Archive for the essential heavy metal albums Category

My favorite KISS album of all time is…

Posted in 1980's heavy metal albums, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, Album Review, classic heavy metal albums, cool album covers, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal music 1982, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Music, old school heavy metal, rock music, vintage heavy metal albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , on July 27, 2009 by Metal Odyssey

main-150I am a lifelong Kiss fan, guilty of admiring a Heavy Metal band that has influenced the genre of Metal both musically, theatrically and of course… commercially. Out of the entire Kiss catalog of Heavy Metal, there has to be my favorite album of all time… my choice of favorite Kiss album seems to change yearly. (Oh well, that is my Metal dilemma I have to live with). As of today, Sunday, July 26, 2009, my favorite Kiss album of all time is “Creatures Of The Night”, (released in 1982). This Kiss album came out after “The Elder” album, making for quite the triumphant, Heavy Metal return. When I first heard the song “I Love It Loud”, man, was I ever psyched out of my Metal mind! I was serving time in High School when this album released, having this Kiss song to play loud back then was true innocent rebellion. Playing this song and the entire “Creatures Of The Night” album loud today, well, is just because I want to and can. (No more rebellion is left in my system… I think). 

In my Metal opinion, this Kiss album is arguably their heaviest studio album ever created. (The live albums are darned heavy too, however, I am comparing the studio albums). “War Machine” is definitely my favorite song off of this prestigious album. Gene Simmons on lead vocals is classic – I can hear the anger flow from his voice and the lyrics only add credence to this interpretation. “Danger” is one tough and heavy Kiss song that Paul Stanley sings lead vocals on. For a Paul Stanley sung tune, this is as fast and furious as it ever gets. “Saint and Sinner” is a bass lovers dream of a Heavy Metal song, with Gene Simmons giving what I consider, one of his best lead vocal efforts ever. “Creatures Of The Night” is melodic as it is heavy, a Kiss song that without hesitation, is my favorite Paul Stanley – on lead vocals, song. I say this until it hurts, that I have never been the biggest fan of ballads in Heavy Metal. There are always my exceptions to this personal rule. “I Still Love You” is one damned cool and heavy ballad that Paul Stanley sings. Paul Stanley turns some sappy lyrics into a song that I can still crank up, to this day.

“Keep Me Comin'” is the one song off of this album that I have liked the least. This song is not terrible, I won’t skip over it while playing the entire album… yet it never seemed to get my Metal adrenaline perking over the years. “Rock and Roll Hell” and “Killer” round out the rest of the songs from “Creatures Of The Night”, making for nine Kiss songs total, that are now considered by me, vintage Kiss. Metal truth be told, if you are embarking on building your first Kiss music collection, making “Creatures Of The Night” your initial purchase is a profoundly wise choice. The overall Heavy Metal power is in my Metal mind, abundant on this album.

As a side note, the articles and stories I have read and/or heard over the years is that both Ace Frehley and Vinnie Vincent receive guitar credit for this album. Frankly, it does not stir me either way, as to who actually played lead guitar and on which songs, this album is too great for such controversy to hinder the end result. Whichever guitarist did play, they played excellent. Ace Frehley does appear on the front cover of the album, therefore I shall close my eyes each time I listen to this album and picture Space Ace as the lead axe man. The late Eric Carr played some top notch and cool Heavy Metal drums for Kiss… the proof is in the music found on this album. I always considered “Creatures Of The Night” to be the Kiss album that launched them into the decade of the ’80’s. This is an album that will launch any new fan into a believer.

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Armored Saint – “Revelation” brings forth Heavy Metal intensity

Posted in 1980's heavy metal bands, 1980's metal music, Album Review, classic heavy metal albums, cool album covers, essential heavy metal albums, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal this decade, heavy metal vocalists, Metal, metal music, metal music this decade, Metal Reviews, Music, old school heavy metal, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , on July 24, 2009 by Metal Odyssey

Armored Saint "Revelation" small picArmored Saint is an Old School Heavy Metal band, a band that proved to me years ago, they were all about Metal. One listen to any album from the Armored Saint catalog and one will understand what I mean about all Metal. One album in particular, that really drives the message home as to the serious Heavy Metal Music that Armored Saint delivers is “Revelation”, (released on March 7, 2000, on Metal Blade Records). I bought this album as exactly such… on vinyl. This album is a twelve song, two record set, with three songs per side of each album. There still is a cool Metal rush I experience when holding onto an actual record, placing it on a turntable, then letting the Heavy Metal roar. Armored Saint does exactly that, they storm out of the Heavy Metal gates on “Revelation”, this album sets me on the Metal path I belong on. It is going on ten years since this album was released, yet the Heavy Metal that blasts from “Revelation”, is just as exhilarating as any new Metal music releases I have heard lately.

“Revelation” is one of those rare albums where I flat out tell my fellow Metal peers… buy it and be glad you did. You are getting more than you expect with Armored Saint, no songs are watered down, the musicianship is Metal superior and lead vocalist John Bush is one of the greats at fronting a Heavy Metal band. Armored Saint may not be Thrash Metal, nor are they Death Metal… they are bona fide Heavy Metal with an extra dosage of heavy. “Tension”, “Creepy Feelings” and “Damaged”  really showcase the vocals of John Bush, he never over reaches on any notes, he only defines how Heavy Metal is supposed to be sung. “Tension” is a song that is extremely relevant, lyrically, to what is currently taking place in corporate America. On “After Me, The Flood”, sure, John Bush lets out a scream or two, he mixes it up vocally with potent Metal fervor. “Revelation” seems to rupture at the seams with non-stop, great songs. If only every Metal album could be like this… skipping over tracks is totally unnecessary here.

“Den Of Thieves” is a heavy song that demonstrates the guitar brilliance of Phil Sandoval on lead guitar and Jeff Duncan on rhythm & lead guitar. This guitar duo erupts with melodic leads and contagious riffs that make my Metal day complete. “Control Issues” is arguably the heaviest song on this album, lyrically making quite the impact that the music itself intends. “No Me Digas” is the bonus track included on this album… it is sung in Spanish, the lyrics inside the album gatefold are in Spanish as well. I am not too fluent with my Spanish, however, I will say that this song rocks along well just the same. This song is proof to me, that Heavy Metal Music is without question, a universal language and expression – for us all to pump our fists in the air to. In the end, I have been Metal schooled again, this time by “No Me Digas” and Armored Saint.

As for the rhythm section of Joey Vera on bass and Gonzo Sandoval on drums, they play as tight and effective as any in Heavy Metal. The focal point of this band for me, is the all encompassing power of the music, without sacrificing a melodic moment here or there. I usually try not to spill over, too excessively, with Metal glee, in regards to a Heavy Metal album or band. “Revelation” is one Heavy Metal album that I want to put out to the world, to spread the Metal message that these songs need to be heard. Armored Saint deserves my admiration, every time I listen to this band and/or “Revelation”, it makes me Metal proud. Long live this Heavy Metal band they call – Armored Saint.

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Rainbow – “Bent Out Of Shape” 1983 album revisited

Posted in 1980's hard rock albums, 1980's heavy metal albums, 1980's hard rock, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, Album Review, classic hard rock, classic hard rock music, classic heavy metal albums, classic rock, classic rock albums, classic rock music, essential hard rock albums, essential heavy metal albums, essential rock albums, Hard Rock, hard rock album review, hard rock songs, hard rock vocalists, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, Music, old school heavy metal, rock music, rock vocalists, vintage hard rock albums, vintage heavy metal albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , on July 23, 2009 by Metal Odyssey

Rainbow "Bent Out Of Shape" small picRainbow was and still is one of the Hard Rock/Heavy Metal bands that I look upon with Metal reverence. The song writing, lyrics, musicianship, melodies, well, I could go on forever about why I have liked this band so much. Guitarist Ritchie Blackmore, in my Metal opinion, is a guitar legend, both with Deep Purple and Rainbow. Ritchie Blackmore collaborated with lead vocalist Joe Lynn Turner on a few releases, back in the 1980’s. “Bent Out Of Shape” is one of those albums they created, writing nine out of the ten songs together. “Bent Out Of Shape” can be taken as a commercial Hard Rock statement, only It is difficult for me to define this album as such. My standards for commercial Rock or Hard Rock/Heavy Metal definitely differ from other peoples standards. I need to hear consistent sappy ballads and/or radio – bubble gum – friendly songs before my stamp of commercialism is placed on an album. In other words, I feel “Bent Out Of Shape” is one mighty, melodic, Hard Rock album. Honestly, I have no problem with labeling “Bent Out Of Shape” as a Heavy Metal album. This album was released in 1983, the heaviness of Rainbow for back then, easily gave this band the label of Heavy Metal.

