Archive for heavy metal music

W.A.S.P. “BABYLON” is coming October 13, 2009!!

Posted in 1980's heavy metal bands, 1980's heavy metal music, 1980's metal music, 1990's heavy metal bands, classic heavy metal, classic metal, cool album covers, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal albums 2009, heavy metal bands this decade, heavy metal guitarists, heavy metal music, heavy metal music 2009, heavy metal vocalists, Metal, metal music, metal music this decade, metal music today, metal odyssey, Music, old school heavy metal, spooky album covers, spooky metal album covers, vintage heavy metal bands, W.A.S.P. with tags , , , , , , , , , , , on September 7, 2009 by Metal Odyssey

I just received a very Metal enthusiastic email from my best buddy Scott… he asked if I have checked out the W.A.S.P. Nation website… evidently, it has been a few weeks since I last checked in there. The news is out! W.A.S.P. BABYLON is coming out this October 13th of 2009!!! Scott is without a doubt, the biggest W.A.S.P. fan that I know, he single handedly is instrumental in my very own Metal hunger for W.A.S.P. Heavy Metal. (This goes back decades, plus he more than nudged me to buy a whole bunch of W.A.S.P. on CD a year ago too). Blackie Lawless is BACK!! W.A.S.P. is BACK with a new album this October! This is what Heavy Metal is all about, it is spelled – W.A.S.P.  In my Metal opinion, there has never, ever, been a W.A.S.P. album that has short changed the true essence of Heavy Metal. October of 2009 is looking better by the Metal second now. Scott and I will be counting the days down for this one… 

Metal fans… visit http://www.waspnation.com 

W.A.S.P. "Babylon" large album cover

CHILDREN OF BODOM – “Skeletons In The Closet” album devoted to cover songs

Posted in 1990's thrash metal bands, Alice cooper, cover songs, creepy album covers, current extreme metal albums, current extreme metal music, current heavy metal albums, current heavy metal music, current metal albums, current thrash metal, current thrash metal albums, current thrash metal music, Death Metal, essential metal music albums, essential thrash metal albums, Extreme Metal, extreme metal music, extreme music, heavy metal album covers, heavy metal albums, heavy metal albums 2009, heavy metal bands this decade, heavy metal cover songs, heavy metal guitarists, heavy metal music, heavy metal music 2009, heavy metal this decade, melodic death metal music, Metal, metal music, metal music ep's, metal music today, metal odyssey, Music, new thrash metal albums, scary album covers, spooky metal album covers, Thrash Metal, thrash metal 2009, thrash metal cover songs, thrash metal music, thrash metal today with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 5, 2009 by Metal Odyssey

Children of Bodom "Skeletons In The Closet" small picI am Metal psyched about another great Metal album coming out in this month of September of 2009, Children of Bodom – Skeletons In The Closet, (on SPINEFARM records). This is an album totally devoted to cover songs. (See complete track list below). It is my Metal opinion, that Children of Bodom have blended together, the great Metal genres of Death Metal, Thrash Metal and Speed Metal… a unique fusion of styles that are heavily laden with keyboards, courtesy of Janne Warman. Alexi Laiho is as competent and skilled of a Metal guitarist as you can ask for, one of the best there is today. Alexi is as equally talented on lead vocals as well… again, this is my Metal opinion and this style of Extreme Metal is my preference. Three cover songs on Skeletons In The Closet have been previously released, (these are the 3 that I am aware of): She Is Beautiful and the Alice Cooper classic – Bed of Nails, can be heard on the Children of Bodom EP Trashed, Lost & Strung Out. The Billy Idol classic Rebel Yell was released as part of the Blooddrunk import single.

Children of Bodom group photo blueI cannot wait to get my hands on this new album and crank it up extremely loud, on September 23, 2009, I will. I am just very curious as to how the Britney Spears cover of Oooops! I Did It Again… is going to sound like. What about the Kenny Rogers song? Man, that should be a Metal hoot. Knowing the way Children of Bodom play their Metal, I am confident they will rage these songs into Extreme Metal bliss. Still, I cannot believe I am writing about Britney Spears, Kenny Rogers and Children of Bodom in the same post. One thing is for sure here, Children of Bodom can never be accused of not being diversified. The cover songs represent a darn cool list of bands here… Slayer, W.A.S.P., Iron Maiden, Alice Cooper, Scorpions, Ramones – these are legendary bands without question. Thank you, Finland, for the fine Metal export they call Children of Bodom.

Children of Bodom are:

Alexi Laiho - vocals, guitar
Roope Latvala - guitar
Henkka T. Blacksmith - bass
Janne Warman - keyboards
Jaska Raatikainen - drums

Tracklist:

01 Lookin' Out My Back Door
     (Creedence Clearwater Revival)
02 Hell Is For Children
     (Pat Benatar)
03 Somebody Put Something In My Drink
     (Ramones)
04 Mass Hypnosis
     (Sepultura)
05 Don´t Stop At The Top
     (Scorpions)
06 Silent Scream
     (Slayer)
07 She Is Beautiful
     (Andrew W.K.)
08 Just Dropped In  (To See What
     Condition My Condition Was In)
     (Kenny Rogers)
09 Bed Of Nails
     (Alice Cooper)
10 Hellion
     (W.A.S.P.)
11 Aces High
     (Iron Maiden)
12 Rebel Yell
     (Billy Idol)
13 No Commands
     (Stone)
14 Antisocial
     (Trust/Anthrax)
15 Talk Dirty To Me
     (Poison)
16 War Inside My Head
     (Suicidal Tendencies)
17 Ooops!… I Did It Again
     (Britney Spears)
Children of Bodom "Skeletons In The Closet" large album pic

KISS “Unmasked” – 1980 album I listened to all Summer of 2009

Posted in 1980's classic rock bands, 1980's hard rock albums, 1980's heavy metal albums, 1980's heavy metal hits, 1980's popular rock bands, 1980's rock music, 1980's hard rock, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, Album Review, classic hard rock music, classic heavy metal albums, classic rock, classic rock albums, classic rock bands, classic rock music, classic rock songs, cool album covers, essential classic rock albums, essential heavy metal albums, essential heavy metal songs, essential rock albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal memorabilia, heavy metal music, heavy metal music 1980, heavy metal on vinyl, Heavy Metal Reviews, heavy metal vocalists, Music, old school hard rock, old school heavy metal, rock music, vintage heavy metal albums, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , on September 3, 2009 by Metal Odyssey

main-150KISS. I have the fever… it is the addiction to this enormous American Heavy Metal juggernaut that hooked me back in grammar school… the (gulp), 1970’s that is. Over this past Summer of 2009, (actually it goes back to last Winter too), I have ultra consistently listened to the KISS album “Unmasked”… after each listen I am a better Metalhead for it. Unmasked  was released back on May 20, 1980, right before I embarked on my High School years. By now, for anyone who reads my stuff regularly, may be tired of my mentioning that I owned 8 track tapes… still, I need to tell the world that I owned Unmasked on 8 track, thank you all for understanding. The memories that get stirred up inside my Metal mind, each time I listen to Unmasked are good ones… the Summer of 1980… going to the UCONN Basketball Camp, collecting odd and evil looking spiders in my backyard and having no worries in the world other than entering a new teenage chapter in my life.

Now that the memories are out of the way, I could care in the least about the controversy, rumors or paid professional Rock critic reviews regarding Unmasked. Frankly, like the scene from Gone With The Wind, the character Rhett Butler (played by Clark Gable), says sternly to Scarlett O’ Hara (played by Vivien Leigh), “Frankly my dear, I don’t give a damn”. That is it in a Metal nutshell… I don’t give a damn. The last time I checked, this album peaked at #35 on the U.S. Billboard Album Chart and was certified Gold by the RIAA on July 30, 1980. So there obviously were other KISS fans out there who liked this album too, going all the way back to 1980. I have read over the years, that Peter Criss never played drums on the Unmasked album, that Anton Fig played all the drums and was uncredited in the liner notes. Again, I don’t give a damn.

Shandi was the song that was supposed to be the big hit from Unmasked… or so I have read over the decades. Was it the big single? I don’t give a damn. All I know is that this song reminds me of lazy, hot, sunny and care free Summer days of when I was fourteen years old. When I listen to Shandi now, it makes me feel good… so Metal be it. My favorite song from Unmasked is… a tie. Is it possible to have a tied favorite of songs from one album? I don’t give a damn. Here they are: Is That You? and What Makes the World Go Round. Is That You? opens up this album in the finest of KISS fashion, it is a song in my Metal opinion, that embodied everything that critics of KISS hated most… contagiously hard driven grooves and bad ass lyrically. KISS could not have chosen a better opening song for Unmasked. What Makes the World Go Round is probably the one KISS song that gets played the loudest by me – ever. I quantum like it, therefore that is it. Metal case closed. It is my Metal opinion that Paul Stanley sings outstandingly great on this album. The original vinyl version of Unmasked came with a very large poster, depicting KISS in a comic book/cartoon form, shunning their KISS masks to reveal their faces with KISS make up still on. (This is shown on a smaller scale, on the very bottom of the album front cover). I did inherit this album on vinyl with it’s bonus poster, years ago – in a trade. 

