Ted Nugent “Free For All”, (released in 1976), is an album of Hard Rock songs that I slap the label of greatness on. There is no one you can compare Ted Nugent to… he was and still is his own Rock and Roll Warrior. Meat Loaf’s vocals and Ted Nugent’s guitar are a double dose of Classic Hard Rock superiority on this album. Meat Loaf is the lead vocalist on the songs: “Writing On The Wall”, “Street Rats”, “Together”, “Hammerdown” and “I Love You So I Told You A Lie”. Meat Loaf is the real deal vocally, on these songs. “Free For All” was an accomplishment of incredible songs that just continue to knock me over to this day. This album just carries me off into the thunderous land of Hard Rock glory. Ted Nugent is truly an originator of 1970’s Hard Rock guitar… listening to the guitar play of this legend makes me want to stand atop a crowd of onlookers and scream hell yeah!! In my Metal opinion, Ted Nugent and “Free For All” is all about 1970’s Hard Rock in it’s most genuine and heaviest state. An uncompromising group of songs that are Hard Rock personified, aimed at stirring up a good time and feeling the Ted Nugent power of guitar cool. I finally had my first introduction to this album and other Ted Nugent albums at that, in the early 1980’s. Ted Nugent quickly made me aware that Hard Rock music should never be watered down, it should be hard driven and fostered with head turning guitar licks aplenty. With “Free For All”, there are so many Hard Rock attributes happening that this album could easily be labeled as The Great Reference Book of Hard Rock, in my Metal opinion.
The album opener “Free For All” plays out as such… a Hard Rock song that sounds heavier than it really is, a Hard Rock song that highlights the fusion and importance of a bass driven flow. “Free For All” the song, when played at the recommended loud volume, makes me feel like the world is a wonderful globe of Rock and Roll beings. “Dog Eat Dog” is just another Ted Nugent classic… it powers forward without making a single pit stop, so be forewarned… this is a Hard Rock song that should never, ever, be turned off until it is rightfully over. “Street Rats” takes a back seat to no other Hard Rock song, in all of Hard Rock history. This song has never failed at it’s goal to Rock me out senseless… never. The word mellow just does not coincide with the persona or music of Ted Nugent. However, “Together” is a song that I consider to be toned down enough for the dreaded mellow adjective to come out and play. Hey, I am going to say that this song is one of my favorites of the entire catalog of Ted Nugent albums. “Together” is a song that is hard enough to not be a bona fide ballad, yet it comes across rather soothing, based on the Ted Nugent heaviness scale.
“Light My Way” is the one song on this album that I feel legitimized why Ted Nugent was/is such a great guitar player, he jams like a Hard Rock guru meets Southern Hard Rock legend. “Hammerdown” does not stray away from the Ted Nugent guitar lead and solo laden blueprint that makes this entire album – a 1970’s Classic Hard Rock album of upmost legitimacy. “I Love You So I Told You A Lie” could very well have been a song on a future Meat Loaf album, in my Metal opinion. Meat Loaf truly bestowed his vocal brilliance on this Ted Nugent album. Add Meat Loaf into the mix of songs on “Free For All” and this album has and always will satisfy any Classic Hard Rock hunger fits, that I may encounter. For the record, I have listened to this album non-stop today, it just has the Hard Rock groove and vibe I was hankering for.
Derek St. Holmes was the lead vocalist on the songs: “Turn It Up”, “Light My Way” and “Dog Eat Dog”, while Ted Nugent is the lead vocalist on the title song “Free For All”.
Blue Oyster Cult released “Fire Of Unknown Origin” in 1981, which was perfect timing for me. I already had Kiss, Foreigner, Cheap Trick, Queen, Ozzy Osbourne, AC/DC and Bad Company in my system back then, being wowed by Blue Oyster Cult was my ears next step in branching out into the Heavy Music world. Back in 1981, there was the choice of buying music on 8 track, I bought “Fire Of Unknown Origin” on this medium – thank you very much. (I no longer have this 8 track from yesteryear, the 8 track player is a memory as well). This album is just another example of what melded my Metal and Hard Rock Music tastes at a young age, (I was fifteen years old in 1981). Another stepping stone album, if you will, towards the lifetime of Metal and Hard Rock Music adoration that I behold. In my Metal opinion, this BOC album is an early 1980’s Heavy Metal meets Hard Rock album, that has consistently lured me back for many a listen over the years.