“Snowman” is the lone song that was not co-written by Joe Lynn Turner. This song is an instrumental, written by Ritchie Blackmore and Howard Blake. This song has a yearning feeling to it, an almost dream like atmosphere as well, I have always gravitated to it over the years. “Street Of Dreams” was the hit song from this album, plenty of FM radio play it used to receive as well. This song is very melodic, the keyboards play an integral musical role on this track. “Desperate Heart” is quite similar in style, to that of “Street Of Dreams”… both with melody and tempo. “Drinking With The Devil” is my pick for the heaviest song on this album, it has some cool edginess to it, with Joe Lynn Turner adding some tough attitude vocally. “Can’t Let You Go” is another notable song, tailor made for Joe Lynn Turner’s vocals. This song as with “Desperate Heart” and “Street Of Dreams” seems to fit the soul searching theme that I interpret from the lyrics. 

Overall, “Bent Out Of Shape” carries on the signature sound of Rainbow, with rich and vibrant keyboards courtesy of David Rosenthal and of course, the guitar play of Ritchie Blackmore. Joe Lynn Turner has the velvet vocals of Hard Rock/Heavy Metal, he continues to release some quality solo albums to this day. If I had to pick which version of Rainbow that I like best, of course I would choose the Ronnie James Dio fronted Rainbow. With that opinion aside, the Joe Lynn Turner era of Rainbow was and still is quite cool for me. I never can resist buying any music that Joe Lynn Turner has his vocals on, there is no doubt in my mind, that he has had an impressive career. For my taste, “Bent Out Of Shape” has not lost any of its Heavy Rock luster, as years pass. If anything, I still appreciate the quality of all of these songs on this album. In my Metal opinion, this Rainbow album is light years better than a good percentage of new Hard Rock music you hear on the radio or internet today.

Rainbow, as they appeared on “Bent Out Of Shape”: Ritchie Blackmore on guitars, Joe Lynn Turner on vocals, Roger Glover on bass and percussion, David Rosenthal on keyboards and Chuck Burgi on drums. “Bent Out Of Shape” was produced by Roger Glover.

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Helix “No Rest For The Wicked” – a cool 1983 album and Heavy Metal Band

Posted in 1980's heavy metal albums, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, Album Review, classic heavy metal albums, classic metal, cool album covers, essential heavy metal albums, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal music, heavy metal music 1983, Heavy Metal Reviews, Metal, old school heavy metal, vintage heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , on July 20, 2009 by Metal Odyssey

main-150-1Helix is a Heavy Metal band, (originating from Canada), one that I got the biggest Metal kick out of, back in the 1980’s. Released in 1983, “No Rest For The Wicked” is in my Metal opinion, one really cool Heavy Metal album… period. Helix has two very memorable songs off of this album, these songs are melodic and heavy, (yes, that is what the majority of 1980’s Heavy Metal was about… melodic and heavy. These two adjectives do coexist in song, no matter what any other professionally paid Rock Music critics may think. The two songs I am pointing out are: “Heavy Metal Love” and “White Lace and Black Leather”. Helix was – still is, a Heavy Metal band that came out of the same Metal Music mold as Krokus, (just to make a Metal comparison). “Heavy Metal Love”  and “White Lace and Black Leather” are two songs that trudge along with that vintage 1980’s, Heavy Metal style of power. The entire album is a vintage trip of early 1980’s Heavy Metal, “Dirty Dog” and “Don’t Get Mad, Get Even” are two more notable tracks. As I reflect back, Helix did indeed get their FM radio play, especially on “Metal Shop”, (a Heavy Metal radio show back in… guess when? Ahhh, the 1980’s. 

Did Helix get swallowed up in the Heavy Metal crowd eventually? Probably, the 1980’s had a ton of bands, so many cool Heavy Metal bands too. Think of how difficult it had to be, to be a Heavy Metal band back in the 1980’s… it was not as easy as you would probably think. You had Motley Crue, Ratt, Van Halen, and Ozzy Osbourne garnering all the attention – (trust me, you can name off a whole bunch of bands like these, I am just using these names to make my point). Plus, you had the Thrash Metal movement being born and then taking the Metal world by storm. The 1980’s if anything, was very competitive with Heavy Metal music, that was electrifying for Metal fans like me. Metalheads reaped the harvest back then, (and we still do). A Heavy Metal band like Helix may not have been the household name in the past, yet still they are making music.

main-150Helix did a redo of “Heavy Metal Love”, it can be found on their 2007 studio release – “The Power Of Rock And Roll”. I like the 2007 version just as much as the 1983 version, albeit the new version of “Heavy Metal Love” Rocks along a tad faster. I wound up meeting my Heavy Metal Love, I eventually married her. (Please excuse me if that sounded a sliver corny, yet it is true). As a Heavy Metal fan, I always have attached good memories to my favorite bands, songs and concerts. Helix brings to the Metal table, a brand of Heavy Metal that makes me feel like it’s party time again and I don’t have to pay my bills. (Wishful thinking on the bill paying). That is what music does, it carries me off into my land of Metal… courtesy of terrific bands like Helix. Helix was all about Heavy Metal with their songs, lyrics and attitude. I am Metal cheery that they are still around to this very day. When you are a quality Heavy Metal band, that writes cool and memorable songs, Metal fans never will never forget you. Obviously, I have never forgotten about Helix.

As goes with so many Heavy Metal bands, lineups change over the years and decades. Here is the Helix band members as they appeared on “No Rest For The Wicked”: Brian Vollmer on lead vocals, Brent “The Doctor” Doerner on guitar, Paul Hackman on guitar, Mike Uzelac on bass and Greg “Fritz” Hinz on drums.

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Motorhead and Anthrax both covered “God Save The Queen”

Posted in 1970's punk rock, 1980's heavy metal albums, 1980's thrash metal music, 1980's heavy metal music, 1980's metal music, 1990's heavy metal music, classic heavy metal albums, classic metal, classic punk rock, cool album covers, cover songs, essential heavy metal albums, extreme music, heavy metal album covers, heavy metal albums, heavy metal music, heavy metal vocalists, legends of punk rock, Metal, metal music, Motorhead, Music, old school heavy metal, old school punk rock, punk rock cover songs, punk rock music, punk rock songs, Thrash Metal, vintage heavy metal albums, vintage punk rock albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , on June 28, 2009 by Metal Odyssey

main-150Motorhead and Anthrax. Each band is a prominent member in the Metal Music world. Motorhead and Anthrax have always hinted, albeit with Metal stylings, their musical taste for Punk Rock Music. Both of these legendary Metal bands covered the Sex Pistols classic “God Save The Queen” from the “Never Mind The Bollocks, Here’s the Sex Pistols” album, (released in October of 1977). This song was written of course, by Paul Cook, Steve Jones, John Lydon (Johnny Rotten) and Glen Matlock. Both cover versions are really cool and heavy, with Motorhead having their unmistakable, heavy coated vocals and bass guitar of Lemmy Kilmister leading the way. You know it’s Motorhead when you hear their cover of this prolific song… no pretensions, no frills, no sugar coating. The Motorhead cover version of “God Save The Queen” can be found on the “We Are Motorhead” album, (released on May 16, 2000). The Anthrax cover version is found on the EP – “Armed And Dangerous”, (released in February of 1985). In my Metal opinion, Anthrax covers “God Save The Queen” with convincing Punk Rock attitude, the reasons for this lays in the lead vocals of Joey Belladonna as well as the backing vocals. Musically, Anthrax is right on the Punk Rock bulls eye, which always led me to believe this particular lineup could have experimented even more with Punk Rock songs.

Anthrax has been a diverse band throughout their career, the same can be said about Motorhead too. Therefore, it is only fitting that these two bands picked up “God Save The Queen” to cover – and cover it well, both of these bands did. Of course, I repeatedly state that there is nothing like the original. I would be hallucinating, if I were to say that there is any cover song of “God Save The Queen” out there, that blows away the Sex Pistols original. Regardless of that mindset, both Motorhead and Anthrax honestly pay tribute to this song and the Sex Pistols with the upmost Metal respect. The proof is in the cover songs themselves, they both pulsate with the Punk Rock angst and anti-establishment message that the Sex Pistols originally created in the first place. I always felt this message in the song’s music, while hearing it of course, in the lyrics. 

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My favorite AC/DC song of all time is…

Posted in 1970's classic rock albums, 1970's classic rock songs, 1970's hard rock, 1970's heavy metal, 1970's Rock, classic hard rock, classic hard rock music, classic heavy metal albums, classic metal, classic rock, classic rock albums, classic rock music, cool album covers, essential hard rock albums, essential heavy metal albums, essential rock albums, Hard Rock, hard rock drummers, hard rock guitarists, hard rock songs, hard rock vocalists, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal music, heavy metal vocalists, Metal, metal music, Music, old school heavy metal, Rock, rock and roll hall of fame inductees, rock music, rock music vocals, rock vocalists, vintage hard rock albums, vintage heavy metal albums, vintage rock albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , on June 27, 2009 by Metal Odyssey

main-150AC/DC – they are not just Rock and Roll Hall of Famers, this band is an elite institution of heavy music. I always pondered throughout the years… which song from the extensive catalog of AC/DC albums, is my favorite of all time? Is my favorite song from the Bon Scott era? Man, the late Bon Scott was unique, his vocals were and always will be legendary. The Brian Johnson era is power packed with amazing songs, could I take the easy route and pull my favorite tune off of the “Back In Black” album? That would be way too easy for me, it seems like choosing “Hells Bells”, “Back In Black” or “Have A Drink On Me” as my favorite AC/DC song, would be particularly predictable. I will not argue the fact it is a historical album, “Back In Black” surely paved the way for Heavy Metal commercial acceptance. Besides, I personally am forever grateful for AC/DC appointing Brian Johnson to succeed the late Bon Scott. “Back In Black” will forever be on my all time favorite album list.