She’s So European and Naked City are Gene Simmons songs personified. As I see it, these two Gene Simmons songs stand side to side with his vocal classics God of Thunder and Christine SixteenTwo Side of the Coin is an Ace Frehley classic. I cannot express any other way, the Metal conviction I feel towards this song… it Rocks. There is no need to make any other unnecessary comments about it. I listen to and write about the bands and albums that have made my life enjoyable, KISS Unmasked is as perfect an example of this. I never have and never will, get caught up in what the professional overpaid critics of the Rock world say about a band or album. Even if such said band does not care for their own specific album or song they created, if I still dig it, well then, I don’t give a damn.

fullsize

MEGADETH “ENDGAME” – Thrash Metal Glory Arrives September 15, 2009

Posted in 1980's thrash metal bands, 1980's thrash metal music, 1980's heavy metal bands, 1980's heavy metal music, 1980's metal music, 1980's thrash metal, 1990's heavy metal bands, 1990's thrash metal bands, cool album covers, current thrash metal, current thrash metal albums, current thrash metal music, essential thrash metal albums, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal albums 2009, heavy metal bands this decade, heavy metal guitarists, heavy metal music, heavy metal music 2009, heavy metal vocalists, Metal, metal concerts, metal music, metal music this decade, metal music today, metal odyssey, Music, new heavy metal album, old school heavy metal, old school thrash metal music, spooky album covers, Thrash Metal, thrash metal 2009, thrash metal music, thrash metal today, vintage heavy metal bands, vintage thrash metal bands with tags , , , , , , , , , , , , , , , , , , , , on September 2, 2009 by Metal Odyssey

Dave Mustaine photo!Megadeth. Just the name alone sounds like true Metal. Thrash Metal. The name Megadeth alone, reaches out and stuns the uninformed as to the fact, that this band is seriously heavy about all things MetalOne of the kings of Thrash Metal. Dave Mustaine… a founding father of Thrash Metal and unreal good guitarist, a Metal legend. (Gee, did I leave out any other important accolades here?). Really, any Metal fan has to agree that Dave Mustaine has the Megadeth Metal machine running full tilt… for quite a long time too. I am Metal giddy that “Endgame” is coming out on September 15th… the month of September looks better already, for me. If you do not count today, (September 2nd), there are just 13 days left until the Megadeth Thrash Metal onslaught of new material becomes heard in it’s entirety. That is less than two weeks away. I am Metal psyched. I was fortunate enough to see back in the late 80’s, a Metal triple bill of Savatage, Megadeth and DIO. The New Haven Coliseum was never the same after that show… that structure no longer exists. What a night of Metal it was… Megadeth blew me away, Dave Mustaine earned a fan for life. Dave Mustaine… Thrash Metal Champion. Megadeth shall return… Endgame.

Megadeth "Endgame" large pic

The Heavy Metal song of the day, September 1, 2009 is…

Posted in 1980's hair metal albums, 1980's hair metal bands, 1980's heavy metal albums, 1980's heavy metal hits, 1980's popular rock bands, 1980's hair metal music, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, 1986 heavy metal albums, 1986 heavy metal music, classic heavy metal albums, classic metal, essential heavy metal albums, essential heavy metal songs, Hair Metal, hair metal music, Heavy Metal, heavy metal albums, heavy metal albums 1986, heavy metal music, Metal, Music, old school hair metal bands, old school heavy metal with tags , , , , , , , , , , , , , , , on September 1, 2009 by Metal Odyssey

Cinderella "Night Songs" album cover small picMan, is it just me or does the world, national and even local news stink? Not just lately but for quite awhile now too. I was foolish in watching more news than usual on the television last night… ugh. Ugh again. The norm for me in obtaining any type of news has been to grab a sound bite or headline and be done with it. This is my own filtering process… it works for me. Certainly I will read many a news article, it is just that the messenger(s) of these news articles need to know the meaning of redundant. There is plenty of cool and inspiring news out there to be reported, however, feel good news stories don’t sell. What a shame. So, I have picked a Heavy Metal Song of the Day, for September 1, 2009! This Heavy Metal song is as righteous a statement, regarding the nature of the news as any song I have ever heard. “Somebody Save Me” by the Heavy Metal band – Cinderella. This cool and heavy song is found on the Cinderella album “Night Songs”. The “NIght Songs” album was released in June of 1986. “Somebody Save Me” was released on February 10, 1987… peaking at #66 on the Billboard Hot 100 Chart. (The “Night Songs” album peaked at #3 back in 1986… not too shabby). Not only does this song ROCK, the lyrics are right on the Metal money when it comes to the bull crap/hot air that is thrown at us from every direction, courtesy of the mainstream television news networks and/or outlets.

This is why Heavy Metal Music means so Metal much to me… it lifts me up when I get down and it lifts me even higher when I am already up too. This great Heavy Metal song exists to cheer on or pump up anyone out there who needs the Metal inspiration. This song is not telling anyone that things are going to be cheery, instead it is quite the sarcastic picture of what is almost always heard on the sacred network and cable television news. My Metal suggestion is to search out “Somebody Save Me” and really listen to the lyrics. You just might be glad you did, I know I am. Here is my favorite portion of the lyrics to “Somebody Save Me”:

Everybody’s got opinions 
But nobody’s got the answers 
And that shit you ate for breakfast 
Well it’ll only give you cancer 

We’re runnin’ in a circle 
Runnin’ to the morning light 
And if ya ain’t quite workable 
It’s been one hell of a night 

Somebody get the doctor 
I think i’m gonna crash 
Never paid the bill 
Because i ain’t got the cash

Cinderella "Somebody Save Me" large pic of single

Gene Simmons – My third favorite KISS solo album

Posted in 1970's classic rock albums, 1970's classic rock bands, 1970's classic rock songs, 1970's hard rock bands, 1970's classic rock music, 1970's hard rock, 1970's heavy metal, 1970's heavy metal albums, 1970's heavy metal music, 1970's rock music, 1980's heavy metal bands, Album Review, classic hard rock, classic hard rock bands, classic hard rock music, classic heavy metal albums, classic metal, classic rock, classic rock 1978, classic rock albums, classic rock bands, classic rock music, classic rock songs, classic rock vocalists, cool album covers, essential classic rock albums, essential hard rock albums, essential heavy metal albums, essential rock albums, Gene Simmons, Hard Rock, hard rock guitarists, hard rock songs, hard rock vocalists, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal cover songs, heavy metal guitarists, heavy metal music, heavy metal music 1978, heavy metal solo albums, heavy metal solo artists, heavy metal solo vocalists, heavy metal vocalists, Metal, metal music, metal odyssey, Metal Reviews, Music, old school heavy metal, rock music, rock music vocals, rock vocalists, vintage hard rock albums, vintage heavy metal albums, vintage heavy metal bands, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , on September 1, 2009 by Metal Odyssey

Kiss - Gene Simmons solo album small picGene Simmons, The Demon, bass guitarist for KISS, music producer and actor. (The many hats this legend has worn are numerous, quite the achiever is Gene Simmons, in my Metal opinion). Gene Simmons always seems to stay in the public eye, the limelight follows this Heavy Metal icon everywhere he goes… with “Celebrity Apprentice” and his very own family reality series “The Family Jewels” making his presence seen and known while KISS is idle. A short while back, I started writing about my favorite KISS solo albums, in preferential order, no less. Why am I doing this? First, I am celebrating the four original members of KISS, their solo albums being what I consider to be quite a historical achievement in Heavy Metal and Rock history. The quality across the board is apparent in the music that Gene, Paul, Ace and Peter created with their solo albums… my reminding and/or informing anyone who is interested in these great KISS solo albums makes for a fine Metal deed. For me to list in order, my favorite KISS solo albums, (it is not etched in Metal stone here), deciding the sequence of which album ranks 1 thru 4, is based on which album has given me the biggest Metal listening thrill over the decades.

As for the songs on this album, the best interpretation for me, as a whole, is Hard Rock and Rock Music that showcases the diversity in the vocals of Gene Simmons and the talent of his being a highly respectable guitarist. Gene Simmons plays electric and acoustic guitar throughout his solo album, he does not play bass guitar here. While with KISS, there are not many moments where Gene Simmons diversifies with his vocals, (that has always been fine with me), plus Gene Simmons plays bass guitar exclusively while with KISS. Looking back, this album was a great opportunity for Gene Simmons to eradicate the expected, delivering on the unexpected… “When You Wish Upon A Star” is the finest example that I could possibly point out. Now, do I like listening to Gene Simmons sing this song? As a teenager, back in the late 70’s into the ’80’s… no, I could never understand why Gene Simmons would have done this song. I actually would deliberately not listen to it after I heard it the first time. Fast forward to 2009, well, I now like this rendition of “When You Wish Upon A Star”, the softer side of Gene Simmons is rather a relaxing listen… (I guess I am getting softer as I get older). Plus, as a Metal bonus, my nine year old twin daughters really dig this song… and Gene Simmons too.

