Archive for the Black Metal Category

Withering Soul – “No Closure” Explodes With Black Metal Impressiveness

Posted in Black Metal, Extreme Metal, Heavy Metal, metal music, metal odyssey, Music, rock music, rock music news, symphonic metal with tags , , , , , , , , , on February 20, 2011 by Metal Odyssey

WITHERING SOUL – Rising from the Metal shadows of Chicago, Illinois, Withering Soul has left me somewhat spellbound by their brand of Black Metal. No Closure is their debut full-length, scheduled for a March 8th, 2011 release on Mortal Music, with distribution via MVD Entertainment Group. Seriously, I did not have any pre-conceived thoughts about Withering Soul and their debut album upon my pushing the play button. Halfway through No Closure, I was extremely entertained and gratified by the all-encompassing melodic and Blackened sound that Withering Soul has tapped into.

As each song played out on No Closure, I was awaiting that one song, perhaps two songs that would fall flat to the ground. It never happened. Withering Soul has all their gears rotating with Blackened precision and I truthfully declare there is not a dull moment to be heard on No Closure. Mykil on vocals delivers the evil tones with Black and Death Metal variety. It’s Mykil’s Blackened fury that takes center stage though and he is a feast to listen to. Mykil’s brother Krystofer on guitar and synths lends the melodic thickness and orchestrated atmosphere of darkness, a combination that swirls together with fantastical results.

Night of the Revenant and Requiem of Sorrow are two atmospherical instrumentals that lead me down a darkened path with somber walls caving in around me. These two melancholic songs are what sets Withering Soul apart from being just another all-out Extreme Black Metal band. Withering Soul doesn’t just go for the jugular from the opening note on No Closure, instead, this is a band that takes a reflective tone towards their music by slowing the Extreme Blackened momentum down to a crawl on both instrumentals. This tempered down instrumentation can have a profound affect on the mind and both Night of the Revenant and Requiem Of Sorrow are surreal moments that I embrace.

Sadistic Redress, Tides of the Accursed and The Sequitor are three songs that I single out for grand Extreme Black Metal reason… they each exemplify how Withering Soul can play toe-to-toe with their Extreme peers of any Metal genre. On each of these songs Mykil’s vocal rage (and range), high-speed tempo and full-blown Extremity of Metal musicianship are carved out in Blackened stone. The layering of sounds that Withering Soul creates are reminiscent of Cradle Of Filth, yet what I take away from this album is calling this band an original, without question.

An underground vibe pulsates enormously within the songs of No Closure, with one exception: Unquiet. This song begins with Traditional Metal guitar licks that continues throughout it’s entirety. Guest vocalist Melissa Ferlaak provides her symphonic touch to Unquiet, giving this song an accessible multi-genre appeal. Coupled with Mykil showcasing his diverse vocals along with a strong hint of Goth vocals, this song truly excels. With Unquiet, the significance of being unique is brought out to the open by Withering Soul, showing this band is unafraid and unashamed to branch out musically within the context of an underground Black Metal style. I find Unquiet to be an admirable creation and dynamic listen by Withering Soul.

The darkened ambient feel that Withering Soul has created on No Closure is indeed an alluring Metal attribute. Symphonic Black Metal is served up with muscular guitar parts and a heavy laden rhythm section on their debut full-length. Make no mistake, Withering Soul is giving out extreme doses of Black Metal vibes and sounds through their music, only this band is not over the top with their style or sound.

Withering Soul does convince me of their reverence to this majestic Black Metal genre that so many of us uphold as the ultimate Metal mystical experience. Withering Soul have created ten songs that are unbelievably memorable for my senses. No Closure is a debut album that may very well be the measuring stick of Withering Soul’s future Black Metal catalog.

* Melissa Ferlaak is an American Soprano and the lead singer for Echoterra.

Withering Soul:

Mykil – vocals

Krystofer – guitars & synths

William – bass

Marek – drums

Track Listing For No Closure:

Night of the Revenant

Phantasmal Chaos Divinity

The Sequitor

Tides of the Accursed

Possession of Deception – Part II

Sadistic Redress

Manifest Transparency

Lifeless They Lie

Unquiet

Requiem of Sorrow

* For more info on WITHERING SOUL, click on the links below!

WITHERING SOUL – REVERBNATION

WITHERING SOUL – Official Website

LONG LIVE WITHERING SOUL.

Stone.

ADVERSARIAL – Release Artwork and Track List for “Prophetic Plain of Abyssal Revelation” LP

Posted in Black Metal, Death Metal, Extreme Metal, Heavy Metal, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , on February 5, 2011 by Metal Odyssey

ADVERSARIAL – This March, Dark Descent Records will release an LP featuring newly recorded Adversarial material along with the original Thralls demo material (released by Blood Harvest in 2008). This LP/CD will be titled Prophetic Plain of Abyssal Revelation and will contain the three Thralls demo tracks in their original recorded state, two unreleased tracks and two cover songs. The two cover tracks are Incantation’s “A Once Holy Throne” and Archgoat’s “The Light Devouring Darkness”.

Track Listing For Prophetic Plain of Abyssal Revelation:

Side A

1. Scourge of a World Ablaze

2. A Hatred Tempered and Trialed

3. Thralls

4. Prophetic Plain of Abyssal Revelation

Side B

5. Impending Eternal Blackness

6. The Light Devouring Darkness (Archgoat’s cover)

7. A Once Holy Throne (Incantation Cover)

Above artwork: Prophetic Plain of Abyssal Revelation LP

* For more info on ADVERSARIAL and Dark Descent Records, click on the links below:

ADVERSARIAL – myspace music

Dark Descent Records

EXTREME METAL RULES.

Stone.

NACHTMYSTIUM: 2011 North American Tour With Cradle Of Filth Begins February 1st!

Posted in Black Metal, Extreme Metal, Heavy Metal, heavy metal tours, metal music, metal odyssey, Music, progressive metal, rock music, rock music news with tags , , , , , , , , , , on January 31, 2011 by Metal Odyssey

The anticipated Creatures From The Black Abyss Tour — featuring Chicago’s black meddlers NACHTMYSTIUM as direct support for Cradle of Filth — embarks this Tuesday, February 1st! The massive expedition will invade 30 North American cities, engulfing the continent in a clockwise vortex over the next six-and-a-half weeks. As NACHTMYSTIUM’s first major tour of 2011, and first tour since their massive North American headlining tour with Zoroaster, The Atlas Moth and Dark Castle last fall, these dates will showcase the unit unveiling much of the material on last year’s incredible Addicts: Black Meddle Part II album which the band have not previously performed live. Check out the full tour schedule below.

Addicts: Black Meddle Part II was released by Century Media in North America in June 2010, and has since infected the planet with it’s blackened but genre-defying experimentation, holding top spots on year-end lists worldwide and continually garnishing major press coverage. NACHTMYSTIUM were recently also featured on the main cover of the massive Chicago-area music newspaper The Illinois Entertainer, showing their local scene embracing the act more than ever as they continue to infiltrate the rest of the planet.

Creatures From The Black Abyss Tour with: Cradle Of Filth, Nachtmystium, Turisas and Daniel Lioneye:

2/01/2011 Warehouse Live – Houston, TX

2/02/2011 Palladium Ballroom – Dallas, TX

2/04/2011 Marquee Theatre – Tempe, AZ

2/05/2011 Fox Theater – Pomona, CA

2/06/2011 House Of Blues – Las Vegas, NV

2/08/2011 Club Nokia Live – Los Angeles, CA

2/09/2011 The Regency – San Francisco, CA

2/11/2011 Showbox Theatre – Seattle, WA

2/12/2011 Knitting Factory – Spokane, WA

2/13/2011 Commodore Ballroom – Vancouver, BC

2/15/2011 Edmonton Events Centre – Edmonton, AB

2/16/2011 MacEwan Hall Ballroom – Calgary, AB

2/18/2011 Gothic Theatre – Englewood, CO

2/20/2011 House Of Blues – Chicago, IL

2/21/2011 The Rave – Milwaukee, WI

2/22/2011 Newport Music Hall – Columbus, OH

2/23/2011 Club Zoo – Pittsburgh, PA

2/25/2011 Harpo’s – Detroit, MI

2/26/2011 Sound Academy – Toronto, ON

2/27/2011 Metropolis – Montreal, QC

2/28/2011 Imperial De Quebec – Quebec City, QC

3/02/2011 Trocadero – Philadelphia, PA

3/03/2011 Best Buy Theater – New York, NY

3/04/2011 The Palladium – Worcester, MA

3/05/2011 Starland Ballroom – Sayreville, NJ

3/08/2011 Norva Theatre – Norfolk, VA

3/09/2011 The Orange Peel – Asheville, NC

3/11/2011 Revolution – Fort Lauderdale, FL

3/12/2011 Firestone – Orlando, FL

3/13/2011 The Masquerade – Atlanta, GA

* For more info on Nachtmystium and Cradle Of Filth, click the links below:

Nachtmystium – myspace music

CRADLE OF FILTH – Official Website

LONG LIVE NACHTMYSTIUM.

