Archive for Heavy Metal

KARNIVOOL – “SOUND AWAKE” IS A KALEIDOSCOPE OF PROGRESSIVE & HEAVY ROCK

Posted in alternative rock music, hard rock albums, hard rock bands, hard rock music, heavy metal albums, heavy metal bands, heavy metal music, metal odyssey, Music, progressive metal music, progressive rock music, rock music with tags , , , , , , , , , , , , , , on June 1, 2010 by Metal Odyssey

KARNIVOOL – Released on February 16, 2010, on Sony Music Entertainment, Sound Awake has already achieved Gold Certification in Australia, (Karnivool’s home country). Following their impressive and progressively hard & heavy album debut Themata from 2005, Karnivool has shown their fans and the music world they are not about to be stamped out by any sophomore jinx. If life is about taking chances, then Karnivool has inadvertently self inflicted themselves as being risk takers in the vast world of Heavy Music. A Progressive and Alternative sound can be a make or break proposition, when a band wants to embark on the Hard Rock and Heavy Metal Universe. Karnivool has not only embarked with their Themata release from 2005, they have now forged their very own identity and placement, among the Progressive and Alternative Heavy Music battalion with Sound Awake.

Sound Awake opens up with Simple Boy, immediately setting the table for what Karnivool is serving one’s ears. Layered with exquisite guitars, the breakdowns are smart and intensely interesting. Throw in the buzzing sound of a bee and Simple Boy is just the beginning of this Heavy Progressive mind buffet. Ian Kenny on lead vocals resonates, hitting some high pitches that are Arena quality. Set Fire To The Hive showcases vocal and sound effects to heighten the modernism that this song permeates. Karnivool never loses sight of their musical heaviness on Set Fire To The Hive, while delivering an upper cut to the chin with their multi-layered progressive attack.

The Medicine Wears Off times out at 1:50, quite contrary to any Old School Progressive standards. Just bear in mind, this is not about sticking to convention with Sound Awake, a strong musical characteristic that Karnivool bestows is diversity and The Medicine Wears Off mellows down the pace with this semi-surreal song. Illumine can and rightfully should be a standout song on this album. The consistent up-tempo combined with it’s overall melodic vibe, makes Illumine a song that’s incredibly memorable. To label Illumine a hit is non-essential, this song is a star amongst many on Sound Awake.

Deadman is one of two songs on Sound Awake that has a running time of over ten minutes. This is what Progressive Rock is about, the song. If one is looking for the mind journey experience with Karnivool, thou shall not be disappointed with Deadman. Lyrically complete as it is musically precise, Deadman leads with it’s formidable and Alternative vocal presence courtesy of Ian Kenny, which fuses so well with the abstract sound and feel of it’s hard edged music. The abrupt climax to Deadman only exemplifies the artistic style that Karnivool has established for themselves as a band. Listening to Deadman makes me truly realize that Karnivool is all about music and all about the song.

To mention Deadman and not acknowledge the other ten minute-plus epic would be a travesty. Change is a song that develops itself into an array of musical doors that keep opening around me, inviting me in and weaving it’s Progressive signatures, in a manner that is embracingly captivating to my senses. It is very easy to wander off into a kaleidoscope of musical thoughts while listening to Change, an all natural affect that I am more than willing to experience again and again. In it’s totality, Sound Awake is a Progressive Kaleidoscope of songs, just waiting to be heard by anyone who loves music… period.

The musicians of Karnivool are obviously incredibly astute, with an awareness for capturing the nuances of their instruments in their most enhanced state, coupled with the almost sense of urgency to articulate the music as if it is fine art. Has Karnivool broken any new ground in this ever changing landscape of Progressive Rock genres? I can confidently say yes, with their uniqueness being highlighted by their musical and vocal diversity. Karnivool is not a band concentrating on making the hit single. Instead, Karnivool obviously has succeeded at making a complete album of richly written songs, which only reflects on their being a highly talented band that shall continue to rise. Please excuse me now… Sound Awake beckons me to listen once again.

KARNIVOOL IS:

Drew Goddard – guitar

Ian Kenny – vocals

Jon Stockman – bass

Mark Hosking – guitar

Steve Judd – drums

Track Listing For Sound Awake:

Simple Boy

Goliath

New Day

Set Fire To The Hive

Umbra

All I Know

The Medicine Wears Off

The Caudal Lure

Illumine

Deadman

Change

* Check out the music video for Set Fire To The Hive:

* For more info on KARNIVOOL, just click on the links below!

KARNIVOOL – MySpace Music Page

KARNIVOOL – Official Website

YouTube

Stone.

TEN VERY UNCOOL HARD ROCK & HEAVY METAL ALBUM COVERS

Posted in album covers, Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, humor, lists, metal odyssey, Music, rock & roll, rock 'n' roll, rock and roll, rock music with tags , , , , , , , , , , , , , , , on May 1, 2010 by Metal Odyssey

I don’t advertise myself to be an “expert” in Hard Rock and Heavy Metal album cover design. Nor am I a photography expert either. What I do know is this… a Hard Rock or Heavy Metal album cover should entice fans or potential fans to buy the album. Skulls, flames, guitars, dragons, sword & sorcery, space aliens, monsters and the macabre is right up my Metal alley when it comes to album covers. You won’t find this cool stuff on the album covers below. Marketing Hard Rock and Heavy Metal should be simple, right? Well, that is not always the Metal case, as you shall see from the following list of ten very uncool album covers that I have compiled… just for you.

Years ago, I did earn a degree in Graphic Communications, therefore I think I know what cool Hard Rock and Heavy Metal album artwork is supposed to look like. Then again, what do I know? Some, if not many of the albums in this top ten list have probably sold millions of copies worldwide… so my opinion on these very uncool album covers is probably one big and smelly fart in the wind anyways.

Here are my Top Ten Very Uncool Hard Rock & Heavy Metal Album Covers, enjoy! Or, try to enjoy.

#10:

WHITE LION – BIG GAME (1989)

What this White Lion album cover really is… too many ideas that seemed to collide onto one front cover. You have The White House, some woods, a field and a lion. Wow… very compelling… where is there any darned hint of Hard Rock? Forget about any imagery of Heavy Metal… this entire image makes me want to fall asleep in a field somewhere. This album went Gold too… gee Metal whiz.

#9:

BREAKING BENJAMIN – SO COLD EP (2004)

Look, if I was to actually read all the jibber jabber on this Breaking Benjamin front cover, It would give me a migraine headache . The album cover eludes to So Cold being a “spoken word” EP for Metal sakes. I always thought tons of text was supposed to be found in the damned liner notes anyways. Despite this being an EP, it makes my list… so Metal be it.

#8:

MR. BIG – BUMP AHEAD (1993)

Ha, ha, hee. Was I supposed to laugh? Ahhhhhhh! Am I supposed to be frightened? What is this enormous man-head doing in the middle of a busy city street? Just another fine example of a genius and artsy idea gone astray. I can’t find any hidden and profound message in this album cover art either. Some linkage to Mr. Big being tied into Hard Rock and commercial Heavy Metal would have helped here.

#7:

BON JOVI – LOST HIGHWAY (2007)

Gosh, just what I need to look at… some strangers cluttered dashboard. No semblance of Rock ‘N’ Roll in this front cover pic. Lost Highway is a perfect title for this Bon Jovi album… for the art direction became totally lost in the creation of this album cover. Plus, as a bonus… it is IMPOSSIBLE for a highway to become lost! Grammatically incorrect alert!! Yeah, yeah, yeah… Bon Jovi gets the last laugh here, due to his selling a million albums a month. This cover still stinks though.

#6:

SAXON – INNOCENCE IS NO EXCUSE (1985)

What appears to be a teenaged girl eating an apple… well, it’s not cool. What’s the point? It’s NOT Heavy Metal either. Adding the Saxon logo that’s carved into the apple is just plain ridiculous too. This Saxon album cover does not advertise head banging music heard within at all. A superiorly unimpressive album cover from a band that I really, really like… what a Metal shame.

#5:

VIXEN – LIVE & LEARN (2006)

Whoa! This Vixen album cover just SCREAMS Heavy Metal! Look out! Vixen looks so thrilled doing this cover shot too. Sorry, I don’t buy the connection of the front cover photo to the album title either. This album cover is simply boring and boring again. Did I mention it was boring?

#4:

KILLER DWARFS – BIG DEAL (1988)

Um, uh, yup.

#3:

NICKELBACK – CURB (2002 reissue alternate cover)

Well, at least we now know where Bon Jovi got his inspiration for the anti-amazing Lost Highway album cover. If I am not mistaken, this road really needs some traffic… and Curb really needs a new album cover.

#2:

GUNS N’ ROSES – “THE SPAGHETTI INCIDENT?” (1993)

This Guns N’ Roses album cover does not make me yearn for opening and eating a can of Spaghettio’s. I actually lose my appetite for half a day each time I stare at this album cover. I’d rather look at any and all of the Cannibal Corpse album covers before I look at this disgustingly stale spaghetti on this album cover. Again, I am so wowed at the Hard Rock and Heavy Metal imagery found here.

#1:

AEROSMITH – GET A GRIP (1993)

Voila! Here it is! What I consider to be the upmost in uncool… an F’n pierced cow udder. This is so Rock ‘N’ Roll. NOT. The fake Aerosmith branding into the side of this cow only makes matters worse. What were everyone involved with creating this album cover thinking? Yeah… just as the album title states, the culprits involved in the decision making of this extremely uncool album cover should… get a grip.

Stone.