My favorite song is the album opener “Radioactive”, it just glistens with Old School KISS, courtesy of Gene Simmons, of course. His vocals are exactly what you would expect on this song, the commanding and sinister tone that is part of the Gene Simmons persona. I really like the vibe I get from “See You Tonite”, just a solid Rock song that has swirls of late ’70’s sound. “True Confessions” is another Classic Rock song that standouts with the background vocals of Helen Reddy… yes, Helen Reddy. This Gene Simmons solo album was the strongest seller out of the four KISS solo albums, I can honestly understand why, after owning and listening to these songs for years. This Gene Simmons album may not be my favorite out of the four KISS solo albums, yet it does not mean squat when I look at the big Metal picture… this Gene Simmons album is a Rock Classic.

Some of the guest musicians on this Gene Simmons solo KISS album: Rick Nielsen, guitarist of Cheap Trick appears on “See You In Your Dreams”, (Rick Nielsen’s name is spelled incorrectly, by the way, in this albums liner notes, Neilson), Bob Seger – background vocals on “Living In Sin” and “Radioactive”, Joe Perry of Aerosmith plays guitar on “Radioactive” and “Tunnel Of Love”, Donna Summer – background vocals on “Burning Up With Fever” and Cher – voice on phone call during “Living In Sin”. These guest music celebrities that appeared on this album make for excellent Rock Music trivia… not every Metalhead in the world is going to know that Donna Summer appeared on the Gene Simmons solo KISS album.

KISS Gene Simmons - solo album large pic

Why I feel KISS gave Rock n’ Roll back to America and other KISS points too

Posted in 1970's classic rock albums, 1970's classic rock bands, 1970's classic rock songs, 1970's hard rock bands, 1970's hard rock, 1970's heavy metal, 1970's heavy metal albums, 1970's heavy metal music, 1970's Rock, 1970's rock music, 1980's classic rock bands, 1980's heavy metal albums, 1980's classic rock, 1980's heavy metal bands, 1980's heavy metal music, 1990's heavy metal bands, classic hard rock, classic hard rock bands, classic hard rock music, classic heavy metal albums, classic rock, classic rock albums, classic rock bands, classic rock music, classic rock songs, current heavy metal music, essential classic rock albums, essential heavy metal albums, Gene Simmons, glam metal music, Heavy Metal, heavy metal albums, heavy metal bands this decade, heavy metal memorabilia, heavy metal music, heavy metal this decade, Metal, metal music, metal music today, metal odyssey, Music, old school heavy metal, Rock, rock & roll, rock and roll, rock and roll hall of fame complaints, rock music, rock music commentary, vintage hard rock albums, vintage heavy metal albums, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 28, 2009 by Metal Odyssey

KISS logoKISS gave Rock n’ Roll back to America. This legendary Heavy Metal band did this in 1974 with the release of their debut album – “Kiss”. Elvis, Chuck Berry, Buddy Holly, Fats Domino, Roy Orbison, B.B. King, Chubby Checker, The Big Bopper, Jerry Lee Lewis, The Beach Boys, The Doors, Janis Joplin, Jimi Hendrix and a throng of other American Rock bands and musicians created a sound that took over the planet… Rock n’ Roll. Let’s not forget the Country, Blues and Soul musicians and bands that played a key role in creating American Rock n’ Roll, expanding it’s identity, look and genres. Rock n’ Roll was born in America. Then, fast forward to the British Invasion… along came The Beatles, The Rolling Stones, The Who, The Moody Blues, The Animals, The Kinks, Led Zeppelin, Black Sabbath, Deep Purple and many, many more Rock bands and musicians who crossed over the Atlantic Ocean to introduce an entire new sound, look and attitude to American Rock n’ Roll fans, as well as the world. (I use all of the bands as mentioned, to provide more clarity with my point,). I am an undisputed huge fan of the British Invasion of Rock and Roll, I am only pointing out that Rock and Roll started here in America and Kiss re-established this fact with their emergence and might. After this British Invasion of Rock n’ Roll, Kiss made the impact statement like none other, here was a loud, confident, group of musicians living in America, playing their brand of heavy music – in costumes and makeup no less.

Kiss being introduced to the world in 1974 may have had more of an impact than some Rock historians think… The Grateful Dead, with their extremely loyal and abundant following with unmatched touring was American – I will never disagree with this bands unique impact on Rock Music history. However, Kiss was not about peace and love… this was the loudest band in the land Dressed To killsinging about girls that are Hotter Than Hell, partying, Makin’ Love, God of Thunder, a Love Gun and all things against the norm in ways that were not quite presented before in Rock Music history. What Rock Band from the 1960’s used Pyrotechnics like Kiss? How many Rock musicians could spit up blood and still play the bass and sing? Who used such an elaborate and eye defying stage show before Kiss? Kiss not only made Rock n’ Roll powerful, they (gasp) made it fun and entertaining too. The marketing blitz of items that portrayed the Kiss logo and band were everywhere during the 1970’s… if you look around today, these same items plus new products bearing Kiss are around us. Any Kiss tour during the 1970’s was nothing to ignore, the Kiss Army was never just a fictitious entity… it was and still is real.

After Kiss broke all the Rock n’ Roll rules, more Rock bands than I could ever mention here took their lead and emulated Kiss either musically, with make-up, through stage shows and/or marketing. When I stop to think about it, what other Rock or Heavy Metal Band garnered more media attention during the 1970’s than Kiss? With their all around power of Rock, Kiss let it be known, through their albums, that they were not fooling themselves or the fans all along. Kiss is setting the stage again, ready to unleash their brand new album Sonic Boom onto the masses… October of 2009 should be quite the month in the life of this middle aged Metalhead, for Kiss shall return… giving back their brand of Rock n’ Roll to us all again. That is why, in my Metal opinion, Kiss gave back Rock n’ Roll to America back in 1974, they are now only going to remind us as to why their music lives on.

It is high time for the so called Rock and Roll Hall of Fame in Cleveland, Ohio, to stop playing nonsensical games and induct an American Rock Band that redefined American Rock n’ Roll history through their music and pop culture impact, Kiss over the decades has become an American institution. Since I am on the topic, I could care less about the voting process or who votes at the Rock and Roll Hall of Fame, all I know is that the ignorance is growing by leaps and bounds over there in each passing year of it’s existence. I do have one word of advice for the Rock and Roll Hall of Fame, (if you can consider this an actual word), DUH? I would guarantee this… more fans will go to this Hall of Fame to see Kiss than than anyone could ever imagine. Once again, this is my Metal opinion and I am steadfast about it.

KISS logo

BLUE OYSTER CULT – “Fire Of Unknown Origin”, 1981 album is a Rock Classic

Posted in 1980's classic rock bands, 1980's hard rock albums, 1980's heavy metal albums, 1980's heavy metal hits, 1980's popular rock bands, 1980's rock albums, 1980's rock music, 1980's classic rock, 1980's classic rock music, 1980's hard rock, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, Album Review, classic hard rock, classic hard rock bands, classic hard rock music, classic heavy metal albums, classic rock, classic rock albums, classic rock bands, classic rock music, classic rock songs, cool album covers, essential classic rock albums, essential hard rock albums, essential heavy metal albums, essential rock albums, Hard Rock, hard rock album review, hard rock songs, hard rock vocalists, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal music, heavy metal vocalists, metal odyssey, Music, old school hard rock, old school heavy metal, Rock, rock music, rock music vocals, rock vocalists, vintage hard rock albums, vintage heavy metal albums, vintage heavy metal bands, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , on August 27, 2009 by Metal Odyssey

Blue Oyster Cult "Fire of Unknown Origin" small picBlue Oyster Cult released “Fire Of Unknown Origin” in 1981, which was perfect timing for me. I already had Kiss, Foreigner, Cheap Trick, Queen, Ozzy Osbourne, AC/DC and Bad Company in my system back then, being wowed by Blue Oyster Cult was my ears next step in branching out into the Heavy Music world. Back in 1981, there was the choice of buying music on 8 track, I bought “Fire Of Unknown Origin” on this medium – thank you very much. (I no longer have this 8 track from yesteryear, the 8 track player is a memory as well). This album is just another example of what melded my Metal and Hard Rock Music tastes at a young age, (I was fifteen years old in 1981). Another stepping stone album, if you will, towards the lifetime of Metal and Hard Rock Music adoration that I behold. In my Metal opinion, this BOC album is an early 1980’s Heavy Metal meets Hard Rock album, that has consistently lured me back for many a listen over the years.

I always appreciated the lead vocals of Eric Bloom. The mellowness that carpets his vocals is a signature sound of BOC. The biggest hit from “Fire Of Unknown Origin” was “Burnin’ For You”, where the vocals of Eric Bloom and the semi-heaviness of the music really compliment one another. This song was a mainstream FM radio favorite for years, one of my favorite Hard Rock songs ever. “Joan Crawford”, “Heavy Metal: The Black and Silver” and “Fire Of Unknown Origin” are three other songs from this album that I could never get enough of. I have always liked this entire album, “Fire Of Unknown Origin” comes highly recommended from me to younger and new fans of BOC and/or Classic Rock. This is one of those times where I honestly state, this is just a great album of Hard Rock and heavy songs, a true classic.

