MOTORHEAD – On January 18, 2011, the ultra-iconic Motorhead will be releasing their 20th studio album, (21st studio album if you count On Parole from 1979). The new Motorhead album is titled – The World is Yours. The first opportunity to purchase a “pre-release” of The World is Yours, is by buying the upcoming issue of the (UK) Classic Rock magazine. This issue of Classic Rock has a release date of December 28, 2010, on Amazon.com.
* The Classic Rock edition comes as a 132 page deluxe magazine, dedicated to Motorhead as a “Motorhead fanpack”, with the CD of The World is Yours, a poster and metal pin badge. A career spanning overview of Motorhead with interviews of each band member are featured in this issue as well. Classic Rock Magazine.com reports this special Motorhead fanpack issue will be available for sale on December 14, 2010.
* The CD/DVD release date is January 25, 2011. The DVD includes the following:
– Documentary on the recording of The World is Yours
– Manchester Apollo live footage (30 minutes)
– Ace Of Spades (acoustic version)
– Get Back In Line (video)
– I Know How To Die (video)
(Source for release dates: The official Motorhead website referred me to Amazon.com, once I clicked on the album cover for This World is Yours on the Motorhead homepage. Therefore, Amazon.com is where the release dates were found.) **Release dates vary from country to country, plus, if you subscribe to Classic Rock magazine, the release date may be different from what date I’ve posted. Metal Odyssey is just reporting what dates have been found from researching through the official website of Motorhead, Classic Rock Magazine.com and Amazon.com.
* The World is Yours will be released on Motorhead Music via EMI distribution.
2010 – the 35th Anniversary of Motorhead Rock ‘N’ Roll!
MOTORHEAD:
Lemmy Kilmister – vocals & bass
Phil Campbell – guitar
Mikkey Dee – drums
Above is the Classic Rock Magazine “Motorhead Fanpack”. You can pre-order it at Amazon.com, the only thing is… get ready to shell out $47.68 (U.S. funds) for it.
IGLOO WARFARE – Brandon Ortiz, aka Eski, is a very busy guy these days. It is a minor miracle that Metal Odyssey caught up with him recently, to get a Metal lowdown on his side project Igloo Warfare. Metal instrumental ear candy is how I best sum up Igloo Warfare. With Eski being in full control of it’s creation, from playing every instrument heard, through production, to the final recorded songs, Igloo Warfare is his work of Metal art.
Songwriter, multi-instrumentalist, vocalist, band manager, promotion and marketing manager, record label owner (Final Breath Records) and every other imaginable title associated with overseeing his music getting heard and noticed, is what Eski is all about. Eski isn’t taking a bow to the “do-it-yourself” crowd, he is leaping over them with his envious drive and passion for the music he loves to create.
With Belle Roka by his side, there is also Morphine Killer keeping the Metal irons burning and the creative genius side of him stirring. Throw in the recent opportunity for Eski to step in to help Faithsedge on bass duties and you have not just a multi-taking musician… you have what is an example of devotion. Here is what Eski had to say:
Stone: So, Eski, how did the name Igloo Warfare come about?
Eski: I got the nickname “Eski” when I was about 15 years old, mainly due to the fact of looking like an eskimo, and being able to withstand the cold weather. I liked the idea of eskimos being up to something inside those igloos, so I went with “Igloo Warfare”, being a random Rock Band name I made up on the spot.
Stone: What inspires your songwriting for Igloo Warfare?
Eski: I love writing music, and usually what happens is I have a lot of Morphine Killer songs on the backburner, ready for vocals. But sometimes I will write songs for a particular mood, such as being an energetic video game song, or a moody movie song.
Stone: What comes easiest for you, writing music or playing it?
Eski: Writing it, definitely! There’s a lot of nuances that come around when it comes down to recording, and it has to be perfect. I have experimented with writing on the spot to the drums I program, because sometimes you just have to go where the music takes you.
Stone: I get that “Escape From New York” vibe on “Spider Whispers Death”. Did you initially set out for a Science Fiction meets Horror element with Igloo Warfare’s sound? Are you a fan of John Carpenter’s haunting movie scores?
Eski: I didn’t really set out for that vibe, but I wanted a sort of eerie vibe with the music, mixed with metal.. maybe that is the music version of science fiction meeting horror! Without knowing it, I have been influenced by John Carpenter! I love the Halloween movies, and Big Trouble In Little China (I loved that they got the idea for Raiden from Mortal Kombat from this movie).
Stone: Do you see your instrumentals being better suited for motion pictures or video games? Perhaps both?
Eski: I’d like to hope for both, but possibly more video games. I’d really like to get into either area if I could, though! I grew up with video games that had awesome music that helped inspire the mood, and I hope to do the same one day.
Stone: Will vocals ever be added to Igloo Warfare’s music?
Eski: I would like to think so! If they do, most likely they are going to end up a Morphine Killer song, unless someone else does vocals as a guest spot, and maybe we can release it as such.
Stone: With “Dopeth”, is it safe to say you are a fan of Opeth?
Eski: Absolutely, I love Opeth. Mikael Åkerfeldt is one of my favorite vocalists.
Metal Odyssey Note: Check out below, the Metal instrumental of Dopeth for yourself, courtesy of IGLOO WARFARE!
Stone: What’s the latest news you can share about Morphine Killer?
Eski: We’ve been working on ten or so songs that still need a bit more fine tuning. We’ve been really busy with our upcoming baby release than CD release, so please excuse us!
