Archive for the cool album covers Category

My favorite AC/DC song of all time is…

Posted in 1970's classic rock albums, 1970's classic rock songs, 1970's hard rock, 1970's heavy metal, 1970's Rock, classic hard rock, classic hard rock music, classic heavy metal albums, classic metal, classic rock, classic rock albums, classic rock music, cool album covers, essential hard rock albums, essential heavy metal albums, essential rock albums, Hard Rock, hard rock drummers, hard rock guitarists, hard rock songs, hard rock vocalists, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal music, heavy metal vocalists, Metal, metal music, Music, old school heavy metal, Rock, rock and roll hall of fame inductees, rock music, rock music vocals, rock vocalists, vintage hard rock albums, vintage heavy metal albums, vintage rock albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , on June 27, 2009 by Metal Odyssey

main-150AC/DC – they are not just Rock and Roll Hall of Famers, this band is an elite institution of heavy music. I always pondered throughout the years… which song from the extensive catalog of AC/DC albums, is my favorite of all time? Is my favorite song from the Bon Scott era? Man, the late Bon Scott was unique, his vocals were and always will be legendary. The Brian Johnson era is power packed with amazing songs, could I take the easy route and pull my favorite tune off of the “Back In Black” album? That would be way too easy for me, it seems like choosing “Hells Bells”, “Back In Black” or “Have A Drink On Me” as my favorite AC/DC song, would be particularly predictable. I will not argue the fact it is a historical album, “Back In Black” surely paved the way for Heavy Metal commercial acceptance. Besides, I personally am forever grateful for AC/DC appointing Brian Johnson to succeed the late Bon Scott. “Back In Black” will forever be on my all time favorite album list.

Well, after all these years, probably since around 1979, (in which I was first aware that AC/DC existed and heard the classic “Highway To Hell” single on FM radio), my personal choice, for favorite AC/DC song ever is… “Touch Too Much” – from the “Highway To Hell” album, (released in 1979). Whew, do I get the AC/DC fever when I hear this song. I do not care how many times I have listened to this classic, this song rocks. Even after so many years have passed by, I still feel that certain rush go straight through my face each time “Touch Too Much” is cranked up. Yeah, you know, that psyched out feeling that engulfs your whole body, like you just drank a 2 liter bottle of happy sauce. This song does it for me – thank you very much. This song hits me from the opening note… I do not believe there is one nano second that is not cool on this song. Sure, the single “Highway To Hell” received all of the attention from this sacred AC/DC album, yet in my Metal opinion, “Touch Too Much” is a song that embodied a core heaviness that signified of continuous great things to come from this band. 

I am certainly not alone in saying that I revere both the Bon Scott and Brian Johnson eras of AC/DC. Choosing a single favorite song from this band, is like choosing which day of the week is my favorite… I am just happy to be alive and be in the position to enjoy each day of the week, for Metal sakes. Going back to “Touch Too Much”, as the old saying goes… the more things change, the more they stay the same… really listen closely the next time you hear this song, then imagine if it were to be released for the first time in 2009. “Touch Too Much” is a song that blows away at least half of the newly released Hard Rock or Heavy Metal songs that do get commercial FM or satellite radio play. Angus Young on guitar, Malcolm Young on rhythm guitar, Cliff Williams on bass guitar and Phil Rudd on drums and of course, Bon Scott on vocals, made this song happen and groove in a way that has affected me for life. This is my Metal opinion – long live AC/DC and this enormous song.

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Electric Light Orchestra – 12 cool facts to enrich your day

Posted in 1970's Rock, 1980's rock music, classic rock, classic rock albums, classic rock music, classic rock music facts, cool album covers, electric light orchestra, essential rock albums, Music, progressive rock, progressive rock music, Rock, rock & roll, rock and roll, rock music, rock music facts, rock music vocals, rock vocalists, string music in rock, symphonic rock music, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , on June 26, 2009 by Metal Odyssey

main-150There is no disguising the fact, I have been an ELO fan my entire life. The Electric Light Orchestra has music that actually fits into any type of mood I am in. From the more mellow “Eldorado” album to the rather upbeat “Discovery” album, ELO has always been there for me. Certainly, Metal Music (including all of it’s incredible sub genres of Extreme Metal Music) is my mainstay, #1 always and forever – still, there are those many moments in my life where I turn to ELO for inspiration and musical enjoyment. ELO is music. ELO is a Progressive Rock giant that in my Metal opinion, has always been cutting edge, if you will, with their musical arrangements and overall sound. Here are 12 cool facts for ELO fans to savor over, new fans of ELO just might find these facts to be of interest too.

I am guilty of loving great music, that is why ELO has saturated my ears with their blend of Rock progressiveness since I was a kid in the ’70’s. The songs of ELO mean more to me than anyone could ever imagine… here’s hoping, that maybe this post could possibly ignite the interest of brand new fans across the world. Fellow fans and music enthusiasts know, a band that hits you the right way, especially at a young age, becomes a part of your musical soul, an invisible appendage I might add. That is why I feel music is such an essential part of living out your life. O.k., so what is my favorite ELO song of all time? It is difficult to narrow down… yet “Four Little Diamonds” from the “Secret Messages” album, (released in 1983), seems to be my pick.

*  In 1976, the single “Evil Woman”, from the “Face The Music” album,  peaked at #10 on the Billboard singles chart.

*  The movie soundtrack album for “Xanadu” was released in August of 1980. Olivia Newton-John shared half of this albums’s music along with ELO, joining together on the track “Xanadu” as well.

* The album “Xanadu” spent 36 weeks on the Billboard top 200 albums chart, in the United States.

*  In 1974, the album “Eldorado” peaked at #16 on the Billboard album chart.

*  In 1975, “Can’t Get It Out Of My Head” from the album “Eldorado” peaked at #9 on the Billboard singles chart.

*  In 1981, the single “Hold On Tight” peaked at #10 on the Billboard singles chart.

*  The debut album from ELO was released in 1972, titled “No Answer”.

*  The legendary Jeff Lynne, (founder and lead singer of ELO),  has produced albums for such fellow Rock legends: George Harrison, Randy Newman, Tom Petty and Roy Orbison.

*  In 1977, the album “A New World Record” peaked at #5 on the Billboard album chart.

*  In 1981, the album “Time” peaked at #16 on the Billboard album chart.

* ELO originated from Birmingham, England. (Thank you very much, Birmingham)

* Ringo Starr was a guest musician on drums, (of course), on the album “Zoom” – released in 2001.

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Misfits “Earth A.D.” – 1983 Punk Rock album revisited

Posted in 1980's punk rock albums, 1980's punk rock bands, 1980's punk rock music, Album Review, classic punk rock, cool album covers, creepy album covers, Danzig, essential punk rock albums, extreme music, Misfits, misfits album covers, Music, old school punk rock, punk rock album review, punk rock albums, punk rock music, punk rock songs, spooky album covers, vintage punk rock albums with tags , , , , , , , , , , , on June 22, 2009 by Metal Odyssey

The Misfits… Punk Rock… Glenn Danzig on lead vocals… “Earth A.D.” is worth every listening second of my time, for these three reasons alone. “Earth A.D.”, (released in 1983), is the definitive Misfits album to own. (That is my belief). This release defined the Misfits as not only a genre splitting Punk Rock Band to reckon with, yet it served as an example of how truly aggressive, musically, the Misfits were at the time. This album could very well be defined as being one of the starting points, in orchestrating the birth of Horror Punk Rock. Dark and at times demonic, “Earth A.D.” ventured into subject matter and lyrical territory that was never explored by Punk Rock legends the likes of the Ramones or Sex Pistols. Would “Earth A.D.” be a survivor if released today, in 2009? Could this album rise above the current environment of musical expectancy, where immediate acknowledgment and acceptance from the narrow minded mainstream is practically never achieved by Extreme Music acts? Probably not, where if this album saw it’s release happen now, it would be thrown onto the heap, only to be cherished by those of us who know and understand what this music is really about.

In essence, the “Earth A.D.” album has achieved a continuous running, underground style of following since 1983. “Earth A.D.” continues to remind many of us, what a complete package really means when putting together an Extreme Music album. From the album artwork to the music found within, it is a vintage release that is looked upon for artistic guidance and reference. How relevant is this Misfits album in 2009? From the way I see it, this Misfits classic with it’s hardness and  heaviness, holds up to or exceeds many current albums that come advertised as being so called hard and heavy – regardless of genre. Music appreciation parallels fine art appreciation, whereas it boils down to personal preference and often times bias. What I feel cannot be denied, however, is the acknowledgment of a genre defining moment, one in which eclipses any commercial barometer of pop culture normalcy… enter “Earth A.D.”.