LONG LIVE CRADLE OF FILTH.

LONG LIVE TURISAS AND DANIEL LIONEYE.

Stone.

VALDUR: California Blackened Death Legion To Play Two Special Shows!

Posted in Black Metal, Extreme Metal, Heavy Metal, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , on January 25, 2011 by Metal Odyssey

Mammoth Lakes, California blackened death horde VALDUR, who released their  Raven God Amongst Us full-length upon unsuspecting masses this past summer and are already working on new tunes, will bring their infernal rumblings to the live arena for two very special shows. The first will happen this coming Friday at The Blvd. in Boyle Heights, California. The second will be an appearance on the Oakland Black/Death Fest at the Metro Operhouse on Saturday March 12th. The band will be joined by headliners Dispirit, Necrite and Mutilation Rites among others.

Commented drummer Sxuperion on the live shows and upcoming new tunes: “We always look forward to the live event, as we very much appreciate and respect the energy and effort that is required to provide VALDUR’S music immediately! Otherwise, VALDUR has basically kept our determination focused upon the writing of many new songs that will see themselves appear on a new full-length release. We are buried in ten to twenty feet of snow in town which is very conducive to writing and creating. The new songs are faster and more intense than anything that VALDUR has released thus far. This new full-length will be finished and out when we say so.”

“Valdur are the best black metal band in the United States that you’ve probably never heard of.” — About.com

“USBM is so often by the numbers that I am wary of it right out of the gate, but this is a band that remembers what is good about black metal, and does it very well indeed. Not an album to overlook.” — The Metal Crypt

“Commercialized darkness and blackness can take a back seat to what VALDUR is creating here… this is underground, this is black metal… this is VALDUR and their creation they have named: Raven God Amongst Us.”  — Metal Odyssey

“With all the scenester bullshit dominating black metal in the United States, it’s really refreshing to hear a band and album from my home country playing something a bit more geographically ambiguous. California’s VALDUR is said band, and sophomore full-length Raven God Amongst Us is the album.” — Metal Review

(Source: Earsplit PR, January 25, 2011)

LONG LIVE VALDUR.

Stone.

SCION ROCK FEST – March 5, 2011 – Roster Of Bands and Event Info

Posted in Black Metal, Death Metal, Extreme Metal, Heavy Metal, metal music, metal odyssey, Music, rock music, rock music news, Thrash Metal with tags , , , , , , , , , , , on January 25, 2011 by Metal Odyssey

SCION ROCK FEST – A Metal event like this SCION ROCK FEST is a gathering of fellow Metalheads of all ages, celebrating the greatest music genre in the history of the world… METAL. With more than two dozen of Metal’s finest bands assembled, the SCION ROCK FEST will be a Metal event where Metal memories of tomorrow will be made and Metal Music will be played… LIVE and LOUD!

* This is a FREE event… rain or shine! Click the link below for details.

* For more Metal info and exact locations for this SCION ROCK FEST, plus ticket availability, click the link here: SCION ROCK FEST 2011

WHEN: March 5, 2011

TIME: 4:00 P.M. – 12:30 A.M.

WHERE: Pomona, California @ The Fox Theater Pomona @ The Glass House

* As the SCION ROCK FEST flyer states, (see top of post), entry is not guaranteed, line up subject to change.

THE ROSTER:

Morbid Angel

Obituary

Death Angel

Municipal Waste

Immolation

Agalloch

Integrity

Bastard Noise

Athiest

Floor

The Body

Anaal Nathrakh

Black Breath

Nails

Primate

Dispirit

Kvelertak

Crom

Wormrot

Necrite

Woe

F*** The Facts

Cough

Dark Castle

Bonded By Blood

Christian Mistress

LONG LIVE THE SCION ROCK FEST.

LONG LIVE METAL.

Stone.

HEMOPTYSIS “Misanthropic Slaughter” – Debut Album Is CAN’T MISS Thrash Metal For 2011 and Beyond!

Posted in Black Metal, Death Metal, Extreme Metal, Heavy Metal, metal music, metal odyssey, Music, rock music, rock music news, Thrash Metal with tags , , , , , , , , , , on January 22, 2011 by Metal Odyssey

HEMOPTYSIS Real Thrash Metal will never say die or succumb to the mainstream. Metal, albeit Death or Black, grows stronger each day, one band and fan at a time. Old School Thrash Metal combined with a fresh and real sound of Extreme Metal, encompassing both Death and Black Metal influences is being played now by a young generation of talented Metal musicians. Thank the Metal Gods they are out there.

One such real and talented Metal band that fits this Metal mold and has risen from the pack is Phoenix Arizona’s very own HEMOPTYSIS… and their brand of Thrash Metal is to be heard and reckoned with. This isn’t carbon copy Thrash Metal that HEMOPTYSIS is unleashing on their debut full-length album Misanthropic Slaughter, (which is being self-released on March 8, 2011). Instead, this is about a Thrashing Extreme Metal torch being being lit by this band… and HEMOPTYSIS knows how to keep it’s F’n sacred Thrash Metal fire burning.

The first time Misanthropic Slaughter entered my ears, a realization flooded through my Metal mind and veins that HEMOPTYSIS is a band that cannot be stopped nor contained… not when the Thrash I’m hearing is this staggering. How on Earth can HEMOPTYSIS be an unsigned band? Some may question my Metal enthusiasm here… I respond by stating: this is a band that has 0% tolerance for pretentious Metal and has administered to my ears an original sound, that is bad ass personified.

What HEMOPTYSIS has created here with Misanthropic Slaughter, is a Thrash Metal album that has brought back an excitement that I’ve been yearning for from an “up and coming” Thrash Band (or any young Metal Band) for quite a few years now. From beginning to end, this album is a non-stop Metal high for me. Masaki Murashita on vocals is as original as they come, sounding as if he has ascended from the fiery and evil depths of inner Earth to spread his Metal mandate upon us all. In all my years of being a Thrash Metal loyalist, I can bravely admit Masaki’s vocals are the driving force behind HEMOPTYSIS being an Extreme Thrash presence.

One explicit identity of Masaki’s vocals is there being a defined trait of Death Metal fusing with Black Metal. Shades of multiple Metal genres will inevitably appear within the music of a new Metal Band, our beloved Metal genres influence is due to their decades of survival and acute dominance. Thank you Mr. Murashita, may I please have more? Masaki’s guitar licks alongside lead guitarist Ryan Miller are stuff of Thrash legend in another two decades from now… or much sooner. And I’ll add, that Masaki can light it up with an insane guitar solo on The Cycle, making his double Metal threat as vocalist and guitarist extremely formidable.

The sound clarity and across the board production on Misanthropic Slaughter is top tier quality. With “Grammy Award” winning producer Ryan Greene at the helm (Megadeth, Authority Zero, NOFX) Misanthropic Slaughter comes alive with an enriched sonic potency, with each instrument being played never succumbing to any hinderances. After my first few thorough listens to this album, I’m astonished it is a debut offering from HEMOPTYSIS… the songwriting, vocals and playing is that mature.

To say all eleven songs on Misanthropic Slaughter burn with an intensity of unreal speed and driving Thrash Metal force sounds rather cliche’, only it is the DAMNED Metal truth! My God has a new Thrash Metal Band crossed my Metal path and set me F’n Metal straight! The grand thing about it all, is that I never expected this! The solo’s that Ryan Miller turns loose on this album are F’n mind blowing. Period. Impending Doom, And The World Dies… it doesn’t make a difference, every ruthless guitar lead and solo that Ryan Miller assaults my eardrums with has me asking: Thank you Mr. Miller, may I please have more?

Yes, the unyielding combination of Masaki Murashita and Ryan Miller I have exposed… and for admirable Metal reasons. However, there is the Thrashin’ and Metal groovin’ rhythm combo of Sunao Arai on bass and Travis Thune on drums. Sunao and Travis make this album’s Metal sound rise to a stunning level, thanks in part to both of them penetrating any hollow cavity of silence with their thunderous beats. Sunao’s bass and Travis’s drums are vital in making these songs rage along at such a precise and breathtaking Thrash pace! If there is any better way to describe Sunao and Travis as players, then I’ll anoint them as the Thunder Gods of HEMOPTYSIS right now and be Metal done with it. Thank you Mr. Arai and Mr. Thune, may I please have more?

Yes Virginia, there is a Metal Claus and he delivered the Thrash Metal package to my Metal door. That Thrashin’ and Extreme lined package is Misanthropic Slaughter. At times, there is Metal melody that seeps out of that guitar of Ryan Miller’s and that is a favorable attribute. Masaki Murashita has given the Thrash Metal genre a whole new voice to identify with and that too, is a favorable attribute.