Well, after all these years, probably since around 1979, (in which I was first aware that AC/DC existed and heard the classic “Highway To Hell” single on FM radio), my personal choice, for favorite AC/DC song ever is… “Touch Too Much” – from the “Highway To Hell” album, (released in 1979). Whew, do I get the AC/DC fever when I hear this song. I do not care how many times I have listened to this classic, this song rocks. Even after so many years have passed by, I still feel that certain rush go straight through my face each time “Touch Too Much” is cranked up. Yeah, you know, that psyched out feeling that engulfs your whole body, like you just drank a 2 liter bottle of happy sauce. This song does it for me – thank you very much. This song hits me from the opening note… I do not believe there is one nano second that is not cool on this song. Sure, the single “Highway To Hell” received all of the attention from this sacred AC/DC album, yet in my Metal opinion, “Touch Too Much” is a song that embodied a core heaviness that signified of continuous great things to come from this band. 

I am certainly not alone in saying that I revere both the Bon Scott and Brian Johnson eras of AC/DC. Choosing a single favorite song from this band, is like choosing which day of the week is my favorite… I am just happy to be alive and be in the position to enjoy each day of the week, for Metal sakes. Going back to “Touch Too Much”, as the old saying goes… the more things change, the more they stay the same… really listen closely the next time you hear this song, then imagine if it were to be released for the first time in 2009. “Touch Too Much” is a song that blows away at least half of the newly released Hard Rock or Heavy Metal songs that do get commercial FM or satellite radio play. Angus Young on guitar, Malcolm Young on rhythm guitar, Cliff Williams on bass guitar and Phil Rudd on drums and of course, Bon Scott on vocals, made this song happen and groove in a way that has affected me for life. This is my Metal opinion – long live AC/DC and this enormous song.

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Dee Snider – Widowmaker “Blood And Bullets” is 100% Metal Music

Posted in 1980's heavy metal music, 1980's metal music, 1990's heavy metal music, Album Review, classic heavy metal albums, classic metal, essential heavy metal albums, heavy metal album review, heavy metal albums, heavy metal music, Heavy Metal Reviews, heavy metal solo vocalists, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, old school heavy metal, vintage heavy metal albums, Vocals, W.A.S.P. with tags , , , , , , , , , , , , , , , , , , on June 24, 2009 by Metal Odyssey

708Dee Snider is and forever will be a real Heavy Metal icon. (I have said this time and again, this is just how I feel). This man needs no introduction to Metalheads worldwide… he has flown the flag for Metal with unmistakable pride. Dee Snider had another kick to the face Heavy Metal Band during his illustrious career – Widowmaker. My best buddy in the universe introduced me to Widowmaker just a week ago. You heard that right, just one week ago. Let’s face it, there is an infinite amount of Hard Rock and Metal music out there to be heard and enjoyed. I could never fathom the task or have the time, to listen to everything ever created in Metal Music. Widowmaker just so happened to be a band I was always aware of, yet I never heard more than a couple of tracks from them throughout the years. Having my buddy give me a copy of “Blood And Bullets” was a great surprise, like a Heavy Metal bonus falling from the sky and into my lap.

Dee Snider sounds quite simply, awesome, as the front man for Widowmaker, on “Blood And Bullets”. In my Metal opinion, this album ranks right up there with Twisted Sister’s “Under The Blade” and “You Can’t Stop Rock and Roll” albums. I use the Twisted Sister albums as comparisons for obvious reasons, plus the full throttle Heavy Metal power is all over “Blood And Bullets”. This album is just like mixing in the old school sound of these Twisted Sister albums I mentioned, while adding a major dose of extra confidence and Metal attitude from Dee Snider’s lead vocals. The way in which I interpret Dee Snider’s vocals, is that of a man who was set out on a mission, a mission to prove to the Metal world that Dee Snider had no intention on making a commercial Metal album. Instead, this was a Metal release that was infused with dynamic song writing and musicianship – Metal musicianship.

Granted, this album was released in the early 1990’s but do not let this fool you for one Metal second. There are throngs of Metal bands out there today, that could only wish to have created an album this good. I think of another steadfast favorite Metal band of mine, while listening to “Blood And Bullets”… W.A.S.P.. Why you may ask? It’s all about the grooves, the uncanny and powerful feeling I get when listening to this brand of Metal. W.A.S.P. is a band that I can pinpoint with accuracy, as having released albums containing great Metal songs, no fillers. There are no fillers to be found from Widowmaker here as well. “Blue For You” is the one song that had me smirk upon my first listen, for I anticipated that maybe it would inherit some Blues quality, judging by the song title. This song does rip with a bluesy guitar sound from the get go… the Metal Blues that is. “Emaheeval”, “The Widowmaker”, “Evil” and “The Lonely Ones” are the first four tracks on this album… I cannot put into words the Metal excitement these songs carry.

My buddy set off for a trip to Lebanon, accompanied by his wife and son, after I received this Widowmaker album from him.  I wish him and his family the safest and happiest trip they could possibly wish for. I also cannot wait for him to get back to the States, then I can rant and rave his ears off about what a Metal trip “Blood And Bullets” has been for me. Yes, without a doubt, I am beating the Dee Snider – Metal drum very loudly here. I felt the sense of urgency to get the word out and remind those who love Metal, that Widowmaker’s “Blood And Bullets” is damn good music. I am forever being Metal schooled, it is a profound and exhilarating experience each time it happens. It only serves me right, that this time around, it is the legendary Dee Snider and his other band Widowmaker.

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My favorite Ozzy Osbourne album is…

Posted in 1980's heavy metal albums, 1980's metal music, Album Review, classic heavy metal albums, classic metal, classic rock, classic rock music, cool album covers, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal solo albums, heavy metal solo artists, heavy metal solo vocalists, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, old school heavy metal, ozzy, Ozzy Osbourne, rock and roll hall of fame inductees, rock keyboard musicians, rock vocalists, vintage heavy metal albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , on June 18, 2009 by Metal Odyssey

I would like to take this opportunity, to let the entire world know, which Ozzy Osbourne album is my favorite of all time. Oops, it is a tie. “Blizzard Of Ozz”, (1980) and “Diary of a Madman”, (1981). Why, you may query? These first two Ozzy albums to me, represent the real, original, building block, style of Heavy Metal sound, that energized the 1980’s into the powerhouse Metal decade it was. Plus, lest we never forget, the greatness of the late Randy Rhoads on lead guitar, on both of these essential Heavy Metal albums.

It is very important to note that on the reissue version of “Blizzard Of Ozz”, during the re-mastering process, Mike Bordin is now on drums and percussion with Robert Trujillo on bass. The original drummer, on the original album, was Lee Kerslake and on bass was Bob Daisley. They are all fabulous musicians, I am not swayed either way. Don Airey is on keyboards for the original album. The key is that the legendary, late Randy Rhoads is the guitarist! Just to hear Randy play his signature sound on “I Don’t Know”, “Crazy Train” and “Mr. Crowley” still sends chills 28 years after this release. Randy Rhoads and his unique guitar sound and style truly helped shape the evolution of Heavy Metal and it’s many prominent guitarists for decades. This album is not just a turning point for Ozzy, it is a focal point of reference and reverence for so many Heavy Metal musicians and fans alike. A bonus track is added into this reissue, “You Lookin’ At Me Lookin’ At You”. This song is similar in structure to “Rock & Roll Rebel” from Ozzy Osbourne’s “Bark At The Moon”. It is a song that is a welcomed addition to this classic album, any song is – that has Randy Rhoads playing. This album has stood the test of time, it feels strange for me to now say that the lyrics, song structure and arrangements with Randy Rhoads leads and riffs are powerhouse. Yet, with the new generation of Ozzy, Randy Rhoads and Heavy Metal fans, getting the word out after all these years is worth every second if it means passing this Heavy Metal jewel on to new listeners.

I know that I do reflect a couple of decades back, (quite often), in my posts… the reason is simple, this incredible Heavy Metal music was created and released decades ago! That is my point of relevance for me, so much of the Heavy Metal that I was into in the late 70’s onward, I still listen to this very day and is now considered classic and vintage. I can remember having the coolest algebra teacher back in High School, Mr. Z. was his name. Mr. Z. allowed his students to bring into class – albums to play on his stereo. How cool is that? It is not too often, with any generation, to reflect on any Algebra teacher from High School as being cool. Well, one of my buddies back then, brought into our class one day, the “Diary Of A Madman” album. This was really the first time I gave this Ozzy gem a thorough listen. I was ecstatic, thrilled beyond Metal belief upon hearing these tunes on this album. (Mr. Z. seemed to dig this Ozzy album too, I can still remember seeing his face showing the appreciation, while the Metal blared). Needless to say, my grades in Mr. Z.’s Algebra class were very respectable, due in part to the cool nonconventional way of teaching, using Heavy Metal as an inspiring teaching tool. Mr. Z. rocked back then, I hope he is still as cool today, wherever he may be.