In my Metal opinion, you can trace Thrash Metal roots back to “Earth A.D.”, with the guitar riffs and speed, combined with the fury of the rhythm section. Each song is short, as per the trademark of most Punk Rock songs. The entire playing time is about 20 minutes or so, yet the total impact of the Punk heaviness this album provides, is it’s true measuring stick. “Earth A.D.” is a must for Misfits fans, Punk Rock fans and Metal fans, especially those who want to hear how Extreme Music history was molded and shaped into form. I can recall a trip I once made, to a world renowned art museum in New York City. One of the most memorable moments for me while I was there, was witnessing an extremely wide and tall modern art sculpture. This sculpture was made out of laundry detergent boxes. The entire area surrounding this sculpture was cordoned off with red, velvet ropes. In my mind, I have put red, velvet ropes around the Misfits “Earth A.D.” album years ago. This music is just as good, if not better, than a modern art sculpture made out of laundry detergent boxes. 

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Bob Seger “Face The Promise” exhibits Rock Music from the soul

Posted in 1970's hard rock, 1970's Rock, 1980's rock albums, 1980's rock music, 1980's hard rock, Album Review, classic hard rock, classic hard rock music, classic rock, classic rock albums, classic rock music, cool album covers, essential rock albums, Metal, Rock, rock & roll, rock & roll hall of fame inductees, rock album reviews, rock and roll, rock and roll hall of fame inductees, rock music, rock music vocals, rock vocalists, Vocals with tags , , , , , , , , , , , , , , , , , , , , , on June 21, 2009 by Metal Odyssey

main-150Bob Seger, Rock and Roll Legend and Rock and Roll Hall of Famer. That should be quite enough of an accomplishment to just call it a day, for just about any aging Rock Star, huh? Not the case with Bob Seger, no way. Just because a living Rock Legend goes on a personal hiatus for a number of years, does this mean this Rock Legend is washed up? Has this Rock Legend lost the ability to write and sing music like it was 1980 all over again? In my Metal opinion, Bob Seger has lost no Rock and Roll groove in his music, nor has he forgotten how to write Rock music songs that hit me straight to the heart. “Face The Promise” is a celebration of Rock Music that not only inspires me with all of it’s lyrical content, the Rock and Roll move and groove songs on this album are wrapped up in sincere blue collar grit.

Bob Seger was born with the gift of having a raspy, smoky and sandpapered singing voice. Unique and synonymous with Rock and Roll, that is my take on his vocals. I still here this voice as I described, on “Face The Promise”, (released September 12, 2006). The 12 songs on this album are not thrown together for some flashy, comeback, Rock Star story. These are 12 songs that are sung from the heart of a man who obviously has lived life on his terms, tackling whatever obstacles may come his way. Yeah, sure, it sounds like a cliche’, however, this is a Rock and Roll icon who decided to itemize his life based on importance. How easy it would have been, for Bob Seger to have released an album every four years or so, with the possibility of perhaps becoming just a music machine, catering only to the needs of the fans. My own personal interpretation is derived from the lyrics of these songs, why else would Bob Seger pen such intimate and human spirit filled songs?

“Wreck This Heart” is the opening track, it comes across with the reminder to me, that Bob Seger still connects to the Hard Rock side of his storied musical past. “Real Mean Bottle” has an “Old Time Rock & Roll” energy and air about it… with some cool Rock vocal assistance from Kid Rock. It is always a tasty, Rock treat, to hear the Jerry Lee Lewis style of piano get into the Rock and Roll mix. This is definitely one of the more fun Rock songs Bob Seger has ever created. “The Answer’s In The Question” is a ballad that delves into the human experience, Patty Loveless contributes some very classy vocals on this superb duet. “Face The Promise”, “Wait For Me” and “No Matter Who You Are” all touch on personal inspiration, with the Rock and musical flavor that takes me back to the “Against The Wind” album. “Between” is as fine an example of Bob Seger today, this song flat out scorches with the aura of current Rock sound and ambience.

In a vast world of diverse Rock and Hard Rock genres, there are those times when it just feels good to go home again, home to the roots of Rock and Roll. Bob Seger for me, has always exemplified what it sounds like to revisit old school Rock and Roll, all the while using the human factor as prominent subject matter within the lyrical content of the songs. The end result always has felt like the beginning for me with all of Bob Seger’s albums… these are songs that connect, Rock and last a lifetime within my musical soul.

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HAMMERFALL “No Sacrifice, No Victory” – Power Metal on high

Posted in 1970's Rock, 1980's power metal music, 1980's heavy metal music, 1990's power metal music, 1990's heavy metal music, 2009 power metal music, Album Review, classic metal, cool album covers, cover songs, current heavy metal albums, current metal albums, european power metal, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal music 2009, Heavy Metal Reviews, heavy metal this decade, heavy metal vocalists, Metal, metal music today, Metal Reviews, Music, new heavy metal album, old school heavy metal, power metal from sweden, power metal music today, speed metal, symphonic metal, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , on June 20, 2009 by Metal Odyssey

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HAMMERFALL has done it again. This Power Metal outfit wasn’t about to release a sound scape of easy listening, calming, ocean waves… no way. “No Sacrifice, No Victory” (released March 24, 2009), is Power Metal with several exclamation points after it. For anyone new to Hammerfall, they are similar in musical style to that of Helloween, a long standing originator of this Power Metal genre. With approximately 15 studio albums behind them, (not counting EP’s, Greatest Hits or Singles), Hammerfall on this new release, sound as if they are hell bent on dominating the world with their Power Metal brand. I am not about to get in their way, if anything I will raise my Metal fist into the air and cry out the lyrics to “Hallowed Be My Name” and be glad I did. If you are totally into Power Metal and cannot become inspired by “No Sacrifice, No Victory”, well, then you are not into Power Metal music at all.

In my Metal opinion, I find beauty to be an attribute of the musical sound of Power Metal. (Yeah, I did say beauty… let’s not get carried away here). On “Something For The Ages”, if one cannot hear the beauty in the melodic guitar leads and solos, then I will stand alone with my belief. (From this day forward, I shall call it Metal beauty). How many Metal bands can make a church organ sound cool in any song? Hammerfall can… on “Between Two Worlds”, courtesy of Power Metal veteran Jens Johansson. Now, do not hesitate to think for one Metal second, that Hammerfall does not hand unto us a heavy, Power Metal album… they do hammer down the heavy, the power… the Power Metal. The background vocals throughout are trademark and at the upmost heightened level throughout “No Sacrifice, No Victory”. Without these backing vocals on high, it would not be Power Metal. If I was to choose one track off this album that carries each crucial characteristic of Hammerfall’s Power Metal, it is “One Of A Kind”. The sweeping and confident lead vocals of Joacim Cans coupled with the musical totality of this band make this song a signature example, for me.

I found it to be a cool surprise, that Hammerfall added the cover version of “My Sharona” to this new album. (Not that Hammerfall is new to cover songs, their “Masterpieces” album is nothing but Vintage Metal cover tunes). The Knack originally released this song on their “Get The Knack” album, (circa 1979), a band and album I always felt was at least a decade ahead of their time. (I found this vintage album at a thrift store a couple months ago… mint condition and 50 cents too). Not to get stranded here, I really do admire Hammerfall for covering “My Sharona” and recognizing a true classic, a song that bordered and teetered on Punk, New Wave and Rock – an interwoven treat of a band is celebrated here by Hammerfall, The Knack should feel great about now. As for the cover version by Hammerfall? It Rocks, very well indeed. I have made a new rule about this “My Sharona” cover song… I must always play it extremely loud for maximum listening pleasure. Will Hammerfall resurrect “My Sharona” and once again make it a #1 hit single? Of course not, yet who cares? This song, being the last track on the album, is a grand way to end “No Sacrifice, No Victory”.

From the high, all enveloping lead and backing vocals, to the searing and soaring guitar leads, numerous and melodic solos, combined with the groove and thump of the rhythm section – add the keyboards and organ for the sensory surround sound that gives Power Metal it’s name… you will have ventured into the Metal world of Hammerfall’s “No Sacrifice, No Victory”.

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Cheap Trick “Special One” is just that and more

Posted in 1970's hard rock, 1970's Rock, 1980's hard rock albums, 1980's rock albums, 1980's rock music, 1980's hard rock, 1990's hard rock music, Album Review, classic hard rock, classic hard rock music, classic rock, classic rock albums, classic rock music, cool album covers, essential hard rock albums, essential rock albums, Hard Rock, hard rock album review, hard rock drummers, hard rock guitarists, hard rock music this decade, hard rock songs, hard rock vocalists, Music, Rock, rock & roll, rock and roll, rock music, rock music vocals, rock vocalists, Vocals with tags , , , , , , , , , , , , , , , , , , , on June 19, 2009 by Metal Odyssey

It is quite apparent, from looking at my past posts, that I am a Cheap Trick fan. I get such a listening thrill from their brand of Rock, both past and present. If Cheap Trick were to have floundered, lost a few steps musically, I would have lost interest in following them – of course. Many bands have done just that, floundered after years of success. (I used to think The Police were going to release a new killer album every 2 to 3 years, way back in 1984… who knew?). Well, enough with this as my opener… Cheap Trick really has done what many bands can only wish for… continued musical output that beams with integrity and relevance. The integrity is represented by Cheap Trick creating Rock/Hard Rock music that for me, is as energy filled, catchy and memorable as the “Dream Police” and/or “All Shook Up” albums from 25 years ago. On “Special One”, (released in 2003), this is not a Rock Band that sounds tired or weary – this is a band that sounds as if they are embarking on a Rock mission with their musical tanks fully loaded, with new ideas. Another aspect of integrity that Cheap Trick bestows, is the plain fact, that they are obviously not remotely attempting to cash in on their name or past success.

