Archive for Album Review

JOURNEY – “Arrival” is a 2001 album I finally bought in 2009

Posted in 1970's classic rock bands, 1980's classic rock bands, 1980's rock albums, 1980's rock music, 1980's hard rock, 1990's hard rock music, Album Review, classic hard rock, classic rock, classic rock albums, classic rock bands, classic rock music, essential classic rock albums, essential rock albums, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, hard rock vocalists, Music, old school hard rock, Rock, rock album reviews, rock music, rock music vocals, rock vocalists, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , on August 20, 2009 by Metal Odyssey

main-150When it comes to Rock and Hard Rock Music, I always have put Journey on my listening rotation. I am guilty of not keeping up with the purchases of new CD’s over the years from Journey, “Arrival” is a perfect example of this. After the 1986 album “Raised On Radio”, I never picked up “Trial By Fire”, “Arrival” (until now) or “Generations”. You betcha I did grab a copy of “Revelation”… the Walmart 2 CD/1 DVD version too. It is not as if I totally forgot about Journey, these albums are just victims of the hordes of releases out there I have always wanted to buy… financially it is impossible to buy everything. Man, I am impressed by this Journey album… more than that, I cannot believe it took me this long to land “Arrival” into my music collection. I guess after each listen to “Arrival”, all I can really say to myself is what was I waiting for and thinking?  (I should have just bought this album years ago and stop worrying about how much money I spend on music!). I can’t comprehend how this album has not sold over a million copies? What gives? If “Arrival” was fronted by the legendary Steve Perry and released back in the 1980’s, it surely would have been multi platinum… wouldn’t it? Who knows, we shall never know, it is all make believe speculation on my part. All I do know is that “Arrival” is chock full of Rock and Hard Rock songs that are premium quality, in my Metal opinion. The song writing on “Arrival” is so outrageously good, I shake my head and thank the fact Journey is still around Rocking today.

Neal Schon is tremendous on guitar, (as usual), especially on “Livin’ To Do”… a choice favorite song of mine from this album. “Higher Place” is the opening song, the one and only song I was familiar with before I bought “Arrival”. “Higher Place” is the perfect table setter for this album, it has all things Journey about it happening. “I Got A Reason” is another song that really stands out for me, the lyrics and upbeat melody delivers plenty of highs here.  Steve Augeri on lead vocals does sound extremely close to Steve Perry… yet I will always state – there is only one Steve Perry, only one. With that off my chest, Steve Augeri does a smash up job on lead vocals, this guy can sing. On “With Your Love”, Steve Augeri makes me really like a ballad for a change. Neal Schon again, on guitar, adds the strength to this ballad that makes it rise up with musical emotion. I cannot hesitate to recommend “Arrival” to any fan of Classic Rock and Hard Rock, of any generation. Walmart has this CD in their retail store… that is where I found “Arrival”, plus it was an even five dollars. Five dollars, for a sealed (not used) CD… there are many times the Walmart CD aisles Rock.

Journey, as they appeared on “Arrival”: Neal Schon on guitar & backing vocals, Steve Augeri on lead vocals, Jonathan Cain on keyboards & backing vocals, Ross Valory on bass guitar & backing vocals and Deen Castronovo on drums & backing vocals. “Arrival” was released on April 3, 2001.

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SAVATAGE – “Day After Day” cover song was in my head today

Posted in 1980's hard rock albums, 1980's heavy metal albums, 1980's heavy metal ballads, 1980's heavy metal cover songs, 1980's live heavy metal albums, 1980's popular rock bands, 1980's rock music, 1980's hard rock, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, 1986 heavy metal albums, 1986 heavy metal music, Album Review, classic heavy metal albums, classic metal, essential hard rock albums, essential heavy metal albums, Hard Rock, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1986, heavy metal cover songs, heavy metal guitarists, heavy metal music, heavy metal on vinyl, Heavy Metal Reviews, heavy metal vocalists, Metal, metal odyssey, Metal Reviews, Music, old school heavy metal, vintage heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on August 19, 2009 by Metal Odyssey

16375You know those moments or days when  you experience a song that just seems to arrive or enter your mind, without being invited? It is subconscious for certain, something triggers a particular song to begin playing in my brain, be it secondary thoughts, reflections, images and/or events that happen in the course of a day’s routine. Today, I had the Savatage cover song of “Day After Day” playing repeat in my head. I honestly do not know why. I have not listened to this song from Savatage for many years, possibly a couple of decades. “Day After Day” is a song from the Savatage album “Fight For The Rock”, (released back in 1986). It is a cool song, without doubt  a Hard Rock, borderline Heavy Metal cover version, compared to the original 1971 Rock version from Badfinger. I used to have this original “Fight For The Rock” vinyl, heck, I bought it back when it first came out. Over the years, I sold it for some oddball reason or another.

“Fight For The Rock” was not an album representing the Progressive Metal that Savatage is now so well known for. This is a unique album out of the Savatage  Metal catalog. Personally, I cannot look down on this album just because it was a detour from the Metal sound that Savatage was creating, up to the point of it’s release. Savatage certainly powered back mightily with future albums that bestowed their heaviness and Progressive Metal songs. As I see it, I bought this album back in 1986 for a reason… I liked it, I liked Savatage and their brand of Metal, still do. I have always been an admirer of the vocals of Jon Oliva and the guitar play of his brother Criss Oliva. This album must have made an impression on me many years ago for “Day After Day” to suddenly play over inside of my head today.

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Y&T – “In Rock We Trust” is ’80’s Heavy Metal I trust

Posted in 1980's heavy metal albums, 1980's heavy metal hits, 1980's popular rock bands, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, Album Review, classic heavy metal albums, classic metal, classic rock albums, classic rock music, cool album covers, essential heavy metal albums, essential metal music albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1984, heavy metal guitarists, heavy metal music, heavy metal music 1984, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, old school heavy metal, vintage heavy metal albums, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , on August 18, 2009 by Metal Odyssey

7723902I received in the mail today, a package from my best buddy, Scott. In this package was a CD, “In Rock We Trust” by Y&T. Now, this is the kind of mail that I like receiving… not bills or junk mail, just pure 1980’s vintage Heavy Metal. Talk about a solid Metal reminder of how power grooved this Y&T band was back in the ’80’s. This album was released way back in 1984, (the year I was supposed to graduate High School). I opted for an extra half year of High School back then, yet that is Metal history now. I listened to “In Rock We Trust” in it’s Metal entirety, just minutes after it was unleashed from the bubble mailer that brought it to my Metal safe haven. Every song on this album is a Heavy Metal winner, for me. From the Heavy Metal chorus to the riffs and leads and everything else heavy in between, makes this album ripple with thunderous Metal might. I just have recently been listening to the Y&T album “Contagious”, take my Metal word on this… “In Rock We Trust” out heavies “Contagious”. I have never been a strong advocate for comparisons within a Metal band’s music catalog, I feel each album that is created is unique. There are those times, where exceptions are made on Metal Odyssey. Seriously, if anyone out there is considering to buy some Heavy Metal from the ’80’s, this album I undoubtedly recommend.

My best buddy Scott made my Metal day today… little did I know that this CD was coming my way, I guess I did not realize I needed a vintage fix, of some heavy duty Y&T Heavy Metal, either. Man, these ten songs hit me in all of the right ways today. Like Scott said to me on the phone today… “this Y&T album is just darn good Summer Heavy Metal”. I could not agree with him more… only I will take it one Metal step further, “In Rock We Trust” is one darn good year long Heavy Metal album. I see Scott’s point however, these songs make you feel like you are packing up the car, heading to the beach or one big time keg party… and it is the late ’80’s, where your only worries are having cash for gas, chips and beer. Ahhh, the stuff that vintage Heavy Metal makes you think about… Metal really is worry free music after all. If making a feel good Heavy Metal album back in 1984 was considered a crime, then Y&T is guilty on all Metal charges.

“Lipstick And Leather” and “Don’t Stop Runnin'” are the two hits that made their way on FM radio and MTV back in ’84.  Both songs are heavy rockin’ through and through. I really have taken a liking to the first song – “Rock And Roll’s Gonna Save The World”, it starts off rather slow and steady, yet it gives every indication that this is just the prelude to the pumped up Heavy Metal that engulfs my Metal senses. “Breakout Tonight!” and “She’s A Liar” are two songs that exemplify the signature 1980’s vibe of Heavy Metal. “In Rock We Trust” should come with a sticker of recommendation on the front CD cover… that reads: Play these songs loud – it will serve you right. Y&T with “In Rock We Trust” served me right today. I just cannot fathom as to why I never owned this Y&T album until today… I guess that no longer matters, this Heavy Metal gem is in my Metal possession now. This is just another reason why I can never take Metal Music or my best buddy Scott for granted. 

Y&T as they appeared on “In Rock We Trust”: Dave Meniketti on lead guitar & lead vocals, Phil Kennemore on bass guitar & backing vocals, Joey Alves on rhythm guitar & backing vocals and Leonard Haze on drums & backing vocals.