With tracks such as “Over The Mountain”, “Believer”, “Little Dolls”, “You Can’t Kill Rock and Roll”, “Flying High Again” and “S.A.T.O.”, the odds of ever hearing such amazing Heavy Metal songs this potent and on one album again, are pretty slim. Back in 1982, after listening to this Ozzy album, I was set Metal straight – for a lifetime.

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Paul Dianno “The Living Dead” is very much alive with Metal Music

Posted in 1980's heavy metal music, 1980's metal music, Album Review, cool album covers, essential heavy metal albums, Extreme Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal music, Heavy Metal Reviews, heavy metal solo albums, heavy metal solo artists, heavy metal solo vocalists, heavy metal this decade, heavy metal vocalists, Metal, metal music, metal music today, Metal Reviews, Music, recent heavy metal albums, spooky metal album covers, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 12, 2009 by Metal Odyssey

main-150Paul Dianno “The Living Dead” was released on May 16, 2006. Why I lead with this, is due to my impatience for waiting on this album… I counted the days leading up to it’s release. It was like I was eight years old again, waiting for Christmas morning to come. For the few who may not know, Paul Dianno was the original lead singer for Iron Maiden. Paul Dianno was lead vocalist on the debut “Iron Maiden” album and the “Killers” album. Of course you can count bootlegs and the “Maiden Japan” EP as well, with having Dianno as lead vocalist. If it wasn’t for Bruce Dickinson taking over as lead vocalist for Iron Maiden, starting with the “666 The Number of the Beast” album, I would say that Paul Dianno could never be replaced as lead vocalist. However, It is my Metal opinion that comparing Paul Dianno to Bruce Dickinson is apples to oranges. Why compare? They are both completely different vocalists, both in style and range. The Paul Dianno fronted version of Iron Maiden, with the first two studio albums, (mentioned above), are undisputed Metal classics, that are revered and influential to countless Metal fans and/or Metal musicians. I feel Paul Dianno shares the same equal glory among the other original members of Iron Maiden for these albums being so iconic. (Phew, I got that off my chest, now I can blab about the actual album – “The Living Dead”).

The opening track “The Living Dead” is sung with power and emotion from Dianno – yeah, you can have emotion in Metal music. Lyrically, this song tackles loneliness, hunger and human despair. (Nope, this song is not about the cult horror film classic). This tune is a heavy – very heavy ballad if you will. For every song I mention on “The Living Dead”, bear in Metal mind, that this is a very, very heavy album. Dianno sounds more hungrier, angrier and confident than ever. (That is what my Metal ears are telling me anyways). “Mad Man In The Attic” has Dianno doing a little exploring, into the world of Death Metal vocals. These growling vocals are not constant throughout, Dianno apparently was looking for some vocal horror texture and he succeeds here, in my Metal opinion. I find Dianno to be a touch reminiscent of the legendary Alice Cooper on this song. “War Machine” is a tune built on speed and dark heaviness. “Brothers Of The Tomb” has Dianno hitting the extreme high notes vocally, with some angry gang vocals added into the mix as well. “P.O.V. 2005” is a down right Thrash Metal tune… excellent riffs and a very cool solo as well.

Dianno does a cover of the Megadeth classic “Symphony Of Destruction” – it is structured and arranged differently than the original version. The biggest difference is the vocals, plus this version is not nearly as fast overall, as to what Megadeth delivers. I like this cover for it’s diverse Metal approach though, the Megadeth original will always be the best. Two legendary Paul Dianno era – Iron Maiden tracks are included as live bonus tracks: “Wrathchild” and “Phantom Of The Opera”, the liner notes do not suggest that these live recordings were done with Iron Maiden, rather with Paul Dianno’s band. Dianno is all over these two tunes… the quality, musicianship and vocals of Dianno make these bonus tracks a worthwhile addition to “The Living Dead”.

The copy of “The Living Dead” I picked up back in 2006, has a bonus DVD that includes the video for the song “The Living Dead” and an interview with Paul Dianno. The video is dark, almost haunting with it’s imagery. Paul Dianno is shown alone, singing against the backdrop of images of strife, humanity and despair. The interview with Paul Dianno is very interesting, with really no details as to why he and Iron Maiden split ways decades ago. One neat bit of info that Dianno shared is that he feels Max Cavalera (of Sepultura & Soulfly fame) is currently the best lead vocalist in Metal today. Hey, I really like everything that Max Cavalera has done with Sepultura and Soulfly myself. I definitely recommend “The Living Dead” to any fan of Metal, especially Iron Maiden fans who want to hear some recent Paul Dianno, he did a fabulous Metal job with this album.

The Metal musicians behind Paul Dianno on “The Living Dead” are: Paulo Turin, Chico Dehira, Javier Cuevas and Claudio Duliba on guitars * Felipe Andreoli & Marcelo Bracalente on bass * Aquiles Prieser & German Rodriguez on drums.

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IRON MAIDEN “FLIGHT 666” is now boarding Metalheads!

Posted in 1980's heavy metal albums, 1980's heavy metal music, 1980's metal music, Album Review, classic metal, concerts, cool album covers, current heavy metal albums, current heavy metal music, current live heavy metal albums, current metal albums, current prog metal albums, current prog metal music, current progressive metal albums, essential heavy metal albums, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal this decade, heavy metal vocalists, Iron Maiden, Metal, metal music, metal music today, Metal Reviews, Music, new heavy metal album, old school heavy metal, prog metal albums, prog metal music, progressive metal, progressive metal albums, progressive metal music, progressive metal today, recent heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 11, 2009 by Metal Odyssey

fullsizeYou bet your Metal memory I picked up the new and live double CD “Flight 666” from Iron Maiden, (released June 9, 2009). How could I possibly pass it up? This is Iron Maiden we are talking about… Metal icons… Metal elite. I first saw this new Iron Maiden CD, yesterday, at f.y.e., they were asking $16.99… I knew I could do better than that. So, I went to good ol’ Super Walmart to pick up necessities, like… food, then my body was on automatic pilot and went straight to the CD aisles. Iron Maiden is a necessity in my Metal life, therefore, I purchased “Flight 666” along with various food items from Walmart. I embarked for my car, with my daughters by my side and I am one happy dude. The Walmart price? I paid $13.88 for “Flight 666”, if I continued to search for a cheaper price than that, I would be wasting gas in my tank. Plus, I was able to save $3.23… sounds like chump change, yet it adds up throughout the years when you shop around a tad. I am going to put the DVD version of “Flight 666” on my want list for now… I listen to Metal light years more often than I watch Metal.

Now, for the Metal music on “Flight 666″… again, this is Iron Maiden! What in the Metal world could I possibly find fault with here? This live double CD is juiced up with many prime Metal tunes from the expansive Iron Maiden catalog of albums. Quality, quality and more quality. That is what you hear from the production, sound and of course, the Metal from this Iron Maiden live CD. No Iron Maiden and/or Metal fan could possibly expect any less from this band. When I listen to “Flight 666”, I truly realize how I have never grown weary of any Iron Maiden tunes. If anything, listening to this CD makes me appreciate this band all the more, Iron Maiden is still cranking out Metal across the world… and doing so with their trademark, brilliant musicianship. These guys have not missed a step going on three decades. “Flight 666” is proof of this. The Progressive Metal exuberance of Iron Maiden, with their multi-layered triple guitar attack are in a Metal class all their own. Being a live CD, the nuances and ambiance of the musicianship and the thousands of screaming Iron Maiden fans make for an exciting listen. Not everyone is into live albums… I never fell in love with every live Metal album I have listened to either – “Flight 666” is a live Metal album that I will boast about forever.

There are six tracks on “Flight 666” that are post “Powerslave” era Iron Maiden. “Wasted Years” and “Heaven Can Wait” are from the “Somewhere In Time” album. “Heaven Can Wait” is my favorite post “Powerslave” Iron Maiden tune, it is played live in incredible Metal fashion here. “Fear Of The Dark” is from, of course, the “Fear Of The Dark” album. “The Clairvoyant”, “Moonchild” and “Can I Play With Madness” are off of the “Seventh Son of a Seventh Son” album. The remaining eleven tracks are just killer, vintage and monumental Iron Maiden from the debut “Iron Maiden” album up to and including, the “Powerslave” album. The opening live trademark of “Churchill’s Speech” gets the Metal juices flowing for what is about to come… “Aces High”… pure Iron Maiden, pure Metal intensified! “2 Minutes To Midnight” and “The Number Of The Beast” roar with Iron Maiden – Metal history. I am glad to see that “Rime Of The Ancient Mariner”, from the “Powerslave” album, is added to this amazing set of Iron Maiden classics… at almost 14 minutes long, Iron Maiden makes an epic story turn to epic Metal greatness. My favorite Iron Maiden tune ever is found on “Flight 666” as well and I am ecstatic… “Revelations” from the “Piece Of Mind” album.

