It is quite apparent, from looking at my past posts, that I am a Cheap Trick fan. I get such a listening thrill from their brand of Rock, both past and present. If Cheap Trick were to have floundered, lost a few steps musically, I would have lost interest in following them – of course. Many bands have done just that, floundered after years of success. (I used to think The Police were going to release a new killer album every 2 to 3 years, way back in 1984… who knew?). Well, enough with this as my opener… Cheap Trick really has done what many bands can only wish for… continued musical output that beams with integrity and relevance. The integrity is represented by Cheap Trick creating Rock/Hard Rock music that for me, is as energy filled, catchy and memorable as the “Dream Police” and/or “All Shook Up” albums from 25 years ago. On “Special One”, (released in 2003), this is not a Rock Band that sounds tired or weary – this is a band that sounds as if they are embarking on a Rock mission with their musical tanks fully loaded, with new ideas. Another aspect of integrity that Cheap Trick bestows, is the plain fact, that they are obviously not remotely attempting to cash in on their name or past success.
“Special One” is quite special indeed… it is a fitting prelude to the “Rockford” album, (released in 2006), where Cheap Trick in my Metal opinion, has landed as convincing a one-two Hard Rock punch that any fan could ever imagine or hope for. (See my “Rockford” review listed under album reviews on Metal Odyssey). Once I listened to “Rockford” upon it’s release, I felt and heard the continuation of what Cheap Trick is truly conveying here – that gifted musicians will always create great music. “Special One” is an album that does not tease at what is to come, this Rock album states of what is to come from Cheap Trick this decade. No watered down ballads, no instant radio hits, rather, “Special One” exemplifies what Rock and Hard Rock used to be, carried over with a flare for todays sound. The songs are accessible, not excessive, written with the blend of lyrics and music that glows with the Cheap Trick brand. That is my case stated for relevance.
Not that I am fast forwarding here, the last track on “Special One” titled “Hummer”, is a song that celebrates the ability for anyone to… hum. All kidding aside, this song is highlighted by the humming vocal tones of Robin Zander. (The liner notes do not suggest anyone else doing the humming, however, each band member does get credited with vocal input). After my first listen to “Hummer”, I was enlightened to now realize that humming is cool in a Rock song… Cheap Trick has made it that way. (Trust me, I still get annoyed when total strangers walk past me in the grocery store humming aloud). The first track titled “Scent Of A Woman” is as classic as it gets with Cheap Trick. The brashness of Rick Nielsen on guitar coupled with the up tempo beat, lends itself to being one of those Cheap Trick songs you have to jump around to. Tracks 2 thru 10, found between the two songs I mentioned here, create the Cheap Trick – Hard Rock sandwich that is flavored with a tad of old school and structured with lyrical/musical perfection, with attitude for today. Longevity in Rock Music does not always equate to cool albums – Cheap Trick’s longevity has equated to the coolest consistency of Rock & Hard Rock, that I hope never ends.
Cheap Trick: Robin Zander – vocals & guitars, Rick Nielsen – guitars & vocals, Tom Petersson – 12 string bass & vocals, Bun E. Carlos – drums & vocals.
Tesla has released an album of 12 brand new tunes this past year titled “Forever More”, it should not be ignored or overlooked. I feel this new Tesla album is a solid musical statement, (“Forever More” was released on October 7, 2008). All 12 songs are what I consider to be Hard Rock excellence that lyrically relates. The lyrics of these songs are a celebration of life’s ups and downs, delivered in true – blue collar, Hard Rock fashion from Tesla. “So What!” is a heavy, musically driven tune, it essentially tells you to shrug off the complaining in life, plus who cares about other people’s whining as well. “Pvt. Ledbetter” is a feel good track about a soldier who is going to come home from war, (not to give away the storyline), the first listen to this song had me worried that it would be a sad ending. Jeff Keith on vocals sounds like he is having the time of his life, he sings better than ever on “Forever More”, (in my Metal opinion).
