I have been fascinated with the Hard Rock music of Cheap Trick since 1978. Yup, 1978. I owned with pride, the 8-track cassette copy of “Dream Police” and played it until only a hissssssss sound was heard, while a faint sound of tunes played in the background noise. It was not easy tossing away that 8-track copy of “Dream Police” – I eventually bought a CD copy of it down the road, somewhere around 1986 and I still have that CD. There is no hissssss sound on this Cheap Trick CD, no sir. All I hear is the sensational Hard Rockin’ music that is 100% vintage Cheap Trick. “Gonna Raise Hell” in my Metal opinion, is as bona fide a Heavy Metal song that Cheap Trick has ever created. This tune, for me, is what makes “Dream Police” such a classic album. Seriously, “Gonna Raise Hell” is a jaw dropping, head banging, anthem of a timeless tune. The bass play on this track alone is like a thunderous, stomping mad, evil, forest gremlin army marching toward battle. (There are times when my musical interpretations can become quite creative). Tom Petersson, in my opinion, takes a back seat to no one as a bassist in Hard Rock.
“Voices” is a smoothly written power ballad, only power ballads were not supposed to be around until Hair Metal came out of L.A. in the ’80’s. “Dream Police” is the fast paced, musically heavy driven, winner of a title track. To say that these mentioned songs, quite possibly the entire album, is relevant to what is created in todays Hard Rock or Heavy Metal circles is not far fetched. I feel that if a band today, created and released the song “Gonna Raise Hell”, it would do just that. This song is too darn good to be considered an old time classic. “Need Your Love” may be over seven minutes long, however, Cheap Trick makes this tune groove along at a pace that gives it an addicting Rock flavor. Cheap Trick melded together harmony, melody and Hard Rock in such a blissful heavy way, I cannot stop myself from labeling “Dream Police” as an essential Hard Rock album to own. Why else would I be reaching for this CD to rock out to, going on three decades now?
The vocals of Robin Zander were attitude laden with a slice of Punk, I can never mistake the overflow of confidence in his voice on “Dream Police”. Rick Nielsen on guitar is fluid and creatively distinctive on “Dream Police”. I find his signature sound to be legendary, Rick Nielsen was and still is one of a kind. What can be said for Bun E. Carlos on drums? This man carries out the identity of a true Rock and Roll drummer, he never over extends on “Dream Police” and only super enhances the rhythm section with skillful beats. In Summary, “Dream Police” is a work of Hard Rock musical art, from a legendary dream team of Rock musicians, forever known as Cheap Trick.
I really enjoy the entire Anthrax catalog of albums, yet “Among The Living” is definitely my most favorite release from this veteran Thrash Metal band. Released in 1987, this album is loaded with all the power and explosiveness of pure Thrash, the Anthrax way. “Efilnikufesin (N.F.L.)” is one heavy tune that is rebellious and fun, to actually here the lyrics for yourself would explain what I mean. “Among The Living” earns it’s ferocity courtesy of the talented musicians of Anthrax. Scott Ian on guitar is, in my opinion, one of the best in Thrash Metal history. Joey Belladonna on vocals can carry a note extremely well, he is as valid to “Among The Living” as the music itself. I find Belladonna to be a Thrash Metal vocalist who is quite punctual, without compromising the heaviness whatsoever. I have the upmost respect for the vocals of Belladonna on this album. “Indians” is a great song for me, a Thrash Metal jewel of a tune with inspired lyrics. Every song here adds to the credibility of “Among The Living”. Fast music, fast vocals, fast background vocals, everything on this album is fast. That’s what makes Thrash Metal so profoundly heavy, the speed and it is all here waiting for you courtesy of Anthrax! I do not hesitate for a second, to recommend “Among The Living” to all Metal fans worldwide!
