CRISS OLIVA was the co-founder of the iconic SAVATAGE and the younger brother to (The Man Of Music) Jon Oliva. Criss Oliva was (and still is) a guitarist who has inspired and influenced countless of musicians across our planet. Criss Oliva’s tragic death on October 17th, 1993, from an oncoming drunk driver was a tremendous shock to the music world. The music of Criss Oliva lives on and he shall never be forgotten by this fan.
Below was a reminder I came across this morning, from Bryan Holland, co-founder/guitarist and songwriter of the outstanding Metal band Reverence, that the 20th anniversary of Criss Oliva’s passing is today.
As reported on the Reverence Facebook page:
Today marks the 20th anniversary of the passing of Criss Oliva, guitarist of Savatage. Please take a few minutes today and listen to this hugely talented band and massively underrated guitarist who personally influenced Pete Rossi and myself’s playing and writing more thank anyone else ever has.
You won’t regret it…Keep his and the band’s music alive, that way Criss and Savatage will live on forever.
~ Bryan Holland
http://www.youtube.com/watch?v=mKNIHaBCkcw
http://www.youtube.com/watch?v=G0ZRDWH7G0Q
Metal Odyssey Note: The drummer for Reverence, Steve Wacholz, is also a co-founding member of Savatage. Criss Oliva’s former Savatage bandmate, the legendary Chris Caffery, wrote a heartfelt piece about Criss Oliva today as well; you can read it by going to the Savatage Facebook page here: Savatage
After I read memorial pieces that Bryan Holland and Chris Caffery wrote, I knew I had to listen to Savatage today in memory of Criss Oliva. The Savatage CD I chose from my collection: Ghost In The Ruins – A Tribute To Criss Oliva. This CD was released back in 1995, via Nuclear Blast America. All 13 songs are live and the sound is stellar! I included in the track listing (below) the year and venue for each song’s live recording. The production by Paul O Neill and Jon Oliva I applaud for having this CD sound like a continuous concert performance, with no silent breaks between the songs.
I honestly just bought this CD (used) for the first time, over this past Summer, for an amazing price of $2.99 (U.S.) at Omega Music, in downtown Dayton, Ohio. Unreal. To say I recommend this Tribute To Criss Oliva CD is an understatement! Hearing the guitar wizardry of Criss Oliva on this CD is incredible! The Criss Intro (guitar solo) is grand! The finale is Post Script, which is a sound check by Criss Oliva; it makes for a fittingly perfect way to end this CD. This Savatage lineup was simply… superb.
I feel very fortunate that I was able to see Savatage (back in 1987) perform live, as they were out supporting their Metal classic: Hall Of The Mountain King. I feel very, very fortunate.
SAVATAGE – Lineup On GHOST IN THE RUINS – A TRIBUTE TO CRISS OLIVA:
Jon Oliva – vocals and keyboards
Criss Oliva – guitar
Johnny Lee Middleton – bass
Chris Caffery – guitar
Steve Wacholz – drums
GHOST IN THE RUINS – A TRIBUTE TO CRISS OLIVA:
City Beneath The Surface – N.Y.C. – The Ritz – 1990
24 Hours Ago – Spectrum Coliseum – Philadelphia – 1988
Legions – Spectrum Coliseum – Philadelphia – 1988
Strange Wings – Spectrum Coliseum – Philadelphia – 1988
Gutter Ballet – Los Angeles Palace – 1990
When The Crowds Are Gone – Hollywood Palace – 1990
Of Rage And War – Brooklyn – Lamour – 1990
The Dungeons Are Calling – Long Island – Nassau Coliseum – 1988
Sirens – Long Island – Nassau Coliseum – 1988
Hounds – Brooklyn – Lamour – 1990
Criss Intro – Cleveland – Agora – 1987
Hall Of The Mountain King – Brooklyn – Lamour – 1990
Post Script – Sound Check – Hollywood Palace – 1990
* For More Info On The Life Of CRISS OLIVA:
* For More Info On SAVATAGE:
LONG LIVE THE LEGACY OF SAVATAGE.
REST IN PEACE, CRISS OLIVA.
Stone.
































































Thank you Blackie Lawless. Thank you for not going away, taking an extended leave of absence or selling out. There are too many 1980’s Heavy Metal Bands that did just those things, now they are scrambling to make their triumphant comeback or best album ever. Some are doing just that, only Blackie Lawless does not belong to that club. The Heavy Metal membership card that Blackie Lawless holds says two words… for life. Why shouldn’t it say just that? The true fans of Heavy Metal and/or W.A.S.P. are in it for life. While the 1990’s ushered in the Grunge genre and scores of pretentious bands (being mistakenly labeled) Heavy Metal, all the while lining up at Hollywood’s red carpet gala’s for accolades, W.A.S.P. was too busy making real Heavy Metal albums of integrity. The politically correct mainstream press was not a necessity for W.A.S.P.’s survival then, it certainly is not now. There is no return of or part ll theme happening with W.A.S.P., just a band that is a Heavy Metal mainstay, due to the perseverance and creativity of Blackie Lawless. To take a quote from Blackie Lawless, (as stated in the liner notes from Babylon)… If it is not the truth, it will not stand.
Crazy is the opening song on Babylon. The weight of the world always seems to be put on the opening track of any album. The first song sets the table for the remainder of the album, good or bad, this all important track can either be the demise or exclamation point for the songs that follow. With Crazy, this song kicks and extends it’s Heavy Metal tentacles like a giant sea squid on a caffeine rush. Crazy is the prelude to nine Heavy Metal songs of substance, this song alone foretells that W.A.S.P. connects in 2009. Blackie Lawless borrowed some of his Old School Heavy Metal and fused it with a more mature presentation, both with lyrics and tempo. Sure, Crazy is a fast moving song, only it’s the streamlined sound of it’s speed that makes it so appreciable. The consistency of Heavy Metal muscle is what I have come to expect from W.A.S.P., Crazy illuminates and flexes it from the opening note. My best Metal buddy Scott cued me into the comparison of Crazy to Wild Child, from the 1985 W.A.S.P. classic, The Last Command. (This was well before I owned a copy of Babylon, Scott was a lucky one who nailed Babylon on it’s import release date of October 13th). The opening guitar intro to both Crazy and Wild Child are very similar, still not a mirror image note for note.

Reign Fall lyrically expresses the ghastly imagery of what happens to those who cannot think for themselves, wasting away at the mercy of ones very own doing. Reign Fall, as well as every song on The End Of Tomorrow, is a throwback Metal feast of melodic speed crashing into riffs that are beyond run of the mill. Al Ravage reminds me thoroughly of a young Rob Halford, (Judas Priest), intertwined with a young Paul Dianno, (of early Iron Maiden). Hey, I am by no means putting Al Ravage in this heroic class of Heavy Metal vocalists… (not yet anyways), what I am pointing out is Al Ravage can sing Heavy Metal with marked influences and originality combined. Ravage knows they are Old School, using this phrase so much doing a review may sound very redundant, yet for any veteran fan of Heavy Metal from yesteryear, you know just how juicy it can get when a new album excretes all things good about the glory days of Metal… The End Of Tomorrow is an unleashed monster of what I am talking about here.


You must be logged in to post a comment.