I guess you may have figured out by now, that I am a life long fan of Iron Maiden. I am obviously not alone with my Metal allegiance towards this band. I could go on forever about how much I dig this band and “Flight 666”, however, all great Metal posts must come to an end. If you are already an Iron Maiden fan, you know you will own this album, (if you not already have it). For new fans of Metal or Iron Maiden, it is time to get on board for “Flight 666”!!

Iron Maiden are: Bruce Dickinson on lead vocals, Dave Murray on lead & rhythm guitars, Adrian Smith on lead & rhythm guitars, Janick Gers on lead & rhythm guitars, Steve Harris on bass and Nicko Mcbrain on drums. If these guys are not legitimate Rock & Roll Hall of Famers, then nobody is. Iron Maiden is in my Rock & Roll Hall of Fame and they epitomize what the word Metal means.

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DISTURBED – Indestructible Metal

Posted in Album Review, cool album covers, cover songs, current heavy metal albums, current heavy metal music, current metal albums, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal this decade, heavy metal vocalists, Metal, metal concerts, metal music, metal music today, Metal Reviews, Music, new heavy metal album, recent heavy metal albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on June 7, 2009 by Metal Odyssey

main-150My wife is a loyal fan of Heavy Metal. (Thank goodness). Well, I knew this over 20 years ago before we ever married. This turned out to be quite the Metal bonus, having my wife being a fellow Metalhead. I get cool Metal gifts for my birthday and Christmas from her and she encourages and nurtures the love I have for Metal music. I am a very fortunate Metalhead to have a wife like her. Her favorite Heavy Metal band of all-time has always been Def Leppard… until I introduced her to Disturbed. (I still believe both these bands are tied for my wife’s favorite). So, as I write away with Metal Odyssey, she keeps looking over my shoulder… waiting to see when Disturbed makes it to this blog. I without further Metal ado… will give my Metal opinion on Disturbed. I feel Disturbed is an excellent Metal band. Sure, Disturbed came around during the Nu-Metal phenomenon, yet I still never would classify them as such. No matter how much I try to dissect it… Disturbed holds up as being Metal.

The debut album from Disturbed, “The Sickness”, (released in 2000), has it’s Nu-Metal appeal… regardless, I am not buying into this label. “The Sickness” for me, is a fabulous album that brought about a Metal sound that I never heard before. This sound I am talking about is truly derived from the vocals of David Draiman, I honestly have never heard anyone else sing like him. The sound effects that David Draiman belts out vocally are to me, unique. This guy can sing, I am not going to ever dispute this. The deep rooted emotion and anger has always been a believable staple with David’s vocals, in my Metal opinion. Usually a band has to do a knock out, killer job of covering a tune from years past to impress me… Disturbed blows away the original version of “Shout” from Tears for Fears. There is no comparison. Man, this song gets me Metal pumped, that is how it affects me, so shall it be. The “Ten Thousand Fists” album (released in 2005), cuts the Metal mustard for me as well. Hey, I always thought Genesis was a cool Progressive Rock band… I would give this band a listen from time to time. Then, when I first heard the cover version of “Land of Confusion” done by Disturbed – again, blown away. The Genesis original version of this song I always found to be intriguing, it is Disturbed that made it a Metal treat for my ears.

Last Summer of 2008, when Disturbed released “Indestructible”, I fell Metal victim again… the entire album was exactly what I was hoping for – the heaviest Disturbed yet. I will will say this much, without any hesitation, that “Indestructible” was one of the finest Metal albums released in 2008. Every song on this album is heavy duty and powerful, I could not endorse this album any louder than that. Dan Donegan on lead guitar is tremendously good… I cannot ignore this fact. John Moyer on bass and Mike Wengren on drums smack it down with the rhythm section, they are tremendous players as well. David Draiman sings to maximum Metal capacity too, always has. As a Metal side note, I feel it is extremely cool, that Disturbed has played for our U.S. troops overseas. To wrap this Disturbed post up, yup, I am a fan. I am not trying to sound like a fart head when I say – what is there not to like? Disturbed has released four very cool Metal albums in a row, that is quite the Metal task. Yes, music is always a personal preference, my personal belief is that Disturbed is as their newest album suggests… indestructible.

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Enslaved “Vertebrae” – Progressive, Black Metal raises the bar

Posted in Album Review, Black Metal, black metal 2008, black metal 2009, black metal from norway, cool album covers, current heavy metal albums, current heavy metal music, current progressive metal albums, essential heavy metal albums, Extreme Metal, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, metal music today, Metal Reviews, Music, new heavy metal album, norwegian black metal, progressive metal, progressive metal albums, progressive metal music, recent heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 3, 2009 by Metal Odyssey

main-150Enslaved, from Norway, has created quite the exquisite Black Metal album with “Vertebrae”. Why do I use the adjective exquisite to describe this album? Well, I revere the Progressive Metal of Mastodon and Dream Theater, the legendary Progressive Rock of Pink Floyd and the groove infested Black Metal of Satyricon. Enslaved encompasses the most Metal and progressively delicious elements from these favorite bands of mine, while incorporating them into their very own startlingly, mind popping sound. What Enslaved has done here, is taken Rock and Metal influences to a new level, creating an album that embraces everything that is brilliant about Heavy and Progressive music. (I am not saying Enslaved actually looked to these bands for inspiration, this is just my musical and Metal interpretation and/or opinion). Enslaved has their roots in Black Metal, a musical track record that overflows with Metal bragging rights… “Vertebrae” by no means exemplifies this band as not being original. This album is as original as it gets… I cannot truly count how many Metal bands there are, that dare to experiment with music so valiantly.

Black Metal has gone through a bit of a metamorphosis over the years… so have the other Metal genres. There will always be the blue collar – true to the roots style of Black Metal, it deserves it’s rightful place in the Metal universe. Enslaved, like their counterparts Satyricon, have taken the Black Metal stylings and tweaked them, in this case, Enslaved progressively tweaked. As with anything in life, change is a natural necessity that either is accepted or rejected. Change in the musical circles of Metal can often times be equated to selling out or mellowing down, every fan of Metal has their own right to personally object or accept what they want from their music. My point I am trying to make here is, Enslaved has not deceived me or let me down with their brand of Progressive, Black Metal on “Vertebrae”. Vintage Venom and Mercyful Fate will forever and always be at my Metal reach, Enslaved “Vertebrae” is an extension of what happens when musical and Metal barriers are broken down. 

In an all encompassing summary of the seven songs on “Vertebrae”, I hear the nod to the forefathers of Black Metal, with especially the lead vocals and the dark, macabre and searingly moody ambiance, coming from the musical background elements. The keyboards and organ can create Black Metal which pays homage to the original sound of this band and genre, it can also create the progressive path in which “Vertebrae” aims for as well. Herbrand Larsen is simply unreal on the keys, organ and vocals. The same can be said for each member of Enslaved… as a cohesive unit they have connected not only with each other with their Metal skills and prowess, they have also raised the bar musically, in a Metal world that is rapidly interconnecting with each others genres. I cannot resist myself by recommending highly “Vertebrae”, Enslaved has created an album that will be at the top of my Metal list for decades to come.

The members of Enslaved are: Ivar Bjornson on guitars, Grutle Kjellson on vocals & bass, Herbrand Larsen on keyboards, organ & vocals, Cato Bekkevold on drums and Ice Dale on guitars. Enslaved has given the Metal world seven brilliant new songs with “Vertebrae”, thus inspiring me to delve and journey even further into the vast genres and sub-genres of Metal music.

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Ronny Munroe “The Fire Within” – Metal Church vocalist roars on solo debut

Posted in Album Review, Century Media, century media records, classic metal, cover songs, current heavy metal albums, current heavy metal music, dio, essential heavy metal albums, Guitar, guitar solos, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal solo albums, heavy metal solo artists, heavy metal vocalists, Metal, Metal Church, metal music, metal music today, Metal Reviews, Music, new heavy metal album, old school heavy metal, rainbow heavy metal band, ronnie james dio, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 2, 2009 by Metal Odyssey

30649First of all, I am a fan of Ronny Munroe, the current lead vocalist for Metal Church. I just happen to gravitate towards the Old School Metal sound, both vocally and musically. Ronny Munroe in my Metal opinion, has the unmistakable Old School Heavy Metal vocals… and in no way do I subscribe to the opinion that this sound is dated. This brand of Old School Heavy Metal has been proven successful for decades now. For me, it is another Metal genre that lives on. With that said, I have obtained a copy of the new Ronny Munroe debut CD… The Fire Within, (released 2009), I am impressed by the total package of music here. This is Heavy Metal made the old school way, no frills, bells or whistles get in the way of the straight ahead approach that Ronny Munroe has taken on with “The Fire Within”. Honestly, Ronny Munroe comes with his Metal Church – front man credentials… he delivers a mightily solid twelve tunes alongside some talented friends. Rick Van Zandt of Metal Church, plays lead and rhythm guitars superbly throughout, with Michael Wilton of Queensryche delivering a solo on two tracks I will mention.