RAVEN – RETURNS WITH A METAL DROP KICK ON “WALK THROUGH FIRE”

Posted in Heavy Metal, heavy metal albums, heavy metal bands, Metal, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , on April 29, 2010 by Metal Odyssey

RAVEN – This pioneering band representing the NWOBHM has returned with a very Metal memorable album of 16 songs – Walk Through Fire, (released on March 30, 2010, on Metal Blade Records). Raven has contributed in a huge way, in fueling my Metal exhilaration thus far, this year. Raven provides all the Old School, Heavy Metal that I could have hoped for on Walk Through Fire. Plus, it sounds like Raven really had a Metal ball recording this new album, the energy and excitement of three veteran Metalhead musicians seems to jump out at me. Maybe it’s just my personal Metal interpretation here, still, Raven sounds like they certainly are back in Metal form to my ears.

Just as the 2010 album releases of Krokus, Scorpions, Armored Saintand RATT have blown this lifelong Metalhead into a dizzying Metal tailspin of joy… Raven has done likewise with their new album! Sure, it has been about a decade since Raven has put out an album, (One For All in 2000), only the fact remains… quality Metal is not manufactured like dixie cups… quantity does not hold an upper hand to quality in my Metal world. Walk Through Fire is an album of straight forward, in your face, Heavy Metal that isn’t hiding any surprises of experimentation here… it’s Old School Metal done right.

Having 16 songs to listen to, on this new Raven album, is a fine gesture of Metal giving to the fans. The song Bulldozer, with its infectiously heavy riffs has been super glued into my Metal mind since my first listen. Trainwreck and Grip are two more standout songs that will infiltrate your senses and make you a believer that Raven isn’t about musical intricacies… they are about Metal. Live At The Inferno and Rock Until You Drop are both live songs… and these songs heaviness scream everything great about Raven. Mark Gallagher shreds it on guitar during Rock Until You Drop, his solo tears it apart!

John Gallagher on lead vocals and bass hasn’t lost an ounce of Metal muscle, his vocal highs are simply awesome. Raven covers the Montrose classic – Space Station #5 from their 1973 debut album. In my Metal opinion, John Gallagher does one hell of great job singing this song. He actually sounds a sliver like Sammy Hagar on Space Station #5 too… really. This was a really cool, Hard Rock classic for Raven to cover.

Joe Hasselvander on drums is his usual, explicitly great self on Walk Through Fire. If I was to start a Metal band from scratch and I could choose that one drummer… it would be Joe Hasselvander. This is a drummer that comes across as playing by pure Metal instinct. From the opening Intro to the last two live tracks and everything in-between… this is meat and potatoes Heavy Metal from Raven. Don’t be that Metal dude or dudette who needs to “think about” buying this new Raven album. Buy or at least get your ears into Walk Through Fire soon… for Raven is F’n BACK!

RAVEN ARE:

John Gallagher – vocals, bass guitars

Mark Gallagher – guitars

Joe Hasselvander – drums & percussion

_______________________________________________________

Walk Through Fire – Track Listing:

Intro

Against The Grain

Breaking You Down

Under Your Radar

Walk Through Fire

Bulldozer

Long Day’s Journey

Trainwreck

Grip

Running Around In Circle’s

Hard Road

Armageddon (The Beginning)

Attitude

Space Station #5

Live At The Inferno

Rock Until You Drop

_____________________________________

For more info on RAVEN, click on the links below!

http://www.ravenlunatics.com

facebook: Raven

LONG LIVE RAVEN AND THEIR METAL.

Stone.

MOUNTAIN – Masters Of War: A Cover Song Album Of Bob Dylan Classics

Posted in classic rock, classic rock music, Hard Rock, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal history, heavy metal music, metal odyssey, Music, rock and roll, rock music, rock music news with tags , , , , , , , , , , , , , , on April 28, 2010 by Metal Odyssey

MOUNTAIN – This decade spanning and generation jumping, Hard Rock and early years Heavy Metal band known to us all as Mountain, released their eighth studio album – Masters Of War, on Big Rack Records, back in 2007. Founding member and lead vocalist Leslie West sounds as formidable as ever on vocals. With lifelong band mate and drummer Corkey Laing by his side, Leslie West  had carried the heavy, bluesy and Classic Hard Rock sound of Mountain straight into 2007 and beyond. Leslie and Corky are Hard Rock and Heavy Metal pioneers: personified, signed, sealed and delivered.

Masters Of War is an album devoted to Bob Dylan cover songs. Bob Dylan, a super historic figure in the history of all music. As impressive is the list of music genres that Bob Dylan has crossed over, equally or more impressive is his song writing. Without a doubt in my Metal mind… Bob Dylan is a living legend of song. What better musician and songwriter for Mountain to dedicate a complete album of covers? Masters Of War is a listen into two incredible worlds of music, the first being song writing excellence and the second being Heavy, Hard Rock excellence.

Leslie West, Corky Laing and Bob Dylan have paved the Rock ‘N’ Roll highway for generations to navigate and enjoy. Step in Ozzy Osbourne… one of Heavy Metal’s living legends, a Heavy Metal pioneer himself. Leslie West and Ozzy Osbourne share lead vocals, a duet if you will, on the heavy cover song Masters Of War. The combination of these two icons of Heavy Music makes for a song of historical Rock importance, in my Metal opinion. Just a great song, sung by two vocalists that have entertained my Metal ears for decades.

Choosing a favorite song from Masters Of War is a task, the totality of genuine Hard Rockin’ greatness makes for an overwhelming listen for me. If you are looking to shake loose the hidden and locked up boogie woogie Rock ‘N’ Roll side of you… then let me recommend multiple listens to Everything Is Broken. Mountain grabs my boogie woogie soul while I listen to this song and wakes it up, shakes it around and reminds it – that there really are times when you have to get down to the tune that’s Rockin’. Metal as my witness, Everything Is Broken is brought to life again by Mountain.

Subterranean Homesick Blues will have you foot stomping, head nodding and shuffling those shoulders of yours uncontrollably. If this song does not have that type of affect on you, then please check into the clinic that is called – “No Rock ‘N’ Roll Exists In My Soul”. Tell ’em Stone from Metal Odyssey sent your sorry, mellow, lame butt there too.

Taking into account, the Rock historic significance of Bob Dylan and Mountain, it’s only fitting that these two music legends came full circle in the songs heard on Masters Of War. As I listen to Mr. Tambourine Man, I am awe struck at this songs importance to the early culture of Rock Music in America. At the end of my Metal day, it’s those pioneering Rock legends of yesteryear that remind me just how all it all started. Through these Bob Dylan cover songs on Mountain’s Masters Of War, I’m reacquainted once again with Rock and Roll history.

* Corky Laing is the lead vocalist and plays drums on Like A Rolling Stone. The combination of only vocals and drums on this cover song, serves up for a cool and modern listen of this classic song.

* Warren Haynes, (Gov’t Mule and The Allman Brothers Band), plays lead guitar on Serve Somebody and guitar on The Times They Are A-Changin’.

Track Listing For Masters Of War:

Masters Of War

Serve Somebody

Blowin’ In The Wind (Heavy)

Everything Is Broken

Highway 61 Revisisted

This Heart Of Mine

Subterranean Homesick Blues

The Times They Are A-Changin’

Seven Days

Mr. Tambourine Man

Like A Rolling Stone

Blowin’ In The Wind (Acoustic)

LONG LIVE MOUNTAIN.

LONG LIVE BOB DYLAN.

Stone.

ARMORED SAINT – “CHILLED” SONG FROM “LA RAZA” ALBUM CHILLS AND THRILLS MY METAL SOUL

Posted in hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal music, metal odyssey, Music, rock music with tags , , , , , , , , , , , , , , on April 19, 2010 by Metal Odyssey

ARMORED SAINT – released their brilliant comeback album La Raza on March 16, 2010. An Old School Heavy Metal with shades of Hard Rock album is La Raza, an unreal quality listen. My favorite song on La Raza is Chilled. Currently, Chilled is a very strong candidate for Metal Odyssey’s song of the year. If I had to choose today, Chilled would be song of the year for 2010… Metal hands down. The lyrics coupled with the melodic totality of this song, just reaches into my Metal soul and shakes me up… in a most exhilarating way!

The vocals of John Bush with every second of Armored Saint’s music consistently heightens the emotion and realism of this song. I have not been this excited over one song in a very, very, long time.

If you have not listened to Chilled from La Raza just yet, here is your chance! As well written a song I have ever heard in my entire Metal life… in my Metal opinion. Just click on the box below and prepare to get Chilled! Oh, uh, don’t forget to play it LOUD too.

Armored Saint, as they appear on La Raza:

John Bush – vocals

Joey Vera – bass

Jeff Duncan – guitar

Phil Sandoval – guitar

Gonzo Sandoval – drums

Stone.

MY FAVORITE HEAVY METAL ALBUM COVER IS…

Posted in 1980's heavy metal bands, 1980's heavy metal music, heavy metal album covers, heavy metal music, heavy metal records, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , on March 25, 2010 by Metal Odyssey

My favorite Heavy Metal album cover, (of my entire Metalhead life), is… IRON MAIDEN’S debut from 1980 – IRON MAIDEN.Why? It’s Heavy Metal art, in all of it’s glorious Metal infancy. This was 1980 for Metal sakes, well before the multi-thousands of “other” Heavy Metal album covers came forth. Artist Derek Riggs made Eddie into this haunting and nightmarish creature of all things horrible. This mascot called Eddie symbolized an enormous turning point, in the way Heavy Metal was to be portrayed visually, for decades to come. The Metal of Iron Maiden on their debut album coincides with the album artwork with precision… melancholy and haunting are both. It’s probably best summed up this way… the Eddie artwork of Derek Riggs and the Metal of Iron Maiden, on this initial album, was always for me, a match made in Metal heaven.

