Heavy Music. Honestly, there are stacks of Heavy bands out there today, that are fresh and new that just don’t do it for me. My not acknowledging on Metal Odyssey the bands that I feel are bland and yawn inducing, saves me from wasting precious time. Madina Lake is no waste of time for my ears. Taking a melodic and harmonious Alternative Rock detour, from the very heavy and Extreme Music that I listen to regularly, is essential for me, doing so keeps me musically grounded and open minded. Madina Lake “Attics to Eden” is one of those Alternative Rock detours I am referring to. To make an analogy, it is like enjoying watching horror movies, I need to watch a comedy and/or suspense thriller every so often as well. (Throw in a History Channel documentary too).
Ace Frehley will always be my choice pick for the guitarist of Kiss. Ace Frehley was the original guitarist and in my Metal opinion, the best at lead guitar for Kiss. I few posts ago, I stated that my favorite Kiss solo album of all time is Paul Stanley. I cannot backtrack that sentiment, the Paul Stanley album is for me, #1. With that said, out of the four Kiss solo albums, Ace Frehley is clearly my #2 choice. My fellow peer in Metal blogs over at The Metal Files, (a cool Metal Music blog that is worth the visits), commented his favorite Kiss solo album is Ace Frehley… this spurred me into delving into the Ace Frehley solo album once again. I do own the Ace Frehley solo album, (released on September 18, 1978), a record that has been with me for decades. I actually bought this Ace Frehley vinyl from a cut-out bin, from a small department store named Woolworths, back in the very early 1980’s. My Ace Frehley album has the top right corner actually cut off, therefore, that is probably why it was in a cut-out bin! Despite the cosmetic damage that this album cover suffered, the album itself and the large fold-out poster of Ace Frehley that was included with the album, never sustained damage from the cut-out process. (Each Kiss solo album had a large fold-out poster of the respective Kiss musician inside the album sleeve, with each of the four posters interlocking together, through die cuts, to form one giant Kiss collage, if you will).
Cheap Trick, “The Latest” may just very well be the album that proves this band has elevated themselves beyond the Rock Legends status. It is in my Metal opinion, Cheap Trick has become deserving of being called – Music Legends. Once again, Cheap Trick has not tried to reinvent themselves, instead they have created thirteen new songs that justifies their Rock and Roll existence and legendary status. What Cheap Trick has proven to me, with “The Latest”, is that I can marvel at this band and also learn a valuable lesson about life… the lesson of never giving into complacency. The last three Cheap Trick studio albums including “The Latest” is as strong a Rock Music achievement as I could ever hear. This band is just knocking out some of the greatest albums of their career, this decade alone.
Journey, the Rock icon of a band. Journey “Evolution”, an album that is now referred to as a Classic Rock masterpiece… by me anyways. What else can one say about this incredible Rock album? Quite a bit can actually be said, this album established Journey, solidified them atop the Rock Music world for many, many, years. There could never be another Steve Perry, his vocals alone gave Journey their signature sound. In my opinion, there are lead singers that have vocals so breathtaking, they are the most important musical instrument in their respective band. I had felt this way about Steve Perry, with his years with Journey. Steve Perry’s vocals can never be duplicated, nor will he ever be forgotten by me as the lead singer for Journey. I will always appreciate Journey as the band they are today too. With that said, this is an article where I am celebrating the brilliance of a moment in time, one that can be listened to time and again, that moment was Journey’s “Evolution”, (released in 1979).
I have been riding on a rather enjoyable, Progressive Metal & Progressive Hard Rock wave of music as of late. Am I complaining? Not when bands like The Mars Volta release the Progressive elasticity of songs that they have titled – “Octahedron”. It is Hard Rock music like this, that challenges the outer reaches of my very own musical senses. I suppose that is what Progressive Music is meant to do? I am not going to fib here, it took me well into my third listen of “Octahedron” to have “it” finally hit me. The “it” is the focused energy and streamlined patience and musical precision, that are consistent, musical nuances I hear in these songs from The Mars Volta. Let’s be real, these artistic lined, Hard Rock songs, with all of their progressiveness, were not written over night. Is it considered to be uncool these days, to have a thought process and spacial intellect towards music? Not in my realm of listening to Hard Rock – or Metal for that matter. The Mars Volta has thrown “Octahedron” to the progressive wind, it has blown my way and this is what I have to say.
