Archive for the heavy metal albums Category

CROWBAR – Announce New Album Title And Track Listing Revealed!

Posted in Extreme Metal, Heavy Metal, heavy metal albums, heavy metal bands, metal music, metal odyssey, Music, rock music, rock music news, sludge metal music with tags , , , , , , , , on November 24, 2010 by Metal Odyssey

(New York, NY) — Legendary Metal-Sludge giants CROWBAR will release their crushing, long-awaited new studio album, “Sever The Wicked Hand” on Tuesday, February 8th, 2011 via eOne Music.

* The full album is available now for pre-order on iTunes.

The new album, produced by Kirk Windstein and mixed by Zeuss, is the band’s first new album of all new original studio material since 2005’s “Lifesblood for the Downtrodden.” Front man and founder Kirk Windstein recently told Decibel Magazine, “This is probably the most important record of Crowbar’s career.”

(Source: eOne Music press release, November 23, 2010)

Kirk Windstein – Crowbar founding member, vocalist and guitarist.

Sever The Wicked Hand Track listing:

Isolation (Desperation)

Sever The Wicked Hand

Liquid Sky And Cold Black Earth

Let Me Mourn

The Cemetery Angels

As I Become One

A Farewell To Misery

Protectors Of The Shrine

I Only Deal In Truth

Echo An Eternity

Cleanse Me, Heal Me

Symbiosis

Long Live Kirk Windstein and Crowbar.

Stone.

DORO – “25 Years In Rock” Releases December 7, 2010 In North America!

Posted in Hard Rock, Heavy Metal, heavy metal albums, heavy metal concerts, heavy metal news, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , , on November 20, 2010 by Metal Odyssey

DORO – Metal’s “real” Queen is Germany’s Doro Pesch and she is celebrating her 25th Anniversary as such in grand Metal style. 25 Years In Rock… And Still Going Strong will be released on Nuclear Blast in Europe on November 26, 2010 and November 29 in the UK, while a December 7, 2010 release is slated for North America. This amazing DORO package is a 2 DVD/1 CD, featuring the celebration of her 25th Anniversary concert on December 13, 2008, at the ISS Dome in Düsseldorf, Germany, (Doro’s hometown).

Live concert footage includes: Big City Nights and Rock You Like A Hurricane with Klaus Meine and Rudolf Schenker, Always Live To Win with Bobby “Blitz” Ellsworth, Walking With The Angels with Tarja Turunen, True As Steel with Warlock line-up of 1986 and Warrel Dane, All We Are featuring all the guests from this incredible night, plus many more Metal surprises! The total running time is 5 hours on DVD! Whoa… that’s a ton of DORO greatness!

* DVD 1 is live concert footage, while DVD 2 is a documentary with highlights, extras and bonus features.

DORO – 25 Years In Rock Ltd. Edition Double LP Picture Disc, (above). This beauty is being sold directly on Century Media – CM Distro.com. As of November 20th, I’ve seen it as “temporarily out of stock”… so it’s a hot DORO commodity!

* Click below to see the third trailer for DORO – 25 Years In Rock

DORO – 25 Years Of Rock (2DVD/CD Slipcase)

DORO – 25 Years In Rock CD Track Listing:

Introduction

Earthshaker Rock

I Rule The Ruins

You’re My Family

Herzblut

Unholy Love (Featuring Honza K. Behunek)

East Meets West (Featuring Chris Boltendahl and Axel Rudi Pell)

Burn It Up (Featuring Jean Beauvoir)

Above The Ashes

Celebrate (Full Metal Female Version)

Breaking The Law

LONG LIVE DORO PESCH… THE METAL QUEEN.

Stone.

VALDUR “Raven God Amongst Us” – A Raw And Apocalyptic Black Metal Storm

Posted in Black Metal, black metal albums, Extreme Metal, extreme music, Heavy Metal, heavy metal albums, metal music, metal odyssey, Music, rock music with tags , , , , , , , on November 18, 2010 by Metal Odyssey

VALDUR – From Mammoth Lakes, California, VALDUR unleashes upon the world… Raven God Amongst Us. A self financed, full length album of Blackened might, Raven God Amongst Us has been released on drummer Sxuperion’s very own Bloody Mountain Records. All nine songs on this formidable album, create a steady flow of darkened melodies that lay within the layers of cataclysmic guitar leads, phrenetic drums, earth trembling bass and vocals that gather electrifying steam, with each passing second. It’s the overall apocalyptic vibe of no turning back, that engages the senses on Raven God Amongst Us.

Taking into account, the back to back songs of Past Of Wolves and Vicious Existence, it is the plummeting and spiraling Blackened atmosphere of falling into the unknown abyss of something uncannily dark. VALDUR presents their Black Metal in a raw state of serrated lined appeal… one could not expect Black Metal to suddenly open up and reveal harmonious chorus over syrupy keyboards. VALDUR is making a statement by realizing a Black Metal foundation is built on key Black Metal fundamentals, a vastly dark atmosphere that tantalizes on the embraceable bizarre, rawness and everything else… Blackened.

Traditional lyrical content, coupled with a luring and engaging sound of Black Metal in it’s most anti-mainstream existence, is amassed within and outside the walls of dark sound as each song plays through on this album. This album mirrors the storm clouds that are about to swallow up a sun-lit sky, it’s the impending winter storm that science could not fathom. Commercialized darkness and Blackness can take a back seat to what VALDUR is creating here… this is underground, this is Black Metal… this is VALDUR and their creation they have named: Raven God Amongst Us.

* For more info on VALDUR, just click on the link below:

VALDUR – myspace music

Track Listing For Raven God Amongst Us:

Intro

Wound Fires In The Afterlife

Great Abyss Unfold

Gravlagt I Morkets Natt!

Med Fjell I Horisonten

Berserrker

Past Of Wolves

Vicious Existence

Creation

VALDUR IS HERE.

Stone.

WARBEAST “Krush The Enemy” – Thrash Metal That’s Mandatory!

Posted in Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, metal music, metal odyssey, Music, rock music, rock music news, Thrash Metal, thrash metal music with tags , , , , , , , , , on November 4, 2010 by Metal Odyssey

WARBEAST – Released back on April 27, 2010, on Phil Anselmo’s Housecore Records, Krush The Enemy is the debut album from this Thrash Metal juggernaut from Texas called… WARBEAST. To say that Warbeast pummels and Thrashes with a formidable amount of speed and power is a gross miscalculation. Try ultra-formidable speed and Thrash power. This band excels at brandishing their own Thrash Metal identity, leaving me wanting to tell the world they kick some serious Thrashin’ ass.

The dueling guitars of Rick Perry and Scott Shelby are a bounty of unbelievable riffs and leads that don’t sound textbook nor duplicated from Thrash Metal’s glorious past. Double bass explosions are courtesy of Joe Gonzalez, with Alan Bovee keeping the thunderous rhythmic pace throughout this fantastic album. This is real-deal and original Thrashin’ licks happening on Krush The Enemy… with no additives or fillers. As I listen to Warbeast, I don’t get the vibe that they are part of this enormous Thrash revival that has taken over the planet. Instead, it sounds like Warbeast was around since 1984 and are administering their Thrash assault upon the masses with legendary conviction. If I didn’t know any better, I’d be thinking I missed out on Warbeast during those deliriously Metal ’80’s!

Former front man for Rigor MortisBruce Corbitt on vocals comes across punctually angst ridden, with an attitude that’s fiery or pissed off, take your Metal pick. I’ll pick both. Bruce sings these songs on Krush The Enemy as if Warbeast is a Thrash Metal band to reckon with… and I’m reckoning they are. Check that, Warbeast plays Thrash so damn good, they must be reckoned with. Seriously, Krush The Enemy is not just another Thrash Metal CD, where you listen to it once and then plop in on top of the pile. Warbeast plays such potent Thrash, I am going to have Krush The Enemy playing rather frequently, if not daily, for some time.

When bringing up relevance when it comes to Old School Thrash Metal, when has it ever been out of favor in our Metal community? Um, never. I have sincerely arrived to dislike the word relevance anyways. With all of that out of the way, Warbeast’s Krush The Enemy is as close to Old School Thrash Metal as any Metalhead will hear. Damn, is this album a stompingly brutal listen for my ears, making me believe that real Metal is alive and quite well.

A breakdown of songs here would be nonsensical in every Metal sense of the word. Just know that Krush The Enemy is all about the total Thrash Metal package, with ten songs that should come with a whiplash warning to thine neck. Head banging and neck thrashing is not just allowed while listening to Krush The Enemy, it’s mandated.

* For more info on WARBEAST, just click on the links below:

WARBEAST – myspace music

WARBEAST – Official Website

* For more info on Housecore Records, click here: HOUSECORE RECORDS

WARBEAST:

Bruce Corbitt – vocals

Rick Perry – guitar

Scott Shelby – guitar

Alan Bovee – bass

Joe Gonzalez – drums

* As reported on the official WARBEAST website, on August 13, 2010, “The Governor” Rick Perry has been replaced by guitarist Bobby Tillotson, aka “J.R.”. WARBEAST expresses there are no hard feelings, they love Rick Perry and he shall be a member of the WARBEAST family forever.

* Rick Perry and Scott Shelby are former guitarists for Texas Thrash Metallers… Gammacide. Bass guitarist Alan Bovee also played for Gammacide.

* Drummer Joe Gonzalez is formerly from Demonseed, a Death Metal band from Dallas, Texas.

* Krush The Enemy was produced by: Philip H. Anselmo… and a damn great job Phil did producing this album, in my Metal opinion.

Track Listing For Krush The Enemy:

Krush The Enemy

Unleashed

Self Will Run Riot

The Plague At Hand

Born With A Blackened Heart

Scorched Earth Policy

Guardian Angel

The Controller

Stalker

We Are The Vultures

LONG LIVE WARBEAST.

LONG LIVE HOUSECORE RECORDS.

Stone.

BLACK SABBATH “Live Evil” – Some Metal Reflections On This 1982 Live Classic…

Posted in classic rock, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal odyssey, Music, rock music with tags , , , , , , , , , , on November 3, 2010 by Metal Odyssey

BLACK SABBATH – Released back in December of 1982, on Warner Bros. Records, Live Evil was the first “official” live Black Sabbath album. (Live At Last was released around 1980 and was not sanctioned by Black Sabbath. I picked up Live At Last on CD years ago, ditching my cassette version, sometime in the early 90’s). When Live Evil hit the store shelves, (which was a Caldor department store for me), it was like knowing something special was waiting for my ears… this was Black Sabbath with Ronnie James Dio and it was live.