Don’t get me wrong, the ensuing Iron Maiden album covers of Killers, The Number of the Beast, Piece of Mind and Live After Death are ultra legendary. I choose the debut Iron Maiden album cover for it is just thatthe first appearance of not just a mascot and symbol of Iron Maiden, arguably Eddie was then and still is now, a mascot and symbol for all of Heavy Metal as well. Back in 1980, who would have predicted the rise and Metal proliferation of Iron Maiden? With Eddie being a prominent and symbolic fixture of the band spanning four decades now? It all had to start somewhere, commercially, for Iron Maiden. It started with their influential debut 1980 album and this cover, with Eddie as the macabre centerpiece, with those demonic eyes, standing underneath a moonlit creepy sky, amongst eerie street lamps.

Back in 1980, (when my Mom forbid me to have this album for its “bad news” cover), I would still seek it out at the Caldor Department Store… and stare at it in sheer bewilderment, (when my Mom wasn’t looking). The shock and awe this cover instilled in me back then, still gets my shock and awe meter ticking now. Sometime around 1985, my Mom was much more schooled on Heavy Metal… she bought me the Iron Maiden debut album one day, on a whim!

It’s funny how times have changed over the years and decades. Back in 1980, I’m certain there were a ton load of nervous parents out there, who fixed their eyes upon this Iron Maiden debut album… only to be handing down parental mandates to their sons and daughters, stating that this was the second coming of the anti-christ. It’s weird now, looking back on 1980, as a much more “innocent” time. As a parent of ten-year old twin daughters in 2010, there are many times I want to “shield” them from seeing and/or hearing what I deem inappropriate. They are only ten years old after all!

I witness for myself, the over sexed and gory album covers of today, with the infinite number of television, print and movie media’s sexual and violence laced appeal. I guess, after all this time, I can sympathize with my Mom’s feelings back then, in 1980. Regardless, I am anti-censorship when it comes to artistic freedom, our freedom of speech and to assemble as well!!

Picking out one’s favorite Heavy Metal album cover of all time can be difficult, I found this to be quite easy. Sure, Judas Priest and KISS, (just to name a credible twosome), had some incredible album covers in the 1970’s… before this Iron Maiden album was released, yet the visual impact, that this Iron Maiden cover had on me since I was straight out of eighth grade has never wavered. Oh… and every song on this Iron Maiden album, made just as equal an impact on me too. What is your favorite Heavy Metal album cover?

LONG LIVE IRON MAIDEN!

LONG LIVE EDDIE!

LONG LIVE DEREK RIGGS!

* My favorite song on this Iron Maiden debut album is – Remember Tomorrow. This song seems to drift along in such a dreamscape and melancholy way. A true chameleon of a song, if there ever was one… the mellowness and somber mood, changes over to heaviness… and then repeats itself all over again.

I could go on and on about this Iron Maiden album cover… the pleasure I derive from looking at this artwork is worth its weight in Metal gold.

Stone.

RATT – “INFESTATION” RELEASES APRIL 20, 2010… I’M IN!!

Posted in 1980's hair metal albums, 1980's hair metal bands, 1980's heavy metal albums, 1980's hard rock bands, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1984 heavy metal bands, 1990's heavy metal bands, current heavy metal albums, current heavy metal bands, current heavy metal music, hair metal albums, hair metal bands, hair metal music, hard rock bands, hard rock music, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal albums 1984, heavy metal bands, heavy metal bands 2010, heavy metal history, heavy metal music, heavy metal music 2010, heavy metal news, metal odyssey, Music, old school heavy metal bands, rock music with tags , , , , , , , , , , , , , , , , , , , , , , , on March 21, 2010 by Metal Odyssey

RATT – Yes, I have that Metal fondness for RATT. Always have. Plus, I’m a big fan of the late Milton Berle too, his appearance in the Round And Round music video only made it that more cool. Stephen Pearcy’s “other” band Arcade is unreal great… for me. I inhale the debut and self titled Arcade album, from 1993, like it’s Heavy Metal oxygen. My favorite RATT album ever, is Out of the Cellar, from 1984. This Out of the Cellar album is super loaded with one memorable song after another. Metal be thy name.

There’s much abuzz around cyberspace as to: Does RATT still have “it”? Will this album be worthy? Why is RATT reforming at all? My Metal answer to any and all of these questions is:

LIVE AND LET METAL LIVE.

On or about April 20, 2010, I will obtain a brand spanking new CD of Infestation… and be damned glad I did. Will I like every song? Will I be disappointed for whatever reason? I cannot predict the Metal future. I’m not the Metal Nostradamus. I am anticipating, however, a bona fide and downright credible album from a group of musicians who know a thing or two about Hard Rock and Heavy Metal. Look, for the nay sayers on the upcoming RATT release… it could be worse, there could be a brand new ABBA album coming out on April 20, 2010 instead. Worse yet, a CD/DVD deluxe edition of Jim Nabors could have been released as well. Think about those two chilling thoughts for a moment. Double whoa.

Vintage RATT:

For all the cool RATT info one could wish for, plus the first two singles from Infestation, (Eat Me Up Alive, Best Of Me) both streaming, check out these links below:

www.THERATTPACK.com

RATT – MySpace Music Page

RATT of 2010 is:

Stephen Pearcy – vocals

Warren DeMartini – lead guitar

Bobby “The Blotz” Blotzer – drums

Robbie Crane – bass

Carlos Cavazo – guitar

I just thank God each and every day that Hard Rock and Heavy Metal exists… period. This is RATT 2010, not some quickly put together, televised talent show winner that can’t remember their lyrics.

Ever since the Out of the Cellar album came out back in 1984, I seemed to have been imbedded with the sound of RATT ‘N’ ROLL. Back on May 19, 2009, I blabbed up and down, just how this RATT album brought great Metal joy into my teenage life back in ’84 . Check it out by clicking on the header below… if you like.

I drove my neighbors nuts with Ratt – “Out Of The Cellar”

LONG LIVE RATT ‘N’ ROLL!

Stone.

HEAVY METAL WARRIORS – 2008 CD IS A POTENT DOSE OF 12 METAL SONGS!

Posted in 1980's hair metal bands, 1980's heavy metal bands, 1980's metal bands, 1990's heavy metal bands, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal bands, heavy metal compilation albums, heavy metal history, heavy metal legends, heavy metal music, Heavy Metal Reviews, heavy metal songs, industrial metal bands, Metal, metal music, metal odyssey, Music, old school heavy metal bands, old school thrash metal bands, rock music, sludge metal bands, thrash metal bands, thrash metal music with tags , , , , , , , , , , , , , , , , , , , , on March 21, 2010 by Metal Odyssey

HEAVY METAL WARRIORS –  In 2008, Crash Music released a 12 song compilation of Heavy Metal songs titled: Heavy Metal Warriors. Heavy Metal compilation albums have been around since I can remember, with the Metal Blade – Metal Massacre compilation albums being the very best… in my Metal opinion. There are no liner notes with this Heavy Metal Warriors CD, just the one page that shows the front cover, (the backside is just a track listing of songs with the corresponding band). This CD is a potent mix of Thrash Metal, (Flotsam And Jetsam), Hair Metal, (Enuff Z Nuff) and straight up Metal, (Omen, Dianno) songs. My favorite song on this CD is Straight To Hell by Flotsam And Jetsam, an Old School Thrash Metal song, by a real deal veteran Thrash band in their own Metal right.

New Thing by Enuff Z Nuff is a live version, it is a melodic grabber and has all the vibe of late 1980’s Arena Rock emanating from it’s sound. Cold World by Dianno just flat out kicks Metal butt, I could not be more Metal honest than that. This song is easily my second favorite track on this cool CD. Cold World flourishes with Traditional Heavy Metal greatness, plus Paul Dianno on vocals sounds vintage and solid. Smooth Up is of course, the Bulletboys. This song is listed on the track listing as such – Smooth Up. I always understood this song title to be… Smooth Up In Ya’, however. Regardless, it’s a pretty darn good live version of Smooth Up In Ya’, the guitar solo is psyche out time and Marq Torien’s vocals are decent… as usual.

Dissconnect Massconnect by Transport League is a mix of Metalcore and straight up Metal, with a slight funky groove happening throughout the entire song. The more I listen to this song, the more I like it. Sick by Diamond Rexx is a Heavy Metal riff explosion. Albeit, the lead riff is played consistently throughout this song, still it works it’s heavy groove just fine for my Metal standards. The guitar solo is short and has a 1970’s tone about it on Sick. Diamond Rexx made their album debut back in 1986, with Land of the Damned and are still a current band.

Single Bullet Theory rages with Murder Machines, a damned good Metal song it is. Murder Machines is heavy as molasses and slick as an ice covered road… (man, that description sounded corn dog). Here is a Metal song that ranks as my third favorite track: Eternal Black Dawn by Omen. Omen is one fine Metal band, there is no doubt in my Metal mind about that. Omen traces their Traditional Heavy Metal roots back to 1983 as a Metal Blade Records signee, with this track coming from their 2003 album – Eternal Black Dawn. Soil brings their in-your-face Metal with Triple Sixs, this song I recommend being played extremely LOUD.

Ashes Of Your Enemy lends the track – Surrender. The lead vocals are a growling and snarling bounty of Metal joy, the music Rocks heavy… only the chorus is what doesn’t do it for me, too damned mellow. All I Had I Gave is from the legendary Sludge Metal band – Crowbar. Man, would I love to down a case of beer with these guys before I hit the age of 90. Kirk Windstein of Crowbar is a powerhouse on vocals and guitar… a modern day riff master of heavy greatness. Twin Method concludes this Heavy Metal Warriors CD, their Industrial Metal meets Alternative Metal sound is all over their song – The Abrasive, from their 2006 debut album, The Volume Of Self.