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DEEP PURPLE – “Deepest Purple” is a Space Truckin’ ride back to the ’70’s

Posted in 1970's classic rock albums, 1970's classic rock songs, 1970's hard rock bands, 1970's classic rock music, 1970's hard rock, 1970's Rock, 1970's rock music, 1980's hard rock, Album Review, classic hard rock, classic hard rock bands, classic hard rock music, classic rock, classic rock albums, classic rock bands, classic rock music, cool album covers, essential classic rock albums, essential hard rock albums, essential rock albums, Hard Rock, hard rock album review, hard rock drummers, hard rock guitarists, hard rock music this decade, hard rock songs, hard rock vocalists, heavy metal music, Music, old school hard rock, Rock, rock album reviews, rock keyboard musicians, rock music, rock vocalists, vintage hard rock albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 16, 2009 by Metal Odyssey

main-150Is it just me thinking this way? Deep Purple “Deepest Purple”, (subtitled “The Very Best of Deep Purple”), is the epitome of what a Rock/Hard Rock Greatest Hits album is supposed to be. These Deep Purple classics are hands down, sensational and historical Rock Music. Gimme a break, how can any generation not want to embrace these songs? These Deep Purple songs are perfect examples of just how amazing the song writing was in Rock and Hard Rock, back in the 1970’s. Could Deep Purple have been ahead of their time? I certainly think so, by at least a decade. The hardness, forget about the heaviness for a second, is what drives these Deep Purple songs to the top tier of  Rock and Hard Rock history, in my Metal opinion. Just stop to think about this, for a Metal second… how many new Rock or Hard Rock bands out there today, could actually put out a Greatest Hits album, down the road, with such impeccable and recognizable songs? “Smoke On The Water” and “Highway Star” are two Hard Rock songs alone, that represent a generation of Rock and Hard Rock music and the decade of the 1970’s. “Fireball” and “Child In Time” are just the icing on the Hard Rock cake here.

Certainly, I am not going to argue the clear fact that we had genre and decade defining Rock and Hard Rock groups during the 1970’s such as The Beatles, Led Zeppelin, Queen, ELO, Yes, Boston, Moody Blues, The Doors, Molly Hatchet, Bad Company, Kansas, Aerosmith, ZZ Top, Pink Floyd, AC/DC (Bon Scott era), Lynyrd Skynyrd and Ted Nugent. The list of iconic Rock and Hard Rock bands from the 1970’s is huge. You betcha. Of course I missed mentioning some well deserved bands and solo musicians here… this post would be gigantic if I was to make a master list. My point I am making is this… there was Deep Purple, man, and they rocked liked no tomorrow during the decade of the ’70’s – “Deepest Purple” is sound Rock and Hard Rock proof of that. If a time machine really did exist and I could rent one, (I am certain that I would not be able to afford to buy one), I would get on that Rock and Roll mother ship and take a ride to a vintage Deep Purple concert back in the 1970’s. (I am positive that Connecticut would have one hefty and major time machine tax, Senator Christopher Dodd would be all over that one – if a time machine existed).

Back to Deep Purple… I could not complain about which lead singer would be fronting this legendary band… if I was to go back in time to see them in concert, it is pick ’em at lead singer  –  for all I care! David Coverdale, Ian Gillain, Glenn Hughes or Tommy Bolin as lead singer… it would not matter, I would be cheering on this 1970’s version of Deep Purple like a psyched out, Hard Rockin’, “Space Truckin” fan! Aw heck, throw in the late 1960’s lead singer Rod Evans for good measure too, he counts. I am not by any shape or form, taking away the great Hard Rock achievements of the Deep Purple lineups of the 1980’s through present day, no way. This Deep Purple music dynasty is special, an undisputed Hard Rockin’ franchise. I just have that Rock and Roll fantasy once in awhile, this whole time machine journey to see Deep Purple in the ’70’s is one. So, the next time you hear, “Woman From Tokyo”, “Burn” and “Stormbringer”, not to mention the other great hits of Deep Purple, earlier mentioned, just remember when they were written… these songs epitomize the label of – timeless. “Space Truckin'”… ’nuff said.

I tip my Metal Music hat to all the past and present musicians of Deep Purple, especially Ritchie Blackmore on guitar, Jon Lord on keyboards, Roger Glover on bass guitar, Joe Lynn Turner on lead vocals, Nick Simper on bass guitar, Joe Satriani on lead guitar and Ian Paice on drums. I thank Don Airey on keyboards and Steve Morse on guitar for keeping the Deep Purple – Hard Rock machine turnin’ and churnin’ to this day. If it wasn’t for Deep Purple, Metal Music as we know it today, probably would not sound so cool. That… is my Metal opinion.

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ARCH ENEMY – “Revolution Begins” EP – has a Queensryche cover song, Death Metal style!

Posted in Album Review, Century Media, century media records, cool album covers, creepy album covers, current death metal albums, current death metal music, current extreme metal albums, current extreme metal music, current metal albums, Death Metal, death metal 2007, death metal cover songs, death metal guitarists, death metal music, death metal music ep's, death metal vocalists, essential metal music albums, extreme metal music, Heavy Metal, heavy metal album covers, heavy metal guitarists, heavy metal music, heavy metal vocalists, melodic death metal albums, melodic death metal bands, Metal, metal music, metal music ep's, metal music this decade, metal odyssey, Metal Reviews, Music, spooky metal album covers with tags , , , , , , , , , , , , , , , , , , , , , , , , on August 15, 2009 by Metal Odyssey

25021-1Arch Enemy is one of my favorite Death Metal bands. Brutally heavy from every musical angle, yet still melodic, Arch Enemy needs no introduction to die hard Metal and Death Metal fans. For those new fans of Arch Enemy who are still looking to purchase a CD from their Death Metal catalog, a great starting point that will not set you back a ton of loot, is their EP “Revolution Begins”, (released on August 31, 2007). This EP was released in 2007 to promote their studio album “Rise Of The Tyrant”, (released on September 25, 2007). EP’s or CD singles, (as they are sometimes referred as), are a cool opportunity to own a few songs of a Metal band, (a Metal test run for fans, if you will). If you are like me, EP’s are a must to own – especially EP’s of my favorite bands. These EP’s more often than not, include studio and/or live songs that are not found on any regular studio or live album. “Revolution Begins” includes the cover of the Queensryche classic – “Walk In The Shadows”. This cover version from Arch Enemy, thrills me just as high as the original version from the great Queensryche. I am Metal serious about that. I revere the Queensryche original, still I revere this Arch Enemy version too. Arch Enemy gives “Walk In The Shadows” a darker, more creepy sense about it… Death Metal style.

Angela Gossow on lead vocals is nothing short of amazing. Angela is a Metal favorite of mine, she can sing Death Metal just as great as most of her male peers in this genre. In my Metal opinion, Angela Gossow raises “Walk In The Shadows” to an entirely new Metal level… an intensified and dark infested, Death Metal cover version it is. I can’t just listen to this version once, I usually listen to it multiple times and it serves me right. The legendary Michael Amott on lead and rhythm guitar, manifests his Death Metal sound all over the songs found on this EP. Christopher Amott, (the younger brother of Michael Amott), provides the second punch of Death Metal crunch, with his lead and rhythm guitar exploits. If a double dose of brilliant Death Metal guitar is what you are hankering for… the Amott brothers provide it on a Metal platter with Arch Enemy.

Daniel Erlandsson, the mainstay drummer for Arch Enemy, is always a treat for me to listen to, with his bombastic proficiency. Sharlee D’Angelo plays a formidable bass, rounding out the Arch Enemy lineup. The lead single “Revolution Begins”, “Blood On Your Hands” and a live version of “I Am Legend/Out For Blood” round out this EP. This Arch Enemy EP/CD can be found at Century Media Records online – CMdistro.com. For three bucks, it is one of the healthiest doses of Death Metal you can possibly digest for the price.

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DIO “The Last In Line” will last my Metal Music lifetime

Posted in 1980's heavy metal albums, 1980's heavy metal hits, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, Album Review, classic heavy metal albums, classic metal, cool album covers, creepy album covers, essential heavy metal albums, essential metal music albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1984, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal odyssey, Music, old school heavy metal, power metal music, ronnie james dio, scary album covers, vintage heavy metal albums, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , on August 12, 2009 by Metal Odyssey

main-150DIO, Ronnie James Dio, my Heavy Metal vocal savior, when I served time in High School, back in the 1980’s. (I know I use that punch line about High School often, regardless, it is just the plain truth). The lyrics of DIO’s songs were motivating, captivating and always exhilarating for me while I was growing up in my late teen years. For Metal sake, DIO’s lyrics were influential to me while I was in my early twenties as well. What I took from the lyrical creativity of Ronnie James Dio so many years ago, I no longer take hold of as strong. As I grew up, (well, I think I matured somewhat since the ’80’s), the lyrics of DIO seemed to take on a more entertaining feeling… lyrical interpretation has changed for me over the years, based on life experiences. Seriously, when I used to listen to the song “The Last In Line”, back in High School, well, I equated the lyrics to my being the last in line. I was a typical authority hating – know it all as a teenager, therefore, totally normal for a Metalhead back in the 1980’s. Fast forward to 2009, I equate the lyrics as inspiring still, only I do not dwell on myself and always being the victim, (as I did as a teenager). Plus, being a middle aged Metalhead, I now respect or tolerate authority, depending on the situation. The Heavy Metal of DIO and many, many other Metal bands from decades past encouraged and instilled a strong feeling of hope for me, when I was young… I shall never forget this. The escapism of DIO’s Heavy Metal was the elixir that worked for me years ago… this escapism still works for me now. That is why this 1984 album from DIO “The Last In Line”, will last my Metal Music lifetime.