“Special One” is quite special indeed… it is a fitting prelude to the “Rockford” album, (released in 2006), where Cheap Trick in my Metal opinion, has landed as convincing a one-two Hard Rock punch that any fan could ever imagine or hope for. (See my “Rockford” review listed under album reviews on Metal Odyssey). Once I listened to “Rockford” upon it’s release, I felt and heard the continuation of what Cheap Trick is truly conveying here – that gifted musicians will always create great music. “Special One” is an album that does not tease at what is to come, this Rock album states of what is to come from Cheap Trick this decade. No watered down ballads, no instant radio hits, rather, “Special One” exemplifies what Rock and Hard Rock used to be, carried over with a flare for todays sound. The songs are accessible, not excessive, written with the blend of lyrics and music that glows with the Cheap Trick brand. That is my case stated for relevance.

Not that I am fast forwarding here, the last track on “Special One” titled “Hummer”, is a song that celebrates the ability for anyone to… hum. All kidding aside, this song is highlighted by the humming vocal tones of Robin Zander. (The liner notes do not suggest anyone else doing the humming, however, each band member does get credited with vocal input). After my first listen to “Hummer”, I was enlightened to now realize that humming is cool in a Rock song… Cheap Trick has made it that way. (Trust me, I still get annoyed when total strangers walk past me in the grocery store humming aloud). The first track titled “Scent Of A Woman” is as classic as it gets with Cheap Trick. The brashness of Rick Nielsen on guitar coupled with the up tempo beat, lends itself to being one of those Cheap Trick songs you have to jump around to. Tracks 2 thru 10, found between the two songs I mentioned here, create the Cheap Trick – Hard Rock sandwich that is flavored with a tad of old school and structured with lyrical/musical perfection, with attitude for today. Longevity in Rock Music does not always equate to cool albums – Cheap Trick’s longevity has equated to the coolest consistency of Rock & Hard Rock, that I hope never ends.

Cheap Trick: Robin Zander – vocals & guitars, Rick Nielsen – guitars & vocals, Tom Petersson – 12 string bass & vocals, Bun E. Carlos – drums & vocals.

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My favorite Ozzy Osbourne album is…

Posted in 1980's heavy metal albums, 1980's metal music, Album Review, classic heavy metal albums, classic metal, classic rock, classic rock music, cool album covers, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal solo albums, heavy metal solo artists, heavy metal solo vocalists, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, old school heavy metal, ozzy, Ozzy Osbourne, rock and roll hall of fame inductees, rock keyboard musicians, rock vocalists, vintage heavy metal albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , on June 18, 2009 by Metal Odyssey

I would like to take this opportunity, to let the entire world know, which Ozzy Osbourne album is my favorite of all time. Oops, it is a tie. “Blizzard Of Ozz”, (1980) and “Diary of a Madman”, (1981). Why, you may query? These first two Ozzy albums to me, represent the real, original, building block, style of Heavy Metal sound, that energized the 1980’s into the powerhouse Metal decade it was. Plus, lest we never forget, the greatness of the late Randy Rhoads on lead guitar, on both of these essential Heavy Metal albums.

It is very important to note that on the reissue version of “Blizzard Of Ozz”, during the re-mastering process, Mike Bordin is now on drums and percussion with Robert Trujillo on bass. The original drummer, on the original album, was Lee Kerslake and on bass was Bob Daisley. They are all fabulous musicians, I am not swayed either way. Don Airey is on keyboards for the original album. The key is that the legendary, late Randy Rhoads is the guitarist! Just to hear Randy play his signature sound on “I Don’t Know”, “Crazy Train” and “Mr. Crowley” still sends chills 28 years after this release. Randy Rhoads and his unique guitar sound and style truly helped shape the evolution of Heavy Metal and it’s many prominent guitarists for decades. This album is not just a turning point for Ozzy, it is a focal point of reference and reverence for so many Heavy Metal musicians and fans alike. A bonus track is added into this reissue, “You Lookin’ At Me Lookin’ At You”. This song is similar in structure to “Rock & Roll Rebel” from Ozzy Osbourne’s “Bark At The Moon”. It is a song that is a welcomed addition to this classic album, any song is – that has Randy Rhoads playing. This album has stood the test of time, it feels strange for me to now say that the lyrics, song structure and arrangements with Randy Rhoads leads and riffs are powerhouse. Yet, with the new generation of Ozzy, Randy Rhoads and Heavy Metal fans, getting the word out after all these years is worth every second if it means passing this Heavy Metal jewel on to new listeners.

I know that I do reflect a couple of decades back, (quite often), in my posts… the reason is simple, this incredible Heavy Metal music was created and released decades ago! That is my point of relevance for me, so much of the Heavy Metal that I was into in the late 70’s onward, I still listen to this very day and is now considered classic and vintage. I can remember having the coolest algebra teacher back in High School, Mr. Z. was his name. Mr. Z. allowed his students to bring into class – albums to play on his stereo. How cool is that? It is not too often, with any generation, to reflect on any Algebra teacher from High School as being cool. Well, one of my buddies back then, brought into our class one day, the “Diary Of A Madman” album. This was really the first time I gave this Ozzy gem a thorough listen. I was ecstatic, thrilled beyond Metal belief upon hearing these tunes on this album. (Mr. Z. seemed to dig this Ozzy album too, I can still remember seeing his face showing the appreciation, while the Metal blared). Needless to say, my grades in Mr. Z.’s Algebra class were very respectable, due in part to the cool nonconventional way of teaching, using Heavy Metal as an inspiring teaching tool. Mr. Z. rocked back then, I hope he is still as cool today, wherever he may be.

With tracks such as “Over The Mountain”, “Believer”, “Little Dolls”, “You Can’t Kill Rock and Roll”, “Flying High Again” and “S.A.T.O.”, the odds of ever hearing such amazing Heavy Metal songs this potent and on one album again, are pretty slim. Back in 1982, after listening to this Ozzy album, I was set Metal straight – for a lifetime.

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TESLA – “Forever More” a solid Hard Rock album and band

Posted in 1980's hard rock, 1980's heavy metal music, 1990's hard rock music, Album Review, classic hard rock music, classic rock, classic rock music, cool album covers, current hard rock albums, current hard rock music, current hard rock songs, current heavy metal albums, current heavy metal music, essential hard rock albums, essential rock albums, Hard Rock, hard rock album review, hard rock albums 2009, hard rock drummers, hard rock guitarists, hard rock music this decade, hard rock songs, hard rock vocalists, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal this decade, Music, recent heavy metal albums, Rock, rock music, rock music vocals, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 16, 2009 by Metal Odyssey

Tesla_aff_smTesla has released an album of 12 brand new tunes this past year titled “Forever More”, it should not be ignored or overlooked. I feel this new Tesla album is a solid musical statement, (“Forever More” was released on October 7, 2008). All 12 songs are what I consider to be Hard Rock excellence that lyrically relates. The lyrics of these songs are a celebration of life’s ups and downs, delivered in true – blue collar, Hard Rock fashion from Tesla. “So What!” is a heavy, musically driven tune, it essentially tells you to shrug off the complaining in life, plus who cares about other people’s whining as well. “Pvt. Ledbetter” is a feel good track about a soldier who is going to come home from war, (not to give away the storyline), the first listen to this song had me worried that it would be a sad ending. Jeff Keith on vocals sounds like he is having the time of his life, he sings better than ever on “Forever More”, (in my Metal opinion).

Every song is excellent, it is obvious from the quality of “Forever More” that this Tesla effort was well worth the wait! This album is very well written, both lyrically and musically. This is a real Hard Rock album of songs… the way it is supposed to be. If the power of this Hard Rock album  gets you psyched out, then you will be searching out the entire Tesla catalog of albums, guaranteed. Tesla has returned in grand, Hard Rocking form, thank goodness. Tesla has always been a favored Rock/Hard Rock band of mine… ever since the day I heard “Modern Day Cowboy” from the “Mechanical Resonance” album, over twenty years ago. Man, does time really fly! I was fortunate enough to see Tesla live, once, when they opened for Def Leppard. It was the Hysteria Tour for Def Leppard, (late ’80’s), both Tesla and Def Leppard played in the round – at the Hartford Civic Center, in expensive Connecticut. Tesla played an entire acoustic set… I was not expecting an acoustic jam that night, yet I dug it pretty well. 

Tesla is: Jeff Keith on lead vocals, Frank Hannon on electric and acoustic guitars & keyboards, Dave Rude on electric, acoustic and slide guitars, Brian Wheat on bass guitar and Troy Luccketta on drums and percussion. The liner notes within the CD digipak are the coolest, with 16 pages of full color band photos, with 2 pages devoted to each band member, filled with great full color photos and thank you’s for each. Tons of credits and a super cool, 2008 year in review, written by Tesla, makes for a classy touch.