Blue Oyster Cult "Fire of Unknown Origin" large pic

MANOWAR – “Battle Hyms” 1982 album is required Heavy Metal Music

Posted in 1980's heavy metal albums, 1980's power metal music, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, Album Review, classic heavy metal albums, classic metal, essential heavy metal albums, essential metal music albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1982, heavy metal bands this decade, heavy metal guitarists, heavy metal music, heavy metal music 1982, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, metal odyssey, Metal Reviews, Music, old school heavy metal, Power Metal, power metal music, vintage heavy metal albums, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 21, 2009 by Metal Odyssey

14727432Manowar plays Heavy Metal, their name screams Heavy Metal and they are Heavy Metal with a hundred exclamation points. “Battle Hymns” (released in 1982), was the first album from this prolific and what I consider historic Heavy Metal band. Why historic? Well, the last time I checked, Manowar held the Guinness Book of World Records title for having the loudest live performance. (I always disliked the word performance, especially when it relates to Heavy Metal). Besides being extremely loud, Manowar presented upon the world of Heavy Metal a gloriously lean, mean and heavy album with “Battle Hymns.” All eight songs on this album are laced with forcefully driven guitar leads, riffs and all things sacred to Heavy Metal. The first two song titles say it all – “Death Tone” and “Metal Daze”. What I like most about this album is that there is absolutely not one second of waste to be heard… from start to finish this is muscular, Old School, 500% – Heavy Metal. Of course, this Metal adulation I have for Manowar and “Battle Hymns” is all my Metal opinion, however, this is an album that needs to be heard by todays younger generation of Heavy Metal fans.

Manowar never complicated anything with their brand of Heavy Metal, no smoke and mirrors to be found. What can be so difficult about embracing heavy, loud and melodic music? In my Metal opinion, the Heavy Metal of Manowar is just as essential as any of the basic food groups. I could thrive just fine, on the Metal of Manowar, if it was to be the only music left on earth. “Death Tone” opens this initial album as if it is unleashing Manowar onto the universe, with their sole purpose to spread the word of Heavy Metal on every living being in existence. “Metal Daze” is my favorite song from “Battle Hymns”, it is the musical personification of Heavy Metal. What would a Manowar album be like without a battle song? It would be like having a peanut butter and jelly sandwich without the bread. “Battle Hymn” takes care of the need for listening to a Manowar call to battle… Heavy Metal style. “Dark Avenger” is another standout song on an album of standout songs, plus the narration found in the midst of this powerful and heavy music, by the late Orson Welles, adds to the mythical ambiance. 

I find the lead vocals of Eric Adams to be very reminiscent of early and legendary Judas Priest vocalist , Rob Halford. Ross The Boss without any doubt in my mind, exhibits some of the finest Heavy Metal guitar licks I have ever heard… a guitarist that commands and justifiably earns my Heavy Metal respect. “Fast Taker” is a song that sounds better each time I listen to it, even if it has been a zillion listens. “Shell Shock” is a Heavy Metal song that I always wanted to crank up extremely loud in my car, with the windows down, while at a crowded intersection of uptight people. (Maybe that wish will come through for me one of these days). “Manowar” is a Heavy Metal call to conquer, this song is not just named after the band, it signifies their tenacity and perseverance as a leader of the Heavy Metal genre. No matter how loud I play this album, there is the thought that this Heavy Metal has been played louder… rightfully so. If Heavy Metal 101 really did exist, as a college course, I would feel confident that “Battle Hymns” would be a required listen and study as to just how Heavy Metal was molded, American style, courtesy of the great Manowar.

Manowar, as they appeared on their first album, “Battle Hymns” from 1982: Eric Adams on lead vocals, Ross “The Boss” Friedman on guitars & keyboards, Joey DeMaio on four & eight string bass & bass pedals and Donnie Hamzik on drums & percussion.

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Y&T – “In Rock We Trust” is ’80’s Heavy Metal I trust

Posted in 1980's heavy metal albums, 1980's heavy metal hits, 1980's popular rock bands, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, Album Review, classic heavy metal albums, classic metal, classic rock albums, classic rock music, cool album covers, essential heavy metal albums, essential metal music albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1984, heavy metal guitarists, heavy metal music, heavy metal music 1984, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, old school heavy metal, vintage heavy metal albums, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , on August 18, 2009 by Metal Odyssey

7723902I received in the mail today, a package from my best buddy, Scott. In this package was a CD, “In Rock We Trust” by Y&T. Now, this is the kind of mail that I like receiving… not bills or junk mail, just pure 1980’s vintage Heavy Metal. Talk about a solid Metal reminder of how power grooved this Y&T band was back in the ’80’s. This album was released way back in 1984, (the year I was supposed to graduate High School). I opted for an extra half year of High School back then, yet that is Metal history now. I listened to “In Rock We Trust” in it’s Metal entirety, just minutes after it was unleashed from the bubble mailer that brought it to my Metal safe haven. Every song on this album is a Heavy Metal winner, for me. From the Heavy Metal chorus to the riffs and leads and everything else heavy in between, makes this album ripple with thunderous Metal might. I just have recently been listening to the Y&T album “Contagious”, take my Metal word on this… “In Rock We Trust” out heavies “Contagious”. I have never been a strong advocate for comparisons within a Metal band’s music catalog, I feel each album that is created is unique. There are those times, where exceptions are made on Metal Odyssey. Seriously, if anyone out there is considering to buy some Heavy Metal from the ’80’s, this album I undoubtedly recommend.

My best buddy Scott made my Metal day today… little did I know that this CD was coming my way, I guess I did not realize I needed a vintage fix, of some heavy duty Y&T Heavy Metal, either. Man, these ten songs hit me in all of the right ways today. Like Scott said to me on the phone today… “this Y&T album is just darn good Summer Heavy Metal”. I could not agree with him more… only I will take it one Metal step further, “In Rock We Trust” is one darn good year long Heavy Metal album. I see Scott’s point however, these songs make you feel like you are packing up the car, heading to the beach or one big time keg party… and it is the late ’80’s, where your only worries are having cash for gas, chips and beer. Ahhh, the stuff that vintage Heavy Metal makes you think about… Metal really is worry free music after all. If making a feel good Heavy Metal album back in 1984 was considered a crime, then Y&T is guilty on all Metal charges.

“Lipstick And Leather” and “Don’t Stop Runnin'” are the two hits that made their way on FM radio and MTV back in ’84.  Both songs are heavy rockin’ through and through. I really have taken a liking to the first song – “Rock And Roll’s Gonna Save The World”, it starts off rather slow and steady, yet it gives every indication that this is just the prelude to the pumped up Heavy Metal that engulfs my Metal senses. “Breakout Tonight!” and “She’s A Liar” are two songs that exemplify the signature 1980’s vibe of Heavy Metal. “In Rock We Trust” should come with a sticker of recommendation on the front CD cover… that reads: Play these songs loud – it will serve you right. Y&T with “In Rock We Trust” served me right today. I just cannot fathom as to why I never owned this Y&T album until today… I guess that no longer matters, this Heavy Metal gem is in my Metal possession now. This is just another reason why I can never take Metal Music or my best buddy Scott for granted. 

Y&T as they appeared on “In Rock We Trust”: Dave Meniketti on lead guitar & lead vocals, Phil Kennemore on bass guitar & backing vocals, Joey Alves on rhythm guitar & backing vocals and Leonard Haze on drums & backing vocals.

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Ace Frehley – my second favorite Kiss solo album

Posted in 1970's classic rock albums, 1970's classic rock songs, 1970's classic rock music, 1970's hard rock, 1970's heavy metal, 1970's heavy metal albums, 1970's heavy metal music, 1970's Rock, 1970's rock music, Album Review, classic hard rock, classic hard rock music, classic heavy metal albums, classic rock, classic rock albums, classic rock music, classic rock music facts, cool album covers, essential classic rock albums, essential hard rock albums, essential heavy metal albums, essential rock albums, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal solo albums, heavy metal solo artists, heavy metal solo vocalists, heavy metal vocalists, Metal, Music, old school heavy metal, rock music, vintage hard rock albums, vintage heavy metal albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , on August 9, 2009 by Metal Odyssey

main-150Ace Frehley will always be my choice pick for the guitarist of Kiss. Ace Frehley was the original guitarist and in my Metal opinion, the best at lead guitar for Kiss. I few posts ago, I stated that my favorite Kiss solo album of all time is Paul Stanley. I cannot backtrack that sentiment, the Paul Stanley album is for me, #1. With that said, out of the four Kiss solo albums, Ace Frehley is clearly my #2 choice. My fellow peer in Metal blogs over at The Metal Files, (a cool Metal Music blog that is worth the visits), commented his favorite Kiss solo album is Ace Frehley… this spurred me into delving into the Ace Frehley solo album once again. I do own the Ace Frehley solo album, (released on September 18, 1978), a record that has been with me for decades. I actually bought this Ace Frehley vinyl from a cut-out bin, from a small department store named Woolworths, back in the very early 1980’s. My Ace Frehley album has the top right corner actually cut off, therefore, that is probably why it was in a cut-out bin! Despite the cosmetic damage that this album cover suffered, the album itself and the large fold-out poster of Ace Frehley that was included with the album, never sustained damage from the cut-out process. (Each Kiss solo album had a large fold-out poster of the respective Kiss musician inside the album sleeve, with each of the four posters interlocking together, through die cuts, to form one giant Kiss collage, if you will).