Stone: You and Belle are very much excused! A new baby on the way is much more important!
Stone: You’re also currently busy helping out Faiths Edge, handling the bass duties. What’s that been like?
Eski: It’s been really fun to just jam with friends and not feel the pressure of taking the reins so much. It’s also a really fun learning experience to work with another song writer and be able to bounce ideas off of each other. I helped him write a new song which might or might not appear on his next CD, so we’ll just have to wait and see!
KID ROCK – Get ready all of you vinyl lovers out there… the brand new Kid Rock – Born Free is about to get released on double LP – vinyl! The vinyl release date is December 14, 2010. Born Free is Kid Rock’s eighth studio album, released on Atlantic Records. It’s the diversification of Rock ‘N’ Roll, that flows through Kid Rock’s soul, that makes him so damn appealing to me all these years. From Rap Metal to Southern Rock and almost everything else in-between, Kid Rock makes it real.
* Born Free was produced by the legendary Rick Rubin. Mixing was done by Greg Fidelman.
* I have seen this double LP of Born Free for sale on Amazon.com, it also comes with the entire CD of Born Free, from what the site states, it is referred to as a “bonus CD”.
* For more info on Kid Rock, just click on the cool link below:
MARTY FRIEDMAN – World renowned & legendary guitarist Marty Friedman turns 48 years old today, December 8, 2010. Happy Metal Birthday Marty! Marty Friedman solidified his elite guitar status during his days as a Metal axe slinger for the ultra-legendary Megadeth, appearing on five of their albums. Marty played guitar alongside Dave Mustaine, on such seminal Megadeth albums as: Rust In Peace, Countdown To Extinction, Youthanasia, Cryptic Writings and Risk.
Marty was already the established and well revered guitarist among the Heavy Metal universe before that historic gig. Teaming up with guitar great Jason Becker to form Cacophony, releasing Speed Metal Symphony in 1987, on Shrapnel Records. Speed Metal and the art of shredding was highlighted by the neo-classical Metal techniques and skill that Marty and Jason bestowed with their Cacophony team-up. Go Off! was the second and final studio album from Cacophony, released in 1988, (Shrapnel).
That is Marty on the left, Jason on the right, (above album cover). This was a very cool album then and it still is now. Metal Odyssey highly recommends both Cacophony albums… don’t pay attention to any old and stale mainstream album reviews on ’em, those mainstream Rock critics don’t know what they’re listening to anyways.
* Marty Friedman founded the Heavy Metal band Hawaii, back in 1982. From 1983 to 1985, Hawaii released three full-length studio albums. Hawaii could best be described as Speed meets Power Metal.
* Marty Friedman has also released 12 solo albums, (studio & live combined), from 1988 to 2010 and has always been known for his instructional videos/DVD’s on guitar playing and techniques as well.
* Above is a really cool Japanese promo poster/ad for Marty Friedman’s 1996 solo album – True Obsessions, released on Shrapnel Records.
* For more info on Marty Friedman, just click on the cool link below:
NIDINGR – Cult Norwegian Black Metal unit NIDINGR return from a five year hiatus with their raging new album. The assassins that form this deadly unit have culminated their dark arts and aggression on their sophomore full-length Wolf Father, the uncompromising album sure to scathe listeners with its relentless whirlwind of black metal wrath. NIDINGR remain a mainly cult act, although some might conder them a “super group” of sorts when they discover the band is comprised of a long list of notable black metal artisans including bassist/guitarist Teloch (1349, Gorgoroth, Ov Hell, Orcustus, Umoral, Konsortium), bassist/guitarist Blargh (Gravferd, Dødheimsgard), vocalist Cpt. Estrella Grasa (Kort Prosess), and drummer Hellhammer (Immortal, Shining, Thorns, Umoral, Mayhem, Emperor). Wolf Father even features a guest appearance from Ulver’s Kristoffer Rygg (a.k.a. Garm), and features artwork by French visionary Valnoir of Metastazis, known for their work with Watain, Ulver, Peste Noire, Nachtmystium, Anteus and more.
* NIDINGR Wolf Father will be released on Vendlus Records, January 18, 2011.
HEAVEN & HELL – Back in 1982, an elite group of musicians known as Black Sabbath released a double live, molasses heavy album titled: Live Evil. In 1982 those two vinyl disks were like gold, to a then sixteen year old who knew a whole lot about nothing. Going on three decades later, that Live Evil album still is gold to this same dude, who knows a little about something. Fast forward to 2007, the legendary lineup of Ronnie James Dio (vocals), Tony Iommi (guitar), Geezer Butler (bass) and Vinny Appice (drums) returned to public view known as Heaven & Hell, with their Live From RadioCity Music Hall double live album, released on Rhino Records. This legendary foursome was back… albeit a name change. Taking on the name of one of the most prolific Heavy Metal albums ever to be recorded, Heaven & Hell was now this bands identity.
Yes, Bill Ward was the amazing drummer on that phenomenal Heaven And Hell album from 1980, a legend without discussion. However, Vinny Appice is one quarter of Heaven & Hell and always will be. I won’t dare compare the Live Evil album of ’82 to this newly released Heaven & Hell: NeonNights, 30 Years Of Heaven & Hell, Live In Europe, (released November 16, 2010, on Armoury Records for Niji Productions). There is nothing to gain by comparing this band to itself, some three decades prior. I am not the same person I was three decades ago… the past is a memory and the future is today.