Hearing HEMOPTYSIS is Metal believing. There is a strong crossover appeal with HEMOPTYSIS, Thrash Metal, Metal, Death Metal and Black Metal fans can all benefit from Misanthropic Slaughter. There are no gimmicks or commercial leanings to be found and dissected here, it’s all about the songs, the real and meteoric Thrash Metal which empower’s me to state: Misanthropic Slaughter is an album that has CAN’T POSSIBLY MISS radiating from it’s every Metal nook and evil cranny. Metal be thy name.

METAL ODYSSEY AWARDS MISANTHROPIC SLAUGHTER: 5 OUT OF 5 METAL FISTS!

THE METAL WORLD HAS A NEW PIT BULL IN IT’S BACKYARD… IT’S HEMOPTYSIS.

ANY METAL RECORD LABEL IN IT’S RIGHT MIND SHOULD HAVE HEMOPTYSIS: SIGNED, SEALED AND DELIVERED FOR THE VAST WORLD OF METAL HUNGRY FANS.

* Misanthropic Slaughter releases on March 8, 2011 and will be available through iTunes, CD Baby and Amazon.com.

* HEMOPTYSIS “have been dubbed” the 2009 and 2010 “Metal Artist Of The Year” by The Los Angeles/Phoenix Music Awards.

* HEMOPTYSIS has 13 endorsements, which include: Jackson Guitars, KRANK Amplification, PEAVEY, EMG Pickups, Coffin Case and In Tune Guitar Picks Inc. to name a many few.

* Misanthropic Slaughter is the follow-up to the this band’s critically acclaimed EP – Who Needs A Sheppard?

* For more info on HEMOPTYSIS, just click on the links below:

HEMOPTYSIS – Official Website

HEMOPTYSIS – REVERBNATION

HEMOPTYSIS – myspace music

HEMOPTYSIS – Facebook

HEMOPTYSIS:

Masaki Murashita – vocals & guitar

Ryan Miller – lead guitar

Sunao Arai – bass

Travis Thune – drums

Misanthropic Slaughter Track Listing:

Misanthropic Slaughter

Hopeless

M.O.D.

Impending Doom

And The World Dies

Interlude

The Cycle

Blood Storm

Shadow of Death

Hadephobia

End of Sorrow

LONG LIVE HEMOPTYSIS.

LONG LIVE METAL.

Stone.

Pale Chalice “Afflicting the Dichotomy of Trepid Creation” – An Exemplary Black Metal Debut EP

Posted in Black Metal, Extreme Metal, Heavy Metal, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , on January 10, 2011 by Metal Odyssey

PALE CHALICE – Black Metal has it’s sharpened claws all over the globe. San Francisco, California is well represented by this Blackened and mightily determined genre, with Pale Chalice. This is a band that has been evolving since the end of 2008, honing and molding their Black Metal craft to the fantastical sound I hear on this four song EP – Afflicting the Dichotomy of Trepid Creation. This being a debut Blackened offering from Pale Chalice, it is nearly thirty minutes of intense sound that has penetrated my Black Metal corridor and staked it’s claim.

Music is all about vibrations and it’s those “vibes” that tell me when a band truly “feels” their sound they have created. Pale Chalice “feels” their sound, they convey Black Metal tonality with a welcomed air of vigor. This band is not an underground anomaly, instead they are embarking on a path that will most likely lead them to underground distinction, if they are not already there.

The overriding viciousness of the vocals spills out over each song, while the screams are factually bone chilling. Dark and mysterious are the lyrical content within all four songs, which prey on the extraordinary. This EP thunders along as heaviness is concerned, while the melodic nature of these songs is conclusive. Pale Chalice couples heavy and melodic in an impressive style, never waverering from their Black Metal mystique that sets all four songs ablaze.

The tempo shifts that Pale Chalice utilizes are essential in setting the blackened mood, at times creating melancholic and/or macabre swirls of cognition. When Pale Chalice plays at full speed, the perception is one of victory, that an army of darkness has indeed beaten down any luminous combatants. The quality of sound production is in place, with a raw tinge that blankets the entire auditory experience.

What Afflicting the Dichotomy of Trepid Creation has shown my ears, is that Pale Chalice is a convincingly equipped, underground Black Metal outfit, that wants to prevail. It’s as if Pale Chalice is now biding their time before a debut full-length of  their Blackened Metal is unleashed upon the world, that this EP is a worthy teaser. I’m relishing this piece of Blackened work for now… and I’ll be in front of the line when Pale Chalice turns loose that anticipated second round of their Black Metal art.

PALE CHALICE:

Oram Evad

Masthantric Nodrab

Baneist Nonrutin

Ephemeral Domignostika

Grobahn Huv

* For more info on Pale Chalice, click here: Pale Chalice – myspace music

* Pale Chalice has been a live supporting act for Watain and Goatwhore.

* Both a CD and digital release for Afflicting the Dichotomy of Trepid Creation is set for March 8, 2011, on The Flenser (Flenser Records).

* For more info on The Flenser, click here: FLENSER Records

Track Listing:

Transplant Of Dimensional Recourse

Command of the Formless

Caressed by a Feeble Flame

Ascend the idyllic Sphere

LONG LIVE PALE CHALICE.

Stone.

WATAIN – World Wide Death – Band Issues Year End Update

Posted in Black Metal, Extreme Metal, Heavy Metal, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , on January 3, 2011 by Metal Odyssey

In a year end message from Swedish black metal legion, WATAIN: “North and South America have now been left in ashes, and with that the Lawless Darkness Tour 2010 is over. Hail to those who made it possible, and those who made it even more triumphant; North: Watain Disciples USA, Goatwhore, Black Anvil, Decibel Magazine, Liz and Dave at Earsplit, Jimmy and the Duff’s crew, Josh at Dean Guitars, Engl Amps, Black Witchery, Negative Plane, Averse Sefira, Hod. South: Arma Productions, Hells Angels Antofagasta, Careloco and The Chilean Watain Militia, Kythrone, the mighty Mortuary Drape, the Tumba crew, and all those whose presence strengthened us along the long and winding road through hell and back. You know who you are. A special mention to S.L of The Devil’s Blood who took on the lead guitar duties in North America; hail brother! Finally, a thunderous salute to our iron crew, without whom none of this would have been possible.

To view a clip from Swedish TV (with English subtitles) about WATAIN‘s appearance at the Sweden Rock festival in June earlier this year, point your browser
HERE. The concert was aired on the Swedish national radio program P3-Live on Thursday December 23rd. 

And it is that time of the year again, when the media compile their lists and distribute awards. WATAIN has received the following awards and nominations for 2010:

 

#1 Album Of The Year – Close Up Magazine
#1 Album Of The Year – Sweden Rock Magazine
#1 Band Of The Year – Terrorizer Readers Poll
#1 Personality Of The Year – Terrorizer Readers Poll
#2 Album Of The Year – Decibel Magazine 

WATAIN have also been nominated for:

 

“Hardrock” Category of the Swedish Grammy Awards
“Hardrock” Category of the P3 Gold Awards
“Nordic Album 2010” of the Nordic Music Price Awards

In light of all this, we would like you to contemplate upon the following lines:
“It is the magic combination of fierceness and beauty that makes the Wolf an exception even in nature. Revered outlaws, feared in their bestial nature, yet also objects of fascination and curiosity, of naturally inhabited and unreachable grace, that men love to hate, and hate to love. But regardless of what judgement the vox populi might pass on the nighttime predators, they remain just that; a rare breed of hunters; alone, aside, untamed, always hungry…”
(Source: Earsplit PR, January 3, 2011)

Stone.

KHORS – New Track Stream “Sacrament Of Buyan” Available Via Noisecreep!

Posted in Black Metal, Extreme Metal, Heavy Metal, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , on December 29, 2010 by Metal Odyssey

AOL Noisecreep is currently streaming “Sacrament Of Buyan,” the eighth track from KHORS’ latest full-length, Return To Abandoned, released last month via Paragon Records. On their fourth long player, the Ukrainian black metal horde yield the harsher, brooding sounds of earlier works whilst mixing in the melancholy and atmosphere of 2008’s unsung blackened gem, “Mysticism”. “Sacrament Of Buyan,” is based in Slavic mythology — Buyan is reportedly the only place where you’ll find “Koschei the Deathless” soul buried inside a needle inserted into an egg that lurks in a magical oak tree.

(Earsplit PR, December 29, 2010)

To check out “Sacrament Of Buyan,” point your browser HERE.

 

 

LONG LIVE KHORS.

Stone.

ACHREN – An Extreme Metal Band On The Metal Rise!