The double gatefold album jacket was something else for my eyes all those years ago. So many of the songs characters, from the Black Sabbath catalog, finally came to life, on one album cover. I remember adhering to this Black Sabbath lineup, with Ronnie James Dio, Tony Iommi, Geezer Butler and Vinny Appice as being almost sinister, yet so alluring, due to the dark themes heard on the Heaven And Hell and the Mob Rules albums.

There was this extra special mystique happening with this Live Evil album… as it came across to me, upon my first few listens to this album. I still feel this way to this day. Live Evil seemed to emit a certain Metal mystique that only the Heaven And Hell and Mob Rules albums bestowed before it. As Best Metal Buddy Scott Coverdale and I have discussed over the years, this Live Evil album just seems to ignite with atmospheric waves of mysticity. At least we both know what each other means, in describing this overwhelming vibe that comes across to both our senses.

Since the first time I listened to Live Evil until this very day, the atmosphere of sound that this live album projects makes me feel like I am actually there, witnessing this Black Sabbath lineup jamming out their songs. No, I don’t feel as if I’m front row and center stage either… it’s as if I’m hovering around the outskirts of the crowd, all the while taking in each moment these songs provide. I envision a really dark arena that Black Sabbath performs in too. This may sound crazy to some, only it’s just the way I hear this Live Evil album, especially when I close my eyes and drift off to this highly underrated, live Metal classic.

I no longer have the double vinyl of Live Evil, the double CD I received as a gift from Scott Coverdale, some years ago. Sometimes it’s not all about reviewing an album based on “the standard formula”. There are those times, where I want to reveal just how an album affects me or reacts to me, on a personal level. Live Evil just makes me realize I’m listening to real Metal again… as the songs play, my mind then wanders off to those days of yesteryear, of waiting to catch my ride to a keg party in the woods… as I stand outside in the cold New England snow.

Long Live The Metal Mystique Of Black Sabbath… and Live Evil.

Stone.

DIO “At Donington UK: Live 1983 & 1987” Releases November 9, 2010!

Posted in classic rock, hard rock music, Heavy Metal, heavy metal albums, heavy metal music, live rock music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , on November 1, 2010 by Metal Odyssey

DIO – The late, ultra great and infinitely legendary Ronnie James Dio will be celebrated once again, on DIO – At Donington UK: Live 1983 & 1987. This double live CD, power packed with 25 songs, will be released on November 9th, 2010. This extremely cool DIO double CD will be released on Niji Entertainment Group.

By looking at the track listing, (see below), there is an excellent mix of DIO, Rainbow and Black Sabbath songs on this double live CD! I can no longer pick my favorite band that Ronnie James Dio had fronted… I love each one to the fullest. Each band that Ronnie sang for had their unique style, sound and character… that can never be duplicated. Yes, this DIO release I will be purchasing without a hiccup of uncertainty. Metal be thy name.

* 1983 = DIO – Holy Diver Tour and 1987 = DIO – Dream Evil Tour.

Front Cover:

Back Cover:

Track Listing For DIO – At Donington UK: Live 1983 & 1987:

Disc 1 (1983):

Stand Up And Shout

Straight Through The Heart

Children Of The Sea

Rainbow In The Dark

Holy Diver

Drum Solo

Stargazer

Guitar Solo

Heaven And Hell

Man On The Silver Mountain

Starstruck

Man On The Silver Mountain (Reprise)

Disc 2 (1987):

Dream Evil

Neon Knights

Naked In The Rain

Rock And Roll Children

Long Live Rock ‘n’ Roll

The Last In Line

Children Of The Sea

Holy Diver

Heaven And Hell

Man On The Silver Mountain

All The Fools Sailed Away

The Last In Line (Reprise)

Rainbow In The Dark

LONG LIVE THE MUSIC OF RONNIE JAMES DIO.

REST IN PEACE, RONNIE JAMES DIO.

Stone.

MANOWAR “The Dawn Of Battle” – EP From 2002 Revisited

Posted in Album Review, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal music, metal odyssey, Music, rock music with tags , , , , , , , , , , on October 27, 2010 by Metal Odyssey

MANOWAR – Over the decades, when it comes to my favorite bands, the collector “bug” will always kick in whenever I come across CD singles, EP’s, picture discs, 7″ vinyl, etc. that have been released with their music. Manowar released The Dawn Of Battle EP or as it is also called, enhanced CD single, back in 2002 on Nuclear Blast. Magic Circle Music, (founded by Manowar’s co-founding member and bass guitarist, Joey DeMaio), is also the co-label.

There are three songs, (The Dawn Of Battle, I Believe and Call To Arms) and CD-ROM bonus material on The Dawn Of Battle. My favorite out of the three songs is Call To Arms, it just thunders along with classic Manowar Heavy Metal power. There is nothing better than a heavy duty, psyche-out, Heavy Metal anthem to invigorate my Metal senses. Call To Arms supplies an ample dose of psyche-out splendor for me, with Eric Adams pronouncing each syllable of this song’s lyrics with a victorious Metal cockiness that he is so damn great at.

I Believe is a song straight from the Manowar text book of personal power, strength and victory. The tempo is dictated by the rhythm section of Joey DeMaio on bass and Scott Columbus on drums. The sheer power that the Heavy Metal stomp of Manowar provides on I Believe, is enough to make my home stereo speakers shudder at their mountings. Hail Manowar Heavy Metal!

The Dawn Of Battle is without a doubt, the fastest and Heaviest of the three songs heard on this EP. Eric Adams comes across with more vindictiveness on this song vocally, than on the other two songs. He does the near-spoken word at the mid-point of The Dawn Of Battle, which is characteristic. Manowar has a fabulous way of making their breakdowns feel awe inspiring. Guitarist Karl Logan is his excellent self on all three songs, providing plenty of melodic leads and ground shifting riffs.

Oh yeah… how about this cover artwork for The Dawn Of Battle… damn, it’s brutally intense stuff! It’s MANOWAR. I make no apologies for digging it myself… Metal be thy name.

* Call To Arms is also found on the 2002 studio album from Manowar – Warriors Of The World. I Believe and The Dawn Of Battle are found on Warriors Of The World “Gold Edition” as bonus tracks.

This CD/EP also includes some very cool bonus material. There is a documentary, that lasts about 6 minutes or so, that features some behind the scenes footage of Manowar’s “Ringfest” performance from August of 2002. It has the sound engineer for Manowar, Jeff Hair, talking about how his responsibility to take care of the “live” sound details. The stage/equipment/instrument tech for Manowar who goes by the name of Dawk, also talks about how everything you see on a Manowar stage is “real” and put together by him. Dawk also states that Manowar plays at “7000 rms watts of power”… whoa, that’s power! It is mentioned that Dawk has been with Manowar since the early 80’s… since the beginning of Manowar. Jan Freitag, Manowar’s production manager, speaks on this documentary as well… only he speaks in a different language that sounds European to me, maybe German?

There are snippets of “live” footage showing Manowar performing at this 2002 “Ringfest”, showing Joey DeMaio (bass guitarist) taunting the police that supposedly were called to shut down Manowar from performing… due to the “live” music being played too loud. It’s funny stuff to watch, as Joey DeMaio drops a bucket load of “F” bombs on the evening’s developments. Needless to say, this “Ringfest” performance by Manowar was not shut down by anybody.

* A promotional trailer for the Manowar “Fire & Blood” DVD is also on this EP. It goes by rather quickly, lasting just over a minute or so. Still, it’s fun to have this stuff added to this EP… in my Metal opinion.

* The “live production lighting animation” segment of the bonus material lasts no more than 30 seconds. It shows still photos of the different stage lighting and setups that Manowar used during their tours. It’s nothing to jump up and down about due to it being “still” photos changing over, nonetheless it is interesting to look at.

It was fun to dig this Manowar CD/EP out and slap it into the computer to watch these bonus material segments, even if the running time on them was short. I definitely recommend this Dawn Of Battle EP to all Manowar fans… and Heavy Metal fans worldwide.

HAIL MANOWAR!

Track Listing For Dawn Of Battle:

The Dawn Of Battle

I Believe

Call To Arms

* For more info on MANOWAR, click here: MANOWAR – Official Website

LONG LIVE MANOWAR.

Stone.


CRADLE OF FILTH – “Darkly, Darkly, Venus Aversa” Releases November 9, 2010 In North America!

Posted in black metal music, extreme metal music, gothic metal, Hard Rock, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , , , , , , , , on October 25, 2010 by Metal Odyssey

CRADLE OF FILTH – As 2010 is drawing towards a close, the new Metal releases just keep on coming! On Novermber 9, 2010, Cradle Of Filth’s ninth studio album – Darkly, Darkly, Venus Aversa will be released, on Nuclear Blast USA for North America. Dani Filth and his band have returned… and from what I’m hearing, this Cradle Of Filth album is the fastest and heaviest yet! November shall be quite the “filthy” month for Metal once this Cradle Of Filth album hits the street. Did you get it? “Filthy”… Cradle Of “Filth”? Man, my corn-dog side is coming out again.

You can bet your last Metal dollar I’ll be buying this new Cradle Of Filth album… especially after I’ve had to endure looking at thousands of political campaign commercials while I’m trying to watch my nightly ghost hunting and paranormal reality shows on television. It feels like my Metal world has been invaded by all of these lying, slimy and backdoor dealing politicians, each time their overpriced commercial hits the t.v. screen.

I’m voting… you better believe it, it’s an American privilege that I shall never take for granted. It’s just that these phony politicians aren’t gonna “sway” my vote just because they are name calling and throwing stones at each other every night on television… like a bunch of preschoolers in a playground. I’m into facts and the pursuit of happiness… not mud slinging.

I don’t mean to get off track here… my Metal point is: I’m thankful that Metal exists, that bands like Cradle Of Filth exists, to keep my attention away from the political garbage that network news and politicians try to feed society on a daily basis. Long live Metal and Cradle Of Filth. Metal be thy name.