I listened to Joe Satriani “Surfing With The Alien” all day today… in the car, in the house and back in the car once again. (Released in 1987, I own both the vinyl LP and CD). I have those days, where I choose that one CD and listen to it the entire day. Joe Satriani is without question, one of my favorite guitarists that ever lived. Pinning down who my favorite guitarist is of all time is too impossible of a task – there are just way too many guitarists across the entire Rock and Heavy Music spectrum that I revere. It’s not that I do not want to get controversial about naming an all time favorite guitarist, I named what I feel is the greatest Metal album of all time, in a previous post – (Black Sabbath, “Sabbath Bloody Sabbath”). There are just so many unique styles of playing out there, in the world of guitarists, I tend to draw from a cornucopia of these styles and enjoy what I hear from a vast array of players. Joe Satriani really nails it down, with pin point accuracy, on this album. Combining speed and clarity, while slowing things down at all the right moments, makes for a harmonious and melodic guitar instrumental experience, is the best quick summary for Joe Satriani on “Surfing With The Alien”. The daunting question of: Is Joe Satriani a Rock, Hard Rock or Heavy Metal guitarist? – can only be answered by stating Joe Satriani can play it all and play it with greatness. The catalog of albums that Joe Satriani has created over the years proves just that, the proof is in his music.
On one of my recent Hard Rock/Heavy Metal hunts via the second hand route, I came across a true Classic Rock album that I grabbed ahold of within milliseconds of spotting it… Boston “Don’t Look Back”. As a Metal bonus, this great album is also – still factory sealed. That is so right, this vintage Boston album which was released on August 2, 1978, has still, it’s original plastic wrapping protecting it for thirty one years. I never owned “Don’t Look Back” on album before, finding a mint copy of it now, in 2009, is so fine. Sure, I have Boston on CD, yet landing one of my favorite Classic Rock bands on sealed vinyl, on a trip to a thrift store unleashes a cool high for me… every time. I realize this price always gets mentioned when I write about my vintage album finds, it is the truth when reveal it only cost fifty cents. Yikes, that is cheaper than most of the plastic prizes my daughters pay for at the (what I still call) bubble gum machines in front of the grocery stores.
Foreigner, a Hard Rock band that opened the doors to the world of Heavy Music for me. “Double Vision”, an album that I consider to be one of the greatest Rock or Hard Rock albums ever created. On June 20, 1978, “Double Vision” was released. On January 26, 1979, I received this revered album as a birthday gift from my late mother. I was able to choose an album, just one album, on a trip to the Caldor department store… Foreigner “Double Vision” was my choice, on that birthday. Each year that passes by, these fond memories only grow stronger. Man, if I was to say I have listened to this album more times than any other album, it would not be a stretch. Back in 1979, I was only listening to a handful of Hard Rock bands that would eventually guide me into evolving into the Metal Music loyalist that I am today. I was thirteen years old and completely blown away by this album and band… I listened to every lyric, every chord, every note, that erupted from these songs. Foreigner was actually teaching me, at this very young age, that Hard Rock music this enormous could and would make my life enjoyable. I continue to reflect, to revisit often, the bands and albums that molded my heavy music tastes. 
When it comes to Rock and Hard Rock Music, I always have put Journey on my listening rotation. I am guilty of not keeping up with the purchases of new CD’s over the years from Journey, “Arrival” is a perfect example of this. After the 1986 album “Raised On Radio”, I never picked up “Trial By Fire”, “Arrival” (until now) or “Generations”. You betcha I did grab a copy of “Revelation”… the Walmart 2 CD/1 DVD version too. It is not as if I totally forgot about Journey, these albums are just victims of the hordes of releases out there I have always wanted to buy… financially it is impossible to buy everything. Man, I am impressed by this Journey album… more than that, I cannot believe it took me this long to land “Arrival” into my music collection. I guess after each listen to “Arrival”, all I can really say to myself is what was I waiting for and thinking? (I should have just bought this album years ago and stop worrying about how much money I spend on music!). I can’t comprehend how this album has not sold over a million copies? What gives? If “Arrival” was fronted by the legendary Steve Perry and released back in the 1980’s, it surely would have been multi platinum… wouldn’t it? Who knows, we shall never know, it is all make believe speculation on my part. All I do know is that “Arrival” is chock full of Rock and Hard Rock songs that are premium quality, in my Metal opinion. The song writing on “Arrival” is so outrageously good, I shake my head and thank the fact Journey is still around Rocking today.