Posted in Black Metal, Death Metal, Extreme Metal, Heavy Metal, metal music, metal odyssey, Music, rock music, rock music news, Thrash Metal with tags , , , , , , , , , , on December 27, 2010 by Metal Odyssey

ACHREN – Formed back in 2003, from Glasgow, UK, comes the Extreme driven, Metal force of ACHREN. To take a passage from their bio, which best sums up their sound: “Crushingly heavy and uncompromising metal, filled with raw and razor sharp riffs, Death Metal growls, Black Metal screams and pounding drums, they create a unique sound forged as Blood Metal.” After listening to ACHREN’S streaming Metal on their myspace and Reverbnation sites, (see links below), I couldn’t agree more with this Metal description of their Extreme sound… this previous description took the Metal words right out of my mouth. How could Stone top that description? Eventually though, I will when describing ACHREN in the future.

Metal be thy name, it is always a glorious Metal moment when a band like ACHREN crosses my Metal path… this band embodies all the elements of Extreme Metal, that my ears and senses need to devour for Metal survival. After listening to ACHREN’S streaming songs, I didn’t hesitate and went straight to Itunes to purchase their EP and single from 2008, (see info & link below). Here is some very cool information about ACHREN that I’m sure any devout Metal lovin’ maniac will appreciate:

ACHREN is about to release a live DVD from Bloodstock Open Air 2010 and are the winners of the Bloodstock Open Air 2010 Metal 2 The Masses Initiative. ACHREN are now confirmed to play the Metal Battle Stage at Wacken 2011, plus they will be releasing their debut album in the Spring of 2011!

* ACHREN’S spell binding performance of brutal Death Metal proportions captivated the gathered masses in the New Blood Stage at this years festival!

Frontman Scott Anderson: “The Metal 2 The Masses Initiative has given us a great chance to take the band to a different level. The whole team at Bloodstock work so hard to make it the best Metal festival in the UK and we can’t thank everybody enough for providing us with this great opportunity.”

* ACHREN filmed their whole Bloodstock Open Air set, which is scheduled for release in January on DVD in January of 2011. Their yet untitled debut album is now complete and ready for a Spring release in time for further 2011 Summer festivals!

(Source: ACHREN press release, December 26, 2010)

* You can currently purchase the Extreme Metal of ACHREN, (released in 2008), on Itunes. Their 4 song EP Blood Metal and the single Blood Soaked Banner are there! I highly recommend both EP and single… amazingly Extreme and brutally saturated – Blood Metal! I bought these releases by ACHREN… and it served me right.

Just click this link:  http://www.itunes.com/achren

ACHREN:

Scott Anderson – vocals & guitars

Callum Kirk – guitars & bass

Gordon Johnston – drums

John Clark Paterson – bass

* For more info on ACHREN, just click on the links below:

ACHREN – myspace music

ACHREN – Reverbnation

ACHREN – Official Website

Wacken Open Air Festival

BLOODSTOCK OPEN AIR

LONG LIVE ACHREN.

LONG LIVE EXTREME METAL.

Stone.

Metal Odyssey’s Top Six Unsigned Metal Bands Of 2010!

Posted in Black Metal, Extreme Metal, Hard Rock, Heavy Metal, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , , , on December 19, 2010 by Metal Odyssey

Top Six Unsigned Metal Bands of 2010: There are countless unsigned bands in the world today, representing every genre of music. Metal Odyssey receives a fine share of demos and fully produced CD’s from unsigned bands. Many of these bands have potential to take their music to the next level, where there are those bands that should consider other career options. Then, there are the bands that are ready NOW for a major independent or major label to grasp onto what they are creating and playing. These are the unsigned bands that NEED to be signed NOW, to a major independent or major label.

I have chosen my favorite six unsigned bands of this past year and want to share them with the world, as a special edition of Metal Odyssey’s “Best Of” lists for 2010. A few of these bands I had the Metal pleasure to interview during 2010, while the other bands I’m sure I’ll cross Metal paths with one day soon. At the end of the Metal day, these six Metal bands are my favorites from the unsigned crowd of 2010. Here’s hoping that maybe one of these bands, if not all, will spark your Metal curiosity like they did mine!

Metal Odyssey’s Top Six Unsigned Metal Bands Of 2010:

MORPHINE KILLER

(Photo by: Stephanie Grant – imsteph.com)

From Southern California, there is the dynamic Metal duo of Brandon Ortiz, aka Eski and Belle Roka that make Morphine Killer… so damn killer to listen to.

What makes Morphine Killer such a tremendous Metal band is their quality songs, filled with quality vocals, lyrics and musicianship… the entire 100 yards of Metal. I reviewed their Nightmares EP with a posting back on April 23, 2010. Check it out for yourself by clicking that unreal looking header below!

MORPHINE KILLER “NIGHTMARES” EP – UNLEASHES UNREAL METAL EXTREMITY!

Back on May 16, 2010, Eski and Belle Roka took the time to answer some questions I threw at them. You can read this very cool interview by clicking on the very loud header below!

MORPHINE KILLER – Q&A WITH METAL ODYSSEY!

Throw It All Away is the new single that Morphine Killer released earlier this year, it will be on their forthcoming full-length album – Sickening. You can purchase this fantastic song on itunes, along with Morphine Killer’s two raging EP’s: Unapologetic and Nightmares. For now, take a listen to Throw It All Away by clicking on that cool box below! I hope you dig this song as much as I have been!

* For more info on Morphine Killer, click on the links below:

MORPHINE KILLER – Official Website

MORPHINE KILLER – Myspace music

DERAILED

Out of the Great White North… comes a Traditional Metal Band that brings Old School back with their very own supercharged Metal vibe and eye popping Metal skills… thank you Calgary, Alberta, Canada for – DERAILED. Led by founding member Dean Boland, the lead guitarist and a man of many Metal hats, Derailed is a big Metal deal to my ears. If you haven’t heard of Derailed just yet… your gonna.

On June 26, 2010, I posted the album review for the Derailed debut album Judgement Day. You can read all about it by clicking the huge header below!

DERAILED “JUDGEMENT DAY” – AN OLD SCHOOL WRECKING BALL OF METAL & HARD ROCK!

On August 4, 2010, my interview with Derailed’s Dean Boland was posted. Check it out by clicking the gigantic header below… it will serve you Metal justice.

DERAILED – A METAL ODYSSEY INTERVIEW!

* For more info on DERAILED, click the links below:

DERAILED – Official Website

DERAILED – myspace music

SERGEANT STEEL

On both sides of the Atlantic, there is Metal aplenty. Metal is a worldwide phenomenon that will never say die. Austria can very well boast, they are the home country for – Sergeant Steel. Every neighborhood in every country should have a band like Sergeant Steel, their brand of Hard Rock colliding with Old School Heavy Metal is so damn contagious.

On July 1, 2010, I posted the album review for Sergeant Steel’s debut – Lovers & Maniacs. You can read about this Hard Rockin’ & Metal Thumpin’ album by clicking on the bloated header below!

SERGEANT STEEL “LOVERS & MANIACS” – GOOD TIMES & CONTAGIOUS HARD ROCK DEBUT FROM AUSTRIA!

Back on July 14, 2010, my interview with Phil Vanderkill, the flamboyant front man for Sergeant Steel, was posted. If you want to get an “inside” track on just what Sergeant Steel is all about, click on the hefty header below!

SERGEANT STEEL: A METAL ODYSSEY INTERVIEW

* For more info on Sergeant Steel, click on the links below:

SERGEANT STEEL – Official Website

Sergeant Steel – MySpace Music Page

VALDUR

From Mammoth Lakes, California, VALDUR caught my Metal attention with a fiery blast of Black Metal whoop ass. Metal be thy name… VALDUR is for real.

On November 18, 2010, I posted the album review for VALDUR’S blackened Metal triumph which is called – Raven God Amongst Us. I highly recommend you take the time to check it out, by clicking that rotund header below!

VALDUR “Raven God Amongst Us” – A Raw And Apocalyptic Black Metal Storm

* For more info on VALDUR, click here: VALDUR – myspace music

NEUTRAD ARCHON

NeuTrad Archon released their full-length album this past year, titled – Overture. With ten songs that more than smoke the Metal meter to a melting point. These songs on Overture have undeniable substance, both lyrically and musically, with an unrelenting ability to satisfy my Extreme Metal hunger.

Their progressive, blackened, momentarily Folk Metal and downright darkened with Metal Extremity. This band knows how to incorporate a melodic drive to their sound as well, utilizing the keyboards throughout Overture and on one track violins are introduced, which makes NeuTrad Archon not just ultra-diverse in their Metal style, it makes them a band to latch onto and brag about to your Metal peers. This band has all the right ingredients to be huge in the Metal world one day.

* Look for a complete album review of Overture in early 2011, right here at Metal Odyssey!

* For more info on NeuTrad Archon, click on the link below:

NeuTrad Archon – myspace music

WINDFAERER

With New Jersey as their home base, the trio of M. Gonçalves (vocals, guitars, bass), Valcek (Violin) and JP Andrade on drums have created an album that mesmerizes my Metal senses with their full-length, eight song, album debut – Tribus. Windfaerer is such a band of Metal talent, it’s unquestionably scary. This is blackened Folk Metal at it’s underground finest, making me want to leap through the dark and foreboding fields of my neighborhood at night, in euphoric Metal glee, while raising the horns to the moonlit sky.