Today is May 11, 2009 and is also – the birthday for Eric Burdon, the legendary lead vocalist for the (legendary) 1960’s Rock band – The Animals. Eric Burdon and The Animals are deservedly enshrined in The Rock and Roll Hall of Fame, (inducted in 1994). Eric Burdon has turned a rockin’ 68 today! Today is as good an excuse as any to slap on some tunes from The Animals and play them LOUD. The Animals were an integral part of the historical “British Invasion” of Rock & Roll, straight from England, back in the storied 1960’s. Man, the voice of Eric Burdon is just plain timeless, in my Metal opinion. I have always been captivated by the vocals of Eric Burdon, I always wonder how he would have sounded fronting a Metal band today, he has that voice that is deep, cool and ominous. The three tunes from The Animals that I always find stuck in my head are: “House of the Rising Sun”, “Sky Pilot” and “Don’t Let Me Be Misunderstood”. (Now I am gonna have these tunes stuck in my head today, that is cool with me though). The Animals career may have been short compared to many other bands of that time period, however, I always feel it is quality and not quantity that matters most in Rock & Roll. To me, The Animals and Eric Burdon exemplify Rock & Roll quality.
Well, I have finally reached the pinnacle in my decision process for The Greatest Heavy Metal Album Of All Time. Please reference my past posts on this topic, you will find many great & legendary Metal albums that I personally nominated for this prestigious label. Without further delay, in my Metal opinion, and only mine alone, I have chosen: Black Sabbath – “Sabbath Bloody Sabbath” 
Every time I listen to Molly Hatchet “Greatest Hits” I get positively pumped and put into the best of moods. The Southern Hard Rock crunch of Molly Hatchet coupled with the back roads feel of all their music will never be matched by any band today. Molly Hatchet, in my opinion, was the heaviest Southern Rock band of their day. They treaded the fine line of Metal later in their career with “Satisfied Man” and “Shake The House Down”. Early in Molly Hatchet’s catalog of music, “The Creeper” made it known instantly that this band was playing heavy and for keeps! This song off of their debut album “Molly Hatchet” is bass heavy and the guitar work slams it down! The signature heaviness of Molly Hatchet is also linked to the unique lead vocals. The tough as nails vocals you will hear are from Jimmy Farrar and Danny Joe Brown. Both vocalists were so similar in their attitude and make no mistake Southern Hard Rock vocal delivery. The FM radio hits of the late ’70’s and early ’80’s are all here, with “Flirtin’ With Disaster”, “Beatin’ The Odds”, and the lengthy guitar driven masterpieces “Dreams I’ll Never See” and “Fall Of The Peacemakers”.
Let’s face it, the album artwork on Molly Hatchet album covers are extremely cool. I still find myself, to this day, staring at the artwork like it is my first time ever seeing it. I am from the generation of Metal/Hard Rock fans that would (and still do), sit down with a vinyl album jacket and inspect every speck of art, from front to back, while listening to that respective band’s tunes. I strongly recommend any fan of heavy music to buy this “Greatest Hits” of Molly Hatchet, still, I also recommend any album that this band has ever released, past or present. It is my opinion, that Molly Hatchet truly crossed over many Rock genres during their reign – Rock, Hard Rock, Southern Rock, Southern Hard Rock and eventually a stab at trying to sound like ’80’s Heavy Metal, (with the album “The Deed Is Done” – released in 1984). Call them any genre you wish, I just call Molly Hatchet legends. Long live Molly Hatchet. Keeping in mind, the core of the original Molly Hatchet lineup has changed over the years, this band has still released some current and impressive Southern Hard Rock albums over the last decade.
I have never, ever, heard such incredible, good-old fashioned guitar jamming in my life like I hear with Molly Hatchet on their “Greatest Hits” – intensity is the best adjective. This band legitimized guitar jamming and put it on the map! This is the ultimate “Greatest Hits” you will find from Molly Hatchet. Give the Hatchet a try and you will be hooked for life! The liner notes that come with the re-mastered CD are eight pages. Two pages are devoted to a summary history of Molly Hatchet, along with four cool band photos and song/album credits.