This historic Heaven & Hell concert was recorded at the Wacken Open Air Festival in Germany, back in 2009. Yes, the late and ultra-legendary Ronnie James Dio does sound older on this newly released live album, only his vocals still gives me the same euphoric chills now as he did so many years ago. While listening to Neon Nights-Live In Europe, I realize I’m listening to a man who was a fighter, a man who was not going to back down to any illness that may invade his body. I think of my father, who is currently battling cancer, I think of his strength and will to live as well. I could only hope and pray that I can be as strong and courageous as these two amazing men.
It is the human factor that comes across so strong and vividly on this new Heaven & Hell album, I’m listening to a band that was with me all those years when I was lost and now listening to a band when I was found. The images and memories just come alive for me, as I keenly listen to this Heaven & Hell album… memories of seeing DIO on the Dream Evil tour of 1987, remembering holding, listening to and staring at my Long Live Rock ‘n’ Roll album, while being introduced to real Rock ‘N’ Roll at an age where it was most important. I reflect on that first time I heard the opening riff from Tony Iommi, clearing the path for Voodoo and how it made me a believer in what Heavy Metal does for my soul.
No, this is not going to be a standardized album review of this new live Heaven & Hell album. I can’t find it appropriate in my heart or soul to give one. Instead, this album is a celebration of what these four men, these musicians, have given to me and an untold number of other fans for three decades plus… their music speaks louder to me now than it did in 1982. I’ve found my new piece of gold that I’m holding, listening to and staring at in 2010, the only difference now it being a CD, the one constant is… it’s Heaven & Hell.
* To donate to the Ronnie James Dio “Stand Up And Shout Cancer Fund” and find out more about current DIO albums and merchandise, just click on the link below:
THE DAMNED THINGS – On December 14, 2010, Ironiclast, (Island/Def Jam), the debut album from The Damned Things, releases among the masses. The Damned Things features a heavy hitting lineup from the Hard Rock and Metal world: Scott Ian and Rob Caggiano of Anthrax, Keith Buckley of Every Time I Die and Joe Trohman and Andy Hurley of Fall Out Boy.
You can currently listen to Friday Night (Going Down In Flames) and We’ve Got A SituationHere, both songs on the Ironiclast album, streaming on The Damned Things myspace music page, (see link below). Iconiclast (Rough Mix) is also streaming there as well. The sound of The Damned Things takes on a Heavy Metal meets Arena vibe, melodic with an elevated, anthem like feel and quality. The Damned Things have created songs that are both accessible to the casual Heavy Metal fan as well as long time Metalheads!
With a robust lineup of musicians that The Damned Things bestows, fans would expect their songs to sound good, right? Instead, this band’s songs sound great! It’s always a tremendous thrill for me to hear about a group of musicians, from different backgrounds, getting together to create an album… it’s even a greater thrill when it sounds like a Rockin’ success! I’ll be getting my ears onto this new debut album from The Damned Things on December 14th and it will serve me right. Look for a full album review of Ironiclast in the near future, right here on Metal Odyssey.
Take a look below at the 7″ clear vinyl single of We’ve Got A Situation Here, (B side is Ironiclast),that I picked up at Hot Topic recently:
This 7″ clear vinyl single is an “Ultra Limited Edition” of only 1,000 copies made! Whoa. Whoa again. I paid $4 (U.S.) for it at Hot Topic and currently there are only two copies for sale on Amazon.com. One is selling for $18.99 and the other is $24.99, (U.S.) funds! I guess I made out like a Metal bandit at Hot Topic! Take that Amazon, ha, ha. Let’s give a giant Metal hooray for Stone! I sometimes feel like Stone “The Metal Hunter”.
* For more info on THE DAMNED THINGS, just click on the links below:
CHUCK BERRY – As I was dining today, with the family, at our local Cracker Barrel Country Store and Restaurant, I overheard an all-time favorite Christmas song of mine – Run Rudolph Run, recorded by the ultra legendary Chuck Berry. It’s always a cool thing when a restaurant plays background music that isn’t lame and puts you to tears. While I feasted on some of the best fried chicken, macaroni and cheese and mashed potatoes that Stone could ever ask for, Run Rudolph Run just put me in a fine holiday mood.
Kudos to this Cracker Barrel franchise that has a location in the cozy town of Fogelsville, Pennsylvania. Usually the “other” big name franchise restaurants serve you cold food or pricey dinners that taste like they came straight from the microwave. This isn’t the case with Cracker Barrel, just good and tasty food from a menu where you can identify what your ordering.
Well, back to Chuck Berry and Run Rudolph Run. Upon my Metal research, I’ve discovered that this classic song was written by Johnny Marks and Marvin Brodie and published by St. Nicholas Music (ASCAP). Chuck Berry made Run Rudolph Run famous, and his vocals to this day can never be copied, nor can anyone seem to come even light years close, in my Metal opinion. Chuck Berry is one of a kind.
Run Rudolph Run was released on Chess 1714 (Records) back in 1958. Run Rudolph Run was the “B” side to Merry Christmas Baby, another Chuck Berry classic. Take a look below to see what the 45rpm looks like:
Apparently, Run Rudolph Run peaked at #69 on The Billboard Hot 100, back in 1958. Gee Metal whiz, I would have thought it charted higher than that! Nonetheless, this terrific Chuck Berry song will forever be a favorite of mine… all year long too.