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THE FIRM – what made this Rock Band’s debut album so appealing?

Posted in 1980's hard rock albums, 1980's popular rock bands, 1980's rock albums, 1980's rock music, 1980's hard rock, Album Review, Bad Company, cannibal corpse, classic rock, cool album covers, cover songs, Hard Rock, hard rock album review, hard rock drummers, hard rock guitarists, hard rock songs, hard rock vocalists, Music, Rock, rock & roll, rock and roll, rock music, rock vocalists, vintage hard rock albums, vintage rock albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 14, 2009 by Metal Odyssey

main-150Back in 1985, The Firm released their self titled, debut album “The Firm”. I remember being very curious about this band… would the album be heavy? Would this album be a dud? Why is Paul Rodgers not with Bad Company? Is Jimmy Page going to scorch on “The Firm” album? So many questions were going on in my mind back then, about The Firm’s first LP. Well, in my Metal opinion, this album was/still is, one of the more commercially accepted, radio friendly, Rock albums that I will still listen to… even in the middle of my Thrash Metal and Death Metal moods. During one of my frequent thrift store visits this past Winter, I came across this actual album, in close to perfect condition too. The album jacket shows no wear at all, plus the vinyl itself plays without a hitch. Upon finding this album, I instantly grabbed it, there was no second thought about it. (At 50 cents, there was no risk involved, only reward). What makes The Firm and their debut album so appealing? 

After all of these years, the reasons for my liking The Firm have never changed. First of course, is the lead singer Paul Rodgers. Bad Company will forever be a Hard Rock icon for me, especially the Paul Rodgers fronted version of this legendary band. Secondly, how can any Hard Rock and/or Heavy Metal enthusiast not want to get into a band that the revered Jimmy Page plays lead guitar for? Thirdly, “The Firm” as a whole, is not a heavy album and not a dud either. This album falls in between… it is a Rock album that has catchy, memorable tunes. When I really think about it, I do not believe that The Firm ever sounded like any Rock Band before them – save for Bad Company, due to the vocals of Paul Rodgers. However, musically, was there ever a song that sounded like “Radioactive”? Maybe there was, I just am not aware of it. That song drives me crazy, for it is so non-heavy, so corny, so different, yet I really like it, to this very day. I guess The Firm was that Rock Band that dared to be different, in 1985. “Satisfaction Guaranteed” is another song that chugs along, it never seems to get kick started, (and I swear you can almost feel this song wanting to get up and scream), yet again – I really like it.

“You’ve Lost That Lovin’ Feeling” is once again, a song that makes me feel like I have sold out my Metal soul to Pop Music. I actually sing aloud the lyrics, (when I am alone). Just to justify my singing these lyrics… I will sing them in my own, unique, Death Metal voice. Quite honestly, this song would be huge if a Death Metal band covered it. This is rather nit picking, regardless, if you take a look at the front album cover of “The Firm”, why on Metal Earth is the “i” in the word “FiRM” in lower case? This has not troubled me to any point of needing medication, I only look at it and wonder why? I do realize it was a logo design call, yet I always get the urge to want to fix the lower case “i” and make it an upper case “I”

Hey, all kidding aside, I feel The Firm was a darn decent Rock Band, the coolness of Paul Rodgers vocals and the enhanced and unparalleled guitar play of Jimmy Page make this debut album happen for me. I have no problem in recommending the debut album from The Firm, to anyone who is interested. Also note, in my Metal opinion, Tony Franklin on bass and Chris Slade on drums are no slouches either. Anyone who goes on to be the drummer for AC/DC, well, is legend. As I see it, I will turn to this album now and again and enjoy it. Plus, if Hammerfall can do a cover of “My Sharona” by The Knack, heck, then Cannibal Corpse could most certainly do a cover of “Money Can’t Buy” by The Firm.

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Paul Dianno “The Living Dead” is very much alive with Metal Music

Posted in 1980's heavy metal music, 1980's metal music, Album Review, cool album covers, essential heavy metal albums, Extreme Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal music, Heavy Metal Reviews, heavy metal solo albums, heavy metal solo artists, heavy metal solo vocalists, heavy metal this decade, heavy metal vocalists, Metal, metal music, metal music today, Metal Reviews, Music, recent heavy metal albums, spooky metal album covers, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 12, 2009 by Metal Odyssey

main-150Paul Dianno “The Living Dead” was released on May 16, 2006. Why I lead with this, is due to my impatience for waiting on this album… I counted the days leading up to it’s release. It was like I was eight years old again, waiting for Christmas morning to come. For the few who may not know, Paul Dianno was the original lead singer for Iron Maiden. Paul Dianno was lead vocalist on the debut “Iron Maiden” album and the “Killers” album. Of course you can count bootlegs and the “Maiden Japan” EP as well, with having Dianno as lead vocalist. If it wasn’t for Bruce Dickinson taking over as lead vocalist for Iron Maiden, starting with the “666 The Number of the Beast” album, I would say that Paul Dianno could never be replaced as lead vocalist. However, It is my Metal opinion that comparing Paul Dianno to Bruce Dickinson is apples to oranges. Why compare? They are both completely different vocalists, both in style and range. The Paul Dianno fronted version of Iron Maiden, with the first two studio albums, (mentioned above), are undisputed Metal classics, that are revered and influential to countless Metal fans and/or Metal musicians. I feel Paul Dianno shares the same equal glory among the other original members of Iron Maiden for these albums being so iconic. (Phew, I got that off my chest, now I can blab about the actual album – “The Living Dead”).

The opening track “The Living Dead” is sung with power and emotion from Dianno – yeah, you can have emotion in Metal music. Lyrically, this song tackles loneliness, hunger and human despair. (Nope, this song is not about the cult horror film classic). This tune is a heavy – very heavy ballad if you will. For every song I mention on “The Living Dead”, bear in Metal mind, that this is a very, very heavy album. Dianno sounds more hungrier, angrier and confident than ever. (That is what my Metal ears are telling me anyways). “Mad Man In The Attic” has Dianno doing a little exploring, into the world of Death Metal vocals. These growling vocals are not constant throughout, Dianno apparently was looking for some vocal horror texture and he succeeds here, in my Metal opinion. I find Dianno to be a touch reminiscent of the legendary Alice Cooper on this song. “War Machine” is a tune built on speed and dark heaviness. “Brothers Of The Tomb” has Dianno hitting the extreme high notes vocally, with some angry gang vocals added into the mix as well. “P.O.V. 2005” is a down right Thrash Metal tune… excellent riffs and a very cool solo as well.

Dianno does a cover of the Megadeth classic “Symphony Of Destruction” – it is structured and arranged differently than the original version. The biggest difference is the vocals, plus this version is not nearly as fast overall, as to what Megadeth delivers. I like this cover for it’s diverse Metal approach though, the Megadeth original will always be the best. Two legendary Paul Dianno era – Iron Maiden tracks are included as live bonus tracks: “Wrathchild” and “Phantom Of The Opera”, the liner notes do not suggest that these live recordings were done with Iron Maiden, rather with Paul Dianno’s band. Dianno is all over these two tunes… the quality, musicianship and vocals of Dianno make these bonus tracks a worthwhile addition to “The Living Dead”.

The copy of “The Living Dead” I picked up back in 2006, has a bonus DVD that includes the video for the song “The Living Dead” and an interview with Paul Dianno. The video is dark, almost haunting with it’s imagery. Paul Dianno is shown alone, singing against the backdrop of images of strife, humanity and despair. The interview with Paul Dianno is very interesting, with really no details as to why he and Iron Maiden split ways decades ago. One neat bit of info that Dianno shared is that he feels Max Cavalera (of Sepultura & Soulfly fame) is currently the best lead vocalist in Metal today. Hey, I really like everything that Max Cavalera has done with Sepultura and Soulfly myself. I definitely recommend “The Living Dead” to any fan of Metal, especially Iron Maiden fans who want to hear some recent Paul Dianno, he did a fabulous Metal job with this album.

The Metal musicians behind Paul Dianno on “The Living Dead” are: Paulo Turin, Chico Dehira, Javier Cuevas and Claudio Duliba on guitars * Felipe Andreoli & Marcelo Bracalente on bass * Aquiles Prieser & German Rodriguez on drums.

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IRON MAIDEN “FLIGHT 666” is now boarding Metalheads!