Back in 1985, The Firm released their self titled, debut album “The Firm”. I remember being very curious about this band… would the album be heavy? Would this album be a dud? Why is Paul Rodgers not with Bad Company? Is Jimmy Page going to scorch on “The Firm” album? So many questions were going on in my mind back then, about The Firm’s first LP. Well, in my Metal opinion, this album was/still is, one of the more commercially accepted, radio friendly, Rock albums that I will still listen to… even in the middle of my Thrash Metal and Death Metal moods. During one of my frequent thrift store visits this past Winter, I came across this actual album, in close to perfect condition too. The album jacket shows no wear at all, plus the vinyl itself plays without a hitch. Upon finding this album, I instantly grabbed it, there was no second thought about it. (At 50 cents, there was no risk involved, only reward). What makes The Firm and their debut album so appealing? 
Bun E. Carlos, drummer of Hard Rock legends, Cheap Trick, turned 58 Rockin’ years young today, (June 12, 2009). Metal Odyssey extends a huge Happy Birthday to Bun E. Carlos! I am not holding back when I say, I have been a fan of Cheap Trick since I was in 6th grade… (back in the late 1970’s)… when owning 8-track tapes of Cheap Trick was the norm and collecting Kiss trading cards was cool. I still get a cool kick from listening to Bun E. Carlos’s classic drum intro, to the live track of “Ain’t That A Shame” off of the “at Budokan” album. Listening to Bun. E. Carlos over the years, I have never lost sight of the fact, that this drummer is as capable and talented as any other in Hard Rock history. Just give the album “Dream Police” a listen, especially the title track, you will hear Bun E. Carlos solidifying the song with precision. Bun E. Carlos has proven to me, it is not the glitz and glam that make a real Hard Rock drummer, it is the playing, the integrity in the musicianship that really matters. Many Hard Rock drummers have the look, yet they do not have half the talent with the drumsticks, like Mr. Carlos bestows. Bun E. Carlos is not an overnight sensation, this is a drummer that along with the entire Cheap Trick band… have paid their Hard Rock dues spanning three decades. 
Paul Dianno “The Living Dead” was released on May 16, 2006. Why I lead with this, is due to my impatience for waiting on this album… I counted the days leading up to it’s release. It was like I was eight years old again, waiting for Christmas morning to come. For the few who may not know, Paul Dianno was the original lead singer for Iron Maiden. Paul Dianno was lead vocalist on the debut “Iron Maiden” album and the “Killers” album. Of course you can count bootlegs and the “Maiden Japan” EP as well, with having Dianno as lead vocalist. If it wasn’t for Bruce Dickinson taking over as lead vocalist for Iron Maiden, starting with the “666 The Number of the Beast” album, I would say that Paul Dianno could never be replaced as lead vocalist. However, It is my Metal opinion that comparing Paul Dianno to Bruce Dickinson is apples to oranges. Why compare? They are both completely different vocalists, both in style and range. The Paul Dianno fronted version of Iron Maiden, with the first two studio albums, (mentioned above), are undisputed Metal classics, that are revered and influential to countless Metal fans and/or Metal musicians. I feel Paul Dianno shares the same equal glory among the other original members of Iron Maiden for these albums being so iconic. (Phew, I got that off my chest, now I can blab about the actual album – “The Living Dead”).
You bet your Metal memory I picked up the new and live double CD “Flight 666” from Iron Maiden, (released June 9, 2009). How could I possibly pass it up? This is Iron Maiden we are talking about… Metal icons… Metal elite. I first saw this new Iron Maiden CD, yesterday, at f.y.e., they were asking $16.99… I knew I could do better than that. So, I went to good ol’ Super Walmart to pick up necessities, like… food, then my body was on automatic pilot and went straight to the CD aisles. Iron Maiden is a necessity in my Metal life, therefore, I purchased “Flight 666” along with various food items from Walmart. I embarked for my car, with my daughters by my side and I am one happy dude. The Walmart price? I paid $13.88 for “Flight 666”, if I continued to search for a cheaper price than that, I would be wasting gas in my tank. Plus, I was able to save $3.23… sounds like chump change, yet it adds up throughout the years when you shop around a tad. I am going to put the DVD version of “Flight 666” on my want list for now… I listen to Metal light years more often than I watch Metal.