I’ve listened to Lilith Immaculate several times already… this is a strong epic song to savor on Darkly, Darkly, Venus Aversa. Atmospheric and layered in all of it’s eerily dark richness, with speed and heaviness not taking a back seat. Dani Filth is as vocally Extreme as ever, with Black Metal fire resonating from his every syllable. Extreme, Gothic and Black Metal fans will find plenty to embrace from this fantastic song. If the rest of Darkly, Darkly, Venus Aversa is like this… whoa.

Metal has never messed up a society… politicians have.

Track Listing For Darkly, Darkly, Venus Aversa:

The Cult Of Venus Aversa

One Foul Step From The Abyss

The Nun With The Astral Habit

Retreat Of The Sacred Heart

The Persecution Song

Deceiving Eyes

Lilith Immaculate

The Spawn Of Love And War

Harlot On A Pedestal

Forgive Me Father (I Have Sinned)

Beyond Eleventh Hour

Cradle Of Filth, as they appear on Darkly, Darkly, Venus Aversa:

Dani Filth – lead vocals

Paul Allender – lead guitar

James Mcllory – rhythm guitar

Ashley Ellyllon – keyboards, backing vocals

Dave Pybus – bass

Martin Skaroupka – drums

* For more info on Cradle Of Filth, click on the link below:

CRADLE OF FILTH – Official Website

Metal Reigns Supreme.

Stone.

GWAR “BLOODY PIT OF HORROR” – Releases November 9, 2010! Album Artwork & Complete Track Listing!

Posted in Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , , , , , , , on October 24, 2010 by Metal Odyssey

GWAR – In the midst of their two year long celebration of their 25th Anniversary – Slay – A – Bration, GWAR will be having their 13th studio album released on November 9, 2010. (I’m including in their “13” studio albums the 1992 EP – The Road Behind, hell, it has seven songs on it for Metal sakes and it counts). Bloody Pit Of Horror is the new studio album of 11 songs, releasing on Metal Blade Records. It is always comforting to know, that GWAR is lurking around the galaxy and giving us Metalheads on Earth another brand new album to annihilate our eardrums with… just 9 days after Halloween too.

GWAR:

Oderus Urungus – vocals

Balsac the Jaws of Death – guitar

Jizmak Da Gusha – drums

Beefcake The Mighty – bass

Flattus Maximus – guitar

Track Listing For – Bloody Pit Of Horror:

Zombies, March

Come the Carnivore

A Gathering of Ghouls

Storm is Coming

Tick-Tits

Beat You To Death

You are my Meat

Hail, Genocide!

KZ Necromancer

The Litany of the Slain

Sick and Twisted

* On October 28, 2010, GWAR will be performing on Late Night With Jimmy Fallon!!

* For more info on GWAR, their tour schedule and latest news, then click on the links below:

GWAR – Official Cyber-Fortress!

GWAR – myspace music

I LIVE FOR METAL.

Stone.

DENIAL FIEND “They Rise” – Horror Metal With Bludgeoning Grooves From 2007

Posted in Death Metal, death metal music, extreme metal music, extreme music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, horror metal, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , , , , , , , , , on October 21, 2010 by Metal Odyssey

DENIAL FIENDThey Rise, released back on October 16, 2007, on Ibex Moon Records, is as perfect a recommendation for your Horror Metal listening pleasure this Halloween season as any. The Death Metal growls, groans, gurgles and screaming are intertwined so fantastically with the sounds of spurting blood and vomiting, on this exceptionally horrific album. Listening to They Rise actually spooks me out more than watching any Exorcist sequel. (The original Exorcist movie was and always will be scary-bad-ass for me).

Denial Fiend, (calling Valrico, Florida their home base), takes the Horror Metal/Death Metal combination to the maximum and they don’t allow a millisecond for you to catch your breath or check your pulse. Maybe you can try to do this between songs, only I don’t recommend it, just kick back and enjoy the bludgeoning drumming, chugging and riffing while the Death Metal grooves pummel you senseless. This veteran “supergroup” of Extreme Horror and Death Metal, should hopefully realize they have made an album that is sure to be a cult favorite for dark ages to come. Metal be thy name, They Rise kicks some serious Horror Metal ass.

Which song on They Rise is my Metal favorite you query? It’s a no brainer… Return To The Tombs Of The Cursed Blind Dead, of course. Just the song title alone is a winner in my Metal book. I actually find myself singing along to this Extreme and groove saturated, Horror Metal gem.  The chorus that belts out this song title leaves me in Metal awe, in that it just sounds so damn good to thine ears. Flesheater is no slouch song either. Heavy, fast and brutally Heavy again is Flesheater, what more can I say?

There is a hint of Horror Punk within the framework of Denial Fiend’s Death Metal assault. Gang vocal chanting with a nod to vintage Misfits is common amongst this album, with Flesheater, The Day Of The Undead and They Rise as examples. Blazing guitar leads are abundant, with Cover Me In Blood having plenty of them. The guitar solo that is heard in Cover Me In Blood is the stuff of Old School Death Metal-take it or leave it carnage. Ripped Inside Out is just freaking scary. Metal be thy name. “I Ripped You Inside Out”! Whoa. Plus, as an Extreme bonus, the sounds of gore does rear it’s heinous head within this song too. Whoa again.

The same appalling and nightmarish subject matter that box office Slasher films boast are on They Rise… the only difference being the lack of any macabre and grotesque “visual” effects. Who cares about visual effects anyways, when you can listen to Denial Fiend. In all Metal honesty, I’d rather listen to They Rise than watch a bunch of actors in a Slasher film… (I do get squeamish at gross visual effects sometimes). Listening to Horror Metal and Death Metal is an acquired taste I have developed over many years, I just don’t understand why I still have to watch a Friday The 13th sequel with one eye closed… go figure.

Frankenstein Conquers The World is a whirlwind of Horror Metal… fun. (Gasp), did I just use the word “fun” in reviewing They Rise? I sure did and the lyrics to Frankenstein Conquers The World are to blame. It’s a great song that’s built on a full-scale blitz of Death Metal grooves, resulting in an instantly memorable listen for me. Let The Blood Flow starts off with a chain saw revving up… then the nightmare from hell begins and that’s a Horror/Death Metal compliment. Whoa, this song is F’n heavy, I really don’t know any other way to describe it. I can’t get all academic on reviewing Denial Fiend’s They Rise album… I don’t think this band would want it that way either.

The Day Of The Undead puts the bloody lid on They Rise, with plenty of saluting to the living dead happening. Good stuff. “It’s the day of the undead, it’s the end of everything”… good stuff again. As this song comes to a close, an eerie warning of “the dead coming back to life” and the precautionary measures that should be taken is heard, from a news broadcasters concerned voice… a creepy vibe spills all over the place as I listen to it. An undisputed creepy vibe at that. This song could and should be included on a major motion picture soundtrack for a Living Dead sequel. There, I’ve made my Horror Metal appeal to Hollywood.

In the end, Denial Fiend does accomplish two things: 1. their songs lyrics do send shivers up and down my Metal spine and 2. they play some very damn good Horror/Death Metal with unrelenting and Extreme Heaviness. Extreme, Horror and Death Metal fans should be able to wrap their ears around Denial Fiend and their 2007 album They Rise without a wince. Old School Hardcore and Thrash Metal fans are invited to check out Denial Fiend’s They Rise as well… there’s plenty of speed and heaviness to go around. Happy Halloween… all you ghoulish Metalheads!

DENIAL FIEND as they appeared on They Rise:

Kam Lee – vocals

Terry Butler – bass

Sam Williams – guitar

Curtis Beeson – drums

* For more info on Denial Fiend, just click the link below:

DENIAL FIEND – myspace music

Track Listing For They Rise:

They Rise

Return To The Tombs Of The Cursed Blind Dead

Flesheater

Cover Me In Blood

Ripped Inside Out

L.O.D.

Son Of The Creature From The Black Lagoon

Frankenstein Conquers The World

Let The Blood Flow

Children Shouldn’t Play With Deadthings

The Day Of The Undead

Long Live Denial Fiend and Horror Metal.

Stone.


HATEBREED To Headline Stillborn Fest! Plus: HATEBREED U.K. And Asia Tour Dates!

Posted in concerts, hard rock music, hardcore bands, hardcore metal music, hardcore punk rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , , , , , , , , , on October 15, 2010 by Metal Odyssey

(New York, NY) — HATEBREED have announced a fist full of east coast headlining shows this winter as STILLBORN FEST. “We’re excited to continue with our Holiday tradition of doing Stillborn Fest. It’s going to be great to play for all of our diehards in the North East.” The band will celebrate the 15 year anniversary of the release of “Under The Knife” which came out on cassette & 7″ in 1995’. Jasta adds, “We’ll definitely be adding some old jams back into the set. See you there!

Supporting on this short run are FOUR YEAR STRONG (Allentown & Poughkeepsie), H20 (Allentown only), A LIFE ONCE LOST, THIS IS HELL, TRAPPED UNDER ICE & Stillborn Recording Artists THY WILL BE DONE, THE WORLD WE KNEW & STRENGTH FOR A REASON (where noted.)

12/27/10 – Syracuse, NY @ Lost Horizon with: A Life Once Lost, Thy Will Be Done, The World We Knew & Hate Your Guts

12/28/10 – Allentown, PA @ Crocodile Rock with: Four Year Strong, H2O, Trapped Under Ice, This Is Hell, Thy Will Be Done, The World We Knew & Strength For A Reason

12/29/10 – Poughkeepsie, NY @ The Chance with: Four Year Strong, A Life Once Lost, Trapped Under Ice, Fireworks, This Is Hell, Thy Will Be Done, The World We Knew & Strength For A Reason

12/30/10 – Hartford, CT @ Webster Theater with: A Life Once Lost, This Is Hell, Thy Will Be Done, Hate Your Guts, The World We Knew & Strength For A Reason

** HATEBREED will also be participating in this year’s 98KUPD’s “BIG RED NIGHT OF THE DEAD” on October 23, 2010, alongside DEFTONES, ALL THAT REMAINS, MUSHROOMHEAD, PRONG, SUICIDAL TENDENCIES & more! For more info click here: 98KUPD Arizona’s Real Rock

HATEBREED will be hitting various parts of the globe as well, with shows in the UK, Japan and a first ever visit to South East Asia! Dates can be found below. Visit HATEBREED – myspace music for more international tour info.