Now, I have not ever owned the Ace Frehley solo album as a CD… until today. A trip to Best Buy had me, as usual, walking the CD aisles and staking out some Heavy Music that would pacify my Metal hunger. Well, Classic Heavy Metal has done it again… the Ace Frehley solo CD caught my eye, it was about time to upgrade my vinyl copy after all. I paid $7.99 for this Ace Frehley CD today, that is cheaper than buying a steak and a whole lot more gratifying too. “Rip It Out” and “Speedin’ Back To My Baby” are the first two tracks… I tag these two songs as being my two favorites. These songs have that Ace Frehley vibe happening, vocally of course, yet the guitar of Ace is so incredibly vintage. To plop a CD into the car stereo on the ride home and have the very first two songs crank like this… all I could say to myself as I drove was… Space Ace Rocks. As I continued to listen to Ace Frehley, it was a consistent reminder to me, as to how Rock legit his solo album was and still is. When I was much younger, back in 1978, I bought the 45 rpm of “New York Groove”, with the “B” side being “Snow Blind”. Both of these songs I do put on a Metal pedestal for the memories they stir… I was just a young, little dude playing this 45 record back in 1978, CD’s and ipods were non existent and The New York Yankees beat the Boston Red Sox – in a one game playoff for the American League East Division title. Plus, I had no bills to pay back in 1978 either. Ace Frehley as with all of the Kiss solo albums, bring back memories that money just can’t buy.

This Ace Frehley solo album did reach platinum sales status, (one million or more copies sold), peaking at #26 on the U.S. Billboard album charts as well. My fellow Metal blogging peer at The Metal Files commented Ace Frehley did not write “New York Groove”… Russ Ballard did. “New York Groove” peaked at #13 on the U.S. Billboard Singles chart. Not to sound like a television music show judge, excuse me by saying… Ace Frehley nailed it with “New York Groove”. Aw, heck, Ace Frehley nailed it on all nine songs too.

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Yngwie J. Malmsteen “Trilogy” – Classic Power Metal Music on high

Posted in 1980's heavy metal albums, 1980's power metal bands, 1980's power metal music, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1986 heavy metal music, 1986 power metal albums, Album Review, classic heavy metal albums, classic metal, cool album covers, essential heavy metal albums, european power metal, guitar solos, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal solo albums, heavy metal solo artists, heavy metal vocalists, Metal, metal music, metal odyssey, Metal Reviews, old school heavy metal, Power Metal, power metal guitarists, power metal music, vintage heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , on August 6, 2009 by Metal Odyssey

main-150I always thoroughly enjoy the Metal musical intricacies that quality Power Metal embellishes. Yngwie J. Malmsteen “Trilogy”, (released in 1986), has the rich and textured heavy musical elements, that make this album an all time favorite of mine. If you embark on a listen of “Trilogy” and are unaware of Yngwie Malmsteen’s guitar virtuosity, then your ears and senses are in for a Metal treat. (If you hold total disdain for the Speed Metal genre that meets Power Metal, well this album is not for you). “Trilogy” is a Metal album for me, containing some of the most melodic Power Metal songs I have ever encountered. Certainly, the classical trained Yngwie Malmsteen takes Metal center stage, with his glistening guitar skills on this album, however, lead vocalist Mark Boals captivates my Metal attention just as well. Both the musicianship and vocals compliment each other in the highest of Metal fashion on “Trilogy”. In my Metal opinion, Mark Boals vocals adds a dimension of harmony that magnifies the song writing, lyrics and melodious brilliance on this album. Metal truth be spoken… this is my favorite Yngwie Malmsteen album ever. Each time I listen to these songs, I am sincerely amazed at how gifted a lyricist and song writer Yngwie Malmsteen is. I am not fibbing when I declare, that this is not one of the – run of the mill, 1980’s Heavy Metal albums out there. In fact, if I was to compile a list of must have 1980’s Heavy Metal albums, “Trilogy” would have to be on that list.

I feel what has captivated me, over the years with “Trilogy”, is the accessibility of the songs. I revere a great guitar solo and/or guitar instrumental any day of the year, with this Yngwie Malmsteen album you get the best of both, alongside songs that are injected with plenty of Metal highs and non-existent lows. “Crying” and “Trilogy Suite Op 5” are the two instrumentals that give Yngwie Malmsteen the spotlight, exemplifying that he was bred for this… no longer a rising star and in 1986 a legitimate star. “You Don’t Remember, I’ll Never Forget” opens up with the pumped up keyboards of Jens Johansson, Power Metal style. This song is my favorite on “Trilogy”, every second of this track is memorable for me. “Liar”, “Queen In Love” and “Fire” are of equal melodic value, that are Power Metal laced with emotion filled lyrics. The overall feeling I have always received from “Trilogy” is that Yngwie Malmsteen made a commercial style, Power Metal album, that really blazes along with catchiness at every turn. I have never likened Yngwie Malmsteen to be showy, I have always looked upon him as a complete musician. 

Sure, Yngwie Malmsteen had released albums in years prior to “Trilogy” that were heavier, yet does heavier always equate to never diversifying musically? In this case, with these songs, the answer is no. There are times when a Metal guitarist can make a song sound thick with passion and high emotion, on “Trilogy”, Yngwie Malmsteen makes all nine songs sound this way.

Yngwie J. Malmsteen – all electric, bass and acoustic guitars, Mark Boals – lead vocals, Jens Johansson – keyboards and Anders Johansson on drums 

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IRON MAIDEN – “Cross Eyed Mary” 1983 cover song is a rare Metal Music treasure

Posted in 1980's heavy metal albums, 1980's heavy metal hits, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, Album Review, cool album covers, cover songs, essential heavy metal albums, essential metal music albums, essential progressive metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal cover songs, heavy metal guitarists, heavy metal memorabilia, heavy metal music, heavy metal music 1983, Heavy Metal Reviews, heavy metal vocalists, Iron Maiden, Metal, metal music, metal music ep's, metal odyssey, Metal Reviews, Music, old school heavy metal, prog metal albums, prog metal music, progressive metal, progressive metal albums, progressive metal music, progressive metal music eps, vintage heavy metal albums, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 5, 2009 by Metal Odyssey

Iron Maiden "The Trooper"  EP album artworkIron Maiden released their fourth studio album, “Piece Of Mind” in 1983. An amazing Heavy Metal album it was and forever will be. I bought that album back in ’83… stared at the front cover for hours, which in fact, probably equals out to actual days. I have always been mesmerized by artist Derek Riggs artwork of mascot Eddie. This album does not contain the cover song of “Cross Eyed Mary”, instead, it was released as a “b” side to the single “The Trooper”, taken from the “Piece Of Mind” album. To the best of my Metal research, “The Trooper” single was released on June 20, 1983. I frequented a small and independent record store on an almost daily basis back in the ’80’s, (I won’t divulge the name of this store for personal reasons), upon a daily stop there… there it was… Iron Maiden “The Trooper” Maxi Single on vinyl no less!! My Metal memory is very vivid about this moment… I stared this beautiful Iron Maiden rarity down, bought it and have kept it pristine ever since. Plus, this was the only copy this store had, I never saw this Iron Maiden single on vinyl again. (Certainly, there has to be more out there in collections or online today, I just never happened to come across one in person). This Iron Maiden Maxi Single as it is called, again, is on vinyl that is the actual size of an album -(an EP if you will), it plays at 45 rpm.

As for “The Trooper” it is and always will be an amazing work of Metal Music, this song no Metalhead could ever possibly tire from. An unreal great Metal song is “The Trooper”. Now, for the Metal juicy part of this important single… “Cross Eyed Mary”. I always have and will continue to give Jethro Tull a listen now and again… they are cool by me, despite what Metallica may think of them. The original Jethro Tull version of “Cross Eyed Mary” does not even come remotely close, to the prolific Metal power of Iron Maiden’s cover version though. I am talking extremely Metal prolific, when I mention this Iron Maiden cover of “Cross Eyed Mary”. Whoa, man, this Iron Maiden cover sends Metal chills up and down my spine. I am not sugar coating a thing… this Iron Maiden cover is the real thing, hands down it is my most favorite and cherished Metal cover song that has ever been recorded. Not to sound cheesy or lame here, the opening guitar leads sends me into Metal orbit… really. Bruce Dickinson is outstanding on vocals with this song, Iron Maiden took hold of “Cross Eyed Mary” and turned it into a Metal masterpiece. NO flutes or piano are on this Iron Maiden cover version of “Cross Eyed Mary”, no sir.