“Mystery” is another song from the “Last In Line” album that is in my Metal opinion, untouchable. This is one song, that lyrically, I can still relate to. Life is a mystery, plain and simple. There really is nothing more to scrutinize… no one really knows where they are going to be tomorrow. Heck, back in High School, the guidance counselors used to waste their time with us kids, asking us where we want to be, what we want to do when we grow up. These guidance counselors all had a job to do, with fine intentions. The truth is, the paths I took to get where I am now were filled with detours, delays, trauma, luck of the draw, misfortune and certainly fortunate opportunities. In other words… mystery. They don’t teach this in school. I never knew when I was going to get married, plus I never knew how many children my wife and I would have. Mystery.

This is by far and large, the single most influential Heavy Metal song I have ever listened to in my life. Now, the next time you are on a dreaded job interview and the interviewer asks you – “where do you want to be in five years, ten years from now”?… look at this fool straight in the face and tell he or she, as Ronnie James Dio so eloquently put it, “it’s always a mystery, not what it seems to be, it’s always a mystery,  just like you and me”. 

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LULLACRY – “Fire Within” EP – Gothic Metal Music and a W.A.S.P. cover too

Posted in Album Review, cover songs, gothic hard rock bands, gothic hard rock music, gothic metal, gothic metal albums, gothic metal bands, gothic metal from finland, gothic metal music, gothic metal music 2004, gothic metal music this decade, gothic metal songs, hard rock music this decade, heavy metal albums, heavy metal music, Heavy Metal Reviews, Music, rock music, symphonic metal, Vocals with tags , , , , , , , , , , , , , , , on August 11, 2009 by Metal Odyssey

16842Lullacry is a Gothic Metal/Hard Rock band straight out of Helsinki, Finland. I stumbled upon this band, by perusing the incredibly insane selection of Metal Music – over at Century Media Records online, (CM Distro.com). What caught my attention with this Lullacry “Fire Within” EP were two things: the price was $2 for the CD (!) and this band does a cover of the legendary W.A.S.P. song – “L.O.V.E. Machine”. Hey, for two bucks it seemed like a pretty risk free proposition… especially since I never listened to this band before. (I purchased several items on this order, therefore my shipping cost per CD was low). One of the recurring living on the edge moments of my life is when I purchase a Metal CD without really knowing what I’m getting. Well, what I did get with Lullacry, is a darned solid and sound Gothic Metal/Hard Rock band that has raised my curiosity in their other albums out there. This is the only Lullacry CD that I own… delving deeper into their catalog of music might be a Metal option for me in the near future. Before I go any further, this band is not for every Metalhead out there, the overriding Metal sound is Gothic, due in large part to the lead vocals of Tanja. This female vocalist is very reminiscent of Amy Lee, (from Evanescence fame), on the song “Crucify My Heart pt. II (piano version)”, as Gothic sounding of a song if there is one. This song is definitely a Gothic ballad, Tanja emits quite a captivating voice here, in my Metal opinion.

This five song EP opens with “Fire Within”, it is a fast paced and catchy Heavy Metal song, no real trace of Gothic styles, musically. Tanja’s vocals on “Fire Within” can be compared to Dale Bozzio of early 1980’s New Wave Band – Missing Persons (yeah, that is my Metal opinion, believe it or not). “Be My God (tribal reprise)” has all the Gothic Metal elements happening, the guitars, vocals and slow downs make for a rather impressive song at that. “The #1 Rebel” is Gothic Metal with a faster tempo and a tad edgier than “Be My God (tribal reprise)”. Now, for the cover song from Heavy Metal legends W.A.S.P. – “L.O.V.E. Machine”… Blackie Lawless and only Blackie Lawless can sing this song… with W.A.S.P.’s crushing Heavy Metal overpowering everything and anything around it. With that said, it is an interesting and cool cover version. Listening to Tanja sing this song, only solidifies why I consider myself such a diversified Metal Music fan in the first place. Lullacry as a band, will never match the Metal intensity of W.A.S.P. with “L.O.V.E. Machine”, yet I do not think that this was their intention to begin with.

 

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As I previously mentioned, Lullacry is definitely a band for Gothic Metal fans or fans of Metal Music that do not mind diversifying outside their own Metal genre realm. Symphonic Metal fans and fans of Lacuna Coil might just get a kick out of Lullacry as well. A commercially accessible and at times, heavy Gothic band can lend itself to a cool listen, for me, Lullacry is just that. The Lullacry lineup, as they appeared on the “Fire Within” EP: Tanja on vocals, Sami Vauhkonen on lead guitar, Sauli Kivilahti on guitar, Heavy on bass and Jukka Outinen on drums & percussion. This “Fire Within” EP was released in 2004. The website for Lullacry is Lullacry.com.

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Ace Frehley – my second favorite Kiss solo album

Posted in 1970's classic rock albums, 1970's classic rock songs, 1970's classic rock music, 1970's hard rock, 1970's heavy metal, 1970's heavy metal albums, 1970's heavy metal music, 1970's Rock, 1970's rock music, Album Review, classic hard rock, classic hard rock music, classic heavy metal albums, classic rock, classic rock albums, classic rock music, classic rock music facts, cool album covers, essential classic rock albums, essential hard rock albums, essential heavy metal albums, essential rock albums, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal solo albums, heavy metal solo artists, heavy metal solo vocalists, heavy metal vocalists, Metal, Music, old school heavy metal, rock music, vintage hard rock albums, vintage heavy metal albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , on August 9, 2009 by Metal Odyssey

main-150Ace Frehley will always be my choice pick for the guitarist of Kiss. Ace Frehley was the original guitarist and in my Metal opinion, the best at lead guitar for Kiss. I few posts ago, I stated that my favorite Kiss solo album of all time is Paul Stanley. I cannot backtrack that sentiment, the Paul Stanley album is for me, #1. With that said, out of the four Kiss solo albums, Ace Frehley is clearly my #2 choice. My fellow peer in Metal blogs over at The Metal Files, (a cool Metal Music blog that is worth the visits), commented his favorite Kiss solo album is Ace Frehley… this spurred me into delving into the Ace Frehley solo album once again. I do own the Ace Frehley solo album, (released on September 18, 1978), a record that has been with me for decades. I actually bought this Ace Frehley vinyl from a cut-out bin, from a small department store named Woolworths, back in the very early 1980’s. My Ace Frehley album has the top right corner actually cut off, therefore, that is probably why it was in a cut-out bin! Despite the cosmetic damage that this album cover suffered, the album itself and the large fold-out poster of Ace Frehley that was included with the album, never sustained damage from the cut-out process. (Each Kiss solo album had a large fold-out poster of the respective Kiss musician inside the album sleeve, with each of the four posters interlocking together, through die cuts, to form one giant Kiss collage, if you will).

Now, I have not ever owned the Ace Frehley solo album as a CD… until today. A trip to Best Buy had me, as usual, walking the CD aisles and staking out some Heavy Music that would pacify my Metal hunger. Well, Classic Heavy Metal has done it again… the Ace Frehley solo CD caught my eye, it was about time to upgrade my vinyl copy after all. I paid $7.99 for this Ace Frehley CD today, that is cheaper than buying a steak and a whole lot more gratifying too. “Rip It Out” and “Speedin’ Back To My Baby” are the first two tracks… I tag these two songs as being my two favorites. These songs have that Ace Frehley vibe happening, vocally of course, yet the guitar of Ace is so incredibly vintage. To plop a CD into the car stereo on the ride home and have the very first two songs crank like this… all I could say to myself as I drove was… Space Ace Rocks. As I continued to listen to Ace Frehley, it was a consistent reminder to me, as to how Rock legit his solo album was and still is. When I was much younger, back in 1978, I bought the 45 rpm of “New York Groove”, with the “B” side being “Snow Blind”. Both of these songs I do put on a Metal pedestal for the memories they stir… I was just a young, little dude playing this 45 record back in 1978, CD’s and ipods were non existent and The New York Yankees beat the Boston Red Sox – in a one game playoff for the American League East Division title. Plus, I had no bills to pay back in 1978 either. Ace Frehley as with all of the Kiss solo albums, bring back memories that money just can’t buy.