I have been reading “professionally paid” music critic reviews about the newest release from Mastodon – “Crack The Skye” – the majority of them are not even worth discussing or repeating. I dig the new Mastodon album, simply put it rocks. For Metal sakes, anyone who knows Metal, should know and/or understand that Mastodon is and always has been a Progressive Metal band. With the Progressive Metal bands, you never know exactly what you are going to get with the next album. (To solidify my point, just look at Rush, Dream Theater and Queensryche, these bands have always experimented musically). So what, big deal, so the new Mastodon album is not as heavy as their last release “Blood Mountain” – give me a Metal break.
The Metal musical “escape” I feel and hear while listening to “Crack The Skye” is cool for me. The vocals are still heavy, the guitar leads are still heavy, and the rhythm section is the farthest thing musically from 1970’s Hard Rock as you can possibly get. This album was not created in 1977, this Metal is happening now. Sure, there are plenty of synthetic sounds applied to “Crack The Skye,” that is what makes this album progressive. The synthetic interludes and backdrops along with the lyrics are why I call “Crack The Skye” a Metal journey. Mastodon did not provide here, a “rip and tear – let it all loose, heavy frenzy” – if I or any other true Metal fan wants that, heck, I will listen to a Metal band that is supposed to play that way. Suffice to say, in my Metal opinion, Mastodon has created a Progressive Metal gem. Paid and uninformed music critics can call this new album from Mastodon anything they want. The sole reason why I live for Metal music in the first place, is due to it’s diversity with all of the Metal genres. At the end of the day, when you break it all down, musically, Metal will always be… Metal. 
I really give praise to the vocals, musicianship, song writing and lyrics on “Crack The Skye” – do I find any flaws? Nope. I could never write or play Metal music this darn good. I recommend to all Mastodon and Metal fans across the globe to chase this album down, play it, enjoy it. Rock out to it. Jump onto “Crack The Skye” and experience the Progressive Metal journey that Mastodon created. Now, just because I want to, here is a roll call of the fine Metal musicians that are Mastodon: Brann Dailor (drums, vocals & percussion), Brent Hinds (lead guitar, vocals & banjo), Bill Kelliher (guitar) and Troy Sanders (bass, vocals & bass synth).
The late Kevin DuBrow of Quiet Riot has certainly left his mark on the world of Heavy Metal. In my opinion, just the album “Metal Health” alone is quite the Metal accomplishment. “Metal Health” (released in 1983), will forever have the distinction of being the very first Heavy Metal album to hit #1 on the album charts. Fast forward to October 31, 2006, Quiet Riot “Rehab” was released under the radar, so to speak. “Rehab” is a darn good hard rockin’ album, in my Metal opinion. You no longer hear the Hair Metal thumping of the 1980’s on this album, what I do hear, are quality written songs with quality musicianship. In summary, the music on “Rehab” is Hard Rock meets Heavy Metal.
“If it is old school Thrash Metal you are looking for, you have definitely found it! Over Kill does not disappoint, each song is as heavy as the next, TRUE Thrash Metal. This is as great a start as you can get if you are beginning an Over Kill music collection. Over Kill throughout the years have been steadfast and loyal to the Thrash Metal sound and genre, comparing “The Years Of Decay” to their other albums is non sensical, for I admire the entire catalog of albums from this band. “The Years Of Decay” in my opinion, stands out from the vast Thrash Metal album crowd, since it’s release in 1989. For an album that is now twenty plus years old, this brand of Thrash Metal from Over Kill is still Earth shattering, in my Metal opinion. Bobby “Blitz” Ellsworth on vocals and D.D. Verni on bass deserve all the accolades. Bobby Gustafson on guitar and “Sid” Falck on drums are both tremendous players on this album as well. I really recommend “The Years Of Decay” to all Metal and Thrash Metal fans alike. New Over Kill fans cannot pass over this heavy hitter.