So, there you Metal have it, Heavy Metal Warriors is as diverse a blend of Metal songs as you can ask for. I am not bashful one bit in recommending any Metalhead to get a copy of this CD. It’s still in print and available at most of the online music sites out there. If Heavy Metal Warriors has proved anything to this Metalhead, it’s that recurring reminder… Heavy Metal F’n Rules!!

* Thanks go out to – Best Metal Buddy Scott Coverdale for landing me this fine Heavy Metal CD this last Christmas of 2009!

“A WORLD WITHOUT HEAVY METAL WOULD BE A QUIET, TIRED, UGLY, CONSTIPATED AND TERRIBLE PLACE.”

Stone.

KISS – “HOT IN THE SHADE” – REVISITING A 1989 KISS KLASSIC!

Posted in 1970's heavy metal bands, 1980's classic rock music, 1980's hard rock bands, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1989 heavy metal music, 1990's heavy metal bands, classic rock bands, current hard rock bands, current heavy metal bands, hard rock bands, hard rock music, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal albums 1989, heavy metal bands, heavy metal history, heavy metal legends, heavy metal music, heavy metal music 1989, heavy metal songs, metal odyssey, Music, old school heavy metal bands, rock music with tags , , , , , , , , , , , , , , , , , , , , , , , , on March 15, 2010 by Metal Odyssey

KISS – I honestly don’t know what’s not to love about this KISS album. Since it’s October release back in 1989, I can’t ever refuse Hot In The Shade the moment my eyes make contact with it… I just have to play it and play it LOUD. This album is chock full of the patented KISS hard & heavy… with all the vocal harmony I could ever wish for. Melodic isn’t the word for a song like Hide Your Heart, super melodic is more like it. There should have been a disclaimer within the liner notes of Hot In The Shade for Hide Your Heart… that stating: Warning – this song is extremely contagious to your Hard Rock and Heavy Metal health!

Hot In The Shade opens up with Rise To It, man, if this KISS song doesn’t get a rise out of any fan of Hard Rock or ’80’s Heavy Metal, then that person should check into the: Sprawling Meadows Mellow Clinic for the Dazed and Confused. Seriously, if I am having a semi-funky day or I’m starting to feel a tad down, Hot In The Shade is a pump you up and psyche you out Heavy Metal prescription I reach for. Metal be thy name.

Even Michael Bolton got in on the act with Hot In The Shade, co-writing the power ballad – Forever alongside Paul Stanley. I guess if you need some teary eyed lyrics, just call Michael Bolton up and he will deliver the kleenex worthy goods. Never the excitable ballad fan that I am, Forever is one inspirational and love infested song. For being the power ballad that it is, I respect Forever and find it to be a decent listen. Plus, due to the intense psyched out mood I’m in while listening to Hot In The Shade, once Forever comes on… I keep on listening. It’s kinda funny how Forever is the song right after Love’s A Slap In The Face too.

Even a deep album track like Boomerang Rocks like there is no tomorrow, Gene Simmons sounds classic on vocals. Silver Spoon is another example of a deep track that resonates the classic hard & heaviness of KISS. Hot In The Shade was released at the tail end of the 80’s Heavy Metal boom… and what an asterisk KISS put at the end of this power packed decade. At the end of my Metal day, this is a KISS album from the past, that I would have no problem recommending to someone, who has never listened to this iconic band before. Is this the greatest KISS album ever? Of course it isn’t… yet it isn’t the Asylum album either.

KISS as they appeared on Hot In The Shade:

Gene Simmons – bass & vocals

Paul Stanley – guitar & vocals

Eric Carr – drums

Bruce Kulick – guitar

Track Listing for Hot In The Shade:

Rise To It

Betrayed

Hide Your Heart

Prisoner Of Love

Read My Body

Love’s A Slap In The Face

Forever

Silver Spoon

Cadillac Dreams

King Of Hearts

The Street Giveth And The Street Taketh Away

You Love Me To Hate You

Somewhere Between Heaven And Hell

Little Caesar

Boomerang

* KISS – Hot In The Shade was released on Mercury Records.

LONG LIVE KISS ROCK ‘N ROLL!!!

Stone.

EXODUS – “THE TOXIC WALTZ” SONG FROM 1989 – OLD SCHOOL THRASH METAL REIGNS!

Posted in 1980's heavy metal albums, 1980's thrash metal albums, 1980's thrash metal bands, 1980's thrash metal music, 1980's heavy metal bands, 1980's heavy metal music, 1980's metal music, current thrash metal bands, heavy metal bands 2010, heavy metal guitarists, heavy metal history, heavy metal legends, metal music, metal odyssey, Music, old school thrash metal bands, old school thrash metal music, thrash metal albums, thrash metal bands, thrash metal bands 2010, thrash metal cover songs, thrash metal guitarists, thrash metal legends, thrash metal music, thrash metal songs with tags , , , , , , , , , , , , , , , , , , , , , , on March 9, 2010 by Metal Odyssey

EXODUS – released Fabulous Disaster back in February of 1989. A solid, Old School Thrash Metal album it is. Listening to these Thrash Metal originators is a necessity in my Metal life, Exodus is an instant cure for any Thrash dehydration I may come down with. I like every song on this album, especially The Toxic Waltz. Another very cool song on Fabulous Disaster is the cover version of Low Rider, (originally recorded and made famous by War in 1975). Overdose is another song that swelters with unreal duel guitars and all the Exodus heaviness I could possibly ask for. Growing up with so many 1980’s Thrash Metal Bands, has me revering them in 2010 all the more. This is Exodus from 1989, a vintage lineup. I uphold Thrash loyalty to every Exodus lineup, from their inception to today. Guitarist Gary Holt is for all intents and Metal purposes, a Thrash Metal leader, he has the distinction of being on every Exodus album throughout the bands lineup changes. Gary Holt has Exodus blazing into 2010…  Metal legends never surrender.

The entire Fabulous Disaster album flat out Thrashes and burns. This is a must album for any new or veteran fans of Thrash Metal. Exodus helped pave the way for today’s younger Thrash Metal Bands… Exodus is Thrash Metal roots. I hope you enjoy The Toxic Waltz as much as I do! Fellow fans of Exodus know this song well… a classic. Now, it’s time to jump into the pit and crank this song loud mutha!!!

Exodus, as they appeared on Fabulous Disaster from 1989:

Gary Holt – guitar

Rick Hunolt – guitar

Steve Souza – vocals

Rob McKillop – bass

Tom Hunting – drums

Fabulous Disaster – Track Listing:

The Last Act Of Defiance

Fabulous Disaster

The Toxic Waltz

Low Rider

Cajun Hell

Like Father, Like Son

Corruption

Verbal Razors

Open Season

Overdose

LONG LIVE EXODUS!

Stone.


ALCATRAZZ – “ISLAND IN THE SUN” 1983 VIDEO AND BAND REVISITED!

Posted in 1980's hard rock albums, 1980's hard rock bands, 1980's heavy metal bands, 1980's heavy metal guitarists, 1980's heavy metal music, 1980's heavy metal songs, 1983 heavy metal music, classic rock music, hard rock bands, hard rock music, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal bands, heavy metal guitarists, heavy metal history, heavy metal legends, heavy metal music, heavy metal music 1983, heavy metal songs, heavy metal videos, metal odyssey, Music, rock music with tags , , , , , , , , , , , , , , , , , , , , , , on March 8, 2010 by Metal Odyssey

ALCATRAZZ – released their debut album No Parole From Rock ‘N’ Roll back in 1983. Island In The Sun was the “hit” song that was on MTV’s rotation and received some FM radio airplay as well. Alcatrazz featured Graham Bonnet on vocals and soon to be guitar legend – Yngwie J. Malmsteen. (Steeler released their debut and self titled album that same year, also featuring Yngwie J. Malmsteen and Ron Keel on vocals). Both Alcatrazz and Steeler are bands I liked very much back in the good ol’ ’80’s… still do. I’ve always and forever will be an admirer of Graham Bonnet’s vocals. Graham Bonnet has fronted many bands, my favorites are: Rainbow, Alcatrazz, Michael Schenker Group and Impellitteri. Yngwie J. Malmsteen is simply put… a core favorite of mine since I first heard him play with this Alcatrazz band. There is a whole bunch of Heavy Metal history surrounding Graham Bonnet and Yngwie J. Malmsteen, the number of bands, musicians and albums they have been connected with is amazing. A live version of Island In The Sun is also found on the live Alcatrazz album from 1984 – Live Sentence, with the subtitle No Parole From Rock ‘N’ Roll. Yngwie J. Malmsteen is the guitarist on Live Sentence as well. Eventually the great Steve Vai stepped in to become the guitarist for Alcatrazz, on their 1985 album – Disturbing The Peace.

No Parole From Rock ‘N’ Roll and Live Sentence are just two solid 1980’s Heavy Metal albums to revisit, listen to and enjoy. I really like the song Island In The Sun, the vocal harmony of Graham Bonnet combined with the guitar melodies of Yngwie J. Malmsteen just does it for me. This entire Alcatrazz lineup from 1983 was solid, in my Metal opinion. The video for Island In The Sun brings back some memories for certain… those late nights watching MTV with one eye open, back in the early ’80’s, (when MTV was just one station and really played music videos!) This video for Island In The Sun is goofy… it has that early 1980’s fun and appeal all over it. Nonetheless, the song itself is one terrific and melodic Rocker! Hopefully you will enjoy Island In The Sun as much as I do… you don’t have to like the goofiness of the video though! If anything, there never was a guarantee of an acting career for any of these Alcatrazz musicians… that’s for sure.