* I did locate which Chuck Berry CD you can find Run Rudolph Run on, it is on Chuck Berry – Rock’n Roll Rarities. (See image at top of post). There are 20 Chuck Berry Rock ‘N’ Roll Classics on this CD, with Run Rudolph Run being track #15. Of course, you don’t have to buy the entire Chuck Berry CD to own this song, Run Rudolph Run is sold as an individual mp3 on most “popular” music store websites.
* I’m certain there are scores of other Chuck Berry “Best Of” and other Rock ‘N’ Roll compilation CD’s out there that have Run Rudolph Run included as a song. I used this particular Chuck Berry CD as a specific example… plus it really is a solid compilation of his songs, some not so well known too.
* Chuck Berry was inducted into The Rock And Roll Hall Of Fame in 1986.
ARSON ANTHEM – Released on October 12, 2010, on Housecore Records, Insecurity Notoriety is the first full-length album from Arson Anthem. A Hardcore band of enormous Punk aptitude, Arson Anthem is, no matter how you slice or dice it… a Hardcore supergroup. With Phil Anselmo on guitar and needing little to no introduction, his years fronting the iconic Pantera is unequivocally legendary, not to mention his years vocalizing with Sludge Metallers known as Down.
Mike IX Williams on vocals is also the front man for the Sludge Metal warriors – Eyehategod. Hank Williams III has brandished his very own successful solo career and played alongside Phil Anselmo with Superjoint Ritual. Hank also has molded and brought to underground fame his Metal meets Punk band called… Assjack. Collin Yeo rounds out Arson Anthem on bass, coming from his alt-heavy band… PonyKiller.
So, it is fair to think, that Arson Anthem won’t be making their Grammy Awards performance debut anytime soon. This is why Hardcore exists, this is why Arson Anthem exists, to shove it in the face of the mainstream lovin’ and tuxedo wearin’ Grammy crowd. That same crowd who would probably cry and break out in puffy-red hives if Arson Anthem strolled down their red carpet. Blue collar, street and pissed off about somethin’, this is why I dig Hardcore and Arson Anthem. Accept it or go hide behind your stacks of Wall Street Journals. Once you put this new Arson Anthem CD into whatever “machine” your using, just know that the “stick it to the man” warning light just went on.
There are 17 songs on Insecurity Notoriety and 12 of them are under two minutes long. This is Hardcore and in your face, brutal and unforgiving of any insult to injury. Listening to this album is a lesson in quick release rage therapy. Arson Anthem has accomplished a remarkable task in keeping themselves sounding original. Arson Anthem’s reverence for Old School, with thick slivers of Punk fueled outbursts and playing for keeps, dramatically elevates the totality of their barbed wire hardness. This is a band that obviously knows where their Black Flag vinyl is kept.
Hank Williams III doesn’t just play the drums on these songs, he decimates them. Mike IX Williams doesn’t sing, are you kidding? Mike rants and screams his vocal chords inside-out. Collin Yeo doesn’t try to keep timed rhythm while playing bass, instead, he pummels his strings into frantic rhythmic chaos that might just open up the center of the Earth. Then there is Phil Anselmo on guitar, exhibiting some mighty riffs that cover the Extreme Metal spectrum. Phil leads by Hardcore example, with his axe attack teetering on the insane, he will even throw in some micro solos, making a song like Crippled Life seem as if it is going to explode it’s pissed off attitude straight from hell.
When Extreme combines with Hardcore, Punk and Metal, the only thing that can come out of it is a profoundly brutal piece of work. Arson Anthem has taken their Extreme Music roots and latched them upon their instruments, to create their first full-length that makes a pummeling statement. This is a crushing work of Extreme art that is Arson Anthem’s Insecurity Notoriety.
* For more info on ARSON ANTHEM, just click on the link below:
GAMA BOMB – Released back on February 9, 2010, on Earache Records, Tales From The Grave In Space is a Thrash Metal album that mixes in spooky themes, plenty of good times-moshin’ vibes and a whole lot of Old School. Metal as my witness, Gama Bomb gets it. These Irish dudes are obviously well versed and influenced by the golden age of Thrash Metal, still they deliver a fresh approach to making Old School feel like it’s new again. In comparing Gama Bomb’s sound to any of the legendary Thrash Metal bands, Anthrax comes to my Metal mind. The gang vocals coupled with the vocals from Philly Byrne, over all the free spirited Thrash noize that Gama Bomb administers, has me leaning towards those days when Anthrax sported printed shorts, unlaced sneakers and comic tees.
All legendary comparisons aside, Gama Bomb is a younger band that seems to have caught some Thrash Metal magic in a bottle… all the while steering away from anything that can make their Thrash Metal come across watered down. In other words, no silly ballad or over production will be heard on Tales From The Grave In Space… thank God. This Gama Bomb album is all about the meat and potatoes of Thrash Metal, with stacks of excitable guitar leads, solos and thick riffs. Mentioning the gang vocals again, only magnifies the nod of importance that Gama Bomb takes towards an Old School vibe and persona.
Metal be thy name, each time I listen to this Gama Bomb album, I get all Metal invigorated, wishing I decided on having a mosh pit added onto my house. That’s fine though, my current household surroundings shall suffice. As you listen to this album, it’s easy to discern Gama Bomb is not about being pissed off, instead their Thrash evokes having one damn ghoulish good time. There’s no disputing Gama Bomb likes to have (gasp) fun with their song titles and lyrics, which in turn makes them all the more enticing. So often, listening to music is described as an escape, with Tales From The Grave In Space, I have gleefully escaped any antagonistic stimuli peering in from the outside world.