Posted in 1980's heavy metal albums, 1980's heavy metal music, 1980's metal music, Album Review, classic metal, concerts, cool album covers, current heavy metal albums, current heavy metal music, current live heavy metal albums, current metal albums, current prog metal albums, current prog metal music, current progressive metal albums, essential heavy metal albums, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal this decade, heavy metal vocalists, Iron Maiden, Metal, metal music, metal music today, Metal Reviews, Music, new heavy metal album, old school heavy metal, prog metal albums, prog metal music, progressive metal, progressive metal albums, progressive metal music, progressive metal today, recent heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 11, 2009 by Metal Odyssey

fullsizeYou bet your Metal memory I picked up the new and live double CD “Flight 666” from Iron Maiden, (released June 9, 2009). How could I possibly pass it up? This is Iron Maiden we are talking about… Metal icons… Metal elite. I first saw this new Iron Maiden CD, yesterday, at f.y.e., they were asking $16.99… I knew I could do better than that. So, I went to good ol’ Super Walmart to pick up necessities, like… food, then my body was on automatic pilot and went straight to the CD aisles. Iron Maiden is a necessity in my Metal life, therefore, I purchased “Flight 666” along with various food items from Walmart. I embarked for my car, with my daughters by my side and I am one happy dude. The Walmart price? I paid $13.88 for “Flight 666”, if I continued to search for a cheaper price than that, I would be wasting gas in my tank. Plus, I was able to save $3.23… sounds like chump change, yet it adds up throughout the years when you shop around a tad. I am going to put the DVD version of “Flight 666” on my want list for now… I listen to Metal light years more often than I watch Metal.

Now, for the Metal music on “Flight 666″… again, this is Iron Maiden! What in the Metal world could I possibly find fault with here? This live double CD is juiced up with many prime Metal tunes from the expansive Iron Maiden catalog of albums. Quality, quality and more quality. That is what you hear from the production, sound and of course, the Metal from this Iron Maiden live CD. No Iron Maiden and/or Metal fan could possibly expect any less from this band. When I listen to “Flight 666”, I truly realize how I have never grown weary of any Iron Maiden tunes. If anything, listening to this CD makes me appreciate this band all the more, Iron Maiden is still cranking out Metal across the world… and doing so with their trademark, brilliant musicianship. These guys have not missed a step going on three decades. “Flight 666” is proof of this. The Progressive Metal exuberance of Iron Maiden, with their multi-layered triple guitar attack are in a Metal class all their own. Being a live CD, the nuances and ambiance of the musicianship and the thousands of screaming Iron Maiden fans make for an exciting listen. Not everyone is into live albums… I never fell in love with every live Metal album I have listened to either – “Flight 666” is a live Metal album that I will boast about forever.

There are six tracks on “Flight 666” that are post “Powerslave” era Iron Maiden. “Wasted Years” and “Heaven Can Wait” are from the “Somewhere In Time” album. “Heaven Can Wait” is my favorite post “Powerslave” Iron Maiden tune, it is played live in incredible Metal fashion here. “Fear Of The Dark” is from, of course, the “Fear Of The Dark” album. “The Clairvoyant”, “Moonchild” and “Can I Play With Madness” are off of the “Seventh Son of a Seventh Son” album. The remaining eleven tracks are just killer, vintage and monumental Iron Maiden from the debut “Iron Maiden” album up to and including, the “Powerslave” album. The opening live trademark of “Churchill’s Speech” gets the Metal juices flowing for what is about to come… “Aces High”… pure Iron Maiden, pure Metal intensified! “2 Minutes To Midnight” and “The Number Of The Beast” roar with Iron Maiden – Metal history. I am glad to see that “Rime Of The Ancient Mariner”, from the “Powerslave” album, is added to this amazing set of Iron Maiden classics… at almost 14 minutes long, Iron Maiden makes an epic story turn to epic Metal greatness. My favorite Iron Maiden tune ever is found on “Flight 666” as well and I am ecstatic… “Revelations” from the “Piece Of Mind” album.

I guess you may have figured out by now, that I am a life long fan of Iron Maiden. I am obviously not alone with my Metal allegiance towards this band. I could go on forever about how much I dig this band and “Flight 666”, however, all great Metal posts must come to an end. If you are already an Iron Maiden fan, you know you will own this album, (if you not already have it). For new fans of Metal or Iron Maiden, it is time to get on board for “Flight 666”!!

Iron Maiden are: Bruce Dickinson on lead vocals, Dave Murray on lead & rhythm guitars, Adrian Smith on lead & rhythm guitars, Janick Gers on lead & rhythm guitars, Steve Harris on bass and Nicko Mcbrain on drums. If these guys are not legitimate Rock & Roll Hall of Famers, then nobody is. Iron Maiden is in my Rock & Roll Hall of Fame and they epitomize what the word Metal means.

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ISIS – “Holy Tears” EP is Prog Metal worth checking out

Posted in Album Review, avant-garde metal albums, avant-garde metal music, cool album covers, current metal albums, current prog metal albums, current prog metal music, current progressive metal albums, current progressive metal eps, current progressive metal music, Metal, metal music, metal music today, Metal Reviews, Music, prog metal albums, prog metal music, progressive metal, progressive metal albums, progressive metal music, progressive metal today, progressive rock with tags , , , , , , , , , , , , , , , , on June 10, 2009 by Metal Odyssey

I have read many an article and interview recently in regards to Isis. In my Metal opinion, Isis is a Progressive Metal band. Now, I have read professionally paid critics label Isis as an… Art Metal Band??? I have absolutely, positively, no clue as to what an Art Metal Band is supposed to look like or sound like. Maybe there is an Art Metal Band out there somewhere… and this band draws and paints on stage while they play Metal music. I dunno. The only thing I find artsy about Isis is the CD cover artwork. Despite the mislabeling that goes on every day in Metal music… rest assured… Isis is Progressive Metal. This is a darn right decent band too – they have all the Metal tools to create some elaborate and layered Metal tunes. (In other words, Progressive Metal tunes). I like the Death Metal growls, the vocal placement that Isis gives for them on their songs works out rather well for me. The combination of normal vocals with Death Metal vocals is not new, yet set within the Metal – musical framework of Isis, it sounds rather cutting edge. 

Isis is different, they stand out, that is cool. They show their musical influences, yet they are rather original when it comes to Progressive Metal, that is my Metal take anyway. Yeah, the Pink Floyd influence is evident with the Metal of Isis, yet that is what you can expect from Progressive Metal. Now, maybe the members of Isis would say they do not hear any Pink Floyd influence in their Metal… that is fine, it is just my Metal ears telling my Metal brain what they hear. Many Progressive Metal bands have proved to me, that you can space-out to this genre of Metal, Isis is no exception. That is why I like Progressive Metal in the first place, this type of Metal affects me a whole bunch differently than say, Manowar. (It would be next to impossible to space-out to the legendary and explosive Heavy Metal of Manowar).

If you are thinking of diving into some Isis Progressive Metal, my recommendation would be to get a copy of the “Holy Tears” EP, (released February 5, 2008), it is not as costly as a regular CD and it is a cool barometer of just what Isis has to offer with their music. The three tracks on this EP are: “Holy Tears”, “Not Rivers, But In Drops” and a live version of “Holy Tears”. A video (CD-rom) for “Holy Tears” also comes on this EP as well. I have no Metal reservations about recommending Isis to fans of Progressive Metal at all. Metal fans of other genres may want to diversify a bit and give Isis a listen too. I know I did, I have no Metal regrets.

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Great White “Rising” rises to the top with A+ Hard Rock

Posted in 1980's hard rock, 1980's heavy metal music, 1980's metal music, 1990's heavy metal music, Album Review, cool album covers, current hard rock albums, current hard rock songs, current heavy metal albums, current heavy metal music, essential hard rock albums, Great White, great white 2009, Hair Metal, hair metal music, Hard Rock, hard rock album review, hard rock albums 2009, hard rock guitarists, hard rock songs, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal this decade, heavy metal vocalists, independent record labels, Metal, Music, Rock, rock music, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , on June 8, 2009 by Metal Odyssey

Great White “Rising” for me, is a retrospective listen, and it is not Heavy Metal. This is some inspiring, well written and high quality – Hard Rock. I can even go as far to say that “Rising” can be defined as a Rock album. You are not going to hear the 1980’s flamboyant, grandiose, guitar riff – infused Heavy Metal tunes here. No insanely – Metal driven solos either, some tastefully crafted solo’s do appear however, (“Danger Zone”), so do not despair. What I do hear on “Rising”, is a band that has clearly found themselves creating music straight from the heart. I am not trying to sound sappy here, sappy is not allowed on Metal Odyssey. What I am trying to convey is that Great White has proven to us Metalheads years ago, that they can play heavy and light up an Arena or two. I am convinced, after listening to “Rising”, that Great White is just as enthusiastic and talented as ever. Great White are real musicians… they do not need to carbon copy their past albums onto a 2009 release. “Rising” has some really addicting Old School Hard Rock flavor throughout.

Jack Russell on lead and background vocals has close to no resemblance of the Hair Metal heyday of his 1980’s voice. Forget the comparisons anymore to the legendary Robert Plant! (It started to get very old, even though Great White is what I consider the greatest Led Zeppelin cover band in the world). It is refreshing to hear Jack Russell not sound like a 1980’s retread. His vocals are absolutely superb on this album. “Danger Zone” and “Down On The Level” are two of the more hardest rockers on “Rising”, giving way to some of Jack Russell’s vocal past. “My Sanctuary” exemplifies what the Hard Rock ballads sound like on this album… free flowing with plenty of catchy grooves. “Situation” and “Shine” are songs that are similar, being heavy enough that they are very far removed from being mellow meltdowns. “All Or Nothin” is laden with enough grooves, hooks and foot stomping moments to make this my favorite track. Loveless” is a real retrospective visit to late ’70’s early ’80’s Hard Rock sound- only it is a really good visit at that. Great White in my Metal opinion, has found the perfect balance of melody and harmonious vocals with just enough heavy guitar and rhythm section to make “Rising” a legitimate Hard Rock keeper.