My wife is a loyal fan of Heavy Metal. (Thank goodness). Well, I knew this over 20 years ago before we ever married. This turned out to be quite the Metal bonus, having my wife being a fellow Metalhead. I get cool Metal gifts for my birthday and Christmas from her and she encourages and nurtures the love I have for Metal music. I am a very fortunate Metalhead to have a wife like her. Her favorite Heavy Metal band of all-time has always been Def Leppard… until I introduced her to Disturbed. (I still believe both these bands are tied for my wife’s favorite). So, as I write away with Metal Odyssey, she keeps looking over my shoulder… waiting to see when Disturbed makes it to this blog. I without further Metal ado… will give my Metal opinion on Disturbed. I feel Disturbed is an excellent Metal band. Sure, Disturbed came around during the Nu-Metal phenomenon, yet I still never would classify them as such. No matter how much I try to dissect it… Disturbed holds up as being Metal.
You know something… I am sick and tired of the throw away mentality that surfaces about, in regards to the media in which we listen to music. Turntables are still being sold and so are cassette tape decks. I can understand if younger generations are not at all interested in vinyl records, cassette tapes or (gulp) – 8-track tapes. The younger dudes did not have record or tape collections to replace with CD’s… a very costly endeavor at that, which can take a lifetime to rebuild with CD’s, depending on how large your music collection was. However, in the last three years alone, I have purchased two “brand new” combination stereo systems for my daughters and guess what? Both of these combination stereos have built-in cassette decks!! Both stereos were purchased at Target, a major upscale department store that is supposedly in the know – on the cutting edge of having the latest home electronics technology! So, if cassette tapes are supposed to be so archaic, so outdated and symbolic of poor taste in music listening enjoyment, then why are they still being manufactured? To pacify us older dudes who have still hung on to our cassette collections? Out of sympathy for us nostalgic Metalheads?
Cheap Trick is without question, in my top ten of all time favorite bands. That includes all genres of Rock, Hard Rock and Metal too. This is the one band I so desperately need to see live. I honestly cannot believe I never saw Cheap Trick in concert… after all these years. I feel semi-embarrassed in admitting this. Then again, I would have to be a full time concert goer to actually see every band I dig, there are that many… I am confidently certain I am not alone with that thought. Therefore, what makes for the consolation prize instead of seeing Cheap Trick live, is listening to their double CD “Silver”. (Released June 29, 2004). This double live, Cheap Trick bounty of hits commemorates their 25 plus years as a Rock & Roll original. (Yes, “at Budokan” is a legendary live album from Cheap Trick… I have covered that milestone of an album in an earlier post). “Silver” covers a vast array of Cheap Trick hits, from their deep catalog of albums. This live concert captures Cheap Trick in their Rockin’ spontaneous glory… no over dubbing that I can detect. 
I am blown away by this new Thrash Metal band that call themselves – Lazarus A.D. – really blown away. This is not cookie cutter Thrash, nor is this band a bunch of Thrash wannabes either. Lazarus A.D. is for real. These dudes can play Thrash… with no cutting corners, just plain great – in your face – Thrash Metal. I read all of the articles and reviews I could get my Metal hands on regarding this band. Now, I have my hands on their debut release “The Onslaught”, (released March 3, 2009), the contents of this CD is ten tracks of unrelenting, intense and fired up Thrash. I am extremely Metal happy that a young Thrash band like Lazarus A.D. sounds and plays this good. I always say… we veteran Metalheads can never have enough younger bands to carry on the Metal tradition – the more new Heavy and/or Extreme bands, the better! I liken this band to being a throwback, to the days when Thrash Metal was felt, not just heard.