This Ace Frehley solo album did reach platinum sales status, (one million or more copies sold), peaking at #26 on the U.S. Billboard album charts as well. My fellow Metal blogging peer at The Metal Files commented Ace Frehley did not write “New York Groove”… Russ Ballard did. “New York Groove” peaked at #13 on the U.S. Billboard Singles chart. Not to sound like a television music show judge, excuse me by saying… Ace Frehley nailed it with “New York Groove”. Aw, heck, Ace Frehley nailed it on all nine songs too.

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Yngwie J. Malmsteen “Trilogy” – Classic Power Metal Music on high

Posted in 1980's heavy metal albums, 1980's power metal bands, 1980's power metal music, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1986 heavy metal music, 1986 power metal albums, Album Review, classic heavy metal albums, classic metal, cool album covers, essential heavy metal albums, european power metal, guitar solos, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal solo albums, heavy metal solo artists, heavy metal vocalists, Metal, metal music, metal odyssey, Metal Reviews, old school heavy metal, Power Metal, power metal guitarists, power metal music, vintage heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , on August 6, 2009 by Metal Odyssey

main-150I always thoroughly enjoy the Metal musical intricacies that quality Power Metal embellishes. Yngwie J. Malmsteen “Trilogy”, (released in 1986), has the rich and textured heavy musical elements, that make this album an all time favorite of mine. If you embark on a listen of “Trilogy” and are unaware of Yngwie Malmsteen’s guitar virtuosity, then your ears and senses are in for a Metal treat. (If you hold total disdain for the Speed Metal genre that meets Power Metal, well this album is not for you). “Trilogy” is a Metal album for me, containing some of the most melodic Power Metal songs I have ever encountered. Certainly, the classical trained Yngwie Malmsteen takes Metal center stage, with his glistening guitar skills on this album, however, lead vocalist Mark Boals captivates my Metal attention just as well. Both the musicianship and vocals compliment each other in the highest of Metal fashion on “Trilogy”. In my Metal opinion, Mark Boals vocals adds a dimension of harmony that magnifies the song writing, lyrics and melodious brilliance on this album. Metal truth be spoken… this is my favorite Yngwie Malmsteen album ever. Each time I listen to these songs, I am sincerely amazed at how gifted a lyricist and song writer Yngwie Malmsteen is. I am not fibbing when I declare, that this is not one of the – run of the mill, 1980’s Heavy Metal albums out there. In fact, if I was to compile a list of must have 1980’s Heavy Metal albums, “Trilogy” would have to be on that list.

I feel what has captivated me, over the years with “Trilogy”, is the accessibility of the songs. I revere a great guitar solo and/or guitar instrumental any day of the year, with this Yngwie Malmsteen album you get the best of both, alongside songs that are injected with plenty of Metal highs and non-existent lows. “Crying” and “Trilogy Suite Op 5” are the two instrumentals that give Yngwie Malmsteen the spotlight, exemplifying that he was bred for this… no longer a rising star and in 1986 a legitimate star. “You Don’t Remember, I’ll Never Forget” opens up with the pumped up keyboards of Jens Johansson, Power Metal style. This song is my favorite on “Trilogy”, every second of this track is memorable for me. “Liar”, “Queen In Love” and “Fire” are of equal melodic value, that are Power Metal laced with emotion filled lyrics. The overall feeling I have always received from “Trilogy” is that Yngwie Malmsteen made a commercial style, Power Metal album, that really blazes along with catchiness at every turn. I have never likened Yngwie Malmsteen to be showy, I have always looked upon him as a complete musician. 

Sure, Yngwie Malmsteen had released albums in years prior to “Trilogy” that were heavier, yet does heavier always equate to never diversifying musically? In this case, with these songs, the answer is no. There are times when a Metal guitarist can make a song sound thick with passion and high emotion, on “Trilogy”, Yngwie Malmsteen makes all nine songs sound this way.

Yngwie J. Malmsteen – all electric, bass and acoustic guitars, Mark Boals – lead vocals, Jens Johansson – keyboards and Anders Johansson on drums 

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IRON MAIDEN – “Cross Eyed Mary” 1983 cover song is a rare Metal Music treasure

Posted in 1980's heavy metal albums, 1980's heavy metal hits, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, Album Review, cool album covers, cover songs, essential heavy metal albums, essential metal music albums, essential progressive metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal cover songs, heavy metal guitarists, heavy metal memorabilia, heavy metal music, heavy metal music 1983, Heavy Metal Reviews, heavy metal vocalists, Iron Maiden, Metal, metal music, metal music ep's, metal odyssey, Metal Reviews, Music, old school heavy metal, prog metal albums, prog metal music, progressive metal, progressive metal albums, progressive metal music, progressive metal music eps, vintage heavy metal albums, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 5, 2009 by Metal Odyssey

Iron Maiden "The Trooper"  EP album artworkIron Maiden released their fourth studio album, “Piece Of Mind” in 1983. An amazing Heavy Metal album it was and forever will be. I bought that album back in ’83… stared at the front cover for hours, which in fact, probably equals out to actual days. I have always been mesmerized by artist Derek Riggs artwork of mascot Eddie. This album does not contain the cover song of “Cross Eyed Mary”, instead, it was released as a “b” side to the single “The Trooper”, taken from the “Piece Of Mind” album. To the best of my Metal research, “The Trooper” single was released on June 20, 1983. I frequented a small and independent record store on an almost daily basis back in the ’80’s, (I won’t divulge the name of this store for personal reasons), upon a daily stop there… there it was… Iron Maiden “The Trooper” Maxi Single on vinyl no less!! My Metal memory is very vivid about this moment… I stared this beautiful Iron Maiden rarity down, bought it and have kept it pristine ever since. Plus, this was the only copy this store had, I never saw this Iron Maiden single on vinyl again. (Certainly, there has to be more out there in collections or online today, I just never happened to come across one in person). This Iron Maiden Maxi Single as it is called, again, is on vinyl that is the actual size of an album -(an EP if you will), it plays at 45 rpm.

As for “The Trooper” it is and always will be an amazing work of Metal Music, this song no Metalhead could ever possibly tire from. An unreal great Metal song is “The Trooper”. Now, for the Metal juicy part of this important single… “Cross Eyed Mary”. I always have and will continue to give Jethro Tull a listen now and again… they are cool by me, despite what Metallica may think of them. The original Jethro Tull version of “Cross Eyed Mary” does not even come remotely close, to the prolific Metal power of Iron Maiden’s cover version though. I am talking extremely Metal prolific, when I mention this Iron Maiden cover of “Cross Eyed Mary”. Whoa, man, this Iron Maiden cover sends Metal chills up and down my spine. I am not sugar coating a thing… this Iron Maiden cover is the real thing, hands down it is my most favorite and cherished Metal cover song that has ever been recorded. Not to sound cheesy or lame here, the opening guitar leads sends me into Metal orbit… really. Bruce Dickinson is outstanding on vocals with this song, Iron Maiden took hold of “Cross Eyed Mary” and turned it into a Metal masterpiece. NO flutes or piano are on this Iron Maiden cover version of “Cross Eyed Mary”, no sir.

My copy of “The Trooper” vinyl single looks just like the above image, with the exception that my copy has “Maxi Single – super sound version” printed on the front cover, inside a red outlined circle. The bottom image shows what the Japanese import version of “The Trooper” looks like on CD, however, “Cross Eyed Mary” is NOT on this CD single!? The two songs on this Japanese import are: “The Trooper Live (2003)” and “The Trooper” (album version). Go figure that out, the same artwork, it is “The Trooper” single, yet “Cross Eyed Mary” is not included anymore. It would have been Metal genius, if Iron Maiden included “Cross Eyed Mary” on their “Somewhere Back In Time: The Best Of 1980-1989″ album, that would have been a perfect song to add into the historical Metal mix. I am just psyched that I still have this vinyl single of Iron Maiden, this is one Metal treasure I just will not part with – no way.

Some Metal extra notes about this Iron Maiden single, to benefit, guide and nourish your Metal mind: 

Iron Maiden, as they appeared on “The Trooper” and “Cross Eyed Mary”: Bruce Dickinson on lead vocals, Dave Murray on guitar, Adrian Smith on guitar, Steve Harris on bass guitar and Nicko McBrain on drums. * This 1983 “The Trooper” single was originally released on EMI records.