I cannot possibly compare Great White of the ’80’s to Great White of 2009. I dig the music from both Great White eras. I find it cool when a band, especially one that is renowned for Heavy Metal, digs a little deeper into their musical souls and delivers a knock out of an album, filled with tunes you were not really expecting. Great White “Rising” should appeal to a very vast audience of genres… Hard Rock, Rock and Heavy/Hair Metal fans should find what they like on this album, I know I have. With all of my mentioning of retrospective on this review of “Rising”, I am steadfast against the labeling of music as being dated. Just because music brings back memories of other decades or sounds like music from the past, does not make it uncool. Look at how many CD’s and albums that the immortal Elvis and legendary Beatles sell on a weekly basis… if dated music does exist, then I guess dated music is in. Great White of 2009 is happening for me. I have spoken my Metal point.

“Rising” was released on April 21, 2009, on Shrapnel Records. And now, a Metal Odyssey roll call of the members of Great White, as they appear on “Rising”: Jack Russell – lead and background vocals, Mark Kendall – guitar and background vocals, Audie Desbrow – drums, Michael Lardie – guitar, keyboards, mandolin, sitar, harmonica, percussion and background vocals, Scott Snyder – bass and background vocals.

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DISTURBED – Indestructible Metal

Posted in Album Review, cool album covers, cover songs, current heavy metal albums, current heavy metal music, current metal albums, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal this decade, heavy metal vocalists, Metal, metal concerts, metal music, metal music today, Metal Reviews, Music, new heavy metal album, recent heavy metal albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on June 7, 2009 by Metal Odyssey

main-150My wife is a loyal fan of Heavy Metal. (Thank goodness). Well, I knew this over 20 years ago before we ever married. This turned out to be quite the Metal bonus, having my wife being a fellow Metalhead. I get cool Metal gifts for my birthday and Christmas from her and she encourages and nurtures the love I have for Metal music. I am a very fortunate Metalhead to have a wife like her. Her favorite Heavy Metal band of all-time has always been Def Leppard… until I introduced her to Disturbed. (I still believe both these bands are tied for my wife’s favorite). So, as I write away with Metal Odyssey, she keeps looking over my shoulder… waiting to see when Disturbed makes it to this blog. I without further Metal ado… will give my Metal opinion on Disturbed. I feel Disturbed is an excellent Metal band. Sure, Disturbed came around during the Nu-Metal phenomenon, yet I still never would classify them as such. No matter how much I try to dissect it… Disturbed holds up as being Metal.

The debut album from Disturbed, “The Sickness”, (released in 2000), has it’s Nu-Metal appeal… regardless, I am not buying into this label. “The Sickness” for me, is a fabulous album that brought about a Metal sound that I never heard before. This sound I am talking about is truly derived from the vocals of David Draiman, I honestly have never heard anyone else sing like him. The sound effects that David Draiman belts out vocally are to me, unique. This guy can sing, I am not going to ever dispute this. The deep rooted emotion and anger has always been a believable staple with David’s vocals, in my Metal opinion. Usually a band has to do a knock out, killer job of covering a tune from years past to impress me… Disturbed blows away the original version of “Shout” from Tears for Fears. There is no comparison. Man, this song gets me Metal pumped, that is how it affects me, so shall it be. The “Ten Thousand Fists” album (released in 2005), cuts the Metal mustard for me as well. Hey, I always thought Genesis was a cool Progressive Rock band… I would give this band a listen from time to time. Then, when I first heard the cover version of “Land of Confusion” done by Disturbed – again, blown away. The Genesis original version of this song I always found to be intriguing, it is Disturbed that made it a Metal treat for my ears.

Last Summer of 2008, when Disturbed released “Indestructible”, I fell Metal victim again… the entire album was exactly what I was hoping for – the heaviest Disturbed yet. I will will say this much, without any hesitation, that “Indestructible” was one of the finest Metal albums released in 2008. Every song on this album is heavy duty and powerful, I could not endorse this album any louder than that. Dan Donegan on lead guitar is tremendously good… I cannot ignore this fact. John Moyer on bass and Mike Wengren on drums smack it down with the rhythm section, they are tremendous players as well. David Draiman sings to maximum Metal capacity too, always has. As a Metal side note, I feel it is extremely cool, that Disturbed has played for our U.S. troops overseas. To wrap this Disturbed post up, yup, I am a fan. I am not trying to sound like a fart head when I say – what is there not to like? Disturbed has released four very cool Metal albums in a row, that is quite the Metal task. Yes, music is always a personal preference, my personal belief is that Disturbed is as their newest album suggests… indestructible.

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Enslaved “Vertebrae” – Progressive, Black Metal raises the bar

Posted in Album Review, Black Metal, black metal 2008, black metal 2009, black metal from norway, cool album covers, current heavy metal albums, current heavy metal music, current progressive metal albums, essential heavy metal albums, Extreme Metal, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, metal music today, Metal Reviews, Music, new heavy metal album, norwegian black metal, progressive metal, progressive metal albums, progressive metal music, recent heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 3, 2009 by Metal Odyssey

main-150Enslaved, from Norway, has created quite the exquisite Black Metal album with “Vertebrae”. Why do I use the adjective exquisite to describe this album? Well, I revere the Progressive Metal of Mastodon and Dream Theater, the legendary Progressive Rock of Pink Floyd and the groove infested Black Metal of Satyricon. Enslaved encompasses the most Metal and progressively delicious elements from these favorite bands of mine, while incorporating them into their very own startlingly, mind popping sound. What Enslaved has done here, is taken Rock and Metal influences to a new level, creating an album that embraces everything that is brilliant about Heavy and Progressive music. (I am not saying Enslaved actually looked to these bands for inspiration, this is just my musical and Metal interpretation and/or opinion). Enslaved has their roots in Black Metal, a musical track record that overflows with Metal bragging rights… “Vertebrae” by no means exemplifies this band as not being original. This album is as original as it gets… I cannot truly count how many Metal bands there are, that dare to experiment with music so valiantly.

Black Metal has gone through a bit of a metamorphosis over the years… so have the other Metal genres. There will always be the blue collar – true to the roots style of Black Metal, it deserves it’s rightful place in the Metal universe. Enslaved, like their counterparts Satyricon, have taken the Black Metal stylings and tweaked them, in this case, Enslaved progressively tweaked. As with anything in life, change is a natural necessity that either is accepted or rejected. Change in the musical circles of Metal can often times be equated to selling out or mellowing down, every fan of Metal has their own right to personally object or accept what they want from their music. My point I am trying to make here is, Enslaved has not deceived me or let me down with their brand of Progressive, Black Metal on “Vertebrae”. Vintage Venom and Mercyful Fate will forever and always be at my Metal reach, Enslaved “Vertebrae” is an extension of what happens when musical and Metal barriers are broken down. 

In an all encompassing summary of the seven songs on “Vertebrae”, I hear the nod to the forefathers of Black Metal, with especially the lead vocals and the dark, macabre and searingly moody ambiance, coming from the musical background elements. The keyboards and organ can create Black Metal which pays homage to the original sound of this band and genre, it can also create the progressive path in which “Vertebrae” aims for as well. Herbrand Larsen is simply unreal on the keys, organ and vocals. The same can be said for each member of Enslaved… as a cohesive unit they have connected not only with each other with their Metal skills and prowess, they have also raised the bar musically, in a Metal world that is rapidly interconnecting with each others genres. I cannot resist myself by recommending highly “Vertebrae”, Enslaved has created an album that will be at the top of my Metal list for decades to come.

The members of Enslaved are: Ivar Bjornson on guitars, Grutle Kjellson on vocals & bass, Herbrand Larsen on keyboards, organ & vocals, Cato Bekkevold on drums and Ice Dale on guitars. Enslaved has given the Metal world seven brilliant new songs with “Vertebrae”, thus inspiring me to delve and journey even further into the vast genres and sub-genres of Metal music.

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STYX – “The Grand Illusion” 1977 album revisited

Posted in 1970's styx music, 1970's hard rock, 1970's Rock, Album Review, classic rock, cool album covers, essential hard rock albums, essential rock albums, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, Rock, rock & roll, rock and roll, rock keyboard musicians, rock music, rock music vocals, vintage hard rock albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , on June 1, 2009 by Metal Odyssey

If there was ever a Hard Rock album that I honestly wore out from excessive playing on a turntable, well, it would be “The Grand Illusion” by STYX. This album, (released on July 7, 1977), along with its fabulous music, also bestows incredible lyrics as well. I would escape the doldrums, trials and tribulations of being a teenager by kicking back and slapping down this Classic Rock gem. The funny thing is, the lyrics of these songs on “The Grand Illusion” are just as relevant for me today as they were twenty nine years ago. In hindsight, this album actually gave me tremendous solace, insight and inspiration, at a time in my life when I probably needed it most. There are certain Hard Rock albums that I have embraced and bonded with, where the music and lyrics just seem to connect to my very own personal experiences. “The Grand Illusion” is without a doubt, one of these Hard Rock albums I have connected with.