“Across The Sea Of Souls” is the song I feel Ronny Munroe is at his finest, his vocals sound sharp, as if he has been singing this song his entire life. The Michael Wilton solo on this song is cool, I cannot ignore or resist his guitar talent. “Ivory Towers” and “Evil Genius” are tracks that showcase moments of the higher extreme of Ronny’s vocal range, (yes, think of Rob Halford), these songs are groove laden with images of 1980’s Arena Metal concerts in my mind! “Ride Me” is a Metal-macho tune that rocks heavy, the lyrics are tailor made for a Hair Metal band… Ronny makes this song work, Randy Cooper kicks in with a lean & mean solo, a Heavy Metal tune with plenty of swagger. “What You Choose To Call Hell (I Call Home)” comes across to me, as the signature track for Ronny on this album. It is dark, heavy, moody and effectively bridges the gap between Metal Church and Ronny Munroe’s solo career. Michael Wilton appears again here, providing another memorable solo.

After listening to “The Fire Within”, it is my Metal opinion, that Ronny Munroe places Old School Heavy Metal high on a pedestal. I hear while listening to this album, the influences of Judas Priest, Dio and Dio era Rainbow. My opinion could not be better solidified, after listening to “Man On The Silver Mountain” (a vintage Rainbow song), covered by Ronny Munroe. This being the last track, it fittingly closes out a fine Heavy Metal album of creative tunes. Ronny does a terrific cover of this song, I really enjoy this version a whole bunch. This cover version found here, is a fine tribute to an everlasting, Heavy Metal classic of a song. Ronny’s vocals at times, do have comparisons to the legendary Ronnie James Dio, especially on this classic Rainbow cover. I will say, my favorite will always be the original “Man On The Silver Mountain” as sung by Dio himself. In summary, “The Fire Within” will be an album that I will tune in to on a regular basis, it is what I like. I was looking forward to this solo album from Ronny, I have not been disappointed. I recommend Ronny Munroe’s debut solo effort to any fan of Old School Heavy Metal, 1980’s Heavy Metal, Rainbow and of course, Metal Church. New fans should just dive in… this brand of Metal needs to be passed on!

Upon searching for “The Fire Within”, I did locate this CD on the worlds greatest online record store… Century Media Records… aka… CM Distro.com. (I highly recommend CM Distro.com). “The Fire Within” is on an independent record label called Ratpak Records. *Not to leave out the cool musicianship of the following on this album: Izzy Rehaume on bass guitar, Rick Pierce on rhythm guitar, Johnny Ringo and David Van Zandt on drums.

Ronny Munroe "The Fire Within"

Saxon continues to Rock with Old School Heavy Metal

Posted in 1970's heavy metal, 1980's heavy metal music, 1980's metal music, 1990's heavy metal music, Album Review, classic metal, cool album covers, current heavy metal albums, current heavy metal music, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, metal music today, Metal Reviews, Music, new heavy metal album, old school heavy metal, Power Metal with tags , , , , , , , , , , , , , , , , , , , , , , , , , on May 30, 2009 by Metal Odyssey

7670060929Saxon – the words durable, old school, enduring and still excellent at their Metal craft, come to my mind. Let’s be honest, this is not the same Saxon from their “Denim and Leather” days, yet they are Saxon 2009 – that is Metal-good enough for me. Saxon was an essential part of “the new wave of British Heavy Metal”, going back to the late 1970’s into the early 1980’s. When I first heard Saxon back then, I felt like I found a band no one else knew about… I had a cool Metal secret. Well, the secret was already out, as I later found. Saxon was justifiable a favorite of legions of Metalheads, therefore I was not alone with my new found Heavy Metal band after all. 

568497a3ad“into the Labyrinth” is the newest album from Saxon, released on January 13, 2009. “Battalions Of Steel” and “Valley Of The Kings” have an almost majestic Power Metal sound, complete with keyboards and what sounds to me like an enlightened choir. For me, Saxon pulls it off extremely well when they go the Power Metal route. “Live To Rock” is the single being pushed off of this album, it is bona fide Old School Heavy Metal with a cool, vintage, anthemic delivery to it. This is the fist raising – head banging tune that will stir up plenty of 80’s Heavy Metal memories for many. “Slow Lane Blues” is another fine example of how Saxon holds onto the Classic Metal approach, a fun tune that tells the complete story of a dude being pulled over by a cop for speeding. “Crime Of Passion” is heavy, heavy, Metal. Nigel Glockler punishes the drum kit on this song, again, head banging can and may occur when listening to this song too. If there is to be a song on this album that is considered a ballad, well, “Voice” is it. However, this is a heavy ballad – staunch Metalheads need not worry – Saxon does not get sappy here at all. “Hellcat” is my favorite track on this album, it is fast, furious and heavy. The three key Metal music ingredients I always embrace! “Come Rock Of Ages (The Circle Is Complete)” is a Heavy Metal exclamation point for Saxon on this album, man this song is good. “Coming Home (Bottleneck Version)” is a back woods – lets stomp in the swamp – foot stomping tune. It is a cool way to come down after the previous 12 tracks of fired up Heavy Metal.

Biff Byford on lead vocals sounds fabulous throughout “into the Labyrinth”, he is what I consider truly underrated, as a Heavy Metal front man. Biff Byford is like the silent elder Metal statesman – compared to the press the other more popular lead vocalists of Old School Heavy Metal receive. Doug Scarratt and Paul Quinn are a cool and talented guitar duo to listen to, I have sincere Metal admiration for both. Nibbs Carter on bass hooks up with Nigel Glockler on drums to provide a top tier rhythm section of crushing Heavy Metal. Overall, long time Saxon fans should gobble up this new album, new fans should be easily recruited. When you have 13 songs this good, with tunes that Rock this heavy, I feel you have a Metal winner. 

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Heavy Metal 101: 10 (or more) most underrated Metal albums you need to know

Posted in 1980's heavy metal albums, 1980's heavy metal music, 1980's metal music, 1980's thrash metal, 1990's heavy metal music, Album Review, Black Metal, Black Sabbath, classic metal, cool album covers, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal music, Heavy Metal Reviews, horror metal, king diamond, Metal, metal music, Metal Reviews, Motorhead, Music, old school heavy metal, Over Kill, Power Metal, speed metal, Thrash Metal, thrash metal album review, thrash metal music, thrash metal music reviews, tony iommi heavy metal guitarist, vintage heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 28, 2009 by Metal Odyssey

 

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If you are a veteran Metalhead, these ten (or more) Metal albums that I consider underrated may not surprise you. Heck, you may already have owned them for several years or even decades. In the Metal event you are a new recruit to the dynamic world of Heavy Metal, welcome aboard and go out and BUY THESE METAL ALBUMS for they will serve you right! Oh, what do I mean by underrated? Well, for starters, these are Classic/Vintage Metal albums that do not seem to get enough attention these days – as I surf around the world wide web, these are the albums that tend to go unnoticed for some oddball reason or another. It is my goal to surround the readers of Metal Odyssey with the knowledge necessary, to make prudent Metal album buying decisions too. These ten Metal albums, in my Metal opinion, have most definitively stood the test of Metal time. Enjoy and absorb this list, please note that these Metal albums are not in any specific order. (These Metal albums are my own personal choices for most underrated, I am sure many knowledgeable Metalheads out there will have differing opinions).

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MERCYFUL FATE – “MELISSA” – King Diamond, plus, absolutely NO radio friendly tunes found here. This band laid down a whole bunch of Black Metal groundwork for others to learn from.

TWISTED SISTER – “YOU CAN’T STOP ROCK ‘N’ ROLL” – Just before Dee Snider & the boys became really famous. I find this album to be just as inspiring today as it was in 1983. My favorite Twisted Sister album.

BLACK SABBATH – “BORN AGAIN” – Ian Gillian on vocals, ’nuff said. O.K., this is one tough album or CD to find. “Trashed” is very heavy stuff, a very fast Black Sabbath tune. This version of Black Sabbath is incredibly good. Bev Bevan of Electric Light Orchestra fame actually was the drummer on the “Born Again” Tour during 1984/85. That is correct. You did read this right. Now that is cool, having an ELO and Black Sabbath connection. 

MOTORHEAD – “ANOTHER PERFECT DAY” –  Of all the Motorhead albums, this one deserves more respect. The tune “One Track Mind” is reason alone to own this vintage Motorhead release, plus the album cover artwork and liner notes are extremely diabolical and cool. 

GRIM REAPER – “See You In Hell” – The album title says it all… the title track “See You In Hell” is for me, a Heavy Metal anthem that brings back memories to my Metal heart. This was one heavy duty band for me… worth every Metal second of listening enjoyment. Overall, great band, great album, I wish they could have done twenty albums.

EXODUS – “FABULOUS DISASTER” – Gary Holt is such an important guitar player in Thrash Metal history. Exodus is always grouped in with the Thrash Metal originators. In my Metal opinion, each original Bay Area Thrash Band is just as important as the next… I am giving Exodus their just due here and “Fabulous Disaster” is just that, fabulous Thrash Metal.