10/27/10 – Tennis Indoor Senayan – Jakarta, INDONESIA

10/30/10 – V Hall Seoul – REPUBLIC OF KOREA

10/31/10 – KHS Auditorium Taipei – TAIWAN

11/02/10 – The Butter Butter Bangkok – THAILAND

11/04/10 – Scape – SINGAPORE

11/06/10 – World Trade Center Hall D Manila – PHILIPPINES

11/08/10 – Club Quattro Tokyo – JAPAN

11/10/10 – Bottom Line Nagoya – JAPAN

11/11/10 – Club Quattro Osaka – JAPAN

HATEBREED – Self Titled and fifth studio album of original songs, released on September 29, 2009, on Koch Records, (now E1 Music).

HATEBREED – UK TOUR DATES:

12/06/10 – Bristol @ The Fleece – UK

12/07/10 – Nottingham @ Rescue Rooms – UK

12/08/10 –  Glasgow @ Garage – UK

12/09/10 – Sheffield @ Corporation – UK

2/10/10 – Birmingham @ Academy 2 – UK

12/11/10 – Stoke @ Sugarmill – UK

12/13/10 – Leeds @ Cockpit – UK

12/14/10 – Manchester @ Club Academy – UK

12/15/10 – Portsmouth @ Wedgewood Rooms – UK

12/16/10 – London @ Garage – UK

(Source: Entertainment One press release, October 14, 2010)

* For more info on HATEBREED, just click on the links below:

HATEBREED – myspace music

HATEBREED – Official Website

HATEBREED – Since 1994 and still HARDCORE!

LONG LIVE HATEBREED & HARDCORE METAL!

Stone.

ALL THAT REMAINS “… For We Are Many” – A Formidable Album From One Of Metalcore’s Finest

Posted in hard rock albums, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, heavy metal songs, metal music, metal odyssey, metalcore bands, metalcore music, Music, rock music, rock music news, rock music reviews with tags , , , , , , , , , , , , , , , , , , on October 14, 2010 by Metal Odyssey

ALL THAT REMAINS – From the very onset, with the intro Now Let Them Tremble… All That Remains establishes the Metal fact they are not going to sugarcoat a damned note on their fifth studio album – … For We Are Many, released on October 12, 2010 on Prosthetic Records/Razon & Tie. I would never expect anything less than a fast, furious and angrier than a yellow jacket wasp sound from All That Remains, on their new album. That intro really did lead me down the path to an excellent Metalcore storm that … For We Are Many is all about. The Metal pride of Western Massachusetts has fabulously delivered on their new album, making it very difficult for me not to write a 5,000 word review on it.

For We Are Many has Philip Labonte belting out vocals that more than border on Death Metal, he exhibits some ear popping vocal noise that is a welcomed part of All That Remains brand of Metal, to my ecstatic ears. Philip can diversify vocally, like a Metal chameleon he resonates with gritty harmony on The Last Time, a straight edged Metalcore song that exemplifies why this genre can claim it’s Metal legitimacy in my Metal History book. If there could ever be an accessibly Extreme Metal song, then The Last Time is it.

If I have said it once before, I shall say it once again… Oli Herbert is a Metal asset to All That Remains. It’s just a matter of time before Oli becomes a household name amongst the Metal masses, if he hasn’t become one already. Oli can shred, just listening to the leads he comes out with is reason enough to become a fan of All That Remains. Plus, when I listen to Oli on any song, it’s listening to a guitarist who obviously reveres Old School Metal and Hard Rock, by incorporating the vibe of yesterday into the Metal of today.

Not to ignore Mike Martin on guitar, he has more devastating licks in his Metal bag of guitar tricks than I can count. Anytime I listen to All That Remains, especially now with their latest album, I want to scream out to the Metal community that Oli and Mike are a Metal guitar duo that can’t be contained… they have been unleashed unto the here and now and listening to these guys is a Metal reality check. From The Outside is a song that exemplifies exactly what I’m trying to convey here, Metal be thy name this song explodes with guitar driving force.

Now, try to name off five bass guitarists in all of Metal that are female. Nice try. Jeanne Sagan has been the Metal thunder glue for All That Remains since the 2006 diamond in the rough… The Fall Of Ideals. Jeanne isn’t gonna shy away from letting her Metal presence known… she plays stompingly tight alongside drummer Jason Costa, making this All That Remains band a formidable force. I really liked this band lineup on 2008’s Overcome, now I really, really, like this All That Remains lineup.

If Keepers Of Fellow Man doesn’t get your adrenaline fired up, then your probably in a frozen state of consciousness. Melodic driven, with the heaviness of duo guitars, a rhythm section spiraling out bombastic beats and Philip’s barbed wire vocals, carries this song in unison, to stadium crowd heights. Uh, yeah, Keepers Of Fellow Man is more than likely my favorite song on this album. This song is just one of twelve, that truly are all Metal encompassing, like an impermeable net dropping down on my brain and making me succumb to it’s Metal stranglehold.

The Waiting One is such a fantastic song that having it be the album closer is genius. This song is Heavy, even with it’s breakdowns and intervals of acoustic guitar. The layering affect of The Waiting One is what gives it it’s Metal brilliance. Plus, Philip Labonte exhibits a vocal soft side that quite frankly should be exposed more often. Philip gives off the same Metal cool when he croons as he does when he growls and shouts… in my Metal opinion.

All That Remains makes their Metal flow with plenty of melodic moments married with their trademark Metalcore sound throughout … For We Are Many. The heaviness is apparent, like a supercharged continuum, therefore, loyal All That Remains fans can’t possibly be disappointed with their new album. As each All That Remains album gets released, I hear more strength and confidence in the songwriting and music across the Metal board from this excellent band.

Adam Dutkiewicz returns as producer for this new All That Remains album. (Jason Suecof produced 2008’s Overcome). Adam is like a New England “National Metal Treasure”… he has that “knack” for bringing this Metalcore sound and vibe into a state of exceptionality. Anyone familiar knows Adam is a multi-instrumentalist and music producer that has helped catapult his band, Killswitch Engage, into mega-Metal notoriety.

The Metal accolades I have bestowed upon this new All That Remains album, is due to the sheer fact that this album finishes what it started, a heightened sound and feel to what these twelve great songs give off. With acute care into the songwriting and lyrics, while succeeding in the balancing act of melodic and Heavy Metalcore on … For We Are Many, Philip Labonte, Oli Herbert, Jeanne Sagan, Mike Martin and Jason Costa should by now, have some Metal swagger in their steps.

* For more info on ALL THAT REMAINS, just click the link below:

ALL THAT REMAINS – myspace music

ALL THAT REMAINS:

Philip Labonte – vocals

Oli Herbert – lead guitar

Mike Martin – guitar

Jeanne Sagan – bass

Jason Costa – drums

… For We Are Many – Track Listing:

Now Let Them Tremble

For We Are Many

The Last Time

Some Of The People, All Of The Time

Won’t Go Quietly

Aggressive Opposition

From The Outside

Dead Wrong

Faithless

Hold On

Keepers Of Fellow Man

The Waiting One

LONG LIVE ALL THAT REMAINS.

Stone.

IRON MAIDEN “The Number Of The Beast” – Metal Excellence From 1982 Is Never Forgotten

Posted in hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal history, heavy metal music, heavy metal songs, metal music, metal odyssey, Music, new wave of british heavy metal, progressive metal music, rock music, rock music news with tags , , , , , , , , , , , , , , , on October 11, 2010 by Metal Odyssey

IRON MAIDEN – Just the album cover art with Eddie descending upon the devil is Metal excellence. Derek Riggs was the real deal in creating Iron Maiden album covers… no one else comes even close in my Metal opinion. Getting past the album cover art from The Number Of The Beast and diving into the songs is like a parallel journey of the Metal senses. This is an album, where the cover art represents the songs heard within to brilliant perfection. Invaders, The Number Of The Beast, Run To The Hills, Hallowed Be Thy Name and Children Of The Damned are songs that I can listen to and instantly have this album cover art imbedded in my minds eye. Every song on this ultra-incredible Iron Maiden album does this to me for argument sakes.

This album cover art for The Number Of The Beast has never lost it’s awestruck affect on me, nor have the songs. I toil away, within my own thoughts, as to which album is the “greatest” Heavy Metal album ever… almost on a daily basis. I chose the Black Sabbath classic, Sabbath Bloody Sabbath from 1973, some years ago and have stuck to it since, as being the “greatest” Heavy Metal album ever. Of course this is a “personal” choice of mine and it may change one day… so is the life of being a devout Metalhead, I guess. What gets at me though, is every time I listen to The Number Of The Beast, I feel as this album can very well be considered “the greatest” Heavy Metal album ever. Metal be thy name.

I have always looked upon the first six Iron Maiden albums as being my personal favorites. Convict me of being “Old School”… only I’m not crying in any damned beer about it. God forbid If I remember which albums are the true “classics” of the Heavy Metal genre. To embrace Iron Maiden’s The Final Frontier as the way it “should be” and totally disregard the true essence of this legendary band’s Metal identity of style and sound would make me a phony fan. The Number Of The Beast is an unforgettable Heavy Metal album for me, due to it’s dark themes and 100% dark sound, feel and vibe. The Final Frontier is a new album from Iron Maiden, while The Number Of The Beast is a pulsating highlight of this bands career.

The Number Of The Beast would be the last studio album that has Clive Burr sitting behind the drums. Yes, Iron Maiden did have another drummer… and he was pretty damn good too. Clive Burr was the drummer on the first two Iron Maiden albums as well: Iron Maiden and Killers. This album is also the first that showcases the uncannily soaring vocals of Bruce Dickinson. I look upon The Number Of The Beast as one of the keys that unlocked the door to Metal for me, introducing me to a darker side of Metal when it came to lyrics, as well as the New Wave Of British Heavy Metal – (NWOBHM).

The Number Of The Beast was released back in March of 1982, while Screaming For Vengeance by Judas Priest was released in July of the same year. Suffice to say, I realized quickly that these British Heavy Metal Bands were very serious about their Metal back then… and still are. The mood that The Number Of The Beast radiates is untouchable by any other band, a mood so unique that it seems to zero in on my sub-conscious and touches off a feeling of eerie psyche-outness.