* Both No Parole From Rock ‘N’ Roll and Live Sentence were released on Polydor Records.

Crank up Island In The Sun… and have a chuckle or two at this video!

Here is what the 1984 Live Sentence album looks like:

Alcatrazz, as they appeared on both the debut album No Parole From Rock ‘N’ Roll and Live Sentence:

Graham Bonnet – vocals

Yngwie J. Malmsteen – guitar

Gary Shea – bass

Jimmy Waldo – keyboards

Jan Uvena – drums

The Best Of Alcatrazz was released back in October of 1998. This Best Of album also contains the studio version of Island In The Sun as well.

LONG LIVE ALCATRAZZ!

LONG LIVE YNGWIE J. MALMSTEEN!

LONG LIVE GRAHAM BONNET!

Stone.

RED FANG – 2009 “RED FANG” DEBUT ALBUM IS STONER METAL COOL

Posted in cool album covers, doom metal music, hard rock bands, hard rock music, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal bands, heavy metal music, heavy metal music 2009, heavy metal songs, metal music, metal music albums, metal odyssey, Music, rock music, scary album covers, stoner metal bands, stoner metal music with tags , , , , , , , , , , , , , , , , , , , , , , on March 6, 2010 by Metal Odyssey

RED FANG – released their debut, self titled and full length studio album on March 31, 2009. Red Fang plays meat & potato’s Heavy Metal… they are for all Metal intents and purposes – Stoner Metal. It’s been essentially a year since this Red Fang album was released, amidst the ever growing and popular Stone Metal crowd of bands. Where Red Fang takes a different approach is in the grooves… instead of just laying down the heavy riffs and thunder thump rhythm, these songs really groove along very effectively. A solid example is Bird On Fire, if this song can’t make you move then something is terribly wrong. Red Fang is a giant riff party, with all the retro heaviness to go along with it.

On Good To Die, the guitar leads jump out at me with the celebration of old school vibes. The tempo changes on this song gel together very well, a standout song that harkens back to the day when Hard Rock was transforming into Heavy Metal. Humans Remain Human Remains begins with a simple riff, this opens the door to the molasses thick rhythm section that embodies all the brooding beats I come to expect from quality Stoner Metal. The vocals never get lost in the background, nor do they ever fade off during any verses. What is admirable about the vocals on Red Fang is the lack of shouting or incoherentness. Red Fang seems to take the vocals just as seriously as the heavy music… both definitely compliment each other.

When I first heard the opening track, Prehistoric Dog, the realization set in that Red Fang is serious about their Metal craft. Prehistoric Dog is one of the finest Metal songs I have heard, that would be considered recent. Sharks and Wings Of Fang are two songs that are really standout, with their fired up tempos and borderline punkness it’s a reminder as to what the Bon Scott era AC/DC had accomplished so damn well. Yes, the heavy is woven within the songs on Red Fang, still it is the attitude that gives these same songs the hard smack and personality, that comes across as original.

Fans of High On Fire, The Sword, Saviours and early era (1970’s) Heavy Metal should grin and raise their fist to the air upon listening to Red Fang. The Metal word needs to get out about Red Fang… and this album needs to be played loud for your cranky neighbors to hear. Upon listening to the remainder of Red Fang, I realized this is a Heavy Stoner Band that won’t be flying under the Metal radar for too much longer.

RED FANG IS:

Maurice Bryan Giles – guitar/vocals

David Sullivan – guitar/vocals

John Sherman – drums

Aaron Beam – bass/vocals

Track Listing For RED FANG:

Prehistoric Dog

Reverse Thunder

Night Destroyer

Humans Remain Human Remains

Good To Die

Bird On Fire

Wings Of Fang

Sharks

Whales And Leeches

Witness

* Red Fang was released on Sargent House – (an Indie label)

* Red Fang formed in 2005 and hail from the cool U.S. city of Portland, Oregon.

* Red Fang did self-release an EP, in 2007 – Red Fang Tour EP 2, 5 songs are on it, four of which appear on their full length. Suicide is the only song from this EP, that does not show up on the debut full length album. The songs on the Red Fang EP are: Prehistoric Dog, Reverse Thunder, Night Destroyer, Suicide, Humans Remain Human Remains.

It was this RED FANG album cover that caught my Metal attention at first. I gave it a very brief listen at my neighborhood fye, liked what I heard immediately and the rest is Metal history.

Stone.


ROCK AND ROLL HALL OF FAME – TRULY IS A HALL OF SHAME.

Posted in 1970's hard rock bands, 1970's hard rock, 1970's heavy metal bands, 1970's heavy metal music, 1970's rock bands, 1980's hard rock bands, 1980's heavy metal bands, 1980's heavy metal music, 1990's heavy metal bands, 1990's hard rock bands, classic rock, classic rock bands, classic rock music, current heavy metal bands, hard rock bands, hard rock music, heavy metal bands, heavy metal history, heavy metal legends, heavy metal music, heavy metal music 2010, heavy metal news, metal odyssey, Music, old school heavy metal, old school heavy metal bands, rock & roll, rock and roll hall of fame complaints, rock and roll hall of fame inductees, rock and roll hall of fame members, rock and roll news, rock music with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 22, 2010 by Metal Odyssey

Well, another year has gone by and the “astute” historians and archive keepers of Rock and Roll History – The Rock and Roll Hall of Fame, has bumbled another induction. WHERE IS… KISS? You know, the four guys known as GENE SIMMONS, PAUL STANLEY, ACE FREHLEY and PETER CRISS? Oh, god forbid if I dare mention the extended family of musicians that are/were members of KISS as well. I guess ABBA contributed so much more, to the “history” of Rock and Roll. I forgot, that ABBA is so damn hot right now in 2010 as well. Hey, disco needs it’s just due in The Rock and Roll Hall of Fame too… of course. While these Rock and Roll Hall of Fame Foundation dorks were at it, why didn’t they just induct The Wiggles right now, alongside ABBA? Get it over with. At this point, Bananarama and The Partridge Family will get inducted well before KISS ever gets their rightful induction into this snobby, uneducated in Heavy Metal, white collar, Pop Music is king… cheap excuse of a building.

Genesis, Jimmy Cliff, The Stooges and The Hollies deserve their rightful and historic recognition. Arguably, it is not ABBA’s fault they are recognized either… but give me a Metal break here. ABBA over KISS? That’s like choosing a glass of warm milk over a cold draft beer.

As quoted directly from the Rock and Roll Hall of Fame website:

“The 2010 Rock and Roll Hall of Fame performer inductees were chosen by more than 500 voters of the Rock and Roll Hall of Fame Foundation. Artists are eligible for inclusion in the Rock and Roll Hall of Fame twenty-five years after their first recording is released.”

* Uh, yeah… what about… anything other than 25 years after their first album is released? Is that the only damn criteria? Crap, I’ll make a record then and wait 25 years to see if I get inducted.

* Who really is… this mysterious… 500 voters of The Rock and Roll Hall of Fame Foundation? Are they all scholars, who are afraid of Hard Rock and Heavy Metal? Do any of these voters listen to Rock Music in the first place?

* It’s almost as if, these 500 voters of The Rock and Roll Hall of Fame Foundation receive a copy of Rolling Stone Magazine, a few times a year, read about bands that get the good ol’ Rolling Stone Magazine seal of approval… and then… these voters decide, these are the bands! They must be good if Rolling Stone Magazine says so!

* Apparently, these 500 voters of The Rock and Roll Hall of Fame Foundation get more psyched out by listening to Dancing Queen and Waterloo instead of Rock and Roll All Nite and Detroit Rock City.

* I’m not going to blab about how many Gold and Platinum Records KISS has achieved, chart singles, concert tickets sold, their impact on American Pop Culture, nor how many total albums they have put out… what’s the use? The Rock and Roll Hall of Fame doesn’t give a crap. ABBA is Back! ABBA = Rock Legends.

* Man, what would Elvis think and say of this mess they call The Rock and Roll Hall of Fame?

Some “important” dude, named Joel Peresman, (who thinks he knows about Rock and Roll by the way), gives this lackluster and embarrassing statement on the Rock and Roll Hall of Fame website:

“We are very happy to present this year’s inductees into the Rock and Roll Hall of Fame as they represent a great cross-section of artists that define the broad spectrum and history of rock and roll and people that have contributed immeasurably to our business” says Rock and Roll Hall of Fame Foundation President & CEO Joel Peresman.

* HEY JOEL: I guess KISS are not considered to be part of the people that have “contributed immeasurably to our business”… huh?

* HEY JOEL: Go slap down some vintage opera vinyl and eat your caviar. Then light up a $10,000 stogie and make a wet fart in your imported silk pajamas.

* HEY JOEL: You really, really, um, really, need to change your sign outside that building in Cleveland, Ohio, to read: ROCK AND ROLL HALL OF SHAME AND EXPENSIVE MUSEUM

LONG LIVE KISS!

KISS – IS HEREBY, THE FIRST BAND EVER, INDUCTED INTO THE METAL ODYSSEY ROCK AND ROLL AND HEAVY MUSIC HALL OF FAME!

I SHALL INDUCT BANDS AND MUSICIANS, WHENEVER I DAMN WELL FEEL LIKE IT, AND HAVE THIS LIST POSTED ON THE METAL ODYSSEY HOME PAGE FOR THE WORLD TO SEE AND ENJOY. A REAL ROCK AND ROLL HALL OF FAME. A REAL HEAVY MUSIC HALL OF FAME.