My copy of “The Trooper” vinyl single looks just like the above image, with the exception that my copy has “Maxi Single – super sound version” printed on the front cover, inside a red outlined circle. The bottom image shows what the Japanese import version of “The Trooper” looks like on CD, however, “Cross Eyed Mary” is NOT on this CD single!? The two songs on this Japanese import are: “The Trooper Live (2003)” and “The Trooper” (album version). Go figure that out, the same artwork, it is “The Trooper” single, yet “Cross Eyed Mary” is not included anymore. It would have been Metal genius, if Iron Maiden included “Cross Eyed Mary” on their “Somewhere Back In Time: The Best Of 1980-1989″ album, that would have been a perfect song to add into the historical Metal mix. I am just psyched that I still have this vinyl single of Iron Maiden, this is one Metal treasure I just will not part with – no way.

Some Metal extra notes about this Iron Maiden single, to benefit, guide and nourish your Metal mind: 

Iron Maiden, as they appeared on “The Trooper” and “Cross Eyed Mary”: Bruce Dickinson on lead vocals, Dave Murray on guitar, Adrian Smith on guitar, Steve Harris on bass guitar and Nicko McBrain on drums. * This 1983 “The Trooper” single was originally released on EMI records.

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Skid Row – 1989 debut album still boasts a Heavy Metal variety

Posted in 1980's hair metal albums, 1980's hair metal bands, 1980's heavy metal albums, 1980's heavy metal ballads, 1980's heavy metal hits, 1980's hair metal music, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, 1989 heavy metal music, 1990's heavy metal albums, 1990's heavy metal music, Album Review, classic heavy metal albums, essential heavy metal albums, Hair Metal, hair metal music, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, Music, old school hair metal bands, old school heavy metal, rock music, vintage heavy metal albums, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2009 by Metal Odyssey

main-150Skid Row released their debut album, “Skid Row” on Atlantic Records, on January 24, 1989. The timing for this Heavy Metal band proved to be a successful one, for this “Skid Row” album sold in excess of five million copies, (going five times platinum in the U.S.A.). The time line of Skid Row becoming so popular, with their first two albums proves to be quite an accomplishment, (their sophomore album “Slave To The Grind”, (released in 1991), sold two million copies and hit #1 on the album charts in the U.S.A.).  1989 was the beginning of the Grunge Music era, with Nirvana and  Soundgarden already in the marketplace. Pearl Jam and Stone Temple Pilots later garnered massive commercial media attention and a strong following of fans in 1991. Regardless of the changing landscape in the Heavy Music culture, Skid Row made a major mark in Heavy Metal history between 1989 – 1991, with their first two albums. It is a tremendous Heavy Metal achievement for Skid Row to sell seven million albums after their first two releases in the United States. Fast forward to 2009, I still will listen to the debut Skid Row album and continue to revel in it’s variety of Heavy Metal songs.

Skid Row is a band that I always referred to as Heavy Metal… Hair Metal can be a justified label for this band as well, with their look and the 1989 breakout release of “Skid Row”, this puts them in the correct time period for that genre. Sebastian Bach in my Metal opinion, bestowed some real flamboyant, powerful, Arena Rock, style of vocals on “Skid Row”. Sebastian Bach did not introduce anything brand new to Heavy Metal with his vocals, yet I always felt he could carry a note and sing with the best of this genre. What had always stood out with Sebastian Bach’s vocals, for me, was his undeniable enthusiasm and cocky confidence. (Two necessary characteristics to have, especially for a Heavy Metal front man). As a total Heavy Metal band, Skid Row certainly never lacked any of the pertinent skills necessary to get the job done. This original Skid Row lineup on “Skid Row” combined their musicianship to create eleven top tier Heavy Metal songs. Not a bad tune in the bunch, in my Metal opinion.

“Here I Am” is probably my favorite song on this album, it just flat out Rocks. This song was not one of the hits that made it to FM radio or MTV back in the day, still, this is my hit pick. “Makin’ A Mess” is another pick of mine that scorches with speed, without question the fastest Heavy Metal song on this album. As for the hits… “Youth Gone Wild” is the most memorable and pumped up – heavy song that I point out here. Even though I may not belong to any youth generation anymore, I still get psyched out of my Metal mind when this song is cranked up. Yeah!! “18 And Life” is another major single that received it’s just due on FM radio and MTV as well… the lyrics make sense, the song Rocks heavy, the combination of these two descriptions makes this song a winner for me. “Midnight/Tornado” is as good as it gets with 1980’s Heavy Metal… the guitar solo, it just brings it man. The lyrics are tidy, the song is heavy, the Heavy Metal power is on high… “Midnight/Tornado” does it for me. O.K., there is a ballad on this album, “I Remember You”. Now, I can make a list of Heavy Metal ballads that stretches from Boston to Lancaster, Pennsylvania, that I cannot stomach… “I Remember You” is not one of them. Sebastian Bach sings it… Skid Row brings it. I have spoken my Metal mind on that one.

In Metal summary, “Skid Row” delivered the heavy, at times fast, a ballad and some extremely popular and powerful hits. “Big Guns”, “Sweet Little Sister”, “Can’t Stand The Heartache” and “Piece Of Me” are the four opening songs that are best described as a Heavy Metal continuum of solid songs. “Rattlesnake Shake” is no pushover song either. Heavy album, 1980’s heavy and by today’s Old School Heavy Metal standards… a Heavy Metal album worth passing along to the youthful Metalheads of 2009. Let the youth of today listen to this Skid Row album and they should go wild.

Here is the original Skid Row, as they appeared on “Skid Row”… useful information for a well balanced Metal Music diet: Sebastian Bach on lead vocals, Dave “The Snake” Sabo on rhythm, lead guitars & backing vocals, Rachel Bolan on bass guitar & backing vocals, Rob Affuso on drums & percussion and Scotti Hill on lead and rhythm guitars.

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Saviours “Into Abaddon” – a worthwhile Metal Music listen

Posted in 2008 metal music albums, Album Review, cool album covers, current heavy metal albums, current heavy metal music, current metal albums, doom metal music, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal bands this decade, heavy metal music, Heavy Metal Reviews, heavy metal this decade, heavy metal vocalists, Metal, metal music, metal music this decade, metal music today, metal odyssey, Metal Reviews, Music, spooky album covers, stoner metal music with tags , , , , , , , , , , , , , , , , , , , on August 3, 2009 by Metal Odyssey

main-150When I first listened to Saviours “Into Abaddon”, I heard instantly the early Black Sabbath and Motorhead influences, (in my Metal opinion). This second album from Saviours is heavy duty on the riffs, a fine quality about this Metal music. Saviours plays Metal that can be regarded as Stoner Metal or Doom Metal. The Metal here is heavier than traditional – Old School Stoner Metal. With a slight comparison to The Sword, Saviours is darker musically, a more gloomy atmosphere and vocally more tough and raspy. All 7 songs are good, the lack of more songs is made up for by the time length of each song. Lead vocalist and guitarist Austin Barber sounds like he is leading a Metal charge through the dark northern woods of an ancient forgotten land. Musically, these guys have their armor, it is the hard and heavy way they play. I find Saviours difficult to dismiss as just an average Metal band… they are better than I anticipated with this album. It is not as if Saviours has broke any new ground here musically, still this band is not soft on the Metal either. If your into the heavier side of Stoner Metal or are looking for a new and decent Metal band to catch onto, picking up “Into Abaddon” is worth the time and money. Saviours plays Metal the old fashioned way, no hits, no frills or gimmicks, just coming at you with some solid heavy music.

Song list for “Into Abaddon”: 1. Raging Embers, 2. Into Abaddon, 3. Narcotic Sea, 4. Cavern of Mind, 5. Mystichasm, 6. Firewake Angel, 7. Inner Mountain Arthame

CD sidenotes:
The liner notes come with 6 pages of complete lyrics, with cool and spooky, midivil style, extended artwork and the expected credits. (I have always been an admirer of top notch Heavy Metal album artwork, the front cover art of this CD and liner notes art tie in with the Metal Music of Saviours). “Into Abaddon” was released on January 22, 2008, on Kemado Records.

Saviours as they appear on “Into Abaddon”: Austin Barber on guitar and vocals, D.Tyler Morris on guitar, Scott Batiste on drums and Cyrus Comiskey on bass.

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Jackyl – 1992 debut, Heavy Metal album revisited

Posted in 1990's heavy metal albums, 1990's heavy metal bands, 1990's heavy metal songs, 1990's heavy metal music, Album Review, chainsaw heavy metal music, classic heavy metal albums, cool album covers, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1992, heavy metal guitarists, heavy metal music, heavy metal music 1992, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, old school heavy metal, rock music, vintage heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , on August 2, 2009 by Metal Odyssey

main-150Hey, I have always been eager to get into new Heavy Metal bands, it’s been this way for decades now. 1992 was no different than any other year, as far as searching out the latest and/or newest Heavy Metal Bands and albums. When I first heard Jackyl back in 1992, well, it was the song “The Lumberjack”… with a chainsaw being used for a solo. A chainsaw used as a dominant musical instrument… in a Heavy Metal song, now that is cool, that is Metal. Aw heck, I am going to be blunt and admit… this chainsaw ripping through “The Lumberjack” song gave me goose bumps back in 1992. Now, does this chainsaw and “The Lumberjack” song have the same goose bump affect on me today? Honestly, not as many goose bumps generate when I listen to this song in 2009, still I like the song just as much as ever. Maybe it is due to the fact, that I know the chainsaw is coming, after listening to this song so many times over the years. Make no mistake, “The Lumberjack” song still pumps me up and makes me wish I had an old, decrepit, decaying barn to tear down while I listen to this song. 