Hallowed Be Thy Name is my favorite song on this album, very haunting and desolate are the lyrics. Waiting for your time to die by hanging is as depressingly creepy as you can get with lyrics, only Iron Maiden makes this song seem almost inspiring through it’s melodic Metal… thanks to Dave Murray and Adrian Smith on guitars. Steve Harris on bass even makes the rhythmic melody escalate on this classic Metal song.

On these earlier Iron Maiden albums, especially The Number Of The Beast, the sound coming from Steve Harris’s bass is unlike anything I had ever heard before, almost like Steve Harris was a lead guitarist playing bass. Steve Harris brought to my attention as a young lad, that the bass guitar was just as magical as the guitar to my Metal sponges otherwise known as ears. The atmosphere that Steve Harris created with his bass along with Dave and Adrian’s duo guitars throughout the songs on The Number Of The Beast is what gives this album and band their Metal trademark, in my Metal opinion.

Even as a young lad, I never interpreted Iron Maiden to be a Satanic band due to this or any album they created before it. I was into Creature Feature on Saturday mornings and I never thought of Boris KarloffBéla Lugosi or Lon Chaney Sr. or Jr. to be Satanists either. I’ve always left the Satanic finger pointing to the self-righteous Phd’s and scholars, that try to tell the human race how to live. Metal be thy name.

Any band of any Rock genre can tweak or change their entire approach, in how they want to sound or write music. The one constant that can never change is which album or albums that any respective band created that are considered to be measuring sticks of a particular Metal era… and looked upon as classics. The Number Of The Beast is one such classic, from an era when Heavy Metal was not just being molded into form, Heavy Metal was breathing a new found life into a generation of fans that are undisputedly loyal to this very moment. I’m one of them… and The Number Of The Beast shall continue to breathe it’s tantalizing, Old School and macabre teetering spell on me till the end of days.

This is one Iron Maiden album I still have the vinyl copy of… still in unreal great condition too. I without question, upgraded this classic to CD years ago as well. No, I don’t have a cassette version, yet if I find one I’d probably buy it, just to play in my good ‘ol Ford Taurus. The Number Of The Beast has become, over the decades, not just a required album to own if you are a Metalhead… this Iron Maiden album could easily be described as an absolute and necessary appendage to thine Metal senses. This is my Metal opinion, so let it be Metal written, so let it be Metal done.

* For more info on IRON MAIDEN, just click this link: IRON MAIDEN

IRON MAIDEN as they appeared on The Number Of The Beast:

Bruce Dickinson – lead vocals

Steve Harris – bass

Dave Murray – guitar

Adrian Smith – guitar

Clive Burr – drums

Original 1982 Track Listing For The Number Of The Beast:

Invaders

Children Of The Damned

The Prisoner

22 Acacia Avenue

The Number Of The Beast

Run To The Hills

Gangland

Hallowed Be Thy Name

* On May 9, 2009, I posted why I feel Black Sabbath – Sabbath Bloody Sabbath is the “Greatest Heavy Metal Album of All Time”. Just click the large header below to read it… if you like.

The greatest Heavy Metal album of all time is…

* On December 6, 2009, I posted about my antique store find… the picture disc of IRON MAIDEN – Run To The Hills. The B side is the song – Total Eclipse, which did not appear on The Number Of The Beast in 1982. Total Eclipse later appeared on the 1995 CD reissue of The Number Of The Beast. You can read more about this fantastic picture disc I found, with photos of it, by clicking the oversized header below:

IRON MAIDEN “RUN TO THE HILLS” PICTURE DISC – AN ANTIQUE STORE FIND!

LONG LIVE IRON MAIDEN.

Stone.

GRAVE DIGGER – “The Clans Will Rise Again” Releases October 12th In U.S.!!

Posted in hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, metal music, metal odyssey, Music, Power Metal, power metal bands, power metal music, rock music, rock music news with tags , , , , , , , , , , , , , , , , , on October 9, 2010 by Metal Odyssey

GRAVE  DIGGER – 2010 marks the 30th Anniversary of Grave Digger, further cementing their legendary Heavy, Speed and Power Metal status with the release of their 15th studio album – The Clans Will Rise Again. This new studio album from Grave Digger has a U.S. release date of October 12th, on Napalm Records. * The European release date was October 1st, 2010.

Germany is the birthplace for many important Heavy Metal Bands over the decades, (ACCEPT, Scorpions, HelloweenGamma Ray, Kreator and Edguy to name a many few), with Grave Digger bestowing their very own identity, brand and sound as well. You cannot discount Grave Digger, when the topic of German Heavy Metal Bands of influence comes up.

Axel Ritt has taken over all guitar duties as the newest member of Grave Digger on The Clans Will Rise Again. Guitarists Thilo Hermann and Manni Schmidt left Grave Digger, due to personal and musical differences, before entering the studio to record The Clans Will Rise Again.

There is no better time of the year than October, to have a brand new studio album released from Grave Digger! With the days growing shorter with sunlight and Halloween only a few weeks away, this new Grave Digger album will be a welcomed listen to my Metal scorched ears!

GRAVE DIGGER:

Chris Boltendahl – vocals

Axel Ritt – guitars

Jens Becker – bass

Stefan Arnold – drums

Hans Peter Katzenburg – piano & keys

* For more info on GRAVE DIGGER, just click on the cool links below:

GRAVE DIGGER CLAN.com

GRAVE DIGGER – myspace music

* Check out the music video for Highland Farewell below! This song is on The Clans Will Rise Again. A Potent and Power packed song that grabbed my Metal attention from the opening bagpipes!

Track Listing For The Clans Will Rise Again:

Days Of Revenge

Paid In Blood

Hammer Of The Scots

Highland Farewell

The Clans Will Rise Again

Rebels

Valley Of Tears

Execution

Whom The Gods Love

Spider

The Piper McLeod

Coming Home

When Rain Turns To Blood

Watch Me Die (Bonus Track)

LONG LIVE GRAVE DIGGER!

Stone.

HELLOWEEN “7 Sinners” Releases November 9, 2010 In U.S.! Some HELLOWEEN thoughts…

Posted in Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, metal odyssey, Music, power metal albums, power metal bands, power metal music, rock music, rock music news with tags , , , , , , , , , , , , , , , on October 7, 2010 by Metal Odyssey

HELLOWEEN – Power Metal pioneers and ultra iconic, HELLOWEEN will be releasing their 13th full-length studio album, 7 Sinners, via The End Records, on November 9th, 2010. (This is the U.S. release date). Originating from Germany, Helloween is an influential and important band in the history of Metal. Since their 1985 album release – Walls Of Jericho, Helloween has been an undisputed leader in the Power Metal genre. I’ll never forget buying Walls Of Jericho on cassette years ago… I thought I was the coolest dude on the block for stumbling onto Helloween. Even though I have Walls Of Jericho on CD, I never let go of the cassette version.

Kai Hansen was terrific as the lead vocalist and guitarist for Helloween. (Gamma Ray obviously gets my Metal endorsement to the fullest). Michael Kiske was formidable as the lead vocalist for Helloween, his vocals on Keeper Of The Seven Keys Part I are legendary. I’d have to pick Keeper Of The Seven Keys Part I as my favorite Helloween album of all time… alright, tied with Walls Of Jericho! It’s not that easy, in choosing my favorite Helloween album of all time. (Chameleon from 1993… is not my favorite).

Yes, I even liked Unarmed – Best Of 25th Anniversary, which was released on March 30, 2010. No, it was not the Power Metal force we have all come to expect from Helloween, only this album I found to be a very cool listen. Some of the greatest Helloween songs ever, were re-structured with string arrangements and a choir. Dr. Stein really gets a Rock ‘N’ Roll makeover that I find to be a fun listen. At the end of the Metal day though, I’m sure relieved and psyched that Helloween is back, with their potent Power Metal that I’m expecting on 7 Sinners.

Andi Deris is an incredible vocalist as well, he can sing Metal lights out. Whoa… can Andi carry a note and sing the roof off. I can honestly say that Gambling With The Devil from 2007 is so powerful, that having a “three way tie” for my #1 Helloween album is Metal justified. Gambling With The Devil is simply put… riveting. Plus… I’ll throw in the Metal fact that founding member and guitarist MichaelWeiki” Weikath is a super nice guy to interview, one of the “good guys” of Metal… hands down. Kai Hansen is also a super nice guy to talk to… a genuine class act.

So, yeah, I get all pumped up anytime Helloween is about to release a new album. This is a band that I could easily write 500,000 words about and still want to write more. Seriously though, how many bands have their been in Metal, or any Rock genre for that matter, that can boast having “3” amazing lead vocalists in their bands history? Not too many I would imagine. I’m really looking forward to getting my copy of 7 Sinners… and on that day I’m going to be one psyched-out Metalhead. Those are my Metal thoughts for now about Helloween… I’m certain I’ll be reviewing 7 Sinners come November, you can bet your bottom Metal dollar on that one!

* For more info on HELLOWEEN, just click on the link below:

HELLOWEEN – Official Website

HELLOWEEN

Track Listing For HELLOWEEN – 7 Sinners:

Where The Sinners Go

Are You Metal?

Who Is Mr. Madman?

Raise The Noise

World Of Fantasy

Long Live The King

The Smile Of The Sun

You Stupid Mankind

If A Mountain Could Talk

The Sage, The Fool, The Sinner

My Sacrifice

Not Yet Today

Far In The Future

* The premium version of 7 Sinners will include a deluxe digpak, extended booklet and an exclusive bonus track. (Source: Helloween Official Website)

LONG LIVE HELLOWEEN!

Stone.


HALFORD IV “MADE OF METAL” – THE METAL GOD… Has Returned With A Vengeance!

Posted in Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , , , , , , , on October 6, 2010 by Metal Odyssey

HALFORD – Oh, how The Metal God has cometh and made a Metal album that is mega-primed for satisfying my Metal hunger! Halford IVMade Of Metal, released on September 28, 2010, on Metal God Entertainment, is clearly a raised fist to the air hailing all things… METAL. If one has a difficult time understanding as to why Rob Halford is called… The Metal God… and one is clueless about Judas Priest and Fight, then all one needs to do is sink their ears and awareness into Halford IV – Made Of Metal and thy should understand what the hell The Metal God is all about.