“Since We’ve Been Wrong” has my inner psyche floating somewhere out there in 1979, the retrospective, ambient rays of melody I hear in this song, has me laying on a freshly mowed lawn, staring up at a clear blue sky. “Teflon” does not stray too far away from this dreamy type of feeling either, it only Rocks a little harder. “Halo Of Nembutals” has me agreeing with the assertion that lead vocalist Cedric Bixler Zavala really does sound like the living legend – Geddy Lee of Rush. (This comparison has been thrown around quite a bit, it should be construed as a compliment, much better than being compared to the vocals of Jim Nabors, aka Gomer Pyle). With this song, carrying it’s way into “With Twilight As My Guide”, I tend to realize that I have fallen victim to a cascade of Progressive Hard Rock sanctity. I refuse to just stand pat and not let my feelings be known, about a band that is able to grasp the flexibility and open mindedness of song writing, both lyrically and musically. The Mars Volta apparently were either born as collaborative musicians or they visited some type of mystical being, in a tropical rain forest, who granted them the ability to eradicate themselves of any staleness and ego – thus anointing them with Progressive Musical powers.
“Cotopaxi”, “Desperate Graves” and “Copernicus” are three songs in a row, that I swear are a path that lead me to believing that the words status quo are not in The Mars Volta vocabulary. Omar Rodriguez Lopez has given new meaning to the phrase – lead, not follow – for if this musician were to follow, I would probably be listening to a band that wants to fit in and play it safe, like so many bands who don’t follow their hearts and instincts do. The same goes for Cedric Bixler Zavala, as both a vocalist and lyricist. If anything, I am completely guilty of being passionate about the music that moves me. The Mars Volta are just as guilty for being passionate in creating the music that stands up and above, so much so, the “Octahedron” CD cover does not even bear their name. It is the music that really matters, the music that stands alone, it is not a name of a band, the physicality or gender of it’s members, nor the image. “It” is really all about the finished product, the music and what it says. “Octahedron” speaks more if you give “it” the space and respect is so justifiably deserves.
I took my first trip to the Quakertown Farmers Market, in Quakertown, Pennsylvania, this weekend, safe to say that this is a place to find many Heavy Metal souvenirs. I perused Heavy Metal, Metal, Classic Rock, Hard Rock memorabilia, CD’s, vinyl albums, t-shirts, posters, stickers, buttons, air fresheners, you name it. All at affordable prices!! 
Throughout my travels to antique stores and thrift shops, more often than not, I come across albums and/or CD’s that grab my attention in milliseconds. I usually find the Metal, Punk Rock or Extreme Music that is not in stock at your local Walmart, Best Buy or f.y.e., therefore my journey’s to these eclectic shops are never in vain. Sure, the vast majority of underground and obscure music titles can be had online just about anywhere you look, I am an avid consumer of online purchases this way. However, it is just a tad more cool to actually hunt down or stumble upon a CD of a band that is not on any mainstream or commercial charts… not in the limelight whatsoever… and this band is unique, a definite qualifier for existing in the world of Extreme Music. Please excuse me, if I say that the three dollars I paid to bring home Violent Femmes “Why Do Birds Sing?”, (released in 1991), was a smart move. Three dollars versus the eleven dollars (or more) it would have cost me to buy this CD brand new online… not counting the shipping and tax costs. Used CD? Is there such a thing? Man, a CD really has to be scratched up and bent out of shape for me to consider it used. Besides, I am not that naive to purchase a used CD without inspecting the surface wear of the actual disc itself. Crap, I better get on with the actual music found here, on “Why Do Birds Sing?” and stop this ranting about the science of used CD hunting and purchasing.
