POWERMAD – This Speed Metal meets Thrash Metal band formed back in 1984, hailing out of the great state of Minnesota. In 1986, Powermad released their self titled and debut EP on Combat Records. In 1988, Reprise Records picked up Powermad, releasing their EP – The Madness Begins… and this is the very EP that I found hiding in an antique co-op mall just yesterday!! (See pics of it below). Whoa. Whoa again, is how I first felt upon gazing my eyes upon this Heavy Metal super find! It’s Powemad… I thought to myself, thinking, can this be really happening? I am looking at and holding the vinyl EP copy of The Madness Begins…!?!
ANTIQUE STORES F’N ROCK.
In Metal summary, as you can tell, I was extremely psyched out of my mind about this Heavy Metal find… and I still am. I paid a meager – $6 for this Powermad gem! Six dollars! The total condition of this Powermad EP is in excellent to near mint too! The top right and bottom corners of the album jacket are the only areas that show a tad of wear. Otherwise, the original gloss on both sides of the album jacket still literally shines on it!
The original circular sticker is on the front side as well. The text printed on the circumference of the circle sticker reads: “Powermad Specially – Priced Mini – LP”. Specially priced alright, only six dollars, after more than two decades after it’s initial release… and it’s super, super, rare!! The inside text on the circle sticker reads: “Warning: Due to the intense nature of this music, neck braces may be required”. That’s vintage stuff… Old School.
There are four songs on this EP, all four are Thrash Metal and Old School too. Upon my first handling of the actual vinyl record itself, I could not believe there were no visible signs of it ever being handled! (Unless someone really, really took great care of it in the past). Once I dropped the turntable needle down on this POWERMAD EP to play, the sweet sound of analog filled the air, with not a crackle or pop. Take my word for it, these songs are incredibly worthy of multi-multiple listens on a regular basis.
Terminator is the opening track, it begins with thunderous drum beats in unison with vintage, heavy riffs that tell me immediately I’m in for a Metal treat. This song sizzles and then explodes into Thrash Metal glory. Joel Dubay on lead vocals has a coherent delivery, only watch out for his screach… he can hit the high note without any trouble and it’s superb. Hunter Seeker is faster than Terminator, it kicks right in where Terminator left off. This song is a rifftastic display of Old School Thrash Metal – period. I find this song rips, tears and burns each and every second… give me more POWERMAD please.
Gimmee Gimmee Shock Treatment is the shortest song on this EP and it offers up some heavy grooves to go along with the Thrash. This is a Ramones cover song, a Thrashtastic version at that. It blisters along with all the fury one could wish for from a quality, late 1980’s Thrash Metal Band. Credible stuff. Blind Leading The Blind opens up with a spoken word, to the best of my Metal ears, it goes like this: “Your gonna do some praying for me now boy”. The voice of this spoken word sounds like an eerie backwoods hermit that you might bump into at a remote, country keg party. The backing, (gang), vocals on this song just screams Old School. Blind Leading The Blind is by far and large, the fastest song on this EP. Unreal great.
POWERMAD, as they appeared on their 1988 EP – The Madness Begins…
Joel Dubay – lead & backing vocals, rhythm & lead guitars
Todd Haug – lead & rhythm guitars, backing vocals
Jeff Litke – bass guitar, backing vocals
Adrian Liberty – drums & backing vocals
Track listing & running times for the Powermad EP – The Madness Begins…
Side One:
Terminator (4:20)
Hunter Seeker (2:52)
Side Two:
Gimme Gimme Shock Treatment (1:45)
Blind Leading The Blind (4:23)
Here is what the front cover of my POWERMAD Vinyl EP looks like:
Man, I couldn’t have asked for this POWERMAD EP to be in any better condition than this! You can see how it still bestows the original gloss on these front and back covers.
Here is what the back cover of my POWERMAD vinyl EP looks like:
POWERMAD, from left to right on this back cover:
Todd Haug, Joel Dubay, Jeff Litke, Adrian Liberty
* POWERMAD – The Madness Begins… was released in 1988 on Reprise Records.
* POWERMAD released their only full length album in 1989 – Absolute Power, on Reprise Records.
This is what the album cover looks like for Absolute Power:
I don’t own a copy of Absolute Power… yet. I will find one though, preferably on vinyl… you betcha.
* The 1986 self titled POWERMAD EP on Combat Records was released as part of the Combat Boot Camp Series, showcasing a heavy band’s demo.
Stone.





























Tonight I was going through a stash of Heavy Metal albums I own. This particular pile I have not looked at for about three years, since my family and I escaped from expensive Connecticut. Honestly, I don’t recall really looking

U.D.O. is another justified example as to why I consider Germany the worlds greatest exporter of Metal Music outside of the great United States. U.D.O. does not stray from their Heavy Metal norm on Dominator, (released on October 6, 2009 in the U.S.A., on AFM Records). The first two songs on Dominator are like smash mouth football… Old School and punishing. The lyrics are not meant for NASA academics, they are meant for the Metalheads of the world who take pride in their Heavy Metal Music and bands. The Bogeyman and Dominator are song titles with lyrical content that follow a simple rule of Heavy Metal… thou shall not conform. Vintage Heavy Metal, baby. No political statements or hard to decipher words to be found. I love this stuff. I live for this stuff. Black and White is song three and glorifies the elegance of Heavy Metal guitar, not to forget Heavy Metal chorus as well. Udo Dirkschneider on lead vocals sounds as great as ever, anyone who states otherwise is simply jealous of this ageless Metal icon. Udo Dirkschneider has forever forged his legacy twice in Heavy Metal history, both with U.D.O. and Accept. Heavy Metal lightning does strike twice, Udo Dirkschneider is living proof of that.

Reign Fall lyrically expresses the ghastly imagery of what happens to those who cannot think for themselves, wasting away at the mercy of ones very own doing. Reign Fall, as well as every song on The End Of Tomorrow, is a throwback Metal feast of melodic speed crashing into riffs that are beyond run of the mill. Al Ravage reminds me thoroughly of a young Rob Halford, (Judas Priest), intertwined with a young Paul Dianno, (of early Iron Maiden). Hey, I am by no means putting Al Ravage in this heroic class of Heavy Metal vocalists… (not yet anyways), what I am pointing out is Al Ravage can sing Heavy Metal with marked influences and originality combined. Ravage knows they are Old School, using this phrase so much doing a review may sound very redundant, yet for any veteran fan of Heavy Metal from yesteryear, you know just how juicy it can get when a new album excretes all things good about the glory days of Metal… The End Of Tomorrow is an unleashed monster of what I am talking about here.

Armored Saint is an Old School Heavy Metal band, a band that proved to me years ago, they were all about Metal. One listen to any album from the Armored Saint catalog and one will understand what I mean about all Metal. One album in particular, that really drives the message home as to the serious Heavy Metal Music that Armored Saint delivers is “Revelation”, (released on March 7, 2000, on Metal Blade Records). I bought this album as exactly such… on vinyl. This album is a twelve song, two record set, with three songs per side of each album. There still is a cool Metal rush I experience when holding onto an actual record, placing it on a turntable, then letting the Heavy Metal roar. Armored Saint does exactly that, they storm out of the Heavy Metal gates on “Revelation”, this album sets me on the Metal path I belong on. It is going on ten years since this album was released, yet the Heavy Metal that blasts from “Revelation”, is just as exhilarating as any new Metal music releases I have heard lately.


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