Not detracting here from what has put Rob Halford on the highest level of the Metal hierarchy, Halford IV – Made Of Metal is like a symbol of what The Metal God is all about… singing his lungs out on exceptionally written songs, both in Metal music and lyrics. It would be too damn easy for Rob Halford to rest on his laurels and reap the decades of Metal glory that he has so rightfully earned. Instead, Rob Halford has come out with all guns Metal blazing and has released an album that should make the earth shift off of it’s axis, just a tad, when played at it’s maximum volume.

Now, there is a song on this new Halford album that just seems to be so unbelievably great to my Metal ears and soul, that I’m pinching myself to make certain I’m not dreaming as I listen to it. It’s an exhilarating experience, of a profound mega-Metal high when I listen to this song… Thunder And Lightning. Throughout all of my Metal lovin’ life, I have continuously searched out for the songs, albums and the bands that make me Metal high. Thunder And Lightning is that thunder strike of a song, that I shall turn to for inspiration and psyche-out therapy for the rest of my Metal guided life.

Rob Halford is simply classic on vocals during Thunder And Lightning, with Roy Z. and Metal Mike Chlasciak on guitars making it freaking soar, trading off their licks to Metal perfection. It’s the intensity and the non-stop groove that’s happening with this song that makes it so damn delicious to my Metal senses. When a song can capture and hold onto a psyche-out vibe like this, it is a song that is worthy of my telling the entire world about.

Honestly, I can’t count how many times I have listened to Thunder And Lightning in the short time that I have owned Halford IV – Made Of Metal. Whatever Rob Halford and Roy Z. have tapped into when they wrote this song, it is nothing short of mystical for me. This song only solidifies the fact that music is indeed… a language all it’s own. Let those Metal vibrations pour into my Metal soul!! Metal be thy name.

I Know We Stand A Chance, based on it’s lyrics, is a love song. This song plays out with both a Hard Rock and Metal feel, with Rob Halford’s vocal harmony streaming through the music flawlessly. A very memorable song, both for it’s music and lyrics. Three quarters through this song it kicks up a couple of notches with some electrifying and melodic fret work that I know I’ll be hearing in my sleep.

Like There’s No Tomorrow showcases Rob Halford, the Metal vocalist for the ages. Sure, Rob Halford has his vocal peers amongst him, the difference is, this is The Metal God we are listening to on this album. This song is incredibly memorable beyond belief. Is it the vocals of Rob? Could it be the dualing guitars? The imbedded bass thumping? The drum beats and cymbal smashing? Try all of the above. Melodic and soaringly heavy is this song, drawing it’s strength from the totality of the band.

Twenty-Five Years is a powerful and Heavy ballad, both with it’s music and lyrics. Rob Halford exemplifies why he is truly a remarkable vocalist as he sings Twenty-Five Years. By delivering this song through his emotionally charged vocals, in a story form, that lends itself as being deeply personal to The Metal God. This is by far not a depressing song for me, it is a serious break in the Metal experience that I cannot shun away. Lyrically there are life lessons that are taught here, making for a Metal reality check that has been handed down by this living Metal Legend.

We Own The Night and Heartless are melodic listen’s into just how Rob Halford and his band can play accessibly Heavy songs, one’s that probably would have been a huge hit if Heavy Metal ruled MTV and FM radio like it once did in those loud and colorful ’80’s. Even when Halford comes across with some commercial appeal, they are still damn Heavy as hell… flooded with Metal molasses. Rob Halford just sounds like he beamed up his vintage vocal self, from decades long ago, surpassing my Metal expectations on not just these two songs… the entire album.

Yes, The Mower is by far and large… the heaviest, meanest and most Metal song on this new Halford album. Even Rob’s vocals are screeching with an evil intensity that is downright scary on The Mower. I love it. This is the other side to Rob Halford’s vocals, piercing, angry and impressively dark. Speed Of Sound has the vibe and sound that is tailor made for a Judas Priest – Turbo Part II… if there ever was to be such an album. However, Speed Of Sound is Heavy and doesn’t get saturated with any synthetic sounds that the long past Turbo album radiates.

Alright, there is a “semi-stinker” on this album. I’ll give Rob Halford and his band a pass on this though. I owe ’em that much for making my Metal world so deliriously fine from Thunder And Lightning. Um, well, this song is pretty much a stinker. Made Of Metal is the song. There are some bad flashbacks happening in my brain, each time I hear the techno-electronic voice that is part of the intro to this song. Mr. Roboto flashbacks that is. I still have never recovered from Styx messing around with electronica… and that goes too far back for my own liking. The “roboto” voice re-appears towards the end of this song too, not cool. It’s just a dated song that doesn’t fit the Metal mold of this album and I don’t like to use the word… dated.

Make the bad Mr. Roboto go away, make the bad Mr. Roboto go away, make him go now.

Undisputed is the one song on Halford IV – Made Of Metal that can be of “big time” commercial value for the future. The lyrics are borderline corny… this song is about an undisputed heavyweight champion of the world, whoever that may be. This song would be perfect for the next (gasp) Rocky sequel or as an entrance theme for some WWE Wrestling Superstar. The Metal itself is brilliance on Undisputed, with scorching guitar leads and tough as nails riffs. Vocally, Rob Halford resonates with late ’70’s Judas Priest on Undisputed, capturing his very own classic self as only he can do.

For all intents and Metal purposes, Halford is backed up by one damned fabulous band. Mike Davis on bass and Bobby Jarzombek on drums hold it all together like a Heavy Metal pillar of unbreakable steel, giving each song an added dose of supercharged thump. I without hesitation, openly admit, that Halford IV – Made Of Metal has rolled into 2010 and taken me for a sensational Metal ride. This Metal ride I’m highly endorsing to fellow Metalheads, both young and old, stateside and worldwide. Don’t let this new Halford album be “the one” that you pass over for another day. Halford IV – Made Of Metal needs to heard… NOW… and forever.

* For more info on HALFORD, just click here: ROB HALFORD.com

Track Listing For HALFORD IV – MADE OF METAL:

Undisputed

Fire And Ice

Made Of Metal

Speed Of Sound

Like There’s No Tomorrow

Till The Day I Die

We Own The Night

Heartless

Hell Razor

Thunder And Lightning

Twenty-Five Years

Matador

I Know We Stand A Chance

The Mower

LONG LIVE HALFORD.

THE METAL GOD HAS RETURNED.

Stone.

DEATH ANGEL – 2011 NORTH AMERICAN RETRIBUTION TOUR – DATES LISTED!

Posted in hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, metal music, metal odyssey, Music, rock music, rock music news, Thrash Metal, thrash metal albums, thrash metal bands, thrash metal music, thrash metal tours with tags , , , , , , , , , , , , , , , , , , , on October 4, 2010 by Metal Odyssey

DEATH ANGEL – In support of their new and incredible sixth studio album, Relentless Retribution, DEATH ANGEL will be touring the United States with one stop in Canada, beginning on January 30, 2011. Beginning in Raleigh, North Carolina and commencing on February 26, 2011, in the city that these Bay Area Thrash Metal Legends know very well… San Francisco California! EARLY MAN, LAZARUS A.D., BONDED BY BLOOD and HeXeN will be on tour with DEATH ANGEL as well! This looks to be a kick-ass tour of Old School joining forces with New School Thrash Metal!

* DEATH ANGEL – Relentless Retribution was released on September 14, 2010, on Nuclear Blast USA.

2011 NORTH AMERICAN RETRIBUTION TOUR DATES:

January 30 @ Volume 11, Raleigh, NC

January 31 @ The Casbah, NC

February 1 @ Jaxx, W. Springfield, VA

February 2 @ Crazy Donkey, Farmingdale, NY

February 3 @ Rocko’s, Manchester, NH

February 4 @ Club Hell, Providence, RI

February 5 @ Montage Music Hall, Rochester, NY

February 6 @ Mod Club, Toronto, ON, Canada

February 7 @ Peabody’s, Cleveland, OH

February 8 @ Blondie’s, Detroit, MI

February 9 @ Reggie’s Rock Club, Chicago, IL

February 10 @ Phoenix Hill Tavern, Louisville, KY

February 11 @ Riot Room, Kansas City, MO

February 12 @ Conservatory, Oklahoma City, OK

February 13 @ Numbers, Houston, TX

February 14 @ Emo’s, Austin, TX

February 15 @ White Rabbit, San Antonio, TX

February 16 @ Rail Club, Ft. Worth, TX

February 18 @ Club DV8, Tucson, AZ

February 19 @ Clubhouse, Tempe, AZ

February 20 @ Chain Reaction, Anaheim, CA

February 21 @ Cheyenne Saloon, Las Vegas, NV

February 22 @ The Key Club, Hollywood, CA

February 23 @ Brick By Brick, San Diego, CA

February 24 @ The Boardwalk, Orangevale, CA

February 25 @ Lost On Main, Chico, CA

February 26 @ Slim’s, San Francisco, CA

(Source: DEATH ANGEL – Official Website)

* For more info on DEATH ANGEL, just click on the links below:

DEATH ANGEL – MySpace Music Page

DEATH ANGEL – Official Website

* For more info on EARLY MAN, just click on the links below:

EARLY MAN – myspace music page

EARLY MAN ARMY.com – Official Website of EARLY MAN

* For more info on LAZARUS A.D., just click on the link below:

LAZARUS A.D. – myspace music

* For more info on HeXeN, just click on the link below:

HeXeN – myspace music

EARLY MAN will be touring to support their new studio album, DEATH POTION, released on July 20, 2010, on The End Records.

BONDED BY BLOOD will be touring to support their new studio album, EXILED TO EARTH, released on August 10, 2010, on Earache Records.

LAZARUS A.D. will be touring to support their 2009 studio album, THE ONSLAUGHT, released on March 3, 2009, on Metal Blade Records.

LAZARUS A.D. will also be supporting their sophomore release – Black River Flows, which is slated for a February 1st, 2011 release on Metal Blade Records!

HeXeN will be touring to support their 2008 studio album, STATE OF INSURGENCY, released on August 5, 2008, on OSM Records.

LONG LIVE DEATH ANGEL.

LONG LIVE THRASH METAL.

Stone.