All twelve songs are rip and tear Thrash and Gama Bomb accomplished quite the complete album without any aggregate waste. Thrash Metal fans both young and (gasp) old should give Gama Bomb a thorough listen… it is Metal time well spent for me. The songs on this album are all relatively short, with just two songs clocking in just barely over 3 minutes. The lack of an epic song is actually like a breath of Metal fresh air. The equality in these songs running time makes for a rapid fire listen that never loses my Metal attention.
Back in late February or early March of this year, Metal Buddy “Kinger” from Demolish Fanzine – 1980’s Heavy Metal Revival emailed me a link to check out Gama Bomb giving away free, their newly released Tales From The Grave In Space via download. Kinger couldn’t believe it, nor could I, that a band and it’s respective record company were actually giving their fans the opportunity to download their new album free of charge! It was a stupendous lead from Kinger, breaking this Gama Bomb news.
A huge Metal kudos goes out to both Gama Bomb and Earache Records! I checked as recent as today, (December 3, 2010), to see if Tales From The Grave In Space is still available for free & legal download… it is! Just click on the link below to download this Thrashtastic album from Gama Bomb, FREE!.. courtesy of Gama Bomb and Earache Records.
I did purchase the hardcopy of this Gama Bomb CD at fye sometime around this past March. The liner notes and all accompanying artwork were the draw… there are 8 mini comics within the liner notes, each one corresponds to a track on Tales From The Grave In Space. The mini comics are: Three Witches, Last Ninjas Unite, Escape From Scarecrow Mountain, Apocalypse 1997, Return To Blood Castle, Polterghost, Skeletron and Mummy Invasion. There are also some amusing and vintage magazine/comic ads from yesteryear in these liner notes as well, the likes of: body building, kids binoculars and acne cream. Fun stuff are these liner notes.
* For more info on GAMA BOMB, just click on the links below:
KATAKLYSM – Released on August 24, 2010, on Nuclear Blast America, Heaven’s Venom marks the tenth studio album from Kataklysm, arguably the most brutally powerful Metal band ever exported from The Great White North. This new Kataklysm album is fully loaded with ten songs, which exceed the boundaries of what great Death Metal is supposed to accomplish… by mesmerizing your senses into a state of Extreme Death Metal delirium. It is a tried and true Death Metal band like Kataklysm that I cannot resist rooting for, their tireless effort to make their presence known as a Death Metal force, in the vast world of Metal, is an undisputed benchmark of their existence.
From the onset, Soulless God annihilates with it’s all encompassing and overpowering Death Metal fury. All ten songs for that matter, are an enormous listen into just how Kataklysm has evolved over the past two decades, with their obvious stamp of originality upon the genre of Death Metal, a genre which has become a behemoth in the annals of Metal Music. The melodic nature of Kataklysm’s sound is derived from guitar virtuoso Jean-Francois Dagenais, he can play the heavy while instilling an accessibility to this band from his diverse playing. Even casual Death Metal fans should easily adhere their ears to what Deganais plays here, with loyal fans knowing that he is one of the finest in all of Metal.
Without hesitation, Heaven’s Venom is one of the most engaging Death Metal albums I’ve ever listened to. Slivers of progressiveness will sparingly peer around Kataklysm’s corner, with the spoken word being utilized in the songs: A Soulless God and Hail The Renegade. Kataklysm has never been about fast food Death Metal, this band’s intricacies have always lied within their passion for creating songs that leap out at you with rage and then abruptly casting searing melodic turns without notice. Lyrically, Heaven’s Venom embarks on dark personal struggles and values, with revenge and triumph being touched upon in prolific style, which Maurizio Iacono conveys with undisputed domination. Maurizio is one of those vocalists… when Maurizio sings, Stone listens.
The themes of divide and conquer and good versus evil may seem cliche with their simplicity, only Kataklysm gives forth a larger story than that throughout Heaven’s Venom. The markedness of Heaven’s Venom is truly a carry over from the rest of Kataklysm’s catalog of albums, once again embarking on what I construe to be… thinking man’s Death Metal. Yes, contrary to any department of psychology misnomer, Death Metal can be smart, both lyrically and musically. Along with the forever legendary Death Metal pioneers the likes of Death, Kataklysm will unconditionally receive my Metal accolades for their artistic point style too.
My personal favorite song on Heaven’s Venom is As The Walls Collapse. I will survive all the demons you throw at me, I will deny all the weakness inside… these are lyrics that psyche-me-out beyond Metal belief. Combine intelligent and powerful lyrics with elevated Death Metal grooves and yes, this song is a masterful achievement that will not become obsolete for my ears. I could go as far by saying: As The Walls Collapse sounds superiorly delectable, when listened to ten times in a row, very loudly.
Without exception, is Heaven’s Venom relentless with the double bass and copious rhythmic blasts from Max Duhamel, holy mother of Metal does Max lock himself into a phrenetic groove on every song. Metal be thy name he is outstanding. The combination of Max Duhamel behind the kit and Stephane Barbe on bass makes for an earsplitting wall of Death Metal welcomeness. Heaven’s Venom is what I consider an undeniable right choice for any Death Metal, Metal or Extreme Metal fan alive today. An album such as Heaven’s Venom doesn’t just fall from the sky, this is as creatively heavy as it gets with Death Metal, while being fortified with the upmost intensity and Death Metal proficiency that I’ve come to expect from Kataklysm.