ON FEBRUARY 21, 2010, KISS HAS BEEN INDUCTED INTO THE METAL ODYSSEY ROCK AND ROLL AND HEAVY MUSIC HALL OF FAME.

CONGRATULATIONS KISS, ON BEING THE FIRST INDUCTEE INTO METAL ODYSSEY’S ROCK AND ROLL AND HEAVY MUSIC HALL OF FAME!



HELIX “DEEP CUTS THE KNIFE” – 1985 HEAVY METAL SONG THAT STILL SOARS!

Posted in 1980's hair metal bands, 1980's heavy metal albums, 1980's heavy metal ballads, 1980's hard rock bands, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1985 heavy metal music, cool album covers, current hard rock bands, current heavy metal bands, hair metal bands, hard rock bands, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal albums 1985, heavy metal bands, heavy metal bands from canada, heavy metal history, heavy metal music, heavy metal music 1985, heavy metal songs, metal odyssey, Music, old school heavy metal, old school heavy metal bands, rock music with tags , , , , , , , , , , , , , , , , , , , , , , , , , on February 20, 2010 by Metal Odyssey

HELIX, one of Canada’s greatest Heavy Metal Bands ever, released their fifth studio album – Long Way To Heaven, (on Capitol Records), back on November 9, 1985. My favorite song from this really cool album is Deep Cuts The Knife, a mid-tempo power ballad. (Check out the song below, if you like). I always had a tough time hearing Helix being labeled… Hair Metal. Not in my Metal opinion… Heavy Metal is Helix, pure and Metal simple. I remember buying Long Way To Heaven at my local Caldor Department Store back in ’85… the vinyl was warped! Believe this or not, this album still played fine… albeit looking rather funky, as it spun around the turntable! Yup, this is just another fine slab of Heavy Metal vinyl that I no longer have. CD’s took over my Metal psyche and now I have remorse for trading and selling away those treasured vinyl albums of yesteryear. It’s alright… I’ll land Long Way To Heaven on vinyl once again… down the Metal road. Deep Cuts The Knife may no longer be relevant to me lyrically, however, the Heavy Metal of Helix and this song’s melodic power always will be! Today, this great song just stuck to my brain like Metal glue… so I just thought I’d share it with the world. Hopefully you enjoy Deep Cuts The Knife as much as I do. In the event you never heard this song before… then passing along some Helix shall be my Metal deed for the day!

LONG LIVE HELIX!

CRANK UP DEEP CUTS THE KNIFE LOUD – AND BE GLAD YOU DID!

HELIX, as they appeared on the 1985 album Long Way To Heaven:

Brian Vollmer – lead vocals

Paul Hackman – guitar and vocals

Brent Doerner – guitar and vocals

Daryl Gray – bass and vocals

Greg Hinz – drums

KROKUS – “ALIVE AND SCREAMIN'” IS A HEAVY METAL FIND ON VINYL!

Posted in 1980's hard rock albums, 1980's heavy metal albums, 1980's heavy metal ballads, 1980's live heavy metal albums, 1980's hard rock bands, 1980's heavy metal bands, 1980's heavy metal guitarists, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal bands, 1980's metal music, 1986 heavy metal albums, 1986 heavy metal music, Album Review, cool album covers, current heavy metal bands, hard rock bands, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1986, heavy metal history, heavy metal music, heavy metal records, live heavy metal albums, metal odyssey, Music, old school heavy metal bands, rock music with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on January 22, 2010 by Metal Odyssey

KROKUS – Alive and Screamin’, on vinyl and in mint condition, with it’s original album plastic still covering it… there it was, on one of my recent Heavy Metal hunting expeditions, sitting in an antique mall screamin’ for me to buy it. Five bucks I shelled out to bring this vintage, Old School Heavy Metal album home with me. Five bucks. This great Krokus album was opened by someone in the past, still, the vinyl and original inner sleeve itself is mint! Plus, as a Metal bonus, it plays just fine! I deliberately went to visit this antique mall for a find … a Metal find that is. It’s not as if there are truck loads of vintage or current Heavy Metal albums and memorabilia at this antique mall, not in the least. I really have to scour the goods, peruse the aisles and sniff out the Heavy Metal from where it is hiding. It’s good times for me, searching for Heavy Metal albums or anything Hard Rock/Heavy Metal related at these kind of places. I’m a nostalgic Metalhead, always was, always will be. Finding and collecting the Heavy Metal vinyl I once owned or never owned is a natural Metal high for me, especially when I land them mint and cheap! As long as I have a turntable or two to play these albums on, the Metal enjoyment shall carry on long after the purchase.

Alive and Screamin’ marked the first live album released by Krokus. Overall, this live album has fantastic sound quality, a very well produced live album. This live Krokus album proves for me, to be an Old School and heavy warm-up to the new upcoming Krokus albumHoodoo, that is set for a February 26, 2010 release! What a heavy duty way for Alive and Screamin’ to start off, kicking into Heavy Metal gears with Long Stick Goes Boom, Krokus sets the tone for the remainder of this live album, they made the statement a long time ago… that they came to kick some Heavy Metal ass.

Stayed Awake All Night and Eat The Rich sound unreal great, with all of the heavy and live elements happening, it’s psyche you-out city! Metal truth be told, I really had a blast revisiting Alive and Screamin’… I actually spun this album on the turntable four times in a row! No skips or crackles… just a real mint album I found here. I actually wonder if this album was ever played in the past at all. I’m playing this album on a regular basis, loud too!

Headhunter is certainly the heaviest Krokus song on Alive and Screamin’, an all-time favorite Krokus song of mine too. Another Metal truth be told is: I actually like the live version of Midnite Maniac better than the studio version. Often times it happens this way for my Metal ears.

Screaming In The Night proves to be a quintessential Heavy Metal ballad, of historical Krokus importance. To this very day, I cannot get enough of Screaming In The Night, this song just seems to flow in it’s heavy uniqueness. Marc Storace on vocals sounds terrific on each song, the same can be said for each member of Krokus on Alive and Screamin’. Fernando Von Arb and Marc Kohler on guitars just  seem to ignite these classic Krokus songs.

Krokus, as they appeared on Alive and Screamin’:

Marc Storace – lead vocals

Fernando Von Arb – lead guitar

Mark Kohler – rhythm guitar

Tommy Keiser – bass guitar

Jeff Klaven – drums

* Alive and Screamin’ was recorded live in the following cities: Amarillo, Texas, Cincinnati Ohio, Baltimore Maryland, Poughkeepsie, New York and Toronto, Canada. (Source: liner notes on the inside album sleeve).

Track listing for Alive and Screamin’:

(Note: Krokus studio album from where song originated in parentheses)

Long Stick Goes Boom – (One Vice At A Time)

Eat The Rich – (Headhunter)

Screaming In The Night – (Headhunter)

Hot Shot City – (Change Of Address)

Midnite Maniac – (The Blitz)

Bedside Radio – (Metal Rendez-vous)

Lay Me Down – (Alive and Screamin’)

Stayed Awake All Night – (Headhunter)

Headhunter – (Headhunter)

* Lay Me Down was the first time this song appeared on a Krokus album.

* Alive and Screamin’ was released in October of 1986, on Arista Records.

* The front cover of Alive and Screamin’ was created by world renowned illustrator – Les Edwards.

* I really, really, really, dig the front cover album artwork of Les Edwards – that is one evil looking vampire. If it’s not a vampire, then it is one vile and evil looking dude that I would not want to encounter in a dark alley. Metal be damned, this evil face sincerely reminds me of my old High School chemistry teacher as well. I wouldn’t want to encounter a vampire or my old H.S. chemistry teacher in a dark alley either.

GRIM REAPER – “SEE YOU IN HELL” 1984 VIDEO EXPLODES OLD SCHOOL HEAVY METAL!

Posted in 1980's heavy metal albums, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal bands, 1980's metal music, 1984 heavy metal albums, 1984 heavy metal bands, 1984 heavy metal music, cool album covers, current heavy metal bands, hard rock music, heavy metal album covers, heavy metal albums, heavy metal albums 1984, heavy metal bands, heavy metal history, heavy metal music, heavy metal music 1984, heavy metal videos, heavy metal vocalists, metal music, metal odyssey, Music, new wave of british heavy metal, old school heavy metal, old school heavy metal bands, rock music, scary album covers, vintage heavy metal albums, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , on January 16, 2010 by Metal Odyssey

Grim Reaper – See You In Hell. This album was released in 1984, (on RCA Records). I was a senior in high school and in dire need of some Metal “pick-me-up” on a daily basis… Grim Reaper delivered with this album and song. Metal truth be told, See You In Hell was my very own anthem, that I would sing under my breath to my antagonists, back in those days. See You In Hell is still a very inspirational song for me today… and why not? It’s more polite to sing these lyrics under my breath at those who irritate me, than to say f**k off to them. I am a considerate Metalhead after all. Looking back on this debut album – See You In Hell from Grim Reaper, it just screams Old School Heavy Metal from every dark corner. Raw. Very raw. Grim Reaper later polished their Metal up a bit with their next two albums: Fear No Evil (1985) and Rock You To Hell (1987). Nonetheless, this debut album from Grim Reaper remains my favorite out of their three studio albums. I can remember catching this video for See You In Hell on MTV’s Headbangers Ball, it was absolutely a favorite Heavy Metal Music video of mine, back in the ’80’s… it still is.