* Look for a complete album review of Tribus in early 2011, right here at Metal Odyssey!

* For more info on Windfaerer, click on the link below:

WINDFAERER – Myspace Music

METAL RULES.

LONG LIVE UNSIGNED METAL BANDS.

LONG LIVE THE SPIRIT OF ROCK ‘N’ ROLL.

Stone.

* Below is a list of other great sites/bloggers that cover Rock, Hard Rock and Heavy Metal and will be sharing their “Best Of 2010” lists and thoughts as well. It is well worth the trip to any and/or all of them!

Heavy Metal Addiction —  http://heavymetaladdiction.com

Hard Rock Hideout — http://hardrockhideout.com/

Heavy Metal Time Machine — http://metalmark.blogspot.com/

Metal Excess — http://metalexcess.com/

All Metal Resource — http://allmetalresource.com/

Bring Back Glam — http://bringbackglam.squarespace.com/

Hair Metal Mansion — http://hairbangersradio.ning.com/

Imagine Echoes — http://www.imagineechoes.com/

The Ripple Effect — http://www.ripplemusic.blogspot.com/

Hard Rock Nights — http://hardrocknights.wordpress.com/

Layla’s Classic Rock — http://laylasclassicrock.blogspot.com/

The Metal Minute — http://rayvanhornjr.blogspot.com/

LONG LIVE ROCK ‘N’ ROLL.

Stone.

NIDINGR “Wolf Father” – One Of Black Metal’s Blackest Unleash Their Strike

Posted in Black Metal, Extreme Metal, extreme music, Heavy Metal, heavy metal news, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , on December 13, 2010 by Metal Odyssey

NIDINGR – The bells of inner Earth are tolling and the lava in hell is boiling, while NIDINGR is uncoiling their Blackest of Metal unto the suspecting and unsuspecting of humanity. Metal be thy name, is this band the keeper of the Darkest Black Metal core… they very well hold the key and secrets to the depths of infinite Metal Blackness. This is Black Metal, unleashed by NIDINGR at it’s most profound underworld greatest. Make no mistake, Wolf Father is an album where you sit down the Black Metal pupils and tell them to listen and learn. After a five year absence in making a new album, (the last being Sorrow, Infinite And Darkness from 2005), this Norwegian Black Metal band has created six new songs based on Norse Mythology themes.

If you find yourself straying about, wondering which bands new album can produce the heaviest and darkest blows of pure Metal, your answer lies within the songs on Wolf Father. Are there heavier and more Extreme albums that exist? Of course. Only don’t try to stay up all night searching for anything heavier. The constant on this album, is that all six songs carry out their sole purpose to devour whatever sounds of calm that may be in their atmospheric path. I do say with Metal certainty though, that NIDINGR wasn’t going to disappoint themselves or any dedicated Black Metal fan out there by creating this piece of Blackened work.

Fafnismol introduces the listener into the world of NIDINGR, with flamingly furious rhythms and breakdown riffs that are as haunting as they are original. Hellhammer on drums crushes down the beats with mind blowing speed. Cpt. Estrella Grasa belts out his torment laden vocals with viciousness that Black Metal loyalists come to expect, from one of the best this genre has to offer. Amidst the blackness there are many guitar parts that flirt on the melodic razor’s edge, all the while the all encompassing blanket of Black Metal stylings override this album as undisputed, darkened and pure underground.

If you are searching for that Black Metal curtain to lift up and reveal the extremity of sound that beckons you, Wolf Father will envelope your senses with it’s fortified blackness. Once you listen to Wolf Father you will undoubtedly listen again and again,  trying to come to grips that a Black Metal band such as NIDINGR can be this unimaginably extreme. I recommend highly all Black Metal fans to catch onto this blackened offering from NIDINGR, new fans to this genre should, no, need to grasp what Wolf Father is all about.

* Below is a roll call of associated Black Metal bands attached to each band member:

Teloch – guitar/bass (1349, Gorgoroth, Ov Hell, Orcustus, Umoral, Konsortium), Blargh – guitar/bass (Gravferd, Dødheimsgard), Cpt. Estrella Grasa – vocals (Kort Prosess), Hellhammer – drums (Emperor, Immortal, Shining, Thorns, Umoral, Mayhem)

* For more info on NIDINGR, click here: NIDINGR – myspace music

NIDINGR:

Teloch – guitar & bass

Blargh – guitar & bass

Cpt. Estrella Grasa – vocals

Hellhammer – drums

* Garm – from Ulver guest appears

Track Listing For Wolf Father:

Fafnismol

Baldrs Draumar

Reginsmol

Voluspo

Hymiskvitha

Lokasenna

LONG LIVE NIDINGR AND THEIR BLACK METAL.

Stone.

NIDINGR “Wolf Father” Releases January 18, 2011!

Posted in Black Metal, black metal albums, Extreme Metal, Heavy Metal, heavy metal news, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , on December 8, 2010 by Metal Odyssey

NIDINGR – Cult Norwegian Black Metal unit NIDINGR return from a five year hiatus with their raging new album. The assassins that form this deadly unit have culminated their dark arts and aggression on their sophomore full-length Wolf Father, the uncompromising album sure to scathe listeners with its relentless whirlwind of black metal wrath. NIDINGR remain a mainly cult act, although some might conder them a “super group” of sorts when they discover the band is comprised of a long list of notable black metal artisans including bassist/guitarist Teloch (1349, Gorgoroth, Ov Hell, Orcustus, Umoral, Konsortium), bassist/guitarist Blargh (Gravferd, Dødheimsgard), vocalist Cpt. Estrella Grasa (Kort Prosess), and drummer Hellhammer (Immortal, Shining, Thorns, Umoral, Mayhem, Emperor). Wolf Father even features a guest appearance from Ulver’s Kristoffer Rygg (a.k.a. Garm), and features artwork by French visionary Valnoir of Metastazis, known for their work with Watain, Ulver, Peste Noire, Nachtmystium, Anteus and more.

* NIDINGR Wolf Father will be released on Vendlus Records, January 18, 2011.

* For more info on NIDINGR, just click here: NIDINGR – myspace music

(Source: Earsplit press release, December 3, 2010)

Track Listing For Wolf Father:

Fafnismol

Baldrs Draumar

Reginsmol

Voluspo

Hymiskvitha

Lokasenna

LONG LIVE NIDINGR.

Stone.

EASTERN FRONT “Blood On Snow” – Outwardly Wicked And Saturated With Melodic, Blackened Intensity

Posted in Black Metal, Death Metal, Extreme Metal, extreme music, Heavy Metal, heavy metal music, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , on November 22, 2010 by Metal Odyssey

EASTERN FRONT Caution: Eastern Front will tear your eardrums inside out and use them for slingshots, while your eyeballs widen and thine jaw drops in utter amazement from their Extreme Speed, Heaviness and fiery Blackened intensity. That is just the beginning… and I was well convinced after listening to the opening track – Stalinorgel, that Eastern Front has taken an enormously serious approach to their Extreme Music. One must listen to all eight songs that Eastern Front has created here, then absorb them all into thine senses and realize this band is not of the cookie cutter variety. Metal be thy name, has Eastern Front made quite the Black Metal statement with Blood On Snow.

The title track, Blood On Snow, clocks in at 8:31 and it is over eight minutes of 100% Black Metal majesty. From the mind invading and senses pummeling blast beats to the vicious guitar leads… and everything else in between, this title track is a Blackened Metal ride of ferocious euphoria. Can this Eastern Front album get any better? It sure can. The very next song, Unleash The Panzer Division, is an introduction to just how melodic guitar leads can coexist with dark, Black Metal ferocity of sound. These two songs, back-to-back are like a double dose of Eastern Front whoop ass… straight to my skin rippling forehead.

At The Gates Of Moscow is a mini Black epic in it’s own right, with seven minutes of unrelenting and Extreme song writing precision. Nagant’s warrior strong vocals are overwhelming with excessive power on At The Gates Of MoscowWhere Warriors Once Fell, this album’s closer, is the answer to what Iron Maiden would sound like if they were to try their Metal hand at Black Metal. Then again, this is Eastern Front, a Black Metal band that has put forth their very own style with more than subtle confidence. This is a Black Metal band that is overflowing with convincing Metal skill sets. If Eastern Front intended to save their Blackest best for last, they surely have succeeded with Where Warriors Once Fell.

If there is to be one consistent adjective to describe Blood On Snow, it has to be… powerful. From Nagant’s vocals to Holocaust’s unreal guitar leads and every nuance in between, the muscularity of Metal explodes with this bands Blackened style and character. Krieg on rhythm guitar, Destroyer on bass and Destruction on drums all enrich this album to it’s dark and Extreme fullest. Eastern Front sounds razor sharp and very tight on this album, they sound ready to take on the world, with a skull splitting deliverance of their Black Metal power surge.