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Skid Row – 1989 debut album still boasts a Heavy Metal variety

Posted in 1980's hair metal albums, 1980's hair metal bands, 1980's heavy metal albums, 1980's heavy metal ballads, 1980's heavy metal hits, 1980's hair metal music, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, 1989 heavy metal music, 1990's heavy metal albums, 1990's heavy metal music, Album Review, classic heavy metal albums, essential heavy metal albums, Hair Metal, hair metal music, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, Music, old school hair metal bands, old school heavy metal, rock music, vintage heavy metal albums, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2009 by Metal Odyssey

main-150Skid Row released their debut album, “Skid Row” on Atlantic Records, on January 24, 1989. The timing for this Heavy Metal band proved to be a successful one, for this “Skid Row” album sold in excess of five million copies, (going five times platinum in the U.S.A.). The time line of Skid Row becoming so popular, with their first two albums proves to be quite an accomplishment, (their sophomore album “Slave To The Grind”, (released in 1991), sold two million copies and hit #1 on the album charts in the U.S.A.).  1989 was the beginning of the Grunge Music era, with Nirvana and  Soundgarden already in the marketplace. Pearl Jam and Stone Temple Pilots later garnered massive commercial media attention and a strong following of fans in 1991. Regardless of the changing landscape in the Heavy Music culture, Skid Row made a major mark in Heavy Metal history between 1989 – 1991, with their first two albums. It is a tremendous Heavy Metal achievement for Skid Row to sell seven million albums after their first two releases in the United States. Fast forward to 2009, I still will listen to the debut Skid Row album and continue to revel in it’s variety of Heavy Metal songs.

Skid Row is a band that I always referred to as Heavy Metal… Hair Metal can be a justified label for this band as well, with their look and the 1989 breakout release of “Skid Row”, this puts them in the correct time period for that genre. Sebastian Bach in my Metal opinion, bestowed some real flamboyant, powerful, Arena Rock, style of vocals on “Skid Row”. Sebastian Bach did not introduce anything brand new to Heavy Metal with his vocals, yet I always felt he could carry a note and sing with the best of this genre. What had always stood out with Sebastian Bach’s vocals, for me, was his undeniable enthusiasm and cocky confidence. (Two necessary characteristics to have, especially for a Heavy Metal front man). As a total Heavy Metal band, Skid Row certainly never lacked any of the pertinent skills necessary to get the job done. This original Skid Row lineup on “Skid Row” combined their musicianship to create eleven top tier Heavy Metal songs. Not a bad tune in the bunch, in my Metal opinion.

“Here I Am” is probably my favorite song on this album, it just flat out Rocks. This song was not one of the hits that made it to FM radio or MTV back in the day, still, this is my hit pick. “Makin’ A Mess” is another pick of mine that scorches with speed, without question the fastest Heavy Metal song on this album. As for the hits… “Youth Gone Wild” is the most memorable and pumped up – heavy song that I point out here. Even though I may not belong to any youth generation anymore, I still get psyched out of my Metal mind when this song is cranked up. Yeah!! “18 And Life” is another major single that received it’s just due on FM radio and MTV as well… the lyrics make sense, the song Rocks heavy, the combination of these two descriptions makes this song a winner for me. “Midnight/Tornado” is as good as it gets with 1980’s Heavy Metal… the guitar solo, it just brings it man. The lyrics are tidy, the song is heavy, the Heavy Metal power is on high… “Midnight/Tornado” does it for me. O.K., there is a ballad on this album, “I Remember You”. Now, I can make a list of Heavy Metal ballads that stretches from Boston to Lancaster, Pennsylvania, that I cannot stomach… “I Remember You” is not one of them. Sebastian Bach sings it… Skid Row brings it. I have spoken my Metal mind on that one.

In Metal summary, “Skid Row” delivered the heavy, at times fast, a ballad and some extremely popular and powerful hits. “Big Guns”, “Sweet Little Sister”, “Can’t Stand The Heartache” and “Piece Of Me” are the four opening songs that are best described as a Heavy Metal continuum of solid songs. “Rattlesnake Shake” is no pushover song either. Heavy album, 1980’s heavy and by today’s Old School Heavy Metal standards… a Heavy Metal album worth passing along to the youthful Metalheads of 2009. Let the youth of today listen to this Skid Row album and they should go wild.

Here is the original Skid Row, as they appeared on “Skid Row”… useful information for a well balanced Metal Music diet: Sebastian Bach on lead vocals, Dave “The Snake” Sabo on rhythm, lead guitars & backing vocals, Rachel Bolan on bass guitar & backing vocals, Rob Affuso on drums & percussion and Scotti Hill on lead and rhythm guitars.

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Saviours “Into Abaddon” – a worthwhile Metal Music listen

Posted in 2008 metal music albums, Album Review, cool album covers, current heavy metal albums, current heavy metal music, current metal albums, doom metal music, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal bands this decade, heavy metal music, Heavy Metal Reviews, heavy metal this decade, heavy metal vocalists, Metal, metal music, metal music this decade, metal music today, metal odyssey, Metal Reviews, Music, spooky album covers, stoner metal music with tags , , , , , , , , , , , , , , , , , , , on August 3, 2009 by Metal Odyssey

main-150When I first listened to Saviours “Into Abaddon”, I heard instantly the early Black Sabbath and Motorhead influences, (in my Metal opinion). This second album from Saviours is heavy duty on the riffs, a fine quality about this Metal music. Saviours plays Metal that can be regarded as Stoner Metal or Doom Metal. The Metal here is heavier than traditional – Old School Stoner Metal. With a slight comparison to The Sword, Saviours is darker musically, a more gloomy atmosphere and vocally more tough and raspy. All 7 songs are good, the lack of more songs is made up for by the time length of each song. Lead vocalist and guitarist Austin Barber sounds like he is leading a Metal charge through the dark northern woods of an ancient forgotten land. Musically, these guys have their armor, it is the hard and heavy way they play. I find Saviours difficult to dismiss as just an average Metal band… they are better than I anticipated with this album. It is not as if Saviours has broke any new ground here musically, still this band is not soft on the Metal either. If your into the heavier side of Stoner Metal or are looking for a new and decent Metal band to catch onto, picking up “Into Abaddon” is worth the time and money. Saviours plays Metal the old fashioned way, no hits, no frills or gimmicks, just coming at you with some solid heavy music.

Song list for “Into Abaddon”: 1. Raging Embers, 2. Into Abaddon, 3. Narcotic Sea, 4. Cavern of Mind, 5. Mystichasm, 6. Firewake Angel, 7. Inner Mountain Arthame

CD sidenotes:
The liner notes come with 6 pages of complete lyrics, with cool and spooky, midivil style, extended artwork and the expected credits. (I have always been an admirer of top notch Heavy Metal album artwork, the front cover art of this CD and liner notes art tie in with the Metal Music of Saviours). “Into Abaddon” was released on January 22, 2008, on Kemado Records.

Saviours as they appear on “Into Abaddon”: Austin Barber on guitar and vocals, D.Tyler Morris on guitar, Scott Batiste on drums and Cyrus Comiskey on bass.

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Jackyl – 1992 debut, Heavy Metal album revisited

Posted in 1990's heavy metal albums, 1990's heavy metal bands, 1990's heavy metal songs, 1990's heavy metal music, Album Review, chainsaw heavy metal music, classic heavy metal albums, cool album covers, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1992, heavy metal guitarists, heavy metal music, heavy metal music 1992, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, old school heavy metal, rock music, vintage heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , on August 2, 2009 by Metal Odyssey

main-150Hey, I have always been eager to get into new Heavy Metal bands, it’s been this way for decades now. 1992 was no different than any other year, as far as searching out the latest and/or newest Heavy Metal Bands and albums. When I first heard Jackyl back in 1992, well, it was the song “The Lumberjack”… with a chainsaw being used for a solo. A chainsaw used as a dominant musical instrument… in a Heavy Metal song, now that is cool, that is Metal. Aw heck, I am going to be blunt and admit… this chainsaw ripping through “The Lumberjack” song gave me goose bumps back in 1992. Now, does this chainsaw and “The Lumberjack” song have the same goose bump affect on me today? Honestly, not as many goose bumps generate when I listen to this song in 2009, still I like the song just as much as ever. Maybe it is due to the fact, that I know the chainsaw is coming, after listening to this song so many times over the years. Make no mistake, “The Lumberjack” song still pumps me up and makes me wish I had an old, decrepit, decaying barn to tear down while I listen to this song. 

This debut album from Jackyl, which is self titled, was a refreshing reminder back in 1992 that Heavy Metal did not curl up into a ball and wither away. Jackyl’s brand of Heavy Metal arrived right when this Metalhead needed it most, when rumors abounded within the mainstream media that Metal Music was done. Well, Heavy Metal never went away, if anything, the mainstream media just did not cover the Metal Music that was out there in the 1990’s, no publicity, therefore… no existence. Right? Wrong! Jackyl was a perfect example of Heavy Metal existing in the decade of the ’90’s. Other than the chainsaw, Jackyl did not reinvent the Metal wheel back in 1992, rather they delivered upon the Metal community an album that kicked some serious tail. “Jackyl” was an album that presented some heavy hitting, kick the dirt and throw the garbage can down the driveway – attitude and songs.

Back in 1995, I worked for a very large, mail order, perennial farm in expensive Connecticut. I can remember working the perennial fields during the Summer, driving a tractor, during a very, very, long dry spell. I recall this one cool, fellow Metalhead who drove a tractor on this farm as well… he and I both so wished it would rain. I introduced him to this Jackyl debut album, (I had it on cassette then), “When Will It Rain” became a theme song for us working the fields at this perennial farm. My Metalhead buddy borrowed my Jackyl cassette to listen to, while he worked the fields with his tractor. (There is definitely something about Jackyl’s Heavy Metal and working outdoors… one seems to compliment the other). “Down On Me” is another very memorable song from “Jackyl”, nothing fancy here, just a steady, Heavy Metal track, that is carried by the rhythm section with authority. “Dirty Little Mind” is like a speeding, Metal ball of wire, uncoiling with spastic Heavy Metal abandon.