At the end of the Metal day, See You In Hell is an album I look upon with the fondest of Metal memories. This wasn’t a superstar Heavy Metal band, instead this was a blue collar Metal band that brought the heavy goods to an eighteen year old who needed it most back in 1984. Grim Reaper was not built on selling their looks and style for GQ magazine… they were built on Metal. I understand lineup changes occur over the years, still, I sincerely hope for Steve Grimmett and Grim Reaper to maybe consider a strengthening of their Metal reformation – into a new album of headbanging songs… that would make my middle-aged Metal day.

The See You In Hell video below just explodes everything Old School Heavy Metal. From the overall production to the Metal of Grim Reaper… this was back in the day when the song and Metal mattered the most and not the smoke and mirrors of a visual experience.

To learn all you want about the career of Steve Grimmett, (lead vocalist of Grim Reaper, Onslaught, Lionsheart and The Steve Grimmett Band, click on his MySpace Music Page link here: Steve Grimmett/Grim Reaper/Solo Artist – MySpace Music Page

Here is a cool Grim Reaper – Tribute Site to check out: GRIM REAPER – Tribute Site

Grim Reaper, as they appeared on See You In Hell:

Steve Grimmett on vocals

Nick Bowcott on guitar

Dave Wanklin on bass

Lee Harris on drums

Track listing for See You In Hell:

See You in Hell

Dead on Arrival

Liar

Wrath of the Ripper

Now or Never

Run for Your Life

The Show Must Go On

All Hell Let Loose

LONG LIVE GRIM REAPER!

SEE YOU IN HELL!

JUDAS PRIEST – “PAINKILLER” ALBUM FROM 1990 STILL EXPLODES METAL FEROCITY

Posted in 1970's heavy metal bands, 1980's heavy metal bands, 1980's metal bands, 1990's heavy metal albums, 1990's heavy metal bands, 1990's heavy metal songs, 1990's metal bands, Album Review, cool album covers, current heavy metal bands, guitar legends, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1990, heavy metal bands, heavy metal guitarists, heavy metal history, Heavy Metal Reviews, heavy metal vocalists, metal music, metal odyssey, Music, old school heavy metal, old school heavy metal bands, rock music, thrash metal music with tags , , , , , , , , , , , , , , , , , , , , , , , on January 13, 2010 by Metal Odyssey

Ferocity: the quality or state of being ferocious. That is what I hear each time I crank up Painkiller from Metal legends – Judas Priest. Painkiller was released on September 3, 1990, on Columbia Records. Yes, the 1990’s was ushered in with quite a Metal explosion with this album. Consider that it was 1990, twenty years ago when this amazing Metal album was first released. My Metal point is this: if Painkiller was to have been released today, there is more relevance in it’s Metal in 2010 than ever before, encapsulating everything that is fast, heavy and hard about Metal Music. Honestly, if Painkiller was released in 2010, it would be an enormous candidate for my #1 Heavy Metal album of the year. However, the reality is that Painkiller is an album from the Metal past, only it seems to still have more of an impact on me than I could ever imagine. This was the 12th studio album from Judas Priest, (if you are to consider the 1978 U.K. release of Killing Machine, basically the same album as Hell Bent For Leather, only it is minus The Green Manalishi (With The Two-Pronged Crown). I am not reluctant to state, that this Judas Priest album is arguably the heaviest and fastest album in their catalog. Despite my abhorring the Grammy’s, Judas Priest was nominated for best Metal Performance in 1991 due to Painkiller.

The two songs on Painkiller that standout for me, which are easily two songs I can listen to every day of my life, repeatedly, are: Painkiller and A Touch Of Evil. My inner Metal struggle as of late, is knowing that A Touch Of Evil is my single most favorite, Heavy Metal song of my entire Metalhead life. Why is that an inner Metal struggle for me, you ponder? Well, due to the fact that I simply cannot believe I actually know this is the song! Plus, it did not dawn on me until recently… maybe sometime before the holidays of 2009. I will tell you this though… it is a really cool Metal feeling when it hits you and the realization kicks in, that you finally know that this is THE song. Could A Touch Of Evil ever be replaced by another Metal song as my lifetime favorite? Maybe. I’ll know when it hits me. One thing is guaranteed though… it would NEVER be a Daughtry song.

The song Painkiller is for all Metal intents and purposes… Thrash Metal. I applaud the fact that Judas Priest showed the world that yes… Thrash Metal is in their forte. All ten songs on Painkiller are immense, there is no weak link to be found. The re-release of Painkiller has two bonus tracks: Living Bad Dreams and Leather Rebel (Live). Both of these songs are great for me, still, I don’t see how a “live” bonus track ever fits into a studio album to begin with.

With Painkiller being the last studio album with Rob Halford at the vocal helm, (until the 2005 Judas Priest release – Angel Of Retribution), it showed us die-hard Metalhead followers of Judas Priest that we shall never take anything for Metal granted. Tim “Ripper” Owens is a fine lead vocalist, (taking over lead vocals on 1997’s Jugulator and Demolition from 2001), still there is only one Metal God, one original lead vocalist for Judas Priest… Rob Halford. During Rob Halford’s departure from Judas Priest, Fight became his very own Metal creation… a band that I uphold highly and find extremely thrilling. I did blab and brag about Fight one time… you can check it out by clicking the header below:

Fight was one incredible Metal band!!

Recently, the 2009 release – The End Of Tomorrow from Ravage, paid tribute to this Painkiller album and Judas Priest by having in it’s track listing… the cover of Night Crawler. Ravage did a fabulous Metal job at covering Night Crawler too. In 1990’s retrospect, yes, I would without hesitation, point right at Painkiller as being a top ten Heavy Metal album of that decade. Those of you who do own Painkiller hopefully understand my excitement over it… those of you who do not own Painkiller just yet, well, you are missing out on one damn incredible Judas Priest album for sure, in my Metal opinion.

Judas Priest:

Rob Halford – vocals

Glenn Tipton – guitar

K.K. Downing – guitar

Ian Hill – bass guitar

Scott Travis – drums

Painkiller was produced by Judas Priest and Chris Tsangarides.

Track Listing For Judas Priest – Painkiller:

Painkiller

Hell Patrol

All Guns Blazing

Leather Rebel

Metal Meltdown

Night Crawler

Between The Hammer & The Anvil

A Touch Of Evil

Battle Hymn

One Shot At Glory

Re-release Bonus Tracks:

Living Bad Dreams

Leather Rebel (Live)

W.A.S.P. “THE HEADLESS CHILDREN” 1989 PICTURE DISC IS FOR KEEPS!

Posted in 1980's heavy metal albums, 1980's heavy metal cover songs, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal picture discs, 1980's heavy metal songs, 1980's metal bands, 1980's metal music, 1989 heavy metal music, 1990's heavy metal bands, 1990's heavy metal music, Album Review, collecting heavy metal albums, cool album covers, creepy album covers, current heavy metal bands, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1989, heavy metal bands, heavy metal guitarists, heavy metal history, heavy metal memorabilia, heavy metal music, heavy metal music 1989, heavy metal records, metal music, metal odyssey, Music, old school heavy metal, old school metal bands, rare heavy metal records, rare picture discs, rock music, scary album covers with tags , , , , , , , , , , , , , , , , , , , , , , , , , on December 30, 2009 by Metal Odyssey

I bought this W.A.S.P.The Headless Children picture disc way back in 1989, I don’t remember the actual month, all I remember is being completely thrilled by this W.A.S.P. album. I initially bought The Headless Children on cassette… I still have it too… in super duper mint condition. I’ve mentioned in past posts, that I am fortunate by keeping some of my Heavy Metal picture discs from the 1980’s. I really am psyched that I did keep this W.A.S.P. picture disc, especially since W.A.S.P. has never ceased with Heavy Metal output over the years. Add the fact that W.A.S.P. is in my top 5 of favorite lifetime bands and that about says it all. Now that I have immersed myself so deeply into the 2009 release from W.A.S.P. – Babylon, I find myself wanting to collect more offbeat and collectible W.A.S.P. stuff. Time, patience and greenbacks are all key, in striving to achieve any collection that I so crave. I will stumble upon some W.A.S.P. stuff in 2010… and when I do, I will blab away about it right here on Metal Odyssey, you betcha.

Metal Odyssey Note: I just cannot wait to hit up the flea markets and thrift stores in 2010… Metal Music hunting will be turned up a notch this coming year, I vow to make the finds a Metal reality, at low end prices to boot! All of the discarded and unloved Metal memorabilia out there, shall be saved upon my finds! (That felt so tremendously great, to get that out of my system).

Uh, yeah, back to this unreal great picture disc. Blackie Lawless started to get a bit more serious with his song lyrics and themes on The Headless Children, the proof is in the listening and/or reading of these lyrics. My Metal buddy Scott agrees with me on that statement… I think he is the one who actually stated it to me! Blackie Lawless either wrote or co-wrote every song on this album, with the exception of The Real Me, (which was written by Pete Townshend – guitarist/vocalist for the ultra legendary The Who). The Heretic (The Lost Child) and Thunderhead are two songs on this album that Blackie Lawless co-wrote with lead guitarist Chris Holmes. The Headless Children and The Real Me are my two favorite songs on this album. Let me just say that every song on The Headless Children is Old School – wrecking ball – Heavy Metal. No one Metalhead out there can do wrong by buying this album, Metal truth be spoken… it is a must own. In my Metal opinion, I consider The Headless Children to be a very strong W.A.S.P. album, the foundation for the great run of albums Blackie Lawless delivered in the 1990’s. The Headless Children picture disc I have owned for so long, well, it IS a keeper.