Rumpelstiltskin Grinder. It was just a matter of time before I picked up the newest release from these Thrash Metal dudes. “Living For Death, Destroying The Rest” is their brand new album, (on Relapse Records), it is fast, furious, super heavy, a tad diabolical, well, I made my point. These attributes are exactly what I look for from any Thrash Metal album, so it is safe to say that Rumpelstiltskin Grinder delivered the super Metal goods here, in my Metal opinion. I cannot say enough about the frenzied pace of the Thrash Metal with this album, while driving and listening to these guys, I have to say it is quite exhilarating. 
Supergroups are not a new concept to the worlds of Hard Rock or Heavy Metal. Asia, Hellyeah, HSAS and Saints Of The Underground are just a handful of really cool supergroups of Hard Rock and Metal, both from the past to the present. Chickenfoot, however, is a super – supergroup. With the likes of Sammy Hagar on vocals, Michael Anthony on bass & backing vocals, Chad Smith on drums and the brilliant – Joe Satriani on guitar, Chickenfoot is one monster of a legendary lineup of musicians. C’mon, you are looking at half of the Van Halen lineup here, with Sammy Hagar and Michael Anthony. 
Alas, I finally received via U.S. mail, on April 29, 2009, directly from Best Buy online, the brand new Heaven & Hell release – “The Devil You Know” – (I pre-ordered the CD/DVD version) and I am simply ecstatic over this Metal! I feel I am exonerated from all the praise and hype I have been giving Heaven & Hell for their embarking on making this new album. Greatness is not enough of a positive adjective to describe the Metal tunes on “The Devil You Know” – and I mean all ten songs are enormously great. My favorite tune on this album is “The Turn Of The Screw” – it sounds incredible with Tony Iommi on guitar, for Iommi seems as if he let his melodic side take over with the leads and solo. Ronnie James Dio sounds like he is thirty years old again on not just this tune, all ten of these tunes!
In my last blog, in regards to the new release from Heaven & Hell, “The Devil You Know,” I mentioned I was hoping my CD/DVD version would arrive on the 28th of April, via U.S. mail. Well, gosh, golly, I received a confirmation of shipment email from Best Buy online – it informed me they (at Best Buy), shipped my CD/DVD out on April 27th. Shucks. I am not faulting Best Buy here at all, yet, when I pre-ordered the new Slipknot CD – “All Hope Is Gone” last Summer of 2008, it arrived in my mailbox right smack dab on the release date!! Go figure. I am a patient Metalhead. Always have been, always will be. Great Metal things come to those Metalheads who wait. 
I am a sports fan, a REALLY GIGANTIC fan of the THREE TIME – SUPER BOWL CHAMPION: New York Giants!! With being a fan of Metal music and this being Metal Odyssey, I am going to choose the Heavy Metal theme song for the New York Giants upcoming season of 2009-2010. Why am I doing this? The answer is simple, because I can, that is why. (Well, at least it will be my very own – personal choice, of the New York Giants – Heavy Metal theme song). My choice of the Heavy Metal theme song for the New York Giants is – “Hellraiser” – written by Lemmy Kilmister of Motorhead and Ozzy Osbourne. I like the Motorhead version of Hellraiser to be the pick, Ozzy does a great rendition of this song too, however, I have to choose one or the other. The Motorhead version of “Hellraiser” just seems to be kicked up a notch heavier than the Ozzy version, plus Lemmy’s vocals brings out the lyrical message of the song more stronger, in my Metal opinion. You can find this great Heavy Metal tune on Ozzy Osbourne’s 1991 album – “No More Tears” and Motorhead’s 1992 album “March or Die.”