In other words, “Jackyl” was never going to indulge in therapeutic topics, nor delve into intricate musical musings. Instead, “Jackyl” was – and still is, a down home, blue collar, back roads, type of Heavy Metal album and band. “Jackyl” was never meant to impress the judges, mainstream media, or uptight people in general. Jackyl the band and “Jackyl” the album, no doubt impressed me in 1992… still does. I think that is why I appreciate this debut album from Jackyl so much, this band wrote songs to have a good time to and maybe heave that rotted log into the woods to.

Jackyl, as they appeared on their debut album “Jackyl”: Jesse James Dupree on vocals & chainsaw, Jimmy Stiff on guitar, Jeff Worley on guitar, Tom Bettini on  bass guitar and Chris Worley on drums.

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U.D.O. “Nailed To Metal” is live, world class Heavy Metal

Posted in 1980's heavy metal albums, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, 1990's heavy metal bands, 1990's heavy metal music, Album Review, classic heavy metal albums, classic metal, classic rock, cool album covers, essential heavy metal albums, essential metal music albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal bands this decade, heavy metal drum solos, heavy metal from germany, heavy metal guitarists, heavy metal music, heavy metal music 1982, heavy metal music 1983, Heavy Metal Reviews, heavy metal solo albums, heavy metal solo artists, heavy metal solo vocalists, heavy metal this decade, heavy metal vocalists, live heavy metal albums, Metal, metal music, metal music this decade, metal odyssey, Metal Reviews, old school heavy metal, rock music, vintage heavy metal albums, vintage heavy metal bands, vintage live heavy metal albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 1, 2009 by Metal Odyssey

U.D.O. "Nailed To Metal" large picAccept is a legendary Heavy Metal Band from Germany, blazing through the late 1970’s and releasing crushing Old School Heavy Metal right up until 1996. U.D.O. is the Heavy Metal brainchild from the iconic lead singer from Accept… Udo Dirkschneider. U.D.O. released their first studio album in 1987, with “Animal House”… in 1988 their second studio album released, titled “Mean Machine”. U.D.O. has released many albums over the years, with their latest studio effort being “Mastercutor”, released in 2007. I have and always will be a huge fan of Udo Dirkschneider, Accept was an incredible Heavy Metal band, they never wavered or catered to any musical flavor of the day, just 100% Heavy Metal albums they released back in the day. With Udo carrying on his grand Heavy Metal career with U.D.O., it only makes me psyched – knowing this legend is still around. Udo may not receive the glamourous adulation from the mainstream Rock press like Rob Halford, Ronnie James Dio, Brian Johnson or Ozzy, however, he is just as important to the history of Heavy Metal as any of these lead singers are.

“Nailed To Metal” (subtitled “the missing tracks”), is a live, eleven song album, released back in 2003. The liner notes state that the songs were “recorded during the European Tour 2001”. Let me just say that… this live U.D.O. album does not just exemplify Heavy Metal, it is Heavy Metal. Hail U.D.O.! Thank you Germany! Udo Dirkschneider sounds just as prolific with his vocals on “Nailed To Metal” as he did on his Accept album “Breaker”… or any of his Accept albums for that matter. What I always anticipate from U.D.O. is that powerful, thunderous, monster of a sound from their Heavy Metal… “Nailed To Metal” brings it all and with the excitement of the live ambience. The Heavy Metal barometer explodes with the first two opening songs – “Holy” and “Raiders Of Beyond”. Both of these U.D.O. tracks are nothing short of Heavy Metal liberation, capturing the very essence of what Heavy Metal 101 is all about. The “Drum Solo” comes in at 4:26… (this is a Heavy Metal drum solo, not a Thrash or Death Metal drum solo), my point being, just as I am enamored by Extreme Metal, I embrace a cool, traditional, Heavy Metal drum solo in the spotlight, any day of the week. Lorenzo Milani on drums, is not out to compete with Neil Peart (of Rush), he is only out to play some solid drumming the Old School Heavy Metal way. In my Metal opinion, “Holy” and “Raiders Of Beyond” hold their own against classic Accept songs… and classic Accept songs are here.

The vintage “Fast As A Shark” and “Restless & Wild”, (from 1982), are unmistakably Heavy Metal defining, two throwback songs from the Accept catalog that have never lost their ability to supercharge me. “Metal Heart”, (from 1985), is an Accept song that careens into this live set like a long lost Heavy Metal friend. The closer of this live album is none other than… “Balls To The Wall”. At 8:48 long, I wish this Heavy Metal anthem would carry on for an hour… raising my fist to the air and banging my head never felt so good. Accept found their FM radio acceptance back in 1984 with “Balls To The Wall”, a trip down Heavy Metal lane “Nailed To Metal” is. Udo Dirkschneider was and always will be the voice of Accept, therefore U.D.O. does not just cover these legendary Accept songs, they celebrate them. With the combination of live U.D.O. and Accept Heavy Metal on “Nailed To Metal”, this album easily, hands down, gets five out of five beer kegs from me. Keep bringing the Heavy Metal U.D.O. and I will forever listen.

U.D.O. as they appear on “Nailed To Metal”: Udo Dirkschneider on vocals, Stefan Kaufmann on guitar, Igor Gianola on guitar, Fitty Wienhold on bass guitar and Lorenzo Milani on drums.

*As a Metal side note, the only Accept album that Udo Dirkschneider was not the lead singer on, was “Eat The Heat”, released in 1989. David Reece was the lead singer for this Accept album.

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My favorite KISS solo album is…

Posted in 1970's classic rock music, 1970's hard rock, 1970's heavy metal, 1970's heavy metal albums, 1970's heavy metal music, Album Review, classic rock, classic rock albums, classic rock music, cool album covers, essential heavy metal albums, hard rock album review, hard rock songs, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal music, Heavy Metal Reviews, heavy metal solo albums, heavy metal solo artists, heavy metal solo vocalists, heavy metal vocalists, metal odyssey, Music, old school heavy metal, Paul Stanley, vintage hard rock albums, vintage heavy metal albums with tags , , , , , , , , , , , , , , , , , on July 31, 2009 by Metal Odyssey

main-150Each member of Kiss had released a solo album back on September 18, 1978. I remember back then, being a young Kiss fan, there was much to rejoice about… four new Kiss albums to choose from. Being just twelve years old, I could not just run out and buy all four new albums. Back in 1978, my parents did not have a bounty of expendable cash to dole out to me, thus I was only earning a quarter here and there for the yard work I did. (Sounds like the 1930’s or something, doesn’t it?). Instead, I waited patiently to obtain or receive as a gift, one or all of the Kiss solo albums. Not until January 26, 1979, did I receive the Paul Stanley solo album, as a birthday gift from my parents. To say that I was ecstatic on that day would be an understatement… Paul Stanley was and still is, my favorite musician and vocalist from Kiss. At that age, I remember just staring at the front cover portrait of Paul Stanley, holding the album jacket in my hands, thinking this was the greatest birthday of my entire life. The memories are so cool to reflect on… what is more cool is that Paul Stanley is still making music both solo, (“Live To Win”, October 24, 2006), plus with an upcoming new Kiss album.

I don’t know if it is just me, yet I feel the songs on this album could very well have been released recently, given the fact there are so many vintage Heavy Metal Bands being revived in recent years. Maybe it is due to my growing up with Kiss and these albums, that I do not find this music dated. Well, enough about the age and dates here… this is the album that boasts my favorite Heavy Metal ballad of all-time, it is “Hold Me, Touch Me (Think Of Me When We’re Apart)”. This song always held it together for me, with the melody, lyrics and Paul Stanley’s vocals being three parts of equal coolness. This album opener is “Tonight You Belong To Me”, a song I consider to be one of the heaviest out of the bunch. This song opens up with Paul Stanley singing as if he is about to embark on a slow ballad, this is definitely not the case. The Heavy Metal gravitational pull, swallows me right up with this great song. “It’s Alright” is another fine heavy song, it has for me, all the qualities to still psyche me out – with Paul Stanley’s vocals again, the ever important lyrics and of course, the music itself.

“Move On” is the one and only song on this album that I really have never grown to like. This is a song that I could not connect with, nor do I understand how it musically fit into the song list for this album. Obviously, “Move On” has never swayed my admiration for this Paul Stanley solo album. One song that does not meet my liking is not going to ruin an entire album of songs. Paul Stanley wrote every song on this album, while co-writing with Mikel Japp on “Move On”, “Ain’t Quite Right” and “Take Me Away (Together As One)”. Out of the four Kiss solo albums, Paul Stanley was and always has been my choice of favorite, this is not to take away from the Gene Simmons, Ace Frehley and Peter Criss albums… it is just my personal taste. Besides, I do enjoy the other three solo albums too, just not in the same way as this Paul Stanley solo album. As a whole, I have always found this Paul Stanley solo album to be the catchiest, most melodic and more song driven out of the four, with some cool slices of Heavy Metal to go along with it.