VINNIE MOORE – “MINDS EYE” – Hey, this guy can play guitar. Heavy Metal guitar too. An all Metal instrumental album could never hurt no one, especially a Metalhead. Listening to Vinnie Moore in college helped me get unreal grades in fine arts, I am not kidding. I drew some of my best stuff listening to Vinnie Moore – thanks Vinnie.

MANOWAR – “HAIL TO ENGLAND” – Very loud and Old School Metal. This album has all the Metal attitude and heavy music you could ever ask for, plus, as a bonus, these guys are quality Metal musicians too! There are those times, when I need a cool Power Metal band that is Old School, that I can sing along to. They very well might be… “The Kings of Metal” as they advertise… heck, I would never think of telling them they are not.

OVER KILLEvery album they have ever made. Yeah, this sounds crazy, yet these guys are that great at playing Thrash Metal. Over Kill always seems to have been the hardest working Thrash band on the planet, with no star status or star treatment from the wide world of professionally paid critics. Different lineups throughout the years has not affected my loyalty… as long as there is Bobby “Blitz” Ellsworth and D.D. Verni leading this potent Thrash attack, I am Metal happy.

W.A.S.P. – “K.F.D.” – This is one heavy, monster of a W.A.S.P. album. Extremely heavy W.A.S.P. – Blackie Lawless was not fooling around with this album… I listen to “K.F.D.” when I have both good and bad days, the end affect is still just like opening up a can of Metal whoop ass and getting straightened out – Blackie Lawless style. Thanks Blackie Lawless.

KROKUS – “HEADHUNTER” – O.K., sure, there is some commercial appeal here with the tune “Screaming In The Night”, yet it is a far cry from any of the heavy ballads that blitzed us all in the 1980’s. Factor in the raging track “Headhunter” and the Metal grooviness of “Stayed Awake All Night” and you have served up yourself some decent party tunes.

Black Sabbath "Born Again"

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Danzig – debut album from 1988 is all Metal muscle

Posted in 1980's heavy metal albums, 1980's hard rock, 1980's heavy metal music, 1980's metal music, Album Review, classic metal, cool album covers, Danzig, essential hard rock albums, essential heavy metal albums, Hard Rock, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, horror metal, Metal, metal music, Metal Reviews, Misfits, Music, old school heavy metal, rock music, vintage heavy metal albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 27, 2009 by Metal Odyssey

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Listening to the debut album from Danzig, (titled “Danzig”), is always a refresher course in what smash mouth Metal is about. Released in 1988, this album in my Metal opinion, has all the ingredients necessary to be looked upon as a muscular Metal Classic. I will admit, that this is one of my favorite Metal albums ever and Danzig does hold high rank in my Metal universe. Before Glenn Danzig went the all Metal route with his music, well, was there anyone else in Metal that sounded like him? My answer is nope. I liken Danzig’s vocals to be of profound Metal uniqueness, where he will clearly deliver the spoken word, then sing and/or belt out vocally with real conviction.  Sure, I even agree that Danzig’s vocals sound a tad like Jim Morrison at times… not a bad dude to be compared to for vocals. The ten tracks on “Danzig” are laced with the lyrical darkness that are open for interpretation. Musically, Glenn Danzig is a Metal mastermind at combining the straight up and anti-commercial approach to these songs, while not over complicating any of the songs structure. “Mother” is the closest you will get to ever seeing a Danzig tune dabble with mainstream popularity.

I can recall how the great Danzig song “Mother” gave me an unexpected surprise that actually made my day. My best buddy in the Galaxy, well, he is a steadfast and loyal Boston Red Sox fan, (I am not). He took me along to Fenway Park a couple of times, (paid for my tickets too) and we both took in two fine games. I will always appreciate his generosity. Well, at one of these Red Sox games, the relief pitcher – closer was called in to the game, his name was Keith Foulke. I did not realize that this pitchers theme song and/or warm-up song to get pumped up to – was none other than Danzig’s “Mother”. Here I am, innocently sitting in the historical Fenway Park, by the historical “Pesky Pole”, within a sea of Red Sox fans and I am taken by Metal surprise to the electrifying and heavy loudness of Danzig’s “Mother” coming over the stadium speakers! I felt so proud to be a Danzig fan at that moment. Let me tell you, that song lit up the thousands of Red Sox fans at Fenway Park that day. 

Now, back to this Danzig album, my favorite four tunes, (not in any specific order), are: “Twist Of Cain” – which has the sandpaper tough, do not mess with me attitude oozing from the lyrics and music, “She Rides” – a track that has that slowly driven, heavy beat that gives me an instant, devious, Metal grin, “End Of Time” – which is melancholy and spooky lyrically and rocks heavy with thick Metal grooves, leads & riffs, then of course, “Mother”. I will say that in my Metal opinion, all ten songs on “Danzig” are fully loaded for maximum heavy musical enjoyment. The Danzig lineup for this debut album was: Glenn Danzig on vocals, Eerie Von on bass, John Christ on lead guitar and Chuck Biscuits on drums. Not that Glenn Danzig needed any introduction to the Rock universe back in 1988, he did arrive with storied and musically historical careers with the Misfits and Samhain behind him. However, I firmly believe that this debut album was built to last, succeeding in launching the Metal legacy that Danzig has so brilliantly created.

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Fastway – revisiting one cool, Heavy Metal debut album

Posted in 1980's heavy metal albums, 1980's rock music, 1980's hard rock, 1980's heavy metal music, 1980's metal music, Album Review, classic metal, classic rock, cool album covers, essential hard rock albums, essential heavy metal albums, essential rock albums, Hard Rock, hard rock album review, hard rock guitarists, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Motorhead, Music, old school heavy metal, Rock, rock music, vintage hard rock albums, vintage heavy metal albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 26, 2009 by Metal Odyssey

main-150In 1983, Fastway was the apple of my Metal eye. Today, well, Fastway is an old school Heavy Metal favorite of mine still, with their debut album aptly titled “Fastway”, being what I consider their best material. Man, when I heard the news that “Fast” Eddie Clarke was leaving Motorhead, I was floored like any loyal fan, back in the day. Then, the word broke, that “Fast” Eddie Clarke was forming a new Heavy Metal band called Fastway… my Metal anticipation was climbing by the second. Knowing that Pete Way (formerly of UFO) was to play bass alongside “Fast” Eddie Clarke only made this lineup more potent by the second. (I later found out that Pete Way never did get to actually play bass on the Fastway debut album).

Let’s go back in time now, to a wonderful department store named Caldor. You see, where I grew up, back in the 1980’s, Caldor was the biggest Hard Rock and Heavy Metal album supplier in my town. (It was the greatest place for a Metalhead teenager to go to for tunes, living in expensive nowhere Connecticut). I used to fantasize about Caldor while I was serving time in Parochial School and later High School. My thoughts strayed right into that glorious Caldor, envisioning the very long record aisles, lined with Yes, Iron Maiden, Bad Company, Ted Nugent, Black Sabbath… and then one day, in 1983, I remembered that the new Fastway album was to be released. Oh, the surefire Metal joy I would experience if that Fastway album was to be at Caldor! Minutes after I was released from being imprisoned in that High School, I was there… at Caldor. Fastway was also there. You betcha. With my Metal heart beating quickly, I reached for this precious new vinyl pressing, had it in my hands…  what is this? Located on the back of this Fastway debut album was a strange looking little mini record, it was not a 45 rpm, (it was the size of a 45 rpm and had a tiny album hole in the center), nor was it anything that I really saw before. It was supposed to be with this album, for it was the single for the song “Far Far From Home” – this song never made it on the actual album itself, therefore, the record company added it on as a separate single bonus! Man, at this moment, this teenage Metalhead was on Metal cloud nine.

Alright, as for the actual Metal found on this Fastway debut album, it rocked me straight into Heavy Metal bliss for an entire Summer – and Fall and Winter too. The tunes were so catchy, guitar driven and groove laden (courtesy of “Fast” Eddie Clarke), that it was one difficult album for me to put down for a lengthy period of time. “Say What You Will” was the most notoriously recognizable track off of this album. The opening guitar lead by “Fast” Eddie Clarke repeats throughout the entire song, instead of being repetitious, it was (and still is) Metal delicious. The vocals of the underrated Dave King were reminiscent of Robert Plant upon my initial listen to this album. However, back in the ’80’s it seemed to be the trend to point the finger at too many Hard Rock and Metal vocalists – accusing them of ripping off the legendary Robert Plant. “Easy Livin'” is definitely my favorite track on this debut, it is fast, slick and the guitar play of “Fast” Eddie Clarke shines. “You Got Me Runnin'” and “Give It All You Got” are heavy, fast paced – melody makers, providing the maximum Heavy Metal grooves you can possibly get out of three minute songs. 

In a Metal nutshell, the overall enjoyment that this Fastway debut album has provided me, sincerely has lasted a lifetime. This is one of those albums that I bought on CD as quickly as it was available. The efficiency of this album is what makes it a winner, for me. The efficiency of the songs structures, both musically and time wise, coupled with “Fast” Eddie Clarke on guitar, Dave King on vocals, Jerry Shirley on drums and Mickey Feat on bass, makes the debut Fastway album a Heavy Metal treat for me – to reach for to this very day.