Seether is a Hard Rock band that does not need any plastic Hollywood music awards to be told they are damn great. The fans know. The music of Seether tells the whole story… of just how sensational Hard Rock songs are written. “Finding Beauty In Negative Spaces” is an album that should be a required musical manual for any up and coming Hard Rock band. Seether has proven to me, that lyrics are very, very, important in Heavy Music. Shaun Morgan, in my Metal opinion, encompasses many musical gifts… his vocals, guitar skills and the song writing that leaves me in awe. Lyrically, this is one of the best albums I have ever listened to in my lifetime. Couple these tremendously inspiring lyrics with Hard Rock music that is maximized by it’s hardness and mesmerizing grooves, well, you have yourself an instant classic. Shaun Morgan for me, is a vocalist that I listen to so intently, that the music at times becomes a backdrop. (This is by no means, an insult, it is just that Shaun Morgan’s vocals are so searing, they take hold of my attention and leave me zoned out on his voice and lyrics). I have to listen to Seether and say to myself, o.k., I am going to pay more attention to the music this time around, when I do it is like a double dose of Hard Rock music and Hard Rock vocal exhilaration. 
AC/DC – they are not just Rock and Roll Hall of Famers, this band is an elite institution of heavy music. I always pondered throughout the years… which song from the extensive catalog of AC/DC albums, is my favorite of all time? Is my favorite song from the Bon Scott era? Man, the late Bon Scott was unique, his vocals were and always will be legendary. The Brian Johnson era is power packed with amazing songs, could I take the easy route and pull my favorite tune off of the “Back In Black” album? That would be way too easy for me, it seems like choosing “Hells Bells”, “Back In Black” or “Have A Drink On Me” as my favorite AC/DC song, would be particularly predictable. I will not argue the fact it is a historical album, “Back In Black” surely paved the way for Heavy Metal commercial acceptance. Besides, I personally am forever grateful for AC/DC appointing Brian Johnson to succeed the late Bon Scott. “Back In Black” will forever be on my all time favorite album list.
There is no disguising the fact, I have been an ELO fan my entire life. The Electric Light Orchestra has music that actually fits into any type of mood I am in. From the more mellow “Eldorado” album to the rather upbeat “Discovery” album, ELO has always been there for me. Certainly, Metal Music (including all of it’s incredible sub genres of Extreme Metal Music) is my mainstay, #1 always and forever – still, there are those many moments in my life where I turn to ELO for inspiration and musical enjoyment. ELO is music. ELO is a Progressive Rock giant that in my Metal opinion, has always been cutting edge, if you will, with their musical arrangements and overall sound. Here are 12 cool facts for ELO fans to savor over, new fans of ELO just might find these facts to be of interest too.
After just one listening experience with “Influence” (released March 6, 2007) and you hear and feel the unique musical chemistry, that both Tommy Shaw and Jack Blades have together. The overall up beat vibe throughout “Influence” will have you not putting this disc away for a very long time. What an accomplished set of Classic Rock gems that Shaw-Blades covers! Typically, I always approach cover songs with skeptical tendencies. Usually one or two listens to a cover tune, will be enough of a listen for me to either like it or cherish the original version. With “Influence”, I was taken completely by surprise by how Tommy Shaw and Jack Blades brought new Rock life to these classics. While I listen to this album, I cannot help but go through a Rock and Roll reality check, realizing where the roots of Rock music actually come from. The Mama’s and the Papa’s, Simon and Garfunkel and Seals & Crofts may have their legacies emblazoned in the Rock Folk and Easy Listening genres, yet their lyrics, song structures and melodies can so easily be considered the building blocks of true Classic Rock. Tommy Shaw and Jack Blades took hold of these musical building blocks and ran with it… creating a sensational album of Classic Rock, that breaks down any generational barriers that carry the tags of dated and non-relevant.