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lamb of god – “Wrath” is a welcomed overdose of Thrash Metal ferocity

Posted in Album Review, cool album covers, current extreme metal albums, current extreme metal music, current heavy metal albums, current heavy metal music, current live heavy metal albums, current metal albums, current thrash metal albums, current thrash metal music, essential heavy metal albums, essential metal music albums, extreme metal music, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal music 2009, Heavy Metal Reviews, Metal, metal music, metal music this decade, metal music today, Metal Reviews, Music, new thrash metal albums, recent heavy metal albums, Thrash Metal, thrash metal 2009, thrash metal album review, thrash metal music, thrash metal music reviews, thrash metal today with tags , , , , , , , , , , , , , , , , , , , , on July 30, 2009 by Metal Odyssey

main-150Lamb of god, now here is the meat and potatoes that I need in my Metal diet. Oh, the usual Metal adjectives can be thrown at this band… fast, furious, heavy, insanely heavy, blistering, scorching and Metal blinding. Now that all those notoriously used descriptions of lamb of god are out of the way, (I will never argue with using the preceding adjectives), my lone word to describe lamb of god and “Wrath” is infreakincredible. If you are hungry for a Metal album that is totally filled to the brim, with non stop, forcefully driven Thrash, “Wrath” will set you Extreme and/or Thrash Metal straight. The only warning here is that you very well may become corrupted and/or addicted to “Wrath”, which will in turn have your Metal senses on the verge of a Thrash overdose. Favorite song on “Wrath” you ask? Forget about it… this is one of those rare albums where the Metal is all inclusive to the moniker unimaginably great. Yup, I am blast beating the lamb of god drum here, darn proud of it too.

My first listen to “Wrath” made it very clear, to me, that lamb of god is happening now… this incredible Thrash album has not been dug up from decades ago, it is current and ranks above a crowded room of new and vintage Thrash Metal albums. Of course, this is my Metal opinion… I will not go over the deep end and credit “Wrath” as being the greatest Thrash Metal album ever, yet “Wrath” gets permanently placed on my all-time favorite list without further deliberation. Is “Wrath” excessive? You betcha it is and I take the Thrash Metal pummeling like the seasoned Metal addict that I am. This album boasts, with clarity, the strength of lamb of god as a unit, pure, forceful and unrelenting power in the music and vocals. As I see it, after listening to this album, lamb of god shall never ride shotgun to no other Metal band in the land.

“Wrath” begins with a surprisingly eloquent and soothing instrumental, intro, titled “The Passing”, which lends itself as an innocent segue to “In Your Words”, where once this song kicks in, all mellow bets are off. “Everything To  Nothing” is my favorite song on “Wrath”, (I will bend and pick one out from this album), it just has the most memorable riffs, leads and vocals. Randy Blythe on vocals for me, is as grinding, lean and mean as they come. Randy can deliver the Death Metal growls just as easy as he belts out the Thrash Metal vocals. (I personally cannot grasp any Metalcore tag that at times, gets placed on lamb of god). I really admire the style of Chris Adler on drums, with John Campbell on bass these two guys are crushingly good. Willie Adler and Mark Morton on guitars are today’s example, of an axe slinging duo of Metal profoundness. Richmond Virginia should erect a lamb of god visitors bureau. To have the bragging rights of being the home turf for this band, is a great Metal story. By this point, you probably are aware that I highly endorse listening to and buying lamb of god’s Metal… I could not be more emphatic about this album “Wrath” and the band that created it.

* “Wrath” was released on Epic Records on February 24, 2009. 

 

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Scorpions “World Wide Live” – 1985 album revisited

Posted in 1980's heavy metal albums, 1980's heavy metal ballads, 1980's live heavy metal albums, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, Album Review, classic heavy metal albums, cool album covers, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1985, heavy metal from germany, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, Music, old school heavy metal, Scorpions, vintage heavy metal bands, vintage live heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , on July 29, 2009 by Metal Odyssey

main-150In 1985, I received a really cool Christmas present… the Scorpions “World Wide Live” double LP. That is what I am talking about when memorable Christmas gifts come to mind. My Mom, she certainly knew the bands I liked back then. I could always feel confident she would have a decent Heavy Metal album on her Christmas shopping list, just for me. My Mom would wrap and hide the album she bought each Christmas, making certain it was secured from my finding it. Not a chance. Each year, I would find that album, heck, I would actually smell where that album was hidden, like a Heavy Metal bloodhound. In 1985, “World Wide Live” was wrapped and supposedly hidden, until I unwrapped it and gazed away at the album cover – front to back. I was in Metal glee, knowing that on Christmas morning I would be able to crank up the Scorpions “World Wide Live”, a double live album no less. Each year, my Mom always knew I would find and unwrap the album she had bought for me, it was a cool and funny joke that I always was able to share with my Mom.

It is experiences like this, while growing up, where you actually bond with your music and albums, due to the personal stories that are attached to them. My Mom is now in Heaven, thus these memories mean all the more to me now than ever before. It is the memories that are the most valuable of course, not the actual albums. As for the Scorpions and “World Wide Live” – powerful, live, Heavy Metal to the max. This is one unbelievable live album, based on the overall sound quality, song selection, production and of course… the Heavy Metal Music. Vintage, live Scorpions this “World Wide Live” is. Hearing the fans screaming for the Scorpions throughout this album makes it real, with a live album it is always a key ingredient to capture the atmosphere of the concert crowd. My original album of “World Wide Live”, well, I either sold it or gave it away years ago. The kicker is… I found this double live beauty at a thrift store this past Winter… for fifty cents. Each time I find one of my favorite albums from the past, in second hand shops like this, I feel the vindication and relief of being able to replenish my Heavy Metal collection… to where it once was. Why I sold or gave away so many Heavy Metal albums long ago is still an uncanny period of my life. Regardless, I have what I consider, a perfect album specimen of “World Wide Live” now, safely tucked away into my Heavy Metal collection.

My favorite song from this album is “Big City Nights”. The in your face power of this song has always grabbed me with a psyched out feeling. “Countdown”, the instrumental and intro to this double live, Scorpions feast of Heavy Metal, never ceases to rev me up, it sets the table for “Coming Home”“The Zoo” and “No One Like You” are just as great as their studio counterparts, the live versions only add more intensity to the music. The live version of “Rock You Like A Hurricane” with it’s commercial breakthrough from the “Love At First Sting” album, makes me forget that it was overplayed on FM radio and MTV during it’s chart existence. Klaus Meine joined the pack of Heavy Metal ballad crooners, with his praise worthy vocal accomplishment – “Still Loving You”. I will take the live version of this song over the studio cut, (it’s a personal preference). If there ever was any tweaking or over dubbing during the mixing of this album, frankly I could care in the least. The end result for me has always been, “World Wide Live” is a must live Heavy Metal album to own and a Scorpions achievement.

*”World Wide Live” was released on June 20, 1985. The Scorpions, as they appeared on “World Wide Live”: Klaus Meine on lead vocals, Matthias Jabs on lead guitar & backing vocals, Rudolf Schenker on rhythm guitar & backing vocals, Francis Buchholz on bass guitar & backing vocals and Herman Rarebell on drums, percussion & backing vocals.

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My favorite KISS album of all time is…

Posted in 1980's heavy metal albums, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, Album Review, classic heavy metal albums, cool album covers, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal music 1982, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Music, old school heavy metal, rock music, vintage heavy metal albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , on July 27, 2009 by Metal Odyssey

main-150I am a lifelong Kiss fan, guilty of admiring a Heavy Metal band that has influenced the genre of Metal both musically, theatrically and of course… commercially. Out of the entire Kiss catalog of Heavy Metal, there has to be my favorite album of all time… my choice of favorite Kiss album seems to change yearly. (Oh well, that is my Metal dilemma I have to live with). As of today, Sunday, July 26, 2009, my favorite Kiss album of all time is “Creatures Of The Night”, (released in 1982). This Kiss album came out after “The Elder” album, making for quite the triumphant, Heavy Metal return. When I first heard the song “I Love It Loud”, man, was I ever psyched out of my Metal mind! I was serving time in High School when this album released, having this Kiss song to play loud back then was true innocent rebellion. Playing this song and the entire “Creatures Of The Night” album loud today, well, is just because I want to and can. (No more rebellion is left in my system… I think). 