Just the lyrics alone from the song “The Grand Illusion” are inspiring me for a lifetime… “Don’t be fooled by the radio, the t.v. or the magazines… they show you photographs, of how your life should be…” – my interpretation of these lyrics are that the mass media constantly tells us how to eat, what to wear, who to vote for, how much you should weigh, what to buy and own and of course, how to look. Sorry, I do not need the plastic news anchors and million dollar television hosts telling me how to live my life! STYX was right on with the song “The Grand Illusion” – it is commons sense lyrics that I live by. My sister, (who is now in Rock N’ Roll Heaven), was the first to introduce me to STYX… “Come Sail Away” was her favorite STYX song ever, I know this for she played the 45 rpm at least 20 times a day one Summer, back in the day. “Miss America” is as cool as it gets with keyboards in Hard Rock, the intro to this tune is a definite high point. “Fooling Yourself (The Angry Young Man)” is a great tune to get psyched up to… “get up, get back on your feet… your the one they can’t beat and you know it”… man, if those cool lyrics are not enough to inspire you, then you are better off listening to vintage Boxcar Willie. 

I am by no means telling anyone what they should listen to on Metal Odyssey, rather, I only try to acknowledge the Hard Rock bands and their albums that in my Metal opinion, are a great listen and buy. “The Grand Illusion” by STYX is for me, so justifiable of a legendary Hard Rock album. If I was to get just one visitor to my post to obtain a copy of this CD/album, well, I did someone a great favor. Veteran STYX fans should understand what I mean! The members of STYX, on “The Grand Illusion” were: Dennis DeYoung on keyboards, synthesizer & vocals, Tommy Shaw on acoustic and electric guitars & vocals, Chuck Panozzo on bass & vocals, John Panozzo on drums, percussion & vocals, and James Young on guitars, keyboards & vocals. What a band… what an album.

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Saxon continues to Rock with Old School Heavy Metal

Posted in 1970's heavy metal, 1980's heavy metal music, 1980's metal music, 1990's heavy metal music, Album Review, classic metal, cool album covers, current heavy metal albums, current heavy metal music, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, metal music today, Metal Reviews, Music, new heavy metal album, old school heavy metal, Power Metal with tags , , , , , , , , , , , , , , , , , , , , , , , , , on May 30, 2009 by Metal Odyssey

7670060929Saxon – the words durable, old school, enduring and still excellent at their Metal craft, come to my mind. Let’s be honest, this is not the same Saxon from their “Denim and Leather” days, yet they are Saxon 2009 – that is Metal-good enough for me. Saxon was an essential part of “the new wave of British Heavy Metal”, going back to the late 1970’s into the early 1980’s. When I first heard Saxon back then, I felt like I found a band no one else knew about… I had a cool Metal secret. Well, the secret was already out, as I later found. Saxon was justifiable a favorite of legions of Metalheads, therefore I was not alone with my new found Heavy Metal band after all. 

568497a3ad“into the Labyrinth” is the newest album from Saxon, released on January 13, 2009. “Battalions Of Steel” and “Valley Of The Kings” have an almost majestic Power Metal sound, complete with keyboards and what sounds to me like an enlightened choir. For me, Saxon pulls it off extremely well when they go the Power Metal route. “Live To Rock” is the single being pushed off of this album, it is bona fide Old School Heavy Metal with a cool, vintage, anthemic delivery to it. This is the fist raising – head banging tune that will stir up plenty of 80’s Heavy Metal memories for many. “Slow Lane Blues” is another fine example of how Saxon holds onto the Classic Metal approach, a fun tune that tells the complete story of a dude being pulled over by a cop for speeding. “Crime Of Passion” is heavy, heavy, Metal. Nigel Glockler punishes the drum kit on this song, again, head banging can and may occur when listening to this song too. If there is to be a song on this album that is considered a ballad, well, “Voice” is it. However, this is a heavy ballad – staunch Metalheads need not worry – Saxon does not get sappy here at all. “Hellcat” is my favorite track on this album, it is fast, furious and heavy. The three key Metal music ingredients I always embrace! “Come Rock Of Ages (The Circle Is Complete)” is a Heavy Metal exclamation point for Saxon on this album, man this song is good. “Coming Home (Bottleneck Version)” is a back woods – lets stomp in the swamp – foot stomping tune. It is a cool way to come down after the previous 12 tracks of fired up Heavy Metal.

Biff Byford on lead vocals sounds fabulous throughout “into the Labyrinth”, he is what I consider truly underrated, as a Heavy Metal front man. Biff Byford is like the silent elder Metal statesman – compared to the press the other more popular lead vocalists of Old School Heavy Metal receive. Doug Scarratt and Paul Quinn are a cool and talented guitar duo to listen to, I have sincere Metal admiration for both. Nibbs Carter on bass hooks up with Nigel Glockler on drums to provide a top tier rhythm section of crushing Heavy Metal. Overall, long time Saxon fans should gobble up this new album, new fans should be easily recruited. When you have 13 songs this good, with tunes that Rock this heavy, I feel you have a Metal winner. 

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Heavy Metal 101: 10 (or more) most underrated Metal albums you need to know

Posted in 1980's heavy metal albums, 1980's heavy metal music, 1980's metal music, 1980's thrash metal, 1990's heavy metal music, Album Review, Black Metal, Black Sabbath, classic metal, cool album covers, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal music, Heavy Metal Reviews, horror metal, king diamond, Metal, metal music, Metal Reviews, Motorhead, Music, old school heavy metal, Over Kill, Power Metal, speed metal, Thrash Metal, thrash metal album review, thrash metal music, thrash metal music reviews, tony iommi heavy metal guitarist, vintage heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 28, 2009 by Metal Odyssey

 

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If you are a veteran Metalhead, these ten (or more) Metal albums that I consider underrated may not surprise you. Heck, you may already have owned them for several years or even decades. In the Metal event you are a new recruit to the dynamic world of Heavy Metal, welcome aboard and go out and BUY THESE METAL ALBUMS for they will serve you right! Oh, what do I mean by underrated? Well, for starters, these are Classic/Vintage Metal albums that do not seem to get enough attention these days – as I surf around the world wide web, these are the albums that tend to go unnoticed for some oddball reason or another. It is my goal to surround the readers of Metal Odyssey with the knowledge necessary, to make prudent Metal album buying decisions too. These ten Metal albums, in my Metal opinion, have most definitively stood the test of Metal time. Enjoy and absorb this list, please note that these Metal albums are not in any specific order. (These Metal albums are my own personal choices for most underrated, I am sure many knowledgeable Metalheads out there will have differing opinions).

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MERCYFUL FATE – “MELISSA” – King Diamond, plus, absolutely NO radio friendly tunes found here. This band laid down a whole bunch of Black Metal groundwork for others to learn from.

TWISTED SISTER – “YOU CAN’T STOP ROCK ‘N’ ROLL” – Just before Dee Snider & the boys became really famous. I find this album to be just as inspiring today as it was in 1983. My favorite Twisted Sister album.

BLACK SABBATH – “BORN AGAIN” – Ian Gillian on vocals, ’nuff said. O.K., this is one tough album or CD to find. “Trashed” is very heavy stuff, a very fast Black Sabbath tune. This version of Black Sabbath is incredibly good. Bev Bevan of Electric Light Orchestra fame actually was the drummer on the “Born Again” Tour during 1984/85. That is correct. You did read this right. Now that is cool, having an ELO and Black Sabbath connection. 

MOTORHEAD – “ANOTHER PERFECT DAY” –  Of all the Motorhead albums, this one deserves more respect. The tune “One Track Mind” is reason alone to own this vintage Motorhead release, plus the album cover artwork and liner notes are extremely diabolical and cool. 

GRIM REAPER – “See You In Hell” – The album title says it all… the title track “See You In Hell” is for me, a Heavy Metal anthem that brings back memories to my Metal heart. This was one heavy duty band for me… worth every Metal second of listening enjoyment. Overall, great band, great album, I wish they could have done twenty albums.

EXODUS – “FABULOUS DISASTER” – Gary Holt is such an important guitar player in Thrash Metal history. Exodus is always grouped in with the Thrash Metal originators. In my Metal opinion, each original Bay Area Thrash Band is just as important as the next… I am giving Exodus their just due here and “Fabulous Disaster” is just that, fabulous Thrash Metal.

VINNIE MOORE – “MINDS EYE” – Hey, this guy can play guitar. Heavy Metal guitar too. An all Metal instrumental album could never hurt no one, especially a Metalhead. Listening to Vinnie Moore in college helped me get unreal grades in fine arts, I am not kidding. I drew some of my best stuff listening to Vinnie Moore – thanks Vinnie.