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Happy Metal Birthday, Klaus Meine – Scorpions vocalist

Posted in 1970's hard rock, 1970's heavy metal, 1970's Rock, 1980's heavy metal music, 1980's metal music, Album Review, classic metal, classic rock, cool album covers, essential hard rock albums, essential heavy metal albums, essential rock albums, Hard Rock, hard rock album review, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal from germany, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, Rock, Scorpions, vintage hard rock albums, vintage heavy metal albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 25, 2009 by Metal Odyssey

fullsizeIt is May 25th, 2009, Memorial Day in the United States. Today is also… the 61st birthday for Klaus Meine, lead vocalist for the incredible, dynamic and legendary Scorpions. Metal Odyssey gives out a loud, Metal filled, Happy Birthday to Klaus Meine! I can go on for days as to how much Metal joy that Klaus Meine and the Scorpions have given me, with their Heavy Metal, throughout my life. My favorite Scorpions album ever, is “In Trance” – this album showcased an up and coming Heavy Metal band that was filled with the Metal hunger and talent needed to sustain such a long standing, unbelievable career. Released in 1975, the third album, this is a Scorpions release unlike their “Animal Magnetism”, “Blackout” or “Love At First Sting” albums. This is Scorpions Metal that was raw, rough and edgy, in other Metal words – great tunes without the Arena Rock flamboyancy. Do not get me wrong, I support and revere every album ever released by the Scorpions. Only this is a Scorpions band in their Metal infancy, the dynamics are clearly heard on this album, which makes me choose “In Trance” as my favorite Scorpions release. This vinyl Metal Classic still exists in my collection today, after so many plays on the turntable. I am still amazed that I was able to keep this album, in such incredible condition, for this long!

“Top of the Bill” is my favorite track on “In Trance”, this song exemplifies what true old school Heavy Metal sounds like. The Scorpions musicians over the decades are stand alone – top of their Metal game players. Klaus Meine is realistically, for me, a top ten, all-time Heavy Metal vocalist. You can argue that Klaus Meine is a top ten, all-time Hard Rock vocalist as well. (Take your pick or pick both). “In Trance” does not lack in quality of musicianship or song writing, in my Metal opinion. This was an album that really represented this time period well, representing what Heavy Metal from Germany sounded like. (Thank you Germany). I am confident in saying that the world of Metal has embraced and revered the Scorpions to this very day. Thank you Klaus Meine for sharing your unique and unbelievable vocals with us, you and the Scorpions are in a Metal class all your own!

Scorpions as they appeared on “In Trance” in 1975: Klaus Meine on lead vocals, Ulrich Roth on lead guitar & backing vocals and lead vocals on “Dark Lady” & “Sun In My Hand”, Rudolf Schenker on rhythm guitar & backing vocals, Francis Buchholz on bass guitar & backing vocals and Rudy Lenners on drums & percussion.

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Nazareth “Hair Of The Dog” still has the heavy bite

Posted in 1970's hard rock, 1970's heavy metal, 1970's Rock, Album Review, classic metal, classic rock, cool album covers, cover songs, essential hard rock albums, essential heavy metal albums, essential rock albums, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, Rock, rock & roll, rock music, vintage hard rock albums, vintage heavy metal albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on May 25, 2009 by Metal Odyssey

Nazareth “Hair Of The Dog” has always been a monumental standout Hard Rock album for me. This is what I consider a real album with no pretensions, no fancy gimmicks. What you hear on “Hair Of The Dog” is true Classic Hard Rock, no tunes found here are subdued or watered down. Nazareth came up the Hard Rock ladder during the 1970’s, surrounded by Hard Rock icons such as: Bad Company, Queen, Boston, Foreigner, SweetStyx and Cheap Trick. What a fabulous time it was for Hard Rock music! For the Metal record, I always considered Nazareth to be a Hard Rock band, albeit they do have their Heavy Metal musical tendencies. “Hair Of The Dog”, lyrically, is for me, a true stick it to the man – heavy song. “Now your messin’ with a son of a bitch” – these lyrics say it all, my fellow citizens. I can remember so many moments, in my life, where this song has benefited me. Sure, I have been slighted and backstabbed, so have trillions of other people on this planet have as well. “Hair Of The Dog”, when played LOUD, especially after you know you have been jerked around by someone, well, it is the sure fire remedy for feeling vindication.

I remember, uh, reflect, on my High School days… early ’80’s… it was homeroom at 7:45 in the morning, for my first four years of serving time there, “Love Hurts” was played on the school’s radio station, every single day. Yup, every single day. Did I ever grow tired of this song? Nope. It is Nazareth for Metal sakes. I only used to wonder why “Hair Of The Dog” was not played… probably due to it’s lyrical content, the sacred & self righteous school administrators did not want to stir up the masses. I will delve more into the “Love Hurts” tune in the upcoming paragraph, uh, review.

If you are looking for a great, Classic Hard Rock album to buy and cherish, “Hair Of The Dog” should be an easy choice. This album is saturated with Hard Rock. Oozing with bluesy, Hard Rock music and attitude, “Hair Of The Dog” has so much more to offer, with the title track “Hair Of The Dog” being as close of an example to 1970’s Heavy Metal as you can possibly hear. This song revs it up into high gear, kicking off this album on a real high note. “Miss Misery” is a melancholy song that thumps along with a denim and leather flavor, highlighting the raspy vocals of Dan McCafferty. “Love Hurts” is the ballad, the big radio hit for Nazareth then and now. This song is a cover from the Everly Brothers, only this version is hardened around the edges and overflows with pure Rock emotion. “Whiskey Drinkin’ Woman” is a song with a grooving coolness happening, it has that American Southern Rock sound and atmosphere. “Hair Of The Dog” is in my opinion, quite diversified musically. The opening track being very Metal, another track having Southern Rock flavor and a classic 1950’s ballad cover song. “Please Don’t Judas Me” is a lengthy rocker at nearly ten minutes long. I appreciate this song for it’s jamming, it also exemplifies how albums years ago were geared more to the music than to releasing instant commercial hits. Nazareth released a memorable album back in 1975, it should be enjoyed and passed along for all Rock and Hard Rock fans. Heavy Metal fans should embrace this album for its quality musical content and ground floor sound. “Hair Of The Dog” helped shape Heavy Metal in the 1970’s and beyond. This is an album that can never, ever, be forgotten.

Nazareth on “Hair Of The Dog”: Dan McCafferty on vocals, Manny Charlton on guitars & synthesizer, Pete Agnew on bass guitar & backing vocals and Darrell Sweet on drums, percussion & backing vocals. The liner notes do not contain lyrics, it is a fold out with an enlarged scale of the album cover artwork.

Nazareth "Hair Of The Dog"

Having a lousy day? Then listen to W.A.S.P. “Live… In The Raw”

Posted in 1980's live heavy metal albums, 1980's heavy metal music, 1980's metal music, Album Review, classic metal, cool album covers, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, horror metal, live rock albums, Metal, metal concerts, metal music, Metal Reviews, Music, vintage heavy metal albums, vintage live heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , on May 25, 2009 by Metal Odyssey

W.A.S.P. released “Live… In The Raw” on November 27, 1987. I always thank the Metal Gods for W.A.S.P. existing. Blackie Lawless is one of my Metal heroes. This live album/CD is one heck of a Metal ride, an outstanding set of vintage W.A.S.P. tunes that are monstrously power driven. My best buddy in the entire Metal galaxy introduced me to W.A.S.P. back in the mid 1980’s, it was the greatest gift I have ever received from him. I know this line has been used millions of times before, however, being introduced to W.A.S.P. back then is the Metal gift that keeps on giving. Look, if you are in need of some legitimate Metal music that will pick you up, power you up and make you flip off your enemies and/or antagonists, well, “Live… In The Raw” is all the Metal fuel you need. There has always been something about the in your face and straight up brand of Heavy Metal that W.A.S.P. provides, it has been a Metal elixir for me going on three decades now. The legendary W.A.S.P. lineup on this live album was: Blackie Lawless on lead vocals & rhythm guitar, Chris Holmes on lead & rhythm guitar, Johnny Rod on bass & backing vocals and Steve Riley on drums & backing vocals.

I always dig the live concert albums that make me feel like I am/was there to experience it. “Live… In The Raw” is one of those albums for me. From the opening track of “Inside The Electric Circus” to “The Manimal” in the middle of the set, to “Blind In Texas” – this is full throttle, old school Heavy Metal, that makes me forget about all the morons that try to make my life miserable. I recommend with full Metal pride, this album/CD to anyone just getting interested in discovering what W.A.S.P. is all about. “Harder Faster” and “9.5 – N.A.S.T.Y.” are two incredible live tracks, I envision Blackie Lawless actually singing these songs with his trademark crazed look about his face as I listen. (Hey, what else would anyone be envisioning while listening to live W.A.S.P.? Huh? Daisy and floral gardens? Cute little chipmunks? I do not think so). This live album is an all Metal feel-good experience, courtesy of one of the most commercially unacceptable bands in the world… the PMRC’s worst nightmare, the undeniable W.A.S.P.. 

W.A.S.P. "Live... In The Raw"