WHITE ZOMBIE “Make Them Die Slowly” – Reflecting On A 1989 CD I Can’t Part With

Posted in alternative metal music, Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal music, metal odyssey, Music, rock and roll, rock music, rock music news with tags , , , , , , , , , , , , , , , on October 3, 2010 by Metal Odyssey

WHITE ZOMBIE – Released back in good ‘ol 1989, Make Them Die Slowly was the second full-length album from White Zombie, (the first full-length being Soul Crusher, released in 1987). The late ’80’s was an ultra-terrific time for Heavy Metal, only the “wave of glory” of commercial acceptance and attention was starting to drift swiftly towards the Grunge movement, by 1990. White Zombie came upon the scene in ’87 with their brand of Noise Rock, eventually indulging into various music styles, while still keeping the heaviness intact. Industrial, Groove, Funk and Heavy Metal were Metal styles that White Zombie incorporated together all so well. Many articles and Rock historians also refer White Zombie to the Post-Thrash genre as well.

I can openly admit, that this Make Them Die Slowly CD has been in my possession since it’s 1989 release and I cannot part with it. The first reason for this is I really, really, dig this White Zombie album and band. Even in it’s unpolished grandeur, this is White Zombie breaking down some serious status quo. This band was where it all began for Rob Zombie! The second reason is, it is out of print. My original 1989 CD version of Make Them Die Slowly is selling for $169.88 (U.S. funds) as a “used” copy on Amazon.com… and there is currently only “one” for sale there! Whoa, baby, whoa.

There is a 1993 reissue version of Make Them Die Slowly for sale on Amazon.com, selling for $99.99 as “new” and $16.99 as “used”, all in U.S. funds. That is a dramatic drop in the selling price, when comparing the “used” version from 1989 to that of the 1993 reissue. In all Metal honesty, I was not aware of the “actual” value of my CD discussed here, not until today. I always knew it was an original pressing from 1989 and the value would be a bit high… only this is far out amazing to me! In hindsight, I wish I had purchased a dozen copies or more of Make Them Die Slowly back in ’89!

My cousin Randy is to blame for my buying this White Zombie CD back in ’89. He used to manage a combination collectibles and record store that was very, very cool. I would go there just about every day for a number of years, from the mid ’80’s right up to the mid ’90’s. I would cash my paycheck at this store… leaving with enough money to buy beer and gas. The rest of my hard earned loot would go into buying CD’s, tapes, vinyl, sports cards and comics. Those were the days… I know. I no longer buy sports cards or comics, just in case you were wondering.

Randy would always have his finger on “the pulse” of Rock ‘N’ Roll and Heavy Metal. If there was a new and cool band to check out… Randy knew about ’em. There was that one visit to his store, where he had Make Them Die Slowly on display… and Randy wasn’t talking me out of buying it. Thanks Randy! Man, this cool cousin of mine had landed me some fine picture discs of Metallica, Iron Maiden and Motorhead too. Many bands he steered into the direction of my ears… Fight is one that stands out, back in ’93. When Rob Halford left Judas Priest, whoa… that was a big deal back then. Randy is still alive and doing just fine… just in case you are wondering.

When I first listened to Make Them Die Slowly, I realized rather quickly that White Zombie was not the stereotypical ’80’s Arena Rock or Heavy Metal Band. Rather, White Zombie was a band totally different from what I was used to hearing… this band wasn’t Thrash, Traditional Metal, NWOBHM or straight up Hard Rock. This White Zombie band caught me off guard and I initially liked what I was listening to. Sure, this band was “different”, only they were not lean on the heavy side of the Metal aisle and the vocals of Rob Zombie sounded too fiendishly bizarre for me to pass over.

Back in ’89, I felt like I stumbled on some “underground” band that not many people knew about. I never gave it a second thought, as to White Zombie becoming anything special anyhow. Listening to what I liked was the main priority then, as it is now. This White Zombie album was never going to be exalted as a masterpiece, no way. The production across the board is raw and steely on Make Them Die Slowly, arguably an album of demos… not anywhere near the overall sound and production that their 1992 studio album La Sexorcisto: Devil Music, Vol. 1 would radiate. (That album is a multi-million unit seller and still makes my prehistoric stereo speakers smoke).

In the midst of all the styles of Heavy Music that White Zombie seemed to tap into, there is always that “sliver” of Punk that I seem to catch onto with their music. Acid Flesh may have it’s non-stop groove and sparse funkiness about it, still it walks a fine line with the Punk flirtation. The same can be said for Power Hungry, only the guitar licks are crunchy enough to make any Punk comparison an extremely mild one. “Demonspeed” carries such a raw atmosphere of sound, it isn’t far fetched to think it’s a live recording during the first half minute it plays. If there is one constant to be heard on this album, it’s that this White Zombie band played with a fiery enthusiasm that my ears cannot dismiss away. “Demonspeed” is one Heavy mutha’ of a song and is my favorite on this album.

Revenge is fueled with enough kick ass, thunder-stomp Metal that it is dizzying. The repeated riff that gives Revenge it’s Metal bite, is extremely close to that of Tony Iommi’s signature riff from Zero The Hero, heard on the 1983 Black Sabbath album – Born Again. Godslayer plays at 7:14 long and is the “epic” on this album. Rob Zombie’s vocals on Godslayer gives way to the notion that maybe he was a fan of Glenn Danzig. I never picked up on the vocal similarities between Rob Zombie and Glenn Danzig, while listening to Godslayer so many years ago. This is the only song where I feel any vocal similarities between these two Metal heavyweights exists. I’m certain though, that it is all coincidental anyways. Maybe.

The overall Heavy Groove and styles that Make Them Die Slowly breathes was another solid building block towards the Metal that Rob Zombie was to eventually release as a solo superstar. Truthfully, listening to this White Zombie album is like listening to the Rob Zombie blueprint and dancing skeletons to his future. To usher in the ’90’s with a band as heavily diverse as White Zombie, probably means more to me now than it did then. I never cared to figure out really, the “fad” sound of any decade. White Zombie was no fad… this was as legit of a Heavy Band as any genre could grasp.

As I look back on the doorstep to the ’90’s, White Zombie was the band that snuck in through the front door and made themselves very comfortable in the hearts, minds and ears of more than just this Metalhead. This is “one of those” Metal albums that I appreciate more in 2010 than I probably did back in ’89. Maybe my growing appreciation lies in the fact, that White Zombie made me realize that it was cool to diversify the Metal menu, having me look upon them now, over two decades later, as Metal innovators.

WHITE ZOMBIE as they appeared on Make Them Die Slowly:

* Note: In doing my Metal research, I have read that John Ricci did not play guitar on Make Them Die Slowly. However, John Ricci is in the group photo found in the liner notes of this CD, with his name appearing below him. I have come across, through Metal research, that John Ricci left White Zombie the day Make Them Die Slowly was completed… due to having Carpal Tunnel Syndrome. I am going with that he played guitar on this album… unless a credible source “close” to the recording of this album can tell me otherwise.

Rob Zombie – vocals

John Ricci – guitar

Ivan DePrume – drums

Sean Yseult – bass guitar

Track Listing For Make Them Die Slowly:

DEMONSPEED

DISASTER BLASTER

MURDERWORLD

REVENGE

ACID FLESH

POWER HUNGRY

GODSLAYER

* More Metal research about Make Them Die Slowly, revealed the following: that “some” CD’s were released with the printing on the liner notes “spine” being incorrect. The “incorrect” spelling or error is: Let Them Die Slowly appears on the spine. “Let” and not “Make” is the error. My CD version has this error on the liner notes spine… take a look at the pic below to see for yourself:

As you can also see from the above pic, Rob Zombie is one damn cool illustrator!

* Make Them Die Slowly was produced by Bill Laswell

* Make Them Die Slowly was originally released in 1989, on Caroline.

* As stated in the liner notes: All Lyrics – Rob Zombie, All Music – White Zombie and All Illustrations – Rob Zombie.

* The liner notes show “one” Special Thanks, it goes to… Rock & Punk Legend… Iggy Pop.

Here is the White Zombie band photo that is in the liner notes.

From left to right: Ivan DePrume, John Ricci, Sean Yseult and Rob Zombie.

Here is an illustration that is in the liner notes, drawn by Rob Zombie:

The above illustration has the words: “Bite Down Sucker” in top right corner. “Hell” is spelled out on the fist of the monster dude.

LONG LIVE THE ROCK ‘N’ ROLL OF WHITE ZOMBIE!

Stone.

Hellfueled – Revisiting “Midnight Lady” EP From 2004!

Posted in Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal videos, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , , , , , , on October 2, 2010 by Metal Odyssey

HELLFUELED – In Metal Odyssey’s quest, this Halloween Season, to deliver reviews on Metal, Hard Rock and Punk Bands that bestow horror-theme tendencies of sound, style and persona, here is the very first installment for this gloriously wicked and frightful October of 2010… Hellfueled. This is one very cool Metal Band from Husqvarna, Sweden, not because I said so, it’s due to the clear fact they can write and play songs that are memorable. Anytime a band’s particular song or sound sticks in my Metal brain, it tells me that band is damn good. Midnight Lady is one hell of a memorable song from one hell of a memorable band that is Hellfueled.

Could it be a personal “gravitation” or “taste” in music happening here with Hellfueled? Probably. The only truth is, I would not go out of my way so often as I do, to just recommend pigeon crap on a platter. I try my hardest, to recommend the “coolest” bands and the creme’ de’ la creme’ of Metal, to my fellow Metalheads of the Metal Odyssey Battalion. Metal be thy name.

The song Midnight Lady opens up with a riff that was born to grab my attention and this song never let’s up on it’s ’80’s Heavy Metal outer-glow. Midnight Lady just lifts off from the onset and never seems to land to the ground, which is what good Heavy Metal is supposed to do in the first place. Despite the resonance of some Old School Heavy Metal from days long past, Hellfueled delivered a very relevant song in 2004 with Midnight Lady and it still is relevant in 2010, when compared to what’s being released at the moment.

Some may concur that Hellfueled isn’t playing anything that hasn’t been heard before. I counter by stating Hellfueled plays an European style of Traditional Heavy Metal and does so with a defiant level of confidence and talent. Just the three songs heard on this Midnight Lady EP, demonstrates the fire and hunger of a band, that trusts their style of sound and the path of heaviness they have chosen.