This debut album from Jackyl, which is self titled, was a refreshing reminder back in 1992 that Heavy Metal did not curl up into a ball and wither away. Jackyl’s brand of Heavy Metal arrived right when this Metalhead needed it most, when rumors abounded within the mainstream media that Metal Music was done. Well, Heavy Metal never went away, if anything, the mainstream media just did not cover the Metal Music that was out there in the 1990’s, no publicity, therefore… no existence. Right? Wrong! Jackyl was a perfect example of Heavy Metal existing in the decade of the ’90’s. Other than the chainsaw, Jackyl did not reinvent the Metal wheel back in 1992, rather they delivered upon the Metal community an album that kicked some serious tail. “Jackyl” was an album that presented some heavy hitting, kick the dirt and throw the garbage can down the driveway – attitude and songs.

Back in 1995, I worked for a very large, mail order, perennial farm in expensive Connecticut. I can remember working the perennial fields during the Summer, driving a tractor, during a very, very, long dry spell. I recall this one cool, fellow Metalhead who drove a tractor on this farm as well… he and I both so wished it would rain. I introduced him to this Jackyl debut album, (I had it on cassette then), “When Will It Rain” became a theme song for us working the fields at this perennial farm. My Metalhead buddy borrowed my Jackyl cassette to listen to, while he worked the fields with his tractor. (There is definitely something about Jackyl’s Heavy Metal and working outdoors… one seems to compliment the other). “Down On Me” is another very memorable song from “Jackyl”, nothing fancy here, just a steady, Heavy Metal track, that is carried by the rhythm section with authority. “Dirty Little Mind” is like a speeding, Metal ball of wire, uncoiling with spastic Heavy Metal abandon.

In other words, “Jackyl” was never going to indulge in therapeutic topics, nor delve into intricate musical musings. Instead, “Jackyl” was – and still is, a down home, blue collar, back roads, type of Heavy Metal album and band. “Jackyl” was never meant to impress the judges, mainstream media, or uptight people in general. Jackyl the band and “Jackyl” the album, no doubt impressed me in 1992… still does. I think that is why I appreciate this debut album from Jackyl so much, this band wrote songs to have a good time to and maybe heave that rotted log into the woods to.

Jackyl, as they appeared on their debut album “Jackyl”: Jesse James Dupree on vocals & chainsaw, Jimmy Stiff on guitar, Jeff Worley on guitar, Tom Bettini on  bass guitar and Chris Worley on drums.

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U.D.O. “Nailed To Metal” is live, world class Heavy Metal

Posted in 1980's heavy metal albums, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, 1990's heavy metal bands, 1990's heavy metal music, Album Review, classic heavy metal albums, classic metal, classic rock, cool album covers, essential heavy metal albums, essential metal music albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal bands this decade, heavy metal drum solos, heavy metal from germany, heavy metal guitarists, heavy metal music, heavy metal music 1982, heavy metal music 1983, Heavy Metal Reviews, heavy metal solo albums, heavy metal solo artists, heavy metal solo vocalists, heavy metal this decade, heavy metal vocalists, live heavy metal albums, Metal, metal music, metal music this decade, metal odyssey, Metal Reviews, old school heavy metal, rock music, vintage heavy metal albums, vintage heavy metal bands, vintage live heavy metal albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 1, 2009 by Metal Odyssey

U.D.O. "Nailed To Metal" large picAccept is a legendary Heavy Metal Band from Germany, blazing through the late 1970’s and releasing crushing Old School Heavy Metal right up until 1996. U.D.O. is the Heavy Metal brainchild from the iconic lead singer from Accept… Udo Dirkschneider. U.D.O. released their first studio album in 1987, with “Animal House”… in 1988 their second studio album released, titled “Mean Machine”. U.D.O. has released many albums over the years, with their latest studio effort being “Mastercutor”, released in 2007. I have and always will be a huge fan of Udo Dirkschneider, Accept was an incredible Heavy Metal band, they never wavered or catered to any musical flavor of the day, just 100% Heavy Metal albums they released back in the day. With Udo carrying on his grand Heavy Metal career with U.D.O., it only makes me psyched – knowing this legend is still around. Udo may not receive the glamourous adulation from the mainstream Rock press like Rob Halford, Ronnie James Dio, Brian Johnson or Ozzy, however, he is just as important to the history of Heavy Metal as any of these lead singers are.

“Nailed To Metal” (subtitled “the missing tracks”), is a live, eleven song album, released back in 2003. The liner notes state that the songs were “recorded during the European Tour 2001”. Let me just say that… this live U.D.O. album does not just exemplify Heavy Metal, it is Heavy Metal. Hail U.D.O.! Thank you Germany! Udo Dirkschneider sounds just as prolific with his vocals on “Nailed To Metal” as he did on his Accept album “Breaker”… or any of his Accept albums for that matter. What I always anticipate from U.D.O. is that powerful, thunderous, monster of a sound from their Heavy Metal… “Nailed To Metal” brings it all and with the excitement of the live ambience. The Heavy Metal barometer explodes with the first two opening songs – “Holy” and “Raiders Of Beyond”. Both of these U.D.O. tracks are nothing short of Heavy Metal liberation, capturing the very essence of what Heavy Metal 101 is all about. The “Drum Solo” comes in at 4:26… (this is a Heavy Metal drum solo, not a Thrash or Death Metal drum solo), my point being, just as I am enamored by Extreme Metal, I embrace a cool, traditional, Heavy Metal drum solo in the spotlight, any day of the week. Lorenzo Milani on drums, is not out to compete with Neil Peart (of Rush), he is only out to play some solid drumming the Old School Heavy Metal way. In my Metal opinion, “Holy” and “Raiders Of Beyond” hold their own against classic Accept songs… and classic Accept songs are here.

The vintage “Fast As A Shark” and “Restless & Wild”, (from 1982), are unmistakably Heavy Metal defining, two throwback songs from the Accept catalog that have never lost their ability to supercharge me. “Metal Heart”, (from 1985), is an Accept song that careens into this live set like a long lost Heavy Metal friend. The closer of this live album is none other than… “Balls To The Wall”. At 8:48 long, I wish this Heavy Metal anthem would carry on for an hour… raising my fist to the air and banging my head never felt so good. Accept found their FM radio acceptance back in 1984 with “Balls To The Wall”, a trip down Heavy Metal lane “Nailed To Metal” is. Udo Dirkschneider was and always will be the voice of Accept, therefore U.D.O. does not just cover these legendary Accept songs, they celebrate them. With the combination of live U.D.O. and Accept Heavy Metal on “Nailed To Metal”, this album easily, hands down, gets five out of five beer kegs from me. Keep bringing the Heavy Metal U.D.O. and I will forever listen.

U.D.O. as they appear on “Nailed To Metal”: Udo Dirkschneider on vocals, Stefan Kaufmann on guitar, Igor Gianola on guitar, Fitty Wienhold on bass guitar and Lorenzo Milani on drums.

*As a Metal side note, the only Accept album that Udo Dirkschneider was not the lead singer on, was “Eat The Heat”, released in 1989. David Reece was the lead singer for this Accept album.

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My favorite KISS solo album is…

Posted in 1970's classic rock music, 1970's hard rock, 1970's heavy metal, 1970's heavy metal albums, 1970's heavy metal music, Album Review, classic rock, classic rock albums, classic rock music, cool album covers, essential heavy metal albums, hard rock album review, hard rock songs, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal music, Heavy Metal Reviews, heavy metal solo albums, heavy metal solo artists, heavy metal solo vocalists, heavy metal vocalists, metal odyssey, Music, old school heavy metal, Paul Stanley, vintage hard rock albums, vintage heavy metal albums with tags , , , , , , , , , , , , , , , , , on July 31, 2009 by Metal Odyssey

main-150Each member of Kiss had released a solo album back on September 18, 1978. I remember back then, being a young Kiss fan, there was much to rejoice about… four new Kiss albums to choose from. Being just twelve years old, I could not just run out and buy all four new albums. Back in 1978, my parents did not have a bounty of expendable cash to dole out to me, thus I was only earning a quarter here and there for the yard work I did. (Sounds like the 1930’s or something, doesn’t it?). Instead, I waited patiently to obtain or receive as a gift, one or all of the Kiss solo albums. Not until January 26, 1979, did I receive the Paul Stanley solo album, as a birthday gift from my parents. To say that I was ecstatic on that day would be an understatement… Paul Stanley was and still is, my favorite musician and vocalist from Kiss. At that age, I remember just staring at the front cover portrait of Paul Stanley, holding the album jacket in my hands, thinking this was the greatest birthday of my entire life. The memories are so cool to reflect on… what is more cool is that Paul Stanley is still making music both solo, (“Live To Win”, October 24, 2006), plus with an upcoming new Kiss album.