You know those moments or days when you experience a song that just seems to arrive or enter your mind, without being invited? It is subconscious for certain, something triggers a particular song to begin playing in my brain, be it secondary thoughts, reflections, images and/or events that happen in the course of a day’s routine. Today, I had the Savatage cover song of “Day After Day” playing repeat in my head. I honestly do not know why. I have not listened to this song from Savatage for many years, possibly a couple of decades. “Day After Day” is a song from the Savatage album “Fight For The Rock”, (released back in 1986). It is a cool song, without doubt a Hard Rock, borderline Heavy Metal cover version, compared to the original 1971 Rock version from Badfinger. I used to have this original “Fight For The Rock” vinyl, heck, I bought it back when it first came out. Over the years, I sold it for some oddball reason or another.
Is it just me thinking this way? Deep Purple “Deepest Purple”, (subtitled “The Very Best of Deep Purple”), is the epitome of what a Rock/Hard Rock Greatest Hits album is supposed to be. These Deep Purple classics are hands down, sensational and historical Rock Music. Gimme a break, how can any generation not want to embrace these songs? These Deep Purple songs are perfect examples of just how amazing the song writing was in Rock and Hard Rock, back in the 1970’s. Could Deep Purple have been ahead of their time? I certainly think so, by at least a decade. The hardness, forget about the heaviness for a second, is what drives these Deep Purple songs to the top tier of Rock and Hard Rock history, in my Metal opinion. Just stop to think about this, for a Metal second… how many new Rock or Hard Rock bands out there today, could actually put out a Greatest Hits album, down the road, with such impeccable and recognizable songs? “Smoke On The Water” and “Highway Star” are two Hard Rock songs alone, that represent a generation of Rock and Hard Rock music and the decade of the 1970’s. “Fireball” and “Child In Time” are just the icing on the Hard Rock cake here.
Madina Lake “Attics to Eden” caught my attention upon it’s release, (May 5, 2009), by the front cover artwork. Anytime a band puts thought and/or creativity to use, with their album cover art, just 
Madina Lake is obviously a younger band, yet the current and/or new textured sound to their songs is what differentiates them from being gobbled up by the status quo. It is 2009, I not only want to stay current with the younger bands… I need to. There is that part of me that does not want to be left behind in this vast world of Heavy Music. Honestly, there are stacks of Heavy bands out there today, that are fresh and new that just don’t do it for me. My not acknowledging on Metal Odyssey the bands that I feel are bland and yawn inducing, saves me from wasting precious time. Madina Lake is no waste of time for my ears. Taking a melodic and harmonious Alternative Rock detour, from the very heavy and Extreme Music that I listen to regularly, is essential for me, doing so keeps me musically grounded and open minded. Madina Lake “Attics to Eden” is one of those Alternative Rock detours I am referring to. To make an analogy, it is like enjoying watching horror movies, I need to watch a comedy and/or suspense thriller every so often as well. (Throw in a History Channel documentary too).
Stryper – “To Hell With The Devil” was released on October 24, 1986. I already was an avid listener to Stryper and their brand of Christian Heavy Metal Music when this album came out. I had purchased their album “Soldiers Under Command”, (released on May 15, 1985), within months after it’s release, therefore I already took a liking to Stryper. I always have been and forever will be, diversified with my adoration for Metal music. I hate sounding like a broken record by saying… if I have said it once, I shall say it again… I listen to all Hard Rock and Metal Music genres. The songs on this album are exquisitely inspirational, they are enormously melodic and yes… commercial 1980’s Heavy Metal. It is the power that comes across to me, from these songs, that makes this Stryper album my all time favorite. Anytime any religion plays a role within the framework of a Heavy Metal band and their lyrics, it is better left up to the individual listener, to make the choice if this is what they want to embrace. In my Metal opinion, it is all about personal preference and interpretation, when it comes to any specific form of music. I will still play this album and benefit from the Heavy Metal and lyrical contents that are found within.