* For more info on KATAKLYSM, just click on the link below:
THE DEVIL WEARS PRADA – From the initial sounds of an angry thunderstorm hovering upon you on the opening track Escape, The Devil Wears Prada proves there is no room for watering down a concept EP that revolves around… Zombies. Zombie EP, released on August 24, 2010, on Ferret Records, is for all Metal intents and purposes Extremely Heavy.
All five songs are about Zombies and the nightmare of having them take over humanity. Zombies… that’s Metal. The Devil Wears Prada makes it very apparent that they are Metal as well, based on their extremities of speed and heaviness, combined with vocals that quite possibly could bring Mount St. Helens down to its fiery knees. Metal be thy name, can Mike Hranica belt out the lyrics with the upmost Hardcore potency, while making me feel like I really should be scared about these damned Zombies.
If there ever was any doubt that a Metalcore band could pull off an amazingly Extreme Metal EP of the harshest degree, then the The Devil Wears Prada makes me a believer. This young band has given me every reason to believe they will be around for another ten or twenty years from now… while never lending themselves to being just another number on the long list of Metalcore star gazers. What makes Zombie EP so real for me, is it’s sheer intensity that never caves into a dull moment. Metal be damned, just try to fast forward through any one song on Zombie EP and you are short-changing yourself from the total relentlessly Extreme package.
I can completely embrace what The Devil Wears Prada has accomplished with this Zombie EP. Yes, their fusion of Extreme Music genres is worthy of raucous applause, only the haunting Zombie concept just seems to fit so perfectly with their ferocity of sound, that in turn envelopes the mind and senses so seemlessly well. All the key elements of Extreme Metal and Hardcore are ever apparent with The Devil Wears Prada. To lump this band into a Metalcore only bucket is a result of not listening to what they play. From the blast beats to a guitar tandem spilling out memorable heavy riffs while mixing up Death Metal caliber grooves, the melodic shades of this band do spill out onto their songs by some amazing miracle.
My recommending The Devil Wears Prada to Metal, Hardcore and Extreme Metal fans is an easy thing to do. Giving this band a listen and experiencing their fired up energy and Extreme sound on this EP might just serve many a Metalhead right… both young and old. Just the front cover photo of this Zombie EP gives off enough scary vibes to last an hour. There is something about those sinister power lines, amid the backdrop of a fog filled landscape and greying sky… that’s Zombieville if I ever saw it. The liner notes contain excellent creepy and macabre photography as well, along with the back cover to this Zombie EP, (see pic below).
THE DEVIL WEARS PRADA:
Mike Hranica – vocals & lyrics
Chris Rubey – guitars
Jeremy DePoyster – guitars & vocals
Daniel Williams – drums
James Baney – keys & synth
Andy Trick – bass
Track Listing For Zombie EP:
Escape
Anatomy
Outnumbered
Revive
Survivor
* For more info on The Devil Wears Prada, just click on the link below:
Kings of Swedish death metal AMON AMARTH have just announced the title of the their forthcoming album as Surtur Rising. Due out in the spring of 2011, Surtur Rising marks the group’s eighth full-length studio release and undoubtedly one of 2011’s most anticipated albums by fans and critics alike. Surtur Rising is the follow-up to the highly acclaimed 2008 release, Twilight Of The Thunder God, which landed the #7 spot in Revolver Magazine’s Top 20 Albums of 2008 and what MetalSucks called “[a] bottomless gauntlet of riffs that the band endlessly takes gargantuan swigs from, sounding both lush and emotive as well as skull crushingly heavy… every goddamn one is a chest-beating anthem.” Outburn declared how Twilight Of The Thunder God “will render you nothing short of ecstatic” and Time Out New York noted that “AMON AMARTH plays some of the most unabashedly epic metal you’re likely to find these days.” Be sure to stay tuned to MetalBlade.com for more details on Surtur Rising.
AMON AMARTH:
Johan Hegg – vocals
Olavi Mikkonen – guitar
Johan Söderberg – guitar
Ted Lundström – bass
Fredrik Andersson – drums
(Source: Earsplit press release, November 30, 2011)
* For more info on AMON AMARTH, just click on the link below:
OVERKILL – My fellow European Metalheads, Thrashers and Old School Metallers… whatever Metal label you go by, the European Killfest Tour 2011 looks to be your destination for the ultimate Thrash Metal experience. Thrash Metal Legends Overkill will be headlining, with fellow Thrash legends Destruction supporting! Thrash veterans Heathen will be on the bill along with After All. The month of March, 2011 is going to be a Thrashtastic one to remember… courtesy of Overkill and their European Killfest Tour!
The following are tour dates for the European Killfest Tour 2011:
BOSTON – Attention audiophiles worldwide! The self titled/debut Rock Classic from Boston will be released on 180 Gram Vinyl, (Friday Music), on December 7, 2010. Yes, I will readily admit to playing the debut Boston album more times than I could ever remember, so many years ago. I can recall having this album on my turntable for days, being the only album I was listening to. Personally, the songs on this album Rocked my head off as a young lad. My favorite song on this Boston album was and to this very day is… Something About You. I extremely dig Rock And Roll Band too… oh yeah I do. Gee Metal whiz, this entire Boston album has never grown stale for me.