Why I feel KISS gave Rock n’ Roll back to America and other KISS points too
Posted in 1970's classic rock albums, 1970's classic rock bands, 1970's classic rock songs, 1970's hard rock bands, 1970's hard rock, 1970's heavy metal, 1970's heavy metal albums, 1970's heavy metal music, 1970's Rock, 1970's rock music, 1980's classic rock bands, 1980's heavy metal albums, 1980's classic rock, 1980's heavy metal bands, 1980's heavy metal music, 1990's heavy metal bands, classic hard rock, classic hard rock bands, classic hard rock music, classic heavy metal albums, classic rock, classic rock albums, classic rock bands, classic rock music, classic rock songs, current heavy metal music, essential classic rock albums, essential heavy metal albums, Gene Simmons, glam metal music, Heavy Metal, heavy metal albums, heavy metal bands this decade, heavy metal memorabilia, heavy metal music, heavy metal this decade, Metal, metal music, metal music today, metal odyssey, Music, old school heavy metal, Rock, rock & roll, rock and roll, rock and roll hall of fame complaints, rock music, rock music commentary, vintage hard rock albums, vintage heavy metal albums, vintage heavy metal bands with tags 1970's classic rock music, 1970's hard rock music, 1970's heavy metal music, 1970's rock music, 1980's heavy metal bands, ace frehley guitarist, american rock and roll bands, bruce kulick guitarist, classic heavy metal music, classic rock, classic rock music, eric carr drummer, eric singer drummer, gene simmons bass guitarist, Heavy Metal, heavy metal music, history of rock and roll, kiss albums, kiss army, kiss hard rock band, kiss heavy metal band, kiss rock band, mark st. john guitarist, metal music, metal odyssey, Music, paul stanley guitarist, peter criss drummer, rock and roll hall of fame, rock and roll history, rock and roll music roots, rock music, rock n' roll music, roots of rock and roll, the british invasion of rock and roll, tommy thayer guitarist, vinnie vincent guitarist on August 28, 2009 by Metal OdysseyKiss being introduced to the world in 1974 may have had more of an impact than some Rock historians think… The Grateful Dead, with their extremely loyal and abundant following with unmatched touring was American – I will never disagree with this bands unique impact on Rock Music history. However, Kiss was not about peace and love… this was the loudest band in the land Dressed To kill, singing about girls that are Hotter Than Hell, partying, Makin’ Love, God of Thunder, a Love Gun and all things against the norm in ways that were not quite presented before in Rock Music history. What Rock Band from the 1960’s used Pyrotechnics like Kiss? How many Rock musicians could spit up blood and still play the bass and sing? Who used such an elaborate and eye defying stage show before Kiss? Kiss not only made Rock n’ Roll powerful, they (gasp) made it fun and entertaining too. The marketing blitz of items that portrayed the Kiss logo and band were everywhere during the 1970’s… if you look around today, these same items plus new products bearing Kiss are around us. Any Kiss tour during the 1970’s was nothing to ignore, the Kiss Army was never just a fictitious entity… it was and still is real.
After Kiss broke all the Rock n’ Roll rules, more Rock bands than I could ever mention here took their lead and emulated Kiss either musically, with make-up, through stage shows and/or marketing. When I stop to think about it, what other Rock or Heavy Metal Band garnered more media attention during the 1970’s than Kiss? With their all around power of Rock, Kiss let it be known, through their albums, that they were not fooling themselves or the fans all along. Kiss is setting the stage again, ready to unleash their brand new album Sonic Boom onto the masses… October of 2009 should be quite the month in the life of this middle aged Metalhead, for Kiss shall return… giving back their brand of Rock n’ Roll to us all again. That is why, in my Metal opinion, Kiss gave back Rock n’ Roll to America back in 1974, they are now only going to remind us as to why their music lives on.
It is high time for the so called Rock and Roll Hall of Fame in Cleveland, Ohio, to stop playing nonsensical games and induct an American Rock Band that redefined American Rock n’ Roll history through their music and pop culture impact, Kiss over the decades has become an American institution. Since I am on the topic, I could care less about the voting process or who votes at the Rock and Roll Hall of Fame, all I know is that the ignorance is growing by leaps and bounds over there in each passing year of it’s existence. I do have one word of advice for the Rock and Roll Hall of Fame, (if you can consider this an actual word), DUH? I would guarantee this… more fans will go to this Hall of Fame to see Kiss than than anyone could ever imagine. Once again, this is my Metal opinion and I am steadfast about it.
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