Rainbow was and still is one of the Hard Rock/Heavy Metal bands that I look upon with Metal reverence. The song writing, lyrics, musicianship, melodies, well, I could go on forever about why I have liked this band so much. Guitarist Ritchie Blackmore, in my Metal opinion, is a guitar legend, both with Deep Purple and Rainbow. Ritchie Blackmore collaborated with lead vocalist Joe Lynn Turner on a few releases, back in the 1980’s. “Bent Out Of Shape” is one of those albums they created, writing nine out of the ten songs together. “Bent Out Of Shape” can be taken as a commercial Hard Rock statement, only It is difficult for me to define this album as such. My standards for commercial Rock or Hard Rock/Heavy Metal definitely differ from other peoples standards. I need to hear consistent sappy ballads and/or radio – bubble gum – friendly songs before my stamp of commercialism is placed on an album. In other words, I feel “Bent Out Of Shape” is one mighty, melodic, Hard Rock album. Honestly, I have no problem with labeling “Bent Out Of Shape” as a Heavy Metal album. This album was released in 1983, the heaviness of Rainbow for back then, easily gave this band the label of Heavy Metal.
I have come to the conclusion, that Progressive Metal and Progressive Hard Rock are the genres that keep me grounded. Dream Theater offers me the best of two worlds, like a one-two Metal punch… this band makes me want to Rock out, then again, I have many moments with their music when I want to chill, in a Metal sort of way. I am not at all stating that Dream Theater can be easy listening Progressive Music… no way. They offer the segues, interludes, intro’s and instrumentals that serve as that musical cushion to fall back on, while awaiting the heavy parts. This is what draws me into their music, to always expect the unexpected with the Progressive nature of Dream Theater. Dream Theater has for me, come so far, paid their Metal dues, to be now recognized as a Progressive Metal super power. It is difficult to dispute the vast landscape of progressive musical ingenuity that Dream Theater bestows. listening to their new music is a reminder to me, that you can erase any other thoughts in your mind and escape into an album of songs.
“A Rite Of Passage” is an amazing song, it reminds me of what maybe Rainbow would sound like, in 2009. The keyboards in this song is what has me thinking of vintage Rainbow, the melody also has a deep, rich, Classic Rock flavor. “A Nightmare To Remember”, the opening song, has all the dynamics I come to expect from Dream Theater, musically and lyrically. I am very glad the story line to this song has a happy ending, despite the child mentally reliving such a personal experience that is the referred nightmare. “Black Clouds & Silver Linings”, (released on June 23, 2009), has most certainly eclipsed my expectations of what to expect, both musically and lyrically. This new Dream Theater release deservedly reached #6 on the Billboard album charts on the initial week of it’s release. It is clear that new fans have embraced Dream Theater and all of their epic Progressive Metal.
I have been riding on a rather enjoyable, Progressive Metal & Progressive Hard Rock wave of music as of late. Am I complaining? Not when bands like The Mars Volta release the Progressive elasticity of songs that they have titled – “Octahedron”. It is Hard Rock music like this, that challenges the outer reaches of my very own musical senses. I suppose that is what Progressive Music is meant to do? I am not going to fib here, it took me well into my third listen of “Octahedron” to have “it” finally hit me. The “it” is the focused energy and streamlined patience and musical precision, that are consistent, musical nuances I hear in these songs from The Mars Volta. Let’s be real, these artistic lined, Hard Rock songs, with all of their progressiveness, were not written over night. Is it considered to be uncool these days, to have a thought process and spacial intellect towards music? Not in my realm of listening to Hard Rock – or Metal for that matter. The Mars Volta has thrown “Octahedron” to the progressive wind, it has blown my way and this is what I have to say.
“Since We’ve Been Wrong” has my inner psyche floating somewhere out there in 1979, the retrospective, ambient rays of melody I hear in this song, has me laying on a freshly mowed lawn, staring up at a clear blue sky. “Teflon” does not stray too far away from this dreamy type of feeling either, it only Rocks a little harder. “Halo Of Nembutals” has me agreeing with the assertion that lead vocalist Cedric Bixler Zavala really does sound like the living legend – Geddy Lee of Rush. (This comparison has been thrown around quite a bit, it should be construed as a compliment, much better than being compared to the vocals of Jim Nabors, aka Gomer Pyle). With this song, carrying it’s way into “With Twilight As My Guide”, I tend to realize that I have fallen victim to a cascade of Progressive Hard Rock sanctity. I refuse to just stand pat and not let my feelings be known, about a band that is able to grasp the flexibility and open mindedness of song writing, both lyrically and musically. The Mars Volta apparently were either born as collaborative musicians or they visited some type of mystical being, in a tropical rain forest, who granted them the ability to eradicate themselves of any staleness and ego – thus anointing them with Progressive Musical powers.