Reflecting for just a moment, to a band that just might be an influence to Hellfueled… Black SabbathAndy Alkman, the lead vocalist for Hellfueled, sounds remarkably close to that of the everlasting and legendary… OZZY. Vocals are supposed to be a unique characteristic, yet sometimes close similarities can occur between different singers, that is reality. I could not be more honest, in stating that Andy’s vocals are tailor-made for this style and sound of Heavy Metal. His vocals come across as natural and unforced, with any resemblance to Ozzy Osbourne being unintentional. If Andy’s intent was to vocally sound like Ozzy, well, then he obviously nailed it. Believe me, this is not the first place where Andy’s vocals have been compared to Ozzy.

The two previously unreleased demo songs, (Endless Work and Big Fat Eight), are very muscular in the Traditional Heavy Metal style, while not sounding as completely polished as Midnight Lady. Nonetheless, both of these demo songs can stand alone and take a pass on any further tweaking on the production side… the rawness brings out a more lean and mean aura to the vocals and overall sound of the band.

The music video for Midnight Lady that comes as a bonus to this EP is fun to watch. A teenage/college age couple are taking a late night cruise when all of a sudden, they drive by the Hellfueled band hitchhiking on the side of a dark and desolate country road. The girl in the car looks at the band as they drive by them and makes a goofy facial gesture at them. Game on.

Watch for yourself, as this couple finds out the hard way not to mess around with Hellfueled! Just click on the video box below!

Hellfueled takes the Traditional Heavy Metal style and plays it in a manner where I feel surrounded by their sound. Very strong, loud and enveloping are Hellfueled as they play on these songs, vocals included, with a guitar driven force. For new fans, this Midnight Lady EP makes for a solid introduction to Hellfueled.

I’ve seen the mp3 and CD/EP of Midnight Lady for sale on Amazon.com. It is worth picking up the entire CD/EP, as you are getting not only the two previously unreleased demo’s, your also getting the music video for Midnight Lady as well. This Midnight Lady EP is a terrific Metal listen and music video from Hellfueled that shouldn’t fly under your Metal radar. Plus… if you ever see Hellfueled hitching for a ride, don’t be foolish by not helping them out.

* For more info on Hellfueled, just click on the links below:

Hellfueled – Official Website

Hellfueled – myspace music

* Current Hellfueled lineup:

Andy Alkman – vocals

Jocke Lundgren – guitar

Henke Lonn – bass

Kent Svensson – drums

* Midnight Lady EP was released in Sweden in December of 2004, on Black Lodge.

* Midnight Lady EP had a worldwide release date in April of 2005, on Black Lodge.

Track Listing For Midnight Lady EP:

Midnight Lady – (Taken from the album Volume One)

Endless Work – (Previously unreleased demo)

Big Fat Eight – (Previously unreleased demo)

* Endless Work and Big Fat Eight are also listed as “Japanese Bonus Tracks” from Hellfueled’s debut album from 2004 – Volume One. (This info is listed on Hellfueled’s official website under “discography”.

* Produced by Fredrik Nordström and Patrik J. Sten

* The legendary producer/musician Fredrik Nordström founded Dream Evil, recruiting the incredible… Gus G. to join on with his band. The rest is Heavy Metal history…

* Extra Bonus Material:

Midnight Lady (Video) – (Directed by Charlie Granberg)

LONG LIVE HELLFUELED!

Stone.

TWEAK BIRD – Self Titled Album Is Eclectic And Heavy!

Posted in Album Review, alternative rock bands, alternative rock music, avant-garde metal music, Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal odyssey, Music, rock and roll, rock music, rock music news, stoner metal music with tags , , , , , , , , , , , , on September 28, 2010 by Metal Odyssey

TWEAK BIRD – Brothers Ashton and Caleb Bird have rode into town from Southern Illinois, with their self-titled, eclectically fused and heavy, full length album. Released on August 31, 2010, on Volcom EntertainmentTweak Bird is the follow-up to this bands 7 song EP, Reservations from 2008. From the looks of the album cover, Ashton and Caleb seem to be pretty psyched out about things… as well they should be, since Tweak Bird were invited as an opening act for the Progressively Alternative legends known as Tool this past Summer of 2010. Your music must be striking a heavy nerve and be interesting plus different enough for Maynard James Keenan to take such a prominent notice.

Well, I’ve taken notice of Tweak Bird too. Yes, I’m no Maynard James Keenan, still I have learned long ago that when you play from the heart and don’t follow the leader with your Heavy Rock sound, a band is going to stand out from the sea of clones. Tweak Bird has seemed to navigate themselves through this sea of clones and gathered up their Rock influences to make a menagerie of sound that is both Heavy and semi-Progressive. With a sprinkle of Alternative ambiance that seems to peer through the cracks of Tweak Birds’s sound, it’s still the Heavy Stoner riffs and chunkiness of Caleb’s baritone guitar that commands their sound.

There are moments, while I listen to Tweak Bird, that I feel I’m hearing The Sword in a slightly tempered down groove. Then, the vocal harmonies of Ashton and Caleb seem to combine for what makes this album stand apart from being just another Heavy assemblage of songs. The comparison likeness, no matter how subtle, to that of the great Geddy Lee, is not an out of the realm statement to make when mentioning the vocals of these two brothers.

One moment where Tweak Bird’s music gets diverse, Alternative if you will, is on the song A Sun/Ahh Ahh, where an extended saxophone solo by John McCowan, (who is referred to as “sometimes third band member” in a Volcom Entertainment press release), comes into play at around the two-minute mark of this song that runs 4:13. The overlapping and intermittent vocal ahh’s over the saxophone lends to an almost eerie feel… and I dig it. “A Sun/Ahh Ahh” comes to a close with the saxophone solo and fittingly makes sense.

Flute anyone? Tweak Bird incorporates the flute into Flyin’ High”. This song simultaneously breathes a slow tempo while Caleb plays the thickest and heaviest Stoner riffs that makes me bang my head in slow motion. It can be done… slow motion headbanging… Tweak Bird taught me how. As with the saxophone, Tweak Bird makes the flute fit right into their Heavy motives, almost in a hallucinating sort of way. Cool.

The last song on Tweak Bird, Distant Airways”, is the longest as well. Six songs clock in under 3 minutes, two songs under 2 minutes and one song barely over 4 minutes long. “Distant Airways” plays out at 6:15 long and doesn’t bore the senses as a useless and redundant epic either. The good ol’ saxophone makes its appearance once again on “Distant Airways”, giving these sax moments I hear a smoky lounge vibe that borders on the ultra cool. Hey… I have stated that Tweak Bird has shunned away the “clone syndrome” of Heavy Music and this song exemplifies this statement with ease. Distant Airways comes to a synthetic close with what sounds like a UFO taking off from some god forsaken crop field. A bona-fide Progressive moment. Cool again.

“Tunneling Through” showcases Ashton Bird hitting the drums hard (as he has been quoted: his hitting the drums hard being the “trick” in making his drums “sound good”). To me, Ashton’s drumming does sound good… and yes, it does sound like he hits the drums damn hard too. “Tunneling Through” gives way to a victorious feeling of “opening your mind” and journeying into the unknown. A tad psychedelic in it’s lyrical content? Sure thing. These lyrics married with the Stoner riffs and Heavy crunch, gives me that early 70’s Blue Cheer slap to my forehead. I point out this song as being my personal favorite from Tweak Bird.

Tweak Bird opens the album with The Future”, a song that has proved to me that Psychedelic Heavy Metal does exist, especially when this type of cool experimentation occurs. “The Future” has a memorable and steady beat that is not short on the Heavy side of Tweak Birds’s bag of cool & Rockin’ tricks. “The Future” ends with lots of fuzzy distortion that might have me borrowing my daughters lava lamp very soon. The shortest song from Tweak Bird is Round Trippin'”, playing at 1:12. The UFO’s have come to land! One listen to “Round Trippin'” and you’ll know what I mean there. This synth laced instrumental, puts an exclamation point on my tagging Tweak Bird as indeed… semi- Progressive.

Beyond is a track that takes the classic vibe of Surf Rock and beams it down into 2010… and is played the Tweak Bird way. Maybe the resurgence of Hawaii Five-O has some credibility after all. This song would make for a fabulous addition to this revamped television series soundtrack. Am I being a wise guy here? Nope. Beyond has all the feel and sound of modern day “Surfin’ USA”, only without the teeny-bop lyrics of actual… surfing. Cool.

The “Pop” or commercial accessibility of Tweak Bird’s songs sound non-contrived and it works well within the parameters of Heaviness that they pound away with. Caleb is an admitted T-Rex fan and loves Marc Bolan’s songwriting technique, thus the underlying reasoning behind a Classic Rock “Pop” characteristic, swirled within Tweak Bird’s overall sound. Clearly, Tweak Bird is a Heavy Band when it’s all said and done. Ashton and Caleb just mix it up by implementing the saxophone and flute within their Heavy Music playbook, showing that taking chances in Rock Music can make a comeback in 2010.

Do I like Tweak Bird? I sure do. I admire their making an album that is not generic. Knowing they are a Heavy Band is just the beginning… one must listen to each song and hear for themselves that the “unexpected” is just as cool as the “expected”. The one constant throughout the songs heard on Tweak Bird, is that you will hear Ashton and Caleb both playing Heavy… regardless if there are those intermittent moments of stylistic changes, the Heavy always returns.

Any multi-faceted, Rock Music nut should have a field day listening to Tweak Bird. Heavy Music fans that want a slice of Alternative cake, with their search for up and coming bands, might get exactly what they have been looking for with Tweak Bird. After listening to Tweak Bird several times, my use of the word “cool” has heightened… and I’m going for another slice of that Alternative cake. Cool.

* Tweak Bird was produced by Deaf Nephews – Dale Crover (Melvins & Altamont) and Toshi Kasai (Big Business & Altamont).

* For more info on TWEAK BIRD, just click on the cool links below:

TWEAK BIRD – myspace music

TWEAK BIRD – Official Website

Pictured above: Ashton on left, Caleb on right.

Track Listing For TWEAK BIRD:

The Future

Lights In Lines

Round Trippin’

A Sun/Ahh Ahh

Beyond

Tunneling Through

Sky Ride

Hazement In The Basement

Flyin’ High

Distant Airways

GO GET ‘EM, TWEAK BIRD!

Stone.