There was and still is something mystical about hearing my favorite albums on vinyl. Just seeing vinyl spinning on a turntable today, brings me back to a time when “holding” and looking at an album jacket was part of the listening experience. The whole connection to a band I was listening to was through their music and the album jacket… with whatever artwork and liner notes that was part of it. There was no myspace music, MTV or youtube videos back in those late 70’s, … just the needle on the vinyl and my ears listening intently.
Loaded with more amazing melodies and vocal harmonies than I can count, this Boston album is a monumental Rock Classic. Plus… Boston belongs in that absent minded place that’s called The Rock And Roll Hall Of Fame. This Boston debut was one of the first albums I ever owned, well before I became a Metalhead… Metal be thy name. Do I feel old stating this? Heck no. Feeling old is a state of mind and I’m not approaching 90 anytime soon. I’ll be blabbing, ranting, writing and raving about the music I love when I do hit 90 years of age… I hope.
* Boston was released back in America’s Bicentennial Year of 1976, during the month of July.
* Boston was originally released on Epic Records.
* This 180 Gram Vinyl of Boston will be a “limited edition”… so I guess the number of pressings are low, just how low is the million dollar question.
DARKBLACK – Midnight Wraith, a five song EP from Portland Oregon’s DarkBlack, will be releasing on December 1, 2010, on Stormspell Records. Wether you call yourself a Traditional Metal or Old School Metal fan, DarkBlack is a band that may inspire your going out to buy that 1983 Chevy Nova you’ve been holding out on… complete with fuzzy, black dice hanging from the windshield mirror with hood stripes too. As with their Traditional Metal peers, the likes of Enforcer, Ravage and White Wizzard, (to name a few), DarkBlack takes me down Metal memory lane to a time when bootleg and demo cassette trading was the norm.
Stop right there. Is there any Metal relevance you ask? Hell yeah there is! DarkBlack is a Metal band that doesn’t seem to care about contemporary fads… Old School Metal never says die! With that said, this Midnight Wraith EP does sound raw and absent of any multi-million dollar producer… and that is what makes this new release from DarkBlack all the more appealing to my Metal ears.
If any Metalhead out there needs to be swayed into listening to Midnight Wraith, just revisit the first two Iron Maiden albums from the Metal yesteryear. They were not the muscular produced gems of Iron Maiden’s The Number Of The Beast or A Matter OfLife And Death albums. In a perfect Metal world, Metal is best when it stays underground… and DarkBlack seems to have tapped into those underground Metalvibes quite naturally.
DarkBlack may not have their own Boeing 757-200 jet, complete with a band mascot painted on it, yet what they do have is a Metal hunger in their playing and it comes right out at me through their songs. Yes, there is plenty of room for DarkBlack to expand on their Metal palette, however, if one is to look at the legacies of Motorhead and Venom, who gives a crap about how raw a band does sound anyways, especially when the seeds of Metallegitimacy have been planted.
All five songs on Midnight Wraith seem to lure me in, they are like Metal bait on a hook. The riffs, guitar leads and solos are memorable throughout all five songs, admittedly they are kinda hard to ignore. A streamlined speed and heaviness combined with a melodic approach is what DarkBlack has embarked upon. I can’t help rooting for a band like DarkBlack, these guys would be voted off that bubble gum Fox network talent show in a heartbeat and would make the cast of Glee run for cover. What’s wrong with that? Absolutely nothing, is the correct answer.
Timothy on vocals could justifiably use some more oomph in letting his pipes be heard, he is a very decent singer… a production tweak is really all it takes there. As for the overall musicianship you can expect to hear on Midnight Wraith, it is all about the foundation. DarkBlack has it and will no doubt continue to build upon it. Sometimes you have to reach back into your Metal archives and realize that some of today’s biggest Metal bands never sounded super polished on their first two or three albums either. DarkBlack is worth checking out and keeping a Metal eye on… give ’em an Old School try, it might just serve you right.
* For more info on DARKBLACK, just click on the link below:
Left to right: Jack Frost/guitar, Rob Pallotta/drums, Charlie Calv/keyboards and DD Verni/vocals & bass
(New York, NY) — eOne Music has signed a world wide deal with NY rock band THEBRONX CASKET CO. “I am totally psyched to be working with eOne for the new Bronx Casket release! They did an amazing job with the Overkill record and I know they will do the same for this. Having a label home where people “get” it and are psyched to work a record is a great feeling”, says front man DD Verni.
The band originally formed in 1998 by Overkill co-founder and bassist DD Verni. Having played in one of the most respected thrash bands ever for over 2 decades, why have another band? Two reasons, states DD, “the challenge of writing interesting new material and for fun of course!”
The bands second release caught the ear of playwright Andrea Lepcio. Soon after, Verni and Lepcio were collaborating with 3-time Tony Winner Hinton Battle to direct and choreograph. Soon the seeds of “The Bronx Casket Co., A New Musical” were planted. Verni quickly recruited several members from the Trans-Siberian Orchestra to perform. The cast consisted of performers from the Broadway shows Hairspray, Rent and Dance of the Vampire. There have been several performances off-Broadway for producers/backers and the show is still in the writing stages. It has a gothic/Broadway score with a twisted love story woven throughout. Songs from the first two Bronx Casket Co. releases are included in the show, as well as 13 new songs D.D. Verni penned just for the musical.
It’s been five years since THE BRONX CASKET CO. last released an album and has been well worth the wait. Verni concludes, “This Bronx Casket record is the best we have done, and we are looking forward to getting out on the road and doing some shows.” As with every Bronx Casket Co. release, Verni has charted new territory, and stretched his writing boundaries.