Listening to this album is like getting hit by that continuous storm wind, that malicious wind that comes out of the northern sky with an unnatural vengeance… and all you can do is respect it’s overall strength. Blood On Snow is swirling with melodic speed throughout each song, with tempo changes, string arrangements and sound effects that are not incorporated for listening convenience or sell out, rather they exist due to the real emotions that Eastern Front has built into this beyond entertaining Black album.

Blood On Snow was produced by Anders Backelin at Andy LaRocque’s Sonic Train Studios in Sweden. The quality that Andy’s Sonic Train Studio brings to the cascading Black Metal sound on this album is blatantly obvious and arguably, one day in the future… legendary. From the onset to the last note of Blood On Snow, I can hear the painstaking attention to detail, amongst the layers of sound, that great producers like Anders Backelin and Andy are conscientious about. Andy LaRocque is an original member alongside the ultra legendary King Diamond. Andy plays guitar, keyboards and is a songwriter for King Diamond. Andy was also a guitarist for DEATH, appearing on their 1993 studio album – Individual Thought Patterns.

* EASTERN FRONT lists Ipswich, United Kingdom, as their land of origin, on their myspace music page. (See myspace link below).

* EASTERN FRONT – Blood On Snow was released in Europe, on Candlelight Records, on September 13, 2010. Blood On Snow was released in the U.S. on Candlelight Records, on September 21, 2010.

* For more info on EASTERN FRONT, just click on the link below:

EASTERN FRONT – myspace music

EASTERN FRONT:

Nagant – vocals

Holocaust – lead guitar

Krieg – rhythm guitar

Destroyer – bass

Destruction – drums

Blood On Snow – (Back Cover of CD above)

Track Listing For Blood On Snow:

Stalinorgel

Battle Of Smolensk

Blood On Snow

Unleash The Panzer Division

Motherland

Dvenadtzat Kilometrov Ot Moskvy

At The Gates Of Moscow

Where Warriors Once Fell

EASTERN FRONT HAS ARRIVED… BEST TO LET THEM IN.

Stone.

VALDUR “Raven God Amongst Us” – A Raw And Apocalyptic Black Metal Storm

Posted in Black Metal, black metal albums, Extreme Metal, extreme music, Heavy Metal, heavy metal albums, metal music, metal odyssey, Music, rock music with tags , , , , , , , on November 18, 2010 by Metal Odyssey

VALDUR – From Mammoth Lakes, California, VALDUR unleashes upon the world… Raven God Amongst Us. A self financed, full length album of Blackened might, Raven God Amongst Us has been released on drummer Sxuperion’s very own Bloody Mountain Records. All nine songs on this formidable album, create a steady flow of darkened melodies that lay within the layers of cataclysmic guitar leads, phrenetic drums, earth trembling bass and vocals that gather electrifying steam, with each passing second. It’s the overall apocalyptic vibe of no turning back, that engages the senses on Raven God Amongst Us.

Taking into account, the back to back songs of Past Of Wolves and Vicious Existence, it is the plummeting and spiraling Blackened atmosphere of falling into the unknown abyss of something uncannily dark. VALDUR presents their Black Metal in a raw state of serrated lined appeal… one could not expect Black Metal to suddenly open up and reveal harmonious chorus over syrupy keyboards. VALDUR is making a statement by realizing a Black Metal foundation is built on key Black Metal fundamentals, a vastly dark atmosphere that tantalizes on the embraceable bizarre, rawness and everything else… Blackened.

Traditional lyrical content, coupled with a luring and engaging sound of Black Metal in it’s most anti-mainstream existence, is amassed within and outside the walls of dark sound as each song plays through on this album. This album mirrors the storm clouds that are about to swallow up a sun-lit sky, it’s the impending winter storm that science could not fathom. Commercialized darkness and Blackness can take a back seat to what VALDUR is creating here… this is underground, this is Black Metal… this is VALDUR and their creation they have named: Raven God Amongst Us.

* For more info on VALDUR, just click on the link below:

VALDUR – myspace music

Track Listing For Raven God Amongst Us:

Intro

Wound Fires In The Afterlife

Great Abyss Unfold

Gravlagt I Morkets Natt!

Med Fjell I Horisonten

Berserrker

Past Of Wolves

Vicious Existence

Creation

VALDUR IS HERE.

Stone.

SAMOTH of The Wretched End – A Metal Odyssey Interview!

Posted in Black Metal, extreme metal music, extreme music, Heavy Metal, heavy metal bands, metal music, metal odyssey, Music, rock music, rock music interviews, rock music news with tags , , , , , , , , , , , , , on November 16, 2010 by Metal Odyssey

The Wretched End, above, from left to right: Nils Fjellström (drums), Cosmo (guitar, bass, vocals) and Samoth (guitar).

SAMOTH – When Metal legends come to mind, they are usually of the household variety. The mainstream variety. There are those Metal legends that don’t come pre-packaged and red carpet ready… they are of the underground variety. SAMOTH is a Metal legend of the underground Metal community. As a Black Metal influence, Samoth carved out his very own piece of Rock Music history, with his pioneering Extreme Black Metal band he founded with Ihsahn and Mortis back in 1991 which the world will forever know as – Emperor.

Being a founding member of an internationally acclaimed Extreme Black Metal Band the likes of Emperor, all those years ago as a teenager, was a building block towards Metal immortality. Samoth later co-founded the Blackened Death Metal band – Zyklon, which after thirteen years of Metal existence they disbanded in 2010. His musical affiliation and membership with many other Black and Extreme Metal bands are many, including SCUM and Satyricon.

Samoth reflects on his days with Emperor, touches on balancing a career and family, speaks about his influences, horror movies, his very own Nocturnal Art Productions and of course his newest Metal project, The Wretched End and their new Death/Thrash studio album of Extreme Metal intensity – “Ominous”. While I spoke to Samoth, I realized very quickly there are many sides to this legend of Metal. Samoth is all about Metal, through a do it yourself attitude, coupled with a business savvy awareness that has made him a success for twenty years and counting. Samoth is a multi-instrumentalist, a songwriter and a self-made record label owner, who speaks more fluent than most college professors that stood before me lecturing.

Every answer from this enormous figure of Metal History made legitimate sense to me… there was never a dry tone nor a sense of arrogance or self righteousness about Samoth. A man such as Samoth, has been to the top of the mountain (and actually lives on a mountain too) and considers The Wretched End a new beginning for him. I walked away from my interview with Samoth with reaffirming Metal respect. Here is what Samoth had to say:

Stone: What’s the story behind The Wretched End coming together?

SAMOTH: After the decision to split up Zyklon, I decided on forming a new band with Cosmo. We both worked together with Scum (Deathpunk Band). Cosmo also did live bass for Zyklon on tour as well. We live close by to each other, so we talked about doing this project together. In 2008 and 2009 we wrote all the material for the “Ominous” album and recorded in the Summer of 2009. Nils Fjellström (drums) joined on with us in the Summer of 2009.

Stone: Ominous has become for me, one of the high points in Metal for 2010. Are you pleased with all of the initial positive response?

SAMOTH: Yeah we are! I’ve just been doing a lot of press as of late for it. The people and fans really seem to like it. I’m pretty pleased with the album. We knew we made a great album.

Stone: How did the lyrics to Human Corporation evolve?

SAMOTH: The lyrics are about how everything is very monetary in our society, especially in the Western World. It’s about how free we are, yet in reality we are influenced in our everyday life… we’re told how to act, what to eat, what to look like, what to buy and what to wear. It’s all the horror of human corporation. Human Corporation is about how man is being removed from nature.

Stone: Will The Wretched End be touring North America in the near future? Any tour plans?

SAMOTH: Unfortunately, no. The Wretched End is a studio project. Still, we’ll see what happens for the future. I want to go ahead with another album. I’m already in pre-production for the next album. I’m happy with the working relationship of this band. I’m more active with the song writing process now. There are those long periods on the road, where I miss making music. I’d do writing on the road and try to motivate myself on the road, still, it started to feel too long, these periods between making music. I started to think about making a new band and The Wretched End came together. The Wretched End is a new beginning for me, even though the band name says otherwise.

Stone: You mention urban decay and factories as influences on your myspace. Can you elaborate further?

SAMOTH: It’s more like a nature influence. I live up on a mountain, in a beautiful setting. Urban decay is atmosphere of the world crumbling, being ruined by man’s hand. It’s all the self destruction of mankind.

Stone: Is the combination of Death, Thrash and Black Metal the ultimate Metal sound for you to capture?