I don’t know if it is just me, yet I feel the songs on this album could very well have been released recently, given the fact there are so many vintage Heavy Metal Bands being revived in recent years. Maybe it is due to my growing up with Kiss and these albums, that I do not find this music dated. Well, enough about the age and dates here… this is the album that boasts my favorite Heavy Metal ballad of all-time, it is “Hold Me, Touch Me (Think Of Me When We’re Apart)”. This song always held it together for me, with the melody, lyrics and Paul Stanley’s vocals being three parts of equal coolness. This album opener is “Tonight You Belong To Me”, a song I consider to be one of the heaviest out of the bunch. This song opens up with Paul Stanley singing as if he is about to embark on a slow ballad, this is definitely not the case. The Heavy Metal gravitational pull, swallows me right up with this great song. “It’s Alright” is another fine heavy song, it has for me, all the qualities to still psyche me out – with Paul Stanley’s vocals again, the ever important lyrics and of course, the music itself.

“Move On” is the one and only song on this album that I really have never grown to like. This is a song that I could not connect with, nor do I understand how it musically fit into the song list for this album. Obviously, “Move On” has never swayed my admiration for this Paul Stanley solo album. One song that does not meet my liking is not going to ruin an entire album of songs. Paul Stanley wrote every song on this album, while co-writing with Mikel Japp on “Move On”, “Ain’t Quite Right” and “Take Me Away (Together As One)”. Out of the four Kiss solo albums, Paul Stanley was and always has been my choice of favorite, this is not to take away from the Gene Simmons, Ace Frehley and Peter Criss albums… it is just my personal taste. Besides, I do enjoy the other three solo albums too, just not in the same way as this Paul Stanley solo album. As a whole, I have always found this Paul Stanley solo album to be the catchiest, most melodic and more song driven out of the four, with some cool slices of Heavy Metal to go along with it.

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Scorpions “World Wide Live” – 1985 album revisited

Posted in 1980's heavy metal albums, 1980's heavy metal ballads, 1980's live heavy metal albums, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, Album Review, classic heavy metal albums, cool album covers, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1985, heavy metal from germany, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, Music, old school heavy metal, Scorpions, vintage heavy metal bands, vintage live heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , on July 29, 2009 by Metal Odyssey

main-150In 1985, I received a really cool Christmas present… the Scorpions “World Wide Live” double LP. That is what I am talking about when memorable Christmas gifts come to mind. My Mom, she certainly knew the bands I liked back then. I could always feel confident she would have a decent Heavy Metal album on her Christmas shopping list, just for me. My Mom would wrap and hide the album she bought each Christmas, making certain it was secured from my finding it. Not a chance. Each year, I would find that album, heck, I would actually smell where that album was hidden, like a Heavy Metal bloodhound. In 1985, “World Wide Live” was wrapped and supposedly hidden, until I unwrapped it and gazed away at the album cover – front to back. I was in Metal glee, knowing that on Christmas morning I would be able to crank up the Scorpions “World Wide Live”, a double live album no less. Each year, my Mom always knew I would find and unwrap the album she had bought for me, it was a cool and funny joke that I always was able to share with my Mom.

It is experiences like this, while growing up, where you actually bond with your music and albums, due to the personal stories that are attached to them. My Mom is now in Heaven, thus these memories mean all the more to me now than ever before. It is the memories that are the most valuable of course, not the actual albums. As for the Scorpions and “World Wide Live” – powerful, live, Heavy Metal to the max. This is one unbelievable live album, based on the overall sound quality, song selection, production and of course… the Heavy Metal Music. Vintage, live Scorpions this “World Wide Live” is. Hearing the fans screaming for the Scorpions throughout this album makes it real, with a live album it is always a key ingredient to capture the atmosphere of the concert crowd. My original album of “World Wide Live”, well, I either sold it or gave it away years ago. The kicker is… I found this double live beauty at a thrift store this past Winter… for fifty cents. Each time I find one of my favorite albums from the past, in second hand shops like this, I feel the vindication and relief of being able to replenish my Heavy Metal collection… to where it once was. Why I sold or gave away so many Heavy Metal albums long ago is still an uncanny period of my life. Regardless, I have what I consider, a perfect album specimen of “World Wide Live” now, safely tucked away into my Heavy Metal collection.

My favorite song from this album is “Big City Nights”. The in your face power of this song has always grabbed me with a psyched out feeling. “Countdown”, the instrumental and intro to this double live, Scorpions feast of Heavy Metal, never ceases to rev me up, it sets the table for “Coming Home”“The Zoo” and “No One Like You” are just as great as their studio counterparts, the live versions only add more intensity to the music. The live version of “Rock You Like A Hurricane” with it’s commercial breakthrough from the “Love At First Sting” album, makes me forget that it was overplayed on FM radio and MTV during it’s chart existence. Klaus Meine joined the pack of Heavy Metal ballad crooners, with his praise worthy vocal accomplishment – “Still Loving You”. I will take the live version of this song over the studio cut, (it’s a personal preference). If there ever was any tweaking or over dubbing during the mixing of this album, frankly I could care in the least. The end result for me has always been, “World Wide Live” is a must live Heavy Metal album to own and a Scorpions achievement.

*”World Wide Live” was released on June 20, 1985. The Scorpions, as they appeared on “World Wide Live”: Klaus Meine on lead vocals, Matthias Jabs on lead guitar & backing vocals, Rudolf Schenker on rhythm guitar & backing vocals, Francis Buchholz on bass guitar & backing vocals and Herman Rarebell on drums, percussion & backing vocals.

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My favorite KISS album of all time is…

Posted in 1980's heavy metal albums, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, Album Review, classic heavy metal albums, cool album covers, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal music 1982, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Music, old school heavy metal, rock music, vintage heavy metal albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , on July 27, 2009 by Metal Odyssey

main-150I am a lifelong Kiss fan, guilty of admiring a Heavy Metal band that has influenced the genre of Metal both musically, theatrically and of course… commercially. Out of the entire Kiss catalog of Heavy Metal, there has to be my favorite album of all time… my choice of favorite Kiss album seems to change yearly. (Oh well, that is my Metal dilemma I have to live with). As of today, Sunday, July 26, 2009, my favorite Kiss album of all time is “Creatures Of The Night”, (released in 1982). This Kiss album came out after “The Elder” album, making for quite the triumphant, Heavy Metal return. When I first heard the song “I Love It Loud”, man, was I ever psyched out of my Metal mind! I was serving time in High School when this album released, having this Kiss song to play loud back then was true innocent rebellion. Playing this song and the entire “Creatures Of The Night” album loud today, well, is just because I want to and can. (No more rebellion is left in my system… I think). 

In my Metal opinion, this Kiss album is arguably their heaviest studio album ever created. (The live albums are darned heavy too, however, I am comparing the studio albums). “War Machine” is definitely my favorite song off of this prestigious album. Gene Simmons on lead vocals is classic – I can hear the anger flow from his voice and the lyrics only add credence to this interpretation. “Danger” is one tough and heavy Kiss song that Paul Stanley sings lead vocals on. For a Paul Stanley sung tune, this is as fast and furious as it ever gets. “Saint and Sinner” is a bass lovers dream of a Heavy Metal song, with Gene Simmons giving what I consider, one of his best lead vocal efforts ever. “Creatures Of The Night” is melodic as it is heavy, a Kiss song that without hesitation, is my favorite Paul Stanley – on lead vocals, song. I say this until it hurts, that I have never been the biggest fan of ballads in Heavy Metal. There are always my exceptions to this personal rule. “I Still Love You” is one damned cool and heavy ballad that Paul Stanley sings. Paul Stanley turns some sappy lyrics into a song that I can still crank up, to this day.

“Keep Me Comin'” is the one song off of this album that I have liked the least. This song is not terrible, I won’t skip over it while playing the entire album… yet it never seemed to get my Metal adrenaline perking over the years. “Rock and Roll Hell” and “Killer” round out the rest of the songs from “Creatures Of The Night”, making for nine Kiss songs total, that are now considered by me, vintage Kiss. Metal truth be told, if you are embarking on building your first Kiss music collection, making “Creatures Of The Night” your initial purchase is a profoundly wise choice. The overall Heavy Metal power is in my Metal mind, abundant on this album.

As a side note, the articles and stories I have read and/or heard over the years is that both Ace Frehley and Vinnie Vincent receive guitar credit for this album. Frankly, it does not stir me either way, as to who actually played lead guitar and on which songs, this album is too great for such controversy to hinder the end result. Whichever guitarist did play, they played excellent. Ace Frehley does appear on the front cover of the album, therefore I shall close my eyes each time I listen to this album and picture Space Ace as the lead axe man. The late Eric Carr played some top notch and cool Heavy Metal drums for Kiss… the proof is in the music found on this album. I always considered “Creatures Of The Night” to be the Kiss album that launched them into the decade of the ’80’s. This is an album that will launch any new fan into a believer.

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