* The forthcoming 2011 album, from The Bronx Casket Co. is titled: Antihero
* Antihero has been produced and engineered by DD Verni, at his New Jersey based – Gear Recording Studio.
* For more info on THE BRONX CASKET CO., click on the link below:
EARTHRIDE – Doom Metal, Biker Doom Metal and to a Metal degree Stoner Metal. This is Earthride. Let me tell you this much, if you are looking to take that gritty and bad-ass Metal ride you’ve been hankering for, look no further than this Maryland based band for just that. With more than enough mainstream dime-a-dozens getting all the attention from the Rock “scholar” mags, it’s a full-throttle, Doom pedal to the Metal band, like Earthride, that gets their proper Metal due here on Metal Odyssey.
Something Wicked is the third full-length album from Earthride and it’s exceedingly muscular in all of it’s Doom Metal glory, with Stoner riffs galore. If this album was actually alive and breathing, I would want it to be my personal body guard. Woven with blue collar toughness and plenty of underground thump and stump Metal, Earthride succeeds with their own Metal stamp of originality, combined with song quality. Plus, the production gives way to a raw appeal with just enough polish, to make Something Wicked sound so menacingly strong.
Ozzy Osbourne era Black Sabbath fans and Doom Metal aficionado’s should be thankful, that a band like Earthride is crunching out Metal as heard on Something Wicked. Earthride could very easily have named their new album Earthshaker… due to the Earth pounding bass courtesy of Rob Hampshire. Vocalist Dave Sherman sounds like a crusty combination of Lemmy Kilmister and Billy Gibbons, while still coming across as a damn cool original. Then again, after enough listens of what Earthride is playing here, the Motorhead and ZZ Top influence arguably exists musically… in my Metal opinion.
The opening track, Something Wicked (I May Become) lays down the Metal ground rules as to what Earthride is bringing to the party… some seriously Heavy, thick and trudging songs that have Old School guitar leads and solos intertwined within. This is a band and an album that solidifies the “what you hear is what you get” Metal school of thought. Don’t expect any experimentation or that one song that will throw you off guard, this is Earthride and they are aren’t about to cater to the diverse Metal enthusiasts anytime soon.
Amidst all the Doom and Stoner appealing riffs, there is some southernboogie in Earthrides step too. Force Fed Fear plays out at 8:31 long and is admittedly my favorite song on Something Wicked. KyleVanSteinburg lends the boogie down riffs on this molasses heavy kicker of a song, while also providing a meat and potatoes solo that burns. Force Fed Fear is a mighty way to cap off this album.
Metal be thy name, I give Something Wicked 8 out of 10 Metal Fists.
EARTHRIDE:
Dave Sherman – vocals
Kyle VanSteinburg – guitar
Eric Little – drums
Rob Hampshire – bass
* For more info on Earthride, all you have to do is click on the link below:
* Something Wicked was released on July 20, 2010, through Earthride’s very own Earth Brain Records.
* Something Wicked was recorded, mixed and mastered by Chris Kozlowski, (Blue Cheer, Pentagram, Melvins and Trouble), at the Polar Bear Lair.
* Featured guest guitarist is undergroundMetal legend – Scott “Whino” Weinrich of Saint Vitus, Shrinebuilder, The Obsessed and Spirit Caravan fame. “Whino” appears on the track Supernatural Illusion.
* Included in the graphic layout of this Something Wicked album are the actual X-rays and MRI’s from the various injuries sustained over the years by all four members of Earthride. That’s Metal. That’s Earthride.
THE WRETCHED END — the blackthrash trio featuringex-Emperor/ex-Zyklon guitarist Samoth, Mindgrinder/ex-Scum guitarist Cosmo and ex-Dark Funeral/ex-Aeon drummer Nils Fjellström — recently unleashed their debut full-length, Ominous, via Candlelight Records.
In honor of its release, you can check out “The Armageddonist,” the third track off the debilitating outing, courtesy of Decibel Magazine HERE.
THE WRETCHED END formed in 2008 as a creative collaboration between Samoth and Cosmo, who previously worked together in deathpunk project Scum. In addition, Cosmo played bass with Zyklon when the band toured Europe 2001 with Morbid Angel. The two have long spoken about an extreme metal project and thus, THE WRETCHED END was born.
(New York, NY) — Legendary Metal-Sludge giants CROWBAR will release their crushing, long-awaited new studio album, “Sever The Wicked Hand” on Tuesday, February 8th, 2011 via eOne Music.
* The full album is available now for pre-order on iTunes.
The new album, produced by Kirk Windstein and mixed by Zeuss, is the band’s first new album of all new original studio material since 2005’s “Lifesblood for the Downtrodden.” Front man and founder Kirk Windstein recently told Decibel Magazine, “This is probably the most important record of Crowbar’s career.”
(Source: eOne Music press release, November 23, 2010)
Kirk Windstein – Crowbar founding member, vocalist and guitarist.
If you’re a band or musician and would like your music reviewed or be interviewed by Stone, please click the link under the “ALBUM REVIEWS ARCHIVES” section below!
Metal Odyssey's Rock, Hard Rock and Heavy Metal Hall of Fame! These Are The Rock And METAL Legends Wrongfully Ignored By "The Rock And Roll Hall Of Fame"
You must be logged in to post a comment.