MANOWAR – “HAIL TO ENGLAND” – Very loud and Old School Metal. This album has all the Metal attitude and heavy music you could ever ask for, plus, as a bonus, these guys are quality Metal musicians too! There are those times, when I need a cool Power Metal band that is Old School, that I can sing along to. They very well might be… “The Kings of Metal” as they advertise… heck, I would never think of telling them they are not.

OVER KILLEvery album they have ever made. Yeah, this sounds crazy, yet these guys are that great at playing Thrash Metal. Over Kill always seems to have been the hardest working Thrash band on the planet, with no star status or star treatment from the wide world of professionally paid critics. Different lineups throughout the years has not affected my loyalty… as long as there is Bobby “Blitz” Ellsworth and D.D. Verni leading this potent Thrash attack, I am Metal happy.

W.A.S.P. – “K.F.D.” – This is one heavy, monster of a W.A.S.P. album. Extremely heavy W.A.S.P. – Blackie Lawless was not fooling around with this album… I listen to “K.F.D.” when I have both good and bad days, the end affect is still just like opening up a can of Metal whoop ass and getting straightened out – Blackie Lawless style. Thanks Blackie Lawless.

KROKUS – “HEADHUNTER” – O.K., sure, there is some commercial appeal here with the tune “Screaming In The Night”, yet it is a far cry from any of the heavy ballads that blitzed us all in the 1980’s. Factor in the raging track “Headhunter” and the Metal grooviness of “Stayed Awake All Night” and you have served up yourself some decent party tunes.

Black Sabbath "Born Again"

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Danzig – debut album from 1988 is all Metal muscle

Posted in 1980's heavy metal albums, 1980's hard rock, 1980's heavy metal music, 1980's metal music, Album Review, classic metal, cool album covers, Danzig, essential hard rock albums, essential heavy metal albums, Hard Rock, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, horror metal, Metal, metal music, Metal Reviews, Misfits, Music, old school heavy metal, rock music, vintage heavy metal albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 27, 2009 by Metal Odyssey

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Listening to the debut album from Danzig, (titled “Danzig”), is always a refresher course in what smash mouth Metal is about. Released in 1988, this album in my Metal opinion, has all the ingredients necessary to be looked upon as a muscular Metal Classic. I will admit, that this is one of my favorite Metal albums ever and Danzig does hold high rank in my Metal universe. Before Glenn Danzig went the all Metal route with his music, well, was there anyone else in Metal that sounded like him? My answer is nope. I liken Danzig’s vocals to be of profound Metal uniqueness, where he will clearly deliver the spoken word, then sing and/or belt out vocally with real conviction.  Sure, I even agree that Danzig’s vocals sound a tad like Jim Morrison at times… not a bad dude to be compared to for vocals. The ten tracks on “Danzig” are laced with the lyrical darkness that are open for interpretation. Musically, Glenn Danzig is a Metal mastermind at combining the straight up and anti-commercial approach to these songs, while not over complicating any of the songs structure. “Mother” is the closest you will get to ever seeing a Danzig tune dabble with mainstream popularity.

I can recall how the great Danzig song “Mother” gave me an unexpected surprise that actually made my day. My best buddy in the Galaxy, well, he is a steadfast and loyal Boston Red Sox fan, (I am not). He took me along to Fenway Park a couple of times, (paid for my tickets too) and we both took in two fine games. I will always appreciate his generosity. Well, at one of these Red Sox games, the relief pitcher – closer was called in to the game, his name was Keith Foulke. I did not realize that this pitchers theme song and/or warm-up song to get pumped up to – was none other than Danzig’s “Mother”. Here I am, innocently sitting in the historical Fenway Park, by the historical “Pesky Pole”, within a sea of Red Sox fans and I am taken by Metal surprise to the electrifying and heavy loudness of Danzig’s “Mother” coming over the stadium speakers! I felt so proud to be a Danzig fan at that moment. Let me tell you, that song lit up the thousands of Red Sox fans at Fenway Park that day. 

Now, back to this Danzig album, my favorite four tunes, (not in any specific order), are: “Twist Of Cain” – which has the sandpaper tough, do not mess with me attitude oozing from the lyrics and music, “She Rides” – a track that has that slowly driven, heavy beat that gives me an instant, devious, Metal grin, “End Of Time” – which is melancholy and spooky lyrically and rocks heavy with thick Metal grooves, leads & riffs, then of course, “Mother”. I will say that in my Metal opinion, all ten songs on “Danzig” are fully loaded for maximum heavy musical enjoyment. The Danzig lineup for this debut album was: Glenn Danzig on vocals, Eerie Von on bass, John Christ on lead guitar and Chuck Biscuits on drums. Not that Glenn Danzig needed any introduction to the Rock universe back in 1988, he did arrive with storied and musically historical careers with the Misfits and Samhain behind him. However, I firmly believe that this debut album was built to last, succeeding in launching the Metal legacy that Danzig has so brilliantly created.

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Fastway – revisiting one cool, Heavy Metal debut album

Posted in 1980's heavy metal albums, 1980's rock music, 1980's hard rock, 1980's heavy metal music, 1980's metal music, Album Review, classic metal, classic rock, cool album covers, essential hard rock albums, essential heavy metal albums, essential rock albums, Hard Rock, hard rock album review, hard rock guitarists, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Motorhead, Music, old school heavy metal, Rock, rock music, vintage hard rock albums, vintage heavy metal albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 26, 2009 by Metal Odyssey

main-150In 1983, Fastway was the apple of my Metal eye. Today, well, Fastway is an old school Heavy Metal favorite of mine still, with their debut album aptly titled “Fastway”, being what I consider their best material. Man, when I heard the news that “Fast” Eddie Clarke was leaving Motorhead, I was floored like any loyal fan, back in the day. Then, the word broke, that “Fast” Eddie Clarke was forming a new Heavy Metal band called Fastway… my Metal anticipation was climbing by the second. Knowing that Pete Way (formerly of UFO) was to play bass alongside “Fast” Eddie Clarke only made this lineup more potent by the second. (I later found out that Pete Way never did get to actually play bass on the Fastway debut album).

Let’s go back in time now, to a wonderful department store named Caldor. You see, where I grew up, back in the 1980’s, Caldor was the biggest Hard Rock and Heavy Metal album supplier in my town. (It was the greatest place for a Metalhead teenager to go to for tunes, living in expensive nowhere Connecticut). I used to fantasize about Caldor while I was serving time in Parochial School and later High School. My thoughts strayed right into that glorious Caldor, envisioning the very long record aisles, lined with Yes, Iron Maiden, Bad Company, Ted Nugent, Black Sabbath… and then one day, in 1983, I remembered that the new Fastway album was to be released. Oh, the surefire Metal joy I would experience if that Fastway album was to be at Caldor! Minutes after I was released from being imprisoned in that High School, I was there… at Caldor. Fastway was also there. You betcha. With my Metal heart beating quickly, I reached for this precious new vinyl pressing, had it in my hands…  what is this? Located on the back of this Fastway debut album was a strange looking little mini record, it was not a 45 rpm, (it was the size of a 45 rpm and had a tiny album hole in the center), nor was it anything that I really saw before. It was supposed to be with this album, for it was the single for the song “Far Far From Home” – this song never made it on the actual album itself, therefore, the record company added it on as a separate single bonus! Man, at this moment, this teenage Metalhead was on Metal cloud nine.

Alright, as for the actual Metal found on this Fastway debut album, it rocked me straight into Heavy Metal bliss for an entire Summer – and Fall and Winter too. The tunes were so catchy, guitar driven and groove laden (courtesy of “Fast” Eddie Clarke), that it was one difficult album for me to put down for a lengthy period of time. “Say What You Will” was the most notoriously recognizable track off of this album. The opening guitar lead by “Fast” Eddie Clarke repeats throughout the entire song, instead of being repetitious, it was (and still is) Metal delicious. The vocals of the underrated Dave King were reminiscent of Robert Plant upon my initial listen to this album. However, back in the ’80’s it seemed to be the trend to point the finger at too many Hard Rock and Metal vocalists – accusing them of ripping off the legendary Robert Plant. “Easy Livin'” is definitely my favorite track on this debut, it is fast, slick and the guitar play of “Fast” Eddie Clarke shines. “You Got Me Runnin'” and “Give It All You Got” are heavy, fast paced – melody makers, providing the maximum Heavy Metal grooves you can possibly get out of three minute songs. 

In a Metal nutshell, the overall enjoyment that this Fastway debut album has provided me, sincerely has lasted a lifetime. This is one of those albums that I bought on CD as quickly as it was available. The efficiency of this album is what makes it a winner, for me. The efficiency of the songs structures, both musically and time wise, coupled with “Fast” Eddie Clarke on guitar, Dave King on vocals, Jerry Shirley on drums and Mickey Feat on bass, makes the debut Fastway album a Heavy Metal treat for me – to reach for to this very day.

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