SAMOTH: I guess it is. For the past twenty years it’s what I’ve been doing. Death, Thrash and Black Metal, compared to Zyklon, these are obvious similarities with the music. This is the music I’m most comfortable with. This is the music I’m influenced with and the foundation of my being a musician. It’s more interesting to me. I do draw more influences into my music, I like to become experimental at times. If it fits, I use it.

Stone: I see you list Tangerine Dream under your music influences, right in the midst of Slayer and Iron Maiden!

SAMOTH: Yeah, I listen to them. I do like ambient and electronic music. I find it to be inspiring. I prefer to listen to this music on a personally inspiring level.

Stone: Did you ever have a mentor?

SAMOTH: Not completely, no. I’ve always like to walk my own way and push myself to succeed. An artist inspiring me as I was growing up, that all took place.

Stone: Who inspired you?

SAMOTH: The classics are what inspired me. I liked KISS, W.A.S.P. and Judas Priest. My mom hated Blackie Lawless and that made me love him all the more!

Stone: Did you ever share the stage with W.A.S.P.?

SAMOTH: We played with W.A.S.P. in Finland, back in 2007. W.A.S.P. was larger than life when I was young, only when I got older, it’s not like that anymore. I like keeping my art dark, with death. It doesn’t mean my everyday life isn’t as dark.

Metal Odyssey Note: Emperor and W.A.S.P. shared the stage at the Tuska Open Air Metal Festival in Finland, on June 30, 2007. This Metal festival took place in Kaisaniemi Park, in the middle of Helsinki, Finland. Tuska Open Air Metal Festival has been an annual event, since 1998.

Stone: How was your Nocturnal Art Productions conceived?

SAMOTH: I started Nocturnal Art Productions back in ’93. I decided to start an underground record label, with no experience. A seven inch (vinyl) Emperor was the initial start. There was a lot of limited edition stuff. As I became more serious about it, I put more money into it, began to sign bands and created distribution. I did mail order for a period of time, still I needed a proper network. It takes up a lot of time and it took balance with being in a band. My main priority then was always the bands and Emperor. Through my relationship with Candlelight Records, Nocturnal became an imprint label with them, run by me through their network. This equals freedom for me. I always like to keep the Nocturnal name going, it makes a lot of sense for me as an artist.

Stone: It sounds so easy, the way you tell the story, only it must have been a great deal of work.

SAMOTH: I started from scratch, with a do it yourself attitude. I’ve always had a business sense and liked both sides of the music spectrum. This has helped me as an artist, to create contacts.

Stone: Who is the one musician Samoth wants to create music with still?

SAMOTH: That’s a tough one. You know who intrigues me is Devin Townsend. He has done some interesting stuff. He is a guy I would use for a producer. That’s the one for me to choose, Devin Townsend.

Metal Odyssey Note: Devin Townsend is both a musician and record producer, widely respected amongst Extreme Metal and Metal fans, musicians and the industry. Devin is the founder, vocalist and guitarist for Strapping Young Lad, which disbanded in 2007. Devin is carrying on his incredible career as a successful solo artist and producer.

Stone: What is your favorite Horror movie?

SAMOTH : I hardly watch them anymore, I hardly have anytime to watch them. When I used to watch Horror movies, it was the Omen trilogy. These movies inspired me. The soundtrack, the music itself is what really inspired me. I did enjoy Hellraiser, it was very dark. The first Evil Dead is a classic. On Blu-ray, these movies are not the same though. Watching the first Evil Dead on a beat up VHS, with the screen flickering, you can’t beat that.

Stone: You’re old school Samoth!

SAMOTH: I’m caught up in the digital chaos at my office though! Atmosphere is key to Horror movies. If there is no atmosphere, there is nothing. Today’s Horror movies are all caught up in special effects, there’s no atmosphere.

Stone: You have been a key member and a huge part of many bands over your career. Which band would you say was your proudest experience?

SAMOTH: Most definitely Emperor. We formed Emperor as teens. We had such an energy and were dedicated to the lifestyle of Black Metal. We all put everything into that band and built it into an international Extreme Metal influence. Emperor emotionally is my proudest experience right into my older life, it has led me to the musician I am today. It’s been twenty years already, since Emperor formed, holy crap! Before you know it, your an old geezer! I’m only thirty six years old and I’m talking like I’m ancient.

Stone: Well, the life of a Rock musician will probably have that affect on you, it must be grueling, with the lifestyle of touring and meeting your own recording deadlines.

SAMOTH: It’s because I started in my mid teens and had success in an early part of my life. Emperor did a fair share of touring and Zyklon toured much more. I like my home life, I’m a man at home. I strive for balance, between being a musician and my family.

Stone: If Metal took over the world, would you want to be it’s leader?

SAMOTH: If Metal took over the world, I like that. Sounds really stressful! It would be way too much stress. I have way too much stress on my plate already!

The Wretched EndOminous, was released on October 25, 2010, on Candlelight Records.

* For more info on The Wretched End and SAMOTH, click below:

The Wretched End – myspace music

SAMOTH – Official Myspace Music

LONG LIVE SAMOTH AND HIS METAL.

Thank you, Samoth.

Stone.

SATYRICON – “BLACK CROW ON A TOMBSTONE” VIDEO IS A BLACK METAL TRIUMPH

Posted in Black Metal, black metal 2008, black metal albums, black metal music, black metal songs, black metal videos, black metal vocalists, extreme metal music, extreme music, heavy metal bands, heavy metal history, heavy metal music, heavy metal videos, metal music, metal odyssey, Music, scary album covers, spooky album covers with tags , , , , , , , , , , , , , , on January 21, 2010 by Metal Odyssey

Satyricon The Age Of Nero was released back on November 3, 2008. This is an album that gets increasingly greater for me, after each listen. One song in particular, Black Crow On A Tombstone, just stays in my head for days… weeks on end. I am not going to fight it off, it’s a fantastic song that I immensely enjoy. I can remember distinctly, the first time I listened to The Age Of Nero in it’s entirety… it blew me away. The grooves are abundant throughout this album, Black Metal reigns supreme through these songs. Satyricon created an album with The Age Of Nero that I would easily consider to be… Metal Album of the Decade. I’m not kidding around… the Metal… Black Metal, on this album is representative of what incredible song writing is all about, both musically and lyrically. Satyr proved to me, that you do not need to get mathematical, intricate or go over the top, in order to create a sensational Black Metal album such as this. Here is the video for Black Crow On A Tombstone – the darkness of the video compliments this song. Satyr sings this song with unreal conviction, which is an attribute I find so admirable and remarkable. Being pre-warned by the sight of a black crow, that impending doom is upon you, is the theme of this song. Here’s hoping you enjoy this great song and video as much as I do…

If you wish, you can read my full review for Satyricon – The Age Of Nero, which I posted on April 7, 2009, by clicking the header below:

Satyricon “The Age Of Nero” – this is serious Metal

LONG LIVE SATYRICON.

Well, sorry fellow Metalheads and Satyricon fans… apparently “WMG” (yeah, that record compnay) doesn’t want to “share” their music video’s with blogs like Metal Odyssey. It’s too bad, due to the fact that Metal Odyssey gives away FREE advertising for record companies like WMG day in and day out. Wherever you do go to finally see this amazing Satyricon music video, I hope you do enjoy it. Black Crow On A Tombstone is one HELL of a music video from one incredible Black Metal Band that is Satyricon.

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SKELETONWITCH – “Breathing the Fire” Set My Metal World Ablaze

Posted in Album Review, Black Metal, black metal 2009, black metal albums 2009, collecting heavy metal albums, cool album covers, creepy album covers, current black metal albums, current black metal music, current death metal albums, current death metal music, current extreme metal albums, current extreme metal music, current heavy metal albums, current heavy metal music, current metal albums, current thrash metal, current thrash metal albums, current thrash metal music, Death Metal, death metal 2009, death metal guitarists, death metal music, death metal vocalists, essential death metal albums, essential heavy metal albums, essential metal music albums, essential thrash metal albums, Extreme Metal, extreme metal bands, extreme metal music, extreme metal music albums, extreme music, Heavy Metal, heavy metal album covers, heavy metal albums 2009, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, melodic death metal albums, melodic death metal music, Metal, metal music, metal music today, metal odyssey, Metal Reviews, Music, new thrash metal albums, scary album covers, scary rock music songs, spooky album covers, spooky metal album covers, thrash metal 2009, thrash metal music, thrash metal today with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 14, 2009 by Metal Odyssey

Skeletonwitch "Breathing The Fire" small album picSKELETONWITCH released their second full studio album with Prosthetic Records, Breathing the Fire, on October 13, 2009. I could not resist the Metal temptation and need of picking up this new CD on my visit to f.y.e. today. As I stood there staring at the hellish and downright evil artwork on the front cover of Breathing the Fire, it dawned on me… the Metal wait is over for this new Skeletonwitch. Yeah, very often enough I want my Metal pretty damned fast and extreme in every musical facet. All twelve songs on this album are extremely worthy, I can’t point out any skip overs whatsoever. Skeletonwitch does not fall short of Extreme Metal – every song on Breathing the Fire is blended with the very best of several Metal genres.