“Cotopaxi”, “Desperate Graves” and “Copernicus” are three songs in a row, that I swear are a path that lead me to believing that the words status quo are not in The Mars Volta vocabulary. Omar Rodriguez Lopez has given new meaning to the phrase – lead, not follow – for if this musician were to follow, I would probably be listening to a band that wants to fit in and play it safe, like so many bands who don’t follow their hearts and instincts do. The same goes for Cedric Bixler Zavala, as both a vocalist and lyricist. If anything, I am completely guilty of being passionate about the music that moves me. The Mars Volta are just as guilty for being passionate in creating the music that stands up and above, so much so, the “Octahedron” CD cover does not even bear their name. It is the music that really matters, the music that stands alone, it is not a name of a band, the physicality or gender of it’s members, nor the image. “It” is really all about the finished product, the music and what it says. “Octahedron” speaks more if you give “it” the space and respect is so justifiably deserves.
I took my first trip to the Quakertown Farmers Market, in Quakertown, Pennsylvania, this weekend, safe to say that this is a place to find many Heavy Metal souvenirs. I perused Heavy Metal, Metal, Classic Rock, Hard Rock memorabilia, CD’s, vinyl albums, t-shirts, posters, stickers, buttons, air fresheners, you name it. All at affordable prices!! 
Seether is a Hard Rock band that does not need any plastic Hollywood music awards to be told they are damn great. The fans know. The music of Seether tells the whole story… of just how sensational Hard Rock songs are written. “Finding Beauty In Negative Spaces” is an album that should be a required musical manual for any up and coming Hard Rock band. Seether has proven to me, that lyrics are very, very, important in Heavy Music. Shaun Morgan, in my Metal opinion, encompasses many musical gifts… his vocals, guitar skills and the song writing that leaves me in awe. Lyrically, this is one of the best albums I have ever listened to in my lifetime. Couple these tremendously inspiring lyrics with Hard Rock music that is maximized by it’s hardness and mesmerizing grooves, well, you have yourself an instant classic. Shaun Morgan for me, is a vocalist that I listen to so intently, that the music at times becomes a backdrop. (This is by no means, an insult, it is just that Shaun Morgan’s vocals are so searing, they take hold of my attention and leave me zoned out on his voice and lyrics). I have to listen to Seether and say to myself, o.k., I am going to pay more attention to the music this time around, when I do it is like a double dose of Hard Rock music and Hard Rock vocal exhilaration. 
This is the original demo of Roxx Regime, from 1983, (“The Roxx Regime Demos”), before they became Stryper. (This CD was released on July 10, 2007). The songs are all excellent, with an unpolished, raw, under produced feel and spirited energy. (This is what really makes the Heavy Metal sound even better, in my Metal opinion). There are seven songs in all on this disc, including one drum solo. These tunes really thump, they have the early 80’s Heavy Metal/Hair Metal sound. “Honestly” is a ballad that really touches off tremendous emotion, the most mellow tune on this disc and a future hit for Stryper. “From Wrong to Right” and “Loud N Clear” are catchy tracks, with a definite early ’80’s Heavy Metal/Hair Metal vibe. “Tank” is a drum solo from Robert Sweet, nothing really fancy – cool to have in the mix of songs just the same. If you are already familiar with Stryper, you will hear and recognize the talented musicianship, a band in their Metal infancy, that would become a premier Christian Heavy Metal band of the 1980’s and beyond.
AC/DC – they are not just Rock and Roll Hall of Famers, this band is an elite institution of heavy music. I always pondered throughout the years… which song from the extensive catalog of AC/DC albums, is my favorite of all time? Is my favorite song from the Bon Scott era? Man, the late Bon Scott was unique, his vocals were and always will be legendary. The Brian Johnson era is power packed with amazing songs, could I take the easy route and pull my favorite tune off of the “Back In Black” album? That would be way too easy for me, it seems like choosing “Hells Bells”, “Back In Black” or “Have A Drink On Me” as my favorite AC/DC song, would be particularly predictable. I will not argue the fact it is a historical album, “Back In Black” surely paved the way for Heavy Metal commercial acceptance. Besides, I personally am forever grateful for AC/DC appointing Brian Johnson to succeed the late Bon Scott. “Back In Black” will forever be on my all time favorite album list.
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