In my Metal opinion, this Kiss album is arguably their heaviest studio album ever created. (The live albums are darned heavy too, however, I am comparing the studio albums). “War Machine” is definitely my favorite song off of this prestigious album. Gene Simmons on lead vocals is classic – I can hear the anger flow from his voice and the lyrics only add credence to this interpretation. “Danger” is one tough and heavy Kiss song that Paul Stanley sings lead vocals on. For a Paul Stanley sung tune, this is as fast and furious as it ever gets. “Saint and Sinner” is a bass lovers dream of a Heavy Metal song, with Gene Simmons giving what I consider, one of his best lead vocal efforts ever. “Creatures Of The Night” is melodic as it is heavy, a Kiss song that without hesitation, is my favorite Paul Stanley – on lead vocals, song. I say this until it hurts, that I have never been the biggest fan of ballads in Heavy Metal. There are always my exceptions to this personal rule. “I Still Love You” is one damned cool and heavy ballad that Paul Stanley sings. Paul Stanley turns some sappy lyrics into a song that I can still crank up, to this day.

“Keep Me Comin'” is the one song off of this album that I have liked the least. This song is not terrible, I won’t skip over it while playing the entire album… yet it never seemed to get my Metal adrenaline perking over the years. “Rock and Roll Hell” and “Killer” round out the rest of the songs from “Creatures Of The Night”, making for nine Kiss songs total, that are now considered by me, vintage Kiss. Metal truth be told, if you are embarking on building your first Kiss music collection, making “Creatures Of The Night” your initial purchase is a profoundly wise choice. The overall Heavy Metal power is in my Metal mind, abundant on this album.

As a side note, the articles and stories I have read and/or heard over the years is that both Ace Frehley and Vinnie Vincent receive guitar credit for this album. Frankly, it does not stir me either way, as to who actually played lead guitar and on which songs, this album is too great for such controversy to hinder the end result. Whichever guitarist did play, they played excellent. Ace Frehley does appear on the front cover of the album, therefore I shall close my eyes each time I listen to this album and picture Space Ace as the lead axe man. The late Eric Carr played some top notch and cool Heavy Metal drums for Kiss… the proof is in the music found on this album. I always considered “Creatures Of The Night” to be the Kiss album that launched them into the decade of the ’80’s. This is an album that will launch any new fan into a believer.

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Cheap Trick “The Latest” is their latest great album

Posted in 1970's rock music, 1980's rock music, Album Review, classic hard rock music, classic rock, classic rock albums, classic rock bands, classic rock music, cool album covers, current rock albums 2009, essential rock albums, hard rock album review, hard rock albums 2009, hard rock guitarists, hard rock music this decade, hard rock vocalists, Music, new hard rock album, Rock, rock album reviews, rock music, silly album covers with tags , , , , , , , , , , , , , , , , , , , on July 26, 2009 by Metal Odyssey

main-150Cheap Trick, “The Latest” may just very well be the album that proves this band has elevated themselves beyond the Rock Legends status. It is in my Metal opinion, Cheap Trick has become deserving of being called – Music Legends. Once again, Cheap Trick has not tried to reinvent themselves, instead they have created thirteen new songs that justifies their Rock and Roll existence and legendary status. What Cheap Trick has proven to me, with “The Latest”, is that I can marvel at this band and also learn a valuable lesson about life… the lesson of never giving into complacency. The last three Cheap Trick studio albums including “The Latest” is as strong a Rock Music achievement as I could ever hear. This band is just knocking out some of the greatest albums of their career, this decade alone.

The mindset to create a complete album of memorable songs, has not seemed to wane, from the Cheap Trick – bag of Rock Music tricks. “The Latest” begins with the song “Sleep Forever”, at 1:37 long. This song with it’s limited and heartfelt lyrics, coupled with a somber musical atmosphere and mood, took me off guard upon my first listen. My interpretation of this song, is saying goodbye to a loved one, someone that is cherished, after this loved one passes away. My beautiful Mother, someone I always and forever will cherish and love in my heart, passed away on July 10, 2009. I first listened to this album and “Sleep Forever” on July 21, 2009… I felt as if everything around me went still while my thoughts and feelings instantly gravitated towards my late Mother. The timing of my hearing this song for the first time, so close to the day my Mother passed away, became an emotional moment that I never anticipated from “The Latest” Cheap Trick album. I will say this… Cheap Trick has made one beautiful little song with “Sleep Forever”, a remarkable testament to this bands articulate musical diversity.

“Sleep Forever” is perfect being the first song on this album, for the remaining twelve songs are balanced with upbeat, Rock, Hard Rock and many dashes and dollops of that vintage Cheap Trick sound. In my Metal opinion, if this song was to be the last track to hear, instead of it being the first, well, it would be ending this great album on a sad note. This is a song that is perfect where it is, as song number one, let the emotions flow… then it is time to Rock the rest of the way through “The Latest”. Let it be known from me, that the remaining twelve songs on this album are as Rock inspiring as one could ever wish for. “California Girl” is classic Cheap Trick, with the Rock pace and lyrics resembling the roots of this prolific band. “Miracle” and “Times Of Our Lives” are two songs that signify the essence of how Cheap Trick taps into humanity as subject matter – all the while, in an uplifting, Rock spirit kind of way.

Fans of Cheap Trick are going to buy or already have this album. It is the casual Cheap Trick fan, the fan of Classic Rock and/or Hard Rock that I really recommend this album to. Cheap Trick, for me, have not lost their Rock edge, they have gained an edge with this new album. “The Latest” may have given me an emotional start with “Sleep Forever” at the onset, yet I thank Cheap Trick for that. This is a prime example of just how a song can keep me grounded, then the remaining album carries me off into Cheap Trick’s land of addicting Rock and Roll cool.

Cheap Trick: Rick Nielsen on guitars, background vocals & keyboards, Robin Zander on vocals, guitar & keyboards, Tom Petersson on bass, background vocals & guitar and Bun E. Carlos on drums & background vocals

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Armored Saint – “Revelation” brings forth Heavy Metal intensity

Posted in 1980's heavy metal bands, 1980's metal music, Album Review, classic heavy metal albums, cool album covers, essential heavy metal albums, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal this decade, heavy metal vocalists, Metal, metal music, metal music this decade, Metal Reviews, Music, old school heavy metal, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , on July 24, 2009 by Metal Odyssey

Armored Saint "Revelation" small picArmored Saint is an Old School Heavy Metal band, a band that proved to me years ago, they were all about Metal. One listen to any album from the Armored Saint catalog and one will understand what I mean about all Metal. One album in particular, that really drives the message home as to the serious Heavy Metal Music that Armored Saint delivers is “Revelation”, (released on March 7, 2000, on Metal Blade Records). I bought this album as exactly such… on vinyl. This album is a twelve song, two record set, with three songs per side of each album. There still is a cool Metal rush I experience when holding onto an actual record, placing it on a turntable, then letting the Heavy Metal roar. Armored Saint does exactly that, they storm out of the Heavy Metal gates on “Revelation”, this album sets me on the Metal path I belong on. It is going on ten years since this album was released, yet the Heavy Metal that blasts from “Revelation”, is just as exhilarating as any new Metal music releases I have heard lately.

“Revelation” is one of those rare albums where I flat out tell my fellow Metal peers… buy it and be glad you did. You are getting more than you expect with Armored Saint, no songs are watered down, the musicianship is Metal superior and lead vocalist John Bush is one of the greats at fronting a Heavy Metal band. Armored Saint may not be Thrash Metal, nor are they Death Metal… they are bona fide Heavy Metal with an extra dosage of heavy. “Tension”, “Creepy Feelings” and “Damaged”  really showcase the vocals of John Bush, he never over reaches on any notes, he only defines how Heavy Metal is supposed to be sung. “Tension” is a song that is extremely relevant, lyrically, to what is currently taking place in corporate America. On “After Me, The Flood”, sure, John Bush lets out a scream or two, he mixes it up vocally with potent Metal fervor. “Revelation” seems to rupture at the seams with non-stop, great songs. If only every Metal album could be like this… skipping over tracks is totally unnecessary here.

“Den Of Thieves” is a heavy song that demonstrates the guitar brilliance of Phil Sandoval on lead guitar and Jeff Duncan on rhythm & lead guitar. This guitar duo erupts with melodic leads and contagious riffs that make my Metal day complete. “Control Issues” is arguably the heaviest song on this album, lyrically making quite the impact that the music itself intends. “No Me Digas” is the bonus track included on this album… it is sung in Spanish, the lyrics inside the album gatefold are in Spanish as well. I am not too fluent with my Spanish, however, I will say that this song rocks along well just the same. This song is proof to me, that Heavy Metal Music is without question, a universal language and expression – for us all to pump our fists in the air to. In the end, I have been Metal schooled again, this time by “No Me Digas” and Armored Saint.

As for the rhythm section of Joey Vera on bass and Gonzo Sandoval on drums, they play as tight and effective as any in Heavy Metal. The focal point of this band for me, is the all encompassing power of the music, without sacrificing a melodic moment here or there. I usually try not to spill over, too excessively, with Metal glee, in regards to a Heavy Metal album or band. “Revelation” is one Heavy Metal album that I want to put out to the world, to spread the Metal message that these songs need to be heard. Armored Saint deserves my admiration, every time I listen to this band and/or “Revelation”, it makes me Metal proud. Long live this Heavy Metal band they call – Armored Saint.

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