Skeletonwitch brings forth the Thrash Metal attack combined with Old School Speed Metal, adding Death Metal and Black Metal influences just for great Metal measure. With all of these incredible Metal genres explored here, Skeletonwitch is a Metal band that I cannot pigeonhole into one genre. That is fine with me, I am sure Skeletonwitch could care in the least as well… Metal is… Metal. Breathing the Fire is one incredible Metal album to look back upon for 2009, it is like the late season, supercharged and extreme power blast of Metal Music that has set my Metal world ablaze. I always say, that with Metal bands like this, it makes me feel confident knowing that the flag for Metal will be waving high for years to come. Chance Garnette on lead vocals is as mean and talented as I could hope for – his dual Death Metal growls and Black Metal screams are what this music is about. Anyone familiar with Extreme Metal should agree, that this style of Metal was not meant for crooning out the ballads. Chance Garnette gets my Metal horns with thunderous praise. In my Metal opinion, Skeletonwitch can play, it’s not the easiest task to make an album of this Metal genre sound like a standout.

The guitar leads, dual leads and solos have a melodic, Old School – Speed Metal appeal, while never taking away from the overall dark mood of any of the songs. The rhythm section holds everything together like a vice and these songs grip my Metal psyche with pure Metal domination. I once read a professionally paid Rock critic write – melodic and heavy do not coexist… uh, they do. The Metal proof is in actually listening to Skeletonwitch and Breathing the Fire… the rest is Extreme and at times, melodic Metal candy for your ears. To extract each song and dissect it here would be nonsense, the overall themes to know are that these songs are about death and submitting to evil. ‘Nuff said. Ah, Metal. I will state, Blinding Black Rage is as horrific, evil and nightmarish of a song lyrically that I have ever heard. Ah, Metal… Extreme Metal, I love this stuff. This is the new generation of Extreme Metal, take it or leave it… I’m taking it. If you are looking for the current Metal that is happening now, take my advice and give Skeletonwitch – Breathing the Fire a thorough listen… it served me right.

Skeletonwitch as they appear on Breathing the Fire:

Nate “N8 Feet Under” Garnette – guitars

Chance Garnette – lead vocals

Derrick “Mullet Chad” Nau – drums

Scott “Scunty D.” Hedrick – guitars

Evan “Loosh” Linger – bass

Track Listing For Breathing the Fire:

Submit to the Suffering

Longing for Domination

Where the Light has Failed

Released from the Catacombs

Stand Fight and Die

The Despoiler of Human Life

Crushed Beyond Dust

Blinding Black Rage

Gorge Upon My Soul

Repulsive Salvation

Strangled by Unseen Hands

… And into the Flame

Skeletonwitch "Breathing The Fire" large album pic

Abigail Williams – “In The Shadow Of A Thousand Suns” – Real, Extreme, Black Metal

Posted in Album Review, Black Metal, black metal 2009, black metal albums 2009, black metal music 2009, cool album covers, creepy album covers, current black metal albums, current black metal music, extreme black metal music, Extreme Metal, extreme metal music, extreme music, extreme music today, Metal, metal music, metal music today, Metal Reviews, Music with tags , , , , , , , , , , , , , , , , , , , , , , , on July 10, 2009 by Metal Odyssey

9061631I have added a new band to my Black Metal favorites list, they are Abigail Williams. Abigail Williams is void of having the heavy grooves of Satyricon’s superior recent releases, void of having the progressiveness of the incredible Enslaved. What Abigail Williams does offer up musically, is the extreme and brutal sounds of Black Metal. Yes, the very, very, heavy side of Black Metal. The layering of music is similar to what Cradle of Filth has accomplished with their infamous albums, minus any over exaggeration of melody. O.K., I have pointed out where Abigail Williams lines up musically, compared to their Black Metal counterparts, (or some of them anyway). On “In The Shadow Of A Thousand Suns”, (released on October 28, 2008 – candlelight records), Sorceron on lead vocals is alarmingly convincing, while the entire band plays very tight, giving every indication musically, that they know these are ten solid songs.

If you are looking for a seriously heavy, fast and Extreme band, regardless of the genre, Abigail Williams will engulf your musical senses with unrelenting and foreboding Black Metal force. This is a Black Metal band that sounds like they have been set loose from any musical restraints, given the command to set forth and spread their onslaught of enraged Black Metal unto the masses. The symphonic moments heard throughout this album lends itself as the bridge, that connects this Black Metal extremity of aggressiveness. After a couple of listens to “In The Shadow Of A Thousand Suns”, I realized that I waited too long to purchase this Black Metal creation. Abigail Williams has made one fine, full length album, of Extreme Black Metal music with this release. I hope that any band lineup changes that have occurred, will not prevent Abigail Williams from moving forward with powerful momentum. Sorceron is the nucleus of this band, he must continue to surround himself with quality musicians, just like the lineup found on this album. This is my Metal opinion and I recommend Abigail Williams “In The Shadow Of A Thousand Suns” to anyone who’s interest I may have peaked.

Abigail Williams as they appeared on “In The Shadow Of A Thousand Suns” are: Sorceron on lead vocals & lyricist, Mike Wilson on lead guitar, Plaguehammer on bass, Bjornthor on guitar, Trym on drums, Samus on drums and Ashley Ellyllon on keyboards and piano. Sorceron also plays guitar, bass and keyboards on this album as well. James Murphy appears as a guest guitarist.

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Enslaved “Vertebrae” – Progressive, Black Metal raises the bar

Posted in Album Review, Black Metal, black metal 2008, black metal 2009, black metal from norway, cool album covers, current heavy metal albums, current heavy metal music, current progressive metal albums, essential heavy metal albums, Extreme Metal, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, metal music today, Metal Reviews, Music, new heavy metal album, norwegian black metal, progressive metal, progressive metal albums, progressive metal music, recent heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 3, 2009 by Metal Odyssey

main-150Enslaved, from Norway, has created quite the exquisite Black Metal album with “Vertebrae”. Why do I use the adjective exquisite to describe this album? Well, I revere the Progressive Metal of Mastodon and Dream Theater, the legendary Progressive Rock of Pink Floyd and the groove infested Black Metal of Satyricon. Enslaved encompasses the most Metal and progressively delicious elements from these favorite bands of mine, while incorporating them into their very own startlingly, mind popping sound. What Enslaved has done here, is taken Rock and Metal influences to a new level, creating an album that embraces everything that is brilliant about Heavy and Progressive music. (I am not saying Enslaved actually looked to these bands for inspiration, this is just my musical and Metal interpretation and/or opinion). Enslaved has their roots in Black Metal, a musical track record that overflows with Metal bragging rights… “Vertebrae” by no means exemplifies this band as not being original. This album is as original as it gets… I cannot truly count how many Metal bands there are, that dare to experiment with music so valiantly.

Black Metal has gone through a bit of a metamorphosis over the years… so have the other Metal genres. There will always be the blue collar – true to the roots style of Black Metal, it deserves it’s rightful place in the Metal universe. Enslaved, like their counterparts Satyricon, have taken the Black Metal stylings and tweaked them, in this case, Enslaved progressively tweaked. As with anything in life, change is a natural necessity that either is accepted or rejected. Change in the musical circles of Metal can often times be equated to selling out or mellowing down, every fan of Metal has their own right to personally object or accept what they want from their music. My point I am trying to make here is, Enslaved has not deceived me or let me down with their brand of Progressive, Black Metal on “Vertebrae”. Vintage Venom and Mercyful Fate will forever and always be at my Metal reach, Enslaved “Vertebrae” is an extension of what happens when musical and Metal barriers are broken down. 

In an all encompassing summary of the seven songs on “Vertebrae”, I hear the nod to the forefathers of Black Metal, with especially the lead vocals and the dark, macabre and searingly moody ambiance, coming from the musical background elements. The keyboards and organ can create Black Metal which pays homage to the original sound of this band and genre, it can also create the progressive path in which “Vertebrae” aims for as well. Herbrand Larsen is simply unreal on the keys, organ and vocals. The same can be said for each member of Enslaved… as a cohesive unit they have connected not only with each other with their Metal skills and prowess, they have also raised the bar musically, in a Metal world that is rapidly interconnecting with each others genres. I cannot resist myself by recommending highly “Vertebrae”, Enslaved has created an album that will be at the top of my Metal list for decades to come.

The members of Enslaved are: Ivar Bjornson on guitars, Grutle Kjellson on vocals & bass, Herbrand Larsen on keyboards, organ & vocals, Cato Bekkevold on drums and Ice Dale on guitars. Enslaved has given the Metal world seven brilliant new songs with “Vertebrae”, thus inspiring me to delve and journey even further into the vast genres and sub-genres of Metal music.

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