Enslaved, from Norway, has created quite the exquisite Black Metal album with “Vertebrae”. Why do I use the adjective exquisite to describe this album? Well, I revere the Progressive Metal of Mastodon and Dream Theater, the legendary Progressive Rock of Pink Floyd and the groove infested Black Metal of Satyricon. Enslaved encompasses the most Metal and progressively delicious elements from these favorite bands of mine, while incorporating them into their very own startlingly, mind popping sound. What Enslaved has done here, is taken Rock and Metal influences to a new level, creating an album that embraces everything that is brilliant about Heavy and Progressive music. (I am not saying Enslaved actually looked to these bands for inspiration, this is just my musical and Metal interpretation and/or opinion). Enslaved has their roots in Black Metal, a musical track record that overflows with Metal bragging rights… “Vertebrae” by no means exemplifies this band as not being original. This album is as original as it gets… I cannot truly count how many Metal bands there are, that dare to experiment with music so valiantly.
First of all, I am a fan of Ronny Munroe, the current lead vocalist for Metal Church. I just happen to gravitate towards the Old School Metal sound, both vocally and musically. Ronny Munroe in my Metal opinion, has the unmistakable Old School Heavy Metal vocals… and in no way do I subscribe to the opinion that this sound is dated. This brand of Old School Heavy Metal has been proven successful for decades now. For me, it is another Metal genre that lives on. With that said, I have obtained a copy of the new Ronny Munroe debut CD… “The Fire Within“, (released 2009), I am impressed by the total package of music here. This is Heavy Metal made the old school way, no frills, bells or whistles get in the way of the straight ahead approach that Ronny Munroe has taken on with “The Fire Within”. Honestly, Ronny Munroe comes with his Metal Church – front man credentials… he delivers a mightily solid twelve tunes alongside some talented friends. Rick Van Zandt of Metal Church, plays lead and rhythm guitars superbly throughout, with Michael Wilton of Queensryche delivering a solo on two tracks I will mention.
Saxon – the words durable, old school, enduring and still excellent at their Metal craft, come to my mind. Let’s be honest, this is not the same Saxon from their “Denim and Leather” days, yet they are Saxon 2009 – that is Metal-good enough for me. Saxon was an essential part of “the new wave of British Heavy Metal”, going back to the late 1970’s into the early 1980’s. When I first heard Saxon back then, I felt like I found a band no one else knew about… I had a cool Metal secret. Well, the secret was already out, as I later found. Saxon was justifiable a favorite of legions of Metalheads, therefore I was not alone with my new found Heavy Metal band after all. 
“into the Labyrinth” is the newest album from Saxon, released on January 13, 2009. “Battalions Of Steel” and “Valley Of The Kings” have an almost majestic Power Metal sound, complete with keyboards and what sounds to me like an enlightened choir. For me, Saxon pulls it off extremely well when they go the Power Metal route. “Live To Rock” is the single being pushed off of this album, it is bona fide Old School Heavy Metal with a cool, vintage, anthemic delivery to it. This is the fist raising – head banging tune that will stir up plenty of 80’s Heavy Metal memories for many. “Slow Lane Blues” is another fine example of how Saxon holds onto the Classic Metal approach, a fun tune that tells the complete story of a dude being pulled over by a cop for speeding. “Crime Of Passion” is heavy, heavy, Metal. Nigel Glockler punishes the drum kit on this song, again, head banging can and may occur when listening to this song too. If there is to be a song on this album that is considered a ballad, well, “Voice” is it. However, this is a heavy ballad – staunch Metalheads need not worry – Saxon does not get sappy here at all. “Hellcat” is my favorite track on this album, it is fast, furious and heavy. The three key Metal music ingredients I always embrace! “Come Rock Of Ages (The Circle Is Complete)” is a Heavy Metal exclamation point for Saxon on this album, man this song is good. “Coming Home (Bottleneck Version)” is a back woods – lets stomp in the swamp – foot stomping tune. It is a cool way to come down after the previous 12 tracks of fired up Heavy Metal.
Metal Odyssey > Heavy Metal Music Blog 
You must be logged in to post a comment.