Anyone who follows Metal Odyssey knows that I like to keep up on the birthdays of legendary Rock Stars. Why? Well, it is a great excuse to write about these dudes and give my opinion on their music. So, without further delay – Metal Odyssey gives out a LOUD Happy Birthday to Peter Frampton!! Frampton turned a cool rockin’ 59 on April 22, 2009. My favorite Peter Frampton album is definitely “Frampton Comes Alive.” Released in 1976, this live album for me, captures the Rock & Roll spirit, talent and energy that Peter Frampton has been exhibiting, going on four decades. “Do You Feel Like I Do” and “Baby I Love Your Way” are true Frampton classics, the live recordings only bring them more to life, in my opinion. I always liked his album “Where I Should Be” – the single “I Can’t Stand It No More” I still find very catchy. Is Peter Frampton Hard Rock? To me, no, if you are going by todays Rock music standards. It was probably easier to categorize Peter Frampton as Hard Rock in the 1970s, maybe. As I see it, Peter Frampton is a Rock legend in his own right, I have always been keen on his brand of Rock & Roll. Plus, for me, the music of Peter Frampton always reminds me of the Summer, being at an outdoor party or just hanging out at the beach. I really cannot figure out why this is, I do recall many outdoor parties in the past, where Frampton was being cranked up loud though. (Maybe that is the reason). All in all, Peter Frampton and his music has been cool for me over the years, I wish Peter Frampton all the best as he continues to tour and write music. Thank you for all the great tunes over the years Peter Frampton!
“W.A.S.P. “The Last Command” is a Heavy Metal album that has enormous energy, loaded with heavy riffs and guitar leads. I am a W.A.S.P. fan, I by no means want to sound bias, yet this is a classic example of just how sensational, fun and at times provocative the Heavy Metal music and lyrics of W.A.S.P. truly are/were. Released in November of 1985, it is my opinion that “The Last Command” provides more Heavy Metal music muscle than many bands of this genre and time period. The bonus tracks are key, (these bonus tracks are found on the reissue version), there are 7 in all, with W.A.S.P. doing a heavy duty cover of the infamous Mountain song “Mississippi Queen”. Blackie Lawless on lead vocals and bass is the epitome of Heavy Metal then and now, his vocals are a focal point for me, extremely riveting. The 5 live bonus tracks are infused with an electrifying energy of all things Heavy about this band, these songs are quality live recordings. After you listen to the 3 opening songs, the captivating Heavy Metal of W.A.S.P. will have you wishing you owned “The Last Command” for the last 20 plus years! I have never known of or listened to a W.A.S.P. album that I never liked. “The Last Command” kicks the Metal into high gear and should always be played LOUD for maximum enjoyment. I highly recommend “The Last Command” to all W.A.S.P. fans, Heavy Metal and Metal fans and any fan of quality Heavy music from the decade of the ’80’s.
I really enjoy paying homage to the greats of Rock & Roll music. Especially when the musician is a member of a band that I can never, ever, tire from. Happy Birthday Craig Frost! Craig is the keyboard extraordinaire for Grand Funk Railroad, a true – blue collar, American Rock Band. Craig turned a super cool 61 on April 20th. 
I still have my ability to hear, thank goodness, especially after I listened to the new release from the Death Metellars from Atlanta, Georgia, – DAATH. This is my kind of Metal cup of tea – a full blown onslaught of Death Metal, that rages through all eleven new songs like an out of control meteor, ready to strike the desolate and cold planet Mars. The new lead singer for DAATH is Sean Z., one listen to “The Concealers” and I am very convinced that he is up to the task to be a standout Death Metal front man. Sean Z. on vocals just seems to engulf the attitude and strength of the lyrics, belting out with the desire and hunger that the entire Metal world should find captivating.
“We Gotta Get Out of this Place” is yet another totally incredible song that The Animals gave to Rock music. Again, Alan Price is unmistakably brilliant on this song playing keyboard. I find it so amazing that these tunes were created in the mid 1960’s and still have a contagious Rock groove illuminating from them! The 1960’s and 1970’s Rock-Hard Rock eras were profound with establishing the importance of the keyboard and organ, as solid and true Rock music instruments. The Animals were an authentic British Rock band that stakes a mighty claim in the well established roots of Hard Rock and arguably Heavy Metal as well. Alan Price with his keyboard playing, gave The Animals an important element to their overall signature sound. Thank you Alan Price for the ever lasting music you created!
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