The front cover/side A of this picture disc, has the original front cover album artwork, (see image below). On the B side of this picture disc are the complete lyrics to the songs, printed right onto the vinyl. The thick plastic sleeve that this picture disc has been safely stored in, for over 20 years, also came with a cardboard backing insert too… it has a black & white photo of Blackie Lawless with Chris Holmes to his left and Johnny Rod to his right. The cardboard backing – cover photo is right here… look below:

W.A.S.P. as they appeared on The Headless Children:

Blackie Lawless – lead vocals & guitar

Chris Holmes – lead guitar

Johnny Rod – bass guitar & vocals

Frankie Banali – drums

** Lita Ford – provides backing vocals on Thunderhead

The complete track listing, for the original 1989 album release and picture disc of The Headless Children:

Side One:

The Heretic (The Lost Child)

The Real Me

The Headless Children

Thunderhead

Side Two:

Mean Man

The Neutron Bomber

Mephisto Waltz

Forever Free

Maneater

Rebel In The F.D.G.

* A Metal Note: Maneater is NOT the Hall & Oates song, NOT! Ugh.

Release date for The Headless Children original album: April 15, 1989

Release date for The Headless Children picture disc: Sometime in 1989

Record Label: Capitol Records

The Headless Children picture disc code, (whatever that is, it’s on it anyways): ESTPD 2087

Here is what The Headless Children picture disc looks like, front/A side:

If you look really closely at the artwork on The Headless Children, there are quite a few real life bad dudes on the cover. How many can you identify?

SCORPIONS – “SAVAGE AMUSEMENT” 1988 ALBUM FLASHBACK

Posted in 1970's heavy metal bands, 1980's heavy metal albums, 1980's heavy metal ballads, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1990's heavy metal bands, Album Review, classic rock music, cool album covers, current heavy metal bands, hard rock music, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal albums 1988, heavy metal bands, heavy metal bands from germany, heavy metal guitarists, heavy metal history, heavy metal music, heavy metal music 1988, heavy metal vocalists, metal odyssey, Music, old school heavy metal, power metal music, rock music, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , on December 24, 2009 by Metal Odyssey

Scorpions. Scorps. Thank you very, very, much Germany. How much Metal praise can I really give this band without sounding too smoochy? Since 1972, the Scorpions have created twenty plus albums, (both studio & live), etching out an undisputed place in Heavy Metal history… better yet, Rock history. I have numerous favorite albums from the Scorpions, one such album is Savage Amusement, released back in 1988. O.k., this album leans towards commercial appeal… quite frankly, I don’t give a crap. The songs on Savage Amusement are solid and laced with quality from every Metal angle. I can never resist listening to Don’t Stop At The Top repeatedly and very loud. Savage Amusement has the late ’80’s Arena Rock atmosphere encompassing each song, a sound that is so identifiable to that decade. I am currently listening to Savage Amusement while I write this post… I am starting to get psyched out at the moment… We Let It Rock… We Let It Roll is playing right now… excuse me please while I go and play some spastic air drums.

Alright, I’m back, man that song is a Metal kick for me. You know, when I go off playing air drums while I am sitting at a red light in my car, people look at me with such amazing disgust… go figure. Nothing beats the privacy of your own home for letting loose with Heavy Metal… Scorps Metal too. When music, Heavy Metal Music, can affect my mind and soul like this Savage Amusement album can, it reminds me how great it is to be alive. Listening to this album reminds me of the day I bought it on vinyl back in 1988. I bought this album along with Sevent Son Of A Seventh Son by Iron Maiden. If I am not mistaken, both of these albums were released the same week back in 1988. I remember walking into my graphic design class, (at Northwestern Connecticut Community College), with both new albums under my arm… one damn happy Metalhead I was that day. I was showing off both of these albums to my fellow classmates like they were baby pictures in my wallet.

Saying this once again – I have never been the huge fan of Heavy Metal ballads. However, the Scorpions always know how to do a Heavy Metal ballad right. Believe In Love is one Heavy Metal ballad that gives me those Metal duck bumps up and down my arms. Klaus Meine… his vocals are insanely unreal great. When Klaus Meine sings a ballad, he does so with profound emotion, nothing sounds fake about it. Rhythm Of Love is another powerful Scorps song for me, one that received plenty of FM airplay back in the late ’80’s too. I remember daze, I mean days, when I used to cruise to this song… with little cares in the world to ruffle my Metal feathers. It just seems that a great album like Savage Amusement will always stand the test of time… that is what elite musicianship does, weaving through the decades and sounding better with each listen.

Thank you Scott for hooking me up with this classic Scorpions album, I now finally have it on CD.

Track Listing For Savage Amusement:

Don’t Stop At The Top

Rhythm Of Love

Passion Rules The Game

Media Overkill

Walking On The Edge

We Let It Rock… We Let It Roll

Every Minute Every Day

Love On The Run

Believe In Love

Scorpions, as they appeared on Savage Amusement:

Klaus Meine – lead vocals

Rudolf Schenker – rhythm guitar, backing vocals

Matthias Jabs – lead guitar, backing vocals

Francis Buchholz – bass guitar, backing vocals

Herman Rarebell – drums, percussion, backing vocals

IRON MAIDEN – “KILLERS” STILL REIGNS AS A KILLER OF A METAL ALBUM

Posted in 1980's heavy metal albums, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal bands, 1980's metal music, 1981 heavy metal music, 1990's heavy metal bands, Album Review, classic heavy metal albums, cool album covers, creepy album covers, current heavy metal bands, essential heavy metal albums, guitar legends, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal albums 1981, heavy metal bands, heavy metal bands from england, heavy metal drummers, heavy metal guitarists, heavy metal history, heavy metal music, heavy metal vocalists, metal music, metal odyssey, Music, old school heavy metal, progressive metal, rock music, scary album covers, vintage heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , on December 12, 2009 by Metal Odyssey

As decades pass and thousands of Heavy Metal albums are released, there will always be those select titles that are still left standing tall. Iron Maiden Killers is one of those select albums that reigns as a killer for me… 28 years after it’s June 1981, U.S. release. Killers epitomizes Old School Heavy Metal, plus Iron Maiden legitimizes the single word – Metal, as it’s very own sub genre. Whenever I think of “Metal” the first band that comes to my mind is Iron Maiden. I sometimes debate myself senseless, asking why isn’t Iron Maiden my favorite Heavy Metal band of all time? Then, I ease my confusion by just knowing that Iron Maiden is and forever will be a “core” band of mine. Killers essentially was faster and harder than many traditional Heavy Metal albums of it’s time… the great part is that Iron Maiden was just beginning to “touch upon” the progressive side of Metal Music, an attribute they became so legendary for.

Back in 1981, the Thrash Metal movement was the welcomed storm on the horizon… Iron Maiden was the baddest and heaviest outside of just a select group of their peers. Motorhead, Black Sabbath, Judas Priest, Scorpions and Accept come to mind, when deciphering which Metal bands were as hard and heavy as Iron Maiden, back in 1981. Still, outside of Motorhead, Iron Maiden was about speed, the songs on Killers are overall – fast. Exceptions do exist, Prodigal Son is a slower paced Iron Maiden song without a doubt. The tempo being dictated by the acoustic guitars only magnifies the slender tempered sound of Prodigal Son. (Going back to the debut Iron Maiden album, Remember Tomorrow signified the flirtation with somberness that this legendary band would revisit in future albums, Prodigal Son carry’s over this assertion).

Backtracking to the intro of Killers, The Ides Of March, I insist that this was the sign of all Metal things to come on this prolific album. The Ides Of March is heavy, it is melancholy, dark and foreboding… in essence, a Metal prelude or warning if you will, that Iron Maiden was not fabricating or pretending. Twilight Zone is the song from Killers, where I feel Paul Di’Anno is at his giant best, vocally. Certainly, it is my personal opinion, as is the case with this entire article. Genghis Khan is the Metal instrumental that catapulted the musical identity of Iron Maiden, the trademark sound of this soon to be – historic Metal band. My eyeballs still pop open wide, to this very day, each time I listen to Genghis Khan.

When it comes down to musicianship, what honestly can be nit picked here? Iron Maiden as a unit on Killers made layering famous and vogue – basically instigating Progressive Metal from it’s dormancy. I cannot and never will find a fault with this legendary Iron Maiden lineup, Paul Di’Anno was the lead singer for this band in 1981 and a damned great one too… Metal case closed. Even back in the mid 1980’s, I never gave a damn about comparing Paul Di’Anno to Bruce Dickinson… what’s the point? Any seasoned Metalhead knew then and should know now, that these two lead singers are worlds apart with technique and range. In my Metal opinion, one is not better than the other, they are both unique and stylistically genuine. Paul Di’Anno gave the songs on Killers a mysterious tone, his vocals created a fog invading sound scape that bordered on macabre.

Murders In The Rue Morgue is my favorite song on Killers. Again, it’s speed, hard and heavy that this song illuminates. Paul Di’Anno never needed to hit the highest note on the planet to make Murders In The Rue Morgue an Iron Maiden classic, instead his fiery swagger is not just heard vocally, it is felt. Dave Murray and Adrian Smith unleashing their duo guitar leads proved that there was another one-two Metal guitar punch out there… alongside Metal guitar legends Glenn Tipton and K.K. Downing of Judas Priest. Clive Burr on drums was not an enigma, he was THE drummer for Iron Maiden during the most important years of their maturation. And then, there is THE bass guitarist for Iron Maiden. To better accentuate my Metal point here, what Babe Ruth will forever be to the history of baseball, what the Mona Lisa will forever be to the history of fine art portraits, Steve Harris will forever be of equal importance to the history of Heavy Metal and Metal Music. Go ahead, listen or re-listen to Iron Maiden Killers… then listen really closely to the bass guitar playing of Steve Harris, hopefully you might just understand what I mean.